Nai loved his mother, he truly did. If not, why would he grace her mercy to escape the ship with them? Why wouldn't he kill her himself, and instead left fate to decide upon her demise?
He loathed the Rem he sees in Luida, the Rem he sees in Meryl, the Rem he sees in Vash; he hates the 'Rem' that was crafted in his mind over the years, haunting him wherever he go. But would he hate the actual Rem had he seen her again?
Nai loved her just as much as he hates her, and he hates that he loved her, just as much as he hates the humanity both his loved ones had chosen over him.
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You know how a lot of these big Victorian houses have seemingly useless railings around windows that are clearly not balconies? Come to find out these sorts of houses were built so that you could close off parts of the house from each other, like if you had guests or were hosting a party or something. But staff still needed to be able to get around so these windows would be large enough that staff could go out one window from one closed off section of the house to the other. It also gave the effect that guests rarely actually saw staff moving around doing day-to-day tasks. And apparently, a lot of these windows had hidden panels that swung out and make it look like the window wasn't there from inside the room
When I heard that, I immediately thought about a lot of modern criticism of older novels books that feature wealthier protagonists, who talk about their isolation and loneliness. I've heard people discussing these protagonists say things like "How can you be lonely when you're surrounded by staff? It must be their sense of class that prevents them from seeing the staff as people who they can socialize with". That is absolutely at play, don't get me wrong. But with the windows in mind and the knowledge that one of the marks of a good staff at the time was to be as unseen as possible, I think it's completely possible that these protagonists, and the real people they represented, really DID feel that they were completely alone in their houses. Not only were all these social structures in place to keep them separate from everyone else in the house, but also these physical structures that further limited interaction. Because we no longer build houses like this and a lot of older surviving houses no longer have this feature, it's a bit of context that modern readers aren't aware of
I think it's really interesting, cause it gives a whole new context to these stories and social life in the period, and also makes me wonder about what other context that we're not aware of when looking at history or fiction from previous time periods that would re-frame our understandings of the event of those times