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#media and entertainment companies
livestreamingplatform · 9 months
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Digital Asset Management for Media and Entertainment Companies
Digital Asset Management (DAM) is a vital solution tailored for media and entertainment companies seeking efficient control over their digital assets. These assets encompass a wide range of media, including images, videos, audio files, and more. DAM providers offer comprehensive tools to organize, store, retrieve, and distribute these digital assets seamlessly. With digital media asset management solutions, organizations can streamline workflows, enhance collaboration, and maximize the value of their media resources. Whether it's managing digital videos, curating captivating images, or optimizing content distribution, DAM empowers media and entertainment brands to excel in the digital landscape.
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educationisimp0 · 10 months
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The ongoing changes in the media and entertainment business are likely to continue in 2023. Organizations built on a robust analytics foundation and analytics culture can innovate and make wise decisions.
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On the Collapse of HBO Max and the Importance of Physical Media
https://www.slashfilm.com/612335/best-movies-of-2021/
This article is a great articulation of a problem I have noticed increasingly over the past couple of years.  As more and more movies and shows simply are not released on physical media, I’ve waited for something like the collapse of HBO Max to highlight a huge problem: we are no longer able to own our entertainment.  Streaming is, at its most basic, a rental.  We pay to rent, and that’s if we have a high-quality and stable internet connection.  Those who lack internet are basically shit out of luck for entertainment.
And more than that, when a streaming service suddenly vanishes, or merges with another and does a purge of their shows and movies, those shows and movies simply ... vanish.  They no longer exist unless some enterprising individual pirates it.  At that point, the only way to access a piece of art is through illegality.  
And this is why I’ve been so angry about the ‘phasing out’ of physical media.  If I like a show, let me buy the season.  I’m fine paying more for the boxed set of physical media that I then own, no matter what the platform that originally hosted it does after.  Let me take those shows with me even if I go to a place without internet.  Let me get special features and lovingly crafted DVDs that give me behind-the-scenes peeks whenever I want.  Ditching physical media puts us all at the mercy of giant media conglomerates, begging them to let us watch something we have paid for many times over.  And they can take it away whenever they want.  So buy DVDs or Blu-Ray or whatever you like.  But make sure you shore up your collection of the things you love, and never trust a media company.  They’ll drop you the second they feel like they’ve pumped enough money out of you.
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Watcher: *simply demands more money from viewers just so they can create content to put behind a paywall while raking in money from Patreon, merch sales, and ads*
Me, a filmmaker who has been making countless submissions to filmmaker labs, fellowships, grants, and programs with a fully written script, synopsis, treatment, detailed budget, future distribution plan, and 3-minute pitch video, just so that I can create low-budget film:
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There's something extremely funny (and by that I mean sad) in the fact that, not only entertainment american productions are entirely directed by the old white men executives at the top of the companies and not the diverse, multicultural ensemble of people who worked hard on them, but that the execs actually are inconsistent about it.
This year is filled with perfect examples: you have Strange World this november, an animated movie with POC and lgbtq+ rep, happening in a freshly odd universe, and the execs went 'oh no a liberal movie let's do our best to sink it so people never talk about it and give the studios 0 marketing budget so that it looks like there's no audience for this movie, and we'll have a good reason to never make one ever again'.
And then on the other hand you have the tv series Severance that released in february which is a psychological thriller with mystery and a white main character so the execs went 'ooooh a large audience to market on' so they boosted it up. But what they didn't realize and frankly it's hilarious, is that Severance, in the same vibe than The Boys on Amazon Prime Video, is a show that mocks the system of its own production company. Severance mocks formatted dull work places and formatting and is produced by Apple. The Boys mocks rotten corporate means and is produced by Amazon.
So that MEANS that executives, who work in those shitty companies, and you would expect them to have at least a few brain cells since they are multi billion international companies, don't even check what a media is about if it looks from afar that they can market on it and make a lot of profit, but will stop right in its tracks a media that remotely looks like it's out of the mold.
TL;DR: Executives from the world's biggest entertainment companies not only have trash opinion, but they don't even do they job correctly on stuff they approve.
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lexicals · 4 months
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I think it's a wonderful thing that even something mediocre or bad can be fun if you're experiencing it with friends
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t00thpasteface · 2 years
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"can we keep an open mind about rop and not just hate it as a big mean bandwagon 🥺" no. it is an amazon™ brand product and therefore it must be boycotted and destroyed. do not give this unionbusting megacorporation your money nor praise. you deserve better entertainment and representation than the paltry scraps bezos the billionaire deigns to throw onto the floor for you
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morocosmos · 25 days
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Really wish the average video game player could have more than a smidge of knowledge on how most games are made by teams of individuals working together to make a duct-taped ship move, and not 'That One Guy single-handedly did all of that one component'
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danadaria · 1 month
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My two cents about the Watcher drama:
Beyond people feeling betrayed, beyond having to pay for another streaming service —in this economy?!— and beyond the fact it may be a bad business model to go from 0 to 100 on one new idea:
I think one of their biggest mistakes is the fact their video didn't communicate what they need it.
And it's big deal if your industry is communication and entertainment.
Let's put aside if people have money or no, or if Watcher knows their audience.
The problem I'm seeing is that they're not selling excitement.
Show me the new shows teasers!
Show the new faces!
Show how cool is your new platform!
At least show what would you like to build!!!
I said let's put aside the money issue, becase let's be honest, not everyone, but some people will spend the $5-6 dollars. Everyday people spend that money without thinking. Even me, I'm unemployed as hell, but if I had the 5 dollars I could say "treat yo' self" and buy the short term happiness for a month.
But the thing is, aside the countdown timer, there are zero anticipation because they hadn't show anything shiny and new and exciting.
And the issue is, when they say they want to do "television caliber content" and your audience is your investor/executive producer, you NEED to show what is the thing you're creating or want to create.
And the last video?
Taking out the parts where they are asking for money, this video would be so perfect to be published once they ran for a while the transition period, and things started to take off. A thank you, showing "we were these guys with a suitcase full of dreams, and now, it's the last video".
I didn't follow much of the worth it series, but I remember Ryan and Shane going for an entire parallel season between unsolved and watcher, before going with their own thing. In fact, I remember Unsolved did a making of/homage as their last video. And it was moving and at the same time, ending in a hopeful note about their futures.
But the reality is, they uploaded the video they uploaded, and they are selling their hopes and dreams as the product.
And when you sell hopes and dreams, if something goes wrong it ends feeling like a personal attack for everyone involved.
Anyway, I wish them the best.
I hope they find a way to reconnect with their audience and build the platform and content they want to build.
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tears-that-heal · 2 months
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HUZZAH!!! I finally completed watching the Clone Wars series! It took me quite awhile since my life has so busy lately. I know, I'm so behind the times, too. Lol 😜 It really doesn't matter tho. I'm just seriously even more an Ashoka fan, now! It was her debut on The Mandalorian series that truly captured my attention, which lead me to watch the AHSOKA series. It was super great casting Rosario Dawson to play the role, and she did an excellent job. ❤️
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I'll be starting the Star Wars Rebels series next, which I've been most eager to watch. I now even more wish George Lucas held onto the rights for the Star Wars Universe. Walt Disney Company; Bob Iger truly ruined the love and lore of this wonderful sci-fi franchise with their last three feature films. There's still Hope for further redemption with the success of The Mandalorian series and possibly more awesome Stars Wars series to come. I personally want to see a Season 2 of AHSOKA! 😉 Lol
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godofsmallthings · 4 months
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oh make the powerpoint please ... as someone who knows jack shit about katya except for your posts im interested ksjdjfdfkj
omg i will gladly educate everyone about the wildly wonderful human being that is katya zamolodchikova come ppt night 🥰
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educationisimp0 · 1 year
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Media and Entertainment Industry Making Use of Big Data Analytics to Drive Disruptive Growth 
In today's environment, media and entertainment companies are attempting to differentiate themselves from their competition by providing entertainment and material that their audiences like. To do so, businesses must have a thorough understanding of their target audience, including when and how they choose content and products. This is where big data analytics comes into play. Leading players in the media and entertainment industries, such as Netflix, Amazon, and Disney, have already used big data analytics as part of their operational framework to improve the viewer experience. Hulu is well-known for employing analytics to acquire and recommend content. Similarly, many entertainment organizations use big data and artificial intelligence analytics to better their offers and optimize their procedures. 
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t-jfh · 8 months
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Anchuli Felicia King is a Thai-Australian playwright and multidisciplinary artist. (ABC Arts: Teresa Tan)
Playwright Anchuli Felicia King had to leave Australian theatre in order to conquer it.
By Dee Jefferson
ABC Arts - 31 October 2019
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David Koutsouridis is an award-winning Australian comedy writer based in Los Angeles. (Supplied)
Aussie writer on Hollywood picket lines says strike is pivotal for global entertainment industry.
By Mawunyo Gbogbo
ABC News - 7 June 2023
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Our local industry is being shaped and shaken up by the international streamers, including Netflix who produced the reboot of Heartbreak High. (Netflix)
As the US actors' and writers' strike continues, how does the Australian screen industry measure up?
By Hannah Reich for Stop Everything!
ABC Arts - 19 September 2023
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deadsetmedia · 8 months
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Enjoy a tasteful pic of our co-founders, Dallas Welk and Zach Amory, on this fine #tbt.
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lucy-ghoul · 8 months
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finished atla and thoroughly enjoyed it... but what i'm going to do without my girl azula now?? her ending was so sad (and yet exactly what i expected)
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technoturian · 2 years
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I had some of this in the tags of that Mufasa movie reblog but decided to make a seperate post.
Disney rewriting their Lion King backstory as previously established in sequels and tie-ins just made me think about all of those thinkpieces on streaming and media being made to be binged and forgotten along with the warnings about companies being able to manipulate their products post-release.
Disney constantly retconning, tinkering and overwriting canon whenever they want a fresh new product, their mindset of churning out short term novelty at the expense of long term brand is pretty shocking as someone who grew up a Disney kid. How do you build the nostalgia the brand was famous for, how do you build stories that last and maintain a depth of feeling, when you have no consistency? When the next one will just overwrite the last? When you make things to be consumed and discarded?
Disney became a titan because it understood legacy and now it’s the fast fashion and single use plastics of the entertainment industry.
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