there’s something so bittersweet and lovely about fanfic, at it’s core. it’s so impermeable, because it’s so individual. fics don’t get finished. fics get lost because they were typed out and sent to friends, in the 70s, and somewhere along the way someone packed it up in a cardboard box and their kids shuffled it to the attic. websites go down. archives get built, but then people lose faith in the story or the canon or the creator and delete them. you read it at like, 3am, and can’t remember the title months later when you look for it again.
the tiktok these comments are from was lamenting about the loss of a favourite fic—it (the tiktok) had 85k+ likes, and over 700 comments, mostly similar to these. people talking about downloading fics to read on a tablet only for them to disappear the next day. using the wayback machine and combing through results, just to find something they loved. i think it’s sweet because it’s so human—how easily we love something, and how easily we lose it. i used to print out my favourite fics, as a kid—i still have a binder of them, buried under yearbooks and the old journals i kept during those topsy turvy preteen years. i could tell you the overarching plot to a Cardcaptor Sakura fantasy AU i read (and loved; it became my personality for months afterwards) but i can’t remember how it ended, or if it even did. i finally broke down and signed up for an account on AO3 specifically to bookmark an old, old fic that i had read somewhere else, years and years and years ago and found again on AO3 only because i accidentally stumbled on the author here on tumblr (i had only found the fic in the first place all those years ago because of a playlist). i used the same shade of lipstick for years purely because a fic i really liked had the main character apply it (it was a limited edition one at the time; i bought my first one from a ebay seller in the UK at double the retail price, lmao) while the love interest watched them, but i can’t remember the name of it, only how it made me feel (and how, for years afterwards, i would wear that shade whenever i felt like the day had something promising to it).
one of the first anon’s i ever got, in the early days of this tumblr, was someone who asked me if it was okay if they downloaded surrender—and of course it was. of course it is. there was a point, during the final stretch when i was trying to write the last chapter, that i almost lost the entirety of what i had written for that fic—and i mean, it was on AO3 by that stage so it would’ve only set me back a chapter or so, but it goes to show how fragile things can be. how sometimes fics only last in tiny ways—because of the unfinished PDF file someone downloads. The patchy memory of someone’s who’s jumbling it and three other fics together. Because someone wore the same shade of lipstick you mentioned, off-hand, for years afterwards.
(this is a love letter to the silent readers; the silent savers. the lurkers. fandom and the internet at large is made of lurkers (eighty-five thousand likes. seven hundred comments). people who saved fics and waybacked them and will reread them, even uncompleted. telling each other we did a good job, that we liked this or we liked that is wonderful, and fun, and a great (and important) way to build a community and has also given me my current friends—but sometimes something you make will matter and live on in a way you will never, ever know. and it’s just how it is. it’s part of the fun and it’s part of the charm. it’s just how we work as people.)
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I need a whole fic where the Cerritos is mistaken for the Enterprise by some type of alien with very high intelligence but very poor visual recognition, for whatever reason.
And Freeman either can't or is too scared to convince them that they're not the Enterprise, so she starts desperately assigning everyone to various roles. Boimler gets assigned as Data, and since he and Mariner are the only people on the ship who play string instruments, the captain orders them to put together some sort of "symphony" because the aliens have heard that that's a thing on the Enterprise.
And it's just Mariner and Boimler frustratedly trying to figure out how to combine her electric guitar skills and his traditional violin skills into something suitably "symphonic" (i.e. thematically trying to combine her more lax/modern way of doing things with his more strict/traditional way).
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I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.
Oh my goodness gracious I’ve been bamboozled
Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.
He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?
Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).
And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).
Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.
Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.
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