It is done! This was so fun to stitch. It's mostly @mathysphere's math sampler, but I got inspired and so 3 of the squares are my own. It was a really lovely pattern to stitch. Lots of tiny finishes, and very easy to pick up and put down which is good because I sometimes only had 10 minutes to stitch. Or was trying to stitch in car line.

I should probably find some shading pixel art tutorials, and this picture doesn't show the binary in the "hello world" square at all. Oh well.

Had a terrifying moment earlier where I thought I’d lost the original pixel art for my Math Sampler-- false alarm, luckily! But when I did find it I found a bunch of rejected square ideas, too, and it’s fun to see how some of the ideas got reused later on! From the top:

Newton’s Cradle-- cut because it’s not so much ‘mathematics’ as ‘physics’. Though I would love to make a physics-themed pattern someday...

Overlapping light colors. This one’s not even a little bit mathematical, so I have no idea why it’s in there? Besides the fact that stitched optical effects are super cool to look at. (case in point)

Hilbert Curve-- tragically had to be cut because it couldn’t fit nicely in a 30x30 square. I made up for it by putting it in one of the Pi Day Puzzle Stitch-a-longs and one of my Octobit pieces, though. :)

A Pie! Certainly the prettiest of the cut squares, but again, not mathematical enough. I remember being sad to cut this one, but just like the HIlbert curve I got to stitch one later, for Pi Day, a couple years down the line. 

Binary numbers: fit the theme, but not the look. This is another one that showed up in a Pi Day Stitch-a-long, where it fit the vibe a lot better. 

Conversing with Machines

I mentioned in a previous post that one of the ways i use modular (and one of the reasons I 💖 it) is creating patches where i am having conversations with the system. I realize if you’ve never played with modular, that may not make much sense, do i decided to record a short video of what i mean. watch me attempt to play one handed while recording

I am playing the pads on the MPC (think of it like a piano keyboard) which is converting that note information into CV (control voltage). What that means is that playing a note is sent as two messages, one which is the pitch, the second being on/off (is the note being played, for how long, etc, think duration). This information is sent as pure analog electrical signals (the voltage = the pitch, it is not saying ‘play middle C’ it’s sending an electric current at a voltage scaled to represent that note).

Once it leaves the MPC it reaches the modules. Some of the modules are designed to take that Pitch and Note On information and synthesize sounds (when people talk modular they usually call these ‘voices’). From there, the sound is passed through others that manipulate/effect it (sampler, granular reverb) before coming back to the MPC to be recorded.

The power of modular is that pitch and on/off aren’t the only signals you can send, and not the only uses for the signals. Basically every knob you see can be turned by hand or by electricity (control voltage). This voltage can be a simple pattern like a triangle wave or something as complex as an audio wave (basically imagine turning a knob SO FAST that your knob twisting is a sound unto itself). You can have the curve of one sound shape a second and then trigger a sample to play at a speed inversely proportional to its volume. If it exists as a basic math or computer science function, there is a module for that (modular is basically playing with math at audio frequencies)

You can make everything interrelated and interactive and chaotic. What you see me doing in the video is playing a simple melody, and then responding to how the system interprets that input. It is intentionally unpredictable. I want playing it to be a two way interaction. I really mean it when i say this is a conversation. I’m talking with my machines 💖

THINGS ARE HAPPENING

I got this sampler pack of merino (I think) in my recent wool order, so that I could spin some yarn for Thai iced tea themed socks 👀

The color on the right side of the middle photo is actually a dark brown even though it looks black in the picture

I did some bad fast math so I could figure out how to split everything up. I'm doing a 3 ply and transitioning the colors at different intervals to get a sort of blended color effect

And like yes you could blend them but I can't because I don't have the tools sadly. Also I think this will look cool anyways ✨

I'm going to do a sample skein in the black to make sure I'm hitting my target WPI and then hopefully I can spin this next week after my Evil Horrible Torture Appointment of Doom (wisdom teeth removal) while I'm recovering if I don't feel too sad/anxious/sleepy/pain (I hate teeth stuff)

I'm really, truly sorry to hear that someone was such a heartless greedy Grinch as to steal your packages meant for your friends. And that other methods trying to fix this came to a dead end. 💔Package thieves always suck, and package thieves around major holidays suck even more. (May *both* sides of their pillows always be uncomfortably warm.)

I think it's a type of Christmas miracle, in it's own right, to decide to take what you do have and share it with your friends all in the spirit of the holidays, if that counts for anything.

idk, just my two credits.🩷 @frostycatblr-fandom-files

Thank you for reaching out, Frost 💚

It has been such a stressful time, that's for sure. So much so that I won't be able to post my next bingo fic on schedule tomorrow because I wasn't motivated to write 😞

I'm not angry, and I know I have every right to be, but honestly, I'm very sad. It may sound silly to grieve over a stolen package, but it's really the context that has me broken.

Growing up, my family had a tradition of getting Christmas treats from two companies named Figis (out of business) and Swiss Colony. They're the type of companies where you order the meat and cheese gift boxes with tortes, petit fours, and those hard candies in the strawberry wrappers.

I've always had a hard time making friends within my age group, and this year, I made a huge effort to try and make friends and have fun with them. I ended up befriending three people, and we kind of became a little squad. We'd go out to the diner till midnight or just chill for hours on end. It made me so happy.

Now that I have these friends, I wanted to give them something special and heartfelt for Christmas. My favorite childhood memory is when the Figis and Swiss Colony boxes arrived in their pretty green and red boxes. It signaled the arrival of Christmas for me, but my friends had never heard of it.

So, I bought them these sampler packs to give them a piece of my childhood that I cherish so much. And that is what was stolen. And that is why I'm upset and grieving, because they didn't just steal a package, a present, or even my friend's gifts. They stole a memory of my childhood.

Maybe it's dumb, but that's how it feels.

I ordered the "27 Favorites" package from Swiss Colony for myself before I ordered the presents for my friends. It came with 4 of everything, well minus 1 because of math, so there's enough to give my friends what was in the sampler, as well as leaving me with one of everything to enjoy. I'll have to get creative with the packaging, but I'll manage.

Christmas really is about giving, and you're right. What better way to show the spirit of Christmas than to give what I have, even if it leaves me with only a little. It's humbling.

I appreciate your two credits 💚💚💚

(For those wondering what we're talking about, here's the post about my stolen package)

Loom & Thread - Island Grammar - math jazz? Piano trio with the pianist doing real-time sampling & replay

Loom & Thread appear to present a take on this most classical of springboards of improvised music: the piano trio. Indeed, Daniel Klein on drums and Tobias Fröhlich on double bass forge that highly engaging, interlocking framework, set in complex juxtaposition to what emanates from the corner of Tom Schneider on keys. This would be a superbly satisfying triangle of planar relational wonder on its own. Imaginative re-adaptation of unexpected shifts, re-grouped into coherent streams of musical thought. Superb clarity despite the pressurised density of form, the emergence of intricate order from spontaneous play. And yet this would be an utterly incomplete description. Because a dozen directions and dimensions and interdependent layers open like trap doors all around, shattering any first impression of a familiar context within just a few seconds of listening. What appears to be piano improvisation in the post-bop tradition soon exhibits abrupt disruptions, impossible shifts, improbable repetitions, movements in frequency and dynamics beyond the physical capabilities of a fixed-pitch instrument deemed so familiar.

How so? Tom Schneider samples his own playing and continuously feeds it back into the ongoing collective stream of the trio. Assigning starting points to the sampled phrases, these are then treated as independent musical events just like the individual tones they contain: a second order of access is created. Signifier and signified in the hands of the same musician, thus driving a two-pronged plane of immanence. This meta-improvisation is thrown at the other two players who now find themselves embroiled in some kind of three dimensional chess game: fending off simulacra and responding to both, idiosyncratic primary phrases of tones and a vibrant multitude of sampled variants. Reflexivity: the piano/sampler continuum with its multi-layered access points to improvisational mapping is then attacking and soothing and further teasing the appropriately angular rhythm section. A wondrous dissolution of the divide between experiencing now and accessing memory. Tom Schneider: piano & sampler Tobi Fröhlich: double bass Daniel Klein: drums & percussion

Sunday Matinee #65 on May 21th!

On Sunday 21st of May it’s Sunday Matinee #64!

On stage from 4PM in no particular order:

Diane Electro Berlin’s favourite garage-punk act. The say about themselves: “Diane Electro (Verdun-Berlin) Punk Garage Electric distorded guitare, drum machine & microkorg solos. Delay voice wizz french accent. Play with words, sing like it's the last time. Love is dead, rock is alive. Let's share megageil Electrorock songs ! OiLala !” https://dianeelectro.bandcamp.com/album/dead-birds-never-die https://www.youtube.com/channel/UCOVvjrcBNjvHWlD3Emhv5XQ

The Gondors One of the first band I saw in Berlin when I first arrive. I thought they were really good. I bet you they still are. Below copied and pasted from their Bandcamp.  “the Gondors is a ‘psychedelic vibes with a touch of fun-smokey-dream’ band. Based in Berlin for the last decade. Amit Alcalai, Javi Scheiner and Omri Gondor are the members of the group. The band started in Tel Aviv in 2007 and moved to Berlin in 2010.” https://thegondors.bandcamp.com/ https://www.youtube.com/watch?v=bZge4HOvcMM&ab_channel=PeppiGuggenheimBerlinLiveConcerts

Halbtal Experimental Birkenrock, fun and mathy.  Musically homeless, Halbtal parasitically tap into genres such as postpunk, math, krautrock or electronica.  https://halbtal.de/ https://www.youtube.com/channel/UCjqE-G9cL_Syk_4Y8u6RQ9g/featured

Plus: —>>> Some DJ will show up and play music in between sets, how’s that? —>>> Vegan Küfa provided by “Eat the Reach” 

**2G rules no longer apply in Berlin, however, we would be very glad if you test yourself before coming, and if you have cold-like symptoms we suggest you having a cup of tea and stay put! thank you**

**The Sunday Matinee is smoke free, children friendly, wheelchair accessible**

**Check out the Matinee double cassette mix tape here. Copies are still available and can be purchased at our events https://thesundaymatinee.bandcamp.com/album/the-sunday-matinee-sampler-1

To sign up for the newsletter and more info, please visit: https://xbsundaymatinee.tumblr.com/

Villa Kuriosum Scheffelstraße  2110367 Berlin

IVAN KING KRÁĽ - Retrospektive 1993 - 2023. To je názov osobnej digipakovej CD kompilácie - termín vydania 31. 10. 2023, Sliptrick records (LTA).

Sampler mapuje 30-ročné pôsobenie na hudobnej scéne Ivana ako skladateľa, klávesistu a textára.

Vždy som bol fanúšikom LUNATIC GODS a oceňoval som originálny zvuk a kreativitu kapely - ako ste pomohli založiť kariéru a rozbehnúť ju?

album Inhuman & Insensible (1996) - Polyphemus records bol úspešný. Počas nahrávania v štúdiu nám začalo dochádzať, že vzniká neobvyklá nahrávka. V tej dobe takto nikto nehral. Ohlas fans na skladby počas koncertov bol obrovský. Najžiadanejšia bola skladba HATE. Energiu získanú od fanúšikov sme vložili do

albumu - Sitting By The Fire (1998) - MAP.

Môj podpis na celkovej podobe prvých dvoch albumov je citeľný. Podieľal som sa autorsky aj cennými radami pri nahrávaní a mixáži v štúdiu.

V r. 2000 som kapelu po 7 rokoch opustil. Dnes je tvorba L. G. orientovaná na slovanský Folk metal.

Metal Hammer CS - rozhovor Vysoko a predsa pri zemi s Mortisom a Hiraxom (1996).

Metal Hammer CS vychádzal v rokoch 1994 - 1999 a redakcia sídlila v Košiciach. Zakladateľom česko-slovenskej mutácie bol Branislav Mathe.

Web linky:

Why Rechargeable Vapes are the Real MVPs of the Vaping World

Hey there, vape enthusiasts and curious cats! If you've been wandering through the foggy realms of vaping choices, wondering what's the best pick for your puff, let's plug into the world of rechargeable vapes. Not only are they friendlier to your wallet in the long run, but they're also a little wink to Mother Earth. Stick around as we dive into the electrifying world of rechargeable vapes and discover why they’re the unsung heroes in the cloud-making biz! The Eco-Friendly Puff Machine Alright, let's get this out of the way: rechargeable vapes are like the electric cars of the vape world. Every time you recharge instead of tossing, you’re saying a big ‘no thanks’ to adding more trash to landfills. Imagine all those disposable vapes piling up—it's not just a sad sight, it's a cry for help! Rechargeable vapes come in with a cape, ready to save the day and the planet, one recharge at a time. But it’s not just about reducing waste. These nifty devices are often made with higher-quality materials that are built to last. This means fewer resources are used in the long run for manufacturing. Plus, using one device repeatedly helps reduce the environmental footprint of your vaping habit. So, not only do you get to enjoy your favorite flavors, but you also get to pat yourself on the back for being environmentally conscious! Cost-Effective Clouds Let’s talk turkey—or in this case, cash. Initial thoughts? Yeah, rechargeable vapes might pinch your wallet a bit harder at the start. But let's math this out: the cost of buying disposables over and over can add up faster than likes on a viral cat video. With rechargeables, you buy once, and then it’s just the e-juice and occasional replacement parts. Long story short, it’s the difference between renting and buying a home—invest early, save loads later! Think about it this way: every charge is like putting coins back in your pocket. The average rechargeable vape device can withstand hundreds of charging cycles before even thinking about giving up. Compare that to buying a new disposable every few days or weeks, and the math is clear. Your bank account will thank you, and you'll never have to worry about running out at an inconvenient time—just recharge and you’re good to go! Customizable Cloud Chasing Jumping into the world of rechargeable vapes is like entering a buffet where you get to control your plate. Want more flavor? Adjust it. Need a bigger cloud? Crank up the power. You can tweak settings to match your vaping style, which is something disposables can’t compete with. It's all about having your cake and eating it too—or in this case, having your vape and loving it exactly how you want. Beyond just adjusting power and flavor, many rechargeable vapes offer interchangeable components. You can swap out tanks, try different coils, and even mess around with software updates if you’re techy. It’s a playground for those who like to tinker and fine-tune their experience. Why settle for a one-note vape when you can conduct a symphony? Always Ready to Roll Imagine you're about to head out the door, vape in hand, ready to conquer the day. But oh no—your disposable is out of juice. Guess it's a trip to the store for you. Now, if you had a rechargeable, it’s just a matter of plugging it in for a bit or swapping the battery. It’s the difference between a minor inconvenience and a total mood killer. Rechargeable vapes are also perfect for the wanderlust-filled vaper. Whether you're hopping cities or trekking mountains, all you need is your trusty charger or a spare battery to keep going. No need to hunt for a vape shop in unfamiliar territory—just recharge and inhale the freedom. It’s your reliable travel buddy that ensures you’re never left vape-less. Conclusion So, there you have it—rechargeable vapes are not just a choice; they're a lifestyle upgrade. Whether you're a cloud chaser, a flavor sampler, or just a casual puffer looking to save some green (both money and the planet), switching to a rechargeable device is a no-brainer. Unleash the full potential of your vaping experience, and let the good times roll, recharge after recharge! FAQs 1. What exactly is a rechargeable vape? A rechargeable vape is like your smartphone, but instead of feeding it apps and selfies, you feed it e-juice and it rewards you with clouds. It comes with a battery you recharge—hence the name—making it a trusty sidekick that's ready whenever you need a puff. Just plug it in, charge it up, and you're all set to vape away without needing a new device every time. 2. How often do I need to charge my rechargeable vape? How often do you need to charge it? Well, that depends on how vape-happy you are. Think of it like feeding a pet: the more you use it, the more you need to feed (charge) it. Typically, a fully charged battery can last anywhere from a day to a few days for moderate vapers. Just keep an eye on the battery indicator—if it starts looking as sad as a movie without popcorn, it’s time for a charge. 3. Is it more expensive to switch to a rechargeable vape? Upfront, yes, it's like buying a concert ticket instead of streaming the music at home. But just like the concert, you get a better experience and it pays off in the long run. After the initial cost of the device, you'll save money because you're not buying disposables all the time. Think of it as an investment in your vaping journey—more cash upfront, more savings down the road! 4. Can I customize my rechargeable vape? Absolutely! Customizing your rechargeable vape is part of the fun. It’s like having a mini lab where you can experiment with different flavors, vapor clouds, and settings. Most models let you swap out parts like tanks and coils, and adjust settings like temperature and voltage to really dial in your perfect vaping experience. It's like being a chef in your own flavor kitchen! 5. Are rechargeable vapes better for the environment? Yes, indeed! Using a rechargeable vape is like swapping plastic water bottles for a reusable one. By recharging and refilling the same device, you're cutting down on waste and helping Mother Earth breathe a little easier. No more tossing out disposables every few days. It’s a small step, but even small steps help when it comes to saving the planet. If you want to know more, please refer to this article: https://keystonevape.com/best-vape/the-best-disposable-vapes-2024-you-cant-miss/ Read the full article

My pace has slowed, partly due to starting some other projects, and partly because I’ve been playing around with design software. I’m fairly pleased with how the origami cranes came out, even though the shadows are rough.

Pattern is by @mathysphere and can be found here. Cranes square is self drafted.

Last night when streaming classic Namco games in their NES/Famicom form and chatting with a pal, something hit me... A rather intense rush, something that's definitely kind of a core memory for me...

One of my big special interests was always video games from a long time ago...

Namely, the 1980s, and a few from the 1970s as well... but largely the period of 1978-1989. We're not going as far back as, say, PONG and COMPUTER SPACE...

1978 is arguably where the "Golden Age of Video Games" begins, with the likes of Taito's SPACE INVADERS and Atari's FOOTBALL, so I kinda start there.

Anyways, this special interest of mine began to take shape in roughly 2002/03... I'd argue its roots are in me, then a preteen, reminiscing about playing rather rudimentary games as a child...

When I was around 5-7 years old, we had an MS-DOS computer. An early Microsoft operating system, which was available from 1981 to 2000. This must've been a spare computer from where my mother and stepfather used to work that was given to my sister and I as a "fun computer" of sorts, where we could play games.

Our games were shareware titles on floppy disks, to give you an idea of how old I am...

Some of these games, even though they were made around 1989-1993, looked like they could've come out roughly a decade earlier...

But it didn't matter, these games captivated me in the same way my NES games did and my PlayStation games did circa 1997-2000.

One of the games we had was a PAC-MAN clone called CD-MAN (imaginative title!) that placed a Pac-Man-esque character in a maze with castles and suchs, and you had to avoid spiders. The others were definitely more original than that, and were largely adventures.

There were space romps like COMMANDER KEEN 2 and CRYSTAL CAVES, which bore comic book-like subtitles. Another favorite of mine was the light horror HUGO'S HOUSE OF HORRORS, and its threequel HUGO III: JUNGLE OF DOOM. The original HUGO'S HOUSE OF HORRORS actually managed to freak me out as a child, even though it was largely a silent game whose sound effects came from the CPU every once in a while.

Some were educational, like GOOGOL MATH GAMES and AMY'S FIRST PRIMER. I remember playing those for long periods of time when I was in kindergarten. There was also a game called SKI FREE, where a gnarly-looking pixelated yeti always came after you, a real day-ruiner.

I feel the simplicity of these games and their puzzle-like gameplay were what kept me coming back as a kid, something mellow to veg out to. And simply because they were kind of bizarre and so unlike my PS1 games like CRASH BANDICOOT: WARPED and TEST DRIVE 5 and all the variety of game demos I had on the demo disc samplers. I never went at these games thinking they "old" or "outdated", I felt they just simply stood in contrast to the then-modern stuff I was enjoying. They were like a journey into a more minimalist, surrealist space where things were more abstracted... That no doubt influenced a lot of my work, and informed a lot of my artistic tastes...

Around the early 2000s, I often went swimming at my local pool. After that, my father and I would go to the nearby diner. In the lobby was a MS. PAC-MAN machine. I remember watching a guy beat level after level, and I really really wanted to try it out. And eventually I did after another visit, and it was like playing my MS-DOS games all over again... And soon enough, I was scoping out arcade machines wherever I went. Around this time, Namco had released the "Class of 1981" arcade cabinet that was a two-fer containing MS. PAC-MAN and GALAGA. The original PAC-MAN was unlockeable via a simple cheat code. The "Class of '81" machine was common in so many places at the time, like restaurants and bowling alleys and such.

Eventually, I got my hands on NAMCO MUSEUM for XBOX, and I played it non-stop circa 2003/04. It had PAC-MAN, GALAGA, DIG DUG, all the iconic ones. At my local bowling alley, I always anticipated a whirl on the 1996 NAMCO CLASSIC COLLECTION machine that contained PAC-MAN, RALLY-X, and DIG DUG in addition to updated expanded versions of those games (called the "Arrangement" version). The "Arrangement" version of PAC-MAN and DIG DUG also appeared on that NAMCO MUSEUM set that I had, in addition to GALAGA ARRANGEMENT.

Eventually I got MIDWAY ARCADE TREASURES, an Atari collection for the PC which I forget the name of, a GameBoy Advance Konami classics collection, and some of those Jakks Pacific plug-n-play games with Namco titles packed into them. I even had one of those illegitimate "Power Joy" plug-n-plays that contained a ton of NES games and Famiclones. One of which was an amusing SUPER MARIO BROS. knockoff with a panda. Sitting next to the likes of CIRCUS CHARLIE and JOUST.

I was aaaaaall about those "retro" games, which were a little over 20 years old at the time... Now, the modern games of 2003 are 20 now. Lowkey terrifying...

But before I got those compilation packs, I wanted to look at this stuff. There was no YouTube in 2003, no smartphones, no way to really watch hours of gameplay at my fingertips... So I went to these websites like "System 16 - The Arcade Museum" and "KLOV - Killer List of Video Games", and printed - probably wasting my parents' color ink - sheets of screenshots of the arcade games, which had various information included. Title, year, hardware, etc. Links to flyers and ads, even. And I would staple little books together for myself, and even take those things to school with me and read them on my downtime. Okay, I was obsessed! I'm autistic! It's what we did with our special interests and blorbos and such!

To my joy, System 16 still exists on the world wide web and looks virtually the same as it did in 2003.

The thought gave me a jolt of joy, and I had a good laugh about that. Being around in the early 2000s, again - before YouTube and smartphones and such - was kinda wild! The shit we did when the internet was either dial-up or simply not fast enough. High-speed internet was slowly coming into homes, like it was this new novel thing. Watching a trailer for something online - for example - took like 20 minutes to load, for something that was like 2 1/2 minutes long.

And eventually I got books on the subject, some really good reads that I was immersed in circa 2003-2005. I was also subscribed to Game Informer at the time, and was literally buried in those magazines whenever I had the free time to do so and when not creating stuff.

I had kinda fallen out of the video game loop after, say, 2006. I try to stay within it, but it's often kind of hard for me. But my retro game collections are always dependable, and always there for me when I just wanna chill and play something that isn't a campaign or a big story or something like that. Nor some free-to-play game that gets repetitive and lacking for me. Nor a game that requires your wi-fi to be perfect every second of the day... Sometimes I just want to pop in a game and PLAY. Like I used to!

(At the risk of sounding like an angry old boomer who's in need of their cane.)

Remembering those things I did as a wacko neurodivergent middle schooler, these are the more uplifting and fun memories from a muddled and troubled time. I think of how much I passion I had when there was time to channel it, in a pre-social media age where I feel like I have to keep up with a gazillion other things. Back in 2003/04, it was just me, getting through school, Bionicle lore, retro games and some other assorted stuff. It wasn't so... Overwhelming. And no worries about financial stability and your rights being at stake...

It was a real rush to feel that very specific kind of memory...

A new Jumper Approaches

Sean Byrne got started his chain after being fired as a research assistant during the anthropology graduate program. His first jump was generic Highschool jump. He was distinctly unhappy about being promised a world spanning adventure and starting it with 10 years of restarting middle school. Regardless he stuck it out. Some IQ and social perks made the whole project not so bad. its pretty easy to be the best student when your biggest competitors are 12 years old. Highschool was harder, there was more to juggle but adult coping and grad student levels of studying made it a breeze. One of his perks gave him books about any topic he wanted. He spent it reading about different careers. If he was going to spend time doing exciting thing, then he might as well spend is coming undergraduate time studying something new. Going to the local university on a full ride scholarship was a breeze. He still want's much of a math person, but he was much better prepared then he was the first time around. He signed up for some of the fun electives, and a sampler of gen ed classes. He joined the mountain biking club. It was a bunch of fun. He made friends, went on some great trips. He decided that he would get the degree in Phys Ed. He studied people for years, not almost half of his life was spent learning new skills, and he thought it would be interesting to keep doing sports. Athletic competitions were one of the most common traits of human civilization, surely it will come up. His summer after graduation was his last 3 months of the jump. He spent weeks pondering what to do with it. He took out a loan and lived on the beach until the jump ended.

Two composers/performers gather around an astonishing project: an investigation into texts by such Italian authors as Gramsci, Leopardi and Pasolini organized in a musical way and presented in a staged concert with a five member band made out of clarinets, guitar, electronics, sampler, and theremin vox. Kind of noise group where collaborative strategies build up the dense structure out of the original words. Play it loud! ITALIA ANNO ZERO As in a still from a Rossellini film -- it is from today's ruins that Italia anno zero is born. Italia anno zero is a collaboration between Olga Neuwirth (composer/performer) and Roberto Paci Dalò (composer/performer/director) based on investigations into texts by Antonio Gramsci, Giacomo Leopardi, Pier Paolo Pasolini. Italy is not only a post-fascist country, it is also a pre-fascist place. Especially through texts by Leopardi is shown how the Italian DNA works. Something which later has been called “fascism” is already part of the Italian way of life. The piece also deals with the visible signs of today´s fascist merchandising through the presentation of some of the nazi-fascist products available...  more

Released: 9 January 2021

Roberto Paci Dalò clarinets, sampler, electronics Olga Neuwirth theremin vox, electronics Donna Molinari clarinets Ernesto Molinari clarinets Burkhard Stangl guitars, electronics film Natalie Cristiani actress Julian Bees voice off (English) Andrea Clausen voice off (German) Caroline Michel voice off (French) Sandro Lombardi voice off (Italian) concept / composition Olga Neuwirth & Roberto Paci Dalò film / light / objects Roberto Paci Dalò live video mixing Filippo Giunchedi sound director Oliver Brunbauer technical director / lighting mixer Peter Knögler production manager / touring Sabina Schebrak artistical collaboration Gabriele Frasca objects collaboration Francesco Bocchini miniature stage model Stefano Cerulli film editor Pietro Lassandro animation assistant Irene Aurora Paci cinematography and camera Roberto Paci Dalò, Marco Tani, Nicola Vicenti project manager Barbara Lebitsch production Giardini Pensili & Wien Modern in collaboration with Budapest Autumn Festival, ORF Kunstradio, Terra Gramsci supported by Réseau Varèse and the European Commission (Culture 2000) The Giardini Pensili company is supported by the Regione Emilia Romagna and the Provincia di Rimini. Thanks: Robert Adrian X, Giorgio Baratta, Nicoletta Fabbri, Heidi Grundmann, Peter Kammerer, Peter Knögler, WUK / VOT Ausbildung für Veranstaltungs-organisation und -technik, Norbert Math, Davide Montecchi. L'Arte dell'Ascolto LADA004

ive posted about it before, but tumblr's search isn't pulling it up.

i want to combine math rock and breakcore and i have a very specific way i want to do that.

live looping music bits in the style of el ten eleven and giraffes? giraffes! alongside chopped up drum breaks.

i need to invest in a loop pedal and a sampler.

Coconut Lime Icebox Fudge: A Disney-Inspired Treat

Here it is, the first recipe in the “They Should Serve This at Disney” series.  Woo hoo!  Though it very nearly ended up in recipe bloopers… When making it, I accidentally forgot to add 6 ounces of chocolate… I don’t know what I was thinking, obviously math just isn’t my strong suit. It was still entirely edible, just a little goopier than I’d have liked. When I remade it correctly, it came out perfectly, though I forgot to take pictures. Again. Anyway, this week, I picked a somewhat unique and unconventional candy… Coconut and lime icebox fudge. The recipe is loosely based off of a recipe that was shared with me by a friend which I tweaked here and there. The final product ended up being just about the most amazing fudge I’ve ever had. THEY SHOULD SERVE THIS AT DISNEY! COCONUT AND LIME ICEBOX FUDGE Now, icebox fudge is kind of a regional thing, so for those who’re not quite familiar with what it is, allow me to explain.  Unlike most fudge, which is solid and sets up to a harder, though slightly creamy, melt-in-your-mouth candy that will not melt if left at room temperature, icebox fudge is best kept, and served, chilled. The texture is much more creamy, without being runny, but if left at room temperature it will not keep its shape.  In the 30 seconds of research I did on the subject, I found that icebox fudge really became the in vogue treat back in the era when electric refrigerators that didn’t require defrosting were becoming a common household appliance. The American housewife would use icebox fudge as a treat during the ever-so-popular cocktail, appetizer, or “finger food” parties as a subtle way to show off to her guests that she owned one of these fantastic new devices, as traditional iceboxes that required defrosting were too moist and would not allow icebox fudge to set properly. The original recipe for icebox fudge actually came from a recipe book devoted to cooking using only your fridge and because finger foods were all the rage, this chilled chocolate was the very modern finger food-friendly substitute to ice cream and was quite popular for awhile in the south. Now, I think this sweet fudge is a wonderful addition to the dessert menu of the more tropical bakeries and candy shops at Disney, maybe even dressed up as a full dessert (or as part of a dessert sampler) at places like Shutters and Coral Reef. I can see it being served somewhere on the Boardwalk as its really sweet and refreshing taste just screams summertime at someplace tropical and relaxing.  It really is quite addicting. I did fully intend on preparing this fudge in a 8×8 square baking dish, but as you can see, I used a rather large loaf pan.  I actually forgot that my only square baking dish met with an unfortunate, gravity-related accident and this was the best substitute I could find.  I fully suggest that, for best results, a 8×8 pan should be used, though keep in mind that the fudge will not be as thick as what I’m showing. I actually think that thinner fudge bites actually tastes a little better as the big bites has a sweetness factor that is somewhat overwhelming for some. For those who end up using the loaf pan, as I did, just be aware you won’t use all of the graham cracker crumbs. I should also say, I really like the crust super thick, first of all because it’s delicious, but also because it provides an interesting texture and contrast to the sweet fudge. So what do we think?  Good enough to be served at Disney, or is it best left back in the 50’s? And for those who’re still scratching their heads as to how fudge made in the fridge could have possibly been a poshy-posh treat to impress people with your fantastic fridge… I actually have a cookbook from the 80’s that shared recipes that highlighted another increasingly popular appliance… The microwave. Included is a recipe for cooking a Thanksgiving Turkey. Not how to reheat a cooked turkey, but how to clean, stuff, tie, and microwave a small, raw bird until it is cooked through. Other gems include cooking a ham, hamburgers, roaster chickens, meatloaf, and pork chops, even a cake, all using just the microwave. Apparently the need to impress people with our appliances has spanned decades, though I have to say if somebody presents me with a microwave-cooked turkey, I’ll pass. Read the full article

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