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#maintagging this because I think it's interesting
angels-heap · 4 months
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I've been replaying parts of the HL2 series over the last few weeks, and I was recently struck by one of Alyx's lines from Episode 1:
"Hey – an airduct. I've heard stories about you and airducts. Doctor Kleiner says whenever he locked himself out of his office you and Barney used to compete to see who could get in fastest without using a key."
I feel like it's significant here that Alyx heard this story from Dr. Kleiner, rather than from Barney himself. If Alyx had grown up around Barney or he'd "practically raised her," as so many people like to claim, why wouldn't he have told her this himself? Why wouldn't Alyx have said as much to Gordon?
For silly fandom ship discourse purposes, I feel like this is pretty compelling proof that Alyx and Barney barely know each other in canon. Contradictory headcanons are fine and good (and I've indulged in plenty of them myself), but anyone who tries to claim that Valve intended for us to see Barney as a huge figure in Alyx's life or an "uncle" or otherwise part of her "found family" is straight up pulling that out of their ass.
For broader fandom speculation purposes, this only reinforces my belief that we're not likely to see Barney again, even if we get another HL game at some point in the future. Valve doesn't have any grand backstory in mind for him. He's a glorified tutorial agent who's served his purpose. At least in canon, he's barely a blip on our latest protagonist's radar.
And maybe that's for the best.
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revvethasmythh · 2 months
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the thing about imogen saying that "if getting rid of delilah means getting rid of [launda] too, it's not worth it" is that it doesn't really change anything, does it? yes it provides laudna with reassurance that she is loved regardless of what lives in her head, but it doesn't mean that imogen doesn't still have negative feelings about delilah being there. "I love you more than I hate delilah" doesn't mean she isn't still disgusted by delilah. I get the sense that this is not an important distinction for imogen--she's said her piece, she's told laudna that she matters more, and that's the end of it for her. laudna matters more. her meaning is crystal clear: I love you and I'm choosing you.
but laudna has been obsessed with imogen saying she was disgusted by delilah watching them. she said herself she can't stop thinking about it, and marisha has said she can't stop thinking about it either, out of game. as far as they know currently, delilah's soul is twined in and around laudna's to the point where they are indistinguishable. the only way to get rid of delilah is to lose laudna. laudna doesn't know where she ends and delilah begins. imogen loves her, but imogen is disgusted by delilah. how does that work if they are one and the same? how does laudna cope with the fact that an inextinguishable part of herself is both genuinely evil and hated by the person she loves the most? at what point does being disgusted by delilah become being disgusted by a piece of laudna herself?
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letters-to-fallen · 4 months
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Hello, Fallen!
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hanzajesthanza · 11 months
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truly though, i am comforted by the idea of regis being autistic because… consider. he’s been alive for hundreds of years and has been through so much turmoil and has had to commit to self-improvement and self-control and all of these ideals and principles. and in the same process of that, he had to examine himself—take a good look in the mirror, as the saying goes… though it may not be quite accurate in this case—why he faced these insurmountable issues in the first place which instigated and excerbated his vices in the first place. “treat the cause, not the symptoms.”
and the cause was that he didn’t like himself. he only drank to escape… from himself. so he could be a different self, one that others accepted, but one who very quickly became a terrible person—because that version of himself had none of his ever-so-dislikable and aggravating and unrelatable traits: his know-it-all-isms, his philosophizing, his overthinking. his lack of understanding the social cues he was surrounded by. everything that would “spoil the party.” the libation was the symptom of insecurity and disbelief that anyone could truly accept him for the way he is, unaltered, sober.
and even with all of this time, possibly the span of an entire human life, spent working on himself, spent trying to understand others—he learned two things.
firstly—after all this time—he cannot change himself. he has to live with, and possibly embrace, the parts of himself that long ago made him impossible to gain social approval. even if now, he is living a solitary and even somewhat isolated life.
(note: yes, he only spends three months out of the year nearby fen carn, and the rest of the year he lives in dilingen, in a city—while i don’t doubt that he was an important pillar of the community, with his altruistic tendencies, he also never mentions having any close friends in dillingen. he decided in one night to join geralt’s quest. he didn’t worry that anyone from dillingen would miss him…)
secondly—even after all this time spent trying to have a better relationship with and to fit in with society (and even though he’s become, if i may say with modesty, very good at it, exceptionally good at it), it’s still a very intentional factor of his life, something that takes a carefully prepared set of behavior and mental work. it’s still “mimicking.” again, the span of an entire human lifetime put into understanding people and society and he still doesn’t. there’s still much he does not understand, does not agree with, and even ridicules. he has integrated into the society, but he does not innately understand it. he only understands it through his uniquely analytical perspective, the perspective of an outsider trying to understand.
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gumy-shark · 19 days
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🔥
the mayor (lego monkie kid) isn't even that good im gonna be honest here. he is not an interesting or compelling character at all to me. like not even a little bit
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sparky-is-spiders · 10 months
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There’s something so compelling to me about Jon being isolated completely… not even in the “ostracized and hated” sense (which is also delicious to be clear) but in the “no human contact ever” kind of way. And I want someone to do this to him deliberately also. I want Jon to work in the archives without assistants ever. Completely alone because Elias put him there and didn’t give him assistants. I want to put him in a box and poke tiny holes in the lid and then put the box on a very high shelf where nobody can reach and see what happens to him.
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welcometogrouchland · 2 months
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May I ask about your Jason Todd idea? <3
Hm, okay so. How to lay this out sensitively since I know it might be a tad controversial...
Prefacing by saying I'm not an expert on the minutias of Jason characterization. I like him when he appears, I think the battle for the cowl/Morrison era and some parts of modern era for him are Weird and Bad, but I'm not Jason scholar (for that I'd say maybe check out @/tumblingxelian and their great video essays), I'm just trying to think of what might be an interesting step forward for him.
First, the canon facts
Jason got lobotomized and has panic disorder on steroids. By the end of Gotham War (specifically when Jason was. Flying the batplane into the asteroid. God I can't believe that's the plot) he was finding it in himself to power through said panics
In Joker: The Man Who Stopped Laughing #12, the joker gives Jason a "low dose" of joker venom, which has an ambiguous effect on Jason, allowing him to power through the fear (which joker explicitly states is still very much present, just not physically debilitating, like when Jason couldn't run over in either Catwoman #57 or #58, the one with the kid in the building) even though he'd been able to do that sans venom over in Gotham War, like I previously stated.
The effect of said joker venom seems to be lingering for now, minus the creepy grin side effect it gave Jason over in that man who stopped laughing issue, as seen in the latest batman issue (number is escaping me rn, #147??). He still has the stutter which is a shorthand for fear, he's drawn with fearful expressions by Jorge Jimenez, but he says that he's "working through it" thanks to the chemicals
This is both super interesting and kind of maddening as it doesn't completely remove the consequences of what happened in Gotham War, but is trying to sweep them under the rug and get back to business as usual. I, however, propose making said consequences front and center like a fashionable urn on a mantle piece:
Since it's never stated how exactly the joker venom works, and I think the current answer is "it works how the story needs it to" I've decided that because it's a low dose, it eventually wears off. And when it wears off, Jason's back to square one in terms of mental state. Ergo, if Jason doesn't want to live the rest of his life as quaking shivering husk of his former self...he's going to need more.
(read more for the meat of things)
So, Jason self medicates for a condition given to him by the father he has endlessly complicated feelings towards with a cure invented by a man who represents everything he hates in the world who once tried to take everything from him.
Which, insert poetic cinema gif here, I'm quite proud of myself for that one.
Anyway, there's a lot of directions you could take this. Personally I think it'd be interesting to explore Jason trying to get back into the drug trade like he did in UTRH (FULL TRANSPARENCY I HAVEN'T READ THE FULL COMIC, I KNOW BROADSTROKES BUT IM NOT GONNA TRY AND MAKE PARALLELS) as he tries to use the resources (production plants and other drug runners who can hook him up with samples of joker toxin/similar stuff you can probably find around Gotham) to manufacture his own cure that means never having to go back to the joker again. Maybe he ambushes a joker toxin chemical production plant to get his own supply, and then Jason uses this as his foothold back into that world.
This isn't necessarily me saying we should regress Jason alll the way back to UTRH, that was before his anti-hero era and I'm not willing to fully shoot him back into the past. I just think that's not how you tell good stories in a medium like comics. But it'd inherently be a little different just bc he's doing it for different, slightly more self motivated (depending on your take on villain Jason) reasons and the people around him would have a different reaction to it.
Anyway, all sorts of problems can arise! Depending on how you wanna characterize Jason (wayward son who longs to be back in the fold or black sheep who doesn't play by daddy's rules, etc) he can either a) try and hide this criminal enterprise from his giant family full of nosy detectives (good idea there jay) OR do it out in the open, trying to justify himself but still putting himself on the opposite side of the family again (not the law bc that boy hasn't been on the 'right' side of it since he died)
There's also the fact that Jason now needs to take something 24/7 in order to live his life. He essentially can't be without it, he's dependent on it, in fact he'd get sick without it despite any adverse effects it may have on him (which are guaranteed, I mean. No clinical trials)
I imagine it'd be easy to become addicted to it in some way.
And uh. This is the part where it works slightly better as a fanfic pitch than an actual comic pitch. Because as much as I think it'd be such an interesting beat for Jason's character considering his fraught history with addiction and drugs (looks away from that one urban legends story where he suggests terrorising addicts to get to the suppliers and bruce lectures him. The easiest way to make Mr "we don't sell drugs to children" sympathetic and you beefed it)
I also fully recognise that this is a sensitive topic that DC doesn't have the best track record with (although addicts aren't a monolith and feel a number of ways about addictions portrayals in comics) and that there's probably some pitfalls inherent in the premise, namely bc of Jason's background as an impoverished kid and his grey morality, and how those play into stereotypes of addicts. Addiction is already such a misunderstood and stigmatized condition that I imagine playing with it with an antihero might be enough to turn some people off. Addiction is not a moral failing and I'd hate to write it as a moral failing of Jason akin to his willingness to kill, etc.
But with all that said, I think that stereotypes are primarily harmful because of their shallowness. They inhibit understanding of groups labeled "other" by presenting them in simplistic ways that don't portray richness or complexity. And I think a truly good red hood comic could give both sympathy and complexity to Jason, even as an addict. If anything, Jason is a popular character (mostly) and there could be something nice about seeing a main character go through what you're going through, gritty details and all. YMMV (can we bring that back btw?) and it depends on execution. There's a lot of ways it could go wrong, but seeing as it just lives as a hypothetical rn, I think there's also a lot of ways it could go. I mean, not right, it's a downer story beat for Jason but it's mostly meant to be interesting and a vehicle for more stories as Jason navigates it, ya know?
Anyway, I have a lot of spiels littered in my notes app and discord DMs that elaborate on all this (how this could work as act 1 in a broader Jason story where his little operation goes to shit and he has to hit the road (jack) and maybe do some character development for better or worse. I'm a sucker and wanna say better- not squeaky clean better but. Yknow, finding himself to an extent. I recognise I'm a sap and a fool tho. Or how a new outlaws team could factor into either of those eras (since I do like Jason with an outlaws team. It gives him an excuse to exercise his compelling relationships and dynamics with other characters without having to constantly tip-toe around the elephant in the room whenever he's with the batfamily all the time. He just needs a good lineup) but that's all for another time
... though without elaborating on the vision in my head it kind of just sounds like my pitch is "Jason gets addicted to his hyper-anxiety medication" BUT I SWEAR ITS MORE THAN THAT.
It's like. If Jason has struggled as a character (and this is very subjective on my part so feel free to disagree) because he has compelling relationships with all of the batfamily, but also has compelling grey morality that makes it hard to capitalize on those relationships, without the conflict always coming to "Jason stop killing!" "Nuh uh!" OR just being ignored, and the main way writers have addressed this is via reboots instead of arcs...
Then giving Jason and the bats:
real, legitimate and fresh reason for jay to be mad at Bruce (taking their relationship of love with very little understanding to it's most dramatic conclusion)
give the family a real reason to want to bring him back into the fold (feel bad about the lobotomy and it would be pretty immoral to let Jason waste away slowly and painfully because of something Bruce did)
capitalize on all the ways Jason is sympathetic (bc the addiction is a natural lead into his backstory, which is one of his most sympathetic elements)
And the ways in which he's very out of step with the bats post-resurrection (I'd be mad asf too if i came back to life just for my dad to a) not avenge me and b) LOBOTOMIZE ME meanwhile the cunt ass clown giving me my meds is just lurking out there).
Idk it's not a sophisticated pitch as of this moment but I think a real chef (writer) could cook something w/ this
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trash-bin-ary · 5 months
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Huhhhh I know defeating the king is going to be a fake ending based on posts I’ve read but I’m fighting him and I’m only on act 2/4??? To be fair 1 went quick so it may be imbalanced but it makes it seem like I have not gotten far with my multiple days of staying up way too late playing cause I have time now
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[TL;DR: Trying to learn about Shadow Work as it pertains to occult spaces, resources of all sorts welcome; formal and scholarly ones included in the conversation and appreciated with about twenty heart emojis that I cannot use on desktop.]
The behavioral psychology special interest in me wants to research classic shadow work and talk about it in the context of shadow work in the occult sphere and how both contrast to plural experiences, but:
I do not want to read Jung right now (we have grad school to apply to and a full time job)
I have no clue where to even start researching shadow work in the occult sphere
I would be torn between buying a copy of [insert textbook here] for myself and just borrowing it from the library because my English Major instincts demand annotation but
The frugal bitches in back do not want to buy more books if they aren't ones we want to keep on our shelves lmao
But also... hear me out: we want to focus on the literary theory of psychoanalysis in grad school (specifically modernizing it to distance from Freud like actual psychology has for the most part). Talking about Jung could be fun.
It could be a little treat.
Or I could just look up research articles since our library also has those and we've a functioning printer at home for annotation lmao. Would also probably provide useful context to Jungian psychology, rather than just jumping in with zero context.
That said, anyone with resources on shadow work as pertaining to how you use it in your spiritual life would be welcome in our notifications. Hence why we're finally maintagging some shit for once in our life.
(This comparative analysis was prompted by a podcast we listened to today and the fact that I know a few plurals that have talked a little bit about Jungian psychology from the perspective of plurality.)
-Nova
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p-21 · 1 month
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hi friends! id really like to practice my ponies if anyone has character suggestions from foe or project horizons or homelands!
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shiroselia · 1 year
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If anybody wonders why I’m probably never going to buy horses full price ever again note that since I’m barely playing at all this year but Do have horses I still wanna buy, because that’s a thing I plan for ages anyways, I have only been buying horses when they get on sale because I don’t play actively anyways so I don’t “naturally” buy horses, and I’ve bought three horses this year, all on sale
They haven’t even cost me the combined price of two full-price horses
I’ve bought an arabian, a percheron, and a shire on sale this year, that has cost me 1 620 star coins currently, that would normally cost me 2 700 by now
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harukapologist · 15 days
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how come I've never seen anyone talk about the background noises when Mikoto is calling his mom in Double..... .. (tbf Double release was around the time I got really hyperfixated on Milgram so there may have been talks about it that I just didn't see because I wasn't well-versed in mil yet)
They sound like children's laughter to me... really peculiar
I'm going to make a post about them sometime. possibly. maybe
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revvethasmythh · 9 months
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Actually thinking very hard about what, exactly, is compelling about Relvin. imo, there is an inherent mundanity to him as a character--that's really the core of what he is, Just Some Dude, caught in the crosshairs of something much bigger than him that he can't understand let alone fight. A guy who tries, but it struck so deeply by decades of grief that even the trying can be hard. A man who loves his daughter but doesn't know how to help her and maybe can't stand how much she looks like her mother. Very mundane. Very human. Very relatable, both the good parts of him and the ugly ones. I know that I personally find a lot of interest and texture in what the mundane looks like, especially in contrast to the wild escapades of adventurers or powered people. It's why, perhaps, Relvin is a character that feels more relatable and approachable and miles more understandable than someone like Liliana, who's motives are opaque, who's goals are unclear, and who's intentions are currently unknown/incoherent. We can sit here and ask ourselves "what does she want?" until kingdom come, but even Imogen doesn't know and she is also sick of the not knowing. Liliana wants to free Imogen--but who knows how. She wants Imogen to run, but doesn't tell her why. She left Imogen to find answers, but we have no idea if she really accomplished that goal despite repeated conversations with her (all of which essentially repeat the same info shared in the previous convo).
At least we know what Relvin wants. Wanted. To build a family. For the two halves to become a better whole. That's approachable, that's human, that's tragic in the face of everything that's happened, and, yes, that's mundane. But god is there texture to that mundanity where there isn't all that much even in the comparatively extraordinary life of Liliana.
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utilitycaster · 7 months
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I agree that Marisha building Laudna to not be romanceable is a big part of it. When she was talking to Bor'dor about Imogen in a more sisterly way it really felt earnest to me, and not about hiding any feelings. So leaning into the kiss and pivoting that hard must feel intuitively awkward in gameplay, where everything is so organic. Do you have any ideas on how they *could* stick the landing, in theory? It's a little harder for me to see that, admittedly.
Hey anon,
I agree - that line in the moment felt entirely honest and frankly it's a sign of how profoundly thick and distorting the shipping goggles must be in this campaign to see anything of note that both this and Ashton's later "sister" comment are being taken as genuine interest and not at face value.
I've outlined some of what would have made it good here (linking bc it might be of interest; I know it's hard to find discussion of this on my blog because I am not maintagging my criticism out of courtesy so you're kind of stuck with Tumblr's search capabilities and as such I don't mind repeating some things) but that's obviously retroactive. I do think the challenge has increased; it was on low with the gnarlrock fight and medium with the reunion of the two halves of the party and now we're squarely in hard mode but I think it's still doable.
The things to address are 1. Their friendship, such as it was, was never actually substantial; it was merely a constant empty yet incongruously clingy cycle of bland validation; and 2. Laudna genuinely seems to forget about it like, half the time.
Now, I if I were a script doctor coming in, I would leverage item 2 to fix item 1, ie, have Imogen say "hey, are you actually into this, because I feel like you're not," have Laudna admit she's not really prepared for romance and hadn't considered it before Imogen asked, make things awkward for a while, and basically do a slightly clumsy and a little weaker version of what would have happened in the reunion if Laudna had stuck to her guns and allowed herself to be upset, let that simmer and let them grow as separate people, and then have them reunite. Another option is to make that anger bubble up to the surface since she ignored it; have Laudna blow up and get mad that after her outburst Imogen's response was just to ask if she could kiss her instead of like, hearing her out; this wouldn't even require a breakup, just a fight that isn't smoothed over without a significant conversation. Both of these I think could be made excellent.
However, I am not terribly optimistic this would happen, because of how meaningless in its lack of confrontation the relationship has been the entire time, so I will admit I think the more likely options are "Delilah take the wheel in a spiritual successor to the gnarlrock fight"; "Imogen's slight lean towards the gods and the status quo and Laudna's slight lean away from them deepen into a proper divisive issue that they have to address"; or, to be honest, "one of them dies in combat and the funeral scene is really good."
Basically: introduce literally any form of conflict and actually play it out. "Stick the landing" might be generous and optimistic of me but at least I can see a way in which they do not roll endlessly and dully down this metaphorical flight of stairs and instead make the relationship, if not unmissable, at least not actively missable.
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decepti-thots · 2 years
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MTMTE/LL script project.
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I am reposting an updated person of this post so I can maintag it for visibility!
tl;dr: I am attempting to digitize the MTMTE/LL scripts that exist for archival purposes to prevent any of them becoming lost media in the future. And I am looking for help in this!
The long version:
I am trying to get scans or clear, readable photographs of all the MTMTE/LL scripts that exist for the sake of digitizing them and making sure they don’t wind up lost media. (Needless to say, me currently trying to get ahold of fandom stuff from 20-30 years ago and constantly running into brick walls because nobody has scanned their copies of things got me thinking about this, haha.)
These scripts are, in a lot of cases, literally just printer paper stapled together and sold at cons to a very few people. I would hate to see these disappear in a decade or two because we all wound up forgetting where we left them, or stuck them in the attic and damp got them, or whatever.
Roberts has been selling nothing but spares/leftovers of these for a while now, including at this year's TFN, where he had very few left and none of them were new prints as far as I could tell. (Rusty staples!) In addition, he's said he does not expect to be doing more cons for some time. The one time he sold them online in 2020 or so, it was explicitly just old stock. So at this point, getting my hands on more for this project means either getting folks to kindly contribute scans or sell me their copies on.
(Sidenote: at the moment I'm not 100% sure if JRo has finished up selling these forever, though it seems likely for the forseeable given the above. Even so, I’m a little leery of making this stuff super public until such a time as he confirms he's got no future plans, because I hate to eat into a potential way for creators to make some well earned money off their own work if it turns out he’s gonna sell more later. This project is to make sure an archive exists as futureproofing, but I don't currently plan to immediately make this a massive public repository. But obviously, anyone kind enough to contribute can have access to the drive.)
Below the cut is a list of a) what I currently have, b) what I expect to have soon and c) what I know exists and do not have. If you have anything I don't, and would be willing to scan or photograph it to contribute, please let me know. Alternatively, if anyone has scripts I don’t already own which rather than scan they’re interested in selling on, hit me up. I am not made of money, but I’m willing to pay a fair price to get my hands on them if needed. Just be aware I’m UK based.
Unscanned, for me to do: Lost Light #6, This Machine Kills Fascists (standard)
Unscanned, being scanned by others: Chaos Theory
Scanned or photographed: More Than Meets The Eye #6, Interiors (annotated) More Than Meets The Eye #9, Shadowplay Part One: Post Hoc More Than Meets The Eye #12, Before and After (standard) More Than Meets The Eye #16, The Gloaming (standard) More Than Meets The Eye #22, Little Victories (annotated) More Than Meets The Eye #28, World Shut Your Mouth: Towards Peace (annotated) More Than Meets The Eye #31, Twenty Plus One (standard) More Than Meets The Eye #35, The Custom Made Now (standard) More Than Meets The Eye #38, Elegant Chaos: Predestination, an Expert's Guide (annotated) More Than Meets The Eye #39, The Permanent Revolution (annotated) More than Meets The Eye #40, Our Steps Will Always Rhyme (standard and annotated) More Than Meets The Eye #47, The Lopsided Triangle (standard) Lost Light #6, This Machine Kills Fascists (annotated) More Than Meets The Eye #50, How Bright Their Frail Deeds (annotated) Lost Light #13, Sardines (annotated) Lost Light #25, How To Say Goodbye And Mean It: Part 2 (annotated) The Transformers Holiday Special, Silent Light/MTMTE #50 backup script (annotated)
Ones I am looking for and know exist: More Than Meets The Eye #4 (labelled #3), Life After The Big Bang (standard) More Than Meets The Eye #5, How Ratchet Got His Hands Back More Than Meets The Eye #14, Remembrance Day More Than Meets The Eye #21, Remain in Light: This Calamitous Life More Than Meets The Eye #35, The Custom Made Now (annotated) More Than Meets The Eye #43, The One Where They Go To Earth (annotated) More Than Meets The Eye #55, The Dying of the Light: Do Not Go Gentle
(Note: the scripts often have preliminary titles that differ from those above that were used for final issues. Also, for earlier issues, sometimes numbering is off by one, because projected issue counts shifted. The above is mostly guesses based on numbers JRo mentioned for scripts on Twitter and final issue names.)
You can contact me either here or on Twitter. And if you could let anyone know who you think could help and signal boost, I would appreciate it.
Thank you!
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hatgame · 11 days
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just wanted to say before i ask, i really like both of ur blogs (text and art) and i rly like the way u analyze snatcher!!! ur very well spoken and it piqued my interest
🔥 on dadtcher aus/headcanons
Thank you, you're very sweet :) im assuming you mean snatcher&hatkid type stuff!
Personally, I never liked it, kind of because I disagree with the current iteration of the family institution, and cannot sever that when engaging in fandom musings. A parental role as I've encountered it implies absurd amounts of control over the child, and im not invested enough in parenthood to write it into stuff that doesnt intially seems to function fine without it.. So its just weird adult friend snakar for me. Ive heard of them put in an older sibling or uncle role but I dont really know what that entails and as such cant opine. A friend of mine reads snatcher as much more maternal than paternal & despite what i just wrote i Can apreciate it.. so its really probably about the patriarchy of it all.
I did use to draw dadtcher years ago to fit in but that's about as far as it went.. I still think it's a little funny for 'Look at him at his worst.. Now look at him raise a child' seemingly simultaneously to be in any regard 'fluff', not in that child nurturing cannot be a healing experience, it's just that I get stressed out thinking about everything that she can do wrong... and everything 2019-2020 works featuring it used to do wrong hahaha
(As for fanon opinions,) it doesn't seem to be a common portrayal nowadays, probably as a consequence of 'sniscourse', which I was actually very present for as an observer.. In fact, i dont believe the few posts that actually could be deemed its beginning ever got any traction at all, it was somebody commenting, not-maintagged, that the common dadtcher stuff mirrored their real life abuse. I bring this up because at the time seeing that actually snapped my own discomfort with it into words. Then a mutual of theirs repeated their points, but I dont remember how it snowballed into being about the amount of notes nonsubcon posts got... So that context makes any venting about it 'splitting the community' really odd... because as much as i dont know if homogenizing and critiquing fandom is really productive I certainly did agree with said critiques lololol. I dont really care about the notes/interaction thing But It Does get a chuckle out of me that I draw subcon near exclusively and get barely any fandom inflicted votes. I KNOW IM AN OUTLIER I KNOW I KNOOOWWWW But... teehees. Thank u A LOT for the ask Very Much
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