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#lyrics or something
lesbianlotties · 5 months
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heartbreaking news. the character you hate the most is doing the worst things imaginable but the actor playing him is giving a great performance </3
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heaveniowa · 7 months
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keep a calendar, this way you will always know.
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starryaike · 9 months
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Song - Feel Better by Penelope Scott
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hiraeix · 8 months
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back at it again with the hozier lyrics
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bioluminesced · 4 months
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Il mare eterno nella mia anima
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ezdotjpg · 9 months
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I was given a name before I was given blood
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taxinealkaloids · 11 days
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kill your darling, it's just that easy!
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shorthaltsjester · 9 months
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the mighty nein - critical role
this is a place where i don't feel alone. this is a place where i feel at home.
#also with softer vibes. i offer They#every silly little brainheart found family deserves a to build a home edit#the mighty nein maybe most of all. thats my family#also the lyrics deliciously well suited to m9.#when jester pulls that. stupid tarot card for fjord. home or traveler. and there's a carnival wagon. and veth says Thats Us! . them#i just think about . the tower is their home the xhorhouse is their home the lavish chateau is their home the balleater. the mistake.#the nein heroez. veth and yezas apartment. the dome. fjord and jesters living room floor.#a bar with a silly name on rumblecusp#also like. the song has stone and dust imagery. gardens and trees.#the inherent temporality of life and love and how that holds no bearing on how greatly people can love. im losin it okay.#ive been making this edit for days straight with my computer screaming at me for trying to shove 143 episodes of cr into a 2min20sec video.#crying becuase. theyre a family do you get it. they were nine lonely people and most of them had given up on seeing their own lives#as something that might be good. something that might make the world a better place. and in the end they're heroes.#and it doesn't matter if no one else knows because They know they're heroes. and they wouldn't've believed that was true when they met.#rattling the bars of my enclosure. to be loved is to be changed#posted on twitter and want to get in the habit of posting here too bc.#general reasons but also bc . i have noticed some of the ppl liking/sharing it are also ppl who shit on my ops by vaguing about my posts#which is in general whatever but does leave a funny taste in my mouth.#critical role#the mighty nein#cr2#caleb widogast#caduceus clay#jester lavorre#fjord#veth brenatto#yasha nydoorin#beauregard lionett#mollymauk tealeaf#my posts
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carolinanadeau · 3 months
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"this female character is underdeveloped" TO YOU. I can read subtext and I know all about her backstory and her rich inner life. also she told me personally
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fibvlaa · 1 month
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I think they like each other
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katebeckets · 9 days
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"Peter" by Taylor Swift // "Wendy" by Maisie Peters
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heaveniowa · 5 months
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oh! my friends all lie and say they only want the best wishes for me.
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caramelly-art · 8 days
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be on your way - daughter
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obbystars · 23 days
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It hurts to be something, it’s worse to be nothing with you.
NOTES: dividers by @cafekitsune !!
( Written before 2.2 / Kinda short tbh / Boothill may be OOC / not really angst as it turns into fluff tbh / I blame this / title was chosen because I was listening to the song at the time / GN!Reader )
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It took a while for Boothill to even get used to this new life, or new body. Every time he looked at himself, he’s reminded of what was stolen from him. For a time, he hated his body. He sometimes wished he stayed dead. He feels so cold. He didn’t… He never wanted this, though as time passed, he grew accustomed to it. He eventually accepted it, but it never stopped those thoughts from worming their way back into his head.
He doesn’t quite feel… human. Nothing about him truly felt human.
“Boothill? You still there?” The voice was barely above a whisper.
“Hm?”
The gentle beating of a heart entered his ears. He felt warm. He felt a warm hand gently rubbing his face. Another hand was playing with a few strands of his hair before it was now gently brushing it. He opened his eyes, finding himself in an all too familiar room. One he had always looked forward to going back to once he finally had time to spare.
And underneath him? His favorite person, of course. Someone he always looked forward to seeing again, to spending more time with. He looks up at you, and you took note of his expression.
“Oh, sorry. Did I wake you up?”
He shook his head, burying his face into your chest and closing his eyes again, “No, no ya didn’t... Don’t worry ‘bout it,”
His arms were wrapped securely around your waist, trapping you in bed with him. You wiggled around in his grip for a bit to get a bit comfortable, resulting in you having to move him further up. His face was now in the crook of your neck.
Was he crushing you? Surely if he was, you would’ve said something or even tried to nudge him away. Were you cold? He hoped not… You did sometimes push him off of you because he was too cold. Sometimes he wishes he could provide you the warmth you always give him, but it’s not like he can feel it anywhere else other than his face. He hated that.
“You okay?” You questioned, your voice snapping him back to reality.
His answer was only a faint hum this time. He feels your hand brush his hair again, and you swear you can just feel him melt under your touch. It surprised you sometimes. A brash, flamboyant Galaxy Ranger, always full of energy and ready for the next journey across the stars almost turning into mush once your hands meet him. It was something you picked up on very quickly, and it didn’t take as long for you to realize why he reacts this way.
“Does it bother you?”
Your hands stop moving through the white strands, “Does what bother me?”
“This… My body. Does it-”
“No. Not at all,” you suddenly cut in, “You get cold sometimes, but that doesn’t bother me. Why do you ask?”
“…it’s nothin’,”
You turn your head to face him, nuzzling him knowing he can feel you there, “Well… It definitely is something, but… Whenever you’re ready, I’m all ears,”
He can feel you gently press a kiss on his head, and another, and another, and another. The only place where he can feel you, and you were practically showering him with small kisses.
He feels warm, especially when he’s with you. Maybe that’s why he always looks forward to moments like this with you because for once, even if it’s just for a moment, he feels human.
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ehhh, this felt better in my head but oh well, I just really wanted to write Boothill
I don’t regularly post fics or hcs like this but maybe I’ll make a silly side blog for it if I do find myself wanting to write so much more for Boothill ( I literally love him so much )
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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revivisection · 10 months
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dodged a bullet, saw my shadow get blown apart
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idiot draws a fully detailed second emily unaware of what's to come
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