just finished rereading the first draft of my mountain wip that i wrote last year and hello???? it’s quite good??? like i had a banging time reading it, it’s such a fun romp with actually half decent plot and characters and pretty good pacing - lads i think i may have written a book here !!
I just noticed when Ozzie appears behind Fizz, the initial explosion shows his sigil for exactly ONE frame (replacing Mammon's sigil we've seen plastered throughout the episode).
I just thought it was a neat little detail, Asmodeus essentially summoned himself in that moment.
i still can't believe there are folks who say "well GTN is annoying but you just have to get through it and then the other books aren't like that so you'll be fine."
personally i have been chasing the high of GTN ever since i first closed the book
“I’m endlessly fascinated by depictions of masculinity,” he says. “The kinds of men in the world are as numerous as grains of sand. Yet we are fixated on this two-dimensional notion of masculinity, and a lot of people—especially the characters I play—they’re plagued by it, deformed by it. They spend their lives contorting themselves to fit in, being told they can only be and feel one specific thing, when humanity doesn’t work that way. We’re complex and contradictory beings, regardless of gender.”
When Shakespeare describes the eventual end of human history as “the last SYLLABLE of recorded time” suggesting that the end of humanity will not be with a bang, a whimper, a gunshot, a sword, or even a breath, but with a syllable - a word….
And the fact that the line ends on the word “time”, which is one stressed syllable past its welcome in the iambic pentameter, suggesting that time itself continues long after human speech (iambic pentameter) has already ended AAAAAAHHHHHHH-
Generation Loss is a comedic tragedy in every sense of the word. Every character we see exemplifies this fact, but no one other than The Austin Show proves its truth.
We begin at the carousel. Austin, Gay, takes his turn by pleading for himself to live because he has a wife and children back home. The rest of the cast interrogates him about his “wife and kids,” clearly suspicious of his truthfulness without even knowing his dubbed “title.” Everyone in the room treats Austin like a joke.
In turn, so do we.
Next, we reach the closet and shortly after the failed drag show, Austin remarks, “Look, I uh… I didn’t expect to die here.” It’s a moment of pure honesty, whether we like it or not. It happens again when the Puzzler tries to party with them, and Austin has to angrily remind him that they are his captives and are actively trying to kill them.
Austin: “What are you doing? What are you doing? What are you doing? We're trying to get out of here. I have children and wives— wife. One wife! What is this some sort of game? I’ve been stuck in hear for hours it seems. We’re trying to get out. Why is nobody else freaking out? We’ve got C4 strapped to our neck…”
It isn’t until Ethan’s death, his blood pooling out from underneath the door, Austin screaming at the others, begging them to have a reaction, to care about their circumstances, to care about death, that we finally understand Austin’s role in Generation Loss.
After all, in every great comedy, someone always has to play the straight man.
Been wanting to draw some fanart for Poor George MAP since it's my favorite one, and because it was its anniversary recently, I finally did it :>
ID: A digital drawing in two panels with characters from Warriors. In the panel above, there's Yellowfang watching Brokenkit play with a moss ball, she looks endearingly at the little kit; they're in a green environment and plants surround them. In the panel below, Yellowfang is in the same possition, looking down at an adult Brokenstar at her feet, already dead, she looks sorrowful. Fireheart is by her side, looking at her with compassion. They're at ThunderClan's medicine den.