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#love sick noh
absolutebl · 2 years
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Duck daddy, I'm having an identity crisis! I am someone who, despite being generally awkward at life, can't handle awkward in media. I will literally cover my face or leave the room if a show is too awkward, although I seem to do better with Asian shows, possibly because there is more of a disconnect when it's not in my own language. But now I'm also liking high school setting! I've NEVER liked that before except in some manga! I thought Takara kun to Amagi kun was a one-off because they're so impossibly cute, but I just watched Kieta Hatsukoi and I found that unbearably precious too!!!!!! High school is like the DEFINITION of awkward, what is happening to me? I think now I'm just old so I see them as precious little babies flailing around at life, less relatable than college or adult awkward. I think you've said you prefer high school setting as well, what are the best ones?
Ah ha! the dreaded
Cringe Factor!
These are shows that make me wince from embarrassment for the character. It took me a long time to get used to it in BL, even though it is a hallmark of origin yaoi somehow it's easier to take in print. It’s not just the uke either, in Cherry Magic the second couple gives the seme all the cringe. 
Best High School BLs With Cringe 
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Light On Me (2021) Viki - it’s Korea so the cringe it more awkward than it is frenetic, but on the basis of the dildo scene alone. Full review.
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Takara & Amagi AKA Takara-kun and Amagi-kun AKA Takara-kun to Amagi-kun (2022) Gaga and Viki - Amagi is one of the best executions ever from Japan who specialize in this archetype, and I have more to say about this drama coming up in a full review. 
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My Love Mix Up AKA Vanishing My First Love AKA Kieta Hatsukoi (2021) Viki - Aoki is a completely adorable absolute chaos bi disaster muffin of Japan’s First Order of the Frenetic Uke Brigade. We’d bow before the king but he climbed into a trash-bin with a banana 20 minutes ago. 
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Mr Heart (2020) Viki - Korea’s version is always a little different, but pretty much this is their best effort at classic BL awkward uke cringe.
Sorry sorry, this is uni. I forgot. 
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Make it Right (2016) YT - Fuse, one of Thailand’s best example of this archetype is a lot more subtle than what we get from Japan, but trust me he is the same kind of chaos monkey. 
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Love Sick (2014) YouTube  - the OG of Thai BL and perhaps Noh is a bit more earnest and warm hearted than he is loopy, but wait tell you get him drunk. I think he still qualifies as a more subtle version. 
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Great Men Academy (2019) grey - this is body swap and so maybe nto really BL, but Jamie’s portrayal of Love certainly fills this archetype. 
(Taiwan doesn’t love cringe outside of straight dude comedies and comic relief besties.) 
Tangential Archetypes that often cause cringe 
Disaster Bis 
Chaos Muffins
Adorable Bean Nuggets 
Himbos 
(source) 
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jyuubin · 1 year
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LOVE SICK: THE SERIES (2014) // Phun & Noh MY SCHOOL PRESIDENT (2022) // Tinn & Gun ↳ "I'll do anything!" | "Be my boyfriend." parallels ❖ love sick episode 1 x msp episode 2
{ID is in the ALT}
— ©jyuubin
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waitmyturtles · 1 year
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Friends, family! Some updates and questions on the Old GMMTV Challenge -- if anyone catches this post, I would love your input! (AND THANK YOU for all the input on this watch journey so far, I LOVE YOU, FAM!)
1) Love Sick. Oh my gosh, I am TOTALLY enjoying this show. Yes, lots of problems, LOTS of issues, and I get to enjoy the BL cuts, so I’m missing all the messy het context (thank GAWD). 
But seriously -- oh my god, oh my god. Noh and Phun are like, a canon Thai BL couple? They’re SO PERFECT FOR THE JOB. It’s so amazing, they’re so amazing. Noh is so insane and WISE. Phun is SO CRAZY IN LUV. I love that Phun just CANNOT HOLD BACK! THOSE EYES! (This guy is my TUL?! TUL?!)
So watching Love Sick now makes me regret, by quite a lot, not watching these shows chronologically. I think it would have helped me a lot to watch Love Sick before SOTUS, but alas, I let my curiosity about Singto get the best of me. More on this in a second.
2) @absolutebl, @clairificusrex, @nieves-de-sugui, and anyone else who wants to chime in! Question for y’all: I found this playlist on YouTube for BL cuts of Love Sick season 2. Do these edits look reliable to you? I unfortunately have to multitask at all times when I’m watching dramas, so I can’t fast-forward -- I think I might need to rely on this playlist to finish out LS2. Gah. I hope these work for the task at hand!
3) Okay, chronology. I would love advice, thoughts, feedback on the following questions! (I’m sorry I’m asking all these questions, btw: I have a huge trip coming up, and may run into rights issues where I’m going, so I want to get a good watch plan solidified before I leave. Because... I’m a list person, oh god.)
Like I said, I think I messed myself up by watching SOTUS before Love Sick. I think it would have really helped me to understand SOTUS even more if I had watching LS first, to catch on some tropes that were clearly borne out of LS.
@absolutebl recommended, as the third drama of the OGMMTVC, 2gether. But, in a separate comment thread, @shortpplfedup also mentioned that Love Sick and Make It Right kind go together (@shortpplfedup, let me know if I’m stating this reliably) as two of the early high school pulp BLs. 
I don’t know if Make It Right is as referenced, trope- or script-wise, as an early BL as Love Sick or SOTUS. But it does have Ohm Pawat, who is one of the actors I permanently rabbithole, and I do really appreciate watching Love Sick now to see all the high school tropes being built. 
So I’m wondering: for chronology’s sake, would it make sense to watch Make It Right/MIR2 next, after Love Sick, if this is a side-path I want to take to learn about canon regarding high school settings? 
Or... is Make It Right not worth it? I know @absolutebl has said before that the heat of MIR may be wiggly for the youth of the actors. I’d love input! If MIR gives by way of education, I may want to dig into it while I’m on the road.
4) And then after that, closing out the OGMMTVC would be 2gether. However!
a) My other side commitment is to understand Aof’s oeuvre. And He’s Coming to Me and Dark Blue Kiss both aired BEFORE 2gether. So I’m kinda wondering if I should watch those first, before 2gether.
b) And then there’s his involvement with the 2gether franchise, which -- I had no idea about until I perused MDL. And I’m totally not quite following what all the sequels mean and maybe, why he got involved in the franchise?
Was 2gether so bad, in a way, that Aof and Fon Kannitha had to come in and, like, rescue the franchise for Still 2gether and 2gether: The Movie?
And, what the heck is this MDL description of the movie? Is it, like... a summary of the two previous series?
(Is all of this messy-mess indicative of why 2gether landed on the OGMMTVC list? Ha.)
I’m a little confused by what the whole deal is with 2gether, and if the sequels are worth watching. For me, the priority would be to watch Aof’s work as it progresses over time, which makes me think I should interrupt the OGMMTVC to watch He’s Coming To Me and Dark Blue Kiss first. Because, again, I’m wondering if he or GMMTV felt that he needed to come in and, like, save the 2gether franchise. When I was digging into all of this in MDL, I was totally surprised to see his name there.
Whew. I know this was a lot, but I appreciate ANY crumbs from the experts. (2gether, on paper, looks like a hot mess, but I know BrightWin are beloved, so...what’s up with that, ha.) If anyone’s reading and commenting this -- thanks, y’all, in advance, for your input!
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juneviews · 2 years
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ngl phun & earn should’ve f*cked in love sick or something bc that sexual tension was fire LMAO
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shortpplfedup · 2 years
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The way Pun says Noh's name kills me every time. Love Sick you are due for a rewatch.
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thefreeblog · 1 year
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In other news, Love Sick's Phun/Noh are taking me on a ride. I didn't know I needed another teenage pining and the sweetest couple in my life. I have barely started the season 2 and I have heard one of the few best dialogues and scenes I have ever watched in a BL
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Can you both not mind and stop killing me here. I am trying to live.
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tosailuponthesea · 2 years
Conversation
Phun: so...want to shower together?
Noh, his literal boyfriend: absolutely not
Phun: you showered with Ohm!
Noh: he's my best friend, that's totally different
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absolutebl · 2 years
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10 Favorite Complex Characters in BL
This post sparked by @solitaryandwandering ‘s question here. 
Essentially they wanted to know some of my favorite fully realized (deep) characters rather than one dimensional archetypes. This is a challenge in BL. Especially for fans like me who are often attracted to characters with the least screen time, because we can make them whatever we want with our imaginations.
But this is about portrayal of complex, thoughtful, well rounded characters. The least artificial, tropey, and archetypal. I started this blog to track the later, not the former. Because the former is all too often in the gritty, sad, dark, heavily queer narratives. But I will take up the challenge and confine myself to picking leads only.
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1. Nosue
Actually the first character who came to mind when asked this question. I have talked about Old Fashion Cupcake at length and I ADORE Togawa, but Nosue is a much more complicated character. He is outgoing, popular, and a blatant flirt, but closed off and lonely. He knows he is in trouble, and he knows he did it to himself, but can’t figure out how to get out of his life state or malaise. He is profoundly self aware and instinctively empathic, while being entirely unable to understand how anyone actually feels about him. He can see his own flaws but not anyone else’s. He has capacity to love but doesn't trust himself to do so, and cannot recognize affection when it surrounds him. This character could only be at this point in his life journey, no younger character or actor could ever have carried off this role with all its contrasts and nuance. He is the opposite of one dimensional. He’s almost 4th dimensional, where he occupies time and space on this plane of existence is an integral part of his identity.
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2. Ae
Crazy to put a Mame character on this list but I defy you to dislike Ae from Love By Chance. He was probubly my first great love in the arena of complex characters in BL. He comes off as deceptively simple at first, and then we keep learning things about him - his demi nature contrasted to his tough defensive personality. His instant and unprecedented affection and need to care for the lost hurt extremely shy rich gay boy is both very weird and totally understandable. We know his character: sarcastic, brash, grumpy, and street smart but also loyal and casually affectionate. Pete permits Ae to showcase his best and softest nature, without any risk of hurt or damage. (Although Ae can, of course, damage Pete with his ignorance.) Watching Ae figure out himself, and what his strange sudden need to look after Pete is all about (love rather than friendship) is such a joyful ride. For all his rough exterior we know Ae will make it through his own confusion into solid affection, there is no other way his character would allow them to be. Ae is very solid in himself as a person, even if he has some shock realizing that personhood is queer. The fact that Perth acted this complex of a part when his was 16 is mind boggling. What Mame did to Ae’s character in LBC2 is unforgivable.
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3. JiWoo
To My Star 1 & 2. I didn’t like the 2nd installment, but that doesn’t mean I didn't understand it or his character’s behavior, because it was set up so well in the first. (I just didn’t enjoy the pacing or structure of season 2.) 
Korea doesn’t normally specialize in complex characters for their BL. In fact, they tend to go for the most archetypal, which is fine with me. I mean Semantic Error is top of my list and those 2 couldn’t be more basic archetypes. Okay, so why does Korea do this? Well partly because Korea doesn't have enough screen time to build backstory, and also because of their “queer bubble” perspective we never get depth of character from home life, parents, or coming out sequences.
JiWoo is the opposite. We learn (eventually) all about him but that isn’t even particularly necessary. JiWoo has walls, tall thick well-established walls, but it is very clear those walls are from being hurt by the world. Slowly we learn bits of why, but what makes JiWoo deep and complicated, is that despite his walls we can still see him falling in love. And who does he pick? The most inappropriate person for someone scared of being hurt: a capricious, outgoing, sunshine, famous actor. And a man. It’s like JiWoo’s own heart wants to give hem more reasons to build more walls. Every time JiWoo allows himself the luxury of that despite-himself-charmed sudden bright smile, our hearts break for him. Because it cost him, and will cost him, so much to be happy. Because of what he has allowed the world to do to him, and his own natural reactions to it. JiWoo doesn’t want to be loved because he is terrified of loving someone back, because he knows how much of himself he is willing to give up when he does that. And who, in all honestly, hasn’t been there?
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4. Yuzuru
Seven Days. I know, I KNOW. Look, I realize his is a character type that Japan explores often. But that doesn’t make him any less interesting or complex. Yuzuru is beautiful but also very bold, brash, blunt, uncompromising, and stubborn, and he won’t change himself for any reason. This blatant mercurial individualism in a culture that finds such behavior confusing at best and worth crushing at worst, enables Yuzuru’s classic tsundere behavior beautifully. Yuzuru shows us how deep characterization can be activated to bolster one of the genre’s most enduring archetypes, and that’s really fun to watch. Yuzuru is not just “tsundere with good reason,” (which is all we can usually hope for) he’s tsundere with INTENT. His love for Sereyo springs from his conflict with society, because for the first time someone likes him not despite his uncompromising personality, but because of it.
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5. Amber
DNA Says Love You. The ultimate complicated character who could have been profoundly miss-handled with one tiny misstep. But this performance got handed off to an actor who made the character incandescent instead. Amber is extremely scared and keeps his identity and past intentionally hidden from us and the other characters, which easily could have felt manipulative or frustrating for audiences. Instead, we feel that this is for very good reason, so much so that the twist isn’t a twist anymore. Instead of hiding and lying without fault, instead of being a wet blanket without reason, Amber hurts to lie but does it because he wants one taste of what could have been. He doesn't expect anything more. He expects to be shunned. And he is gentle and kind and sweet about it, because that is who he is as a person, even as he struggles to protect himself and his new friends from the truth. It was deft handling of questionable content, and we don’t get adroitness from Taiwan often. Because of the way Amber is portrayed the character seems more deep and complex. This is one of those where the actor brought much more to the role than the role provided, and it’s rather remarkable to watch.
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6. Thun
He’s Coming to Me. Imagine growing up as a kid who can see ghosts, but being mature enough from the start not to tell anyone about it. Then imagine falling in love with the ghost of your mother’s ex-boyfriend. Oh the drama of it all! Ohm is in peak form for this role, and his performance is outstanding. Thun is a very lovable character, brash and open, but treasuring this intense secret, while being devoted to uncovering other people’s truths. Thun is able to stand up to authority in a way that is beaten out of most men of his age and social status. His relationship to his mother, to his friends, and to his lover is varied and nuanced, and that gives him, the cheerful himbo character, so much more nuance too, because he is so clearly defined by all the tendrils and threads that anchor him to reality, vital when one lives partly stuck in the afterlife. 
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7. Shun
His the movie. Another character type that Japan loves, the introvert, and another execution where it is given reason and intent. Shun always had it in him to withdraw in order to protect himself from the world, but after Nagisa left him, he withdrew from the world entirely. His is about the world trying to reclaim him. The tiny country retirement village who adopted him while he wasn’t looking. Add to that Nagisa, and his daughter, coming back. What we watch is Shun’s quiet struggle to accept all three, despite the hurt that opening himself back up to relationships (family, fatherhood, lover) carries with it. He is a wonderfully complex character.
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8. Pete
The Kiss series and Dark Blue Kiss. Tay’s portrayal of Pete is consistent even across a conflicted timeline and some weird narrative choices. By the time DBK rolls around we know exactly who Pete is. In any other hands this kind of drawn-out tsundere seme would have been very one dimensional. But Pete is complicated for your standard himbo bisexual character. He’s conflicted about his responsibilities as a son but proud to have the support of such a kind father, frustrated about not being open but not intersted in being famous. His love is devoted, but he is a capricious person. He isn’t very academically smart but he has a high emotional IQ, he reads people well. He is quick to anger but also quick to forgive. He is fiercely loyal even to his ex-boyfriend, but also willfully obtuse. For a character who, in Thailand’s hands, should have been one note, Pete is as consuming and as sweeping as the intro music to DBK, and just like that music a bit overdramatic. But I love this drama queen clown.
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9. Mork
My Ride’s Mork is kinda like the Ae of the next generation. He’s more lively and cheerful, less of a grump, but he does represent for the lower class. Struggling with money, work, family, and romance, he falls deeply in love with a doctor even though he thinks he hasn’t anything to offer. Mork’s struggles around bisexual identity play second fiddle to the fact that Tawan is already in love with someone else and socially so far above him that Mork consigns himself to friendship. He knows how to love though, and he does it deeply and from the sidelines, as a support network and as a friend to Tawan. And he would have willingly stayed there, had Tawan had a happy relationship. It’s really great to see pining executed from start to finish, as in: Mork isn’t a “pining since childhood” trope. We see him meet and like Tawan as a friend, fall in love with him, and then have to take a back seat and wait for his love to be returned. Mork has a developed depth of character because of this, and we are never angry with him for this behavior. We know exactly why he does it, and we too are willing to wait. A Thai pulp that not only requires patience (they all do) but teaches it? That’s some great characterization.
Also, SINGLE DIMPLE. (Look, these characters may be deep, but I’m not.)
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10. Noh
Love Sick. Another very young actor handed an extremely complicated role and pulling it off with aplomb. Noh is awkward and popular, sweet and tough, kind and loving, and really profoundly unwilling to hurt. Watching him slowly fall in love with Phun, and Phun’s casual rich-kid entitled hot/cold affection, is heart wrenching. Watching Noh tackle Yuri’s demanding attentions while not wanting to cause her pain, even though he is deeply in love with someone else, hurts us, and both of them. Love Sick is a great coming of age narrative. It handles all the ramifications of queerness that a kid of that age might deal with but with in a dexterous and deeply private way. Plus Noh’s LINES. The words Captain gets to say are some of the greatest ever scripted in BL.
“It is a terrible thing not knowing where the line is between us.”
Could there be any better way of putting the conflict over moving from friends to lovers? From heterosexual to something more? The fear of not knowing if you should move towards romance when friendship is put at risk. COME ON. Noh is a remarkable character.
Honorable mention:
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Hasimoto
My Love Mix Up. Trust Japan to take the character that any other country would have turned into evil femme fetale and make her the heroine of this narrative. She’s a spectacular character, she handles her own crush and other people’s with humor and aplomb. She is fiercely defensive of her friends, tiny but mighty. One she decides to love someone, she does it with every fiber of her being, even though she can get very shy. We don’t know a ton about her, because she is a support role, but that didn’t stop me from enjoying all the layers that are revealed about her during the course of this narrative. One of my favorite things about this show was watching her and Aoki’s friendship grow and evolve, more so even than Aoki and Ida’s romance.
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White & Black
Gun’s execution of the twins in Not Me. I doubted he could do it. He did it. Each one was complicated and different and so was their relationship. All the cheering, it was IMPRESSIVE. 
Some others I considered but did not make the list for various reasons: 
Tutor in Why R U? 
Dean in Until We Meet Again 
Pick in Puppy Honey 
Vald in Like in the Movies 
SiWon in Blueming
(source)
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kissforyouu · 3 months
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Can you write a drabble of Oc being mad at him because some old fling sent him a pic through his DM’s and she saw, even though he never responds to the girl she still got mad
your eyes go completely wide, your expression just— shocked. wait, no, no! jumpscared is the right word. you grit your teeth while staring down at your boyfriend's phone displaying the nude photo of some other woman. and you couldn't help but think that if this was proof of jungkook cheating on you, you would've gone crazy on spot. but fortunately, it's not.
still though, due to your own suspicions you scroll up the chat only to be met with messages exchanged about 5 months before you two's relationship started. thank fuck, he is not cheating. you just almost had a heart attack.
still, you were mad though. the audacity for this bitch to send nudes to a man who's clearly in a relationship. it's not like jungkook doesn't post you, he posts you on all his socials, there's no way she wouldn't know. shame on her, she's just embarrassing herself.
but that's not even what made you mad, though. it's the fact that jungkook had already viewed it. he's already seen the picture and had left it on seen. despite being glad that he didn't reply or anything, you still couldn't help but feel jealous over the woman. you had everything she didn't - jungkook. he has just left her on seen, hasn't even bothered to block her!
you huff, blocking her yourself. fucking hell. great, now your entire mood's ruined.
"my phone's with you?" here he comes.
you don't say anything bad, clearly upset with him.
"i was looking for it. what'd you do with it?"
why? is he scared i'll find all his hoes?
you sit in silence. there was a big fat frown evident on your face, the face you often make when you're angry.
"y/n?" jungkook stands in front of you, raising his eyebrows wondering what the hell he did wrong again. he doesn't say anything but reaches forward to grab his phone from the grasp of your hand.
the moment he does that, you get up, storming out of his living room and into his bedroom. uh oh, you're stomping on the floor. —eek, here it comes ; jungkook pokes the inside of his cheek once he heard the door shut with a very loud thud. at this point, he was used to your attitude. but he just couldn't figure out why exactly you were mad at him.
—oh, nevermind. the man sighs, running his fingers down his face while he took a short glance at the explicit image sent to him by one of his old flings about a week ago. he didn't know you'd go through his instagram. coming to think of it, your attitude is justifiable. its his fault too, noh? he didn't block or anything. i mean, not his fault he doesn't even remember the girl's name.
but he noticed that you had already blocked her. he takes another deep sigh, eyes staring at his door, now closed. he had to console you somehow.
"baby?" your boyfriend knocks on the door thrice, and when you don't answer him, he decides he's gonna break in. it's his room anyway.
he walks in to be met with the sight of his pretty little (angry) girlfriend sitting on his bed, staring into the nothing of the nothingness. you looked cute, he thought. but now's not the time to pull jokes. (i think)
"my love." jungkook walks closer to you and bends down to meet your eyelevel on the bed. but you look away, avoiding his eye contact. he giggles, accepting the challenge and moving his face in front of wherever you're looking at. three or four of these and you're sick of him already, breaking into a whine as you slapped his shoulder.
"who the fuck is gianna and why's she not blocked?!" how come you remember the girl's name and not him when he was the one who talked to the girl for like, uh, uhhh, like, a few months or weeks, jungkook thinks.
"baby, she sent me that shit recently. i haven't talked to her ever since we both started dating, you know that very well. whatever you think happened, did not happen." he looks at you, waiting for a response.
he did say the truth though. you should—
"you're overreacting." nevermind. "overreacting" is crazy.
"i am NOT overreacting." you break your silence, "what would you feel if you saw the nudes of one of my exes on my phone, huh, jungkook?! bet you'd fucking LOVE that."
jungkook remains silent for a few seconds while you gave him the "told you so" look.
"don't fucking talk to me—"
jungkook flicks your forehead, forcefully pulling your upper body towards him so that your face would be pressed against his stomach. you let out muffled screams, completely annoyed.
"come on, i'm sorry, babyyy. we're fine, okay? i will immediately block and even report if this happens again. y/n—"
"eeek! i said don't talk! now—let me. go!" he had you on a headlock so it was harder for you to get out of his grip. you kept wiggling around like a worm, but in the end, you just give up, accepting defeat.
"i'm sorrryyy, my princess. you want my instagram pass? i'll give you. you know i love you only. i'm sorry i made you feel that way." he cups your cheeks, planting a sweet double kiss on your forehead.
but you just glare at him.
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waitmyturtles · 1 year
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Turtles Catches Up With Old GMMTV: Love Sick/Love Sick 2 Edition
[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. I’ve covered SOTUS so far, but now I’m correcting for chronology, and present to you today my review of Love Sick.]
Well. I climbed the mountain and saw the view from the top. After 48 episodes -- BL edit cuts, mind you, but still, 48 episodes -- I finished Love Sick and Love Sick 2. 
Before I dive into the review, I want to meditate on something that kept cropping up for me as I was watching the show. I always say this in my writing, but I’m an #old cishet gal, in my early middle-aged years, and when I was in high school in the States, casual homophobia likely looked different than it does now, or maybe even at the time of Love Sick’s airing in 2014 and 2015. 
I’m not sure if young people in high schools do this now... or maybe they do. Maybe I’m clueless and just not watching enough Western and/or cishet content to know. But when I was a teenager in the ‘90s, “gay” was the adjective for everything. "This bagel is gay.” Your handbag was “gay.” Your handwriting was “gay.” The way in which you stapled your papers together could be called “gay” -- I literally heard that in high school, and I still remember it as being one of the dumbest things I had ever heard. And, of course, most doomingly for certain individuals -- many were labeled as “gay,” too. 
As I rejected much of the biases and racism that my Indian family operated by when I was growing up -- so I also rejected the nonsensical usage of the word “gay” as an adjective for anything else but someone’s sexuality.
I was a seriously protected, hugely nerdy Indian kid growing up. But I kind of inherently knew that this unconscious/conscious/implicit/explicit/simmering hate for a group of people vis à vis this adjective wasn’t for me. At that time of my youth, I didn’t actually know queer communities. I just didn’t want to be associated with biased people who insisted on seeming like utter idiots via their language against a minority group. 
(I’m aware now that “gay” as an adjective is likely being appropriated back by young queer communities, just like the word “queer” itself. I want to clarify that “gay” was NOT being used in a "nice” sense when I was a kid.)
I’m meditating on this because, of course, I watched Love Sick well out of order of my introduction to Thai BLs. I started with KinnPorsche, with The Eclipse, with Bad Buddy, and then began to correct that by watching SOTUS -- all shows that have dealt with homophobia in various ways...or seemingly not at all, in the case of BBS, and to just a touch of an extent in KP between Big and Porsche. 
So. I watched Love Sick to learn about Thai BL history. But my mindset is out of order, right? It’s because I’ve already watched many influential shows that carry the influence of Love Sick within them. (As I did in my SOTUS review, I’ll cite @miscellar‘s tremendous analysis of how Bad Buddy was based on Aof Noppharnach’s meta commentary on existing BL frameworks, and I’ll do a lot of comparisons to BBS in this piece, as I’m aware that P’Aof was influenced himself by Love Sick.)
In rewinding my perspective and my mind to set myself up to watch Love Sick: I wanted to be very aware of how this show would deal with casual homophobia among teenagers, and the ever-present question of how it would deal with the question of if the main coupling of Phun and Noh would fall into the “gay for you” category that I discussed in my SOTUS review, and that @absolutebl discusses in this post. 
If @absolutebl flagged Love Sick as likely problematic of mistakes that are being corrected for now -- of course, they’re right. The casual homophobia was rampant. The “gay” question was easily squelched, loudly and early by Noh, who clarified throughout the show that he was not, and never would, be gay. And Phun clarifies that as well, later in season 2. Our boys “called it love.”
Bad Buddy dealt with this differently, very obviously. There was no homophobia. Pat likes all genders. Pran will consider liking girls at some point, to Ink’s joy and advice that it’d be “gainful” for Pran to do so. 
But. (And I think P’Aof recognized this.) In history, we have to start somewhere. I had to get comfortable in my jibblies to watch this, and be reminded from whence I came, an environment of casual homophobia that very directly led to my deciding to live my life in part as an ally.
It’s unfortunate that I don’t get to read commentary on the regular about these shows from a Thai queer male perspective. (It’s why reviews from the very dear @bengiyo are so important for me to read, from his queer male perspective.) (And I think I need to watch more Soonvijarn.) I want to know, from a Thai queer male perspective, if it was OKAY for Love Sick to depict the casual homophobia that we saw, and if the perspective accepts Noh and Phun’s trajectory as a couple, calling their relationship not gay, but love. And certainly -- maybe that perspective has changed over the course of the airing of BL in Thailand, as expectations and artistic strategies have changed with the progress of time.
Throughout my liveblogging of my watching the show (and I want to take a second here to give a HUGE SHOUT-OUT to the DARLING MUTUALS who commented on my seriously late-night posts: @clairificusrex, @lurkingshan, @nieves-de-sugui, @aliceisathome, and many more, I LOVE YOU ALL, YOU AMAZING STANS!), I expressed a lot of love for Phun and Noh, and for other characters, too, like Yu, Per, and Win. (Yu and Per have a special place in my heart as allies-in-the-making, and Per trying everything to make Win, his BFF, happy -- and recognizing his limits while doing so.)
But now that I’m done with the show...I feel like a line of intimacy wasn’t crossed. Maybe I shouldn’t blame the show for this. The show WASN’T a BL. The show wasn’t SOLELY focused on Phun and Noh. Maybe the line of intimacy that I’m thinking of COULDN’T be achieved in a high school setting in 2014 Thailand.
I really wondered about the length of the show as I was watching it. For the MAJORITY of the second season, I thought the length HELPED the boys grow into their relationship. We really saw shades of gray. We saw shades of emotion, of development, especially from Noh to Phun. We saw Noh grow TREMENDOUSLY, maturely, figuring out his boundaries with lovely Yu. We saw Noh figure out his boundaries with Phun. I thought all of that development was truly lovely, very important to see between two young men, and gorgeous to watch. Captain acted the hell out of it.
At the same time, I think the length of the second second ultimately hurt the endgoal of the revelation of their relationship to their communities and family. To the end of the show, we were hearing that the boys were not gay. I think this was designed as a necessary part of their coming out in their relationship -- because I’m not sure that the airing of Love Sick 2 could have been considered successful at that time if it did NOT include that element, the element of MAKING SURE that the audience was TOLD that the boys were not gay. 
And I think -- because I watched things out of order, I’ve watched brilliant shows already correct for these mistakes -- that deflated me just a touch as I wrapped up the series.
As well, up until the VERY end, we saw that the boys were still in a place to consider heterosexual relationships, as in the case of Phun and his friend, Pam, who Noh confused for being a potential interloper. With Phun *not* communicating and clarifying to Noh immediately that Pam had a boyfriend, it set up a moment of real confusion for Noh, as if their already-committed relationship (which they had committed to multiple times already!) was on the rocks, for an interloper of another gender.
While I was watching it, I was confused -- I was wondering why the show needed THIS to close out Phun and Noh’s storyline. 
I wonder if it’s because, in 2014, the show could not have ended WITHOUT that question. The boys would be in a relationship now... but in the future, would things “straighten” out? (Of course, years later, we had ReminderS, which I haven’t peeped, but did establish that the guys were still together, as BL continued to be filmed and as attitudes slowly have changed.)
I think that if Love Sick 2 had ended after the pharmacy camp -- I would have felt settled and happy about this show. Phun and Noh ARE darlings, after all. Captain as Noh, his AMAZING ability to demonstrate a teenage kid’s overwhelmed reaction to the world around him so comedically -- it was really perfect. Both White and Captain are fantastic actors (especially as compared to Krist in SOTUS). 
But there was something about the ending that gave me the jibbles. As if the show couldn’t just leave the guys alone in their happiness. There HAD to be one more dramatic storyline that wasn’t clear. There HAD to be the clarification that the boys were not gay -- not to their schoolmates, not to Phun’s dad, not to the audience. No way were they gay. Again, I think this was where the length of the second season ultimately hurt this series.
And Ohm’s internalized homophobia as well. The way in which he rejected James, left James in the dust. The way in which things were left not quite clarified between him and Mick, although their relationship was alluded to at the end. (I might have missed some clarifications in the BL edits, but I ain’t going back to the full-length episodes to find out.)
And Earn and Pete. Good LORD, Earn. An “I fucking love you” next to the urinals? Dude. PETE COULD DO SO MUCH BETTER THAN YOU, EARN. (I frankly wanted to see Pete with Yu. Earn was the Thai version of The Situation from Jersey Shore, getting all up in Noh and Phun’s business and trying to break them up. Fucking Earn. SMDH.)
I have complaints. And I can’t help but think... yes, THIS is what Bad Buddy corrected for. THIS is what The Eclipse corrected for. With Kinn being out and out gay, THIS is what KinnPorsche corrected for. 
Phun and Noh found their love, which I am desperately happy for. Captain acted the HELL out of Noh -- I could not help but laugh out loud, night after night, at how Noh wiggled his way in and out of situations. He is, in Asian parental parlance, a good boy.
But, as dear @absolutebl meditated on, there were mistakes in this show that, thank goodness, are being corrected by the filmmakers that I have fallen for now. I see what Bad Buddy was doing. Instead of “I’M NOT GAY” -- P’Aof had Pran be gay, and Pat be bi, and Pran consider girls to Ink. That flow of that conversation among Pat/Pran/Ink/Pa -- that was sophisticated stuff. P’Golf had Akk say to his parents, not that he was in love with Ayan -- but that he likes men. 
I have previously loved these nuances in Bad Buddy and The Eclipse. Love Sick now makes me WANT THEM, HUNGRILY, as admissions of truth and acceptance. 
Do I need characters to be out and out, like Kinn? NO. That’s a person’s business, that’s a character’s business, if they want to define or call themselves gay. I’m not here to tell anyone where to land on the sexuality expression spectrum, that’s not my place. I’m not here to ASK anyone’s preferences. Just live. Pran certainly wasn’t out and out. He loved Pat -- that’s who he loved, he loved Pat, and there was no other nonsense, no other side explanations, no covering up or jibbly clarifying of any other positions. (And Pat’s statement was so simple, too: “I like both genders.” Boom, done, move on, live and LOVE and be happy.)
What was hard for me was the repeated denial of gay throughout Love Sick and Love Sick 2. I just didn’t think the show needed that -- because the love between Phun and Noh could have spoken volumes WITHOUT those statements. But I also get it. I get that the writers of Love Sick likely thought they NEEDED those statements in order to get the dang show aired in the first place, in 2014 Thailand. I get that there wasn’t that paradigm, yet, as leveraged by people like P’Aof, P’Jojo, and P’Golf, that lets love STAND as the STATEMENT ITSELF, à la Bad Buddy and The Eclipse.
I see what Love Sick did to begin setting up a tremendous, TREMENDOUS paradigm of BLs in Thailand. It was simply groundbreaking. And the ads! The advertisers were also making their statements. These boys were drinking and eating the Oishi like there was no tomorrow. That was big for nascent BL and capitalism accepting nascent BL.
But the show wasn’t perfect, not by a long shot. And @absolutebl Sensei -- you nailed it by listing it as one of your three original recommendations for us understanding what GMMTV is doing, NOW, with their progressive and groundbreaking art. I’m glad I watched Love Sick. I’ll get more Phun and Noh when I catch up with ReminderS -- and I’m glad, for me, that Love Sick is over, and that I know that Phun and Noh end up happily together in drama land, hopefully in a place where their cinematic preferences are NOT in control of the fictional communities around them, and the real audiences watching them.
[For those of you who are following, I’m now going to make a purposeful dive into a few shows that cover a number of priorities. I’m going to watch Make It Right, Make It Right 2, and Love By Chance -- all to learn about the works of the very prolific New Siwaj, as recommended to me by @bengiyo. I’ll also be crossing off groundbreaking shows featuring my simpy darlings, Ohm Pawat and Perth Tanapon, who are currently destroying in Double Savage. Finally, with MIR and MIR2, I’ll learning more about the early high school pulps after having watched Love Sick. Here’s the road front and back. I’ll ALWAYS take input if anyone reading thinks that something’s missing on this list! 
AND AS ALWAYS: MANY, MANY THANKS TO THE FAM that always comments on these posts and gives me unbelievable feedback: @bengiyo, @shortpplfedup, @respectthepetty, @lurkingshan, @wen-kexing-apologist, @clairificusrex, @nieves-de-sugui, @manogirl, @miscellar, @dribs-and-drabbles, @solitaryandwandering, and anyone that I may have missed! I so appreciate you all, and I LIVE for the conversations we have about these shows. 1) Love Sick and Love Sick 2 (2014 and 2015) 2) SOTUS (2016) (review here) 3) Make It Right (2016) 4) Make It Right 2 (2017) 5) Love By Chance (2018) 6) Kiss Me Again: PeteKao cuts (2018) 7) He’s Coming To Me (2019) 8) Dark Blue Kiss (2019) 9) TharnType (2019) 10) Theory of Love (2019) 11) Until We Meet Again (2019-2020) 12) 2gether (2020) 13) Still 2gether (2020) 14) ITSAY (2020) 15) I Promised You the Moon (2021) 16) Not Me (2021-2022) 17) My School President (2022-2023)]
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I think of Phun's smile. The smile that he gives me to me, to Aim and to everybody. That eternally beautiful smile of his.
Love Sick: The Chaotic Lives of Blue Shorts Guys
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demonslayedher · 1 month
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i would love to hear your thoughts/headcanons (serious or unserious) about heian!muzan – do you think he could have been a courtier of any importance? with the period's emphasis on the arts, beauty, and poetry, do you think he might have had a secret flair for waka? 😂
and his wives! he had five of them – i always thought it was strange that they didn't divorce him given that it was an option in those days. and if he was still able to find four other women after his first wife killed herself, he must have been some figure of note...
Heh heh heh, Anon, turns out I already had a theory about him being from a branch of the Fujiwara clan!
Since he has a penchant for foreign language I do hope knew some of the Chinese poetry that was in vogue at the time, since we can't say for sure what Tang poems sounded like in their original pronunciation (and that would depend on how well that traveled over). But I could also see him being bitter about poetry--after all, he was always either too sick or two allergic to the sun to get involved to many poetry parties.
Not much to do with the Ask, but I loooooooved how Ufotable went deep into his Heian flashblack, right down to the sounds of footsteps and where different servants would have been around a Heian noble's mansion. The fact that he had to drag himself all that way to get the knife says so much about how he was always so spiteful and it wasn't just a two second manner of giving in to his impulses.
But also, I CAN'T GET OVER NOMURA MANSAI'S PERFORMANCE OF THE HEIAN NOBLE MUZAN'S MONOLOG AT IN THE NOH DRAMA RENDITION
"I want to live... I want to live... I do not want to die" WAS JUST HAUNTING, MAN, I LOVED IT (and then after floating in his obsessed Heian courtier way down the bridgeway he does a quick change back stage and comes back squawking as Tennoji Matsuemon, that man is amazing)
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twig-tea · 8 months
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Rules: List 10 of your comfort shows, then tag 10 people
I was tagged by @sorry-bonebag and @bengiyo (thank you both!). It's funny to see so many folks talk about not having 10, when I had trouble narrowing it down 🤣 So, here are shows I've reached for for comfort recently, in no particular order:
Until We Meet Again. Listen, I get that it's depressing, but it also ends and mends the intergenerational trauma set up in the first 15 minutes, and in the Dean/Pharm storyline the show queues up typical drama problems just for everything to be fine, it is SO comforting. And if I need to cry, ep1 part 1 will get me there, guaranteed.
Azumanga Daioh. This show...is so weird lol. It's a 20-year-old anime at an all-girls high school. There is a 10-year-old prodigy, a weirdo transfer student, a butch beauty, a simp, a loud class clown...it's not exactly GL because the girl who has a massive crush on her classmate never does anything about it and that's not really the plot. There is no actual plot, it's extremely slice-of-life except when it ventures into absurdity. It's extremely quiet and chill for this reason. The stakes are so low!
Star Trek: The Original Series. Like Ben, I am a Star Trek fan forever. TOS is my favourite and I've rewatched... a lot. Rather than the stakes being low, they're high but everyone is exceptionally competent and can solve impossible situations. And I really, deeply love the problem-of-the-week style storytelling and found family vibes.
What Did You Eat Yesterday? Everyone already knows this one, it's so good. Their relationship is so wonderful and the food is delicious and inspiring. In this show, things aren't perfect and that's ok, and I get deep comfort out of that.
HIStory 2: Crossing the Line. I love a sports anime, and this hits the key notes: you have to have love for the game and play with integrity and with your team in mind, and never give up on your dream. And this installation was pretty short, so easy to binge.
Our Dating Sim. This is recent but I've already decided to go back and rewatch this rather than start something new at least twice, so I'm counting it. Something about how these two settle into the friends to lovers dynamic is just delightful their familiarity and ease transfers to me through the screen.
Ingredients the series. Everyone calls this our pandemic comfort commercial for a reason. I have rewatched it a LOT. It is incredibly domestic and very chill, and once again full of good food. It helps that the episodes are so short so again, it's an easy binge.
Avatar: The Last Airbender (series). Another one that lands on multiple people's lists. This show is incredible and has such good character arcs. I will never get over how perfect the change in Zuko was handled. This one is partially comforting because of how long it's been in my life and how many times I've watched it, but also the found family vibes and the problem of the week format once again is very comforting to me.
Love Sick. I know. But it is the first BL I saw, and it stuck with me. I usually skip around the BL cut when I go back to this (which I still do). Pun and Noh spend a lot of time together in silence or with the OSTs playing, and do a lot of talking in body language and eye contact. Even though they're young and awkward and things are unresolved for so long, when they're together just the two of them this show (and their relationship) is easy and comforting.
60s Batman. There are several sitcoms that I would watch an episode or two if it's on (Frasier, the Nanny, Third Rock from the Sun, Golden Girls, Schitt's Creek), but the Adam West Batman is just... incredible. It is so silly. It is so earnest. It was ahead of its time. And once again, that problem of the week storytelling with incredibly competent characters is deeply comforting to me.
[Also shout-out to sorry-bonebag's Taskmaster mention because i have definitely rewatched it a bunch too!]
Tagging @italianpersonwithashippersheart @callipigio @my-rose-tinted-glasses @chickenstrangers @justafriend-ql @belladonna-and-the-sweetpeas @visualtaehyun @solitarywandering @thewayofsubtext @respectthepetty no pressure as always!
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jaydastorm13 · 5 months
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Um. So. Episode 11 of My Demon:
So we're back! With that smug son of a bitch twisting the screws, our favorite demon/puppy hybrid getting his powers back, and me seeing that Noh Do-gyeong has suffered long before the central characters. (The interrogation room scene-ouuuuch). My Soek-hoon really is too innocent and sweet, and I love him even more now... an adorable drunk man! If something happens to him, then I don't know what I'd do. It was adorable to see our leading men get along. Ooh, they're probably going to become chaotic friends when they take that sick fuck DOWN AND I AM HERE FOR IT! I still don't like Star Gin. I don't care. The bitter/bitchy/obsessive second female trope is exhausting in all dramas to me. I've started Flower Crew, and I don't like what's her name...abusing everyone around her...I am confused by these past life dreams. I knew she was the woman, it was obvious, but what's with the last part?
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tosailuponthesea · 2 years
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Did Jeed just murder a dude?!
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juneviews · 1 year
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