this aloe (marlothii?) was packing serious roots in that 1.5 inch pot 😳
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Take a break from fixation on one fandom to avoid burnout of it by immediately drawing ship art for another--
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BUT HONESTLY
the narrative significance
of two pairs of people:
who both, having once had a close, trusting relationship:
becoming, at some point (past or present), divided:
with one having saved others and risked their life only to sway precariously from a height:
while the other watches and believes them to be dead:
only to learn they are alive:
and warmly reconcile their differences:
one is a clear romantic pairing and the other is...?
also a romantic pairing, that’s what
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I think Joey's mentioned this before but I feel like the terror/ofmd/good omens fans would love les mis. I'm like dangling the old men infront of their faces.
ooooooohhh look at him he's jean valjean he's sixty and has went fully white and he's also a saaiinttt(swaying him side to side like a big cat).
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I wonder how M.M. manages to fit his wings and tail into a bath? I can't imagine it's comfortable. Perhaps I should research hot tubs for him...
... Or perhaps he could take a page from Blackdragon's book and just bathe in the stagnant pond water outside. It certainly wouldn't be my choice of an afternoon activity, but to each their own I suppose.
Also, Blackdragon face reveal, he looks so unimpressed under the war mask lmao
Rude of the prisoners not to commit to putting on a good show for my cultists, but at least we know who is on the menu for dinner tonight. Sorry Questel and Shum, you should have been more entertaining if you didn't want to be eaten.
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I know it's been said before, but I think my biggest gripe with Izzy's death is that it felt like it was written and finished before S1 was even done, and then S2 was written like "ok Izzy dies this season so we have to make sure the audience feels sad about it." So they developed Izzy but never went back to the original script for the death scene and instead just went with the original draft despite literally all of S2 (and some of S1) contradicting what was supposed to be the emotional core of it
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