Scans of the Interview with the Vampire manga by Udou Shinohara (pg 1-18 / 183) for your viewing pleasure.

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recently I discovered that Kawayoo, one of my all-time favorite Pokemon TCG artists, has some art of Loudred floating around and it's the best thing I've ever seen

fun discovery from today's internet rabbit hole:

the first lesbian magazine published in the US, Vice Versa (1947-48), was entirely hand-typed by one Edythe Eyde (better known by her pen name Lisa Ben - yes, that IS an anagram for lesbian). she worked as a secretary with a ton of spare time on her hands, and her boss would tell her he didn't care what she was doing so long as she "looked busy"... so she decided to use her free time to type out copies of a home-made periodical for lesbians, writing most of the content - editorials, book/film reviews, poetry, short stories, and more - herself!

overall, the magazine ran for 9 issues, 16 hand-typed copies of which lisa would mail to friends (well, until one of them advised her she could be arrested for sending "obscene" materials) and distribute at lesbian bars :)

Beautiful from Ordinary Days

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

You know a character has really hit their gender out of the park when they're popularly hced as transmasc AND transfemme

Playing playing!

[Image description: traditional art of a pink axolotl floating in blue water, looking happy. It's surrounded by smiling yellow stars. End ID.]

I've listed the original of this piece for sale on my Etsy shop!

Acrylic markers, watercolour, watercolour pencil, and gel pen :)

This drawing is Glazed. My unGlazed art is available for Ko-Fi supporters!

If you're able, adopt an axolotl to help keep their habitat alive:

Dude save some for us homely guys

Michael Rayner

Three of Emily O’Leary’s hand-hooked dog rugs (@emiliaoleary); bottom two photos were shot by Bucky Miller for an installation in his Wraymour&Flanigan project (strongly recommend seeing the full installation photos!)

Day 2! This one's prompt was Red and it sure came out striking! look at this fancy little gentleman :D

Editing to say: this piece is now available on Inprint if you want a physical copy of your own!

This is supposed to be the outfit that "protects" Link from acquiring frostbite pfffttt

Between this top and the mandatory acrylics that come with the new arm, gotta say I'm loving how much Nintendo keeps leaning into GNC Link XD

MINI UPDATE: (Guys, I've already updated this post with the correct info. The "protects" part was supposed to be a joke about how skimpy the outfit was. I didn't realize the outfit gave an attack bonus at first, either. That was it. That was the post. You don't need to keep sending me messages trying to inform me about the frost attack. I know, I promise).

Update I: Just realized they gave him a set of blue acrylics for his left hand

Link really do be out here serving cunt 💅💅✨✨

Update II: Many thanks to the people who pointed out that this outfit gives you a special frost attack when in cold temperature areas, it doesn't actually protect you from the elements. I'll be honest, I am purposely avoiding any guides or walkthroughs for my TotK playthrough (since I'm trying to replicate my BotW experience). When I found the Frostbite Shirt, I was just happy that I finally had a piece of clothing that I thought could protect me from dying of hypothermia (was chugging spicy elixirs like you wouldn't believe) so I didn't notice the attack bonus until a bunch of you pointed it out lol

omg ok so i was trying to look up how to sex a centipede and one of the first results was an obviously ai-generated article with these absolutely incredible images of “centipedes” lmao. they are so hilariously bad i just had to share

I'M FAT, SO WHAT? by Venus Ashu

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

3D-printed figurines made in china are very popular with chinese artists and netizens (can be posed for various reference, and a set of four costs less than 2$)

Friends! 🌈⚔️💕