HMMMMMM interesting to think about arranged marriage with prince shouto...............
i think he wouldn't know. what to expect with you. i think he'd have an idea, as in, what his father, the king, has taught him; the duties of a wife, where your importance ranks in relation to his duties. what he's not meant to discuss with you, like politics and matters at court and foreign relations. how you will speak to him. what to buy in the event that you become...unhappy. a nuisance.
("and she will," enji had muttered, briefly glancing up from the parchment on his desk to fix shouto with a look he didn't understand. "they always do.")
you don't meet until the royal wedding, when you're coming down the long aisle of the grand cathedral, dressed up in a swathe of silk and lace. a thin, gossamer veil hides you from him, but he can feel the ardor in your eyes, the intensity burning through the material. it doesn't seem real until your bare face is only a breath from his own, until he has to see the earnestness in your stare, too.
your kiss is simple and chaste, nothing spectacular, something that leaves his mind as soon as it's over. ever a todoroki, a hundred other things enter his mind, all regarding his now iron-laid obligations: it's vital he meet with advisor keigo to reiterate the plan to establish his authority among the council; general aizawa is in attendance to the wedding, and shouto has not yet received word on his opinion of the new king's ideas to modernize their armed forces; midoriya is somewhere, no doubt wanting to go over state affairs again.
truthfully, shouto doesn't spend long "celebrating". there's already too much that's required of him, hardly enough time to even scarf down a few bites of the banquet laid out before he's being chartered off into discussions on foreign relations and infrastructure development. maybe once or twice does he look back to check on you, chatting pleasantly with his mother and sister at the front of the great hall, and that's satisfying enough.
it's not until much later that he sees you again; freshly bathed and wearing something sheer and long and white, atop his bed.
or his marriage bed, he must remind himself.
enji didn't spend long going over consummation, with him or either of his brothers—natsuo, red-faced and annoyed at the very subject, always storming off, and touya had seemed well-aware of the process, at the time (back before he'd been ex-communicated). it had sounded simple: strip off your dress, get his cock out and into you, and only retreat once he was sure his seed had been spilled.
—so he's not exactly sure what to do or think or how to feel, when you're laid bare and reaching up to hold his face.
it's so startling that he sits back on his knees, to frown where he's looming over you.
you stare at him quietly, like you're expecting him to say something, and he only has a moment to wonder if this is you becoming an unhappy nuisance—what had been the answer, to solve this, anyway?—before you let out a soft laugh.
"c'mere," you tell him, sitting up, too, when he keeps his distance. "i want you to kiss me."
"i already have."
"yes," you laugh again, amusement glowing in your eyes, like the warmth off the fireplace, as you reach for the ties on his trousers. "but you're meant to do it again."
and up until then, he'd felt confident in his achievements, his executions; he'd managed a lot today, in one evening, and he had a lifetime to manage more. it was a good a start as any, he'd thought, but now—
shouto almost can't get the words out when he feels your hands ghosting up the inside of his shirt, nails tickling over his ribs. "a-am i?"
you wrap your arms around his waist in what could be a hug, scooting forward to look up at him with your chin against his chest. "yes," you smile and—it's familiar in a way, how touya would whenever he was teasing. "you're my husband, you're meant to kiss me whenever i want."
that—was not something his father had ever said, he was sure, and it was a too-rare exchange between his own parents. now that he thinks about it—and he does, then, because he's faced with the reality that he doesn't know as much as he should—he's not sure the former king and queen even sleep in the same room, much less the same bed.
much less hug and touch and even smile, the way you do now.
there's no argument he can make against it, aside from finding keigo to find his father to verify the truth to such a statement, and he's only meant to retreat from this bed on one condition.
and if this is what it takes to meet that—then shouto supposes he'll have to do it, for now. he's a brand new king, after all, and it would seem he still has much to learn.
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Hello Miss Rin!!! Came back for another tea party because life's absolutely been kicking my ass lately and I've been taking the hits. (Such as crying) Anyway. How would you think wrio, Haithie and Li would respond to a S/o who's getting their ass kicked left right and centre for a pretty long time now and aren't sure what to do in life cause everything seems pretty clouded and whatever they'd planned years back , nothing has come to fruition? A depressive ask but you know I'm the king of angst <3 sending you lots of love!
hiii aether! pouring you tea and patting your head. take care of yourself okay? i'm sure you're doing great, you just need to take breaks and be kinder to yourself ᰔᩚ
i feel like they all would be super supportive in their own ways!!
zhongli's always there to listen and offer advices (and he's good at giving comforting words and advices after living for so long!) over some light, relaxing tea. and al haitham strikes me as the type who can provide you a very rational and logical input to any issues you have ー he might be a little blunt, but you'll notice he does try to word his sentences gentler when he picks up on your obvious distress! as for wriothesley, he's also smart in his own way so i can see him trying to work it out with you by brainstorming possible solutions together, but if you need him to just hold you close, he's a big cuddly bear!!
lastly, my own advice would be to say that ー no one knows 100% what they want and where they'll end up in life. there are too many factors that could mess up even the most meticulously planned plan. just accept that sometimes, things work out, and other times, things don't! and that's okay!! life isn't an exam where you can fail and that's it, you're doomed for life, nor it is a path laid out in front of you to follow ー that's not how life works. and even if that one door closes, you just have to find other open doors. there's always more to life and its meanings than that just one single success or breakthrough you're hoping for.
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In the "all the Batkids are gender-swapped" version of "Wayne Girls", is Duke included in the swapping? If not, what's his dynamic like with each of the girls (and Carter and Stephen) and if he is, what are the dynamics with "Duchess" and the other Batkids?
Duke wasn't really apart of the batfam when I first made the AU (He was still doing We Are Robin stuff which honestly I kinda miss). I will admit I have been negligent in adding him partially because I still haven't read much of his more recent work and still struggle to conceptualize him as he is much less a complete swap.
Also super embarrassing is I've struggled with finding a name for girl Duke. I want that same short, sharp, commanding energy that Duke provides and a lack of name kind of stops the process. I'm very familiar with baby name websites, not just for Duke but other characters. It took me a long time to settle on Damira for Damian as well. I have Thea (greek for goddess) as my placeholder right now and I like the energy of it but I'm still not entirely settled with it. Other options I've played with are Dela, Cleo, Rhea.
I guess I'll use Thea for now, is often seen as the calm normal one in the setting of the rest of the batfam's shenanigans. She's the only one who had a relatively normal upbringing so she's often seen as the "normal" one but she has her own quirks. She's open, friendly and game for some good back and forth but will not hesitate to put anyone in their place when it gets too far. She engages in feminine things like but not to the extent of Beth but not with the disdain of Janis. She's pretty independent, loves to help others but hesistant to ask for it in return. Honestly tries to avoid a lot of the bigger drama and not get too involved with the Bats. Still sees her placement (both on the team and with the fam) as temporary so treats them all like really weird roommates. The morning bird of the family, she, Alfred and Damira will sip their morning beverages while the rest of the Bats grumble about the sun.
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So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.
What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.
She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.
The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.
Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.
The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.
What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.
Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.
It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.
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