you can tell who's watched tlou ep 3 already by whether they look like they cried for several hours today

Mulder and Scully | Blood (2.03)

Can we just take a minute to talk about how fucking hot lily was in this weeks game changer like

faceless teen wolf episodes 3x06: motel california 1/?

Alright so 23.5 aka Toxic Positivity: The Series aka Everyone Teaches The Loser Queer Girl The World Is Kinder Than She Thinks By Viciously Gaslighting Her About Homophobia: The Series aka Teacher4Teacher Yuri and Everything Else Is Getting Memoryholed: The Series!!! I'm certain that so many words have been written about this already, but I haven't been on tumblr since Monday so I need to just exorcise my own reactions before I read anyone else's. I am really intentional these days about giving space to art to be descriptive rather than prescriptive, that is, to portray people acting in ways I find annoying or aggravating or cruel or despicable and to not jump to "how DARE this narrative betray me by saying it's good, actually, to be annoying or aggravating or cruel or despicable" even if the people who do those things in the text are supported by the other characters or circumstances in the text. I am very against "character acted badly, therefore bad things should happen to them so we can KNOW the narrative understands they were bad". However!!! For this series to have ONGSA'S OWN PARENTS ACT AS SPOKESPEOPLE FOR SUN'S PERSPECTIVE. Like her parents, who Ongsa was visibly afraid were going to reject her for her queerness, not only not care she's queer (because homophobia is fake in this universe except for Ongsa's inexplicable internalized homophobia which is treated as a character flaw), but behave like automatons Sun programmed dialogue into, scolding Ongsa for 1. not coming out to them sooner 2. "thinking for" Sun, as if that's something they'd have any context for (even IF Aylin and Alpha filled them in). That took the sense of "this narrative is taking Sun's side in her forced outing of her partner, doubling down on it and making sure every single character agrees she was right" to the next fucking level. It had the vibes of being a supportive coming out scene too but they weren't embracing their daughter for who she was - they certainly weren't letting her have her own identity and voice and needs! - they were just drumming home how correct Sun was in her every teenaged interpretation of who Ongsa was and should be. So that moved me firmly away from being able to employ a "Sun is a teenager behaving like a teenager" read on a storyline I find noxious. That moved us firmly into the territory of "we are being strongarmed into agreeing Sun is a JUSTIFIED, morally righteous teenager, who fixed her relationship/girlfriend by outing her against her will." It's just truly flabbergasting to me because without the outing plotline (which I understand was in the novel so maybe that's why it was forced on us despite its dissonance with the rest of the story), there are the ingredients of something I really, truly could have loved:

Sun being scared by the intensity of her own attachment and behaving badly because of it. This is literally one of my number one tropes of all time. I am OBSESSED with people becoming their worst selves because they're so terrified of how in love they are, the depth of their need for their partner.

Sun feeling bitter about giving up her future for Ongsa and not believing Ongsa (ONGSA) would do a similar level gesture for her, when Ongsa doesn't want her to give up her future for her and really Sun's bitterness is an internal cue that she doesn't want to give up her future herself, even if she loves Ongsa desperately and passionately.

Ongsa being so focused on what everyone else thinks of her and Sun that she can't hear Sun tell her what Sun thinks, and wants.

Much more importantly to me, Ongsa being so trapped in articulating her own needs as "I was worried about how things would affect you, Sun!" that she cannot voice her own actual feelings about things: "I don't want to come out because I'm afraid my parents will reject me." "I don't want to come out because I'm not ready for the entire school's hyper-scrutiny on me and my relationships." There was a really narratively rich story there where Ongsa tells Sun everything she does is with Sun in mind, and it takes a little bit of untangling to admit that actually, she has her own needs SUN is not hearing and those fucking matter too.

There was a great, great episode 11 conflict in those dynamics. They could have fought about who sits in front on Sunny the motorbike drawing on those dynamics and given me a more compelling episode than what we actually fucking got. You know? And that's not even getting into the, I feel, missteps with Aylin's writing and that relationship the past two episodes, or the way they won't let MawinTon be great and I'm actually afraid Mawin is going to end the series single and we'll be expected to appreciate how pure his supportive onesided love for Tinh is. Honestly probably good there was no teacher4teacher yuri in ep11 because I'm sure they would have found a way to ruin the number one thing I will be describing as this series' strength going forward. Well, that and the acting. MilkLove are acting their ASSES off. but for what.

I love that one thing the bnha fandom collectively agrees upon is bakugo mating for life/never getting over relationships

“You hear a demon coming?”

Haunting of the Hinsdale House - Ghost Files 2.06

"Gira is Gira. Not a tool."

Anime good :) (Patreon)

Y'ALL why the FUCK are the Mappa animators showing of the CORPSE of a DEAD FIFTEEN YEAR OLD GIRL like teenage boys show off their Bugattis on tiktok. They got her ass at EVERY angle. They even added an INTERNAL SHOT from inside her popped fuckin' eyesocket PLEASE.

Mappa really dropped this at our feet like a cat brings dead fucking birds. That's the energy this emits. They're so proud of themselves.

If you REALLY want to dig in they even added "that one random item that's here for some reason that has literally nothing to do with cars but why not". Like people will just. Set their cat or a bottle of some expensive fancy brand of alcohol on top of their car and have a shot of it for. . . I don't know? An attention grab or something, EXEPT THE RANDOM ITEM IS JUST HER EYEBALL AFTER IT GOT SUPER SOAKERED OUT OF HER HEAD?? That's VILE man. This shit requires a life sentence MINIMUM. DAMN.

And then they have the AUDACITY to tease us that she might come back. I'VE SEEN THE NEW MANGA CHAPTERS they are NOT bringing her ass back (unless they pull a SIKE at the very end or something but come ON) but he looks so HOPEFUL I'm SICK.

GEGE WHEN I CATCH YOU GEGE GEGE WHEN I CATCH YOU GEGE GEGE WHEN I CATCH YOU-

return to the underground is so funny because everything Donny says or does Raph and Leo are like 'that's him our baby brother, precious little genius, watch watch he's gonna do something cool, we are so proud. do you need anything Don Don'

And Mikey's like 'this is the worst plan you've ever had. I hate you.'

He really was not happy about going back underground XD

BAZZ-B | BLEACH TYBW EP. 3 “MARCH OF THE STARCROSS”

I’m sorry, but was no one going to tell me that Dawn Summers, the physical representation of Buffy’s innocence, of Buffy’s innermost vulnerability, just casually carries a Taser? Were none of you going to tell me that?

*The eyes are the window to the soul*

(You cannot deny it: they have the best eyesex)

♡

I have found a beautiful perfect humble rock specimen that is light yellow with a weird dark yellowy brown lining, somewhat resembling a chunk of smoked gouda cheese... effervescent