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wttcsms · 5 months

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when you know, you know, atsumu miya ;

pairing atsumu miya x f!reader word count 1k synopsis atsumu considers marriage to be a trap, until he realizes that even a lifetime commitment to you isn't long enough content contains fluff, talks of marriage!!!! he's a softie

It starts off like this: nobody sees Atsumu Miya getting married — not now, not ever, not in the foreseeable future, nor in any of the millions of alternate and parallel universes that may or may not exist.

You’re just not the type of person we see settling down.

Yeah, that might be true, but it still stings a little. It stings when he sees the white picket fences, and the cars with the MY KID’S AN HONOR STUDENT bumper stickers. It stings when he happens to accidentally catch a rerun of those family-centered sitcoms; the ones where they argue during the day and make up at night, with some cliche moral to the over dramatic situations that have occurred onscreen fifteen minutes ago. It stings when he watches his teammates get engaged and he has to congratulate them — he’s genuinely happy for them, don’t get him wrong — but still…

It doesn’t matter. Atsumu Miya has long since held the firm belief that he’s just not the type of person the whole “fall in love, get married, have a family, cue the domesticity cuteness overload” schtick is meant for. Besides, it’s not like it’s something he’s spent years obsessing over (maybe months, at most).

He rationalizes his bachelor status (that’s been a part of him for so long that it’s getting to become somewhat of a red flag for potential girlfriends) as him being the only one left with his priorities straight. After all, he doesn't have to worry about things like parent-teacher conferences or crayon drawings on the wall or trying to buy flowers to make sure the wife isn’t too mad when he comes home late.

After all, he tells everyone, settling down is still settling.

And Atsumu Miya, under no circumstances, ever settles.

Which is an ideal he clings to with such a tight grip, if it were flesh and blood, it would be suffocating. He doesn’t, he decides after a while, believe in marriage.

(That is to say: he doesn’t believe that it’s possible for him.

It’s not what he says explicitly, but it’s what he truly means.)

So, when he tells you this on your second date, you’re a little stunned, but you’re quick to recover. Okay… So that’s the explanation you’ve been waiting for. The reason why this six feet two inches tall professional athlete with a bank account he generously withdraws money from has been single for so long is because he doesn’t believe in marriage.

Other than that, he’s been nothing but great. Near perfect. So, all you do is nod and continue on with the original topic of the conversation. Eventually, your budding romance blooms into something much bigger than either of you ever anticipated or saw coming, and while you yourself have never mentioned the M-word after that date, it’s all Atsumu can think about right now.

Marriage.

The concept of it looms over your relationship; a perpetual gray cloud that threatens to flood this perfect little relationship and have it all go down the drain. You never brought it up after he basically told you he would never marry anyone, and he never brought it up purely because — well — he’s a bit of a coward.

He’s the type of person who’s set on his own convictions, by the way. If his balls ever drop, and he decides to Man Up, he figures he’ll start the conversation just like that. His stubbornness is nothing new to you, but him figuring out that he might be wrong makes his stomach feel funny. It’s sick and twisted.

“Hey, what do you want for dinner tonight? I’m at the store right now, and I’m in the mood to cook.” He can picture it clearly: you, standing in one of the grocery store aisles, phone balanced in between your ear and shoulder as you compare the ingredients of the name brand and generic cereal.

He’s in the locker room, about to pack up his gym bag (that you’ll complain reeks) and head back to his apartment (that’s starting to feel a lot more like yours, with the way your skincare products dominate the bathroom counter), and it hits him so suddenly, he has to sit back down on the bench.

Atsumu Miya thinks that marriage isn’t for him, and as a defense mechanism, he decides that marriage sucks anyway. But through the tinny speakers of his phone, he can hear you toss something in the shopping cart. He hears the faint crying of a toddler in the background, and then he starts to think about what it would be like to walk around the store with a baby that takes after you. Right now, you’re already sleeping in the same bed with him at least four times out of the week, but it would be perfect, he thinks, to get the privilege to wake up to you every morning.

“Atsumu?” You try to get his attention, and Atsumu tries to ignore the warm and fuzzy feeling he gets when he considers a future with you. Settling down is still settling, he tells himself, and then he thinks of the way you looked when you caught the bouquet at a friend’s wedding. The pleased smile on your face, the triumphant way you held the flowers over your head, head thrown back in glee; you looked absolutely radiant. You caught his eye, and you quickly lowered your hands, giving him a sheepish grin.

He realizes now that if anyone is settling, it’s you. You don’t know that he notices the way you tear up at weddings, or how excited you sound when you get back from dress shopping with one of your friends. You want to get married, and the only thing stopping you is him.

He’s spent ages deluding himself into thinking that he’s somehow losing if he decides to trap himself into a marriage with someone, but no one can accuse him of settling when it’s you he’s marrying. You’re the prize. You’re the only person in the world he wants to give his last name and an obnoxiously big ring to.

“Make whatever you want, baby. I’ll eat anything.” He’s checking the locations for the nearest jewelers in his immediate vicinity. “I might be a little late, though. I have to check on something.”

#atsumu miya x reader #atsumu miya x you #atsumu x reader #hq x reader #haikyuu x reader #drabble #one shot #fluff #hq imagines #atsumu fluff

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normal-thoughts-official · 1 month

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it always struck me as kind of hilarious that you have to pass a 30DC check to convince shadowheart not to kill dame aylin but if you're just like "sure do whatever lol" she chooses not to kill her anyway. tsundere ass fuck. killing is bad unless it's out of spite. i have morals unless you try to tell me what to do

but i just got to that scene in my new replay and it made me realize that that's not what's at stake at all

because the persuasion check isn't "don't do this". the persuasion check is, your life is whatever you make of it. you don't have to do something just because your goddess tells you to.

convincing shadowheart not to kill dame aylin is easy. she knows it's wrong, and she doesn't want to, not really. if given the choice, she is literally unable to go through with it even if she clearly wants to, or wants to want to so badly she can't tell the difference

the problem is convincing her she has an option in the first place

the problem is convincing her that her life is her own

shadowheart has never belonged to herself since she was captured. not in body, not in soul, not in mind, not even her memories. she quite literally doesn't know who she is in more ways than one. she doesn't know her past or her family, she doesn't know who her loved ones are (including the sharran loved ones, like nocturne), all she really knows about herself is a fear of wolves that's been implanted into her by lies and an attachment to a flower she can't remember the details of. and a mission. always a mission. the will of someone else she has to carry on, that is not for her to understand or question or think about. she can't even want to serve shar, because she isn't allowed to pursue her intention to become a dark justiciar. she is supposed to be well and truly nothing, empty as the sharran doctrine

(oh, and pain that she doesn't know the reason of. no matter what, she must bear the pain)

how can she see herself as more than her goddess, when she quite literally doesn't know anything about who she is other than her devotion to shar? how can she choose her own destiny, when she couldn't even choose how to devote and give herself over to her?

she can't, which is why, unless you have infinite rizz points and/or roll a nat20, shadowheart attacks you. not dame aylin. you. and she never argues about whether or not it's the right thing, because she knows. what she's rebelling against isn't the idea of letting dame aylin go. what she's rebelling against is the idea that she could leave her cage and belong to no one but herself. because the idea is scary and she quite literally doesn't know where to begin. which is why her obsession becomes to find her parents, even though she doesn't remember them at all. because maybe they can tell her who she's supposed to be, and she can have the comfort of having her path laid out before her again

(which is also why she has to kill them. not because of some hand hurty curse bullshit. but because she just wants them and selûne to become the new shar, and she has to let that go if she truly means to claim herself again)

and now im sad. because it's easier for shadowheart to do turn against shar and everything she's ever had on the grounds of saving someone else than on the grounds that she deserves better than to be a puppet. even if you do nothing, saving dame aylin, to her, is easy. saving herself is a wholly different matter, one she's not sure she has any right to, or wants to, even if it's what she really needs. accepting a selûnite's humanity is easier than accepting her own. losing everything is easier than gaining her own autonomy. and she will fight tooth and nail to be allowed to stay in her own, metaphorical soul cage

#bg3 #baldurs gate 3 #shadowheart #meta #overflowing trashcan

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twilightcitysky · 10 months

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Everything Is Meant (long S2 analysis, part 3)

Part one

Part two

There's SO MUCH excellent meta out there right now, and I'm going to try not to reinvent the wheel too much, but I want to keep going with tying the episodes/ elements up together because on first watch it wasn't entirely clear how everything fit. I also strongly recommend a rewatch, no matter what you felt about the ending... if you need to stop it 10 minutes early, do that, but you pick up so much more the second time around.

So: Maggie and Nina. I spent most of my first watch wondering why we were bothering with them, honestly. Later in the season Nina, and then Maggie and Nina, gave Crowley some insightful advice, but their actual relationship didn't progress despite all the meddling, and the amount of emotional investment BOTH Aziraphale and Crowley had in making them get together was frankly strange.

I started thinking in terms of mirror couples, since that was such a big deal in S1 and that's clearly what they were set up to be, but I made the mistake that all of us made on first watch: that Nina was Crowley and Maggie was Aziraphale. It still wasn't really coming together.

Then I put the psych hat back on and started to think about displacement. Displacement is a defense mechanism, and it consists of satisfying an impulse (usually an unconscious one) with a substitute object. At the beginning of the season, Aziraphale and Crowley aren't really in a good place, and I think on some level they know that. Aziraphale is trying to SHOW Crowley that he wants to take the next step through all the casual touches and phone calls and inviting him in, and feeling frustrated because Crowley doesn't seem to be taking the bait. (I absolutely think that Aziraphale tried to get Crowley to stay with him at the bookshop instead of living in his CAR, and Crowley said no. That's a whole other meta.) Meanwhile, Crowley, I think, is waiting for a Grand Gesture. Where did he go, as soon as Aziraphale brought up trying to get two humans to fall in love? Romantic tropes. Getting caught in the rain under an awning. A dramatic kiss that opens someone's eyes. That's the sort of thing he's always done, right? Big rescues, impassioned pleas on the street, fancy dinners, "give you a lift anywhere you want to go". He's defensive and guarded and unlikely to let someone in unless he's CERTAIN he won't be rejected, and Aziraphale's approaches are just too... quiet. No one's fault, they just don't speak the same language.

Then, they're handed the opportunity to make two humans fall in love, and they're both All In immediately. Look at Crowley's face when he summons the rainstorm. This is HUGE for him. Why? Because of displacement. Look at Aziraphale arranging the ball and being borderline deranged about it. They're both desperate to demonstrate what they think it takes for two people to move past their misunderstandings and fall in love. They can't do it for each other because the stakes are too high, and if either of them shows their cards unequivocally the vulnerability feels life-shattering. They're codependent and terrified of rejection and also, importantly, have no idea what they're doing when it comes to love. "Saw it in a film", Crowley says. Aziraphale's read about it in books. But they have zero practical experience.

Instead of learning to communicate, they try to say what they want to say through the medium of Maggie and Nina, up to and including the questionable moral decision to exert control over people's actions and thoughts during the ball. If I can just make this come out right, they both think, then things between us will be alright too. It HAS to come out right. They're attempting to gain some control over their own lives, over something that feels so overwhelming and shattering they can't look directly at it.

It doesn't come out right. Nina's relationship falls apart, but that doesn't mean she's in love with Maggie. While Crowley's stress-cleaning the bookshop to the music that played when Aziraphale got his books back in 1941 (just fuck me up David Arnold), they come in and tell him so. "I don't understand", says Crowley. Because it should have worked. Why didn't it work?

They tell him, of course. "You need to talk to each other. Say what you're really thinking." But here's the thing about communication: you have to learn it. You need to get the hang of expressing your feelings without blaming your partner, and separating intent from impact, and staying away from getting defensive and lashing out. No one has ever taught Aziraphale and Crowley how to do this. It's like Maggie and Nina put Crowley in front of a loom and asked him to recreate the Bayeux Tapestry. He doesn't have the skills; he's always going to get it wrong, even if he tries his hardest.

And he does try. But that's where Maggie and Nina the mirror couple, rather than Maggie and Nina the displacement relationship or Maggie and Nina the Greek chorus, come in. Aziraphale, as Nina, has just ended an incredibly toxic, invasive relationship with Heaven. A relationship that invaded every facet of his life, isolated him, and prevented him from being close to anyone else. "Rebound mess," Nina says. Aziraphale is a rebound mess. He's transferred the responsibility for his emotional wellness to Crowley. Crowley is the person he calls when he's in trouble, or (and this is key) when he wants to report a clever/ good thing he's done, or when he's bored. (At no point did Crowley reference Aziraphale calling him for a solicitous reason-- another problem.) Crowley is meant to take care of him. He forgets, I think, that Crowley is a person with his own wants and needs, just like Maggie and Nina are people with their own wants and needs who don't appreciate being messed with. (I think things would have been much different had Aziraphale BEEN THERE for Maggie and Nina's talk with Crowley, but he wasn't.)

And Maggie-as-Crowley? Lonely. Behind on rent, at risk of being evicted (it's important to note that Aziraphale saves Maggie from losing her record shop, as he couldn't save Crowley from losing his flat). Pining. Awkward. Revolving around Nina like a planet, to the extent that we don't get much of an impression of her otherwise. They realize, there at the end, that they both need to round themselves out before jumping into a relationship. Aziraphale and Crowley need that too. They need to take time apart and learn to be healthy on their own. Unfortunately they don't have the skills to get to that conclusion in a healthy way, so it all explodes in their faces and everything falls apart.

Aziraphale tries to teach Nina and Maggie to dance as a substitute for communication. Nina and Maggie try to teach Crowley communication as a substitute for the dance they've been doing around each other. That's the reason they're a part of the plot: they exist to demonstrate the way Aziraphale and Crowley might have succeeded in forging a better dynamic. Sadly, the boys' dance is too practiced and they got sucked right back into it.

It's okay, I think, that Nina and Maggie's storyline never really went anywhere. It wasn't supposed to. It's an allegory, not something that needs to stand alone.

#good omens #good omens meta #good omens analysis #good omens season 2 #gos2 #good omens season two #crowley #aziraphale #maggie #nina #defense mechanisms #the psychology of good omens #everything is meant #ineffable husbands

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listentoace · 6 days

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Ruin your life for Gluttony

It's time to make a few things clear. I'm not just here to make you horny. I'm here to fuck you up so much that you'll very soon be wheezing 24/7 as you try carrying your deep hanging gut into the kitchen to get your fat fingers on more snacks. So you better pay attention to what I want you to do.

If you are delusional enough to still have a gym membership because "I'm just experimenting and will lose it again", cancel it now. I'm not kidding. Cancel your fucking gym membership! That money is better spent on snacks and when was the last time you went there anyways? Cancel it. You will be living a sedentary lifestyle from now on. Keep everything you need at arms length, make yourself as comfortable as possible, sleep in, masturbate a lot and stuff yourself all day long.

You'll be exclusively eating greasy, sugary food from now on, loaded with fat and carbs. You'll have absolutely no greens. The only way you'll have some vegetables will be the salad on your burger. Buy your snacks in bulk, look for jumbo boxes of snacks that will keep you occupied for a few days. Consume as much sugar as you possibly can. Really fuck up your appetite and insulin with all that sugar you'll be stuffing down that greedy throat of yours. And don't forget the heavy cream! I only want you to be eating and drinking stuff that is bad for you

Objectify yourself. You had your chance to be human, yet you chose to be a pig. Things such as human rights, respect, moral, privacy, etc. no longer apply to you. Show off your fat, growing body from every angle possible. Make a fat fucktoy and whore of yourself as you'll be depending on people to encourage and feed you even fatter. Fulfill every request sent to you, stuff yourself whenever someone tells you to. Do as you're told. You no longer have free will. Let yourself be used. Being used means that you're desirable and that's what you want, isn't it, piggy?

Wreck your brain. Play games, watch mind-numbing TV shows and do absolutely anything you can to keep your mind occupied. I want you to dumb down so much that your brain activity doesn't differ much from when you're asleep. Whenever you catch yourself thinking about anything but how fat you've gotten or how you want to eat more food, stop thinking. All that matters is food, worthless and endless content to consume, cumming over and over again and just letting your brain rot away.

Screw your limits. You don't wanna grow immobile? Sucks to be you. You'll keep getting fatter until I'm satisfied. You're my pig now and you better keep putting on those pounds or I'll have to force you. I don't care about all the issues that arise, your heart racing, your arteries clogging up from all the grease, you always being short on breath, another pair of jeans you're ripping right through before you've even worn them 3 times. I don't fucking care. All I care about is seeing that number on the scale go up. If you cannot do something as simple as stuffing your fat face, you're of no use to me.

Enjoy the last few years you've got. Soon you'll be fully immobile. You'll be one of the girls you've seen pictures or videos of, watching them struggle move their 800lbs body around, while their feeder still funnels them with heavy cream shakes. You'll be just like them and just like them your health will decline rapidly until you're fully immobile with an oxygen tube in your nose and a feeding tube in your mouth. But I won't be satisfied until I fuck your fat, buried pussy one last time until you flat-line during orgasm because your body just can't handle it anymore. That's when both you and I will finally experience true satisfaction.

And yes, while all this sounds so very extreme and surreal to think about, it strangely turns you on more than other, softer posts. The fantasy of actually becoming that fat is so frightening, yet so strangely appealing. Almost as if you deeply desire just that. Why don't you stuff yourself while imagining how you'd be a fat, 800lb immobile blob? I bet that orgasm would feel sooo good. Go ahead, do it. Grab some food, start masturbating and cum while you think about how fucking fat I'll be making you! Good girl ~

#weight gain encouragement #smut #feedee encouragement #fat encouragement #death feederism

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crumb-crumblet-s-crumbington · 4 months

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yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶

i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)

have a good day!! sparkle on!!! ✨💖

i heart mithan... i think that they can be so cute...

i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned

mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭

i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔

i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends

i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about

people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled

in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol

the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭

its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭

mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)

i get a lot a trouble for saying this, but mia is a selfish person.

its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!

she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!

she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"

she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)

she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.

he got involved because she was involved. its honestly a series of really really unfortunate events.

THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.

she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7

but again, those are the consequences of HER actions

her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭

their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"

its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!

you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)

everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.

obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.

the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"

she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!

just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.

im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!

im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.

i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!

i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process

talking about them is just a pain in the butt because talking about mia is a pain in the butt lol

i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭

its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.

all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.

i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.

also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!

thank u for the ask! sorry for the long response!

#mia winters #resident evil #ethan winters #mithan

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headspace-hotel · 8 months

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There's a plentiful supply of nature and ecology writers that criticize "Anthropocentrism" and tell readers that we shouldn't consider ourselves more important than other life forms, and then they write things that are like "We evolved to live in Nature in a Natural environment...Long ago humans lived as hunter-gatherers instead of farming and domesticating animals...But when civilization was created, man unnaturally subjugated and modified plants and animals...Bringing them under human control for his own benefit...Man replaces natural ecosystems with artificially created "post-natural" environments...Now humans live in an unnatural environment that is separated from Nature...and i'm like buddy. do you even hear yourself

Since I have access to a bigger library now, I've explored "deep ecology" and "green anarchism" and "Biocentrism" a bit more and what i've seen is still kinda silly. The writers have very thoughtful theory and philosophy of diverse subjects relating to morality, society, power, and liberation, but...they just don't know very much about Nature.

I mean several things by that: first, they're not clear on the boring, practical details of things like food systems and the way construction alters ecosystems, second, they don't try to clearly define what "nature" is, and third, they act like "nature" has a clear definition anyway.

Now nature is pretty much undefinable anyway, a couple possible definitions are "all things that exist, have existed, or are possible in the universe" and "the thing that a forest has that a parking lot doesn't." You can say "biodiversity," but every space has biodiversity, and it's not clear how much biodiversity a space is "supposed" to have, we're just going on vibes. And the vibes are right, in a way; I visited an old-growth forest and it was DIFFERENT than any place i'd ever been in a way that is hard to describe. A flourishing, biodiverse ecosystem is different than a parking lot, a lawn, a monoculture field of corn. They say it's good for your health to be "in nature." What does that mean? At what point does a place become "nature?" How many trees does it have to have?

Something that is so painful to me is when people write "Human activities" as a cause of biodiversity loss. This is an act of cowardice. WHICH human activities? Name them.

A lot of nature and ecology writings treat humans like they have an anti-biodiversity force field that emanates from them. They write like lands on Earth are each contested between two inversely proportional forces, "Nature" and "Humans."

Without any more information, this is ethereal bullshit on par with crystals having energies. I am totally perplexed at the lack of curiosity about the specific causes and details of "human impacts." The division of habitats by so many roads and relentless speeding of cars with no way for wildlife to cross...the dumping of massive amounts of poison into soils and water...the wounding and disturbance of topsoil...these are the "human activities," but we can imagine a world without such destruction, and we can create that world.

Too many essays and papers talking about Nature non-specifically, an Idea of Nature, a Concept that everyone just intuitively knows. Nature is...you know...wildness! and trees! and...well, you know, NATURE!

And we do know! When we step out into the parking lot surrounded by low, squarish buildings and blaring signs and the stink of car exhaust, we know that something is very wrong with this place! Even we find these horrible un-places harsh and unwelcoming.

But it is very hard to imagine something different, because the other type of place, the place that is beautiful and soothes the spirit and is full of life, is by definition the place where humans only go to visit, the complete opposite and inverse of a place where humans work and live! Wherever humans live, shop, eat, fulfill their daily needs, that place is Not Nature.

The huge mistake, is that we believe that it is necessary to have places that are Not Nature. We believe that for humans to exist, areas must be set aside where the very concept of Nature is utterly obliterated.

From this imaginary and dismal point of view, we have to carefully confine our own lives to places that are utterly poisoned, sterilized, made into a hostile wasteland, and leave all the rest of the living biosphere to itself in pristine preserves.

And in this imaginary and dismal point of view, the one that divides Earth into Nature and Humans, it is okay to poison and to sterilize and to destroy, because humans must live SOMEWHERE, therefore Nature must be utterly excluded from at least SOME of Earth.

BUT...WHAT IF EVERYWHERE IS NATURE? What if the dandelions in the cracks of the pavement, the lichens growing on the park bench, the wildflowers on the side of the road, the sparrows in the parking lot—what if they are all Nature just as much as anything else? What if they too are sacred? What if it is our responsibility to see the connectedness of all life and to care for all ecosystems, however broken and hurt they may be?

What if Nature is not distant and abstract, untouched in some pristine place, but always reaching out, digging into the crumbled concrete and gravel and compacted ground, clawing to return to us and bring us back home?

It does not take away from the value of the old-growth forest or the unplowed prairie if we open our eyes and see even the scraggliest patch of overgrown weeds for the powerful manifestation of Nature it truly is.

Nature is not a place or a thing. Nature is the Movement, the Endless Happening, constantly alive throughout all life, the way of all things being family, the way of all things taking care of each other, the way of all life being constantly transformed through one another. You breathe the breath of the trees of your home, you drink the water of the streams of your home, you eat the sunlight that falls on your home, grown in the soil where all things go to be transformed through death into a new form of life, fed by the mycorrhizal network, pollinated by the bees, wasps, flies, and moths, nourished by the bone, blood and manure of beasts, and ultimately the fertile river valleys where agriculture first began, were replenished by the rich silt that washed down the river, which came from the forests in the mountains that shed their leaves to make a feast for a million decomposing critters, which is how the rich soil is made.

In this way they all take care of you, and in return you are asked to Live—to take care of them in return, to live as part of the great family of everything alive, to live, to live

What are human activities...? Deforestation? Mining? Spraying pesticides? Building housing developments? But is that all? Are we inherently a "bad" and "destructive" species, or is our ability to acquire and pass down knowledge, use tools and novel behaviors, alter our surroundings, shape ecosystems, adapt our lifestyles almost infinitely, and persist in almost any environment, simply incredibly powerful for good or for evil?

First of all, what better way to demonstrate a contrast to anthropocentrism...than to compare the impact of humans alone to the impact of an ENTIRE KINGDOM OF LIFE, the fungi????? Of course all of Fungi are more important than one single species??? Wtf?!?!?

But also, we should not convince ourselves of our own insignificance and worthlessness to the biosphere, because in the same way that individual self-loathing can be a way to avoid the hard work of loving oneself and advocating for the love one deserves, collective self-loathing as a species is a way of avoiding the responsibility we have to other life forms.

How can this author not think of a single role Humans play in the ecosystem?? What species plants trees, saves seeds, documents rare plants, rescues injured animals and heals them, raises orphaned chicks, manages controlled burns, digs ponds, thoughtfully harvests in anticipation of future seasons, mercifully culls in understanding of suffering that cannot be fixed? What species writes a new chapter in the genome of the American Chestnut so it can be saved from extinction? What species mends the broken kakapo egg with sticky tape? What species addresses their own habitat with that fondest name of Home?

#nature #we are a keystone species #you are a caretaker #humans

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fanonical · 2 months

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look people who've been around here for a while know exactly how i feel about the early doctor who serial edge of destruction but i rewatched it recently and i have feelings

so edge of destruction is the third ever serial of doctor who, right? it's an unearthly child, the daleks, then edge of destruction. and it's also kind of a bottle episode. edge of destruction is a two-parter, and is set entirely on the tardis featuring only the main cast

the plot is weird. everyone wakes up in the tardis with confusion and memory loss, not knowing what's going on. the tardis isn't safe, and strange things are happening. the ship seems to be malfunctioning, but there's nothing notably wrong with it. everyone's freaking out and accusing each other of sabotaging the tardis or hurting each other

now, as i said, this is early doctor who. companions barbara and ian had been kidnapped by the doctor and susan so they don't tell anyone that time travel is real, and at this point they don't trust the doctor and the doctor doesn't trust them. the doctor immediately starts accusing barbara and ian of sabotaging the ship to force him to take them home, which they angrily refute. they've spent the last two stories saving the doctor and susan from whatever's trying to kill them

barbara has a speech here which is brilliant and i can quote verbatim. 'do you realise, you stupid old man, that you'd have died in the cave of skulls if ian hadn't made fire for you? and what about what we went through against the daleks? not just for us, but for you and susan too. and all because you tricked us into going down to the city. accuse us? you ought to go down on your hands and knees and thank us! but gratitude's the last thing you'll ever have, or any sort of common sense either'

and the doctor spends the whole two episodes either accusing ian and barbara of being evil or being wholly unhelpful. (he straight up drugs everyone with a sedative at one point!) yeah, turns out the tardis is trying to tell them what's wrong via cryptic clues, and barbara's putting the pieces together. and the doctor still doesn't listen to her! she's so close to figuring it out and saving them all - they're all gonna die in about ten minutes and the doctor's basically given up, but barbara's trying to solve the problem

and in the end, they have the eureka moment and get out of trouble, but barbara's still understandably pissed. that is, until the doctor takes the time to apologise to her and tell her that yeah, she was right and he's sorry he didn't listen to her and he's going to do better to respect her opinions in future. they go into the next serial as friends, a first for the series to that point

so why do i love this weird little two-parter so much? because it is the moral centre of modern doctor who. this is the start of the characterisation of the doctor that we know and love. before this, the doctor is ruthless! he tries to kill a guy with a rock! he sabotages the tardis to satisfy his curiosity and lands everyone in danger from the daleks! he drugs them just because he doesn't trust them! he thinks he's smarter, better, and more important than the people he travels with

but then barbara stands up to him. she tells him that, no, she and ian are important too. and no, they're worth listening to. and yes, they can help and are worth something. and that's important, because barbara and ian are way more compassionate than the doctor is at this point. they want to help people they come across even if it means putting their own lives in danger.

sound familiar? yeah, the doctor's whole thing of helping everyone they come across and compassion towards everyone starts here. this is one of the most enduring things about the doctor and it would never have happened without barbara telling the doctor he's full of shit

and it's all because he listened to an ordinary woman

#Doctor Who #Classic Who #Ian Chesterton #Barbara Wright #First Doctor #Susan Foreman

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nat20composure · 5 months

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Astarion and Agency- The Necessity of Discomfort to Self Discovery and the Infantilization of Victims

Minor Astarion discourse ahead that mentions the treatment of SA victims post-abuse:

I want to open this post up just with like. The statement that I don't think there is a correct way to enjoy media and that I LOVE to see individual head cannons and takes on characters in media. I think that is also, to a degree, an integral part of video games because of how unique the experience of playing a game will be to every person who plays it. But it has been making me feel so incredibly sad looking through fan content, art, or discourse for BG3 specifically because of how many people have taken the route of infantilizing Astarion.

I understand the instinct to shield or protect an individual that you love and care for. I also understand that because of the nature of the things that Astarion goes through, a lot of people also feel very deep emotional stakes in him. I'm one of the many fans of the character who is a victim of SA and CSA, I really do get it. That is also why for me personally it is so demoralizing to watch so many people treat him like he is a child who cannot make his own decisions or stand up for himself. Part of that frustration stems from it feeling like a media literacy issue, and the other part of that sense of defeat is just because it feels indicative of a broader attitude that people seem to hold towards victims of abuse, particularly those who are victims of SA.

To explain what I mean by people infantilizing him: I see so many people refuse to allow him the opportunity to be hurt, or to feel uncomfortable. They see this character who has been through an immensely horrible and traumatic experience, and their instinct is to try and shield him from anything else that has the potential to upset him. I get that the people who want that aren't doing it with malicious intent, but frankly it is not really...Helpful? To try and prevent victims from Experiencing Discomfort tm. I also think it kind of disregards the entire thesis of Astarion's character and arc.

When you go through something that robs you of your selfhood and agency, the world can become a crushingly terrifying place. In Astarion, that fear presents itself in a desperation for power, control, and at the core of both of these desires- Safety. One thing the game is clear about is that he has a right to kill his abuser. He has a right to escape his situation. A lot of Astarion's personal arc is centered around being able to finally do that. But the game doesn't just leave it off at getting him to safety. So much of it is also about him needing to take responsibility for himself and his actions, with needing to learn who he as a person is.

The inclusion of the Gur children and Sebastian as characters is a good example of ways in which the game gives Astarion the opportunity to take responsibility. I think that if the intention of the arc was meant to be that "Astarion should never ever have to deal with being afraid or uncomfortable again", then the Ascended arc wouldn't Come with such heavy moral ramifications, like sacrificing the other people just like him, killing the victims he lured in, literal child murder. The game infers that he doesn't deserve to die because of the things he Needed to do to survive, but it also makes it very clear that there is a difference between addressing an Active Threat and using your fear as an excuse to hurt others. Breaking that cycle of abuse when he finally gets the chance to is what separates Spawn Astarion from Cazador.

Taking responsibility for himself, and letting himself sit in the discomfort of vulnerability ultimately ends up being a thing that he is very proud of and cherishes. If you tell him you will make sure nothing like that ever again he himself says that he doesn't want you to be his protector. And so it blows my mind when people go into all of these discussions about Astarion with this...Weird moral high ground for never, ever making or letting him make choices that might hurt him?

I see this the most when it comes to discussions about the possible polyamorous relationship with Halsin and the interaction with the drow twins in the brothel. So many people are just...outright angry? At other people engaging with either of those options? And I feel like that anger is one) rooted in the projection of their Own feelings on non-monogamy and what a victim of SA can or cannot look like. and two) Relies on undermining the agency that Astarion BEGS you for at every turn.

When it comes to the drow twins, the game adapts Astarion's response to them based on where he is in his own personal development (a really cool thing imo). Obviously, if he still doesn't feel good or safe about engaging with sex he declines and says you can feel free, though he hopes you aren't just doing it because he hasn't had sex with you. I think this makes sense: He's just gotten out of a situation where his Safety and worth were directly tied to him having sex. I imagine he feels afraid that not wanting to have sex with you makes him replaceable or inadequate because at this point in the game, he feels like that's all he has to offer. The interaction is relatively the same if you ask him for a poly amorous relationship with Halsin: He just asks you to reassure him that you aren't only doing it because he hasn't had sex with you, and then tells you he isn't worried about it otherwise.

A lot of people have taken the expression of that insecurity in combination with him still allowing you to go forward and do these things as him just "sucking it up" because he's afraid of losing you. (I am aware Shadowheart says he wouldn't be able to handle it when you ask her if you can date both of them- But keep in mind, Astarion says she wouldn't be able to either, and THAT obviously isn't true of her. For the purposes of this discussion I'm only including interactions with Astarion as a judgement of his character.) I understand that concern, but I feel this take disregards so many other points of dialogue, and is also continually rooted in the baseline vilification of discomfort.

To further go into it, the way that he speaks about both of these interactions changes significantly if you speak to him about it once he is completely free from Cazador, and has had time to allow himself to start reconnecting with himself and his sexuality on his terms. He has absolutely No reservations about an open or poly relationship with Halsin, and says he trusts that things will be ok because he one) feels secure in Your relationship and two) Knows Halsin is experienced and trusts him to not be a messy bitch about it.

I think that shift, in combination with the in game explanation of why he isn't ok with being in that sort of relationship with the other Origin Characters (for Lae'zel and Wyll, he says they'd never agree to that. For Shadowheart, he says she's not experienced with open relationships and that he doesn't think it'd work out. For Karlach, that it would break her heart. And for Gale, he says you need standards.) is a pretty good indicator that he doesn't actually care about polyamory or monogamy. I think the vilification of that choice relies on you picking and choosing when you do or do not believe Astarion or just outright not liking non-monogamy in the first place. This interaction has more to do with the player's choice and comfort level, and so is not as important to the broader discussion I am trying to have in this post.

The interaction that is more pertinent to not Allowing him to make decisions is, I think, the drow twins. If you interact with the drow twins after the completion of the Cazador questline, he is outright giddy at the prospect of interacting with the Drow twins. Specifically stating that he is excited to see how he likes these sorts of things now that he's free.

NOW- I do NOT think that he enjoys the act. The game makes that abundantly clear, and I'm not arguing that he has a great time. He obviously does not, and dissociates during it. That being said, allowing this interaction to happen does not make a player evil or selfish. You are not playing the hero if you decide to moderate his choices just because you do not think he is ready for it. Once again, no one is evil for Not doing it either, and I am not saying anybody has to want to. I am just saying that treating this choice like it is an evil choice to make relies on completely disregarding what He wants to do.

Astarion says so many times in the game that he is anxious about finally having the freedom to find out what he wants to do, and I think that his excitement for the drow twin exchange is one of the opportunities the game gives him to make a choice. He makes that choice- And it sucks for him. He doesn't enjoy the act, and having done it he would be able to move forward knowing that. I think it's really cool and important that the game represents that facet of recovering as a victim. While you are trying to renavigate who you are, you are going to make a million new choices you never had before. And sometimes those choices are going to suck ass. It would be a different matter if he knew these things would hurt him and went ahead and did them anyway. But so many people expect him to move forward avoiding even the Potential of being hurt, and I think that is extremely reductive of his arc and who he is.

Beyond the matter of interpersonal relationships, the choice between Ascending or not Ascending Astarion is not a matter of choosing the lesser of two evils. It is a choice between his fear and his humanity. Between letting his trauma and his fear define him for the rest of his immortal life, and allowing him the vulnerability of deciding who he is when he isn't running from the world. When he's willing to listen to the parts of himself that want to do right, that wants meaningful connection, that wants to be proud of himself. That wants to meet himself. To confront who he is when someone else isn't deciding that for him.

Astarion as a character is extremely ambitious, inquisitive, and adventurous, three traits that only become more and more evident as he breaks free from letting his own fear dictate how he lives his life. I don't understand how so many people can see him and want to take the core of his character away from him, when he spends the entire game fighting desperately to take it back.

Victims are not casts of the abuse they have gone through. Their shapes may be changed by the hands of others, they may have to relearn how to be the person they want to be. But they are not broken or irreparable or fragile. They do not need to be freed from the grip of one person to be held tight in the grip of another. It is so fucking unfair and self-important to think that your hands will be the ones that fix them. That your hands know better than theirs. I think the kindest thing you can do for a person is to trust them with themselves, and to listen when they tell you who they are and what they want. Please listen to the voices that have only just learned to speak. It is the only way they can get better at doing it.

#astarion #astarion bg3 #bg3 #baldur's gate 3 #astarion ancunin #I know this is kind of overdramatic #but like pls pls pls pls #ask yourself why you feel the need to protect victims from the experience of growth #and then consider if that attitude is a fair or helpful one #because freedom includes the right to make choices. even stupid painful ones.#that being said this essay is more for people who played the game exclusively making choices they thought would make astarion comfortable #like ascending him or not participating in polyamory #this essay is NOT for people who just ascended him for dom dialogue with him #bc I think it is a bit silly to tell people who wanted a toxic make him worse dynamic #that they are enabiling toxicity and making him worse #this is just an alternative pov for people who genuinely think it is for the best to do these things

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the-modern-typewriter · 8 months

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Your work inspires me so much! Could I request a villain x hero where they’re both mutually in love but the villain, is very much a villain and murders people and the hero feels betrayed, and hates the fact they still love the villain (bonus for the villain doing it out of jealousy 🥺💕) don’t feel pressured to write this ofc! Thank you for taking the time to read and have a good day / evening and thank you for the content you produce ❤️

The hero scrubbed harder at their hands when they heard the bathroom door open behind them. Their shoulders tensed. Their jaw locked.

They didn't look up at the mirror.

"You're upset," the villain said, finally.

The hero snarled, wordlessly. Their skin was beginning to look flayed. Red from the hot water. Clean. Not clean enough.

"You know who I am," the villain pressed. "You know what I'm capable of. I've never hid it, never pretended to be something other than what I am."

"You killed them."

"I've killed before."

"Oh, well. That makes it all so much better then, doesn't it?"

The villain stepped closer. They gently took hold of the hero's wrist with one hand and firmly closed the tap with the other.

The hero whirled, wrenching back and shoving.

Part of them expected the villain to instantly lunge; slam them right back against a wall, leaving the two of them struggling. It was worse that the villain immediately put their hands up in placating, 'okay, I won't touch you', surrender.

It was too damn reasonable.

The villain's expression, through the blurry fury of the hero's tears, was too damn concerned.

The hero swiped at their cheeks, teeth practically bared. "Fuck you."

"Oh, I wish that was the mood, right now."

"You killed them because you were jealous."

The villain's head tilted.

"Don't deny it," the hero snapped.

"I wasn't denying thing. Outside of a court of law, I rarely do."

"This isn't a joke!"

"I wasn't joking, love."

"Don't call me that!"

The villain folded their arms across the chest, and for a moment the hero thought they might walk out and come back later 'after the hero had calmed down'. They leaned back against the bathroom door instead, shutting it.

The hero gulped. They took a step closer, fists raised - wanting to - needing to - they ended up hurling their shaking hands back to their sides.

"You know," their voice cracked. "I defend you to people. Did you know that? I tell them that you're not so bad. Ruthless, yeah, but you're not a monster. You have a code. You love me."

"I do love you, which is why I would never ask you to defend me."

"Like that's the point here!"

"Then what is the point?" the villain asked. Calm. Implacable.

"You're better than this. You're supposed to be better. You don't just - just kill people. Not because of me."

"Ah." The villain's gaze flicked down the hero's arms. "You feel you have blood on your hands."

"No. That's not it."

"Isn't it?"

"It's about you being morally reprehensible."

"Yeah, but we knew I was morally reprehensible, didn't we? Just as we both know I pretend otherwise sometimes when I can make it easy for you."

The hero made a strangled sound. Even if they did know that. Especially because they knew that.

The villain shrugged. "If it makes you feel better, it's not your fault. Yes, I was jealous that you were spending a lot of time fighting them. But on the other hand, they were also a morally reprehensible person, so really if I'm going to kill anyone it should be the people like me. I thought you'd be pleased."

"Pleased?!"

"Well, that I'm channelling my violent tendencies in a societally friendly way. You wanted to stop them too. Does the end not justify the means?"

The hero stared at them, aghast. They genuinely weren't sure if the villain was joking or not. They did not look like they were joking.

"I hate you," the hero said. "So much."

"Yes."

"That's all you have to say? Yes?"

"I'm not an easy creature to love," the villain said, softly. "Of course you hate me sometimes. Otherwise loving me would be unbearable."

"It is unbearable."

Some of the calm slipped from the villain's face; a flinch of pain.

it didn't make the hero feel better. It just made their hands feel more bloodied, more like the villain's hands. Hurting things.

"You know," the villain said. "You're not easy either. I limit my nature a lot for you. I compromise for you all the time."

"It's not a compromise when my demand is asking you not to kill people!"

"I've never asked you to stop risking your life to save people."

"That's not the same thing!"

"Hurts the same amount.," the villain said quietly.

The hero didn't know what to say to that. The two of them stared at each other from across the bathroom, the hero still shaking violently. "I don't want to do this right now," they managed to say, and it was only a little wobbly. "I can't deal with you right now."

"I wanted to check you're alright."

"Yeah? I'm not."

The villain bit their lip. "I really didn't think you'd react this badly. I wouldn't have done it if I thought it would upset you this much."

The hero closed their eyes, because it was true and it was terrible. Another treacherous tear spilled over their cheek. They dashed it away.

"What do you need?" the villain asked. "You should have water or you'll get a headache."

"I want you to leave."

"Are you going to put your hands under the tap again if I leave?"

The hero glared at them.

The villain's defences were back up again, so they merely raised an eyebrow. "I'll be outside, then."

"I thought you were better," the hero said. "You were supposed to be better."

The villain paused, one hand on the door, considering that perhaps.

"No," they said, after a moment, like the hero was the one who had committed some great and grave betrayal. "You just started pretending."

They shut the door behind them.

#hero x villain #heroes and villains #villains #heroes #writing #enemies and lovers #story #short story #ficlet #creative writing #writeblr

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spookysteddie · 5 months

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Always Comin’ Home to You

Gator Tillman x fem!reader

18+ MINOR DNI

dec: after a fight with his step-mother Gator comes home late, scaring you. His bruises tell you of the day he had and all he wants is to feel you.

cw: Swearing, abandonment, mental / physical abuse (Roy to Gator), domestic abuse (Roy to Karen), bruises, mention of death, implication of anxiety, murder, toxic religion themes, gator calls his step-mom a cunt, crying, fingering, daddy kink, dd/lg themes if you squint, Gator calls himself her God (what's the name for that?), unprotected penetrative sex, cream pie, promises. (let me know if I missed anything)

wc: 3.7k

a/n: I need Gator Tillman like I need to fucking breathe. This man is WOW. I just want to pet him and tell him he is, in fact, a winner and then suck him off. Anyway, I hope y'all like this heheh

...

Gator Tillman didn’t have a lot of good things in his life.

Between his mother leaving, his father being as asshole and everything in between, Gator was a little fucked up and very morally gray. Doing his daddy's dirty work in the hopes Roy will finally be proud of him.

Now, there was one good thing (or person) in his life, one human who brought out the best in him. One person who saw him for the person he was deep inside. The one who saw him as a winner.

You.

You were everything Gator could ever dream of, his perfect girl.

“Gator? Baby have you seen my sunglasses?” You pull some clothes out of the hamper, double (triple) checking that they weren’t in there. “Do you have them? Are they in your cruiser?!”

You hear Gators heavy footsteps before he leans against the doorframe, arms crossed, “have ya checked on top of ya head?” You can hear the smugness in his voice and instantly you want to punch him.

You were an angel and subsequently the sweetest girl. Shit, you make Gator catch and release the spiders you find in the house because you ‘want someone to grant you the same kindness in life’. Whatever that means. But of course he does it, because the last thing he wants is to make you cry.

Well, that’s not true. He loves making you cry while your wrapped around his cock, fucking you so deep and hard that you can’t form a complete thought. Only then does he enjoy the tears streaming down your face.

But at the same time, you had a wicked attitude. One he liked to fuck outta you at every opportunity. And when you look up at him he knows it’s coming.

“Do they look like they’re on my fuckin’ head, Gator? Jesus Christ.” But he doesn't fail to notice you subtly check in the mirror to make sure they aren’t actually on your head. They aren’t, for the record.

Gator is not like his daddy. Does he have his fathers attitude? Absolutely. But he has never raised his hand to you outside of the bedroom, much to his fathers dislike. Claiming he’s watched his father beat on his step-mother and even though he hates her – only because she gave birth to his twin sisters, giving his father two more chances to fuck their futures up – he doesn’t think it’s right.

He balls his fists, nails digging into the center of his hand. He has too much shit to do today and, frankly, doesn’t have time for this shit. “Watch ya mouth bunny. Lucky my dad aint home to hear you take Christs name in vain.”

Gator is right. His daddy already doesn't like you, doesn’t think you’re Godly enough. He also seems to think you’re an idiot simply because Gator does everything for you, even down to tying your shoes. It’s something Gator likes doing, taking care of you as it helps ease his mind.

But at the same time Roy wonders how his son could catch and keep a girl like you. It’s emotional whiplash most of the time. Of course, Gator takes the brunt of his daddy's issues when it comes to you, never letting his daddy so much as look wrong in your direction.

You sigh, running your hands down your pink skirt, “look, can you please help me find them? You know my eyes don’t do well with the sun bouncing off the snow.”

His eyes soften, loving when you need his help, “I’m willin’ to bet they’re in the cruiser on the floor boards.”

Your face heats as you remember exactly why they’d be on the floor of the cruiser, your escapades from your little meeting at the police station last night. There was always that preliminary fuck before going back to Roys (cause God forbid Gator ever come stay at your place. His daddy needs him nice and close.) considering you don’t know how to keep your moans quiet. So, he tires you out, not so much that you can’t drive back to his place, but just enough to where you’re silent during round two and three and four.

The cold nips at your bare legs, winter just as brutal as every other year in this godforsaken state. You swear it never gets easier, winter, and the older you get the more you think about moving south. You think Gator would like the warmer weather, probably find the warmth soothing.

“Ah ha! Got ‘em!” Gator hands them to you with a huge smile on his face. He looks almost boy-like. It’s rare he has a genuine smile, especially when his daddy is around.

“Gator,” his step-mothers voice rings out from the porch, making you both jump. He doesn’t turn around, doesn’t give her the satisfaction of seeing his frustration. “Stop yellin’ cause your sisters are sleepin’!”

“Karen, they’re at the other end of this fuckin house and your scratchy ass voice is louder than me.”

You can see her huff, “I should call your father!”

He sighs, turning on his heel, “I don’t think that’ll be a good idea. Dad’s… a little busy today.” Gator knows exactly what his daddy is busy with, not that he’d ever tell you. Terrified that he would somehow put you in danger.

You know that there was shit his daddy made him do. Things that forced him to come home with black eyes, bloody lips and bruises on his knuckles and body. It hurt your heart every time he came home like that, telling you it was nothing while he winces as he takes off his clothes.

Karen seethes from the porch and you see her look from Gator to you and back. Gator, who notices everything, sees it and steps in front of you, pushing you behind him. “Don’t look at her like that, Karen.”

That seems to annoy her more, “she better not be here tonight. You hear me? Don’t need your sisters hearin the stuff you two get up to at night.”

“Not any worse than dads hands hittin’ your face while they sit at the kitchen table.” You cringe at his statement, seeing Roy hit Karen more times than you can count. “You don’t run this house. Or tell me what to do.” He spits on the ground and turns away, waiting till he hears the door slam to speak.

“I fuckin hate her. She’s sucha little bitch.”

You wrap your arms around his middle, breathing him in. “Can stay at mine tonight if you want. Don’t wanna get you in trouble,” you murmur into his shirt. “O-or we can spend a night apart. I know we haven’t done that inna while but just till this blows over an’ we know she didn’t say nothin’ to your father.”

You know you're rambling, but all you want is to make Gators life comfortable and safe. You know there is a small chance that Karen will call Roy, tell him what happened, maybe even lie (she’s done that before) and say you upset her. If that happens, Gator will get it good, possibly another broken arm or dislocated jaw. That’s the last thing you want. You can feel you chest ache, eyes burning at the idea of Roy hurtin’ him.

Gator pulls your face back from his chest, making you look up at him, “don’t you be worryin’ bout me now. Roy ain’t gonna do shit and I don’t sleep when you aren’t curled up next to me,” he kisses your forehead. “I’ll put some feelers out to see if that little bitch called him. Gotta meeting at 3 with him.”

You nod, your hand coming up to fix his jacket. In reality, you just need something to distract from the burning behind your eyes.

“Hey? I’m serious. I’ll be fine, okay?” He lets you go to reach into his pocket, pulling out some cash and handing it to you, “why don’t you go get your nails done or something, yeah?”

You know refusing to take the money wont go well, so you take it, putting it in the pocket of your jacket. “Thank you, daddy,” you whisper out, knowing you aren’t really supposed to say that outside of Gators locked bedroom door.

He lets it slide, the day has been stressful enough for you. “That’s my good bunny. Now, run along and I’ll meet you here at six okay?”

You tilt your head, “no station tonight?”

“Nah… Jerry is working and he’s got a starin’ problem when it comes to ya. Don’t feel like scoopin’ eyeballs out. Too messy.”

You shudder but kiss him goodbye before getting in your car. You have a very bad feeling his 3pm meeting isn’t going to go how he expects.

…

You were right.

You knew you were right the second you pulled up to his house at six on the dot and he wasn’t home. You reach for your phone, looking to see if maybe you’d missed a text, phone call, shit even an email from your boyfriend.

Nothing.

Even when you try to call him, you're met with a voicemail. You can feel the bile rise in the back of your throat, fear making your skin itch. Was this it? Was this the time Roy sends him out there to do his dirty work and he doesn’t make it home?

He could be anywhere right now. Not only that, if he was dead, no one would do shit for him. No funeral, no service, nothing. His dad would go on and wipe his hands clean of his “loser” son, probably more than happy that the ties of his first wife are gone for good.

Oh God, what if he was dying, the cold freezing the blood onto his skin, frostbite settling in. He could be so scared, praying to the God he doesn’t believe in that you come find him. His clothes are probably wet too, sticking to him thanks to the sn-

A knock on your window makes you jump, a yelp falling from your lips. You look over, seeing the blue of his jacket in your peripheral and the sight makes you gasp. You’re quick to shut off the car, jumping out and getting a closer look at him.

He looks… awful. His right eye is nearly swollen shut, dry blood sticking to his split brow. There is a bruise on the other side of his face and under his left eyes, clearly he got hit in the nose.

“Baby…” this time you can't stop the tears from falling. “Baby what happened?”

He lets out a long, deep sigh, his hands resting on your cheeks. “Fuckin’ cunt called dad. Said I needed a lesson in respect. S’how I got the bruise on my left eye.” He wipes the tear that falls from your eye, his touch soft and kind, “sent me to do some shit across state lines. Guy beat the fuck outta me. He ain’t alive no more though.”

You sniffle, “is it just your face?”

He shakes his head but doesn’t say more. He knows you’ll see the rest once he gets you inside. Well … “we-I can’t let you sleep here tonight, Gator.”

He shakes his head, “it’s fine. Dad said so himself. Come on.”

And so he drags you inside, Karen looking like the cat that caught the canary as she watches you help Gator walk. You make a mental note to never forget this, never forget how she treats her step-son.

You push open Gators bedroom door, making sure to shut it silently and lock it before settling Gator on the bed. “Let’s get ya into some comfy clothes, yeah?”

You crouch down in front of him, making quick work of untying his boots.

“Baby, I can do this. I’m the one who's supposed to help you.”

That only makes more tears burn your eyes. You hated that he never let anyone help him, hated that he always had to be strong, couldn’t ever cry, nothing. You hated Roy for making him like this and you hated his mother for leaving and not saving her only son from a life of pain.

“Stop. Just-just let me help you, Gator please.” You pull at the laces to loosen them and make it easier to slide off his boot, your vision blurry from the tears in your eyes.

His boot comes off easy and you make sure you keep your hold on it so it doesn’t make any noise on the floor. Same with the second one.

You stand, unclipping his thigh holster and setting it on the nightstand where he likes it. Incase of emergencies. Next is his belt, coming off with ease. He stops you when you get to his pants, making you look up at him. He hates the silver shining along your waterline.

“I love you, little bunny.” He says it so quietly that you almost miss it.

“I love you too.” Your voice cracks as you say.

You work on his pants, popping open the buttons with ease. Next you pull his shirt out of his pants and pull it over his head. By the time his shirt hits the floor, you’ve gotten a full look at his bare torso. A bruise is forming along his ribs, it’s really red and slightly turning purple.

“Jeez baby,” your hands gently touch his skin and he hisses a little. “S-sorry.”

He says nothing as he helps you pull off his pants, leaving him in just his boxers.

“Stay here,” you tell him as you collect his dirty clothes and go into his attached bathroom. You sigh as you grab a face cloth, turning the water on so it heats up. It, of course, takes forever for the water to warm. Nothing like shit water heating thanks to the frigid winter. But once it does you wet the cloth and grab the first aid kit and go back to him.

You’ve done this before, cleaned him up, you’ve even stitched him up. You’d like to thank the internet for telling you how to do that and you’ve gotten good over the last two years.

“S’is gonna hurt. Luckily it looks like you don’t need stitches. Just don’t move while I work okay?”

He nods, “yes, baby. Ya don’t have to do this. I know you don’t like blood.” This was true, you didn’t like blood at all, barely even being able to handle papercuts. But for some reason, when it comes to him, you can manage to push it aside. Cuts can get infected and when they’re on his face it means it could go to the brain faster.

You carefully dab the wet rag around his split eyebrow, gently clearing off the blood and making sure that you don’t resplit the cut open. “I think it split from the swellin’ but I don’t think it needs stitches.”

He nods slightly, “good. I was hoping it’d close on its own.”

You put some wound cleaner on it before you bandage it. He might have a scar there unless he leaves it alone. But knowing Gator, it’ll open again. You clean up around his face and causing a hiss to leave his lips once you touch his cheek and eye. You apologize, applying some cream that makes bruises heal faster to his face and ribs.

“That’s everything.” You force a small smile at him, tossing the wet cloth into the hamper and putting the first aid kit away. You get undressed, needing skin to skin contact. Then, you climb into bed, snuggling up to him, resting your head on the safe side of his chest.

The silence stretches, Gators arm around your shoulders, his thumb moving softly.

“I thought you were dead in the snow,” the words tumble out of you before you can stop them.

He thumb stills for a heartbeat before resuming, “but m’not.”

“I’m sorry this is the life you were forced into. It is not fair.”

He kisses your head, breathing you in for a moment, “it’s not your fault, bunny. You didn’t do any of this. Shoulda kept my mouth shut when it came to Karen. Just… smile an’ wave.”

You shake your head, kissing his chest, “not how it’s supposed to be.”

Gator rolls over you, forcing you on your back. He bites back a pained groan. “My sweet bunny, listen to me. I am here. I am safe. S’gonna take a lot more to kill me.” He leans down, capturing your lips in a sweet kiss.

You let your hands slide into his hair, deepening the kiss. Honestly, you just need to feel him. He knows it and if he’s being honest, he needs to feel you too. He’ll never say it out loud, but as he laid in the snow, doing his best to get the fucker he was sent to kill off of him, he was scared.

Scared he would die and you’d spend the rest of you life wondering. He knew no one would fill you in and he knew his daddy wouldn’t have a service for him. You’d be alone, wondering what happened to him, praying to the god you don’t believe in that he’d come home again. So, he fought like hell and now, he really needs you. Needs to be inside you.

You pull back, breaking the kiss, “Gator, we can’t.”

“We can. Please baby.” Gator doesn’t beg, he didn’t need to when it came to you. Always more than willing to do what he says and give him what he wants. His begging makes you give in.

His hands push your underwear aside, feeling how ready you already are for him. Always ready, always wanting and only for him.

You pull him in for a kiss while his fingers find your clit with ease, swallowing your moans. He always knows exactly how you like it, fingers moving in swift circles and just the right amount of pressure.

“So fucking pretty when you’re at my mercy,” he pushes two fingers inside you, the stretch making your brain go fuzzy. “Looked so fucking pretty in your little skirt and frilly socks. My little angel.”

The way Gator is cooing at you, his fingers crooked up to touch the one spot that drives you nuts and you can feel yourself slipping into that headspace you both love. You’re trying so hard to be logical, knowing he’s hurt and can hurt himself further.

“Thank you, daddy. Bought it because I thought you’d like it.” Your voice is getting small, breathy.

He grins, kissing down your neck, “I love it. Love everything you wear. Look so pretty in your pastels.” His thumb finds your clit, a soft moan falling from your lips. It’s embarrasing how quickly you are to coming around his fingers.

“P-please. Gator please.”

He smirks, “use your words, sweet girl. Tell me what you want.”

You can feel your body heat up from both the coil inside you winding tighter and the embarrassment of having to say what you want. “I-I need to cum. So bad.”

The second the words are in the air, Gator pulls his hands away, leaving your orgasm to fade away. “NO! No, no, no, no please!”

He sucks a mark into your neck, his tongue licking over the spot to sooth it.

“Need ya to cum on my cock, baby.”

Before your brain can catch up, he’s sliding inside you. The stretch is something you haven't gotten used to in the last two years. It feels like he's splitting you in half, his cock filling you completely.

“OH! Oh my god.” You're already panting, squeezing him so hard he’s fighting to not bust prematurely.

Gator drops to his forearms and pumps his hips, getting right in your face. He’s so close you can smell the fruity scent from the vape he was no doubt huffing on before coming to see you.

“S’right baby, I am your God and I love when ya pray to me.”

You can’t help the way your cunt clenches, a moan falling from your lips that is just slightly too loud for either of your comforts. At the moment, you don’t care. You know Roy already got his fill of kicking Gatos' ass. He’s not going to worry about it tonight.

“Daddy, please. I’m so close.”

His hips are snapping hard, cock hitting your cervix with every thrust. He feels like he’s inside your throat and you can’t tell if his grunts are from pain, pleasure, or both.

“Not yet. Almost there. D-don’t cum yet.”

Your nails sink into his biceps, hips starting to stutter.

“Please! Fuck! Oh god…”

He smirks, eyes meeting yours, “yeah? I know how bad ya need it. How bad ya need me to fill this pretty, little cunt up. Breed an own ya f’ever? Hm?” His eyes are black and he looks absolutely feral. Primal.

His hand snakes down the front of your body, finding your clit with ease. You gasp, thighs starting to shake. You knew you weren’t going to last but you needed his permission. You craved his praise and being in his good graces. You’d let him do anything to you, that’s how much you trust him.

“Yes! Yes! Whatever you want. Anything.” You don’t even know what you’re saying at this point, too cock drunk to think of anything besides him and what he’s doing to you.

He laughs, seeing your eyes glazed over and tears of pleasure lining your eyes, “cum for me bunny. Do it.”

It’s all you need to fall into bliss.

His hand covers your mouth knowing how loud you’re about to be. His face drops into your neck as he cums with you, both of your moans muffled by each other's bodies. His cum fills you, leaking out as he brings you both down.

His hand slowly leaves your mouth, head lifting to look at you.

“I love you. I fuckin’ love you so fuckin’ much.” He leaves little kisses all over your face, trying to bring you back to him. “You hear me? M’never leavin’ you.”

You take a shuddering inhale, trying to form a coherent thought, “P-promise?”

You hold your pinky up to him, hands shaking while adrenalin continues to run through your veins. He giggles, hooking his pinky with yours, “promise. I’ll always come home to you. I will always fall asleep next to you.”

He looks down, flipping your hand over and checking out your nails, “I can’t wait for these pretty, red claws to be wrapped around my cock.”

Your chest lightens as you both laugh together.

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