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acmeoop · 25 days
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Meep Meep! “Piece Of Mind” (1990)
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Zootopia (2016)
"Life isn't some cartoon musical where you sing a little song and all your insipid dreams magically come true. So let it go."
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WALL-E (2008, Andrew Stanton)
22/03/2024
WALL-E is a 2008 CGI animated film, directed by Andrew Stanton; produced by Pixar Animation Studios, in co-production with Walt Disney Pictures, and distributed by Walt Disney Studios Motion Pictures.
The film, created and written by Stanton himself together with Pete Docter and Jim Reardon, is the ninth Pixar feature film and tells the story of the robot WALL-E, who in the distant future is the only inhabitant of the planet Earth, now abandoned by human beings due to excessive pollution and the continuous accumulation of waste.
The film was acclaimed by critics for the quality of the animation, the technology, the story and the soundtrack, obtaining numerous awards, including the 2009 Oscar for best animated film (out of 7 nominations), the Golden Globe and the BAFTA in the same category. It is dedicated to Justin Wright, a Pixar animator who died in the company's studios on March 18, 2008.
In 2105 the level of pollution on planet Earth is very high, with the Earth's surface now completely covered in garbage.
People on the Axiom move in floating seats through which they can also feed themselves drinks and communicate only by speaking through holographic screens.
WALL-E gives the planet to EVE, who closes it inside herself, after which the two sympathize, kiss and begin to fly in space, attracting the attention of two humans.
AUTO then uses his taser to melt the robot's central memory, which falls unconscious and with the plant inside it into the waste dump together with EVE, who is turned off.
In the meantime, the captain manages to stand up and grab AUTO, then deactivate it and take manual control of the spaceship, directing it towards Earth with a hyperjump.
WALL-E: is the protagonist of the film, he is similar to a cube equipped with two tracks moved by three gears each. He is equipped with two cameras as eyes, mechanical arms that allow him to grasp objects and a device that allows him to compact waste.
EVE outwardly resembles Jony Ive's designs for Apple, Inc. (owner of Pixar), in particular the iMac G3.
Upon the announcement of the discovery of the plant, the commander is initially scared because of the radical change that returning to Earth will entail, but thanks to the involuntary help of WALL-E he remains fascinated by the plant (using his time to research Earth on the computer of the spaceship) and will do anything to get home.
AUTO: is the main antagonist of the film, "voiced" in the original by the MacInTalk computer program (developed by Apple).
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roskirambles · 4 months
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(Archive) Animated movie of the day: WALL·E (2008)
Originally posted: January 12nd, 2022 Yeah, we had to talk about Pixar at some point. While every movie goes through multiple iterations and changes over development, Pixar takes the concept to the extreme, with pitches that see the light of day pretty much over a decade from their first showing. This often leads to movies that are polished to a T in almost every aspect, which is the case here…sort of.
While I do consider this environmentalist piece a very nice film, with gorgeous visuals, endearing characters and a great sound design, I feel divided about its structure, themes, and just how it ends up as a whole.
Sure, every plot thread is connected, but this film clearly has two very different presentation styles and even in repeated viewings I can't help but feel the abrupt shift from a wordless narrative of a garbage collecting Earth robot bonding over time with a probe unit from space, and the high action/comedy heroics of the second. I like both for different reasons(preferring the first half) but the way they're integrated clashes a bit in my eyes, even if it may be an artistic choice of ironic contrast (the Earth is silent and Space is now noisy).
And then there's the themes. It's environmental discussion(and many other social criticisms it has), while ever relevant, feels undermined by Disney's greed. I can agree with the message(or at least the core ideas) but it's hard to not feel a bit conflicted. It's exploration of nostalgia is striking in it's simplicity though. With just a few images it says so much about this concept.
So, do I love something about the film without caveats? Well, WALL-E itself. This romantic of a robot is such lovable protagonist, and its caring nature is infectious. The relationship it has with EVE is so wholesome too, because it is defined by that attention and care.
I may not think the final blend of it's ingredients is seamless or flawless, but there's definitely a heart to it that makes it an uplifting watch.
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squideo · 5 months
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Squideo’s Favourites: WALL·E 🌱
Released in 2008 as Pixar Animation Studio’s ninth feature film, its third since the company was purchased by the Walt Disney Company in 2006, WALL·E had been in the works since the nineties. Created by Andrew Stanton and Pete Docter, this fast classic has become one of Pixar’s standout films. So much so that Disney pushed for an Academy Award Best Picture nomination.
Controversially, this wasn’t accepted by the judges but WALL·E did go on to win their Best Animated Feature prize, and also scooped it up at the BAFTAs, Golden Globes, Hugo Awards, People’s Choice Awards, Saturn Awards, and many more. It even scored two Grammys for Randy Newman and Peter Gabriel’s music performances.
We’re diving into the production behind this animated film, exploring the style and techniques which came together to create this compelling story.
Creating a Story
When Andrew Stanton first came up with the idea for WALL·E, the premise was simple: “what if mankind left Earth and somebody forgot to turn the last robot off?” This was first pitched in 1994 when the young company was thinking about its future films, yet WALL·E wouldn’t start production until 2003 – eventually making it onto screens in 2008.
Stanton continued to develop the idea of a Robinson Crusoe robot with Pete Docter in the nineties, even as both went on to direct other Pixar projects – Finding Nemo (2003) and Monsters, Inc (2001) respectively. There was doubt, however, that this film could be pulled off. Pixar had created anthropomorphised robots before in its first animated short Luxo Jr. (1986). The lamp depicted in this short would become Pixar’s mascot, but was a feature film about a robot something that could be compellingly animated?
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What helped to move WALL·E into production was the release of the massively successful Finding Nemo. Like robots, fish weren’t expressive. Like outer space, water was difficult to animate. And yet they pulled it off, releasing what became the highest-grossing animated feature film of all time up to that point and Pixar’s first Academy Award winner. Directed by Stanton, he now had the attention of the company who were eager to hear his next idea.
“WALL-E was a very conscious dive into risk. I knew nobody really wanted to make it. But I also knew nobody could say no to me because Nemo was just so big… we’d been so successful at that point that we could afford the hiccup. If we called it wrong economically or critically, we’d survive it.” Andrew Stanton
The film centred on two robots who only spoke when communicating their names and directives. The majority of WALL·E’s first half is largely free of dialogue, with the exception of live-action recordings from Hello, Dolly! (1969) and Buy n Large’s owner. Many robot characters only converse with chirps and beeps, and the only robot with full lines of dialogue is 2001: A Space Odyssey-inspired villain Auto.
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Key to getting WALL·E into production was the approval of Steve Jobs, who was Pixar’s primary investor and acted as their co-founder and chairman. Jobs split his time at Pixar with Apple where, in 2004, an exciting new product was announced to a select number of people: the development of the first iPhone. The developments at Apple ended up having a profound impact on WALL·E, with the team at Pixar receiving prototype phones before the general public. The film was punctuated throughout with Apple references, using the sound of the Mac boot-up chime when WALL·E finishes charging, and the iPod and iPhone inspiring EVE’s design.
The story is built on themes of environmentalism and global catastrophe, examining consumerism and complacency. One of Pixar and Disney’s most politically themed films, WALL·E attracted conservative criticism but that didn’t stop it from performing at the box office: grossing $532 million worldwide. Receiving widespread acclaim, WALL·E became the second Pixar feature film to be preserved by the National Film Registry and Library of Congress in 2021. In 2022, WALL·E also became Pixar’s first film selected by The Criterion Collection.
Animation Style
While other Pixar films typically generated between 50 and 75,000 storyboards for each production, WALL·E ended up with over 125,000 drawings and 96,000 storyboards. A lot of thought had to go into the character’s design, since their emotions would have to be conveyed physically rather than verbally.
“Robots are a huge challenge, because robots are function-based machines. When you’re drawing them, you can only make up so much stuff that doesn’t actually function, or the person looking at them, even if they’re not engineers themselves, they’re going to notice that that joint wouldn’t actually work. So it became important to look at actual robots. You can only make so much up out of your head.” Jason Dreamer
The team looked at a variety of robots, including those made for bomb disposal. For Jim Reardon, head of story for WALL•E, it was important that they didn’t “draw human-looking robots with arms, legs, heads and eyes, and have them talk. We wanted to take objects that you normally wouldn’t associate with having humanlike characteristics and see what we could get out of them through design and animation.”
To help, Stanton arranged film screenings of classic silent films from the likes of Charlie Chaplin and Buster Keaton to show how silent film actors told stories without reliance on dialogue.
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To create the wasteland that WALL·E is left behind in, the animators looked at everything from local dumps to the abandoned city of Chernobyl. For the modern ship Axiom, they looked to Disneyland’s Tomorrowland and cruise ships. To design the human characters, they consulted with physiologist James Hicks to find out the effects of atrophy and prolonged weightlessness while living in space, proving that no detail was too small for the team behind WALL·E.
All of these considerations created a future that seems tangible, and helps to drive the importance of the film’s themes. WALL·E ends on an optimistic note, with Jim Capobianco’s end credits which show the evolution of humanity through different schools of art. For audiences facing the realities of climate change and environmental destruction, this confidence in the power of humanity to fix our world is the right ending. Perhaps explaining why it is one of the few Pixar films to receive no sequel or animated shorts. The story is perfect as it is.
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captainfreelance1 · 8 months
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Move over Radioactive Man there is a New Superhero in Springfield, Pie Man from The Simpsons S15 E19 Simply Simpson. I love both Homer Simpson and Superheroes I found this episode to be a really fun combination of both.
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thedestinysunknown · 2 years
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Wreck-It-Ralph (2012):
“ A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives. “
★ ★ ★ ★ ★ ★ ★ ★ ★☆
I adore this movie so much. It may not have the most original story ever, but it has such a great roster of characters, so many refferences to different games and beautiful visuals. I love it!!!
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nerds-yearbook · 2 years
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On the October 14, 1993 episode of the Simpsons "Homer Goes to College" Homer learned the hard way that college was nothing like the movies he grew up watching. He even found himself hanging out with his natural enemies... the nerds! ("Homer Goes to College", the Simpsons, TV, Event)
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dorothydalmati1 · 1 month
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Obscure Animation Subject #LOL 2: BRING ME THE HEAD OF CHARLIE BROWN!
Join me tomorrow night at 8 PM as I bring you a heartwarming adventure staring the Peanuts gang. Here’s a sneak peek…
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HAPPY APRIL FOOLS DAY!
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The Simpsons: Marge in Chains (1993)
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movie-titlecards · 6 months
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WALL·E (2008)
My rating: 8/10
I am never going to get that song out of my head.
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muppet-facts · 1 year
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Muppet Fact #658
Don Reardon, puppeteer and voice actor, was the first winner of Jim Henson's Character Design Competition in 1988.
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Source:
"3/11/1988 – Judging Design Contest 1st time." Jim Henson's Red Book.
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dogsinfilms · 10 days
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The Simpsons: Bart's Dog Gets an F (David Silverman y Jim Reardon, 1991)
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leveloneandup · 2 years
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Stanford Athletics Hall of Fame Class of 2022 Members Linda R. Meier, Lisa Bernhagen Ramos, Elaine Breeden Penrose, Margie Dingeldein, Ashley Hansen Church, Carly Janiga Reardon, Nneka Ogwumike, Christen Press, Sally Voss Krueger and Tara VanDerveer during a game between University of Southern California and Stanford Football at Stanford Stadium on September 10, 2022 in Stanford, California. (Photos by Jim Shorin/ISI Photos)
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The Simpsons Ultimate Showdown!
Round 2: JESSICA LOVEJOY VS SANTA'S LITTLE HELPER
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Jessica Lovejoy TidBit: Nancy Cartwright said in an interview with The Pantagraph that she really wanted Meryl Streep's autograph, but was afraid to ask for it. After the recording session, Streep tapped Cartwright on the shoulder, and said her kids were big fans and that she would be in "big trouble" if she did not get Cartwright's autograph.
Santa's Little Helper TidBit: In the episode "Dog of Death", Jim Reardon commented that one of the hardest feats was to make Santa's Little Helper not express any human expressions, as the staff preferred animals on the show to behave exactly the way they do in real life.
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whump-collector · 2 years
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Whumpees (actors)
All the actors on this blog (so far):
Search for the name or use this link and add the name you're looking for https://whump-collector.tumblr.com/tagged/
I use the tag compilation for posts with several whumpees.
a: aaron ashmore - aaron tveit - adam palsson - adarsh gourav - aidan turner - alex o'loughlin - alexander dreymon - ali tarik findik - allison scagliotti - andreas pietschmann - andrew j. west
b: ben levin - benedict cumberbatch - brian austin green - burc kümbetlioglu
c: callum turner - channing tatum - charlie cox - charlie hunnam - charlie vickers - chris pine - christian bale - christipher egan - colin farrell - colin morgan - colin o'donoghue
d: dan lewis - daniel craig - daniel sharman - david boreanaz - david dastmalchian - david tennant - david wenham - diego klattenhoff - diego luna - dirk benedict - dominic cooper - drake rodger
e: engin akyürek - eric christian olsen - ewan mcgregor
f: freddie stroma - freddy carter
g: gael garcia bernal - gavin drea - giacomo gianniotti - guy pearce
h: halil ibrahim ceyhan - harold perrineau - henry cavill - henry golding - hisham tawfiq - hugh dancy - hunter doohan
i: iain de caestecker - ian somerhalder - iko uwais
j: jack bannon - jack davenport - jack martin - jack quaid - jake mclaughlin - james mcavoy - james spader - james wolk - jared padalecki - jason isaacs - jay hernandez - jd pardo - jenna ortega - jensen ackles - jeremy allen white - jim sturgess - joe flanigan - joe gilgun - joe keery - joel kinnaman - john cho - john cusack - john reardon - jon bernthal - jonas nay - jonny harris - jordan bridges - joshua jackson - jude law - julian morris
k: karl urban - keegan allen - kevin alejandro - kiefer sutherland - kit harington
l: lee pace - liam hemsworth - lucas till - luke evans - luke mitchell
m: mark hamill - mark waschke - markus brandl - martin henderson - martin shaw - martin wallström - matt barr - matt bomer - matt czuchry - matt lanter - matt smith - max thieriot - megan boone - mel gibson - michael fassbender - michael hurst - michael shanks - michael sheen - michael weatherly - mike farrell - milos bikovic
n: nathan fillion - nathan parsons - nicholas galitzine - nikolaj coster waldau - noah centineo
o: oliver rayon - oscar isaac
p: pablo schreiber - paul bettany - paul hassall - pedro pascal - pio marmai
r: raj yadav - rami malek - richard armitage - richard harmon - richard madden - rish shah - robert downey jr - robert james-collier - robert kazinsky - robin lord taylor - rodger corser - rupert evans - rupert penry jones - russell crowe - ryan guzman - ryan kelley - ryan reynolds
s: sabin tambrea - sam riley - santiago cabrera - scott caan - sean bean - sebastian stan - shawn ashmore - simon baker - stanley tucci - stephen amell - steve burton
t: thomas elms - thomas gibson - tim dekay - tim roth - timothy granaderos - tobey maguire - tolga saritas - tom austen - tom ellis - tom holland - tom payne - tom riley - tom sturridge - torrance coombs
y: yon gonzalez
z: zach mcgowan - zeeko za
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