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#izzy has grown so much
polikate · 7 months
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THEY ARE SO HAPPY I LOVE THEM
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lyxchen · 2 years
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The excitement and happiness I get when finding out my haircut is similar to the haircut of my favorite character from a show is so big!!
Like, it happened multiple times now and it always brings me so much joy!!♡
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izzy-b-hands · 1 year
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maybe I'll just walk down to the river and have a good long scream. i wont, bc it's still dangerously cold out, but maybe if i imagine it that's close enough
#text post#im tired and i want to actually have fun today or at least not think abt my *** ** **** ******* *****#which i don't really want either i think i just. want things out of my control currently to be different#and the family shit has left me feeling even worse abt them and how they think of me#and my therapist's receptionist suddenly made clear out of the blue they want to wean me off talk therapy#which like i know she's going part time but im only wanting an appt a month or even every other rn#and im still fucking pissed at the fnp bc she's icing me out which is real fucking grown up#like. i did not fucking need anything else rn i was happyish!!!#not even a few days and weeks ago at least for a few hours at a time!!!#and one day goes no actually fuck u dumbass and godspeed and leaves me here trying to figure out#what the fuck i do and where i go from here#and mum will be by after her first day back at work after the hols and that's always a fucking production#in which she monologues to me abt how she's forever a victim and i pat her shoulder and dry her eyes and reassure her she's loved#no matter what bc despite it all she is!! by me a lot!!!#but that said shit like that is what has me so intertwined and understanding of izzy like#it's exhausting when the beams of your own house are rotting but you're spending most of your time#trying to hold up someone u love and depend on quite a fucking bit#and their beams seem to be in much better condition but that doesn't matter bc they still need upkeep#and if she won't do it and others won't do it for themselves then i will bc at least then i feel useful#and after ill do a bitchy lil vent post like this as usual and then pretend i don't mind bc what else can i do#except keep going forward when it's made v clear my life is not currently wholly my own to decide what i do with it#especially if those wants don't benefit ppl close to me#im so fucking tired again yall
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marionthegeek · 6 months
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Stede is in the Gravy Basket, Izzy is Alive
The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.
It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.
But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.
At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.
It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.
Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.
Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.
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Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.
I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.
So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.
One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.
When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 
Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.
Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)
Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.
Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.
Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.
Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.
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Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.
If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.
Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.
I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.
Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.
I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.
They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.
Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.
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Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.
This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.
They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.
This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.
I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)
Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.
Seriously, David, call me.
Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.
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starlithumanity · 7 months
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I'm having a fascinating time rewatching Our Flag Means Death with the knowledge that Ed sees Izzy as a "safe" mentor/family figure ("safe" because Izzy is Ed's subordinate aboard the ship, which creates a more balanced power dynamic) upon whom Ed projects his many unresolved daddy issues. That stated interpretation from David Jenkins does work, even in season one!
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Most of the fandom conceptualized season one Izzy as a power-hungry subordinate to Ed and a "co-parent" to the crew (paralleled with the Stede/Mary marriage) who has an understated masochist lust for the Blackbeard legend. All of that is true too, because Ed and Izzy's relationship is incredibly complex and fucked-up. I know from personal experience that this kind of layered toxic relationship is completely possible, though it might seem contradictory on the surface.
In season one, Ed considering Izzy as a mentor/family explains more why Ed let his first mate be so insulting to and controlling of him and still kept wanting Izzy to stay beside him. It adds more meaning to how Ed veers super hard into the violent Blackbeard role after feeling cornered and threatened by Izzy at the end of the season. (This also has further weight for those of us with family members who have disapproved quite loudly of our queer relationships.)
There is a strong parallel that I noticed previously between young Ed's reaction to his father abusing his mother and season one Ed's reaction to Izzy dueling Stede. Stede is linked to Ed's mother through the red silk and through the fact that Stede and Ed's mother--and Lucius--are the only people we see treating Ed with compassion/softness in season one. It thus makes sense for Izzy to be mirroring Ed's father.
Then there's another parallel in how Ed responded to Izzy mentioning Stede in a mocking way ("pining for his boyfriend") by choking Izzy, like how Ed had once responded to his father threatening his mother by strangling his father. In this moment, Izzy touched Ed's face with an intimate kind of familiarity and said, "There he is." Ed clearly found this unnerving, which some people read as sexually harassment, but it makes just as much sense for it to be his daddy issues getting triggered.
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I think part of why this dynamic was unclear in season one is because the writers wanted us to see that, even though Izzy is a mentor figure who taught Ed certain skills, Ed is a grown man who is fully competent on his own. He had likely started building the Blackbeard legend by the time Izzy met him, he has a clever mind that's constantly coming up with new plans, and when Izzy himself was left as captain, Izzy proved to not have the necessary charisma and compassion to lead the crew. Ed is the star power; Izzy is the manager, so to speak.
However, Izzy overestimates his importance and often talks about himself like he's a martyr to the Blackbeard legend, working so hard to keep both Ed and the crew in line. He claims that he's been "clean[ing] up [Ed's] messes... my whole life," which feels like a very parental complaint to me.
Ed fuels this martyr complex some in season two by physically harming Izzy, but notably, Ed doesn't threaten this kind of harm to the rest of the crew (though he isn't very careful with them either) until he's in the suicidal spiral of driving the ship into a storm. Before that, Ed threatens Izzy specifically, both because Izzy threatened him and Stede in season one and because Ed's trying, in his own fucked-up way, to prove to Izzy that he's following Izzy's guidance and "being Blackbeard." The toe-cutting also has some metaphorical weight: Izzy demanded that Ed "cut off" the gentler pieces of himself to be Blackbeard, so Ed starts cutting off literal pieces of Izzy in return. When it becomes clear that this isn't satisfying Izzy either, that's when Ed really goes off the deep end. ("I loved you the best I could," but I never could be enough to fit your expectations.)
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Meanwhile, we see Izzy starting to question things specifically in response to Ed saying that Izzy could be replaced as first mate. Izzy thought his place, as a mentor/family and self-professed "martyr", was more secure than that, and it challenges his whole identity.
Throughout season two, the mentor/family dynamic is further emphasized via the parallel between Izzy/Ed/Stede and Auntie/Zheng Yi Sao/Oluwande. Others have discussed this more, but there's so much meaning in the similar ways these characters carry themselves, in the tension of Auntie disapproving of Zheng Yi Sao's feelings for "soft" Oluwande, and in the way Oluwande finally teaches Auntie to soften herself some for Zheng Yi Sao.
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Additionally, in episode five of season two, we see Stede turning to Izzy for mentorship, proclaiming that Ed himself had recommended Izzy as someone who "made him into the captain he is today." People have questioned that as being a false manipulation from Stede, but I think there's a good chance that it was true! (Ed probably said this to Stede sometime during season one, when the two of them got to know each other so well.) "Taught him everything he knows" is definitely a flattering exaggeration, but hey.
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Throughout this and other episodes, we see Izzy continuing to take on a mentor-like role with Stede and the crew (and eventually Ed) as he tries to recenter himself after the darkness of the first three episodes. It's clear that Izzy is most comfortable playing the gruff and politically incorrect old fighter who offers guidance, but now he's letting himself branch out more and connect to the crew in new gentler ways. He even metaphorically "gives his blessing" to Ed and Stede's first time having sex by providing the musical accompaniment, which is the perfect amount of weird for this show, haha.
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Izzy's transformative arc in season two also involves a steady pattern of reversals, corrected new versions of his treatment of Ed in season one, as Izzy start coming to terms with the harm he did to Ed. Other people have discussed this in more detail, but I think the pace of this change is realistic to what you would see in such a situation. Ed's responses to this, too, are consistent with him seeing Izzy as a mentor/family.
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I should further note that Izzy and Benjamin Hornigold (another abusive father figure from Ed's past) are two characters mirrored by the fact that they call Ed "Eddie" in season two. I can imagine that being the nickname Ed used when he was younger, before growing out of it. Izzy seems to start feeling the echo of that memory of younger Ed when Ed comes to him scared, asking for Izzy to "fix [his] mess" by shooting Ed like Ed "dreamed" about.
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Right before Izzy's death, there's a scene where Ed is triggered super hard in his daddy issues by the fisherman "Pop-Pop." I think the writers wanted to remind us of the parental trauma Ed has been through before giving us some catharsis through Izzy's deathbed confession and apology. In that moment, Izzy takes full accountability for what he did, while Ed cries and says, "You're my only family." Izzy redirects him in a final bit of mentorly guidance, telling Ed that the crew is there to be his family if Ed will let himself be loved, truly, in the way Ed has often rejected and distanced himself from being loved.
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Now, I do think Izzy's death was the right choice for this show. I like that DJenkins went with the classic mentor death trope, and he did a similar thing with Buttons, the other old-timer first mate! I agree likewise with those who have discussed Izzy's loss as being a necessary step for the narrative to move forward both from Ed's darker self/parental trauma and from the older age of piracy that Izzy represents. Izzy was always meant to be a dark reflection of and a narrative support/conflict for Ed, and this is the natural culmination of that. His complicated legacy will continue to be something Ed has to reckon with, however, although Ed is trying to compartmentalize that right now.
I very much hope to see, in season three (🤞🏻), how Ed continues to process his past, especially now that he's trying for a domestic life that will likely lead into marriage. Marriage, from what I've seen, often acts as a staging ground for whatever parental trauma you had growing up, because you look to your parental figures as an example of how to do "adult" things. This is going to be a huge conflict for both Ed and Stede, who has his own personal negative marriage experience. I suspect Izzy will continue to represent this problem in some form or another.
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yergink · 7 days
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to me, the most telling line about izzy’s character comes from his deathbed speech. it’s when he tells ed that blackbeard was the both of them.
now, i am not operating under the assumption that this is true, but it’s important to note that izzy believes it is. and this specific belief being textually confirmed by canon explains so much about him.
the way izzy treats ed makes infinitely more sense to me when read through the idea that his imposition of toxic masculine ideals onto ed are a lot less about ed specifically and more about izzy’s view of the intersection between him, ed, and the idea of blackbeard—a figure who does not really exist in the way izzy perceives him.
the question of “why is izzy so obsessed with what ed does, anyway?” isn’t answered by love or loyalty grown out of a once-decent partnership turned sour, but by izzy’s near character-defining selfishness. because what he’s done is grafted his personal self-image and ambition onto ed’s back, and begun to scrutinize the two of them like they’re the same person, as if he has the right to do so, and he’s doing it under the curtain of his own hangups and biases.
this is why he sneers about how people need to call ed by “blackbeard” or “captain” in s1 in the same manner he sneeringly corrects his own name and title. because izzy sees them as equally disrespectful to him. and i maintain this is the same reason he takes credit for stabbing the portrait in 2x03—it’s instinct for him to defend ed’s image, because izzy sees a sleight against the image of blackbeard as a sleight against himself, too. because he believes himself to be a piece of the legend. if blackbeard seems a fool, then what does that say about his first mate?
we talk about ed viewing izzy as a father figure, but i haven’t seen much talk about the way izzy, like a toxic parent, is attempting to live vicariously through ed. i haven’t really seen any mention of how izzy’s outbursts over ed’s behavior feel so reminiscent of the way an insecure parent scolds their child because of what they imagine the way their child acts says about them.
ed himself matters much less to izzy than what the icon of ed-as-blackbeard stands for, and—more importantly—how it stands to benefit izzy.
we see in s1 that izzy makes a shit captain, but he revels in holding power over others (i was going to put a list of examples here to back up the point, but it got too long. view any ep of s1 with izzy in it for an example). if being blackbeard’s first mate is the best he’ll get, then he’ll claw onto that position with both hands.
him giving up that lust for power, humbling himself, and accepting community instead (in taking the unicorn leg when, up until then, he'd been very much rejecting any offer of help), is an important point of his arc, but you need to understand just how astronomically selfish izzy was beforehand to fully appreciate it.
bottom line, any reading of izzy that discounts how in s1 he’s an extremely “the king’s evil chancellor vying for the throne”-type character is maybe missing something.
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Movie & Dinner
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[pairings]: Jenna Ortega x Fem!Reader x Emma Myers, Fem!reader x Mason Gooding (platonic)
[Summary]: You have had a crush on Jenna and Emma ever since you met them, little did you know, they were already head-over-hills.
[warnings]: Swearing, kissing, bad writing bc it's late, not proof read
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When you first got the call from the director of the new Scream movie, that you would be playing the character of Danny Brackett’s sister, you literally almost had a heart attack. You had applied to the role not only because it could be your big breakthrough, but because of your love for the Scream movies.
During the time you were shooting, you got closer with everyone in the cast. Especially Jenna and Mason. Which also meant that you guys hang out even after the last wrap-up and after the movie was released. 
You hung out with Jenna the most, only because Mason got sick for a long time. After a while of just hanging out at Jenna’s or your apartment, she decided to introduce you to her lovely girlfriend, Emma Myers. The two of you instantly clicked and soon it was either you, Jenna and Emma who hung out or you, Jenna, Mason and Emma. For a while it was fun, but then…….you started catching feelings. At first, you brushed it off as just a silly crush on two of your best friends, but then the constant nervousness and overthinking around them started. Things like, ‘ is this outfit going to be good for our movie-night’ went through your head or whenever one of them gave you a hug and your heart started racing and your face heated up,-which you tried to hide- you knew it was not just a little crush, it was a big, fat one.
But of course, Jenna and Emma weren’t stupid. They picked up on your behavior. And in all honesty, they were fucking amused. The main reason Jenna wanted you to meet Emma was because of her own ‘silly, little’ crush. After two-three months of hanging out with you, they were both fucking wiped.
Mason, obviously, knew about your crush. He always told you to talk to them about it, but you were too much of a coward to do so.
And of course, Jenna and Emma had someone that knew about theirs too. For Jenna, it was Melissa, who knew about her and her girlfriend’s crush. For Emma, it was her sister, Izzy. Obviously, they talked to each other about it too. Having a complete melt-down everytime they do so. 
Also, that is the reason they’ve decided to call you over tonight for you guys’s usual movie & dinner night. Only, they are planning on finally telling you about their feelings.
You are walking up the stairs to get to their apartment with your headphones on and an audio book playing through them, just some russian learning ones. It has been your passion to learn as many languages as you can, ever since you were a kid. But anyway, you arrive at Jenna and Emma’s door and simply let yourself in. Turning off the audiobook and taking off your headphones. You looked around and saw the light on in the cozy living room, deciding to walk in. 
And there they were. Sitting on the couch, cuddling. 
You walk in further and when you are close enough, you clear your throat in a way to get their attention. Which you got pretty quickly. They turn around and as soon as they see you, the both of them smile in usion.
“Y/N! Hey!” Jenna squeals in excitement as she gets up and goes over to you, giving you a warm hug. Emma did the same.
“Heyyy, so what are we watching?” You sat down on the couch and they followed you, Jenna on your right and Emma on your left. You felt your cheeks flush as they scoot closer.
“Uhm, we were thinking ‘The Grown Ups’?  That good for you?”
You gasp and smile. “Of fucking course! I love that movie! “ They laugh at your excitement and turn to the TV to put on the movie.
— —
It was nearing the end of the movie and you couldn’t wait for it. Basically, the reason for that is, you are really flustered. Jenna has her arm around you while Emma’s hand is resting on your knee in a comforting manner. All that was making your heart beat out of your fucking chest. You are only hoping that they can’t hear how loud it is.
As the movie comes to an end, you let out a breath you didn’t know you were holding until now. “Uh, I'm going to get a drink.” You state, getting up and squeezing yourself out from between the two lovers.
Walking into the kitchen, you head straight to the sink to wash your face. When you’re done, you take a glass and fill it with water. As you are drinking it, Emma and Jenna appear in the entrance. Jenna walks ahead her girlfriend and up to the counter you are leaning against.
As she looks at you, there is a sickeningly cute grin on her face that you can’t help, but admire until she speaks up.”God, I don’t know how they let you graduate acting school. “She giggles as your eyebrows furrow. “You are so obvious!” Jenna pauses for a moment to look back at her girlfriend who is smirking, leaning against the wall of the entrance. “ C’mon, we know you like us. “ At that, you feel your face burning up once again as your mouth opens and closes like a fish, trying to find something to deny it.
“Hey. It's okay. We are not mad. “ Emma speaks up and walks over to the two of you.
“Y-you’re not? “ They both shake their heads and you let out a sigh. 
“However, “ Jenna starts, looking back at you and stepping closer. “ We have to tell you something. “And your heart once again races, not only because she is centimeters away from your face, but also because of what she and Emma have to say. “But, I’d rather show you.” Jenna smirks at your red face as she takes your chin in her right hand and tilts it down a little. Then she turns her head to the side and leans in and finally, her soft, red lips meet yours.It’s a little rough, but still endlessly hot. The kiss doesn’t last long as you hear Emma whine and soon her footsteps come closer. 
Jenna steps aside a little as Emma settles in-front of you. Smirking, she cups your face and pulls it closer to hers. When your lips meet, you immediately note that her kiss was softer than Jenna’s, more gentle. But good nonetheless. After a couple of seconds, she pulls back with a smile on her face and lets go of your face.
You were still blushing and trying to process when Jenna speaks up. “ Soo, are we throuple now or something? Is that what it’s called?” Emma laughs and nods at her girlfriend.
“Sure, Jen. But we still have to ask, don’t you think?”  She gestures towards you, who is just standing there.
“Right. Right.” Jenna turns to you and chuckles at you frozen state. She grabs your shoulders and shakes you lightly. “Hellooo, earth to Y/N!”  You finally look up at her.
“Uh, huh?” 
They both smile and glance at each other then back at you. “Would you like to be our girlfriend? “ They say at the same time with a little bit of nervousness in their voices.
You just stare at them for a couple of seconds, but before their smiles could disappear, you speak up. “I-I…Yeah, sure. I mean….yes. Yes!” They both smile and take each of your hands and lead you back into the living room. 
— —
The next morning after you arrive home, you just drop your stuff and call Mason immediately. “Oh.My.God! Mason! You won’t believe what fucking happened!” 
You heard shuffling in the background. “What?What? What is it?”
You grin as you take in a deep breath. “Me, Jenna and Emma are fucking together! Can you believe that shit?” 
“Wait, Really?! “ You nod but soon realize that he can’t see you so you speak up. 
“Yes! It happened last night. We even kissed and everything! “ Mason smiled as he heard the happiness and excitement in your voice.
“Oohh, wait! Don’t tell me the juicy parts just yet! I’ll be over in 15. “ You laugh. “What? I want to be there so you can see my reactions.”
“Yeah, okay. I’ll be waiting. “
---------------------------------------------------------------
A/N: Sorry, it's short :/ I have a lot of studying to do.
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chuplayswithfire · 8 months
Text
Edward Teach and his relationship to violence and power and the cycle of abuse is so fascinating, because Ed grew up in a household where he was intensely, constantly vulnerable, where he and his mother were at the whim of his incredibly abusive father, and so he escapes by committing the most understandable and well justified murder in the entire show, and it traumatizes him -
Not just because it was murder
Not just because it was his dad
But because he was able to plan it out and make it happen at all. Killing his dad is this moment of terrifying strength and courage at the heart of him and it's the birthplace of the Edward that does what needs to be done to survive, no matter the emotional consequences. Ed thinks he is a bad person specifically because as a child he killed own father so he and his mother could survive, and then had to keep committing acts of violence to survive long into adulthood.
I don't think Ed worries about becoming his father. I think he sees himself as someone much worse - because he was able to kill that man, to plan out and complete his murder, even though that was his dad.
The show never once treats Ed's anger in the show as unreasonable or problematic - his flashes of temper throughout the show are always in very understandable moments and they're played for drama (french captain), furthering the romance (wanting to shoot the rich people party vs stede offering to handle it), or comedy (snake snack/punching izzy in ep 9).
Even Kraken is deliberately not particularly shown to be an expression of Ed's anger, which is hot, but that deliberate ruthless problem solving spirit that comes after the anger passes and the knowledge of exactly what to do washes over him; following his father to the dock and strangling him; skin him, and fang? use the snail fork; toe scene and sitting exactly at Izzy's bed side for it and telling him what will happen if he threatens him again. Even marooning the crew is not an act committed with anger, but a muted sorrow.
Piracy is a culture of abuse, mistrust, and backstabbery, this is established in episode one, further emphasized in episode 8 with both Spanish Jackie and Calico Jack and the tales of Hornigold, and demonstrated yet further with Captain Hands in episode 9.
Ed escaped the abuse at home, but found his place in the world in the abusive professional and interpersonal relationships of piracy, which is one reason he's so drawn to Stede - because he's doing it differently, he's trying to build a form of piracy that doesn't rely on the traditional forms of abuse that manage piracy - and because his people positive management style works, as demonstrated throughout the length of the show. Not everything Stede does works out or is ideal, but his people positive management style is.
When Stede leaves and breaks Ed's heart, and Ed starts to recover from that heartbreak only for Izzy to kick him back down with another threat to his life and for him to hear the crew calling for another song and wonder if it's mockery instead of friendship -
Yeah, Ed turns back to the familiar culture of abuse, mistrust, and backstabbery that piracy has. Shoving Lucius, the one most likely to see through him, overboard. Using Izzy's preferred language, violence, to get him to back the fuck off and fall in line. Violence against Jim and threats against violence against Frenchie, to get them to comply. Abandoning over half the crew.
Ed tried something new and at the end he feels like it fucked him over, made him weak, and vulnerable again, and he reacted exactly as his childhood self did - by creating and executing a plan to remove the threat and position himself out of harm.
That's what Ed's journey is likely to be about, in season 2, by my estimation - understanding what he actually wants in and from life, and having to recognize that he 1) deserves that life 2) can't get it by retreating of self-destruction and abuse that he's grown familiar with. Not a fear of being like his father (he's really not imo, and I could go on about how throwing a knife past your subordinate who has betrayed you and threatened to kill you is vastly different from throwing plates at your cowering wife because you're mad about dinner are not the same, but I'd hope it's unnecessary), or anger issues in general, but recognizing that his retreat from his authentic self into the mask of Blackbeard we see at the end was wrong and doomed to fail.
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ladyluscinia · 7 months
Text
"What if it weren't like that?"
...or I'd like to propose a different theory of what's going on in Edward's head.
Going into the S2 finale, I feel like there's once again a huge consensus that Edward and piracy are an unsustainable mix, and he has to quit. Specifically after 2x07 he knows for sure, 100% that he wants to quit, and he's pulling away from Stede because he doesn't know how to communicate that certainty to him.
There's a very established meta framework backing up this belief. It's not new, just everyone pointing and saying "look! - the show is affirming us" at the same time. And it does make a lot of points about foundational trauma, the violence of the lifestyle, etc. I don't need to break it down for you. If you're seeing this post then you've seen the arguments before.
The thing is... I'm not actually sold on this read.
Edward is a complicated guy and I love to try and peel back his layers, and I'm not sure that retirement is truly his endgame. And maybe more importantly... I'm not sure retirement endgame is quite the thematic crescendo it's being presented as.
So let's talk a bit about Edward, particularly in 2x06 and 2x07.
---
Edward's Ongoing Depression Spiral
The thing about backsliding - and the Kraken was a pretty monumental backslide - is that even if you gain a lot of ground afterward, you still might not be much further than where you started.
Edward believing change is possible with Button's 2x04 guidance + his & Stede's conversation about taking it slow at the end of 2x05 are both huge steps for a guy that was openly suicidal at the beginning of the season. However, in the grand scheme of things, he's pretty much cycled back to the dilemma he was facing in S1 - continuing life as it was is intolerable, but he doesn't actually have a solid idea of what he wants. "Stede" is not a real, actionable answer.
In S1, this caused him to run recklessly into extremes of vulnerability with Stede because Stede was doing something different. He tried to metaphorically cut loose his entire history - as a pirate, as Blackbeard, as Edward Teach - and become a new "Ed" with no baggage, who was free to live an endless vacation honeymoon with his new boyfriend. And when the consequences of their own actions came crashing back in - an abandoned Izzy, Spanish Jackie, and Chauncey Badminton - Edward's desperate actions to save Stede turned into over-commitment to a guy he barely knows, a reckless plan to run halfway around the world to escape himself, and then a truly disastrous downturn when that blew up in his face.
Wherever you go, there you are - except Edward hates that guy. Edward's only concrete want so far for the new direction of his life is the one thing that's impossible - to not be Edward Teach.
So now, back to contemplating the same unknown future he was trying to chase in S1, the Kraken Era has given Edward new perspective, for better and worse. (I'm gonna link my rambling BlackHands / Kraken Era thoughts from 2x01 - 2x03 just because.) He's learned caution and is dipping his toes in self-reflection - Stede's love alone is not enough to save him, and his self-loathing has been acknowledged. Reckless pursuit of change without growth was doomed - an important lesson both Stede and Edward have started to learn.
Unfortunately, growth requires looking backwards, and if Edward was already disinclined to that due to killing his dad, he's struggling so much worse now that he's got months of fresh atrocities that he absolutely did not need to commit.
---
Drowning in Guilt
Edward's core trauma that he flashes to constantly goes back to killing his dad that night - something notably not associated with piracy. That guilt is the root of his self-loathing, but Edward is a rather troubled grown man with guilt aplenty, especially after the first two episodes of S2.
In 2x05 Edward starts with a CEO scripted non-apology firmly recategorizing all of his Kraken actions as "whatever that nasty dark stuff was that brought us here... it's in the past", and then his discussion with Stede does not involve too much reflection on why this probation is necessary and drops this gem:
"Oh fuck no. Apologizing? Nah. Didn't apologize for jack shit."
However - demonstrating self awareness / growth - he's also clearly projecting guilt and a desire (that's almost too big to look at) to apologize to Izzy for everything, and then he honestly talks with Fang (who he's known for 20 years!) about how he can not be understandably mad at him, after Fang pushes back on Edward's toxic rewriting of Knife Parade. He even learns to sit with himself!
All of which makes the start of 2x06 so layered.
We open with Edward sitting with himself, looking out over the ocean and stewing in guilt - in order: his dad, the storm, Izzy's toe, shooting Izzy, driving the crew to mutiny - and then the conversation that Edward was haunted by all last episode comes to him. He's back in his leathers - playacting the penitent with the onesie and cat bell got old after a day, and he had never truly linked his probation rules with any of his earnest feelings of remorse. Just a necessary performance to appease the crew.
Now he's himself again, as uncomfortable in his own skin as ever, and Edward Teach apologizes for Izzy's leg. He isn't being demanded to apologize by Izzy (no matter how much he may deserve it). Izzy is fully prepared to pretend it never happened despite the evidence of his body. But Edward wants to - needs to for the babiest step toward his own peace of mind - and so he does.
And then he flees from one guilt and accidentally stumbles into another. Stede has so helpfully pulled all Edward's Kraken treasure into one place, and Edward lampshades it:
"Excellent. A reminder of all my guilt. A guilt room."
Now, Stede has a decent idea here. His "poison into positivity" bit is not bad (and it echoes the language Izzy and Edward used - though I think it's a tossup whether Stede heard about that or if the parallel is purely on a Doylist level). It definitely lifts Edward's mood for the day and pulls him out of his guilt spiral for a bit.
Until it comes back so much worse.
Ned Low. Oh fuck the implications of Ned Low.
So here's the thing. People have rightly observed that Edward broke Ned's record intentionally during Kraken Era. In fact, since he makes the comment about "We got a record to break" after the wedding boat aka the last ship he takes, and Ned isn't coming after him for a tie, presumably he set the new record and then proceeded to break it over and over again. Just to rub it in. Just to really piss the sadist off.
And if Edward's attempt to take the whole ship and crew down with a storm at his lowest point was bad, what he was courting by baiting Ned before the season even started was worse. This is a man who would have tortured everyone on the breakup boat to death when he caught up to them, and Edward was passively planning on letting him do it.
Edward knows this.
Poison into positivity just became "oh shit I forgot I'm the most poisonous thing any of these people have ever run into," and he's just getting started. It's hard to shove it down and brush it off and pretend it was no big deal when Stede starts getting the hot poker to the chest.
He doesn't want to kill Ned because he's not worth the poison, but the poison is already here.
When Stede kills Ned, Edward has already spiraled. He's already got a whole narrative in his head about how this is all his fault, how this is his poison, his guilt, his Kraken surfacing to ruin Stede too.
"I'm not a good person, Stede. That's why I don't have any friends," Edward chokes out.
"It all boils down to this - You're afraid you're unlovable," snarls Hornigold's ghost in the gravy basket.
"I hate myself," Edward realizes.
"Don't do it, Stede. Killing in cold blood" - like I did - "you can't come back from that" - like I haven't.
Edward's guilt is projecting all over this scene. He's made some baby steps toward seeing Stede as a flawed person vs mythical mermaid whose love can save him, but the idealization is still coloring both their views. Stede still hasn't told Edward about any of his childhood traumas or deep seated insecurities, and Edward has continuously avoided putting together that Stede is fucked up as well. He's convinced himself that killing Ned Low is a great tragedy that will permanently scar Stede's previously unblemished goodness in a way that is all Edward's fault, and he's sticking to it despite how completely it does not apply.
Reality has never been much good at breaking through his self-loathing before.
Izzy tries to warn him to give Stede a minute, but Edward doesn't listen. And while there's a good amount of concerned boyfriend in that act, I also suspect there's more than a little self-harm. Edward's spiraling about what he's wrought. He shows up at Stede's door already paralleling this to killing his dad. Of course he wants to be in the blast radius.
Apparently, having sex about it.
---
"Bye-Bye" Blackbeard, See You Again Soon
Last season, when Edward's ignoring his past went poorly, he tried to metaphorically bundle Blackbeard and all his traumas up and cast them into the sea. He was "Edward Teach Born-on-a-Beach," and then "No-Beard" who found folding stuff in prison fun, and then he's kissing Stede and getting excited about picking new, cool names for China, because:
"Our old lives would be gone. Dead. Never were."
Edward, babygirl, that is not how that works.
Now, he's actively backsliding down a guilt spiral, just had ill-advised sex a day after the "take it slow" talk that he's already regretting, and he gets up in the morning, pulls on another goddamn robe, and goes to literally bundle Blackbeard up and cast him into the sea.
Babe you already tried this.
I don't think it's a coincidence that disposing of his leathers signals Edward is back to reckless change instead of intentional change. He tries to make breakfast in bed despite never having ever made breakfast before and explains his twine as a panicked decision. The idealization of Stede is back in force - he chooses now to tell him about the mermaid vision - "fantastic," he describes him - and thanks him for saving his life. (Once again, in times of trouble, Edward is the one offering up rosy imaginations for their relationship that swallow him whole and Stede is shoving his recent childhood trauma flashbacks down to be Normal™.)
In the Republic, Edward does avoid becoming straight up jealous of all Stede's positive infamy, but he's also doing his hardcore all or nothing thing again - this time running away from himself toward a grubby, poor, "nobody" version of Ed (or do we think he's gonna try "Jeff" again?). Jackie calls his attention to how his new life direction (as of 6 hours ago) is not necessarily aligned with Stede's, and - rather than doing something as crazy as talking - he mutters "shit" and heads to the docks where Izzy finds him.
For a guy who felt "Fucking great" throwing away his leathers, Edward sounds kind of sarcastic, even if I'm sure he's feeling just as light as he was on that Naval Academy beach. But Izzy - going through his own shit but still trying to be supportive - opened this conversation with a joke about Stede and I suspect thinks they are talking about putting the "Edward retiring to be with Stede" plan back on the table. (Edward could clear this up, but he's still not communicating his emotions to Izzy.) So Izzy encourages him:
"Maybe you should listen to it."
Edward's face falls, he looks back down at the fishing boat, and apparently gets himself a new job. He just needs to go dump his boyfriend about it. They're simply incompatible, you see?
Edward's a fisherman now. He's gonna sit with himself until he finds a better guy in there, just like Fang taught him. (Don't blame Fang for this 😆 he just wanted Edward to stop talking!)
Now there's a lot going on in the breakup scene, but I want to talk about one statement Edward makes (keeping in mind he's already spiraled all the way into his new fisherman identity):
"I don't even know who I am! Alright, I know I don't want to be a pirate, but you..."
Because, see - I don't think the second part of that is necessarily true.
It's not that Edward doesn't want to be "a pirate". That's what he's using as shorthand (and a way to strongly delineate his new career from Stede: "Fishermen and pirates - they're nothing alike.").
What he's not saying is, once again, I know I don't want to be Edward Teach.
And, babygirl, I love you... but too fucking bad.
---
Better Piracy as a Theme
There's a lot of meta around about how Edward views piracy as a kind of enforced toxic masculinity. How his traumas are woven so thoroughly into his Blackbeard career that the thought of continuing as a pirate is killing him. He has to retire. It's the only way he'll truly be happy as "just Edward."
And I question that framing.
Like... Edward clearly has trauma tied up in piracy. His time on Hornigold's ship appears to have defined his (and Calico's Jack's) fairly fucked up approach to casual violence. His time as Blackbeard has enabled his poor impulses, and he is absolutely sick of piracy as he's experienced it the first time we meet him. That's not in question.
But while leaving is one solution, I think change is another.
In the OFMD universe, piracy is not a stand-in for toxic masculinity. Stede, an outsider, describes it as a "culture of abuse" in the first episode, but it's the culture of piracy where we see openly gay relationships, polyamory, freedom of expression in clothing and presentation, the oppressed having power... to treat piracy as inherently toxic is to deny that the culture of piracy is what gave life to Calypso's Birthday party. Our main characters are pirates.
There is a lot of violence and most pirates are very troubled people, but it's not piracy's fault. That's getting the cause and effect reversed. The "problem" with piracy and pirate culture is that the people coming into it and building this community are already traumatized.
As Edward points out to Stede:
"It's usually something like that. It's often family-based stuff."
(Also the problem might be the pirate Captains, lol. I mean, if you start listing the major drivers and enablers of toxic culture... Hornigold, Ned Low, Calico Jack, Blackbeard. Fortunate, then, that the crew of the Revenge is demonstrating that piracy can also be about workers' unions and supporting each other against your shitty boss while operating in a thriving community. He can play nice or get out.)
Oluwande tells us from the start that people don't choose to be pirates - they get forced into it by terrible circumstances in a terrible society. Piracy is the community that accepts the outcasts, but it can't magically fix them. They have to do that themselves, which our crew is showing can be done.
Stede did not swan in with all the answers, but he gave his crew the space and all the confused-yet-well-meant support they needed to strengthen their own bonds and community. Oluwande and Frenchie especially have been really stepping up in leadership positions. Like, the whole plot of 2x05 was showing they have successfully formed a union and that they will operate as a united front against their captains if need arises. It's so good!
They are living that better culture that Stede wanted so bad, and it's not just our crew.
Piracy influenced by the Revenge crew has been shown as helpful and even desirable to chase.
Hellcat Maggie and the rest of Low's crew don't sail off to get new jobs - they are resuming piracy but this time talking about profit sharing. Anne and Mary, our oh so aggressive BlackBonnet mirrors, retired from piracy together like Edward was dreaming of in 1x09, and what "fixes" them is burning it all down and returning to piracy (rejecting Mary's fears) with their love at the forefront of their minds.
Edward wants to leave piracy behind forever because he has depression and hates himself, but the biggest thing he hates himself for isn't even a thing he did as a pirate. He's pushing back on his Hornigold trauma from the moment we meet him - in fact, I have a whole other meta idea I need to pull together after the season about how he has potentially thought he was doing "soft piracy" in spite of Hornigold this whole time - but the guilt he feels about killing his dad is still too big for him to even look at. And that won't go away even if he could cut 20+ years of Blackbeard out of his chest.
He's bored. He was stagnating. He needs to address that knot of self-loathing before it successfully drowns him.
Maybe people are right and he could be the one pirate to find peace operating a bed and breakfast? Maybe he'll follow in Jackie's footsteps and stay connected to the community by running a gay bar or something?
But I also think, maybe, he has a community surrounding him, a home and love on the sea, and a career with plenty of aspects he did enjoy - sailing, fuckeries, luxuries, creative problem solving - and he might just need to join everyone in striving for a better culture?
And step one would be realizing that wherever he goes, he's still Edward Teach, and he's got to stop running from that fact.
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stedefxckingbonnet · 7 months
Text
Past Lives | Izzy Hands x Reader
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Izzy Hands x Gn!Reader
Summary: Quite some time has passed since you joined the crew of The Revenge per being saved, and you've grown particularly close to the one who brought you aboard. One night in particular is breathtaking and you decide you cannot contain your feelings anymore, but you had never learned exactly how to express these sorts of feelings to another person, let alone Izzy Hands. So, you do so in the only way you know how.
Warnings: slight angst/tension, slight avoidant attachment style (w/resolution though), kissing, some strong language
Word count: 2264 (some longer ones coming your way in the near future, though!)
A/N: hi hi lovely people! This is honestly the first x reader I've written since I was probably 14-15, so please bear that in mind! My interpretation of Izzy I feel like, isn't always 100% representative of him in the show itself, but I feel like I tried to capture him at his core while exploring this more sensitive side of him that we are getting in season 2, perhaps more of a what he is on the pathway to being, and therefore already is, if that makes any sense. Just has to be unlocked in levels. Plus, Izzy deserves the world so I just wanted to write something sweet to dip my toe back into this sort of writing. Anyhow, I'd like to get back into the habit of writing these so please, do request! I hope you all enjoy this one, comments are much appreciated xx
The stars illuminated the sky in such a way that it almost looked like a painting—a bit too picturesque, like one of those artworks that only aristocrats could afford to have on the wall of their ornate mansions passed through the centuries, or even built and curated just for them. Nonetheless, it was breathtaking, and the fresh air coursed through your veins and senses so effortlessly and made you feel alive. Nights like these weren't meant to be spent hidden away in your quarters and you knew that. Once you were sure everyone had retired for the night, you quietly crept onto the main deck, ready for your moment of solace that you had been seeking for weeks now.
You approached one of the railings, scanning across the deck still to see if anyone had been lurking nearby. The coast was clear, and finally, you found somewhere to lean on as you stared out into the night sky, the wind blowing through even the hairs on your neck, making them stand. On occasion, you'd be sprayed by the sea but it was the most at peace you had felt in weeks.
"Rough night?" you heard someone quietly call from a short distance away. You almost jumped, but you quickly turned around only to see Izzy Hands. Relief washed over you, as did a nervous feeling that had only begun recently. You inhaled sharply as Izzy waltzed over, thanking the stars for not illuminating this spot too much, therefore being no way he saw you craving that much air in your lungs. He leaned beside you on the railing, awaiting your reply.
"Not at all," you admitted. "Quite the opposite. It's so beautiful out tonight."
Izzy only nodded. He joined you in looking out at the landscape presented before him. In all of his years of sailing, it was all he had ever known--the sky and the sea, yet, he had never thought it to be this ravishing before. He never noticed how lovely it could be. Being here with you, he saw it all in a new light. He discreetly glanced over at you once again. He had noticed the way your lips slightly parted when you saw something you liked, and the way your shoulders lowered when you were relaxed. He noticed that you'd twiddle your thumbs when you were truly happy—in fact, you happened to be doing it right now. Izzy allowed his lips to curl into a smile upon realizing this. Finally, he broke the silence.
"I've never seen anything like this," he admitted, almost out of breath whilst he was still looking over at you. You still hadn't noticed.
"Isn't it...divine?" you chuckled. "Beautiful seems too weak a word."
"I feel the opposite. I don't think I've ever described anything as beautiful before."
"Really? Not once?"
Izzy shook his head. "Saving it for something special, I guess."
Silence filled the space between the two of you once again, but for once in your life, it was a comfortable silence. You looked out at the sea, but this time, you could feel Izzy's eyes on you. You attempted to discreetly glance his way, and you couldn't help but smile when you locked eyes. You looked away as you practically felt your cheeks burning and your stomach turning, and you hoped to the sea gods that you weren't falling ill. But these forlorn feelings felt honestly incredible, for once. A wave of confusion crashed over you, and it was growing more and more difficult to ignore.
"You alright?" Izzy inquired with genuine concern. This entire time, his eyes have not left you.
"What? Me?"
Izzy chuckled. "Who else?"
"Fine. Just fine."
"Just fine?"
"Do you believe in past lives?" you suddenly heard yourself ask, and already you were cursing yourself for it.
"Past lives?" Izzy repeated pensively. You nodded, looking over at him intently. It took him a moment to think of a response, and even still, he seemed unsure. "This sure as hell feels like the first time I'm living. Otherwise I probably wouldn't have made a lot of the decisions and mistakes I've made, I suppose."
You felt your heart sink, and it almost felt like there was no way to retrieve it. "I see. Well, goodnight."
Without letting Izzy have another word, you scurried back to your quarters, tears streaming down your cheeks like waterfalls.
⋆.ೃ࿔*:・
You awoke the next morning with a sharp pain in your chest. You winced as you forced yourself out of bed, though as you dressed, the feeling began to dissipate. You almost teared up again upon reminiscing last night. What were you thinking, asking something like that of Israel Hands? Where did that even come from? Why did his answer hurt so terribly? A million thoughts swarmed around in your head like flies, and there wasn't much you could do to swat them away. You felt like holing yourself up in your room but you knew that with Stede as one of the captains, this wasn't much of an option. After hovering your hand above the doorknob for what seemed like ages, you finally twisted it, revealing yourself to the crew. Already, everyone seemed to be intertwined in their usual antics and fuckeries--it would have been fun and refreshing to see if not for the somber mood you were in. Lucius waved you over, and you seriously thought of walking right past him, but he was your dear friend, like a brother to you and you wouldn't have forgiven yourself if you dismissed him. You trudged over to him, and he immediately recognized your gloom.
"Well good morning, mopey," Lucius teased, nudging you in the shoulder.
"Not today, Luci," you mumbled. "Not today."
Lucius' smile dropped, though he raised a brow. "Talk to me. Who do I need to punch?"
"No one. I'm just having a bad day."
"You are such a bad liar."
"I just don't wanna talk about it," you grumbled. Lucius was at a loss for words, but thankfully you knew just what to say. "The sky was lovely last night. If only you'd been awake to sketch it. You're the only one who would have done it any justice."
"Maybe I'll have another chance tonight," Lucius said hopefully.
"Maybe you will," you breathed out as suddenly, none other than Izzy himself appeared onto the deck. You gulped and turned away from him immediately.
"Whoa, whoa. What's going on with you and Iz—“
"—I don't wanna talk about it," you almost seethed. Before you knew it, a finger tapped your shoulder. You swiveled around, fighting the tears in your eyes.
"Got a minute?"
"Not exactly."
"What better do you have to do?" Izzy demanded. Your jaw dropped, and you were waiting for your thoughts to catch up with your mouth but they never did. "That's what I thought. Come on, Y/N."
"Later, okay? Not right now. Tonight," you promised. "That's my best offer."
"I'll hold you to it."
You immediately realized the mistake you had made, and how difficult and miraculous it would be to get through this entire day before possibly knowing what Izzy wanted from you.
⋆.ೃ࿔*:・
The shadow of the moon was present once again, and for once, you dreaded the wonders of nighttime. It felt perilous and peculiar now, like a friend you didn't quite recognize anymore. But, a promise was a promise, you'd be damned if you broke one, let alone this one. As frustrated and almost devastated as you were, you'd never allow yourself to break a promise to Izzy. You pulled your favorite capelet over your shoulders and started toward the deck to find Izzy already waiting in your usual spot. You hadn't realized it until now, but this really was your and Izzy's spot. It's where you wiped away his tears when he cried in front of you the first time, it's where he sat with you countless times when you couldn't sleep, it's where the two of you conversed until dawn frequently. Always this spot. It took everything in you to fight off a pang of joy upon experiencing such an epiphany. Izzy didn't notice that you had appeared beside him until you looked over at him finally.
"Are you alright? You seemed a bit...I don't know. Not yourself this morning, and last night."
"I'm fine," you shrugged, knowing Izzy would see right through you like you were a phantom.
"I don't buy that for a second," Izzy rolled his eyes. And with that, silence surrounded you both once again. It frustrated Izzy to no end that he couldn't figure out what was plaguing you. He always felt as if he was able to put a finger on whatever it was that bothered you, he prided himself on knowing you that well. The last thing he wanted was for you to become a stranger after all the two of you had endured together. The thought of losing you filled him with a sorrow he had never felt before.
"I'm sorry about what I asked you last night. About past lives and stuff," you suddenly said. Yet another moment where your mind and mouth weren't synced. You regretted saying this as soon as you began to speak, but you knew that once you did, there would be no stopping, no taking anything back.
"What was that all about, anyway?" Izzy implored. You almost scoffed at his tone but when you met eyes with him, you instantly realized that he genuinely wished to know. His eyes sort of twinkled when he was curious, and this was the first time you noticed such an endearing phenomenon.
"I just," you exhaled, pausing before you spoke again, this time choosing your words carefully. "Why'd you save me that day at Jackie's?"
Izzy was taken aback at such a question. "Isn't it obvious?"
"Not at all, actually," you laughed in annoyance, which was only a coping mechanism for the extreme anxiety you were undergoing in this moment.
"I honestly can't give you an answer you'd want," Izzy admitted. "I just felt...called to. I could tell it would be nice having you around here. I wanted to give you a place you could call home."
"So, wait, you care about me?" you inquired seriously, which only earned a chuckle of disbelief from him.
"Of course I do, dammit!"
"I don't know, Iz, I just...from the moment we met I felt this connection to you and I can't explain it. No matter how hard I could try, I won't be able to. I felt like I was meant to be around you."
"You think I didn't feel that way, too?"
"You did?" you asked, a glint of hope looming in your voice.
"Of course I did. And, I do. I can't explain it either. But I felt as if we were meant to be around each other, in each other's lives. I don't know," he rambled nervously. This was the first time you had seen Izzy like this. It was a side of him you weren't even sure he possessed until now.
"I guess I sort of caked that to the past life shit," you sighed. "And when you said you didn't believe in past lives, I freaked out and took that as you not caring about me and everything we've built just felt like a huge lie."
"Everything we've built," Izzy repeated.
"I'm so sorry," you laughed embarrassedly. "I don't know what I'm talking about."
"No," Izzy cut you off, putting his gloved finger to your lips. You could feel Izzy's breath on your face. "If I didn't care about you, I wouldn't have asked you to come with me. I had only known you for a few moments and I already knew you would be...important to me."
You were absolutely baffled. You opened your mouth to speak, and not a sound escaped it. Izzy took a step closer to you, slowly moving his hand to cup the right side of your face.
"And it helps that you are just...beautiful," he whispered as your foreheads touched. You could've sworn your heart was going a million miles a minute and that you would need some sort of village medic after this. As if it were instinct, your hand made its way into his carefully swept hair, and it felt like silk between your fingers. All of your worries suddenly melted away as you melted into one another, your lips brushing up against one another's. You nodded pleadingly, yes, you wanted this, followed by a nod from Izzy and finally, like puzzle pieces, your lips connected. It felt effortless and so, so right to share such closeness. Two becoming one, two souls merging to create a love bigger than either of you. A love that had been carefully crafted ever since the first day of meeting. A love that the both of you knew would inevitably take hold, because it always did in all the stories you devoured and then later went on to show to Izzy. A love that you had craved since you heard of the concept of it. A love that Izzy never thought he would attain in his lifetime.
You gasped happily for air, yet your foreheads still touched. Izzy gazed at you as if you were the only other person in the world and the most beautiful thing he had ever laid eyes upon.
"Perhaps I haven't had any past lives," Izzy breathed. "but I will have love for you in all my next."
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Thinking about how far Ed has come in s2e6 - when he immediately goes to check on Stede after Stede kills Ned, and Izzy tells him not to, Ed doesn't listen.
In s1, when Izzy tells him what he's supposed to do, Ed often folds. There are exceptions, times when he feels in control of the situation and like he can push back (like how he ignores Izzy shouting at him in s1e4), but when the situation is rockier he usually caves. He barely even argues with Izzy pushing him to kill Stede in s1e6. You could argue that a big reason Ed doesn't invoke the Act of Grace sooner in s1e9 is because Izzy is all up in his face trying to make him believe that letting Stede die is the better option even though Ed is visibly panicked and upset.
And this time? Izzy's advice, on the surface, seems very kind and reasonable. "Give him a minute, first kill's always a mindfuck." Izzy is actually being empathetic here, but it's still a very definitive suggestion, like he doesn't expect Ed to disagree with him.
But Ed knows Stede better than anyone, and he's able to actually trust his judgment call here. Izzy has grown by now, and isn't constantly pressuring Ed with the implication that Izzy always knows best, but it's still a big change that Ed doesn't pay his suggestion much mind. He doesn't falter. He knows what Stede needs, and he doesn't allow any argument. "I'm going to go talk to him."
And he's right! They'd been trying to take it slow and neither of them were probably expecting to have sex so soon, but in the moment it was a great way for Ed to communicate his love and support. They both, by all appearances, had a lovely time - the morning after is the first time Ed decides he's officially done with Blackbeard. It was good for both of them. Ed's judgment call was right.
Ed still has so much healing to do. But this moment showed that he was confident both in his read of what Stede needs in a stressful moment and in his own ability to offer that comfort and support. He's getting so much better at not second-guessing himself when someone pushes back on his judgment.
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beelzeballing · 6 months
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i hate the argument that izzy had to die so ed could leave blackbeard behind so fucking much. what, so ed gets to outlive blackbeard but izzy doesnt? izzy has to fucking die so they can symbolically kill blackbeard and the 'old piracy' when he himself had grown enough as a person to begin to leave them behind? to encourage ed to leave it behind? to deliver 'new piracy's', fuck, the SHOW'S goddamn thesis statement in the finale?
im so mad i really really am. its so dumb. its such a stupid ending i cannot wrap my head around it.
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lawsofchaos1 · 11 months
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Malec Prompt-let: Nameless Nephilim
What if nephilim aren’t given names when they’re born? Shadowhunters are an incredibly communal society- all glory is to your family and your people, not to you, and so the idea of names is considered too individualistic. Instead, children are given a Line Name and a Blessing Name, a title. 
For example, Alexander means ‘Protector of Men,’ a suitable title for the first-born son of an Old line, while Isabelle is ‘Pledged to God,’ typical for a daughter, and Jonathan is ‘Gift of God’.
(It’s also telling that Maryse and Robert’s Blessing Name for Alec is one of the few options that isn’t a thanksgiving or a description of devotion to the Angel - it’s a task. It’s a statement that he was born for and lives for a single purpose - that he is only made worthy in the eyes of his Line through accomplishing his title, not through simply being.)
Young nephilim often play with shortening their names as a way to differentiate themselves and make something approaching a name, but you cannot truly name yourself.
(It’s even considered slightly rebellious that Alec, Izzy, and Jace are fully grown and still go by their short-names, Jace particularly so given that it’s so different from his Blessing Name.)
Izzy and Jace have quietly been given personal names over the years- ones used only by the closest of loved ones. Alec uses their True Names occasionally, but only in the most personal and private of times. (Neither Robert nor Maryse know their children’s True Names.)
Alec, however, has never been given a true name. He never lets on how much it hurts that both his siblings think nothing of commenting on how much Alec’s Blessing Name fits him, how much he lives to uphold his mandate. 
Alec, however, just wants a name that’s his, something that tells him he’s worthy of existing for himself and not just in relation to what he does for others. 
When Alec meets Magnus, it’s the first time he’s ever heard his Blessing Name in full and not loathed the sound of it. When ‘Alexander’ rolls off Magnus’ tongue, it feels like a Blessing and not a a command that has shaped his entire life, for better or for worse.
Magnus has no idea of this custom of the nephilim, however, until one night after a visit from Maryse, when the stress and the pain and everything just get to be too much and Alec breaks, unexpectedly snapping to not call him that when Magnus pulls him against his chest to murmur ‘Alexander ‘ into his hair.
Magnus freezes, hesitant, and Alec can’t bare to let Magnus think he’s done something wrong, but he also can’t bare to see Magnus’ face when he tells him that he doesn’t even have a name, so he keeps his head buried in the cool silk of Magnus’ shirt as he haltingly explains the concept of Blessing Names to his boyfriend.
Later that night, tears dried and emotionally spent, Alec and Magnus are curled up together in Magnus’ sheets when Magnus whispers a name, a true blessing into Alec’s hair.
Beloved.
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exuberantocean · 7 months
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I want to talk about responsibility in Our Flag Means Death. And I want to talk about it specifically after watching Stede blame himself for Ed's actions and I want to talk about it after watching a number of people in fandom blaming Izzy for Ed's actions.
Because they were Ed's actions. Ed absolutely did those things. No one forced him to attempt to kill Lucius. No one forced him to strand half the crew or torture Izzy or drive the boat into that storm. These are things Ed did of his own free will.
I hope, I really hope that people understand that ultimately the one responsible for Ed's actions is, well, Ed. Because he was the one to do them. Was his mental health good at the time? Ha, God no. But while that certainly makes it easier to understand his actions, it doesn't excuse them and it doesn't make them right. They are still his actions, his responsibility.
Did Stede's failure to show up at the end of season 1 cause Ed's mental state? Look, it was crushing (for both of them in different ways really). But look, Ed could have assumed something happened to Stede (which really, something did happen to Stede) rather than leap to the conclusion that Stede rejected him. And even given that, most people who break up with or are rejected by a loved one don't do *vague handwave at the first 3 episodes of season 2* ...all that.
There's nothing wrong with Ed feeling rejected and sad. There's a hell of a lot wrong with his actions.
Did Izzy's words and actions cause Ed's mental state? Well, obviously they didn't help. If I recall correctly, Izzy's made some sort of comment to Stede about ruining Blackbeard which surely contibuted to Stede's mental state and his actions at the end of s1 but, you know, Stede's a grown man and his actions are his own. Similarly, Izzy's taunts to Ed at the end of s1 come from a place where Izzy had a specific idea of how Ed was that was, well, perhaps not as wrong as some fans would like to think, but certainly incomplete, lacking, perhaps even misunderstood.
Perhaps misunderstood works best. Izzy knows the confidence that Blackbeard has always seemed to hold, the command, the compacity for violence, but he lacks the understanding of who Ed is. It's understandable that Izzy would want that back (I mean, I hate to break it to you, but they're pirates, the violence thing is part of all that). But, you know, I don't think Izzy's ever been a character motivated by just a desire to fuck things up. He's no Iago. Izzy clearly loves Blackbeard and that's perhaps his greatest flaw. He loves Blackbeard so much, but doesn't understand Ed at all.* ** Regardless of Izzy's motivations, he does play a significant role in escalating the situation. He words contribute to both Stede and Ed's turmoil. I'm not saying he has zero accountability here.
But.
Ed always had a choice one what to do, how to react. His actions remain his own. He could have ignored him, or tried to get over Stede or had Izzy tossed off the ship or any number of things. Instead, Ed chose to do what he did.
More importantly, by denying or ignoring Ed's own capability for his own actions, I feel like it overlooks what I see as the most powerful potential storyline in the show (obviously, I have no clue if they'll actually go this way, but I hope they do).
Ed, the man who feels unlovable has done horrible things. And, just maybe, he can still be loved. (Oh let's face it, we know he will be - he is already by Stede.) I don't even mean just by Stede (I mean, let's face it, Stede's likely to continue blaming himself for this), but by the crew he so badly treated. It will be interesting to see how things move forward. Regardless, I can't wait to see what happens next.
Who hasn't done horrible things? I mean, hopefully not at Ed levels of horrible. But God, what a lesson to be learned, to be loved even after your worst. One of the reason I think we humans are so compelled to create and follow stories is that we learn so well through them. How many of us out there feel unlovable, unloved, as deeply as Ed? How many of us are drowning in our misery, pulled down by weight of our own trauma, or our wrongdoings or perceived wrongdoings?
And how many of us are just as wrong as Ed was? Not because we aren't capable of bad-because new alert-we all are, but because we aren't defined by that and because we aren't destined to be defined by our darkest moments. And because humanity is even more defined by it's compacity to love and forgive than it is for our compacity to hurt and destroy.
Because I want to watch both that boat and it's co-captain rebuilt together.
*This is, perhaps, why Ed could never love Izzy. Because all Izzy saw was Blackbeard and Ed needed someone to love Ed - someone he could be Ed with and that be okay. Perhaps things will shift between Ed and Izzy after this...I mean, things must shift between the two after this, but perhaps Izzy will finally start seeing Ed? Who knows.
I also think Izzy's work at protecting the crew and his attempt to fix the situation (woefully too late) is worth something).
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The more I think about it, the more I do wonder if some of the source of the more problematic ships/fan headcanons surrounding Izzy is based in the concept of love/sex as a reward for service or suffering. (Note: I am not at all saying that what follows is 100% correct - mostly just proposing a hypothesis. I'm riffing on @naranjapetrificada's post here, but I didn't want to go off on a treatise on someone else's post that wasn't even directly about this.)
Izzy’s world is upended with Stede’s appearance. He goes from being the trusted second in command to Blackbeard to being thrown off the ship (by his own making, already). All of his suffering (in his own mind) can be traced back to Stede and consequently Stede and Ed’s relationship. The narrative forms him as an antagonist not just to Stede but to the narrative's central concern, the entire reason for telling the story: the Stede/Ed relationship. He is the opposition of the healthy, happy, queer couple, and at each turn, he suffers for it.
In Season 2, his suffering is compounded to the point that he loses his leg in a really traumatic way, at the hands of a man he claims (in the same episode) to love. This leads into his being offered grace by the crew and the start of some shedding of his toxic masculinity (which has been the real enemy all along). And this is where I hypothesize that some fans start shaping him into someone who is now deserving of a reward. Izzy has changed! He’s grown! He’s doing better! Doesn't he *deserve* a reward for that?!
One of the forms that this reward must take is love/sex - and since the focal point of the entire show, as well as the causes of Izzy’s suffering, are Ed and Stede (the happy queer relationship) then his reward must be one or the other, or both. Having suffered and having come to better terms with his gender and sexual identity, he deserves the reward of romantic love and/or sex.
This is all, of course, not right, and the show never even hints that love or sex should be treated as a reward. Neither Ed nor Stede show any desire to provide Izzy with this reward (and honestly, I don’t think that Izzy the character expects that either, even if his fans might). But I do think that some of the anger and some of the “fix-it” mentality of the fandom subsection comes from the fact that Izzy’s character growth is not rewarded by romantic love or sex. (This ignores as well that he does find love in other ways, via his friendship with the crew, but this is also not typed as something he DESERVES or is rewarded for his good behavior.)
Stede in particular, I think, becomes a focus of the combined fan ire and desire because (in their minds) he was the original catalyst for Izzy’s suffering, he has obtained the reward of Ed’s love (thereby depriving Izzy of it), and he can be fitted for the enemies to lovers arc (plus he’s white and there’s undoubtedly racism at play here, as many have discussed). This might even be extended to Ed's love for Stede: that Ed was in some way rewarded for becoming better, that Stede's love healed him and therefore Izzy—who is so much more deserving, right?!—should also be offered that love.
Again, this is all based in toxic, erroneous assumptions both about the characters, about the show, and about love and sex, but all those assumptions have been made by stories in the past and are baked into a lot of mainstream culture.
The "fix-it" nature of ships like Stizzy and Steddyhands come down to some fans believing Izzy is not being granted his just rewards for his suffering and character growth in the form of love and sex specifically from the lead couple who have caused his suffering.
At least, that's what I think is going on.
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camillescreations · 7 months
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I just need to talk about how much I adore Stede, especially in these new episodes. Yes, he's made mistakes, yes he's flawed, yes he can be a total bitch. But he's, in my eyes, just a really kind and sweet man, who's doing his best. Some of the things he's done have been undesirable, sure, but he is a traumatized and deeply insecure person who is just trying to find his place in the world. He's just trying to find something that makes him happy, that makes him feel fulfilled. Isn't that all anyone is after?
And then he finds that place on his ship with his crew. And Ed finds him and he falls in love for the first time. He meets someone he can share his life with. Someone he can laugh with, that loves him unconditionally and actually openly cares about his silly model ship and two chandeliers and his secret rooms. And that's all he wanted, really, on top of feeling like he belongs. And then he leaves because he feels like that was all in his head, that Ed couldnt possibly be happier with him around. The growth really starts to happen when he resolves the complicated family situation he created and sets out to find the love of his life. He spends the first episodes talking about finding Ed nonstop, taking whatever awful situations he was forced to be in if it meant it would bring him closer to reuniting with him.
Stede has grown so much since last season. He gives Lucius pretty solid advice all while admitting how much he messed up, and he always tries to keep a positive attitude for his crew (family), because he knows their situation sucks and he's trying to make the best of it. Because that's what Stede does, he hopes. And then he FINALLY gets back to the Revenge, only to find it in absolute ruins. His baby is destroyed, and he knows, deep down, who did it. And we know that hurts him. But that doesn't stop him from welcoming Blackbeard's group back with a smile on his face, asking for them to give him a straight answer as to where Ed is, because that's all he's thought about for months.
And then he sees the truth: Ed has been killed by his crew. Ed's body is there, clear as day, hidden away in the bowels of the Revenge. They lied to him. They killed his love, his reason for going back to sea, the person who has consumed his every waking thought, who has been in his dreams every night. Ed is gone; it was all for nothing.
But Stede doesn't scream. He doesn't shut down. He doesn't resort to violence or retaliation against his crew. Even when Izzy directly confronts him, he still doesn't take the bait. No, once he is shown the truth and realizes that there's no more talking it through with Zheng, that his crew will be killed unless something is done, this beautiful man sucks it up and formulates a very solid plan of escape. And he does it on his own!
Even though he knows that he's escaping to the Revenge, his home that won't feel like home anymore because Ed isn't there, he does it anyway, to keep the people he loves safe. Even Izzy, whom he absolutely loathes at this point in time. Stede never let his love for Edward or his grief overtake his love for his crew and his desire to get back the family he once had, all back on his beloved ship.
And it's only after they were all safe that he let himself grieve, going to visit Ed's body and lamenting about how he thinks he messed everything up. And it's such a beautiful moment when he grabs Ed's hand and realizes that his love isn't gone, that he still has hope. Ugh the man is just so wonderful.
I'm so excited to see how Stede grows as a person and a leader this season. He's already shown great strides in his character development. And Rhys Darby's acting is phenomenal. I loved every moment he was on screen. Especially when Stede was in anguish, and his more serious moments. I can't wait to see what the season has in store for my favorite guy!!!
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