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#its not like the anime tells 'its okay to be weak' because no one actually tells her that (some charas get annoyed even)
headspace-hotel · 4 months
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okay. so.
i'm reading this book The Origins of the Modern World by Robert Marks
and even from the beginning i was getting this weird feeling from it. I'm always really wary of books that are broad overviews of history that claim to explore big theory-of-everything explanations for very broad phenomena, because history is unbelievably complex and there is so much disagreement between historians about everything.
But anyway I come to this section (in the first chapter)
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This writer's opinion is that the Americas seemed so abundant when English settlers first arrived because the Native Americans had been mostly killed, and as a result, the wildlife increased greatly in numbers and forests overtook the farms, creating what appeared to be a natural paradise.
I'm immediately suspicious of this paragraph because arguing that the mass death of Native Americans was good for nature seems really contradictory to the research I've explored, on top of being just...disgusting.
But it doesn't sound right in regards to how ecosystems work either. If populations of animals had recently exploded after millennia of being limited by a major predator, it would cause the plants to be overwhelmed by the herbivore populations. The land would be stripped barren and eroded, and soon the animals would be weak and starving.
So I thought to myself, huh, a citation. I will look at the citation and see what it says.
It's a book called Changes in the Land by William Cronon, who seems to be one of the most important and respected guys in his field. I thought, I have to find this book. So I did, I found the book, and spent like an hour reading through it.
And what I discovered, is that Cronon's book directly contradicts what Marks says in the paragraph that cites Cronon?!
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So basically this entire book, Changes in the Land, is a detailed exploration of how the arrival of English settlers, the decline of Native American populations, and the slow transition to European farming and land use practices caused increasing degradation to the ecosystem, beginning very early on in colonization.
Changes in the Land quotes a great array of documents from the colonial period where settlers observed the soil becoming depleted, animals disappearing, and the climate itself becoming more hostile even in the 1600's. It's actually a really fascinating book.
Cronon tells us that Native Americans created lush and abundant conditions for wild animals by causing a "mosaic" of habitats, with different areas representing various stages of ecological succession. With this great diversity in habitats, and lots of transitional "edges" between them, the prosperity of the animal life was maximized. This was intentional, and really a type of farming.
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The book essentially explains how European settlers couldn't recognize Native American life ways as "agriculture," they thought the land was just supernaturally abundant all by itself because of its inherent nature, and yet almost immediately after settlers came, the abundance of the land degraded and vanished. The settlers cut down vast amounts of trees, which caused erosion, which destroyed the river and stream ecosystems and starved the soil of nutrients. Destruction of forest caused less rain, and more extreme temperatures. It became a vicious cycle where the settlers had to abuse the land more and more just to survive.
The spiral pulled in Native American communities too, forcing them to turn to more exploitative means of survival like the fur trade, (which depleted the beaver population, which caused the decline of beaver ponds, which harmed the whole forest). It describes how the changing ecosystems left Native Americans with no choice but to turn to European practices for survival, which in turn depleted the land even further.
Even I was surprised to learn just how early on environmental disaster set in, and the incredible extent of it. English farming practices literally reshaped the map of New Haven between the 17th and 18th centuries:
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To return to Marks, though...Marks' statement in the excerpt, where he says the "abundance" of animals continued throughout the 19th century, is blatantly false according to the source HE CITES.
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Deer were becoming scarce in New England by the 1690's. It was so bad by 1718 that deer hunting was forbidden for 3 years at that time, and by 1800, deer were almost extirpated from New England. The book explains on another page that wild turkeys became so rare that a farmer's manual from the time said their domesticated turkeys were from Turkey—settlers had no opportunity to see a wild turkey and no idea they existed.
Marks is supporting his statement using a source entirely dedicated to contradicting the exact thing he's saying! It's unbelievable.
How does this happen? Did Marks just have his own opinion and insert a famous book that seemed to be on the subject as support, without reading it?
I'm thinking now of all the times I've read a book and seen a citation on a statement and unconsciously thought "oh, well it seems there is evidence, so it must be reliable" when actually, something like this was happening. The array of ways misinformation can be propagated and never be found out is terrifying.
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faelapis · 6 months
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alright! we got one whole person interested, so here's my hot take:
the first "how to train your dragon" movie is WAY better than httyd 2.
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i know everyone loves like, the cool warrior mom design, the romance and the "epic animation moments" in 2... but can we for a moment be honest and say the whole "hiccup becoming a leader / which dragon is the Good Alpha" plot was dumb as hell? also, the villain sucked?
the original httyd is pretty good about keeping the structural problem grounded in real societal fears. namely, fear of the unknown and of beasts. it makes sense for any ol' village dealing with such a problem. it was intelligently designed around a solid premise.
httyd 2 is like. actually, dragon taming is a big thing, even outside berk. and theres a Scary Foreign Man dragon tamer who is bad and just wants power. it's okay to other him. being a good guy is about being a protector instead of an evil, power-hungry guy... which hiccup never was anyway... so no real growth there. just be good instead of bad. wow. what a theme. very thought-provoking.
people act like httyd 3 being bad came out of nowhere, but httyd 2 was the original sin to me. it totally dropped the societal themes in favor of generic good vs evil fights and "worldbuilding" - despite having no more interesting stories to tell.
it also kind of ruined hiccup for the sake of developing him. like. his whole thing is that he can't fight, so he has to find other ways to contribute to society. he's the anti-macho hero. which ends up being important in convincing the village that dragons can be peaceful. he's empathetic to the other, because he's been othered.
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meanwhile in httyd 2, hiccup's like. Cool Warrior Man, who needs to step up and be the hero king when his dad dies. he can fight just fine, because he has a cool dragon to fight with. so he's just like any warrior, but one who fights with weapons instead of brute strength. aka most fictional warriors who arent just "the heavy."
the first movie isn't beyond criticism, obviously. the animation was a little meh compared to httyd 2 - i get why visually its seen as an upgrade. plus, httyd 1 also did the thing of having like a last minute evil dragon to defeat... but that wasn't the point. the POINT was the village and its fears. the POINT was overcoming that.
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whenever people list why they love httyd 2 and consider it superior, its like... lists of details. like, look at the upgraded character designs, the cool flying scenes, the affection between hiccup and astrid, or the clever way hiccup's prosthetic leg is designed.
but these are film *details*, not fundamentals.
if you told me the sequel to httyd was going to have a much more generic story, ignore the themes of the original and makes its deliberately lanky and weak protagonist into Handsome Hero Warrior Boy, i'd be like. that sounds kinda bad. but the Animation Details (tm) i guessssss
i know hiccup is still "himself" in 2 to some extent, btw. he's an inventor, he's intelligent, and he initially tries to talk to the villain. but none of that ends up mattering. its arguably looked down on by the movie, which really, really wants him to step up to be the warrior king like his dad. aka a generic Hero Strongman.
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i'm not totally against evolving the themes of a work to fit new conflicts, btw. sequels should generally be different from the first movie. that's fine. that's expected.
but while the new conflict in httyd 2 IS born out of the results of the previous movie, that evolution feels very literal, not thematic.
namely, the evolution is "more people have dragons now." it builds the conflict from there. its based on worldbuilding, not on theme.
i don't think a very interesting evolution.
it kinda went from, in httyd 1: "the theme is fear of the unknown. how prejudice/ignorance manifests, educating oneself through compassion, the dangers of worshipping violent masculinity, and the importance of questioning what you're taught by society."
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to, in httyd 2: "the theme is dragons. who has them? what they want with them? how can the Good Guy humans protect dragons from the Bad Guys? also, being a Good Leader means being a strong Hero Man who protects his friends," without asking any deeper questions related to the themes of the first movie.
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and i'm like. guys. guys.
the theme shouldn't just be "dragons."
the theme of the first movie was NOT just "dragons." the first movie could've been about people being afraid of unicorns. or large birds. or unusually intelligent bears. it was not just about literal dragons, it was about societal fears and trying to overcome our base gut instincts.
i think this is what really plagues httyd 3: it builds on the themes of the second movie, not the first.
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httyd 3 asks further questions that only really revolve around the literal relationship between humans and dragons. it does not understand any broader themes of what that relationship represents.
it clearly thinks its very intelligent for asking "what do the dragons themselves want?", but that question is not respected enough to be explored in any thematically coherent way.
the only real weight its given is the argument that there will always be "bad humans" out there, and so, dragons are safer in the wild. which sure is... an argument. but its a very "othering the problem" kind of argument.
it acts like its caring about the agency of dragons, but its not really. dragons were not actually portrayed as "oppressed" in berk society after the first movie, nor lacking agency. they were only at risk of "bad individuals", to which that solution is stupid. the racialized bad guy in httyd 2 didn't steal all his dragons from berk. he caught and subjugated them, mostly from the wild.
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all while looking like... this, by the way. i feel like we don't talk about that enough. all the good guys are white nordics, while the only man of color is scary, domineering and cruel. in a series of movies that was once about having empathy for the other.
MAYBE if berk had been really oppressive towards dragons in httyd 2, we could've had a theme. maybe if they treated them like a dangerous commodity that must be tightly controlled despite their nominal acceptance and inclusion, we could've had a thematically tight 3-movie arc about like fear and oppression or whatever.
but that would require, yknow... making the movies be about broad societal problems, instead of just evil individuals. and only the first movie cares about making any real societal critique.
also, the solution in httyd 3 would've still sucked. these movies, in terms of writing, really decrease in maturity from 1, down to 2, to the plummeting depths of 3.
there is no relationship of oppression that is solved by completely segregating society and going our separate ways (httyd 3). just like there is no oppression that is solved just by defeating bad individuals (httyd 2). we have to learn to coexist as equals, to educate ourselves and be compassionate to the other. even if we're afraid.
that's the dream only the first movie kept in its heart.
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centrally-unplanned · 11 days
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As far as I can tell, Frieren is done. What's the final verdict?
6/10 I would say?
Like its good at what its want to be, and I am a peaks over consistency guy. I think its the best-looking anime of the season, Frieren is a solid character with a strong dynamic with Fern+, you watch it and you care about her because its core conceit of playing with time and the attachments that transcend it is a good hook. Also Sein is a goat, should've kept him around.
It just lacks a story worthy of all that. As I mentioned before it essentially should just be an OVA, it has about ~6 episodes of plot in actuality. But its not 1991 so they stretch that out and add a ton of padding instead. They could have made it a slice of life thing where there is no plot intentionally and I think that could have really worked with its tone and lush worldbuilding? But they chose shounen battle academy arcs (worst) and demon army battles (those are okay but wear out their welcome, the demons are boring) instead.
I think I wouldn't recommend it to a non "srs anime" or genre fan. Like most people *don't* want the tradeoff of "intricate animation & layouts but weak story" right? They don't really value the first part that much. But if its your genre, if you are an anime head, hell if you wanna fuck one of the main cast or w/e, then yeah, its good enough to justify watching it if you want a fix of your go-to. Otherwise I think one would be disappointed and feel like they wasted their time.
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apologies if you’ve already answered this/made something about it canon already but i was wondering if angel can like use her powers on demonrry to calm him down/make him feel better when he’s upset? if that makes any sense at all, i just always thought that would be so sweet if when he’s having a particularly stressful day that couldn’t be helped by just talking it out if she could just like *mwah* his forehead and oop- all better!
omg I’ve actually never thought of this before hello???
but now that you’ve mentioned it, I feel like she’d absolutely do it!! She can use her powers to heal physical pain/wounds, so she’d get curious to see if it could work on a deeper level, as well.
And you know when it would come up?? Whenever he has one of his nightmares 🥲 can you imagine??
She’d lay her palm against the scars on his heaving chest while talking to him in a gentle, hushed tone, reassuring him that it was just a dream and that he’s safe and nothing is going to hurt him.
He’s looking at her with large, wild eyes, like a cornered animal desperately trying to find an escape route. His gaze is fractured and scared; he can’t discern reality from what isn’t, and he's fighting the primal urge to run away— to cower and hide, craving solitude in order to lick his wounds on his own terms. He hates letting her see him in this state— so weak and vulnerable, so vastly different from his usual confident, strong, nonchalant demeanor.
This isn't the person she fell in love; it's a broken shell of someone he used to be, and he'd always promised himself no one would ever witness it but him. It's a part of his life he worked so hard to lock away, and the fact that something as simple as a flashback can revert him back to such a fragile, feeble condition is beyond humiliating.
Harry survived decades of torture, years of rigorous training, and centuries of isolation, yet a mere memory has the ability to incapacitate him completely. It's degrading, and it makes him a sorry excuse for a demon.
Y/N manages to yank him out of his dark thoughts, as she typically does. Her hand suddenly starts glowing against his stuttering chest, the tips of her fingers dancing with golden rays of light. He flinches away on impulse, the brightness overwhelming his dilated pupils and cloudy sight.
“It's okay.” She murmurs, her voice soothing and delicate, yet firm. “You're alright, H. Just relax.”
The buttery light from her palm begins to spread through the veins under his skin, pulsing within his blood as it webs up his neck and across his taut shoulders. The magic untangles the tension from his muscles, causing his rigid spine to soften like clay. His breathing levels out and the shadows in his brain start to thin. His entire body gradually fills with a sense of comfort and tranquility, steeling his frayed nerves and calming his frenzied instincts.
Harry can tell ​she’s lending him some of her celestial strength, similar to how she does whenever she heals a cut or mends a broken bone. It's the same sensation of peace and compassion— a certain mellow heat in his limbs that radiates down to the marrow in his bones, evaporating any pain in its wake until it’s all gone.
Any corporeal afflictions Harry endures usually subside fast enough on their own— enhanced healing is part of his own powers, as well, though sometimes she’ll help speed it along for her own peace of mind. It’s easy, since he’s already mending himself, so supplying some extra care takes hardly any effort at all.
But when it comes to his dreams, it’s a very different story. This form of restoration is something much deeper; it takes more out of her, considering the damage runs through his soul, and it demands a heavier toll on the person providing the aid.
Regardless, Y/N always insists on helping because she knows this type of wound is one he can’t fix on his own. Harry’s healing only cures surface-level problems, whereas his girlfriend’s extends further and has the aptitude to ease emotional and mental distress. But by doing so, she takes on that distress herself— she absorbs it into her body and exchanges her vitality in return.
This means that during the process, she feels whatever he’s feeling— his bitterness, his fear, his agony, all of it. It’s one of the fundamental laws of the universe, human, demon, and angel alike: energy doesn’t just disappear, it has to be traded off. It can only be transferred, not destroyed. Therefore, she bargains her fortitude and takes his pain as a result.
Y/N claims it doesn’t hurt as much as he assumes; that it only lasts for a minute, until he manages to get his bearings, and then it fades away as everything balances out. Nevertheless, that doesn’t excuse the fact that whenever she does it, Harry is essentially allowing her to shoulder all of his baggage until he gets his mind under control. And no matter what she says, she doesn’t hide it as well as she thinks she does; he can see her grinding her teeth through a clenched jaw, fighting off an anguished grimace as she blinks back tears from her glowing eyes.
It only adds another layer of loathing towards his nightmares, because it means his girlfriend has to deal with his issues just because he can’t deal with them himself. He’s allowing her to hurt herself for his sake.
But despite Harry’s countless protests, Y/N never hesitates when the moment comes, and he’s always too indisposed to stop her. She's stubborn that way, and though it worries him to death to let her carry his burdens, he can't deny how much he appreciates the relief that comes with the gesture. It feels like being released from a lead strait jacket, to where he can finally move and breathe and actually think again, instead of being frozen in some horrible loop.
So instead of resenting it or drowning in guilt, he’s tried to learn to accept it for what it is— a gift. A token of their relationship. No one has ever forfeited their strength in his interest, much less an angel, and even less an angel who happens to be in love with him.
“It is what it is.” She’ll reason after it’s all over, giving him a tender smile as they lay in bed with his head cradled against her chest, arms and legs intertwined. “It’s an angel thing; I was raised to sacrifice myself for the greater good. To me, the ‘greater good’ is helping you with your nightmares. I’m never going to just sit by and watch you suffer, whether you like it or not. Not when I can stop it.”
“I just don’t want you to put yourself through that.” He mumbles lowly, toying distractedly with the ends of her fingers, eventually letting his own sift between them. “You shouldn’t have to take my pain; I should be able to handle it myself.”
Y/N’s digits curl around his, squeezing his hand affectionately. Her voice comes out as a pleading whisper, her breath warm against the cold sweat that’s long dried across his forehead.
“When are you going to understand that you don’t have to anymore?”
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froggydoodles · 10 months
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My thoughts about the Ruby Gillman Teenage Kraken movie and the Chelsea controversy
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I have to remind you all before i start that my writing skills are very limited due to my weak English so in advance i apologize for any grammar errors in my sentence. I tried to explain things as much as i can while keeping my sentences simple. Also i had to use some major spoilers to make a clear explanation of some parts so if you haven't seen the movie yet don't read it.
Okay, first i start with the movie in general. The voice acting was perfect, everyone did their job flawlessly and bring these characters to life along with the beautiful animation. Its music choices were really good and fit the scenes, i liked them a lot. I really liked how simple yet cute the character designs in most of the characters, especially Ruby's design was so adorable. I liked the character interactions too, especially Ruby and Chelsea's parts were so fun to watch. I liked both the disguised and full Kraken looks of the characters. Chelsea's design was so beautiful, Dreamworks really made one of the best looking villains ever. The colors and animation were so beautiful, i'm honestly surprised how they pull something like this with such a small budget compared to other animated movies. I like how they left things open at the end to imply there are still more stories to tell such as facing other threats and expanding Ruby and Chelsea's complicated relationship. I can sincerely say that crew who worked on this film did their best. The movie story was quite simple but still fun to watch. Now for the things i'm gonna critique.
The writing of the film can get a bit generic and cliche at some times but it still makes up with its likable characters, animation, and voice acting. The movie felt a bit too fast at the beginning like things were happening too fast back to back without giving enough space to process but it eventually back to a normal speed and became more enjoyable. I wish we could get a bit more lore about past enemies of Krakens but i understand that it was an introduction for any possible sequel or series. I'd like to see at least more than one mermaid and how Chelsea would interact with them as their queen but it's okay. I can't really find anything else to critique, overall it was a pretty nice movie. Not over the top, simple yet fun.
My heart gives this movie 10/10
My logic gives this movie 8/10
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Now it's time to talk about the Ruby and Chelsea situation to clear things up cause i already see people talking and spreading misinformation about it. So, after watching the movie people thought there is a huge age gap between Ruby and Chelsea and the answer to that is technically yes but actually no, let me explain. First of all some people who watch the movie say Chelsea is at least old as Ruby's mom which is a piece of wrong information, they never revealed Chelsea's actual age in the movie. The second piece of wrong information is some people think Chelsea is a full shapeshifter like she could choose to look as young or old as she likes which is not true. During the movie we saw only two forms of her ( i say two forms because her small mermaid and human forms are almost the same except mermaid tail part), one small mermaid/human and one giant mermaid. Even after defeat, she went back to her old small mermaid form instead of a different one. After defeat everyone already knew who she is so there was no need to look like a teenager anymore but she still went back to her teenager look which shows that she can't change her looks randomly. She takes the look she originally has inside. The last piece of wrong information is thinking of Chelsea as an adult because she fought in a war with Ruby's mom. This is the tricky part that almost everyone misinterprets and i totally understand you all for it. I couldn't get it in my first watch and i was as confused as most of you all but after watching it two more times i gathered all the little details and understood everything. The biggest reason people mistake Chelsea for an adult is they think her age is like a human. She said herself that mermaid does not age well. She is almost like Mavis from Hotel Transylvania. Mavis was 118 years old canonically in first movie but her mental and physical age was 18. Same case here for Chelsea. No matter how old she is in numbers during the movie she was still mentally and physically a teenager. That also explains why Agatha and Grandmama couldn't defeat her now cause Agata and Grandmama got older in years while Chelsea remained to have her youth. Even after defeat and revealing who she really is and there was no need of acting anymore, Chelsea was still acting like a teenager further proving that it wasn't just an act and she is in fact a teenager in her mermaid years. Oh there is one more thing want to point out but this one is about Krakens. They do seem age similar to humans at some point but they most likely live a lot longer than humans does as Grandmama seem to be in all the past wars for ruling the ocean but still doesn't look extremely old. Also during the movie Uncle Brill once asked for permission to stay with Gillmans for 100 years which proves that Krakens does live a lot longer than humans since 100 years doesn't seem so much for them. Also in that logic, Ruby inevitably gonna outlive Connor so eventually, he'll look a lot older than Ruby. 
That's all i wanted to say, if you are still not convinced and still feel uncomfortable about seeing Ruby and Chelsea ship content i totally respect your decision but i need to ask you to block me so you don't have to see my future posts about them cause i'll be still drawing ship doodles of them. Thank you for taking the time to read my post, if you liked what you read please spread the word so more people can see it.
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ihni · 4 months
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My 2023 in fics
Tagged by @billyharringson, thank you, this was a lot of fun!
January: Hot and Cold (or How To Serve Revenge) - a fic I wrote in January (but posted in February, schhhh). Got challenged by @callieb to write hurt/no comfort, and I have it on good authority that I succeeded ... (it has spawned no less than two fix-its and one more continuation by other people so far, which I am awfully pleased about actually)
February: Again and again and again and again, a time loop fic that I love, and would like to read like 80K about. ... yes, read. I don't have time to write more on it now. But I had so much fun writing this, and it is one of my favorite kinds of fics; a short one with potential.
March: March was busy. There was Billy's Birthday Bonanza, and also I wrote for the Billy Hargrove Bingo. I posted a lot of fics then, most of them short. So I'm gonna link two, because I can (and no one told me any rules for this tagging game); Boys, Beards and Best Friends, because it was so much fun writing Billy and Heather being BFFs and also the boys being set up, and then Over the edge, which is one of my favorites, because it was so goddamn fun to write! (Murder mystery prank going wrong, muahahaaa! Don't worry though, no one dies for real.)
April: A piece of meaning on your skin, a little fic I wrote for the Harringrove Flip Reverse It event, about the boys choosing tattoos for each other as a part of a bet. I still think it's cute.
May: I like Flo, okay, and like to incorporate her into fics. In Patience, I wrote about her first impressions of Billy, for the Billy Hargrove Bingo.
June-July: Posted in June, finished posting in July (but written on and off over the course of several years previous ...), Taking Notes is my longest fanfic yet at about 93K. And, listen, I love it. It's a body swap fic, where the boys swap bodies. And then again. And again. Etc. I am so proud of this one, actually.
August: Posted Pal, which is 17K of Billy befriending a stray demodog. I 100% believe Billy would like animals better than most humans, and this fic is basically him being a bit dumb but also a good friend to Pal, the demodog. And then them going into protective mode for each other. I am soft for this one, still.
September: I'm picking a short one that I first posted on tumblr and then onto AO3; Seagulls. It's ... well, it's sad in a way, in that it takes place when Billy's dying at the mall, but it's also comforting in a way, because he gets to leave all that bullshit behind and is greeted by his mom again.
October: Picking Just another night at Motel 6 on Cornwallis, because Billy deserves to get to tell Karen no, and Karen deserves to be shamed for what she did (yes, in this fic she showed up). It was immensely satisfying to write.
November: I didn't get much posted in November (because NaNo), but I did get chapter 3 of Finding Billy posted (it's a finished fic now, though, don't worry). It's a whumpy fic I had to write after a couple of chats with friends, about Billy being held with the Lab people after the whole Starcourt thing, and then Steve and Max and Hop finding out and getting him out of there. Poor boy's been through a lot in this one - but things are getting better, promise!
December: Started posting Home is where the knitted mittens are, which is my latest fic. No ships, no romance. Just Billy finding out he's a werewolf and having to deal with that in Hawkins, Indiana, without much of a safety net. Listen, I'm weak for werewolf Billy, okay? And I made up some werewolf lore in this one which is a mix of all the things I like. (It was literally a reason for me to get to write something "nesting"-adjacent, without having to go into A/B/O-territory.) Definitely written mostly for myself, and I love it dearly. (Featuring werewolf!Scott Clarke too, because why not right??)
Huh, I never thought I'd had enough to fill a whole year's worth, but look at that! I'm proud of myself for this :)
Tagging @callieb (yes, individual chapters work!), @weird-an and @mikajupiterjonesingtimcurryfeet if you guys wanna do it as well :) (And YOU, reading this, if you wanna do it! Consider yourself tagged if you're reading this and think it looks fun - because it IS)
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purgemarchlockdown · 8 months
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What Animal Can Tell Us About Amane: The Purge March Remaster.
(CWs: Cults, Child Abuse) (Note: This is sort of a sequel to this post, you don't need to read it to understand this though as I reiterate and expand on the points I make there due to the new information Purge March provided.)
Purge March is out now and has added and recontextualized a lot of elements in Magic and Amane Momose's story as a whole! So let's talk about it in relation to Amane's cover of Animal!
Cats
As I said in my original post, Animal has a very consistent cat motif. It's present in both the original illustration and the lyrics itself.
When it comes to Cats they tend to be viewed as signs of good luck and protection in Japan. They're also well known as cute, if not a bit lazy, aloof, and mischievous, housepets. Cats are, generally speaking, very well-loved animals
This is not the cat Animal talks about. The cat in animal is wild. A cat so deprived of love that it will do anything to get a taste of it. However it's wild nature and unwillingness to hold back make it lose out of the love it so desperately craves due to the "danger" it presents.
Now, Animal is a very suggestive song, but I'd argue that's actually to it's benefit if were viewing it in context with Amane's story for reasons I'll get to later.
For know, let's talk about the cat that Amane is known for.
Unlike what most of us expected, the Cat in Magic IS an actual cat, and I wanna draw some attention to how Amane gets paralleled with it.
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Now Magic is it's own wild animal even before Purge March so we won't talk in great detail about these parallels, however it is important to note that in Purge March, the cat has a collar.
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Not only that but its sitting with a bunch of junk, old furniture, tires, and something that looks like a TV, another notable motif in Magic.
This cat was someone's pet, something that was supposed to be taken care of, and yet was abandoned. This cat is ultimately implied to have been killed because someone else took care of it. Since the mere idea of it being shown love and affection was apparently so bad for these people.
Not only that but the injuries shown on the cat in Magic are not the cat's injuries, there Amane's.
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Here's the injuries of the Cat in Magic, as you might of noticed the Cat in Purge March has a scratch on it's leg and is breathing well.
Amane is the one with bruises on her face and was shown hyperventilating due to being waterboarded.
It's both a very literal cat and a metaphor, Amane is portraying herself through the cat in Magic. While also downplaying her actually pain in Magic.
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But we'll get to that in a bit.
All this to say, Animal's cat motif fits very well into Amane's prestablished parallels with them.
Which means we can move onto:
Vulgarity
The 2nd rule of her cult is this:
’Tis ordained, thou shall discard vulgarity
It's the rule we see Amane mess up at the start, and is the only flag not shown flying in the anticipatory shots.
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Now the rule is pretty vague as we don't know what exactly is defined as vulgar, and that might be the point.
Amane, over the course of Milgram, has insisted, very hard, that she does not like frivolous things. That she is a very good girl who is strong in the face of temptations.
However a lot of things hint otherwise, for example a recurring line in Magic is her asking if it's alright to spoil herself.
Dear wise one, Am I worthy? Is it ok to spoil myself?
In the same song she asks if it's okay to be "weak" the weakness most likely being this Want for "vulgarity" (and also escaping pain but we will get to that in a moment.)
Dear wise one, Is this ok? Is it ok to be weak sometimes?
We also have her T1 Interrogation questions, where for Q5 someone asked about Amusement parks.
Q: When you go to an amusement park, what do you like to ride? A: That is a place I should not go to.
Not, "I haven't been to" or "I don't want to" but "I should not" implying a rule.
In same Interrogation we also get Q3 and Q17 which add even more information:
Q3:
Q: If you were allowed to do anything, what would you want to do? A: Nothing really. I am not lacking anything.
Q:17
Q: What would you do if the world ends tomorrow? If everything ends? A: Then, I might do all sorts of things I have never done before.
These seem contradictory at first, but it seems like the condition of the world ending that changes her answer. If the world is ending then the theoretical consequences of her actions aren't as severe. While Q3 doesn't state an ending, meaning that there is Always a risk of Punishment.
This is also very complementary with Q12
Q: What is the meaning of life? A: I think it is something you learn for the first time when you look behind yourself when it ends. I do not want to have regrets then, so I live on with all my might.
Amane doesn't Want to regret anything, so it make sense if she knows everything is going to end she'll do Everything She Wants.
We already know that she wants to eat cake due to this timeline interaction.
21/06/27
Shidou: Amane, I heard it was your birthday today. I asked Es-kun if we could get this cake to give to you…… Amane: I don’t need it. I’ll gratefully accept your well-wishes, but I don’t eat things like that. Also…… Shidou-san, I can’t say I’m especially fond of the way you assume that all children will love frivolous things like this. Shidou: ………… Is that so… I apologise. I’m sure everyone else will be happy to eat it, so don’t worry about it. Sorry for intruding. Amane: ………… ……cake……
Timeline also gives us Amane wanting to pet Jackalope but pretending she doesn't. Which might be because of this and also might be because of what happened to the cat.
But we also have Purge Marge and Magic's visual presentation, which put Amane in cute and pretty costumes with fun props.
Magic especially is very indulgent. With Amane getting a really cute Magical Girl-esqe outfit in it and it being presented like a low-budget kids TV program.
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Also, the TV found with the Cat in Purge March is possibly the same TV Amane was using at the end of it since Magic is full of Very Literal Metaphors. It's possible it was thrown out because of this presumed "vulgarity."
I could list examples for days but let's go back to Animal, as these concepts of vulgarity and acceptability is what makes Animal's suggestiveness an asset to it's storytelling. Animal Is a Vulgar Song, undeniably so.
The mask comes off and the beast comes out, I do it wild even if it’s ugly
It's the exact kind of song Amane would never in a million years be allowed to listen to! It might even be touted as an example of the sinfulness of the world, and that's why it works!
Amane is not a good girl, she admits it herself in Magic. She's someone who wants cute outfits and nice food and love and happiness and a bunch of other things as is Denied Them because Wanting in the first place is considered a sin.
Sin and Virtue
Sin and Virtue are a big part of Amane's story.
What is Virtuous?
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What is not?
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And what can be presented as sinful so you have an excuse to hurt someone?
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As a song, Animal also toys with these concepts.
You want me to bite you? Accelerating beat, let’s do both the good and bad
What is acceptable and what is not? The character singing talks a lot about how disobedient they are and how that's undesirable.
The mask comes off and the beast comes out, I do it wild even if it’s ugly I can’t do sit, I can’t even do stay, purr until I go
As said previously, Amane Momose is not a good girl. At least not by the standards of her cult. She is simply too sinful, she is not close enough to god. In a world that wants her to be a dog, she is a cat. She is a horrible sinful person in a righteous world.
She is a bad, bad girl who wants so many sinful things who also wants desperately to be good so she can be cherished and loved and Not Abused.
Even I can say "I'm sorry" Even I have hope I swear! I'm going to be a good girl now! That's it!
She's Treated as someone who is undesirable, treated as someone who is sinful. And as much as she Tries she's unable to change that.
After you cry, repent, and kneel, it’s now your turn to say that hopeless “I’m sorry”
Amane also cares A Lot about having a righteous reason to do things. Why wouldn't she if she's been treated as sinful for her entire life? She needs that approval from god, from her cult, from her parents because if not that means she's evil and sinful and something that should be punished.
She doesn't even call herself a good girl in Magic! She just says she can only become better.
I take an oath! I can only become a better girl!
Amane eliminated her mom because her mom wasn't able to reach her own standards and taught Amane that the appropriate reaction to that was violent punishment.
But she still wants her dad's approval.
Q12:
Q: Who do you want to meet right now? A: My father. I want him to praise me for working hard.
Amane really, really, wants to be saved from her own sinful, horrible self. Because, if you were raised to believe that you or your actions were sinful, having that behavior "corrected," thus "saving your soul." could be considered...love.
Amane's T2 Voice Drama:
Amane: I’m happy that I was born to my parents! It was a bit difficult, and it could feel restrictive sometimes, but I’m really happy that I could grow up on such beautiful teachings! I want to live this way!
The Conflation of Pain and Love.
One of my favorite lines in Animal is this one:
If I could even love pain, I would be so happy
The song gestures towards dissatisfaction and lack of love and care multiple times but it gets stated directly here. If only the singer could love pain, if only they could be okay with a low standard of love, maybe they could actually feel happy and fulfilled.
Let’s get lost in each other, plunge into the gate, high expectations of love is not allowed ---------------------- But it’s not scary at all, because it’s love I can really think it’s great. See isn’t it a great thing?
However, as said above, the concepts of sin and weakness and greed are also conflated with wanting and happiness.
If you can be a little greedy, I want to be happy ----------------------- Dear wise one, Is this ok? Is it ok to be weak sometimes?
We can draw the a connection here, wanting good things for yourself is showcasing greed, wanting to be happy is weakness. This is something that makes sense as her cult is stated to consider pain and suffering trails.
Amane: Both pain and illness are trials. According to our teachings, those who run from them are the worst evil there is. That’s one of the four great principles. No matter who you are, that cannot be forgiven.
This explains so much about Amane's worldview. This is why she keeps on asking if it's okay to be weak, if it's okay to spoil herself in Magic. She is constantly going through these "trials," and she can't get away since running away from them is considered a horrific evil.
Her attempts at self-comfort and coping are considered as a weakness, your supposed to just suck it up and deal with it. Having coping mechanisms to horrific inhuman situations is bad actually because it means your running away from god, apparently.
You could easily imagine a situation where Amane is punished for killing her mom, not because it's murder, but because she "escaped" from her trial of punishment and is thus "evil."
(I talk about this in relation of Amane's idealization of the Milgram system here if you want to check that out.)
Pain is Amane's Way to God, it's Amane's way to Salvation, a glimmer of hope for her horrible sinful self.
Even I can say "I'm sorry" Even I have hope I swear! I'm going to be a good girl now! That's it!
Pain is love, pain is their way of "fixing" Amane, pain is their way of "cleansing" Amane.
Except, as stated previously, it doesn't work, it never will! Amane can't be cleansed, can't be purified, no matter how much she tries to be a good girl she'll ultimately fall short.
Only if, only if, only if I could be a good girl I hope, I hope everyone can be happy and smile Forever, forever together would be a dream
Because as much as you can train a wild animal to be a pet, you cannot train a cat to be a dog.
Inability to Change
Amane is unable to change, not in the sense of unable to improve. Amane definitely can, cult survivors aren't unheard of.
Amane, is however, unable to change who She is.
Because, who can really? I'm autistic and masking even just a bit makes me feel physically weak after an hour or so. I doubt the 12 year old who wants happiness can pretend she's satisfied forever.
Amane is a person, she can't change that about herself, she just can't. The original sins of humankind sits inside her body festering like a disease. Amane is wrong for wanting close and stable connections. Amane is wrong for wanting to help someone. Amane is wrong for wanting things that would make her happy.
Amane is wrong because she's Amane Momose and she was always going to be wrong no matter what she did.
She can try her best to be the perfect animal, one able to follow every rule and command with perfect accuracy. One able to lobotomize themselves and strip away everything they made them, them.
But she can never change the fact that she's a cat in a world that wants her to be dog.
Layers of makeup, the perfect animal, I'm waiting with my eyes wide open I can’t do sit, I can’t even do stay, purr until I go Show your fangs and howl, are you ready? on the count of three let's say "ZUKKYUUUUN♡", once I bite I don’t let go Layers of makeup, the perfect animal, I'm waiting with my eyes wide open
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teabiscs · 1 month
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here are some of my KaiMax HC's
How i see them getting together
Kai is oblivious to Max’s affection, he thinks it's just Max being Max when the blonde starts clinging to him and touching him. He does think its weird that Max has all of a sudden started touching him so freely. He brushes it off Max isn't scared of him anymore or intimidated by him
Max grows increasingly frustrated by how dense Kai is. And works to find more obvious ways (without straight out saying it) that he has a crush on Kai. Showering a confused Kai in praise ("Oh Kai, you’re so handsome with huge muscles" because he opened a jar) [insert Rei and Hiromi rolling their eyes] and affection (practically sitting in Kai’s lap while they're all on the couch watching a movie. 
(watching their little game is a serious form of entertainment for everyone else. they make bets on it)
Max confiding in Rei, that Kai is actually kind of dumb and he doesnt understand why Kai cant see Max's crush. (And rei being like 'why dont you just tell him outright?' "BECAUSE THATS EMBARASSING")
and THEN Kai confiding in Rei about Max’s odd behavior and them laughing/giggling at him.
Okay so. Kai finally FINALLY puts two and two together when one night it’s just the two of them, everyone else has disappeared at the dojo. Sitting together. Alone. Max says somethings that go over Kai’s head. And Max has had enough and grabs Kai’s cheeks in his hands. His thumb smudging Kai’s painted cheek.Telling him to push him away if he’s not okay with it. And kissu kissu.
When they get together, Kai has to get used to how touchy Max is. He’s not used to it at all. He’s not used to gentle touches or the way Max will smoosh their cheeks together and affectionately rub them up and down. It makes Kai go red and a little embarrassed to be so loved on so openly in front of the others. (He does get used to it.)
They show affection in different ways. Kai’s is more muted, while Max’s is obnoxious and obvious. In your face affection. PDA expert. The first time Kai initiates them holding hands it shocks Max. 
Headcanons
A moon/sun ship
Grump Edgy/sunshine energetic
The grumpy one is soft for the sunshine one
Max is the possessive one
Kai knows that Max is touchy but Kai is the only one who has his heart. It doesn't bother him (initially it did) when Max clings to Rei and Takao. Doesn’t mind when Max cuddles up with Rei on the couch. (Also because as soon as Kai sits down, Max find his way into Kai’s lap)
Max on the other hand? Is kind of insecure (DONT KNOW WHAT FOR). He hates the way people will look at Kai with hungry eyes. He hates that people don;t take him seriously, and continue to flirt with (an oblivious, uninterested) Kai.
Also the idea of Max’s eye twitching over Kai’s obsession with Takao. Is so… funny.
IMO it stems back to Judy, so now that Max has someone who clearly loves him and gives him his attention, he refuses to let go or let anyone take that from him. 
Kai doesn’t think that Max is possessive/jealous and that its him showing affection. 
Idk it’s funny to me if the ONLY ONE that makes Kai a little nervous (read: jealous) is Rick. Like that’s the only person Kai does not like Max getting cozy with. Something about it makes Kai itch. 
Max is always able to get Kai to do things he would NEVER do otherwise. (I picture them wearing matching animal costumes with fluffy hats with ears. Max getting Kai to eat really cute. 
Max pouting is Kai’s biggest weakness. (He cannot say no to Max, in general, but the pouting? Seals the deal. Kai is so weak to it. Max makes him so soft)
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gale-gentlepenguin · 1 year
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Gale's Rankings: Best Ash Ketchum
Now this sounds like a weird Ranking topic, but with over 20+ years of Pokemon anime to sift through, I can tell you there are some differences.
This Ash:
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Is very different than this one:
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And not just in animation styles.
So I should go over the rules.
I will be distinguishing each Ash on the Tried and True method. Based on Ash's Hat. For Example, Ash in the Kanto league, Orange Islands, and Johto Ash are all the same Ash, as they have the same hat. But once he goes to Hoenn, Its a different Ash
I will be ranking them based on Personality, Pokemon team, Competence for experience level, Performance and Overall Charm.
In regards to Competence for Experience, I mean how skilled he was shown to be compared to how he is in the region
I will not be including Manga, or spin offs. Purely the anime. Movies will be included if it benefits Ash
This is a personal list and I would love to hear everyone's thoughts.
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7. Black & White Ash
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This... this ash at his lowest point in my opinion.
Also 2nd lamest companions. Iris was fine but the green haired Connoisseur annoyed me.
This was around the time the anime tried to do a soft reboot/retcon within itself and had Ash still say he is 10, even though he already went through 4 regions.
This Ash isnt a terrible person or anything, but ... he is kind of an idiot in battle. He gives advice and there are times he's mature but he loses battles he has no business losing. His team is also pretty unremarkable in Unova, even with all 3 starters. He never fully evolved any of them, the only Fully Evolved pokemon from Unova being his Krookadile (His best pokemon aside from Pikachu) Leavanny and Unfezent. (Which he switched out HALF THE TIME)
His pikachu also lost to Trip (a bargain bin version of Paul) who JUST GOT his pokemon recently.
But that is nothing compared to his embarrassing performance in the Unova League.
He made it to the great 8 and ended up losing to Cameron. Who if I had describe his incompetence, it would physically hurt me.
This Ash off the bat was not going to win any Leagues. But you would think with his experience he would be better... but he wasnt.
6. Sun and Moon Ash
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I hate this iteration of ash... personally dislike him.
This Ash is likely the most immature we've seen ash since Kanto. Most of his maturity is gone in the first half of the season. His battle tactics may not be as bad as the previous ash (With this Ash actually WINNING his league). But its hard to say if most of those wins feel earned. Unlike later entries on this list, this Ash stumbled into incredibly powerful pokemon (two of which are basically legendaries), but to this Ash's credit, his Incineroar and Lyconroc were trained up and earned. I also enjoyed seeing the dynamic of this ash had with his friends in alola, along with the professor. I do think this Ash didnt deserve his Win in the league... mainly because the league was hardly official in terms of rules. It was basically a tournament with half of the people being his friends. But thats me nitpicking. This Ash does show to grow and strategize better than the last Ash, so I will give him props. But thats all I am giving him. Well Okay, Pikachu helped hard carry in this season
5. Journey's Ash
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This Ash is... well he is technically the most skilled Ash as he can use all the tricks and did win the Master Class. But I dont get why.
Side note Gou is the worst Companion in the entire series dont @ me I know I am right.
This Ash STUMBLES hard into all his strong pokemon. Gengar, Dragonite, Dracovish. Sir Fetched and Lucario are the only two he needed to help evolve. Also, what is up with that unbalanced Team Composition? Half weak to fairy and dragon, Half weak to ground types. How did Cynthia NOT sweep?
That may have been Nitpicking a bit, but I still stand on the former point, most of his mons were strong at the jump. In Alola, the two legendaries he finds he at least has to evolve. Sure they are legendaries, but still.
I also just found this ash a bit too kidish until the end at the master class tournament.
Now did Ash deserve to be the very best? Yes. Did this iteration of Ash deserve it... Meh. At least it wasnt Unova or Alola Ash.
I do like that this Ash actually remembers his journey and tries to improve on it... though I am still pissed at a LOT of the retcons they did.
It did give us a lot of epic battles and Pikachu's epic clash.
4. Ruby & Sapphire Ash
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Now we are at the Ash's I actually enjoy.
This Ash is a more refined yet still Childish Protagonist. He has been around the block and still has his child wonder. Yet he is more brazen and intelligent. He is more strategic compared to his previous iteration and will go into battle's with clever strategies. His team is also fairly balanced, His Sceptile being the star of the show, but his hoenn league team was nothing to sneeze at, His Swellow, Glalie, and Torkoal did work.
His placement in the great 8 in Hoenn showed his improvement and was a solid placement for him at this time. After this we really got to see Ash improve in the Battle Frontier.
Now the Battle Frontier is similar to Ash in the Orange Islands, the main difference though is that this is a more mature ash with some more serious opponents. Ash had a larger arsenal of pokemon and if it wasnt for all the experience he had gained, he likely would never have beaten Brandon and his team of incredibly strong Regis
Ash had his MVP companion Brock, and was accompanied by May and Max. Max being the young curious kid helped let Ash be more mature, while May still being new to pokemon let ash give advice as well as explore new avenues for strategies by watching Contests
Out of All the Ash's I would say he is the ash I look to to show his growth.
3. Original Ash
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The Original, The start, the hyper active, comedic Ash that I grew up with.
Ash in the start was a complete noob and was stubborn to a fault. Its funny how he doesnt earn Half his badges through battles at the start. His pokemon usually joined him instead of being caught, and a chunk usually left for other reasons.
This Ash does grow and has the most heart out of all the ash so far. He cares about his pokemon and this is the closest Ash to capturing the magic of a trainer on their first Journey.
During the Orange Islands and Johto he does grow a bit, learning new strategies and showing himself capable of winning. He even bests his rival Gary.
And Of course this Ash had a team of strong mons, Charizard, Pikachu, Heracross, Squirtale, Bulbasaur, Pidgeot, Lapris. and a HERD OF TAUROS! Bayleaf, Quilava, and more.
And of course the OG companions, Misty and Brock. Though tbh I never cared for Misty. She was Mid.
2. Diamond and Pearl Ash
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This was VERY hard for me to decide. Ash from Sinnoh is honestly some of the Best Ash I have seen.
We see ash grow and develop a lot more of the iconic strategies and out of the box thinking we know him for. Ash had met his antithesis in Paul and would clash with him only to have one of the best battles in ALL of Pokemon in the great 8!
This Ash had The OG Brock by his side, along with Dawn, who in my personal opinion was a superior coordinator companion to May. I liked May but Dawn managed to vibe with Ash much easier in my opinion.
Ash's team with Gliscor, Torterra, Buisal, Staraptor, Gible and Infernape were a solid team base, and Ash's Pikachu also being a star in its own right
I loved the maturity of this ash, as well as the frustration he felt when being beaten by Paul at every step. He even began questioning his own ability when Paul's cutthroat tactics seemed to show such results. But it was shown through Infernape why Ash was in the right.
This Ash also should have gone farther than top 4, but dude faced DARKRAI AND LATIOS. Not Ash's fault the had to deal with the one trainer with a game shark. It did feel like Tobias was created SOLELY to stop Ash from winning. But even the final's opponent couldnt beat the darkrai while Ash at least did.
Still salty on that.
1. XY Ash
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Yes, Kalos Ash is my favorite Ash. Sure Kalos as a region and a game was MID. But Mega evolutions, the battles, the way Ash grew and developed. This Ash was SUCH an improvement from Black and White Ash that it felt like this ash was from Diamond and pearl. It is Ash at his best. His most mature, his most energetic yet not annoying. This Ash is the cool ash that your GF tells you not to worry about.
Serena Clemont and Bonnie were solid compatriots. Bonnie being a better max, and Clemont being the dorky yet fun inventor. While he isnt Brock, he is still a fun character. And of Course, Serena is best girl. She didnt lose her bike to Ash's pikachu, so points. She knew him from the past, the cute crush never felt forced. It also made the times when they argued really hold weight. Ash realized he effed up when Serena was pissed.
Now for the team. Ash earned his OP team. He evolved all his pokemon save for Pikachu and Hawlucha, into the strong powerhouses they became. He was competing against Mega evolutions AND Winning. He and Greninja even bonded so hard he got a unique form. AND THAT THEME FUCKING SLAPPED
His fights in the Kalos league top 4 and final match were INSANE!
His rivalry with Sawyer was interesting, especially with how Sawyer overtook him when he was in a slump only for him to push back hard.
His rivalry with Alain also had some depth that I wish was explored more.
This Ash deserved the Win in Kalos. But even so, his fight with Alain in the final was intense and epic.
It shows how Ash went the POLAR opposite of his Unova iteration, it showed how Ash struggled and grew on the level of Sinnoh, and it showed how he was a leader in his own right. This was Ash at his best.
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tonberry-yoda · 2 years
Note
Hi hi~♡ would it be alright if i requested the SDC x princesslike reader? Reader just wears cute princess dresses, can talk to animals and sings like a Disney princess? In stand fights though she is still powerful(crushing steely dan with her heel because he deserves it),, thank you and please rest and stay hydrated and go to bed early and never starve yourself and treat yourself when you're feeling sad and
omg i love this idea so so much, thank you for the request anon!!! i really hope i did well and you enjoy it because the heel thing is so funny! have a great day, anon!! <333
Stardust Crusaders with a Princesslike S/O
Pairing - Jotaro x f!reader, Kakyoin x f!reader, Avdol x f!reader, Polnareff x f!reader
Warnings - none!!!
Notes - i didnt feel like adding joseph in this one, despite how much i love him, so i do apologize, but sometimes, we dont need joseph lol. also, thank you for the lovely note at the end anon, you are super sweet! have a lovely day and stay hydrated!!! <333 and omg the polnareff one has to be my favorite (because he's my favorite lol)
Jotaro Kujo
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okay, imma be real
this man cant stand it
the whole heels and dress thing
hates it
HOWEVER
when he ends up accidentally falling asleep on those poofy layers, he cant help but kinda like it
but the part he hates the most would have to be your singing
not because you're bad
but because it attracts animals
he's like... wtf... how?
you just giggle and chase him with a bunny in your hands
but i think the point where he knows that he's actually in love with you fond of you has to be the steely dan fight
when you see that son of a biscuit turn jotaro into a bridge, you knew that when this was over, you were going to get payback
you run up to steely dan when the battle is over and you start shoving your finger in his face, yelling at him. no one can take you seriously. you feel like everyone, even the stardust crusaders are laughing
that is, until you kick the man down and start stomping him with your heel asking how it feels to be a bridge
lets just say you were shown a lot of respect after that
and jotaro held your hand all the way back to the hotel
Kakyoin
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this man loves it
omg that gif is so flippin fine
he thinks all of your dresses are gorgeous and he would constantly ask to do your hair for you
he loves braiding it
i think his goal would be to see you out of the princess state
but when he sees you in your nightgown with your hair perfectly around your face as you were asleep, he gave up
you were always pretty, he just had to face it
he would love doing little activities with you like painting each other's nails and playing with animals that you just summon
his favorite thing to do with you though is dance
he holds your waist, your dress and corset perfectly cinching you and he would just saw with you back and forth at night
he prefers that you're in the nightgown though, it seems more elegant and more romantic to him
also he loves the fabric of it
its just so... soft
his fingers would glide over your hips and his hand would be grasping yours as you sway in the living room of his hotel room just talking about life
Avdol
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he thinks it's adorable, but at first, he was a little confused
why on earth would you always insist on wearing heels and a dress on missions?
he just cares about your safety
he doesnt want you tripping
because of this though, he takes the whole girly act and princess look as a sign to constantly protect you, thinking you're weak or something
he would put you out of harms way and throw himself in front of it
you tell him to stop, but he's just doing what he thinks is best
he really thinks that the heels block you from being awesome
smh
but boy does he change his mind when he sees you stomping steely dan with your heel
his mouth is gaping open
and let's just say he let you deal with your issues from then on without butting in
Polnareff
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HE LOVES YOU SM
he is obsessed with the dresses
and his whole goal is to just make you fall in love with him
he knows your strong
but you're also a lovely person and so so sweet
he just wants to hold your hand
omg bubba
he would help you curl your hair and pick a bow to match your dress
but little do you know, he just wants to be the prince to your princess
he would even bring you flowers
what a sweetpea
he would dance with you in the middle of the night barefoot in a field or something when he confesses
your dress is flying behind you and your hair is shimmering in the moonlight when you hear the words "i love you" fall from his lips
you turn to him with wide eyes and then a smile
before he dips you down and kisses you in the moonlight pulling you next to him in the field to watch the stars before you fall asleep
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so-called-yokai · 2 months
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Okay, I know it's only 12:19 AM EST but I've been way too excited to post this fic so I'm doing it now! This is my offering for @desceros #TMNTSpringShellebration, please enjoy!
All characters depicted are adults
Rise Donnie, M/M, canon/OC, mild mentions of turtle anatomy, rated M
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This is hardly the first season Donatello has had to suffer through. The damned thing is regular as clockwork, because obviously it is, and one would think that by now he would have invented some kind of solution to the problem. It's just simple biology! Base animal instincts! Surely his genius mind can come up with something to override these damnable urges.
But no. Here he sits, yet again, sequestered in his lab and trying desperately to find something, anything, to take his mind off the demanding ache between his legs and the restlessness that crawls under his skin like a living thing. He's already burned his fingers twice with the soldering iron, but he refuses to quit. You will not win, accursed unmutated turtle hindbrain! You haven't before and you won't now!
Except this year… there's a problem. This year, there's something niggling at the back of his mind, the edge of his senses. It takes Donnie a while to realize precisely what it is: a scent, but it's more than just that. He doesn't just smell it; he can practically taste it, can feel it settle over his skin in a way that both soothes his agitation and inflames him even further. It smells like petrichor and early spring, and before Donnie can even begin to figure out how that even makes sense, the door to his lab opens with a quiet hiss, and the scent becomes almost overwhelming, enough to make his mouth wet… and other areas too, which makes him curse and spin his chair around, ready to lay into whoever just barged in.
…Oh.
Eshra leans against the door jamb, arms folded across his feathery chest, digitigrade legs crossed at the ankle, and a knowing smirk on his raptor-like muzzle. The end of his tail, with its downright arrogant tuft of blue and green feathers, flicks back and forth as though keeping time with some invisible metronome. And still, still, with that intoxicating rain-and-spring scent. It's infuriating.
Donatello has never wanted anything more.
Scowling at his own weakness friend, Donnie tries to force back the deafening mantra of want, need, take and instead project it as sharp-tongued irritation. "I told you my lab is off limits," he snaps. "Especially this week. It's--" The turtle cuts himself off, unable to actually voice the mortifying words, because that will make it real, and he is not giving his animal instincts the satisfaction.
Annoyingly, Eshra doesn't seem cowed. He never does. Instead, his smile just spreads, and he pushes off the wall to move closer. His steps are a languid prowl, like a predator with cornered prey, and Donnie grips the arms of his chair until the leather creaks under his fingers. He's fighting every instinct in his stupid body that's telling him to pounce on this maddening, beautiful creature, to pin him to the floor and show him who the real predator is.
Eshra stops just out of arm's reach, and Donatello isn't sure why that pisses him off so bad. The yokai gives the turtle a long, slow onceover, his golden gaze snagging on the wetness slicking Donnie's thighs before flicking up to the mutant's face again. Finally he speaks.
"I know what it is." His voice is lower than usual, throatier, edged with something not quite a purr. Donnie has heard a lot of Eshra's noises -- happy trilling, excited chirps, contented churring, and once an eerie, rattling hiss when he was really angry -- but this is a new one, and suddenly he's desperate to find out what other sounds the yokai can make. For science, of course.
Before Donatello can deal with this new realization, however, Eshra is suddenly right up in his space, leaning over to plant his clawed, three-digited hands on Donnie's thighs and tuck his muzzle right into the turtle's throat. He inhales deeply, and Donnie's vision swims when he realizes Eshra is scenting him. The arms of his chair creak ominously again, and the softshell has to consciously force himself to ease his death grip before he snaps them right off.
"Wh-what are you doing?" His voice is rough and breathless even to his own ears.
"Helping," Eshra chirps, as though the answer is obvious.
"This is… not… helping," Donnie grates out through gritted teeth.
"Mmhm, tell me that again at the end of the week." His friend sounds maddeningly blase about the entire thing, and Donnie somehow finds the wherewithal to grab him, gently but firmly, by the shoulders and push him back a step or two. Eshra cocks his head, his crest lifted slightly in a silent question that Donatello learned to read years ago.
"I don't think you truly comprehend what I'm dealing with here." Donnie wrestles his hormone-soaked, instinct-addled brain into some form of coherency, for his sake and for Eshra's. The smell of rain on new grass is still filling his nose, making him desperate to bury his face against Eshra's neck -- or better yet, between his thighs -- and drown in it, and he viciously fights the urge back, because he needs to explain, needs to make his friend understand.
Friend. He's your friend. He's your friend that you're not going to throw over this workbench and-- goddammit.
"This is my mating season," he goes on. You can do this, Donatello. You're a scientist. You're just explaining simple scientific facts. It's fine. "I am currently suffering certain… biological urges… that are difficult for me to resist. If you insist on staying in close proximity, those urges may end up overriding my higher brain functions and--"
Eshra stops him with a gentle finger against his beak, and Donnie's eyes widen, quite sure he's never been shut down so neatly or so fast. They widen still further when Eshra gently says, "Dee, I know. I know exactly what I'm setting myself up for, which is why I made sure to carbo-load before I came in here." And just in case Donnie still isn't getting the hint, the yokai drops his hand from the turtle's face to between his legs, pressing dexterous fingers against his cloaca with such practiced ease that in that instant, Donatello knows what Eshra is hiding under those unreasonably tight athletic shorts he's so fond of.
That's all it takes for every base urge, every primal instinct that Donnie's been unsuccessfully throttling to come roaring back to the forefront, and this time he doesn't fight them. Before either of them is sure it's even happening, he's up out of his chair and has Eshra on his back on the workbench, looming over him and caging him in with one muscular arm on either side of the yokai's lithe torso, although he's still careful not trap or pull on any of his friend's tertiary feathers. Something dark and dominant stirs inside of him at the sight of Eshra stretched out underneath him, golden eyes wide but trusting, pulse fluttering in that slender white throat, and he hungrily runs his tongue over the edges of his teeth without really realizing it.
Beneath him, Eshra immediately relaxes and submits, as if on instinct, and something about the way he tips his chin up just so to bare his neck makes Donnie's blood sing. Is this what he's been missing all these seasons? Could he have been indulging in this for years and he's only just now realizing it? Jesus wept.
Now, finally, it's Donatello's turn to smirk, showing off fangs that are sharper than one might expect.
"All right. But remember, you literally asked for this."
Later – so, so much later – laying blissed out, drained dry, finally satisfied for the first season ever, and with a sleepy, thoroughly fucked yokai sprawled across his plastron, Donnie thinks that maybe his unmutated hindbrain had a point after all.
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alstroemerian-dragon · 8 months
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man. thinking about how the survivors all desperately need new hobbies
like. okay. sonia’s a great example. off the top of your head what are her hobbies? probably learning about and researching true crime and the occult, and watching j-dramas/anime, right? but if you really think about it, her fascination with japanese culture very much feels like her just desperately wanting to fit in and massively overcompensating. so while i do think she probably enjoys those shows, theyre definitely not as popular in her kingdom as she claims (not that im saying she’s lying on purpose, just that. well, when you feel embarrassed about someones reaction to you liking something, sometimes you’ll try to make an excuse for why you do yknow), and plus, its not like they have access to a lot of entertainment media for a while post program. as for the occult/true crime stuff…
look me in the eye and tell me junko did not use that against her. do you really think junko enoshima would not see a girl obsessed with the study of serial killers and not try and warp that into a fascination with her?
i think that stuff leaves a bad taste in her mouth now. and after committing and being complicit in the committing of the kind of crimes she used to be fascinated by, its kind of hard to find the joy in that anymore, yknow? the occult stuff could maybe still be enjoyable, but with how often it feels like there are ghosts lurking around every fucking corner and her dreams are filled with screaming corpses its kinda hard to be fanciful about that stuff.
so. girl needs some new hobbies.
its not much better for the others, either. akanes hobbies were basically working out, doing parkour, eating, and sleeping. the first two are downright impossible for the first several months after waking up, and for the foreseeable future any kind of physical activity is going to be, to an extent, difficult just due to how much chronic pain and weakness she’ll probably suffer the rest of her life. she can get to a healthier weight and a stronger muscular build, but its not going to change the fact that she gets out of breath and sore much faster than before. as for eating… well. thats gonna be a sore subject for a while. so all she has left is sleeping, and sleeping all day is, as ive been told by many people, kind of a depression symptom? and theres no way the others would sit back and let her do that.
girl needs some new hobbies!
kazuichi, from what we can tell, had a few more normal hobbies. in game you can find him gaming with chiaki, and he seems to enjoy coming up with schemes and plans for silly stuff, but overall he just loves his tinkering. he may be the ultimate mechanic but first and foremost he just loves fucking with machines and engines and finding out what makes them tick. but even that isnt gonna work anymore. sure, he could game. if they had any fucking consoles. or a working computer network. or any games. but none of that is happening for a while, if ever. as for his tinkering, it’s gotta be a similarly sore subject to sonia’s training and tutoring as a princess. its too closely linked to what he did as a despair, too closely linked to his talent, to not make him feel like screaming when he smells machine polish. i think he definitely could get back to a point where it genuinely brings him joy again, and before that he definitely forces himself to use his talent and knowledge because they need it, but. its a complicated problem.
the guy needs some new fucking hobbies.
and of course… fuyuhiko.
fuyuhiko… doesnt have any hobbies.
like okay can you think of a single thing from the game (or fuck even the anime) that implies that he has anything he actually does For Fun. he has a sweet tooth. hes dedicated to his clan. he went to the zoo with peko one time. he got in fights at school. thats… those arent hobbies. fuyuhiko doesnt have any hobbies!!! someone get this boy some fucking knitting needles or a book to read!!!! please!!!!!!!!!! i think it would genuinely help him a lot to have something to do instead of just sitting and stewing in his own trash fire of a brain speaking from experience. learn to sew, read some fantasy novels, learn to play the guitar, something. im begging you.
and hajime is his own fucking can of worms.
he probably had hobbies before the Horrors. right? he probably played some video games, maybe liked martial arts films, maybe sketched in the margins of his notebooks. rode his bike sometimes. but now? nothing keeps his interest that long. everything becomes monotonous after a while, and sure, sometimes thats the draw. with stuff like fiber crafts the point is sometimes making it muscle memory so you have something to do with your hands. but other times its not. and his ability to basically excel in most things you put in front of him has to be so fucking boring after a while. a lot of the point of having hobbies is that you arent perfect. the draw is learning, is getting better. even reading can become nothing when any nonfiction book has knowledge in it you already know and any fiction book you can intuit the ending from the first few pages. he probably reads Lightning Fast now too, so it cant hold his interest for long.
he probably has to constantly be switching hobbies and outlets. cant stay on one thing too long, or the ennui starts to set in. that sounds miserable.
someone get these kids some hobbies, man
#personal#meta#danganronpa#sdr2#neo survivors#MAN. YOU EVER THINK ABOUT HOW MISERABLE THE SURVIVORS ARE AT FIRST#BECAUSE I DO!!!!!!#personally i think sonia gets into painting. i think its fun if she specifically gets into mural painting#and starts decorating the facilities walls#i think she also gets really into helping build stuff and working with her hands because she never did that as a princess!!!#fuyuhiko i think gets into fiber crafts. specifically i could see him doing embroidery and shit#and reading. i think he develops a very embarrassing love of romance novels#but mostly he likes detective and mystery fiction yknow#kaz of course figured out how to make tinkering work for him again. he has to#but i think they also get into like. soldering as an art thing too#sculpture and stuff!!#and they and sonia are both really into fashion stuff so when the foundation sends them more clothes#and more materials#they both go ham making new clothes and outfits and shit#the two of them both learning how to sew <3 bonding experience.#akane definitely also figures out a way to get working out to work again. just slightly different from before#more stretching and stuff. i think she could also benefit from some meditation techniques! maybe she gets into yoga#and of course when they all finally get shipments of movies and tv shows from before the tragedy they all eat that shit UP#OH and akane LOVES taking care of the animals. like yeah a lot of them are probably gonna end up getting eaten eventually#and she definitely is a benefitter of that. but that doesnt mean she cant care for them now!!!#she takes point on feeding and caring for their livestock and chickens and stuff <3#hajime of course. uh. jumps around. he does a lot of stuff.#anything to keep the darkness at bay ykwim!!!! haha#i do think he reads. and i think he does do art too because even if you have the ultimate artist in you#its always gonna turn out a little different
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artist-issues · 6 months
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Hi! I just started following your blog yesterday and have read a good portion of your Disney meta, and I have to say that you are 100% on point with all of it, specially when you are comparing and contrasting the original classic animated films and their live-action remakes. I can't stand those soulless, stiff cash-grabs and how they stain the legacy, message and characters of the original movies and get the point of the movies and characters's personalities and motivations so awfully wrong, it actually infuriates me in a way. People will say that we are way too attached to these movies and that we need to let the newer generations enjoy these new version, but why would you want to introduce the newer generation to a remake of a far superior movie that gets its message across much better and doesn't shoehorn agendas down people's throats? Most of the remakes have done a disservice to the original animated classics and have no grasp of what made them timeless and magical, but the key is in heart, which is what the remakes, for the most part, severely lack. I won't underappreciate all of the people that have worked hard in these movies and I do believe they want to make the best product they can get out, but the problem mainly lies on the people who are part of the story team and the executives at The Walt Disney Company. You made an good point about how the newer Disney Princesses, specifically the ones depicted in the remakes, are more about independence and freedom than love and sacrifice. Like, okay, independence and freedom have been part of their stories to an extent, but it was never the main aspect of it. The essence of Disney Princesses is their heart and soul, how they are willing to see the good in others, how they will sacrifice for those they love, how they will help those in need, how they inspire change in others. That is what a Disney Princess is at her core to me: Love. It's never been about how independent, tough and fierce they can be, even though that can be a part of their character, ofc, but it isn't the main selling point of them for me and many others who truly love and understand these characters. That's the reason, imo, they have always been the pillar and heart of Disney. They represent the ideal of femininity, love, compassion, hope, faith and selflessness; sure, they aren't "perfect", but they are still examples of what we could and should be. That's why it's annoying when people criticize and attack them. They aren't ditzy, useless and weak hot prizes for a prince; that's such a gross interpretation of them that's far from true; their external beauty accentuates their internal beauty. That's the whole point. The princes fight for them because of their love, their nurture, their kindness, their selflessness, etc., not simply because they are pretty or whatever. I know this has gotten too long, but given that you are used to writing long passionate posts on these topics just like me, I don't think my "mini-meta-rant" will bother you too much hahaha. Keep up doing your own thing <3
Thank you! This is very kind! I like a lot of your blog’s content, too!
Yeah, I work with kids, and one of them was telling me that her favorite movie is Live Action Aladdin. And I was floored. Then she said “and it’s so much better than the original!” And then I was mad.
Because what Disney is doing is changing the values that the stories and characters were invented to represent. So now I’ve got a kid who prefers the version of Jasmine who isn’t all about faith—she’s all about empowerment. So. Not only is she learning a completely different (and worse) life lesson from a character who used to teach a great lesson, but her tastes are getting developed toward cinematic junk food.
What Disney is doing is pasting over their old characters’ values. And they’re getting the newer generations used to a low standard for storytelling. Those are two major, culture-shaping parts of a kid’s development—what they value, and what they have a taste for. It’s just all-around bad, and everyone is right to be up in arms about it, including you!
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Anyway, thank you very much for your kind words!
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gachagon · 11 months
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Haru, Legoshi, and Louis are all the same
(spoilers for beastars manga)
Legoshi, Haru, and Louis all get along and work so well together because they're all fundamentally people who try their hardest to change the way they naturally are in order to "fit in" with the rest of society. They all do things that go against their "true nature" just so other people will hold a different opinion of them when they first see them.
And the main reason they ALL do this is because they are also all people who are immediately judged harshly just by the way they look from other people. Yes, the other animals in Beastars all have to deal with this as well, but with these three it's inherently different because the stereotypes that are being pushed onto them are unique to just their specific appearances.
People are afraid of Legoshi not because he's just a predator but because he's specifically a grey wolf. We notice that while there are other wolves in the school, none of them are really the same kind as Legoshi. He even pointedly sticks out when he's with them.
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And Haru is a Dwarf rabbit but her white fur makes other animals think of her as some extra innocent small creature that needs to be protected by default. She's the only white dwarf rabbit, and multiple times throughout the manga when she's with men the one thing they comment on is her fur and how it's "spotless", how small she is etc, her black eyes. Features that are noticeably absent from the other dwarf rabbit girls. (and yes I am aware the others aren't rabbits)
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And Louis is a stag deer, the literal embodiment of a "prey" animal that tries it's hardest to be tougher than the things trying to eat it. Louis has the advantages of being a deer with antlers, but just like real deer in the wild, he is defenseless without them. He loses whatever confident exterior that people presume him to have when he sheds the antlers every so often. People will always view him not just as a prey animal, but a deer. Animals known for the docile and weak nature, animals that will run off of cliffs if they're scared slightly. He can't let anyone ever think he's afraid, not even once, because once they see that he fears anything its a wrap. People will just go "well that makes sense he is a deer". And any accomplishments he's made thus far is just thrown out the window, it'll be obvious to everyone he was "always" faking it. (It's why he's so adamant about the play still going on despite his injury.)
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All three of them do things entirely against their nature just so others can look at them in a different light. Legoshi purposefully makes himself seem small and as nonthreatening as possible to prey animals because he knows that just from the way he looks, they won't want to be his friend and will be wary of him right off the bat.
Haru sleeps around with the men who chase after her because when she's doing something that's not "innocent" she's not being looked down upon as some defenseless small creature that needs saving. No one will take her experience in life seriously, unless it comes to something like actual sexual intercourse. (She's even the one who 'takes charge' when she first meets Legoshi and tells him she's fine with being the one on top the girl knows to do okay.)
And Louis pushes down any fear he feels in favor of unwavering confidence and bravado. If he's afraid he just pushes through anyways and fakes it in front of everyone. He would rather die than admit he's even a little bit worried or even anxious in a situation. Louis ate meat in the company of lions because he didn't want them to think he was just some stag deer like his father, but something even above that.
And this is why they all have such a close relationship with each other. They may not know it, but they're all doing the same thing and can relate to the pains of having to change yourself not just because of what you are, but because of what you look like in relation to other people in your species.
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domesticangel · 23 days
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SPRINTING to your ask box to ask if we can know anything about fjóla bc that piece you just posted whips ass!!!! your characters are so epic i want to know everything about them okay bye <3
screaming and crying you’re so sweet thank you 😭😭😭😭😭😭😭😭 okay lemme try to tell u a bit about her but fair warning every time I talk about my ocs I feel like I’m metaphorically putting on rollerblades and flailing and falling and exploding 👍🏻
(also after I’ve typed all this out I’m realizing I should put a trigger warning for domestic abuse and vague implied infanticide)
so fjóla is a leopard seal selkie and lilija’s mother (whom she looks nothing alike, babygirl is the spitting image of her spotted seal father) who is deceased within the like, “current” timeline my characters are set. she was born into a group of selkies that lived their lives mostly as seals as opposed to integrating into society as most selkies in this universe do; the status quo is more or less for selkies to live near or on water and spend time as both seals and humans, but more traditional ones like fjóla and her pack will remain seals for the vast majority of their lives, only occasionally partaking in humanoid environments.
however, she did unfortunately end up living most selkies’ nightmare; her coat was taken and she was trapped in a house with a man she didn’t love and a child she was forced to bear, the main twist being that her “husband” (they never officially married but it’s an easier shorthand), steingrímur, was actually a selkie as well. to make a long story short because this ain’t about him, him and his family became traitors to their local community by helping a gang of dangerous poachers hunt the other selkies for their coats in exchange for immunity. the deal began with steingrímur’s grandfather, and they operated this way in secrecy up until steingrímur was a young adult. by this time, his father and his grandfather had become much more callous about the terrible things they were doing, and began developing a sort of self-hatred fueled “code,” beginning to believe that selkies were a weak, defenseless species that were only ever known for being taken and owned by stronger predators, so it was their responsibility to “rise above” the rest of them and train themselves up as superior superpredators. steingrímur was groomed from the ground up with this mindset, and his “initiation” as a hunter was to capture a particularly fierce leopard seal with a beautiful, pure white coat, which was ofc fjóla. his capture of her coincided with the rest of their local community finding out what exactly their family business entailed, and they had were deemed traitors and had to flee. steingrímur absconded with fjóla and fled while his father and grandfather were captured and essentially community-executed a la ken mcelroy lol.
anyway, all that to say—she was a miserable woman. her coat was taken and sold for a hefty price (its color was pure and rare, on top of the selkie coat black market paying big money for such an illicit good, as in this universe, a selkie’s coat can really only be obtained ethically by being inherited, willingly handed over, etc), she was forced to move somewhere where she knew nothing and nobody, and she had to learn to live life as a human as she had no other option. and she had to do all of it with a very sick, abusive man who held beliefs diametrically opposed to the ones she was raised with—she wanted to live life as a free animal in the open ocean, while her “husband” looked down on her for not getting with the times and abandoning instincts that don’t serve her, and as he sees it, got her captured. he essentially kept her as a trophy. as a cook. and as the vessel that would bear his protege.
she was not cruel in the slightest but she had trouble with warmth and compassion in a conventional sense. her only motherly instincts were very objective; feed the baby, change the baby, put the baby to bed. try not to smother the baby as you stare down at her in her crib, thinking it the only way to guarantee she escapes the man you never could. both her nails and her long, jagged, sharp teeth were kept clipped after she gave steingrímur one too many scars, and she was eventually further sedated with medication and alcoholism. as her daughter grew older, fjóla’s love language primarily became warnings and harbingers of doom; she warned lilija not to be coveted, captured, or desired for her beauty as so many of their species are. she taught her to look over her shoulder at every turn, trust no one, and assume the worst. you don’t want to be a mother or a wife. look at what it’s done to me. promise me you’ll never let anyone close enough to make that happen. promise me that you’ll remember nothing is more important than your freedom. promise me you’ll stop looking more and more like your father every day.
she sometimes waded out into the ocean, forgetting to shed her clothes first, and pretended for seconds at a time that if she wanted to, she could pull her coat over her shoulders and swim away.
anyway. fjóla is very much a character I created to explore motherhood, womanhood, isolation, flattening someone into an image or a memory or a ghost rather than a real person, inherited fear and rage and repression between mother and daughter…she was of course abused and unwell, but the things she told and taught lilija in her formative years played a huge part in lilija’s paranoia regarding interpersonal relationships and how difficult it is for her to form them. fjóla ended up being less a person and more a symbol in everyone’s eyes; a symbol of accomplishment and dominance to steingrímur, and a symbol of every fear and every nightmare any seal woman has ever had to her daughter.
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ghostlyhamburger · 9 months
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Husband Watches Miraculous: NY Special
[does this one have an actual name idk]
OK this is definitely after season 3 because of the box.
Why did they do a Marvel version of the theme? you can't tell me that's not inspired by Marvel.
Okay so they store the powerups inside the thing?
They really tried to go all out with the updated animations didn't they?
Her hair is actually black this time! it looks really good.
Okay that's the first thing that I saw that's super out of character.
Some of these things are textured really well but some are just not. Look you can see texture on her clothes, on the bricks, on the ground, and then BRIGHT GREEN TRASH CAN. It just makes no sense.
This is gonna be a long hour.
Why did they increase Marinette's bust size?
What the fuck was with the way that beard was moving? It's like they didn't want to move the anchor point on the bottom. They anchored it to his shirt is how they modeled it.
Why do they keep changing Marinette's hair color? Why is it darker in the school lighting?
I think I know why this seems so hard to place in the timeline. Its production seems to start at the beginning of season 3 but they definitely got the bible. So they just didn't see all the development Marinette had in getting over her obsession with Adrien over the season.
This whole little bit about Marinette's obsession doesn't need to be here if you've seen the series. Its purpose is only for those who haven't seen the series, which is unneeded because who's gonna watch just for this? It's not a movie. if I skipped the next fifteen seconds nothing would be missed.
When has New York ever been considered romantic? I guess if they watch a lot of American Hallmark movies? But New York is dirtier and dingier than Paris.
They actually made Gabriel look good in this. Like I get how he's supposed to be a silver fox type. He's got a bit too much Justin Bieber face for me, but the hair works for him. I can see how he'd become a celebrity in Paris.
"I'll be keeping an eye on him." If Adrien was a sentimonster under his control, he wouldn't need to keep an eye on him. He could just keep track of him with the miraculous. Like, Mayura was able to track Feast.
Also why is Nathalie in the bed? didn't they fix the peacock? Oh wait she was still super weak and life force isn't easy to regenerate once it's been drained like that.
Oh they've got best girl here.
I think I already see where the entire plot of this special is going. She's gonna be upset at Chat because he's not gonna be there when a sentimonster attacks and she's gonna be upset and debate giving up her miraculous because that's been the theme of the episodes lately and the American heroes are going to somehow be bitches.
[We're only 10 minutes in.]
Gorilla doesn't like planes.
All right so it's not going to work because it's not a sentimonster alert.
How is the eagle going to help you beat Ladybug and Chat?
Marinette, just know when to stop talking, please.
Again, a nice little moment that would be really good.
5 seconds on the plane and she's basically assaulted someone.
Nice use of symmetry and mirroring each other.
Marinette is not having a good day.
Why did they give her such an ass in that shot?
That's actually a pretty good moment.
No. Alya no.
I do like how they call out their weird animation quirks of like. Marinette arms. It's fun.
A convict with a jet engine?
So normal magical and villain type things exist already.
Okay that is just Superman. That's just Superman outfit and Superman theme.
Another thing I don't like is all the infodump. There's a better way they could've introduced Uncanny Valley than Alya's random exposition. She was answering the question of the audience without being prompted to. And it throws me off.
"It's time to show these American heroes how French heroes do it!" NO. NO.
He's not a superhero. That was his entire bit. Also what's he gonna do, endanger everyone by opening up the emergency hatch? You have no superpowers, you have no gadgets, what possibly are you going to do here?
As an introduction, I like this.
It's like they wanted three teachers, one to be nice, one to be crazy, one to be strict, and then they shoved two of them into one character. It doesn't work.
Hot Dog Dan? So he's ... a hot dog vendor?
All right, the dancing is a cute little callback.
Okay I like the new animation style, the very American comic book. but can no one just leave Marinette and Adrien alone? Let them just be awkward together!
Can we get to the catastrophic failure that will lead into the less lovey-dovey shit?
So they're trying to say Lafayette was a holder?
Is that one of the self driving Tsurugi cars?
Wait we've seen the akuma butterflies phase. Why is there no consistency in the rules?
"There's artifacts left by people who unveiled the statue" So there's a miracle box there, right?
Solitude is just Mr. Pigeon!
Doc Ock. Huh. With replication abilities.
Door powers are actually pretty cool.
Now it's finally getting good! Can always count on Hawkmoth to interfere in the right way.
So why is Hawkmoth going after the sabre when the claw thing is very clearly the Miraculous?
Ahh. That's why.
They're still being quite efficient even though they're pissed at each other.
[Aeon is cataclysmed] You have a miracle bomb! It can literally reset people!
That is the smart decision. They don't know each other's identities. Also the American heroes don't have the authority to do that!
I dunno I feel like the reset should have gone through to the other area. When villains have changed in the middle of the episode the reset still works. And when there was the copycat Ladybug she used that one's lucky charm to do a reset bomb. So I call bullshit on that. Also I don't think Paris is still destroyed when we come back to it. So...
"If Uncanny Valley hadn't been a robot I would've caused irreparable harm." Except people have literally died, disintegrated into nothing, converted into energy, and brought back with no issues. So no, it's not irreparable harm. And this is so heavy handed!
The emotional flip flopping here is not great.
[hearing Liiri's ability] That's an incredibly busted ability. Her power is literally limit break.
Why are they having this argument right next to the French students? That just seems stupid.
Let's just steal a bike! oh, safety first
"Adrien I love you" Okay that's just cruel to the people who were watching this.
Yep that's actually what I was expecting.
WHY ARE THERE SO MANY GUNS? Oh right America.
I really like Jess and Aeon's characterization.
Okay I like the skateboard.
This should've just been a movie. It would've been better with time to do all the stuff going on.
Okay that's a neat little trick.
Why does this one hour episode have more musical types than the entirety of the game that came out?
[Ladybug hugs Chat] Okay that was a really cute moment.
Oh is he just gonna launch nukes at everything?
Trading cards, really?
Yeah see Paris is repaired already
"At least let me see what's inside the safe!" It's a miracle box. it's gotta be, right?
I like [Eagle's] outfit.
Was she gonna toss a piano at a pigeon? [Haven't you wanted to do that?] Yeah...
To the sun? To the sun.
Throwing things to the sun is also a Superman reference.
Why do you need more Miraculous? You only need two, and they're not going to help you, you don't have anyone to give them to!
Paris was not like that when they were visiting.
Okay. This should've just been a three part special episode. It tried to shove so much in so little timeframe and over half the thing was just pointless grandstanding about the stupid will they won't they. And I bet that while people loved that Adrien I love you moment, he couldn't fucking hear it and that's the only thing we're gonna get 'cause fuck these producers.
If the pacing was the same throughout, it would've been really good, but it came out of nowhere to the point where they turned up the speed of people speaking to fit it in. A lot of things got super rushed through and I really wanted to see more of it but I know I'm never going to because the producer of Zag sucks!
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