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#its just so fascinating
wyvernwinds · 2 years
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tamsyn really did something with the dynamic of jod and the lyctors she was like i’m gonna take just some guy and his friends and make him god and them immortal but ten thousand years later they still kinda treat him like hes god but also like a guy they’ve been stuck being friends with for Ten Thousand Years but you can never tell which one it is because they’re all ten thousand years old and have moved far past normal human expression and communication structures and they’re all also kinda psychosexually obsessed with each other and have and Do fuck .. mercy alters her own dna at will to turn her hair pink for funsies . god makes a none pizza with left beef joke . g1deon is actively attempting murder for most of the book . god has a threesome on the dinner table
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something i've been thinking about:
Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like
first of all, thats an npc. second, nearly everybody else has severe main character syndrome
but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment
Wally, despite being described as Thee character, is borderline background.
& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue
I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?
but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.
of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.
in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend
#its just so fascinating#the whrp: wally's The Guy!#wally (with his friends): the most lukewarm dude ever#then he's alone or alone with home and its like Hi My Name Is Wally Darling & Welcome To Jackass *off-tune guitar riff*#bbg has ✨problems✨#and like - im giving all of his stuff a re-listen to make sure im not misremembering or completely talking out of my ass#but his phone call? the way his VA is delivering the lines seems So fuckign different than in the shared audios#his tone is flatter. he sounds more sure of his words and himself. he Sounds like he's in control and knows it.#immediately going from that to a shared audio where he puts more inflection in his voice & doesnt talk much#and when he does talk its slow. meandering. his lines are more befitting of his audience surrogate role#which only makes me feel more like he's acting/masking (again: if that time discrepancy does indeed exist)#which - as someone who kinda compulsively masks around Literally Everyone no matter how much i want to Not - it kinda hits hard!#i suspect that he Is masking instead of acting. he's The Most Autism as we all know so it would more than fit#and that could add an extra layer if it's automatic and he can't turn it off. or if he doesn't want to turn it off#but also acting... a misplaced attempt to protect his friends and world? not feeling like he can share his 'true' self? augh#wally darling you make me unwell. i want to dissect you#wh speculation#welcome home speculation#homebogging#and then listening to his little record audios#he starts out talking like he does in the shared audios and then slowly gains confidence until he's speaking more like he does in the call#just. wally not being talkative in the neighborhood to the point where everyone's like 'yeah wally isnt much of a talker'#vs him chatting away to the qa/whrp/Us#of course it could be because he has to carry the entire conversation on his own#But. but. you can still carry a one sided conversation and be hesitant or awkward or um. missing the word rn but short-sentenced#brief? succinct? concise?#wally's fully trying to make conversation with someone he knows can't reply. which is interesting#so many ways to take that. well. three#maybe he doesnt feel listened to in his day to day life / he feels more comfortable and can relax / hes been alone for a long while#anyway there may be more ways to take this but this is all my tiny poppyseed brain can reach atm
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allastoredeer · 23 days
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Ya'll want to know the funniest shit?
I'm researching the era when Alastor was alive right now to get a better idea of both his character, the life he lived before Hell, and to hash out a backstory for him.
And so, apparently, Alastor lived through the Prohibition (which was basically the United States government illegalizing the manufacture, transportation, and sale of alcohol because they thought it was the cause of a lot of domestic violence and child abandonment).
Alastor canonically died in 1933.
Do you know how long the Prohibition lasted?
From 1920-1933.
ALASTOR LITERALLY DIED THE SAME YEAR ALCOHOL BECAME LEGAL AGAIN. CAN YOU IMAGINE HOW BITTER HE MUST'VE BEEN?
The Prohibition officially ended on December 5, 1933, and now my headcanon is that Alastor died December 6, 1933. Literally the day after he could legally drink all the booze he wanted.
I am learning a LOT about New Orleans and the era Alastor lived through (including the gay community in the city at the time) which has been a lot of fun, and I just wanted to share that tidbit because it is so fucking funny to me.
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starry-bi-sky · 3 months
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fast food is the best course of action after causing a scene. ᴘᴀʀᴛ ᴏғ ᴛʜᴇ ᴅᴀɴʏᴀʟ ᴀʟ ɢʜᴜʟ ᴀᴜ
(First Post Here and Second Post Here
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Danny finds Sam easily.
She's right where she said she was over the phone: standing outside on a balcony, in Gotham, at Father's many charity functions. 
("Would you still be willing to fly over to Gotham, Danny?" She asks, her voice ringing clear through the speakers. Danny is already climbing out his window before she even finishes her sentence. He was just about to settle down for the night, his ghosts would know better by now than to disturb him at this time. The Box Ghost not included.)
("Of course." He says, sounding more confident than he feels. Sam was one of his best— closest friends, he would do anything she or Tucker asked. Even if it means stepping foot into his Father's city. He drops down silently, and walks through the house's ghost shield. "Would you like me to bring you anything?")
(Sam sighs through the phone, relief leaking through. "One of the veggie burgers from Nasty Burgers would be great, with their new ecto-fries. Extra salt. I'm sick of all this rich people food.")
(A small smile pulls across Danny's face, tilting at the corner as his living form falls away to his ghost self. "Alright," he says, and kicks himself off the ground, "I'll be there in a few minutes.")
("Thanks, Danny.")
He had the bag of food with him, stored in a container he had to run back to the house to get that would prevent the food from cooling during his flight over. Clutching it in hand, he floats down behind Sam and sheds his invisibility.
Being visible and being invisible always felt different, but in a way Danny can never describe, no matter how many times he tries to think about it. It's like a gut-feeling, a sixth sense, he always knows when he's visible and when he is not.
His ghost form burns away like steel wool being lit, and Danny drops the last foot to the ground silently. In his other hand lies his thermos, but filled with plain ectoplasm — lazarus water. "I have your food." 
(He brought the thermos for himself — his side was still healing from his last fight with Technus. The ghost impaled him with a broken pipe, and Danny returned the favor by wedging his sword into his chest. Technus had been quite offended by him ruining his favorite coat.)
Sam jumps a foot into the air, and her hand slams across her mouth to muffle the shriek she lets out as she whirls around. "Danny!" She hisses, her voice rising in pitch, and her eyes narrow at him into a glare. "Freaking-- Tucker's right, we seriously need to put a bell on you."
"You have been saying that for years," Danny grins, sharp-toothed and jack-knifed, and passes the container over to her. "And yet I've yet to see any kind of bell." He was going to start getting disappointed at this rate.
As Sam takes the container, Danny hops up onto the railing and looks around. He hadn't seen any of Father's other children lurking around the building before he revealed himself, but that doesn't mean they aren't there. He wasn't going to fool himself into thinking that their stealth skills were poor.
He wasn't that arrogant.
...Anymore.
"Oh you will." Sam threatens, unzipping the container and grabbing the takeout bag. "I'll get you a collar and everything, we can start calling you Catwoman." When she pulls out her fries, Danny snaps forward and steals one from the box, ignoring her indignant yell as he pops it into his mouth.
"I spent my own money on these fries, Sam." He sniffs, leaning away from her with a stifled huff of laughter as she swats at him. "So they are technically my fries. And also, Catwoman would be a poor thief if she wore a bell."
Sam grumbles at him, and takes a bite out of a handful of fries. "I'll venmo you money." She says past a mouthful of food, Danny would have been disgusted in the past, when he was still new. But he's gotten used to this... normality. So he makes no reaction to it. "How does three hundred bucks sound?"
Danny immediately frowns.
"Did you have a fight with your parents?" He asks, eyes glancing to the doors. Doors that are covered heavily by curtains and blurred heavily, decadent music passing through in muffled sounds. He shifts himself away from the light. "You only spend that much money when they've pissed you off."
Sam's chewing stops, and her annoyed expression falters into one Danny knows well -- hurt, furrowed brows, a small frown, disappointment -- and she turns her head away from him. She swallows. "Yeah." she says, quiet.
Oh.
Danny knows that tone too.
Guilt settles like a rock in his chest. He leans forward, "Was it about me again?" He wasn't blind to the disdain Sam's parents had for him, far from it. This wasn't the first time Sam had gotten into a fight with them over her friendship with him and Tucker. But especially him. He unsettled people, even after years of observing his age-mates and trying to mimic their behavior, and anyone who knew him in middle school knew it was an act.  
Sam's silence gives him all the confirmation he needs, and the guilt heavies itself with the weight of the sky. Danny's never much cared about others' opinions of him -- he is (was?) an Al Ghul, they never heed to mind what the weight of a simpleton's thoughts.
But.. he cares a little a lot when it hurts his friends like this. He presses his lips together into a thin line, and forces the words out through his teeth. It sounds robotic. Al Ghul's do not apologize. "I... am sorry." But this one does. It doesn’t come easy. 
Sam sighs through her nose, and turns to roll her eyes at him. "Don't apologize on their behalf when you won't even apologize for your own; their assholes." She says, and goes reaching for more fries.
It's a sign, a signal. A silent word for the conversation to move on, to change. A distraction. Danny grasps it with both hands, and makes an offended noise in the back of his throat. And like he has learned, puts a hand to his chest like a scandalized American southern lady. "I apologize! I apologize plenty."
She snorts. "Only when you think it matters." And pokes him in the ribs sharply with her fry. He withholds a wince and snatches it out of her hands. "You're about as unapologetic as they come, Danny J. Fenton. I've seen you look more sincere when you're trying to drive your sword between Vlad's ribs."
"Stabbing Masters is a very important task for me, Sam." Danny says in only partially faux-seriousness. Masters has yet to realize that Danny had no interest in becoming his son, but he had to (reluctantly) admire his persistence. "Of course I will apply myself to it as best as I can."
He grins triumphantly when Sam laughs, and she reaches over to shove him square in the chest. He barks out a laugh of his own as he grips onto the balcony railing and catches himself at an angle.
"Quit with your method actor talk," Sam retorts, grinning sharply while Danny twists himself back up elegantly. "I know you can talk like a normal person, I've literally seen you do it."
Danny sniffs, and snatches more fries from the carton as revenge. "I'm not entirely sure what you mean, Miss Sam." He says, grin-twisting when Sam rolls her eyes. "My speech has always been this way. This 'normal' you speak of, I do not know it."
She waves her hand dismissively at him. "Yeah, yeah, whatever. But if you keep talking like that, I'm pushing you off the balcony."
"Such violence, Sam."
He gets a laugh again, full of disbelief without any of the annoyance. "I'm gonna be the one that stabs you, oh my god. Pot meet kettle." She looks at him again, smiling.
Danny smiles back, and with a flick of his wrist pulls out a kunai from his sleeve. It was one of the few weapons Mother was able to pass on to him whenever she made her scarce visits. He cherishes it well, along with anything else she was capable of giving him. 
He holds the handle out to her, and watches her face shift from disbelief to shock, then back to disbelief. "Then you're gonna need a weapon to do that." 
"Of course you have a pointy object on you." She mutters, and takes the kunai and puts it in her purse. Danny makes a pleased hum, it resonates low in his core, and drops his hand. "When do you not have a pointy object on you?"
As if to make her point, Danny's hands twist near his side, and he holds his palms up to her, revealing the shobo he had also hidden on him. He gives her a shit-eating grin. "Never." He lowers his hand, and pockets the small weapon once again. 
Sam huffs, "Of course," she repeats, "thanks. I was gonna bring a knife but..."
Danny finishes the sentence for her, kicking his feet idly and knowingly. "The security at the door?" He'd seen them on his flight over the building. It wouldn't do much in the face of the Rogues, but at least they were good at keeping appearances and keeping out the smaller threats.
He rolls his eyes and turns his head away, looking up to the ugly, smog-covered skies. There was no bat signal in the air, and while that was a good thing, Danny almost wished there was. He wanted to see it. "I saw, and I would’ve called Father foolish if he hadn’t hired help. He attracts trouble almost as badly as I do."
"Maybe it's hereditary," Sam jokes, laughing under her breath. With her fries finished, she started on her veggie burger. "At least your dad isn't a vigilante like you are."
Danny smiles wryly. It felt nice to be able to talk more freely about this. That he didn't have to hide the fact that his father was Bruce Wayne, now that Sam knew it from her own accord. Maybe he could have conversations like these more often. Even if it was limited to Bruce Wayne only.
(Even if it felt a little terrifying to know that his father was so close by, close enough that Danny could reach out and touch him. To speak to him. But how would he explain that? And with an audience?)
(He’s wanted to see him since he was a kid, and he still does. It clings onto him like a cough that doesn’t go away after the cold already has, and while it has faded over the years, it clings. His mother’s words still ring in his ears however; it’s not safe. It’s not safe.)
(And isn’t that why he faked his death in the first place? So that his little brother would be safe? Why he gave up the heirship, his home, his Mother, Damian, and his chance to meet his Father? Going to see Father, even now, would be throwing that all away. He has to stay away.)
(Why is Damian with Father if staying with Father was unsafe?) 
He just needed to tell Tucker. Danny wouldn’t keep him out of the loop, he was just as much as his friend as Sam was. His eyes draw towards the door, where the golden glow of lights was still pouring through, where music was playing loudly. "Yeah, fortunately." 
They fall into a comfortable silence after that, and Danny finally cracks open his thermos. The pipe Technus impaled him with was covered in a goo that Danny didn’t recognize, but whatever it was, his injury was taking its time healing. The ectoplasm was speeding it up. 
He isn’t sure what the difference between the ectoplasm that Drs. Fenton collected and Grandfather’s Lazarus pools is, but there’s a difference. He swirls the thermos slowly, watching as the ectoplasm inside twists into a small whirlpool sluggishly. 
When left alone, it thickens into a consistency similar to egg whites, or perhaps a thick smoothie, but reverts back into a water-like substance when moved and swirled. It was strange; unexplainable. He can understand, to an extent, why the Drs. Fenton are so obsessed with studying it and the dimension it comes from. 
Sam watches him idly as he brings the thermos to his lips and drinks from it. The effect is instantaneous, a sense of relief washing over Danny as if someone had put a soothing balm onto an injury. It buzzes down to his fingertips, and when he lowers the thermos, he licks his lips and watches the tips of his fingers burn green like frostbite. 
“Your hair turned white again.” Sam comments, her hand reaching out and touching the hair on the nape of his neck. While it’s not the first time Sam’s touched his hair, it still makes him tense up with her hand so close to his throat. Instinct. dan
He ignores the urge to bat her hand away, humming thoughtfully. “I’ve noticed it does that.” He says, pulling down his bangs to see if they’ve also turned white. No, still black. He lets go. “Let me guess; my eyes are green too?” He lifts the thermos again and peers into the chrome casing. 
Sam nods, “Yep, but it’s only the, uh.” She makes a circle around her eyes with her finger. “The iris part. Everything else is fine.” 
Danny can see that. The faint reflection on the chrome casts back an intense green. He takes another sip. It chills the back of his teeth, and he can feel his canines warp and sharpen. He runs his tongue over them, and swallows. 
Sam is still watching him, her fingers drumming against the balcony railing. “What’s it taste like?” 
“Carbonated.” He says dryly, before taking a large swig. He couldn’t name a specific flavor if he tried, it changed every time he took a sip. The only thing that stayed consistent was that it tasted carbonated. And slightly sweet. When he pulls the thermos away, Danny twists his body towards her and offers it out, wiping his mouth on his sleeve. “Want to try?” 
Her reaction is immediate. Sam’s nose scrunches up and her mouth twists into a smile, and she makes a huffing-laugh sound. “No, thank you.” She pushes it away lightly with her fingers, “I don’t know how to explain to my parents why my hair is white.” 
Right. Danny pulls the thermos away and puts it down beside him, straining his eyes to see if the rest of his hair has changed colors. Even just his first sip would take half an hour to fade back to its normal black, and he was a halfa. He had no idea how long it’d take to fade on Sam, who was human. 
There’s movement from the corner of his eye, and Danny snaps his head towards the source. There’s a figure, small, a boy, trying to hide behind one of the curtains at the door. His form just barely peeking out from the angle Danny was sitting at. He wouldn’t have seen him if the boy hadn’t moved. 
His fingers curl tightly into the railing, and he breathes in sharp. Sam’s smile crumbles away and she turns to see what he’s looking at. “I should go.” He says, and reaches for his thermos. “There’s someone spying on us. Don’t say anything, just look at me.” 
Sam’s expression warps, twists. Her eyes widen, her jaw starts to drop before fixing itself into place, and her shoulders curl up and tense. She forces it all to smooth over, and she leans casually against the railing. There’s a tick in her jaw. “I see.” Her voice comes through teeth. “Do you think they saw you?”
“I am not sure.” Danny says. He keeps an eye on the figure as he twists himself over and grabs the Nasty Burger bag and the container. He tries not to look like he��s rushing. He is. How long has that boy been there? How much did he see? Did he hear anything? 
“Father, fortunately, has privacy films on the glass. Nobody should have seen me unless they’re specifically trying to peep through the door.” He says. The boy seems to realize that Danny was starting to leave. And, his heart beginning to sink, instead of leaving, moves to grab the door handle instead.
No. No, no, no, no, no.
Danny’s breath catches in his throat, he’s hoping that isn’t who he think it is. But how else would he have not noticed an eavesdropper on their conversation unless it was someone who was capable of bypassing those skills? He told himself that he wouldn’t fool himself into thinking that his siblings’ had poor stealth. He got distracted. 
Five years, five years. He refuses to let that go down the drain. He zips up the container and throws his legs over the other side of the railing, his back facing the door. He hears the doorknob click, and without a word to Sam, slips off down the side and down to the ground below.
Just in time. The once muffled music now sounds blaring as the door presumably is thrown open and the pull of invisibility washes over him like a second skin. He doesn't stay to see who it is.
#dpxdc#danny fenton is not the ghost king#dp x dc#dp x dc crossover#dpdc#dpxdc crossover#danyal al ghul au#older brother danny#first danny pov of the au! whoo!#danny's hair turns white if he drinks ectoplasm brrrrr and his eyes turn green. good for him#this sat in my drafts for the last few days until i finally finished it during class#it was a math class and i already knew the material so tis fiiiine. now i just need to finish my CFAU post rewrite :)#ectoplasm tastes like that time i went to go get pepsi from the soda machine and it was all out of the pepsi flavoring so instead i got a#cup full of carbonated liquid. it was disgusting. ectoplasm kinda tastes like that. sometimes.#danny smiles in this more than i thought he would but yk it fits. he IS more smiley around his friends and family.#ectoplasm is a weird non-newtonion fluid and danny is fascinated. its got the consistency of egg whites one minute and then water the next#its a water slime and then suddenly its as brittle as annealed glass. it heats up and rots like milk or it heats up and boils like water#it congeals. it thickens. it boils. it solidifies. it does whatever it wants. it gels and melts into a tar-like substance#how long has damian been standing there? good question. :) i almost had him open the door and make eye contact with damian before falling#backwards. i also almost had it be *bruce* and damian opening the door bc bruce found out that damian pulled a knife on sam and was gonna#have him come apologize. that would be a fun scene. prolonged eye contact prolonged eye contact prolonged eye contact#imagery brrrr. had fun playing with how danny's ghost form works. if anyone has seen a video of steel wool burning thats how i imagine#danny's ghost transformation to be like.#also ayyy balancing danny's dialogue be like “how fancy should he sound and how Normal Teenager Should He Sound”#when sam gets home she catches tucker up to speed about everything including the convos with the waynes she had and they both form the#'“Fuck Them Waynes” squad. Sam has jumped to the entirely wrong conclusion about danny's separation from his family but in her defense.#it is a pretty sound conclusion to jump to considering the lack of context she has from danny's prior home life. which is almost none at al#so to her it looks like danny got abandoned by bruce wayne
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fictionadventurer · 1 month
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Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.
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ziptie-bouquet · 5 months
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Capillaries. Myelin sheathing. Microglia.
I love how the game seems to take inspiration from those simplified cell drawings with bright colors and exaggerated shapes.
I love how the devs seem to have used microscopic images as a reference to make their alien world feel more alien.
I love the way the myelin sheathing is on the cables because it makes electric signals travel at a faster speed in real life... Those designs work and don't feel limited by what they took inspiration from.
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lovegrowsart · 3 months
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it's pretty wild to me that people don't see that aang running off to save katara in CoD is his luke in empire strikes back moment, where he runs headlong into his want and attachment and he's narratively punished for doing so and not learning his lesson - aang runs after katara despite guru pathik's warning, like luke runs after leia and han from yoda on dagobah despite yoda's warning; similarly, as a result, things go to hell in ba sing se like they do on bespin - aang enters the avatar state before he's ready and gets killed, and ba sing se falls to the fire nation, luke fights vader before he's ready, loses a hand, and symbolically commits suicide after vader tells him he's luke's father.
the difference between their character arcs is that george lucas and co. actually went thru with luke's hero's journey and understood the fundamental difference between attachment and love, whereas I don't think bryke understood this difference and then dropped this from aang's arc pretty much completely and replaced it with aang digging in his heels into his want and attachment and he gets rewarded with energy bending from a lion turtle, the avatar state from a random pointy rock, and his forever girl from the self-indulgent white men that couldn't bring themselves to give their hero a compelling character arc that meant he might not have gotten everything he wanted at the end.
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shivroy · 6 months
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season 1
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mewtwo24 · 2 months
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Not to be That Guy but like.
Am I the only one that can't stop thinking about how Tianlang-Jun says about Luo Binghe that he pretends to be cold-hearted like his mother. The hint of fondness there, the heartache in that utterance.
Like it drives me absolutely insane. Imagining her putting on a front of strength, cold and driven and unrelenting. Why does TLJ say that about her. Did she secretly look for solutions that meant reconciling with demons instead of hurting them when her sect wasn't looking? (I wonder this because I feel like his weird fondness for SQQ would lowkey track if it's connected to the woman he once loved.) Did he mean that she was tasked with basically assassinating him and she fell in love with him instead (re: failed step one)? Did he mean that she was fond and doting in her own way (e.g. conceding he was attractive, paying for his exploits and humoring him)? Did he mean that, like LBH, she thought that power would be the thing to protect her--and that it was disguising a person who was deeply and privately wounded? All four????? I don't need sleep I need a n s w e r s
Did she know about the Huanhua Palace Master's skeevy ass intentions before she met TLJ? Or did those only come to significant light after she fell in love with TLJ? Is that why she never anticipated that level of betrayal, because initially she had no intention of being with anyone romantically? And HHPM just assumed she would be under his thumb forever?? Was she furious at her own indiscretion or did she try to use the pregnancy as a bargaining chip, a way to try to stop the immortals of Cang Qiong Mountain from attacking TLJ (plus the bonus of marriage entrapment no takesies backsies this is where LBH gets it from)? Did she try to use that claim on her to dissuade HHPM from his covetous advances, framing herself as tainted so that she could finally escape? Did she dream of a life by TLJ's side, far away from Cang Qiong Mountain?
Like. Literally every single permutation of what this could mean guts me to hell. Do you ever just cry about tianxi because I--[loud bawling noises]
#svsss#tianxi#tianlang jun#su xiyan#like this shit keeps me awake at night#i'm trying to put fic ideas together and every time i go back to that line i just#find myself trying to parse and hone out su xiyan's mannerisms/personality#zzl's descriptions help a great deal but i also love that they're limited in the sense that#1. zzl was clearly scared shitless of/disconcerted with her LMFAO#2. he was suspicious of her (as a cultivator fundamentally) and its fascinating that TLJ did not seem to share this suspicion at all#or one could argue tlj just didn't care beyond his attraction and glee being around her jkahglfdskjhsfkhjg#there is also the hilarious implication that part of what turned tlj on so much about sx is the fact that she could prbly kill him#tlj really said 'i love a woman who can and WILL kick my ass'#'none of that soft power seduction shit manhandle me or nothing'#like he always believed deep down--or at the very least wanted to believe--that she loved both him and lbh dearly#i'm not usually the fix-it fic type but the Way I Need To See Su Xiyan Destroy Huanhua Palace Master's Entire Life.#i just want sx and her boytoy to live happily ever after is that so wrong?#i also think of that person (im so sorry tumblr user i dont rmr who u are at the minute) that said there had to be trust between tlj and sx#because YES. ABSOLUTELY. I AGREE. AND I WANT IT FOR ME#don't mind me just the usual descent into madness anytime i think too hard about svsss#i need to outline damn you airplane and your refusal to expand on LBH's juicy ass backstory#ill never forgive the chinese (joke)
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a couple scribbles i cleaned up. also i think i like drawing him in varying states of distress
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chronicowboy · 8 months
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obsessed with the absence of eddie in buck centric episodes. like i can't explain it very well so this is going to sound incoherent but bear with me here. episodes focused on buck's trauma are always so tightly tied to family, his biological family and the scars they left him with both physical and mental. buck begins and in another life are so heavy on the family of it all and it speaks fucking volumes that in both of these episodes eddie has one scene that sets him apart from everyone else. in buck begins it's the like five second exchange of "i had to do it/i know you did" and in in another life it's eddie being unable to look at buck in the hospital bed. and fuck i don't really know how to explain it without saying things i've said a hundred times before but it's carving eddie out of the family that hurt buck so badly and setting him in his own little category. it's eddie being family outside of the biological barely-a-family buckley family, but it's also eddie being family within the wider 118 family. it's a sanctuary of sorts. buck has the buckleys, buck has maddie as both his mother and sister, buck has bobby, he has hen and chim, he has eddie and the rest of the 118. but buck also has eddie and chris as an entirely separate entity. a family full of trauma (tsunamis and ladder trucks and bullets and lightning bolts) but a family that provides refuge from it rather than causes it. at first it seems odd for eddie to be so absent in those episodes when he's such a huge part of buck's life (and when buck plays such a big part in eddie centric episodes like eddie begins and fear-o-phobia) but it's eddie taking a step back and saying i know you aren't sure of where you fit in because you've struggled with family all your life but we're here, i'm here, whenever you're ready to come home we'll be waiting.
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sepia-stained-sunset · 9 months
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Those panels of Cass wondering how Tim is able to laugh when he's so full of sadness, and Tam calling Tim the saddest person she's ever met? Parallels to me.
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mockingmolly · 2 years
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The 30′s episodes in c2: In our mutual acknowledgment that we’ve been going about things in ways that are A Bit Fucked Up, with much deliberation, and on the condition you still Do Not Ask abt my personal history, I’ve decided to trust you to hold me accountable in an attempt to do better moving forward. Maybe you’ll allow me to do the same? Oh and btw we still think you’re SUPER cagey - could you stop making blood pacts maybe? :/
The 30′s episodes in c3: We’ve only known each other for less than a couple months but we’re family and you all know me better than I know myself. We would and have died to keep each other safe, and those left that *haven’t* died would go through literal hell to return those that did to life. A couple of you have outright tried to kill the rest of us but honestly nbd! we all have bad days :)
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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skitskatdacat63 · 5 months
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I am going to cry, thanks very much!
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threegunbrainrot · 1 year
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i dont have any trigun mutuals so i'm just gonna ramble my thoughts into the infinite void of tumblr. and im sure others have touched on this same topic but
it almost seems like vash is getting softer with every new installment of trigun? like incredibly consistently and incredibly specifically.
let me explain.
i'll start with tristamp and work backwards; the tristamp vash we all know and love there is incredibly adverse to violence.
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more often than not he ACTIVELY refuses to fight and just WON'T draw his gun. this post loosely counted the amount of bullets that he shot throughout all of season 1, and almost ALL of them (like to an insane degree) were dished out against knives, who vash knew was strong enough to take the hit.
the few times vash does draw his gun against a human in tristamp, it's as a blunt force weapon (against the badlads gang and livio, for example) or to disarm others/save someone with ricochet (like shooting the punisher before wolfwood can kill livio).
he just doesn't shoot people. at ALL.
then if we look at 98 trigun, things change drastically.
here, vash isn't afraid to hurt people a little if it means more will be saved in the end. of course he never kills, but he actually shoots people here. not only that...
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he holds a casual, sarcastic conversation while pointing his weapon at people.
he constantly shoots at limbs to immobilize people, fires warning shots extremely close to peoples' vitals, and performs several very insane trick shots throughout the show to wound those with armor.
tristamp vash wouldn't even draw, but 98 struts around firing warning shots into the sky and singing about bloodshed for intimidation! i'm not sure there's a single episode where he doesn't shoot someone at least once.
...so what about trimax, then?
(PLOT SPOILERS AHEAD)
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he is so. shockingly. violent.
of course he never kills. of course he's still trying to save people, but there's this anger in him that i was completely taken off-guard by reading for the first time.
tristamp vash is so soft he's painful to watch. 98 vash makes a heartbreaking effort to be as silly and nonthreatening as possible, constantly making himself out to be the fool. but trimax?
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he's... literally grief-stricken and out for revenge. explicit revenge. he's angry and he's hurt and he lays his intentions out so clearly. he's making THREATS.
seriously:
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hunting legato. HUNTING him.
it's not even a matter of drawing his weapon anymore. he does it constantly, and fires just as much. never to kill, but he doesn't joke around the way 98 vash does. the most he'll offer is a sunny smile to reassure others and nothing more.
i'm not that far into the manga, either. i'm sure there's countless more (and probably better) panels to convey this side of trimax vash, but i suppose it also says something that i've found so many panels depicting this so early on.
but the progression of vash's personality is fascinating regardless.
from a tortured, angry loner desperately trying to cling to his morals for rem's sake
to an equally devastated man who devotes himself so completely to acting the role of the fool
and finally to the sad, chronically depressed shell of a person in tristamp who refuses to so much as draw his weapon.
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