palamedes sextus was so real for writing an insane sequel to a shitty erotica book on the walls of his fucked up little river bubble prison. nothing else going on in there, just the same awful romance novel on repeat 600 times and his own little silly headcanons scrawled all over the nearest surface. outside there’s a million screaming ghosts and the only way to stay sane is to hyperanalyze the same story for eight months. that’s literally exactly what it feels like. he gets it

eughhb couhgh griddlehwrk griddlehark help

questa l'ha fatta Palamedes su photoshop quando erano a Canaan

One of the most poignant things about tlt to me is the way that so many things that could have fulfilled Harrow were always so insanely close to her, but everything about her life on the ninth prevented her from ever connecting to people or being vulnerable in the way that she would have to be to even know that being fulfilled then and there was an option. That one convo Ortus and Harrow have in the dream river version of Canaan House after she realizes that its a false reality, and she's shown that everyone who could stay with her did stay behind to support her. When Ortus apologized to her for how everything ended up, and told her he should have understood more about the situation before. When she mentions how she couldn't trust that her perception was accurate to reality, and then he confides in her that long after his dad died in that ritual, he would hear him turning the doorknob outside the door and its not succumbing to madness it's just that extensive pressure shapes your mind sometimes. Like Canaan House is fake, but that is the real Ortus and the real Harrow and real tenderness that could have been expressed before one of them died if only. All the love Harrow or Gideon could have ever wanted, the other one wanted it too, and the only thing keeping them apart was the cumulation all of the tragedies that were ever part of their home and everything that ever resulted from them. And of course it's a main theme of the book that even if everything could have been fixed and wasn't, the love and understanding that could have fixed it and didn't can and should be expressed just for the sake of that love existing in the open, regardless of whether or not it can do tangible good anymore. And that's beautiful! but it still stings that Harrow spent all life since eleven fully convinced her perception of reality was irreversibly ruined, when one of TWO existing peers could have absolutely assuaged that if even just one thing was a little different.

butchposting: gideon nav and vi + their beautiful girlfriends in the world's most inconsistent artstyle

in harrow's bubbles, was gideon's soul aware of her au's? was gideon's soul aware of how harrow saw herself meeting her in every universe? was she aware how she built entire worlds around her because she couldn't conceive of a universe without her?

harrowhark getting her lobotomy done at claire's

(ps: merry christmas eve! you can't see but we just hit 10k on here... my christmas gift to the world, thank you dearly)

We’ve been played for fucking fools

The Sixth House | Book One

Camilla Hect | Palamedes Sextus

rating ways to advertise the locked tomb

"lesbian necromancers in space": 5/10. technically true, except that gideon isn't a necromancer and for the most part they aren't in space. can also be tonally misleading; implies a fun space opera adventure and fails to mention the impending emotional devastation. that being said it is iconic and (mostly) effective

"murder mystery in a haunted gothic castle": 8/10. MUCH better at capturing the tone and plot of the first book, but still a little off. imagine picking up the book because of this blurb and then watching gideon nav make a mean girls reference in the first 20 pages. the whiplash could kill you

"a locked tomb mystery": 5/10. nondescriptive and a little misleading, but i can't give this any lower than a 5 because the pun is very good. gideon would love this one and that should count for something

"gay goth among us": 10/10. i'm not even going to pretend like this one doesn't nail it. try and argue against this. you can't. captures the murders, the space-y setting, the queer characters, the tone and aesthetic, AND the contemporary humor. chef's kiss

"enemies to lovers 'i hate everyone but you' slow burn": 1/10. true if you squint. the relationship between gideon and harrow would make booktok weep

"catholic homestuck": 9/10. this means nothing and explains everything

this tweet by tamsyn muir:

[Image ID: A tweet by "tamsyn should be writing" @tazmuir: "sure, I edited from 12 o'clock to 4.30, but how much of that time did I spend on the discovery that the basis of my novel is 'what if these two were... teenage girls'", followed by an image of Skeletor and He-Man. /end ID]

10/10. conveys the pop culture savvy of the series, the complex dynamic between the main characters, and the humor of the writing style all at once. also makes me laugh every time i think about it

listen you can’t just post the perfect reference images and expect me to resist

Welcome to The Locked Tomb! Our books are told through the point of view of

-jock stuck at a renn faire murder mystery party

-schizophrenic malnourished teenager granted unspeakable power

-a baby. Like an actual 6 month old infant.

Good luck!

the penumbral lady of the ninth

Reading HtN I was like: “aww, I see! This is all part of a clever scheme Harrow! What is your masterful endgame I wonder?”

And then it’s literally just:

I'm obsessed with this moment in NTN, where we realize that John is no longer the prey but the predator

Girl, you wanna be eaten so bad it makes you look stupid

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