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agendabymooner · 5 months

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pocketful of sunshine || dr3 scenario

dad!daniel ricciardo x mom!ofc (måneskin member!ofc)

POSSIBLE EXTENSION TO HERE COMES THE SUN

Summary: Dark curls, wide smiles, clinginess — Beau Ricciardo, the birthday boy, checked off the list of things that made him the Alpha Tauri driver Daniel’s mini me and the Måneskin bassist Lester was the one to confirm that.

Content warning: WHOLESOME FLUFF, brief Italian dialogue + translation, mentions Lando Norris x OFC (Nicola), zoo trip + an Irwin appearing, Dad!Danny loves his boy so much I might cry, too much fluff, frowny and happy baby, nicknames (‘little par’ = see this fic for reference)

Note: My body is on an all time low rn but I’ve had this in my draft for a while so… enjoy xx

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“Danny~ what’s taking you so—“ Lester Ricciardo abruptly stopped herself from saying anything more as her eyes were trained on her husband and son.

It was as if they were caught in the act, both Daniel and Beau Ricciardo’s eyes widening after chatting amongst themselves over the pair of shoes that Daniel had put on the one year old.

Well… it was more like Daniel was doing the talking while Beau would provide an input or two— a series of babblings that no one really understood. Apparently, putting on Beau’s shoes took longer than expected Lester had to check and see what they were on.

“Wh- mio caro, it’s almost— eleven,” Lester told Daniel with a baffled voice. “The zoo staff will come looking for us if we don’t head there soon.”

“Yeah, we’re done here, look at him,” Daniel presented Beau to his wife with a beam. “Handsome boy, no?”

Lester’s frown softened when she laid her eyes on her son. This little being that once grew inside her body was bigger now and she hated it so much.

Beau Ricciardo was supposed to stay a baby, and it wasn’t as if she could fault him for growing so much. She just wished he didn’t grow this fast.

Beau’s big smile, despite being small, lightened up her world as much as Daniel’s grin and cheeky comments did. He was so much like Daniel.

“Very handsome indeed,” Lester grinned after Beau’s smile widened at the sight of his Mum. “You’re a very handsome boy, bambino. Vorrei che tu non dovessi crescere così velocemente. Credo di poter incolpare tuo padre per questo, eh?” I wish you didn’t have to grow this fast. I guess I can blame your father for this, eh?

It was as if Beau could easily grasp the Italian words that escaped his mother’s mouth as he nodded eagerly.

Daniel laughed heartily at his boy’s response and picked him up, allowing Beau to cling to him. “A smart boy, too. My little bilingual boy,” Daniel praised, giving a peck on his son’s cheek. “Only problem is— are your Zia Cola and Zio Lando ready?”

Now, both Daniel and Lester loved Lando Norris dearly — as if he was family already (god bless his relationship with Lester’s sister and all that) but they both loathed how late he could get on certain occasions. If he was to do that on this occasion— during his godson Beau’s birthday trip to the Australia Zoo — then God only knew what Lester could do to him. He might get strangled or he might be able to get away from it but Lester would aim for the former.

“Oh mio dio,” Lester swore beneath her breath, her face etching with annoyance before she sighed. “Let’s just leave them— we’re going to be late.”

“I’ll call them,” Daniel told his wife, a smile still resting on his face as he said, “You have to relax—“

“Danny—“

“Beau is one today, my darling,” Daniel grinned, eyes widening as a warning as he said, “We can’t be cranky on such a happy day! That right, bud? Can you say ‘sì’, Beau-Bear?”

“Sì!” Beau followed suit, raising his arms up to express his excitement and happiness. If only Beau wasn’t Lester’s adorable baby, his infuriatingly adorable smile would’ve led her to pinch his cheeks hard enough for him to cry.

“See?” Daniel gave Lester a reassuring smile before he reached over to kiss her on the forehead, “Happy day, Lori. Your son is growing big like his Daddy and we gotta be happy about it.”

It wasn’t every day someone got to say that they’d spent their first birthday in a zoo with an Irwin. It was Beau Ricciardo’s lucky day, perhaps. Not that he knew; he was only one.

As he continued to grow, his interest in animals became increasingly apparent. It was one of those things that Lester made sure he knew about, seeing as she spent her free time watching endless National Geographic documentaries about whatever.

Her free time, or rather a maternal leave from her band and some time away from the media, was time spent with her son.

She knew that Beau wasn’t going to be little forever. She could freely stay at home in comparison to Daniel, seeing as she created her own schedule and built her band from the ground up with her friends. Her job wasn’t as demanding as Daniel’s, and perhaps that was why Daniel wished to retire from racing after Beau was born.

The Formula One driver wasn’t able to see his son as much as his wife would, and every minute spent on the track was a minute that prevented him from becoming the best Daddy to Beau.

He never truly pointed that out to his wife, but Lester wasn’t blind and had immediately expressed that his career was what would eventually lead Beau to his successes; after all, they’ve got a future world champion in their hands.

But for now, that future world champion was just spending his time with an Irwin at the Australia Zoo. Beau’s gaze never left the zookeeper as Robert Irwin continued to tell a story about the koala that clung to him.

Lester peered down at her son and caught him staring, making her chuckle quietly and nudge her husband. She gestured to the boy in her arms as Daniel looked down, now giggling as well. Nobody seemed to have caught the laughter shared between the two but Beau as the one-year-old snapped out of his thoughts and looked up to his mother.

“Ha un accento diverso, no, il mio piccolo? Diverso come papà?” He’s got a different accent, no, my little one? Different like Daddy’s? Lester asked in a murmur, peppering her son’s face with kisses before she continued to listen to Robert.

“…And she is extremely clingy. She loves physical affection so would anybody like to come say hi to her?” Robert offered. “Mrs. Ricciardo, perhaps? Would you like to give her some love?”

Lester giggled, “I’ll watch from afar. I’ve got a koala in here myself!” Everybody laughed at the joke, grinning at the boy who continued to attach himself to Lester. “He’s quite clingy as well, too. Much like his Daddy, right, piccolino?”

Beau’s curious eyes eventually led him to reach out to the koala, slightly pulling himself away from Lester as his fingers managed to reach for the fur of the animal. Sadly, his biggest enemy right now was the ground that was waiting for him to fall and Lester’s arms that kept him in one place.

He grunted and squirmed in Lester’s arms. Beau’s curious expression turned sour before he exclaimed in frustration, “Ma!”

“No need to get angry, lad,” Daniel’s typical happy voice dropped an octave, his fatherly voice correcting his son’s behaviour. But Lester’s slight smile had him laughing quietly; they both couldn’t help that Beau’s struggle was adorable.

“Oh, d’ya wanna hold her… I’m sorry, what's his name?” Robert asked the people around him before repeating their answer, “Beau? D’ya want to say hi? C’mon, then lad. Would anybody like to hold Lily to get her close to Beau?”

“I’ll do it,” Daniel volunteered, finding himself grinning at the mammal in his arms as the koala was shifted from Robert’s hold to his.

A photographer, one that was hired for Ricciardo's private zoo trip, had angled to take photos of Daniel and the koala. He then shifted around to take some photos of Beau as the toddler cautiously approached the animal.

When his tiny hand started to caress the fur of the animal, the koala had then nuzzled her face to his hand with a content expression.

Beau looked up to his mother with an amazed look, his mouth forming an ‘O’ shape before turning to his father who, too, shared the same surprised look as him.

Daniel then asked, “What do you think, Beau-Bear?”

Beau turned back to his mother and then his relatives before giggling, patting the koala on the head once more as he grinned endlessly. Lester could really die at the sight of Beau and Daniel smiling.

So much like his father, indeed.

“Beau, Beau— look at Daddy,” the boy glanced at his father before giggling hysterically, hiding at his mother’s chest as Daniel pulled a goofy face.

“A giggly one, ain’t ya?” Lando grinned at Beau, reaching out to Beau and tickling the boy lightly.

“His dad is literally the colour yellow,” Lester’s sister, Nicola, laughed quietly. “Go figures, Lando.”

Lester continued to wrap her arms around the boy as Beau nuzzled closer, her tattooed hand reaching out to massage his dark curls as his face contently cuddled against her skin.

“Look at ‘im,” Daniel cooed quietly, reaching out to rub Beau’s back. “Such a momma’s boy, ain’t you, mate?”

“All he wants is cuddle,” Lester rolled her eyes playfully, her wedding band glimmering under the sun as she continued to play with Beau’s hair. “Cuddle from me. Sound familiar?”

“Oh, hundred percent,” Daniel joked, “that’s all his Daddy, a’ight. You’re also Daddy’s son, aren’t you?”

Beau ignored everyone, only cuddling with Lester as he quietly rested on her lap.

“And now he’s ignoring everyone, too— a true Ricciardo, is what he is,” Lando giggled, poking Beau lightly on the side. “Little par, are you becoming like Daddy? You clingy boy.”

Beau sat straight for a moment, offering his godfather a scowl before resting back on Lester’s chest.

The couple gave each other a look before laughing quietly.

“That was a very Daniel thing for him to do,” Lester grinned. “Look at you and act so cranky? Oh my~”

“He’s so mean when he’s sleepy,” Lando’s mouth gaped open, looking at Nicola with bewilderment.

“Oh now that’s his Mum,” Daniel laughed, “you should see ‘er when she wants to stay in bed.”

“Yeah but out of all the things he could’ve gotten from me, that shouldn’t be one of them,” Lester huffed quietly, nuzzling Beau closer. Then she spoke to her baby, “Bambino— Beau, vuoi vedere un canguro o un orso?” Do you want to see a kangaroo or a bear? She asked, making the boy look at her with a curious expression as he tilted his head.

Lester sighed. Right, she thought, she hadn’t taught him Italian just yet.

Nicola, Beau’s aunt and Lester’s youngest sister, repeated the question for the boy, “Which one do you want to see? Kangaroos or bears?”

Beau babbled, making the adults nod. They didn’t really know what he was saying, yet they nodded as if they knew what he wanted.

“So, see some joeys then?”

“Mm- no,” Beau said, his partial Italian accent thickening for a brief moment after hearing his aunt speak in that accent. Both Daniel and Lester knew that even if he was to grow up in Australia, Beau was going to have an Italian accent. After all, his Mama’s accent was as thick as it could be and she had family and friends from Italy.

But Lando couldn’t help but laugh at the accent that escaped Beau’s mouth as he grinned playfully at the boy, “No? What a cute little accent you have, little par. Oh my god~”

“Alright we get it, he’s Italian,” Daniel rolled his eyes.

“No! But did you not hear him say ‘no’ like that before?” Lando almost fell over laughing, not even noticing the toddler as Beau scowled at his godfather.

Beau’s reactions, despite being a little sunshine like his Daddy Daniel, were copies of Lester’s usual annoyed expression.

Daniel first made this joke when Beau’s uncle Mateo met him for the first time— when Beau unwittingly scowled when Mateo spoke to him in Italian about moving the baby to Italy with him.

Nobody gets this reaction from Beau Ricciardo most of the time. Unless, of course, they happened to be his Uncles Scott, Lando and Mateo. And of course, unless they happened to be Beau’s grandfathers Joe and Giacomo. Oh, and Daniel’s nephew Isaac was another usual victim of the ‘Lester stink eye’ despite hanging around most of the time.

“Stop making fun of the lad, Lando,” Daniel cackled, “look at ‘im, he literally hates you right now.”

Then Beau added, “Mmm— ba!”

“Argumentative point, Beau, but I’ll take it,” Lando stopped laughing and wiped his tear away. “Fine, I’m sorry for teasing ya, little par.”

“Mm- blav- do~“ Beau continued to frown.

Lester and Daniel could cry at the sight of their little man. He was the cutest thing to have ever existed. They wouldn’t trade him for the world.

But Lester was more in love than Daniel was. After all, Beau Lauda Ricciardo was his dad’s little carbon copy.

From the dark curls, dark eyes and cheeky grin— it was safe to say that Beau was Daniel’s little boy indeed. Not even her signature annoyed look could stop her from thinking that her son was, too, an epitome of sunshine and the colour yellow.

♡ moony’s reminder 🅶 (general): @hiraethrhapsody @avaleineandafryingpan @topguncultleader @enhacolor @roseandtulips @woweewoowa @magnummagnussen

#daniel ricciardo #formula one x oc #formula one imagine #formula one fluff #daniel ricciardo imagine #daniel ricciardo fluff #daniel ricciardo fanfic #formula one fic #formula one dad #formula 1 fluff #f1 fluff #dr3 imagine #dr3 #daniel ricciardo x reader #formula 1 fic #f1 imagine

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mysticficti0n · 11 months

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All my attention Part 4

warnings- swearing, drinking, sexual tension, romance, fighting?

words- 3.8k

If you'd like to read the previous parts → All my attention series

a/n- so if you're new here I am British and cannot speak any German, I speak a little French, Spanish and Italian but German- no. I also do not trust Google translate so this is gonna be like an avatar thing (if you've seen the newest one Jake says that their language just became normal or something along those lines) so in reality this is all in German, you as a reader know German but, its wrote in English... make sense? no... well, sorry this part has taken a while- I'm on holiday atm so I probably wont be posting till I'm home BUT I didn't want you to be without, also fucking thank you all so much for the response to the first and second part and now third! I can't believe the response to it, I could've cried because im a baby , love you all

(P.s- this one is shorter and shittier, I've not had much free time so this was written between 2 days- so I'm sorry I promise once I'm home they will get much better and saucy 😉)

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backstory- you are the 5th member of Tokio Hotel and you always thought the love was equally platonic between you and a certain guitarist... but what if that all changed?

"okay rock, paper, scissors who goes first" I smiled turning to him, we balled our fists up and chanted "rock, paper, scissors" Tom held rock and I was paper "YES!" I cheered

"yeah well done" Tom cooed dramatically, I looked around and Tom put his hands back onto my legs fiddling with my anklet I forgot I had on and finally something caught my eye

"eye spy with my little eye something beginning with C" I spoke seeing his eyes dart around the car and out the window

"case?" I shook my head "cigarets?... car?... cap?.... your erm.. cardigan!?" I laughed seeing him become annoyed so easily "how hard can it be... is it in here?"

"yes it is- all around us in fact" Tom's brown eyes widened at my words and he carried on looking

"crisps?... OH Carpet!" he finally called to which I clapped my hands "thats such a shit one" he moaned

"so why did it take you 6 try to get it Thomas?" I asked eyeing him slightly

"shut up- alright erm.. eye spy with my little eye... ah... something beginning with B" he smiled looking at me

"Books?... bottles?...bags?....Bill?.... bandage?... bracelets?... is it in or out?" Tom blew at my words

"sorry what? in or out?"

"yes in the car or out the car!?" he oh'ed at me with a smirk forming on his face

"in" with a nod I carried on looking, I couldn't see anything beginning with B and I began to give up "wanna another clue?"

"yes because I don't have a fucking idea" I grumbled

"its living" my eye squinted seeing Tom laugh at me

"no I give up what the fuck begins with B and is 'living'?!" I called slamming myself back into my seat

"bassist" he purred looking back at a sleeping Georg

"we're not playing eye spy anymore" I spoke turning away from him and looking out the window

"oh come on!" Tom pinched "I'll make it easier" I turned back and saw his eyes look softer, a pout forming on his lips "please" he whined

"can't we just spend time together?" I asked pouting like him

"go fuck yourself Y/n" the guitarist huffed shoving my legs off his lap "I wanna play a game!" angrily he crossed his arms like an annoyed toddler and sunk deeper into the chair, I sat up straight and leant towards him, close to the shell of his ear

"we can play when were home Tommy" I whispered gently to him, his posture became more stiff and he tucked his lip between his teeth, our eyes met and for a long moment we stayed still just staring

"is that a promise?" he spoke back giving me a shiver down my spine, a serious blush colouring my cheeks, I always try have the upper hand when we 'flirt' but I always melt at his words

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I woke up to the feeling of being unbuckled out my seat, my eyes parted to see a smiling black haired boy who was whispering something "oh you're awake, were home sleeping beauty" he let go and moved to be out the way, I looked out to see the sky a beautiful purple and pink then... my home

the orange brick and small patterns in-beaded in the concrete (this is what I'm basing it off, I know its says luxury but I just like the outside look of it! ) and the white windows, it was a refreshing sight, I saw all our bags outside the front door and I practically ran up, I passed Gustav who was looking at the flowers that bloomed around the drive, I opened the door and saw the hall I remember running down as a child and all the family pictures decorating the place "MOM! WERE HOME!" I called listening to where her voice would come from

"OKAY COME OUTSIDE, BRING THE BOYS!" she shouted back, I went and gathered the other 4 and brought them threw the house we all knew to well, we went right through and saw our families chatting and drinking wines, beer and small snacks were laid out "oh my darlings, how was your drive?"

"Long we got stuck for fucking ages" Bill cursed grabbing a beer "happy to be home" we all agreed and grabbed ourselves a beer, cheering them all together and taking a swig, I looked out to the garden seeing my sister in her little house playing with my dad and Gustav's and then our trampoline

"hold this" I spoke to Georg who grabbed my bottle, I took off down the garden and climbed onto the metal and started jumping seeing everyone watching me "Hi Stella!"

"Hi hi Baba!" she waved giving me a gummy smile as she watched me bounce up and down

"Y/N YOU'RE 17!" Simone called

'AND WHAT!" I shouted seeing her laugh, then Bill tapped his brothers shoulder and came down the steps to me and got on the trampoline, we bounced each other laughing as one went higher than the other, soon Gustav joined, then Tom and then finally Georg and soon we were making everything a competition "I CAN GET HIGHER!" I called as everyone jumped shooting me into the air "AHHH HOLY SHI-" I screamed as I came back down, we played crack the egg and alligator and gazelles but then my dad came and pulled us off

"we have guests, they've come to see you all- so behave and grow up will ya" he warned as we all rolled our eyes "ah- say it"

"yes sir" we all groaned walking back up into the house seeing our parents hugging someone "who is it?" Gustav asked grabbing his beer again

"dunno" Bill spoke trying to see over the group "looks like a women?" I thought to myself but came to no avail

"Y/n, Bill, Tom you remember Scarlett and her family right?" my mom asked bringing a women forward, she had dark brown hair and very fair skin, I looked to the twins who like me had no clue

"erm.. yea of course, Scarlett lovely to see you" Tom spoke first sticking his hand out with a fake smile

"oh Bill! look how grown up you are" she pulled the wrong twin into a hug

"oh no thats Bill, this is Tom" my mom laughed patting the taller twins shoulder

"oh I'm sorry boys- you look so similar!" I watched as the two eyed each other, with their totally opposite style that they've had since the late 90's you'd think people could differentiate the two

"ah yeah" Tom replied as the women hugged his brother

"and Y/n you look so different, what happened to your hair? and you have so many ear pricing! and you have boobs!" she chuckled giving me a hug

"yep- comes with being a girl" I spoke awkwardly "oh and this is Gustav and Georg" the lady waved to them to which the two smiled "how are you anyways" I asked trying to redirect the conversation

"good good, moved house, re-married left that cheating fucker I called my husband- 5th marriage now" Scarlett grinned making us go wide eyed "but you know, me and Benson and Zach, my youngest son who I don't think you've met tried to get tickets to your concerts, I remember how you 4 used to be amazing friends but obviously went different paths.. well actually- Benson doll come here, come say hi!" my eyes went to the two boys who shrugged not remembering a Benson, soon a tall-ish blonde boy with blue eyes stepped forward "no- get your brother- they don't know you" she hurried making me cringe slightly for the boy who frowned

"its alright if he's busy scar, they can say hello later" my mom smiled placing her hand on Toms arm

"no no- ah here you are, remember-"

"holy fuck" I spoke seeing the boy, well now man. Very tall, black haired, freckled faced, green eyed boy who I remembered being a awkward, snotty, weird little kid "ben?"

"Y/n god its been years" he spoke, his voice was deeper and rougher "Bill, Tom" he shook their hands and the two smiled remembering our old friend, he moved to me hugging me

"you've changed dude" Tom laughed staring at him

"I know, I thought I should make something of myself, I mean I look at you three and i'm shit compared" a snicker left my mouth and he joined in "yeah I mean, we all moved on right" he looked back at me and I saw his eyes travel along me and a smirk on his face "we all changed"

"ah-well erm... what are you doing now or?" Tom joined coming closer to me and putting an arm around my shoulder pretending to get comfy but I knew what he was doing "got a girlfriend?" I looked to the dreaded boy who didn't take his eyes of the other boy

"oh no no, can't be arsed with all the girl stuff, to much work I'd rather get my fair share, sorry Y/n- anyways, I'm an electrician.. don't want to bore you all so I'll let you go but erm, we should catch up so I can here all about your guys concerts" he looked back towards me

"yeah we should, maybe we could meet you at a bar?" I asked seeing the twins eyeing the boy again, Bill had a frown watching him

"ah well- they have their own lives I was thinking me and you? like a date maybe at my place?" I laughed slightly but Tom stepped in before I could even get a word out

"yeah she has her own life too but we have to relax for a while, we've been on tour and we have a radio show thing tomorrow night- thats our life so..." I saw Bill laugh

"basically were saying you're not putting your cock in her Ben- you're still as weird as you when we were kids" the other twin spat getting a glare from Ben and his mother who stood looking at Bill with a lopsided smile

"I think Y/n can speak for herself" she quipped making me roll my eyes

"look its nice n all, and you're a very.. nice guy but you kinda ruined it by saying having a date at yours, I've traveled all over and I know I maybe a girl but I'm not stupid- were not gonna fuck" with a huff he went to turn away

"its fine, id rather not be known for sleeping with the chubby slut side singer from a band sad fuckers listen to anyways" my jaw dropped, who the fuck did he think he was talking to?

"watch your fucking mouth" I spoke seeing the families turn to look at me, he smiled looking down at me "don't fucking smile at me because I'll carve you into the floor you dick" I hissed shoving him away as he tried to step forwards attempting to intimidate me

"okay calm down sugar" at that I felt the arm that was around me go and Tom was over the boy pushing him back

"TOM!" his mom called "BILL GET YOUR BROTHER!" he 'tried' pulling his brother off but he was enjoying this, Bill loved drama "Gordon grab him" she spoke shoving her boyfriend at Tom. The boys step dad grabbed him away and Tom shouted a few words back at him

"DON'T FUCKING TRY- YOU WONT DO SHIT" Tom roared trying to push off Gordon who was holding his shoulders talking to him to get him away, my mom was ushering us away, our fathers stood watching cheering on Tom, not helping the situation getting angered stares from the women

We watched as Scarlett went out shouting things to her son and waving my mother bye, with a breath it was time to face the words of our mothers "what was that for!" my mom Angelica spoke with a growl

"mom it wasn't Toms fault" I began seeing her shake her head "he was trying to get me to fuck him, they were sticking up for me"

"Tom, Bill Is this true?" Tom nodded taking a sip of his beer

"then he called her chubby and a slut! like come on Angie in makes sense why" Bill added and my moms eyes shot up

"what!" Simone spoke standing from her seat "that bitch" my mom shot her a look and she sat back down

"well Tom, you two as well, I understand why it happened. carry on" we nodded and walked to Georg and Gustav who were laughing

"had fun?" Gustav shoved his friend

"fuck off" Tom whispered staring out to the garden

"I think I'm going to change" the boys nodded and I lifted my drink and made my way up stairs to my room tabled 'my little sunshine' the sticker had been on there since I was born- It was a nickname only my mom called me and I knew if she didn't say it I was in a lot of shit. I looked in the mirror and saw in the reflection the large poster of Tokio Hotel I had above my make-up desk, It was us doing our 'signature' pose pointing to the camera with our bad bitch faces on as Bill said. I took off my shirt leaving me in my baggy jeans and a bra with lace curling around it, I walked to my window which looked over the back garden and watched as the boys were now playing with Stella, it looked like they were having a tea party of sorts which made me smile, I loved how they treated Stella like their sister too

"Y/n can I come in?" a voice startled me as his face appeared around the door

"fuck, yeah come in, I thought you were outside still" I laughed seeing Tom but his face didn't copy mine- he was still angry, he perched on my bed looking around the room "I think I might redecorate its little, dated" he nodded but his eyes went back to me

"I'm sorry" I furrowed my eyebrows

"for what?, you were sticking up for me I'm not going to be like 'ugh Tom how dare you!' am I?" a small smile cracked on his lips

"I keep being really... over the top I guess, like say you did actually like Ben and I just acted like that?" I rolled my eyes sitting myself next to him placing my hand on his knee

"I would've told you to back off- so don't worry" his eyes drifted to mine and turned softer, I moved my hand to his jaw and let my thumb caress his cheek "and I like you being protective over me, so you're fine"

"you're to good to me" he spoke watching me closely "and I could be a lot more protective of you, if thats what you like" his voice was a sultry whisper, I neatly melted to his words, I think he realised when he chuckled deeply causing me to just shudder, our foreheads knocked onto each others, our lips brushing each others

"okay pretty boy- lemme change" Tom's face lit up slightly with a blush but he sighed laying back on my bed covering his eyes "fine" I accepted he wasn't going to leave which in reality didn't effect me, I got changed infront of him a lot so quickly I pulled out a black tube top, my zip up hoody and sprayed myself with my 'can can' spray

"that smells good" he stood up coming to stand behind me, arms circling my waist "remember what you said earlier?" he spoke in my ear pressing a small kiss to my jaw

"I do, but people will be wondering why you've got a boner so... and you can't really say its from your best friend because she's so sexy and turns you on beyond any other girl in the universe can you?" I smiled turning to him, I knew I was torchering him "and then everyone will know you have a crush on me, because I'm so perfect"

"you play a hard game Y/l/n" I grinned turning myself in his arm so his hand was on my back "literally"

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the moon rose into the sky, Stella was in bed and we were all sat around a small fire the dad's made, my mom and Gustav's mom were making cocktails in the kitchen while Georg and the twins mom chatted while sipping on some wine from earlier, leave us five talking about our shows

"I think we could be more extravagant" Bill spoke "more lights and make the ground shake uno?"

"yeah I want to be deaf at the end" Gustav added taking a bite of a sandwich

"maybe we should try traveling more with tour? like going to America and England, Mexico" I asked cuddling into the blanket we had

"hot chicks in England" Georg added cheersing Tom with their beer "and guys for you" we all laughed and soon Gustav's mom came out with a tray of drinks, 5 cocktails and 5 shots, followed by my dad holding a camera

"we are calling these 'Tokio Hotel martini'!" she called handing us glasses full of a purple liquid "its 3 ounces gin, ½ ounce maraschino liqueur, ½ ounce freshly squeezed lemon juice, ¼ ounce crème de violette, ice and Cocktail cherry for garnish!" she smiled "and here's some vodka" a laugh left our lips as we all quickly grabbed one "enjoy!" we all tapped the shots twice onto the table and knocked them back and quickly chased it with the 'Tokio hotel martini' which was delicious to say the least

"mom these are amazing" Gustav hummed "thank you" we all spoke together

"you can tell they're our children" Simone began wrapping a arm around my mom "little shits" she smiled

"thanks mom" Bill grinned

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The night turned into just everyone relaxing, Georg and Bill went up into the spare room and to sleep, Gustav was playing pool with the dads while me and Tom sat with our moms and drank different alcohol that was set out, I was sat leaning on the arm of the chair and my legs over Tom who was stroking them without a thought

"what times that interview thing?" Alexia Georg's mom asked tapping me on the shoulder

"erm... I'm not sure- Tom what time is the-" he looked over answering before I could finish

"starts at 6" he went back to his conversation and Alexia only giggled

"6 then, how come?"

"well we were thinking of booking a meal, as like a celebration and inviting all the grandparents because they've missed you all, so you think it would be done for 9?" I nodded seeing her walk into he house and pull the phone off the hook, I turned back to the dreadlocked boy and just found myself staring at him, just the way he looked while in a serious conversation but then a smile appearing on his face when a joke was made, the way he held me like I was his but I knew it was just a platonic sort of thing, we'd never done anything besides kiss, I knew I'd never be his- I wasn't going to be mad if he did find girls I mean come on its Tom Kaulitz he could get any girl, I was just lucky we were so close anyways, all I knew is that he liked making out with me and occasionally I looked pretty to him

"thats what I said to Y/n, because we want one...yeah what do you think?- Y/n" I was snapped out my trance by him shaking my leg gently

"sorry what was that?" I asked bring myself to the conversation

"getting a tattoo" my mouth made a 'O' shape and nodded

"yes oh my god I want so many but we want one for the band" Tom nodded looking back to the women "and I want to get some more piercings, like the middle of my lip and nose" my mother shook her head

"why your nose! its so cute" Bella Gustav's mom joined "'the lip will look badass though" I smiled seeing my mom sigh at her friend not being very helpful "what! come on Angelica lighten up"

"you'll love it mom!" she nodded rolling her eyes

"well its getting late- I think you two and Gus should go up to bed, its already.. fuck 12:30, Yes bed" She began pulling me and Tom up and calling Gustav over, we hugged and kissed everyone goodnight and made our way into our rooms, Gustav walked in and just fell onto the air mattress on the floor, I looked to see Georg and Bill sharing the bed, Bill had stolen most the blanket as usual so being the good friend I am I went and grabbed an extra blanket for the bassist and placed it over him

"let me walk you to your room" Tom whispered grabbing my hand and pulling me down the corridor into my bedroom, the room was dim but I could make out where he was and the smirk along his lips "I saw you staring at me" I tried to avoid his eyes "oh so you wont look at me now huh?" he pushed and I stayed silent, embarrassed of how he saw me, his fingers curled under my chin and pulled my face to meet his which looked softer "you're okay Y/n" Tom pulled me closer which I didn't even know was possible, my heart began beating quickly, it felt as if it could leap out of my chest at any moment. Our eyes met for a brief moment again before he leaned in and pressed his lips gently to mine. In that moment, time seemed to stand still as I melted into his embrace. Every inch of my body was on fire as I smiled feeling his breath on me, the kiss felt different, and had more meaning then the ones before "fu-fuck you're so beautiful" he hummed. Together we stumbled to my bed where he fell below me, I crawled to be closer to him, Tom's hands searching my body but quickly finding themselves comfy on my waist, I held his face between my hands, smoothing his skin with my thumbs. we parted with dopey smiles smothering our faces, lips pursed and eyes open only slightly "actually I prefer looking at you from down here"

"oh yeah- bet you do" I laughed feeling him sit me on his hips which a small yelp left my mouth "sorry" the guitarist only grinned moving his hands onto my thighs with a sigh "what?" I asked

"what are we?" a question I had actually wondered a lot about "I know what I'd like to be"

"and whats that?" I spoke leaning closer to him, letting the smell of his cologne and beer fill my nose

"yours"

#bill kaulitz #georg listing #gustav schäfer #kaulitz twins #tom kaulitz #tom kaulitz x reader #00s #tokio hotel #tom kaulitz imagines #germany #tom kaulitz icons #monsoon #Scream 2007 #2007 #y2k nostalgia #2000s

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theyhavetakenovermylife · 6 months

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Bayverse Headcanon: What kind of music do they like?

Idk why I had to do this, but I just had to.

Also, one day I might make more detailed versions of these scenarios.

Warning: Long af, spelling bc I'm dyslexic.

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Leonardo:

There are a few sides to the leader in blue. The part that sits in the dojo for hours, meditating in complete silence. Probably one of the few things he had to practice on - meditating with noises all around him. And then there’s the part of him that listens to music, while doing mundane things. Whether it would be cleaning his room, taking a shower, a warm up before training or just chilling in his room or on the rooftops. Leo do enjoy music a lot, he just has clear rules for when he can hear it. No modern music in the dojo! Martial arts should be honored, and to do it in other that silence would be an insult to the arts and the old masters. But outside of the dojo, it would be possible to find Leo with a pair of headphones on every once in a while.

Leo is a rock kid. Not heavy metal - no - that is just not Leo’s kind of music. But old school rock and maybe even glam rock. It was usually music with prominent guitar or bass that he often found himself listening to. It kind of fitted the way he saw himself. Th stoic leader on the rooftop, fighting with an edgy soundtrack in his head. Edgy and cool being the way he described it in his own head. It gave him a slight tingle in his stomach, when he jumped from roof to roof with his headphones on, listening to certain rock songs. He felt like a true leader, jumping high over people’s head, listening to “Zitti E Buoni” by Måneskin. When really feeling it alone in the shower, with the same song booming from his blue bluetooth speaker, he would channel his inner Damiano David, singing along to the fast part without any mistakes. Now, Leo is not usually the one to sing along to songs. He doesn't even hum that often, but when he does, it is usually in the shower. But there was this one time Raph walked past the bathroom, while Leo was screaming his heart out to a Måneskin song. Usually Raph would find a way to make fun of his brother for such a thing, but this time Raph decided not to, mainly because it didn’t sound near as bad as Raph though Leo’s singing would do.

Another artist Leo would be singing along to in the shower is Micheal Jackson. He might even do a few dance moves, but he would NEVER IN HIS LIFE, do them outside of a locked bathroom.

One of Leo’s favorite bands had to be Blur. He really liked Damon Albarn’s voice and the guitar of Graham Coxon, and would often find himself listening to them before going to bed. At one point, Leo even tried to sneak out to see all of Blur play live. Did he get in? Yes. Did he watch them from somewhere just below the roof? Yes. Did the bassist spot Leo, blink in confusion, only to look back up to find the spot Leo had been hiding in empty, with Leo having fled the scene? Yes, and that’s why Leo doesn’t do concerts anymore. But he never told his brothers. Mikey would not be happy to know that Leo had sneaked into a concert, while having told Mikey time and time again that he wasn’t allowed to.

Leo has a thing for languages when it comes to music. He grew up in New York City with English as his first language, with Japanese from Splinter following right after as his second. He decided to learn Spanish, just in case it would get useful, and since he had an Italian first name, he also learned Italien. That would probably explain some of his love for Måneskin. But Leo just really liked languages. He doesn’t have to understand the lyrics in order to enjoy it. One prime example of that is the song “Stefania” by KALUSH and Kalush orchestra, even though it is hip hop in genre. Did Leo understand any Ukrainian? Nope. But did he have a general idea of what the song was about, and found the Ukrainian language beautiful and interesting? Yes, very much. He found the courage of Ukraine inspiring, and would often use that inspiration in his training, which is why this is one of the very few songs he will actually train to outside of warm ups.

A true bedroom song for Leo is “Demoni” by Joker Out. He wouldn’t do much while listening to that. He would just lay in bed with headphones one, eyes closed while either bobbing his head or right foot to the beat. Leo isn't much of a dancer, but more a bobber. That was usually how his brothers knew if he liked a certain song; he would bob his head slightly to the beat. That only fueled Mikey’s imagination, creating a picture in his head of Leo head banging in his room to heavy metal, but that couldn’t be further from the truth. Stoic Leo didn’t head bang, but he did move at least his head or foot lightly.

Now, what does Leo’s brothers like about his music taste? Well, to be honest, most of the time they weren’t too sure what kind of music Leo liked. They did know that he was into rock, and they knew very well that at this point that he liked Måneskin and Micheal Jackson. But there was this one time while driving the garbage truck, that Leo somehow got in charge of the aux. None of the guys really knew what to expect, but “Gladiator” by Jann wasn’t it. Mikey even said something along the lines of; “emo Leo doesn’t listen to My Chemical Romance”, causing Leo to remember once again, why he normally didn’t want to be in charge of the aux, and liked keeping his music to himself.

Raphael:

Raph listens to music quite often. Probably not as often as Mikey, but still at way more than Donnie and Leo. One of the main reasons why Raph listens to so much music is - you probably guessed it - training. He would often lift his weights to the beat of the music, in a way that most humans could only dream of doing. But he would also listen to music on his own, either riding his motorcycle through the streets of New York City at night, or while knitting in his room.

A favorite song of Raphael’s to ride his motorcycle to was “Would You Ever” by Skrillex and Poo Bear. Swerving in and out of traffic, causing people to yell in anger in his direction, or causing groups of girls to giggle and point at the mysterious bad boy that just rode past them. Covered in a helmet and covered in a big leather jacket and cloves, he looks like a big hunk of a man, showing off his motorcycle. But would Raph play his music out loud while riding down the street? Normally he would not. But there was this one time he just couldn’t help himself. Stopping at a red light, Raph found himself beside an open roofed car, filled with giggling human girls. Most of them were tipsy, and Raph wouldn’t be too surprised if the girl in front of the steering wheel was too. Obviously, they had something for big guys, as they started asking about his name, how old he was, where he lived, or if they could get a ride on his motorcycle. Or if he would come ride with them. Raph didn’t say anything, he just pressed a button on his motorcycle, causing the music to disconnect from his helmet, and started playing from his motorcycle speakers. He saluted them, just as the light turned green, riding away while the girls stared at him in awe. In his opinion, it was very much worth it.

Raph has quite a few songs he liked lifting weights to. One of them being “Hello” by Will.I.Am. When Raphael is lifting weights, he will do it proud and loud, playing his music on a red speaker, much to the annoyance of Leonardo, who very much wants to meditate. When it came to boxing, Raph would often listen to Eminem, hyping himself up with the music or the angry lyrics, causing Mikey to ask him what the hell Eminem had done to him, since he would get the need to hit something whenever he heard his voice.

Raph would almost always find a reason to listen to Eminem. When Raph was angry and wanted to hit something; “Kamikaze”. Should Raph ever find himself mad at a woman; “Farewell”. Was Raph ever in a good mood and just wanted to dance and have fun; “Shake that”. But somehow, when Raph was sad, he wouldn’t listen to Emniem. If he was sad and decided to box, he would listen to The Weeknd. Mikey caught on to that pretty fast, and would do his little brother duty to bring up Raph’s mood, whenever he would hear the voice of The Weeknd from Raph's room.

Like Leo, Raph would also listen to music while showering. But it was while being alone in the bathroom, that Raph would listen to much that wasn’t often associated with big angry muscle men like him. It would often be more pop than electronic or hip hop. And god, how Raph hoped none of his brothers would hear him sing along to “i don’t wanna talk about love”, by Micheal Medrano. Raphael could just shut up and shower in silence, but nope, a man got to groove in the shower. Luckily for Raph, only Donnie had heard him once. Had Donnie laughed his ass off as soon as he got to his room afterwards? Yes, oh my god yes he had. But did he tell Mikey and Leo about it? Nope, he did not. But he did tell April and you about it though, and what a laugh you guys had over the phone.

Raph would never admit it to anyone, but he did listen to Madonna, and he did enjoy it. It started with “Future” by Madonna and Quavo, and before he knew it, he was sitting in his room enjoying both “Like A Prayer” and “Like A Virgin”, which led to him singing “Hung Up” in the shower. Madonna would lead to Dua Lipa, and before Raph even realized what was happening, half of his playlist would be pop power women. Loreen, Lady Gaga, old Miley Cyrus songs. And did he know the lyrics? Oh yes he did. And one time, his brothers would catch him listening to at least one of them.

It was one of those days where each turtle seemed to be doing their own thing, which left Raph alone with his work out equipment and his speaker. As usual it started out with Eminem, Juicy J, Kanye West and others, before suddenly “Rendez Vouz” by INNA. That caught Mikey’s attention, and once he heard and saw Raph dance and sing along from his hiding spot, he went to find Leo and Donnie. And oh, how they fought to keep from laughing when Raph started feeling himself too much, working out to “Work Bitch” by Brittney Spears. After that, the phrase “get to work bitch”, was used quite often around Raph.

Donatello:

The purple scientist is very straightforward with his taste in music. If he likes it, he listens to it. He often has music playing while doing stuff in his lab. Sometimes calming lofi music in hopes that it could get him sleepy, but that usually didn’t work very often. Instead Donnie would often find himself listening to music from the indie scene, or what some people on the internet might call vibey music. Aesthetic music. What aesthetic, you might ask? Well, Donnie had no idea, and he most differently thought that the internet had no idea either. One of these so-called vibe or aesthetic pop songs was “HEAVEN AND BACK” by Chase Atlantic. Tapping away on his computer or connecting whatever hard drive, he found that the music helped him concentrate at the task in front of him.

Though Donnie didn’t seem to notice, his brothers did. Most of the songs he listened to had some not so happy lyrics. Often quite depressive, covered over with bass, keyboard, drum kit and sometimes even a saxophone. At one point Leo had brought this concern up with Donnie, causing the purple turtle shrug.

“Music is music. I listen to what I like”, he said, making another cup of coffee, before going back to work in his lab.

Those few times Donnie finally left his lab to relax in his room, he would read a book, listen to songs like “Quite Quitting” by NOT A TOY. To Donnie, music was mainly background noise, helping him to shut out his loud brothers so he could focus. What the lyrics said didn’t bother him too much. But there is one thing Donnie notices in most of the music he listens to; a smooth bass. It didn’t have to be a loud bass, often becoming part of the background with the drums, being overshadowed by smooth special effects or the singing. Donnie really like bass, but he also like smooth keyboards. There had been times where he had thought of getting a bass or keyboard, or maybe even make them himself. Mikey had his drum set, so Donnie might as well get a few instruments of his own.

Like Leo, Donnie liked to listen to music on the rooftops every once in a while. But unlike his brother, Donnie would usually stay at the same roof, remembering the names of stars, plants and constellations on the sky above him, while listening to songs like “ALIENS” by The Griswolds and Transviolet, wearing big soft headphones. Comfort over looks was important for Donnie, and being a mutant turtle hiding from the people of New York City, he didn’t give a crap about what his headphones look like. He thought they were nice, and he likes to wear them, and that was enough for him. His brothers, on the other hand, thought they were chunky and strange, to which he could only say it was good they were his headphones and not theirs. And it was at nights like those, that Donnie thought of how, maybe his brothers were right about his taste in music. He might be a little different from them, like how the alien was described in the song he was listening to. Not that he worried too much about it. He liked his head and the brain inside it, and with that came being different. That’s just how it was.

But not all the music Donnie listens to is filled with sadness and depression. Songs such as “Strange Clouds” by ufo ufo were a good morning song according to Donnie. When he woke up after finally having had a full night's sleep, he would listen to songs like that, while making breakfast or making his coffee. But then later in the day, sitting in front of the computer screen, once again not being able to sleep, he would listen to stuff like “Numb” by 8 graves. It was the lyrics from that song that had made Leo’s alarm bells ring. Mikey on the other hand wasn’t too worried. He just called Donnie’s music taste “calm edge lord, that doesn’t need to try hard”.

Now, if there was one artist Donatello had to say was his favorite, it would probably be Mystery Skulls, especially “Stronger”. A nice bass in front and center, backed up with synth all around. But Donnie also really liked Luke Black. Way different from all the other music Donnie would listen to, yet he really liked it. He would probably never admit it to his brothers, but he did listen to the lyrics of Luke Black, and he did find it more than a little interesting.

Michelangelo:

Mikey - or as he like to call himself; DJ Mikey - listens to music all the time, every day, everywhere, rarely turning down for the sake of any of his brothers, blasting it oh so loud on his orange speaker, only putting headphones on if his brothers threatened him. Or if Master Splinter asked him to.

He sang along, danced along, sometimes even to the embarrassment of others, like the many times he would scream along to “Turn It Up” by Oliver Tree, Little Big and Tommy Cash.

Mikey likes big, loud and up beat music. Something he can move his body to and be his little happy self. It could be anything from pop to hip hop, maybe even electronic or EDM. It would usually consist of him listening to the same few songs over and over again, until he is getting slightly tired of them, while his brothers are ready to rip their heads off, or maybe dig into their skulls to rip their ears out.

With Mikey being his small ADHD self, it wouldn’t be strange for him to listen to music made by people with ADHD for people with ADHD, making a big deal out of it. One of those songs being “Irresponsible” by Emei. There was this one time he almost made Donnie deaf by blasting the song into his ears while scream: "This song is made for me!"

Much to Leo’s annoyance, Mikey didn’t follow his rule of “no music in the dojo”, since Mikey often found it easier to train with music. This man can do all of his katas perfectly, if only “Hypnodancer” by Little Big is playing in the background.

If there is one thing Mikey likes, it is listening to “Pac-man” by Gorillaz, and making eating pizza into his own version of pac man, in which his brothers are the ghosts, and he has to steal pizza from them. At this point, his older brothers know to keep a good eye on their food as soon as that song starts playing... Or if he just plays Gorillaz at all.

Another thing Mikey likes when it comes to music, is when his brothers somehow enjoy what he’s playing. It had happened before, and it would most likely happen again. Mikey sat in the middle of the lair, happily dancing where he sat while reading comics, playing “Go Bananas” by Little Big. Raph didn’t growl at him from his bench press, but instead started to lift the weights on every other beat. Donnie sat at his computer, pressing the keys of his keyboard in beat with the song, probably without noticing. And Leo was bobbing his head ever so slightly while sharpening his katanas. This had Mikey over the moon, which only caused him to want to play more music for his brothers. Every once in a while they would let him do it, just to make their little brother happy. That was the main reason why Mikey is the aux guy.

When Mikey decided to skateboard, he would most often do it with old school hip hop playing. As a turtle in the sewers of New York, that only made sense to him, which is why he often would skate up and down the sewers, vibing with “The Message” by Grandmaster Flash & The Furious Five. And of course Mikey could rap the whole thing. Now, this was one of those few songs that Leo, Raph and Donnie didn’t mind Mikey playing over and over again.

But then there were those times on patrol where Mikey just would start singing out of nowhere. When he started breaking into “Sax” by Fleur East, complete with thought out dance moves in the way only Mikey could do it, Raph was ready to throw him off the roof and down to ongoing traffic.

It would be no surprise to tell you that one of Mikey’s favorite artists is Little Big, and that he also loves Gorillaz. But he would also quite often listen to the music that his brothers were playing. He very well knew that Leo loved listening to Blur, and that most of Raph’s playlist was made up of power women, and that Donnie’s secret favorite was Luke Black. And of course Mikey could sing every single word to the songs of his brothers' favorite artists, being the little attentive brother that he is. And because his music taste had room for more than theirs had.

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You can tell I’m European, can’t you?

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tutyayilmazz · 8 months

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The sheer number of older and more experienced professionals involved in Måneskin introduces a tension between the rock conventions that characterize their songwriting and the fundamentally pop circumstances under which those songs are produced. They are four friends in a band, but that band is inside an enormous machine. From their perspective, though, the machine is good.

The American visitor to Rome arrives with certain preconceptions that feel like stereotypes but turn out to be basically accurate. There really are mopeds flying around everywhere, and traffic seems governed by the principle that anyone can be replaced. Breakfast is coffee and cigarettes. Despite these orthopedic and nutritional hazards, everyone is better looking — not literally everyone, of course, but statistically, as if whatever selective forces that emerge from urban density have had an extra hundred generations or so to work. And they really do talk like that, an emphatic mix of vowels, gestures and car horns known as “Italian.” To be scolded in this language by a driver who wants to park in the crosswalk is to realize that some popular ideas are actually true. Also, it is hot.

The triumphant return to Rome of Måneskin — arguably the only rock stars of their generation, and almost certainly the biggest Italian rock band of all time — coincided with a heat wave across Southern Europe. On that Tuesday in July the temperature hit 107 degrees. The Tiber looked thick, rippled in places and still in others, as if it were reducing. By Thursday morning the band’s vast management team was officially concerned that the night’s sold-out performance at the Stadio Olimpico would be delayed. When Måneskin finally took the stage around 9:30 p.m., it was still well into the 90s — which was too bad, because there would be pyro.

There was no opening act, possibly because no rock band operating at this level is within 10 years of Måneskin’s age. The guitarist Thomas Raggi played the riff to “Don’t Wanna Sleep,” the lights came up and 60,000 Italians screamed. Damiano David — the band’s singer and, at age 24, its oldest member — charged out in black flared trousers and a mesh top that bisected his torso diagonally, his heavy brow and hypersymmetrical features making him look like some futuristic nomad who hunted the fishnet mammoth. Victoria De Angelis, the bassist, wore a minidress made from strips of leather or possibly bungee cords. Raggi wore nonporous pants and a black button-down he quickly discarded, while Ethan Torchio drummed in a vest with no shirt underneath, his hair flying. For the next several minutes of alternately disciplined and frenzied noise, they sounded as if Motley Crüe had been cryogenically frozen, then revived in 2010 with Rob Thomas on vocals.

That hypothetical will appeal to some while repelling others, and which category you fall into is, with all due respect, not my business here. Rolling Stone, for its part, said that Måneskin “only manage to confirm how hard rock & roll has to work these days to be noticed,” and a viral Pitchfork review called their most recent album “absolutely terrible at every conceivable level.” But this kind of thumbs up/thumbs down criticism is pretty much vestigial now that music is free. If you want to know whether you like Måneskin — the name is Danish and pronounced MOAN-eh-skin — you can fire up the internet and add to the more than nine billion streams Sony Music claims the band has accumulated across Spotify, YouTube, et cetera. As for whether Måneskin is good, de gustibus non est disputandum, as previous Italians once said: In matters of taste, there can be no arguments.

You should know, though, that even though their music has been heard most often through phone and laptop speakers, Måneskin sounds better on a soccer field. That is what tens of thousands of fans came to the Stadio Olimpico on an eyelid-scorching Thursday to experience: the culturally-if-not-personally-familiar commodity of a stadium rock show, delivered by the unprecedented phenomenon of a stadium-level Italian rock band. The pyro — 20-foot jets of swivel-articulated flame that you could feel all the way up in the mezzanine — kicked in on “Gasoline,” a song Måneskin wrote to protest Vladimir Putin’s invasion of Ukraine. From a thrust platform in the center of the field, David poured his full emotive powers into the pre-chorus: “Standing alone on that hill/using your fuel to kill/we won’t take it standing still/watch us dance.”

The effect these words will have on President Putin is unknown. They capture something, though, about rock ’n’ roll, which has established certain conventions over the last seven decades. One of those conventions is an atmosphere of rebellion. It doesn’t have to be real — you probably don’t even want it to be — but neither can it seem too contrived, because the defining constraint of rock as a genre is that you have to feel it. The successful rock song creates in listeners the sensation of defying consensus, even if they are right in step with it.

The need to feel the rock may explain the documented problem of fans’ taste becoming frozen in whatever era was happening when they were between the ages of 15 and 25. Anyone who adolesced after Spotify, however, did not grow up with rock as an organically developing form and is likely to have experienced the whole catalog simultaneously, listening to Led Zeppelin at the same time they listened to Pixies and Franz Ferdinand — i.e. as a genre rather than as particular artists, the way my generation (I’m 46) experienced jazz. The members of Måneskin belong to this post-Spotify cohort. As the youngest and most prominent custodians of the rock tradition, their job is to sell new, guitar-driven songs of 100 to 150 beats per minute to a larger and larger audience, many of whom are young people who primarily think of such music as a historical artifact. Starting this month, Måneskin will take this business on a multivenue tour of the United States — a market where they are considerably less known — whose first stop is Madison Square Garden.

“I think the genre thing is like ... ” Torchio said to me backstage in Rome, making a gesture that conveyed translingual complexity. “We can do a metaphor: If you eat fish, meat and peanuts every day, like for years, and then you discover potatoes one day, you’ll be like: ‘Wow, potatoes! I like potatoes; potatoes are great.’ But potatoes have been there the whole time.” Rock was the potato in this metaphor, and he seemed to be saying that even though many people were just now discovering that they liked it, it had actually been around for a long time. It was a revealing analogy: The implication was that rock, like the potato, is here to stay; but what if rock is, like the potato in our age of abundance, comparatively bland and no longer anyone’s favorite?

Which rock song came first is a topic of disagreement, but one strong candidate is “Rocket 88,” recorded by Ike Turner and his Kings of Rhythym band in 1951. It’s about a car and, in its final verse, about drinking in the car. These themes capture the context in which rock ’n’ roll emerged: a period when household incomes, availability of consumer goods and the share of Americans experiencing adolescence all increased simultaneously.

Although and possibly because rock started as Black music, it found a gigantic audience of white teenagers during the so-called British Invasion of the mid-1960s (the Beatles, the Rolling Stones, the Who), which made it the dominant form of pop music for the next two decades. The stadium/progressive era (Journey, Fleetwood Mac, Foreigner) that now constitutes the bulk of classic-rock radio gave way, eventually, to punk (the Ramones, Patti Smith, Minor Threat) and then glam metal: Twisted Sister, Guns N’ Roses and various other hair-intensive bands that were obliterated by the success of Nirvana and Pearl Jam in 1991. This shift can be understood as the ultimate triumph of punk, both in its return to emotive content expressed through simpler arrangements and in its professed hostility toward the music industry itself. After 1991, suspicion of anything resembling pop became a mark of seriousness among both rock critics and fans.

It is probably not a coincidence that this period is also when rock’s cultural hegemony began to wane. As the ’90s progressed, larger and again whiter audiences embraced hip-hop, and the last song classified as “rock” to reach No. 1 on the Billboard Hot 100 was Nickelback’s “How You Remind Me” in 2001. The run of bands that became popular during the ’00s — the Strokes, the Killers, Kings of Leon — constituted rock’s last great commercial gasp, but none of their singles charted higher than No. 4. Let us say, then, that the era of rock as pop music lasted from 1951 to 2011. That’s a three-generation run, if you take seriously rock’s advice to get drunk and have sex in the car and therefore produce children at around age 20. Baby boomers were the generation that made rock a zillion-dollar industry; Gen X saved it from that industry with punk and indie, and millennials closed it all out playing Guitar Hero.

The members of Måneskin are between the ages of 22 and 24, situating them firmly within the cadre of people who understand rock in the past tense. De Angelis, the bassist, and Raggi, the guitarist, formed the band when they were both attending a music-oriented middle school; David was a friend of friends, while Torchio was the only person who responded to their Facebook ad seeking a drummer. There are few entry-level rock venues in Rome, so they started by busking on the streets. In 2017, they entered the cattle-call audition for the Italian version of “The X Factor.” They eventually finished as runners-up to the balladeer Lorenzo Licitra, and an EP of songs they performed on the show was released by Sony Music and went triple platinum.

In 2021, Måneskin won the Sanremo Music Festival, earning the right to represent Italy with their song “Zitti e Buoni” (whose title roughly translates to “shut up and behave”) in that year’s Eurovision Song Contest. This program is not widely viewed in the United States, but it is a gigantic deal in Europe, and Måneskin won. Not long after, they began to appear on international singles charts, and “I Wanna Be Your Slave” broke the British Top 10. A European tour followed, as well as U.S. appearances at festivals and historic venues.

This ascent to stardom was not unmarred by controversy. The Eurovison live broadcast caught David bending over a table offstage, and members of the media accused him of snorting cocaine. David insisted he was innocent and took a drug test, which he passed, but Måneskin and their management still seem indignant about the whole affair. It’s exactly this kind of incongruous detail — this damaging rumor that a rock star did cocaine — that highlights how the Italian music-consuming public differs from the American one. Many elements of Måneskin’s presentation, like the cross-dressing and the occasional male-on-male kiss, are genuinely upsetting to older Italians, even as they seem familiar or even hackneyed to audiences in the United States.

“They see a band of young, good-looking guys that are dressing up too much, and then it’s not pure rock ’n’ roll, because you’re not in a garage, looking ugly,” De Angelis says. “The more conservative side, they’re shocked because of how we dress or move onstage, or the boys wear makeup.”

She and her bandmates are caught between two demographics: the relatively conservative European audience that made them famous and the more tolerant if not downright desensitized American audience that they must impress to keep the ride moving. And they do have to keep it moving, because — like many rock stars before them — most of the band dropped out of high school to do this. At one point, Raggi told me that he had sat in on some classes at a university, “Just to try to understand, ‘What is that?’”

One question that emerged early in my discussions with Måneskin’s friendly and professional management team was whether I was going to say that their music was bad. This concern seemed related to the aforementioned viral Pitchfork review, in which the editor Jeremy Larson wrote that their new album, “RUSH!” sounds “like it’s made for introducing the all-new Ford F-150” and “seems to be optimized for getting busy in a Buffalo Wild Wings bathroom” en route to a score of 2.0 (out of 10). While the members of Måneskin seemed to take this review philosophically, their press liaisons were concerned that I was coming to Italy to have a similar type of fun.

Here I should disclose that Larson edited an essay I wrote for Pitchfork about the Talking Heads album “Remain in Light” (score: 10.0) and that I think of myself as his friend. Possibly because of these biases, I read his review as reflecting his deeply held and, among rock fans, widely shared need to feel the music, something that the many pop/commercial elements of “RUSH!” (e.g. familiar song structures, lyrics that seem to have emerged from a collaboration between Google Translate and Nikki Sixx, compulsive use of multiband compression) left him unable to do.

This perspective reflects the post-’90s rock consensus (PNRC) that anything that sounds too much like a mass-market product is no good. The PNRC is premised on the idea that rock is not just a structure of song but also a structure of relationship between the band and society. From rock’s earliest days as Black music, the real or perceived opposition between rocker and society has been central to its appeal; this adversarial relationship animated the youth and counterculture eras of the ’60s and then, when the economic dominance of mass-market rock made it impossible to believe in, provoked the revitalizing backlash of punk. Even major labels felt obliged to play into this paradoxical worldview, e.g. that period after Nirvana when the most popular genre of music was called “alternative.” Måneskin, however, are defined by their isolation from the PNRC. They play rock music, but operate according to the logic of pop.

In Milan, where Måneskin would finish their Italian minitour, I had lunch with the band, as well as two of their managers, Marica Casalinuovo and Fabrizio Ferraguzzo. Casalinuovo had been an executive producer working on “The X Factor,” and Ferraguzzo was its musical director; around the time that Måneskin broke through, Casalinuovo and Ferraguzzo left the show and began working with the stars it had made. We were at the in-house restaurant of Moysa, the combination recording studio, soundstage, rehearsal space, offices, party venue and “creative playground” that Ferraguzzo opened two months earlier. After clarifying that he was in no way criticizing major record labels and the many vendors they engaged to record, promote and distribute albums, he laid out his vision for Moysa, a place where all those functions were performed by a single corporate entity — basically describing the concept of vertical integration.

Ferraguzzo oversaw the recording of “RUSH!” along with a group of producers that included Max Martin, the Swedish hitmaker best known for his work with Backstreet Boys and Britney Spears. At Moysa, Ferraguzzo played for me Måneskin’s then-unreleased new single, “Honey (Are U Coming?)” which features many of the band’s signature moves — guitar and bass playing the same melodic phrases at the same time, unswung boogie-type rhythm of the post-Strokes style — but also has David singing in a higher register than usual. I listened to it first on studio monitors and then through the speaker of Ferraguzzo’s phone, and it sounded clean and well produced both times, as if a team of industry veterans with unlimited access to espresso had come together to perfect it.

“There’s hundreds of people working and talking about you and giving opinions,” De Angelis said at lunch. “So if you start to get in this loop of wanting to know and control and being anxious about it, it really ruins everything.” Here lies the conflict between what the PNRC wants from a band — resistance to outside influences, contempt for commerce, authenticity as measured in doing everything themselves — and what any sane 23-year-old would want, which is to have someone with an M.B.A. make all the decisions so she can concentrate on playing bass.

The other way Måneskin is isolated from the PNRC is geographic. Over the course of lunch, it became clear that they had encyclopedic knowledge of certain eras in American rock history but were only dimly aware of others. Raggi, for instance, loves Motley Crüe and has an album-by-album command of the Los Angeles hair-metal band Skid Row, which he and his bandmates seemed to understand were supposed to be guilty pleasures. But none of them had ever heard of Fugazi, the post-hardcore band whose hatred of major labels, refusal to sell merchandise and commitment to keeping ticket prices as low as possible set the standard for a generation of American rock snobs. In general, Måneskin’s timeline of influences seems to break off around 1990, when the rock most respected by Anglophone critics was produced by independent labels that did not have strong overseas distribution. It picks up again with Franz Ferdinand and the “emo” era of mainstream pop rock. This retrospect leaves them unaware of the indie/punk/D.I.Y. period that was probably most important in forming the PNRC.

The question is whether that consensus still matters. While snobs like Larson and me are overrepresented in journalism, we never constituted a majority of rock fans. That’s the whole point of being a snob. And snobbery is obsolete anyway; digital distribution ended the correlation between how obscure your favorite band was and how much effort you put into listening to them. The longevity of rock ’n’ roll as a genre, meanwhile, has solidified a core audience that is now between the ages of 40 and 80, rendering the fan-versus-society dimension of the PNRC impossible to believe. And the economics of the industry — in which streaming has reduced the profit margin on recorded music, and the closure of small venues has made stadiums and big auditoriums the only reliable way to make money on tour — have decimated the indie model. All these forces have converged to make rock, for the first time in its history, merely a way of writing songs instead of a way of life.

Yet rock as a cluster of signifiers retains its power around the world. In the same way everyone knows what a castle is and what it signifies, even though actual castles are no longer a meaningful force in our lives, rock remains a shared language of cultural expression even though it is no longer determining our friendships, turning children against their parents, yelling truth at power, et cetera. Also like a castle, a lot of people will pay good money to see a preserved historical example of rock or even a convincing replica of it, especially in Europe.

In Milan, the temperature had dropped 20 degrees, and Måneskin’s show at Stadio Giuseppe Meazza — commonly known as San Siro, the largest stadium in Italy, sold out that night at 60,000 — was threatened by thunderstorms instead of record-breaking heat. Fans remained undaunted: Many camped in the parking lot the night before in order to be among the first to enter the stadium. One of them was Tamara, an American who reported her age as 60½ and said she had skipped a reservation to see da Vinci’s “Last Supper” in order to stay in line. “When you get to knocking on the door, you kind of want to do what you want,” she said.

The threat of rain was made good at pretty much the exact moment the show began. The sea of black T-shirts on the pitch became a field of multicolored ponchos, and raindrops were bouncing visibly off the surface of the stage. David lost his footing near the end of “I Wanna Be Your Slave,” briefly rolling to his back, while De Angelis — who is very good at making lips-parted-in-ecstasy-type rock faces — played with her eyes turned upward to the flashing sky, like a martyr.

The rain stopped in time for “Kool Kids,” a punk-inspired song in which David affects a Cockney accent to sing about the vexed cultural position of rock ’n’ roll: “Cool kids, they do not like rock/they only listen to trap and pop.” These are probably the Måneskin lyrics most quoted by music journalists, although they should probably be taken with a grain of salt, considering that the song also contains lyrics like “I like doin’ things I love, yeah” and “Cool kids, they do not vomit.”

“Kool Kids” was the last song before the encore, and each night a few dozen good-looking 20-somethings were released onto the stage to dance and then, as the band walked off, to make we’re-not-worthy bows around Raggi’s abandoned guitar. The whole thing looked at least semichoreographed, but management assured me that the Kool Kids were not professional dancers — just enthusiastic fans who had been asked if they wanted to be part of the show. I kept trying to meet the person in charge of wrangling these Kool Kids, and there kept being new reasons that was not possible.

The regular kids, on the other hand, were available and friendly throughout. In Rome, Dorca and Sara, two young members of a Måneskin fan club, saw my notebook and shot right over to tell me they loved the band because, as Sara put it, “they allow you to be yourself.” When asked whether they felt their culture was conservative in ways that prevented them from being themselves, Dorca — who was 21 and wearing eyeglasses that looked like part of her daily wardrobe and a mesh top that didn’t — said: “Maybe it turns out that you can be yourself. But you don’t know that at first. You feel like you can’t.”

Here lies the element of rock that functions independently from the economics of the industry or the shifting preferences of critics, the part that is maybe independent from time itself: the continually renewed experience of adolescence, of hearing and therefore feeling it all for the first time. But how disorienting must those feelings be when they have been fully monetized, fully sanctioned — when the response to your demand to rock ’n’ roll all night and party every day is, “Great, exactly, thank you.” In a culture where defying consensus is the dominant value, anything is possible except rebellion. It must be strange, in this post-everything century, to finally become yourself and discover that no one has any problem with that.

#måneskin #maneskin #i had a free nyt article so here you go #the article is so painfully a middle aged american perspective #which the author admits #and like thinking the fans on stage is staged?!??#or like how there can be no more authentic rebellion - maybe that's what it's like from your cushy position #but doesn't go into tdi at all #the stuff about the industry surrounding them i agree and its worth the read though

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slowlydifferentbluebird · 2 years

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hello! could you do rosé as your wife please?? thank you ^_^

Blackpink headcanon: Rosé as your wife

Requests are open

Hello Anon! Thank you for requesting this headcanon. I have finished the series of Blackpink as wifes with this one. I hope you enjoy 🤗

Blackpink Rosé X GN!Reader

SFW Content

Before Marriage

Being a musician, for you it was normal to play every night in a different place

You were a bassist in a indie band

Your band was not too famous, but lately was gaining popularity

For this reason one of the most prestigious pub of Seoul scheduled your band for a jam session

In this occasion you met for the first time Rosé

In that period she had debuted the year before, so she was still a rookie

She came to you after your exhibition and shyly made you compliments

She was so fascinated by your skill that she asked you out for a date

A date that became a solid relationship

Relationship that see you became a notorious bass player and her a world star

At the peak of yours careers you made the proposal to her

It happened during a party at Lisa's house

You and Lisa organized all a month ago

While you and Rosie were slowdancing, Lisa put as background Stay, their song

And that's when you got on your knee

She cried so much, but said yes at the end

Conjugal Life

It's so rare nowdays to see a married couple so in tune

Some time people think you two can read each other mind

Because you two often complete the other person sentence

Or maybe it depends by the fact one understands the mood of the other simply by a look

She's so attentive

She knows if and when you are stressed and above all she knows how to lift up your mood

Her voice singing to you your favorite songs is your favorite mode

Or sometimes she sings sweet lullabies when you had difficulty to sleep

You two are two gluttons

Always checking new foods and restaurants

One times you are eating chinese, one other italian, the other still indian

Sometimes you two just decided to choose junk food over everything else

And what's the best thing after eating?

Obviously cuddling together

You two have this comfortable bench on your terrace

Summer or winter, you two sat on that and watch the star

NSFW Content

She's the perfect example of a switch in bed

Sometimes she only wants you to take the lead and drive her crazy as only you can

Other times her feelings take control of her and she will be in charge of your pleasure for that times

One of her bed habits is kissing all your body during sex

Face, chest, arms, belly, ecc

She just love your body and how it moves

The most turning thing for you is when her angel face she whisper in your ears the most dirty things she can think

You natural reaction is seeking her to the wall and punish her for being such a bratty bitch

And instead to seek forgiveness, she will continue to provoke you

Because she needs her daily dose of spank

Whining about you being to rude, but actually she loves being treated in that way so much

And she's not satisfied yet

She will hump on your legs with her bare ass like a spoiled kid

Time for her to be destroyed

But the aftercare is so important: she needs your sweet cuddle after a good, rough fuck

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bentosandbox · 2 years

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Il Siracusano 3DPV Behind the Scenes Director interview

From HG’s recruitment post

Note: more like a summary & not a full translation

How did the concept for the 3DPV of Il Siracusano come about?

When we decided to make the PV, we were thinking how to present the upcoming story in animation but also keep it within the time limit. We ended up choosing the scene that showcased the cast's character and personalities: the scene where Texas pretends to be a musician while Lappland in the audience, the both of them in tune with each other. In the ruins of the theatre, Texas and Lappland try their hands on performing a moonlit comedy. Also! Was Sora's appearance not a surprise? She also shows a different side of her.

"So why a comedy?"

The elements we have this time; Theatre, Jazz, Lappland, and Texas are all very rich but due to the runtime limit we thought that instead of showcasing the relationship between the characters directly, why not represent their emotions through something that's more fun, through some dynamic Jazz Swing music. The old yet gorgeous theatre and nostalgic musicians, a silent bassist, the broken glass from backstage, and also a silver-haired assassin, flamboyant and (not) showing restraint, composing a film that looks and feels different, we hope the audience enjoyed watching it in the 3.5 anniversary stream.

They had a lot of environmental details like drink bars with shattered glasses and sofas cut open revealing their cotton stuffing that they wanted to fit in to showcase the Siracusa vibes but due to the time limit they focused on the characters getting memorable scenes.

During the storyboarding sessions they had up to 3 versions before deciding to separate Texas and Lappland's storylines to have them converge and co-operate with each other(lol) to complete the mission.

They wanted to go on a field trip to research on how to portray the atmosphere of being in a theatre but (china lockdown moment) so they had to make do with secondary references.

The PV is set in a luxurious retro theatre and had to reflect the elegance of jazz with a low-key and calm atmosphere similar to the Godfather films. For the interiors they referenced classical Italian architecture as well as American broadway theatres.

The scene returns to the stage after Lappland splits the wall open, but this time they destroyed and reconstructed the area to create a new space for their performance. Part of the design focused on the space formed by the rubble, and since the destruction involved the ceiling, there would be a cold light from the outside, appearing similar to a stage light.

The theatre corridors are divided into 3 -- a wide corridor, a reception area, a narrow hallway, with varying degrees of light to reflect the rhythm of the story’s development.

Character model turnarounds

Lappy fangs real!

They made HD textures of their eyes to show up better in close ups.

Texas hands. finally some long fingers representation

Weapon models

Special effects: Texas has a new look and they had to showcase how cold she is on the surface yet showing the fire inside and they hope the audience can see the contrast of the two (uhmm event-story wise...? debatable LOL)

They referenced classic films like The Irishman (?isn’t this pretty recent) for the on-stage lighting to show the luxurious and exquisite atmosphere and the new stage amidst the rubble is a parallel to it, the warm and cold contrasting each other.

Flexing the VFX and props they made

Animation process

They mixed 2D with 3D and did stuff frame-by-frame and had to do a lot of post-production to make it all come together

Music was composed by Mr Li Shuhai(李世海), a jazz performer and composer, and they recorded live with the performers' movements also filmed as references for the animation key-frames

Colour keys and comparisons from their behind the scenes video

#arknights #i should tag all these tl posts under something #il siracusano #so the 4th play in the Critica Artistica section of the event /is/ The Irishman after all lmao

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8iunie · 1 year

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Måneskin: “When you get famous, people just want to know who you’re f**king”

The global Italian rockers open up about discovering themselves, mastering fame and finding their genderless sound. (posted on 20.01.2023)

It’s late morning and Italian rock band Måneskin are comfortably seated in a swanky West London hotel room, already kitted out in signature Gucci, jet-black eyeliner, and clean-cut 70s-style statement suits. The quartet, an electric gleam of cool against a silver-spotted setting, are nonchalantly scrunched into a deep turquoise couch. Their suave image serves as a reminder of how far they’ve come since their early Italian X Factor days.

Over a year has passed since the group’s whirlwind takeover as glam rock stars conquering the Eurovision Song Contest 2021 and they’re showing no signs of slowing down. In fact, the band’s authentic image and relentless sound has earned them over six million followers on their band’s Instagram account — a figure greater than the population living in their fashion capital hometown, Rome, where the rock and rollers were born. Måneskin’s rise as next generation figureheads isn’t too unconventional, after all, plenty of breakthrough acts – ABBA, Celine Dion, One Direction – have cut their teeth on televised competitions. And as game-changing winners, the rock band are eager to start writing their own legacy.

Måneskin’s commitment to being more than a hazy Eurovision memory is not to be unexpected. The band have committedly popped where you would least expect them – the 2021 BRIT Awards, Gucci’s luxury Aria campaign, or Disney’s live-action adaptation of Cruella – reminding us that they’re not going anywhere. And, just yesterday, the Italian artists spontaneously flew to London for a glitzy one-off showcase to debut their emo ballad, The Loneliest, co-written by British producer MNEK. While they’ve marginally recovered, the band are still buzzing from last night’s sweaty reception at Camden’s The Underworld in front of 500 die-hard fans. (“Oh my god, it was like a sauna in there,” bassist Victoria De Angelis chimes in, her voice hoarse from the manic show). It doesn’t matter if they’re pulling off last-minute sold-out performances or rubbing elbows with Guns’N’Roses, the Eurovision victors are doing it in style: flamboyantly dressed and with a compelling sense of gratitude.

Now, whether they’re rocking fashion red carpets or main stages, Måneskin are ready to make their presence felt. “We’ve gained a lot of successful things in the last year and we’re really happy about all the paths we’re going through,” drummer Ethan Torchio says, gesturing to the wider band. “We never had a specific ambition to gain or to achieve anything. It’s all about how we approach it day by day.”

While the band may not have pinned their hopes on a specific accolade, Måneskin’s shared teenage experiences primed them for their rapid accession as one of Europe’s hottest rock exports. Forming at high school as a unified three-piece, Ethan Torchio joined the gang after responding to an online open call out for a drummer. This fateful pairing, alongside the band’s long-standing friendship has become the crux of Måneskin’s outlook. “We all have a very clear vision — we are very bitchy,” Victoria says confidently, smiling. “We have very specific ideas. Being only four [of us] and not having overproduction, we think that our individual sound really makes the difference”. Ethan, who’s taken to perching on the couch armrest, echoes his bandmate: “We’re perfectionists.”

As Måneskin’s latest album, RUSH!, dawns, the artists have been busy splitting their legacy between Italy and the rest of the world – from showcasing support for Ukraine at Coachella in California to bringing their rock and roll swagger to The Green Fashion Awards alongside style icons Karolina Kurkova and Elisa Sednaoui. “These two ways of expression (rock and roll) are ways in which we have always liked to measure ourselves,” youngest member Thomas Raggi says in accented English. “We like to alternate them because they represent the different musical souls of which the band is composed.”

Måneskin’s rock and roll philosophy is more than a reliable shoehorned statement. Much like their striking clothing, it fits like a well-worn mantra. (“In a younger age, it really helped us define our personality and stand out in some way,” Victoria says.) Growing up in a “very conservative country”, the artists found the music scene as an opportunity to experiment with their image as teenagers. Labelled as “weird” or receiving “a lot of judgements” wasn’t going to hold Måneskin back. Instead, the alternative act learned to lean on each other for support, she says, and strengthened their bond. “It really helped to have a purpose and have this project together. It made us feel reassured that we’re doing something cool and we were allowed to be ourselves.”

As the band found themselves migrating from headline to headline, they became accustomed to facing off gossip together. Ask them about the cocaine-meets- Eurovision moment and they all laugh, sharing familiar smiles with each other. “We were already so successful in Italy so we got kind of used to hearing speculation about us,” Ethan shrugs. “The huge Eurovision blowout was a good moment of our lives because we were all at a point of growing and personality building.”

But the speculation didn’t just stop there. The questions of drugs subsided and talk about sexuality quickly rose to the fore. At the time, a quick internet search of Måneskin’s name would lead to autofills poking questions at everything to boyfriends, girlfriends, and identity labels. “We’re not very touched by these kinds of comments. We all are very sure of what we are and how we want to show it,” Ethan responds. Although the band were quickly dismissive of the online talk, a bigger lesson loomed, frontman Damiano David reveals. “In Italy, we did not discover that there’s more than one sexuality until we got to use social media. Just like everybody else, I was [use terms] ‘straight’ or ‘gay’,” he candidly shares. Since then, the vocalist admits he’s taking on “more knowledge” to better himself as an ally — “I’m fully straight but this doesn’t stop me from being an ally. I’m on the side that has to learn new things.”

The band’s public discussion of identity has been one they’ve decidedly kept close to their chest, until now. “We understand people can get very affected by [speculation] because they’re making themselves sure of what they are and how to express [themselves] to their parents or to their friends,” Ethan empathises. As a member who has faced the brunt of opinion, the drummer pauses, choosing his words carefully: “[Trying] to guess people’s sexualities is one of the worst things to do — it’s very bad.”

A time that was particularly testing for the band was when Måneskin’s provocative Want To Be Your Slave music video hit the internet. A visual centred on sexual liberation and self-expression, the band quickly faced questions on their aesthetic and affiliation to queerness. “People are curious about it because it’s been quite a taboo topic for many years, it’s something now that other people are so interested in, not only with celebrities, but just generally with everyone,” Victoria says. She recalls times in high school where similar-aged teenagers would guess whether an effeminate boy is gay or not. “Like, who the fuck cares?!” she huffs. “People are really interested in the private lives of the artists. They look it up because it makes them feel like they know you better or it’s just to gossip or break a scandal.”

A brief pause falls over the band and Damiano shakes his head, prepping an answer: “I think it’s easier. It’s just not that complicated. When you get famous, people just want to know who you’re fucking. It’s just sick curiosity.” The inner-band debate strikes up again as Ethan proposes the media curiosity is fuelled by a misdirected want for knowledge and understanding.

While this is one the few times the band disagree, they respectfully onboard one another’s opinions as they take stock of the bigger conversation. The root of animated discussion breaks open as the members begin to turn the question inward. “I don’t really know how to identify. In the past years, I’ve been identifying as bi, but, lately, I’m having no interest in boys. I’m discovering [my identity is] developing,” Victoria says, her striped brown tie falling forwards. “I like some girls and then it changes to ‘okay, I almost don’t like any boys at all’. It is something constantly… It’s lesbian but also Harry Styles.” Damiano cracks up with laughter and Ethan quips that the former One Direction star is christened “the chosen one”. Circling back to her line of thought, the bassist proves she’s hardcore with her closing line — “It’s just who you are and you can really express yourself and I think this is like what matters the most and what we think is real rock and roll and freedom.”

Måneskin are no strangers to taking a stand. If you ask us, it looks like they love causing a bit of a stir. Mid-last year, the band, once again, caught headlines after Damiano and Thomas shared an unplanned kiss on stage at the Polsat SuperHit Festival. The band vividly recalls fans sharing the impact their music had on them. “When you get there and see how you can help thousands of people, it really makes you understand the difference you can have in that moment,” Victoria reflects. The group’s commitment to ensuring freedom of expression is larger than a few lyrics in a song – it feeds into their interviews and on-stage actions too.

“Being part of this generation it’s hard. It’s useful to take some strong positions on topics, because we need some strong actions. We’re just trying to do our part,” Thomas elaborates, explaining Måneskin’s move to be controversial every now and then. “We also try to improve ourselves every day. But at least you can try to find and to look for the right thing to do.” Lead singer Damiano backs up the decision to use their platform to back political causes. “If you have the courage to speak up about things, I think it’s very, very helpful,” he says earnestly. “We have to be able to understand when it’s better for us to take a step back and let those really affected people talk about it, because we are just allies and we’re not getting discriminated against, but we can try to be empathetic and use our voice and our power to help everybody.”

The four-piece have chalked up a reputation for being unpredictable and stylishly outrageous, but this consensus doesn’t sway the young band. If anything, their years in the on-screen media pipeline has taught them how to utilise the spotlight. It doesn’t matter whether they’re discussing music, tours or politics, the band inevitably comes back to the value of being authentic for their fans (“We just feel very close to them,” Victoria says protectively.) At the centre of their overlapping comments on friendship and frenzied life changes, Måneskin are humbly aware of how their fanbase supports them. The bassist continues, saying it’s important to create a place where everyone can be who they want. Pausing, she periodically slips into Italian, asking her bandmates to translate a term.

“It’s obvious everyone wants to be free for who they really are. In my experience, at first, I was so concerned and worried ‘who am I if I do this’ or that I’m something else or that I’m changing, but it’s [best] to not be worried about these things,” she says passionately. “We want to create with our fans and to put everyone in this healthy environment. And doing this really gives strength to young people or people who are in more oppressed situations to have courage to see that it’s okay.”

There’s no doubt Måneskin have distilled their lived lessons into this new record to create a rock and roll oasis. From beat-thumping inductions to media gossip to tongue-in-cheek comments on becoming the “kool kids”, the monstrous, hardcore noise of RUSH! has it all. “For me, it is a very personal record. It tells the story of how I came to discover myself and what I want to be as a person and as an artist,” Damiano explains. “All this frenzy led me to look inside myself, somehow I felt free to express a part of me that I had kept more hidden.”

The album is a chaotic amalgamation of crushing guitar riffs, full-throttle lyrics, and sonorous vocals sways through lines of Italian and English. Måneskin’s charge forward with spluttering drums, cranked up instrumentation, with songs pouring their original larger-than-life stamp into their broad rock productions. At their height, the band’s best tracks (La Fine, Gossip ft Tom Morello, Kool Kids) ignite like a blazing stage sign giving direction to Måneskin’s inevitable rise as one of today’s spirited rock acts.

An evolution from their gutsy sophomore studio release, Teatro d’ira: Vol. I, new album RUSH! captures the spark of each member. “Each of us had the freedom to follow our own personal direction. This time we didn’t look for the synthesis, the lowest common denominator between our different personalities, but we kind of added them up, exalted them all to the same level, and despite everything I think we still retained our identity,” Victoria shares.

With that, the band did not shy away from splurging on animated guitar hooks or fret over going too heavy with the familiar political zing of their rock tunes. Victoria adds: “We live in the concern of a progressive loss of people’s rights and we are afraid that this common thought is growing. In the track La Fine we refer precisely to this thought. Our music wants to be free and genderless. The goal is that people can identify with our message without having any definition of gender or category.”

After months of mania and unrelenting bouts of success, Måneskin are eagerly positioned to take on what’s next. And with a sold out arena in London already on the cards, it won’t be long before they’re greeting roaring fans once more. But, for now, as they savour the release of RUSH!, the band have found renewed strength in their amped up sound. “We have found our synthesis in diversity. This record is a point of pride and artistic growth for us,” Damiano reaffirms. And in a lesson learned by all, Victoria shares a final note of uplifting advice: “Never be afraid to express yourself. Always be free!”

WORDS BY ZOYA RAZA-SHEIKH

PHOTOGRAPHY BY FABIO GERMINARIO

#måneskin #maneskin #article #interview #january 2023 #my posts 💫#gay times magazine

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laferocia · 7 months

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For @exsqueezememacaroni Mike Patton in Florence

March 1st, 2002

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*Talking to his band mates* Cosa ne pensate di questi cazzo di fiorentini? // What do you think about these fucking Florentines?

Min 0:26: oh tu vuò fa l'americano, stai zitto// Oh you want to be americano, shut up ("Tu vuò fa l'americano" is a popular song by Renato Carosone; it's become a saying in Italy, sarcastically referring to those who want to be modern and cosmopolitan and renounce their origins).

Min 0:30: *Talking to the bassist, Kevin Rutmanis I guess* E tu cosa pensi di questi fiorentini? Eh, bassista un po' timidino? Eh? Oh, bello mio, vieni qua // And what do you think of these Florentines? Hey, you shy bassist, huh? Hey, my dear, come here.

After that sweet "bello mio" he called him "motherfucker", LOL. Kevin answered but I didn't get what he said.

Min 1:05: sapete cosa mi ha detto? 'Sto bono qua dice che voi non scopate! Che siete pezzi di ghiaccio! Da questo punto di vista, sono d'accordo. Oh, Firenze (bras d'honneur) ciao! Ciao Firenze! Come va? Eh? Volete scopa'? ("scopare" in italian, that clipping is taken from central Italian dialects) Eh? Volete scopa' stasera? Eh? Tutto a posto? // You know what he told me? This handsome guy here says you guys don't get laid! He says you're a bunch of icebergs! From that point of view, I agree. Oh, Florence (bras d'honneur), hello! Hello, Florence! How's it going? Huh? Do you wanna fuck? Huh? Do you wanna fuck tonight? Huh? Everything good?

Min 01:56: *To the band mates that were playing* Giù giù giù giù. // Turn it down.

Tutto a posto, Firenze? Siete contenti? *someone in the crowd said no* Dimmi perché? // Everything ok, Florence? Are you happy? *someone in the crowd said no* Tell me why?

Then they start clapping to the notes of Tarantella Napoletana.

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*Typical Italian gestures* Ahò! (This way of saying 'hey' screams Rome, LOL) Che cazzo volete? Ahò! 'Sti ragazzi oggi, ahò. Mannaggia. Senti, questo brano è per tutte le donne! Allora, sshhhhh! *to his band mate* anche tu! Anche tu bassista di merda! Questo qua pensa di essere, non so, il bassista dei *sorry I don't get what he said* Sssssh! Piano, piano, piano! Piano amico mio caro, piano! Piano, piano, piano! Uno, due, tre, quattro! // What the fuck do you guys want? Uh! These kids today, hey. Darn it. Listen, this song is for all the ladies! So, shhhhhh!

*to his band mate* You too! You crappy bassist! This guy thinks he's, I don't know, the bassist of *sorry I don't get what he said*. Sssssh! Lower, lower, lower! Lower, my dear friend, lower! Lower, lower, lower! One, two, three, four!

#mr bungle #mike patton #tomahawk #faith no more #Youtube

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elettraml · 2 years

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Vιƈƚσɾια Dҽ Aɳɠҽʅιʂ

Just Vick and her wonderful outfit for a concert in Mexico 💫✨

#comicstyle #drawing #markers #fanart #rockband #rock n roll never dies #bassist #italian rock band #italian girl #victoria de angelis #thomas raggi #ethan torchio #damiano david #måneskin fanart #måneskin #maneskin fanart #maneskin #zitti e buoni #coraline

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rivertigo · 3 months

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MUCH HAPPENED TONIGHT! took a mad tumble in the pit when the bassist leaped into the audience and my glasses came off but I caught them and this older guy was so nice helping me up and making sure I was ok, a woman in her late 30s wanted me to started a mosh pit by shoving this girl she was beefing with, became acquainted with a gay Italian guy who said my name was cute, AND FINALLY!!! gave the girl I’m pursuing a kiss goodbye as I left HEHEHHEHE 🥰🥰🥰🥰💗💗💗💗

#and I also suggested we have a jam session yupppp

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mybodyisaflowerbed · 10 months

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wip intro ; as said the whore of babylon

this wip is an absolute beloved of mine and is based on an rp between me and my bestie Ceejay. i will be introducing all of the OCs but will specify which ones are theirs bc they make some damn good characters that i cannot take credit for lol

about!

genre(s) •/ contemporary, romance, lgbt+, drama

setting •/ modern day, primarily in the united states

overall goal •/ at least one main story + various side stories

target age range •/ 18+, not at all intended for minors

content warnings •/ strong language, sexual and otherwise suggestive content, substance use, drug/alcohol abuse and addiction, past abuse, past sa, past miscarriage + infant death, potentially more.

summary!

As Said the Whore of Babylon (frequently abbreviated as AStWoB) is an American metalcore band from Los Angeles, California. Formed in 2019 by Rhiannon Wolfe and Jezebel Eiden-Desmond, its current lineup comprises Wolfe, Reed Meadows, Joel Talley, Poetry Dorian, and Corbin Kreery.

Omen Brokebone is one year out of a hellish marriage when she's contacted by Selene Mabins - talent manager for a band called As Said the Whore of Babylon - with an invitation to join their crew as a makeup artist. Working to make a new life and a name for herself, Omen accepts. She doesn't expect to meet Reed Meadows again. And she certainly doesn't expect to fall in love with him and his bandmates.

the babylons!

• Omen Brokebone (she/he/they) •/ Not a Babylon (yet), but as cherished as any of their crew members - and then some, as you'll learn. A self-taught makeup artist and a childhood friend of Reed's. Belongs to Ceejay.

• Rhiannon Wolfe (she/her) but you really should just call her Wolfe •/ The lead vocalist. First rose to fame with her last band at only 18 years old due to her remarkable skill.

• Reed Meadows (he/him) •/ The lead guitarist. Has never been in a band before AStWoB but still took to it like a fish to water. A childhood friend of Omen's, though he hasn't spoken to her in 8 years.

• Joel Talley (he/him) •/ The drummer, though he's skilled with guitar, bass, piano, keyboard, and vocals. Also a songwriter and self-taught producer. He is much more humble about his skills than one would assume.

• Poetry Dorian (he/she), or Poe •/ The bassist. Youngest child of a beautiful and famous Italian actress, but much less conventional than his family. Autistic and goth.

others you should know!

• Jessamine Meadows (she/her) •/ Reed's 11-year-old daughter, born when he was just 16. Feisty and a little mean, but adores her father and has easily accepted the rest of the band as her parents.

• Daxton "Dax" Coffin (he/him) •/ Wolfe's 9-year-old son, born when she was 17. Raised by his father. Has not met the band and only sees Wolfe a few times a month.

• Villanelle Dorian (she/her) •/ The 5-year-old daughter of Poe and her ex-wife, Aamirah Akmal Dorian. Currently living in Washington with her mother, but is due to live with Poe soon.

• Jezebel Eiden-Desmond (she/her) •/ Former guitarist for AStWoB (now the vocalist of The Womb That Devours) and best friend of Corbin. Considers the band to be her unbiological family. Randal's soulmate, though she doesn't know that yet.

• Randal Denvers (he/him) •/ Omen's cousin. A mechanic and for-fun bassist. Jezebel's soulmate, though he doesn't know that yet. Belongs to Ceejay.

+ everyone's families... let's just say; it's a lot of family.

#writers #writeblr #writers on tumblr #writing community #my wip #astwob #wip intro #new writeblr

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agendabymooner · 11 months

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mamma mia ! daniel r. x ofc (maneskin member!ofc)

summary: danny's rockstar gf is a bassist of a eurovision-winning band and a max verstappen hater second. OR lorelei hester 'lester' alessandro tells the story of how her relationship with danny came to be at the 2021 italian grand prix.

content warning: mostly outside of f1 lifestyle/news/tweets, possible allusions to smut, lester favours mclaren drivers over max, shitty grammar tbfh.

note: i do not know how to socialize, thus making it difficult for me to create an smau series because talking is kinda hard these days. also, i actually just started getting into f1, so if i miss something then yikes sorry :)

loressandro posted

ytukitgirlz update

ytukitgirlz posted a new thread !

ytukitgirlz dan's response following the iconic hit tweet (dan said she looked pretty that night and obv she took that to heart)

#daniel ricciardo imagine #formula one imagine #f1 imagine #dan ricciardo imagine #danny ric #red bull racing imagine #redbull daniel #f1 fic #formula one x oc #formula one fic #formula one fanfiction #f1 smau #formula one x reader #formula one smau #f1 smut #f1 crack

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mysticficti0n · 1 year

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All my Attention part 3

warnings- swearing, mentions of a dildo, sexual tension, kissing, quite fluffy

words- 3.1k

If you'd like to read the previous parts → All my attention series

a/n- so if you're new here I am British and cannot speak any German, I speak a little French, Spanish and Italian but German- no. I also do not trust Google translate so this is gonna be like an avatar thing (if you've seen the newest one Jake says that their language just became normal or something along those lines) so in reality this is all in German, you as a reader know German but, its wrote in English... make sense? no... well, sorry this part has taken a while- I'm on holiday atm so I probably wont be posting till I'm home BUT I didn't want you to be without, also fucking thank you all so much for the response to the first and second part! I can't believe the response to it, I could've cried because im a baby , love you all 🤍

(also to the people who've sent requests they will be coming soon!)

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backstory- you are the 5th member of Tokio Hotel and you always thought the love was equally platonic between you and a certain guitarist... but what if that all changed?

"exactly what I said- we can't keep doing the same thing at every show" Georg spoke shovelling eggs into his mouth, the band and our runners, managers, directors, and everyone else who I didn't know exactly what they did for us... were all sat on tables eating breakfast before rehearsal "because I'm sorry if we go on tour I wont wanna blow my brain out because i'm playing by your side for the millionth time"

"yeah but there's a thing called a set list, we have to stick with it otherwise" Bill leaned closer into the table facing all of us "otherwise we'd get shit and we all know how Felix will react- we all remember last time" he had a point, Felix as nice as he can act is a massive cock, once in a performance we decided to all go to the front of that stage to say goodnight- but Felix didn't like that and he ended up cancelling our next 3 shows to 'teach us a lesson'

"even so" the bassist grumbled, the conversation fell short as we all continued to eat, I had a bowl of granola, greek yogurt, raspberries and strawberries, soon the scrapping of a chair pulled me from eating my breakfast, I looked up to see Tom in a huge black shirt and basketball shorts "hungry?" Georg joked seeing the pile of food on his friends plate

"a bit" Tom laughed grabbing part of a waffle "whats that?" he spoke looking at me, that was the first time he spoke to me since what happened only an hour before, I think we were both in a shock state still, but I also couldn't deny how good it felt

"granola, yogurt and fruit" I spoke back digging my spoon into the mix and pulling it back so he could have a taste, he bent forward taking the food and hummed

"Tha actuwally gwood" he spoke mouth still full

"ew Thomas swallow for fucks sake!" I spat seeing him nearly choke the food back up "Tom!" I called pushing myself away from the table "whats wrong with you" I laughed I look to see the rest of the boys laughing as well at his stupidity

"we can't go anywhere nice with you two" Bill commented throwing a napkin to his brother who wiped his mouth and finished his laugh

"sorry- I don't know why that was so funny to hear you say" he snorted, I finally sat back in my place next to Gustav who was eating his food with a smile

"all I said was swallow your food" I argued back looking at the guitarist

"normally me saying that to girls-" I rolled my eyes at his words but everyone else chuckled along, after another half an hour (mostly so Tom could finish his monstrous plate) we were bringing our bags down from the hotel room to put in the bus, we all got in the lift which I don't think was made for 5 people, and 2 of those 5 being over six foot tall

"can you move over I can't fucking breath" I spoke shoving Bill back bit

"now I can't breath you cunt!" Bill called back pushing me back laughing, soon the intercom spoke and the doors opened and I made my way out but was soon tackled by the black haired singer

"BILL WHAT THE FUCK" I shouted with a laugh, I crawled from his grip and began running away seeing him get up to and following my movement "AHHH!" I screamed turning a corner and then slipping past a cleaner cart

"Y/N COME HERE!" I herd Tom voice shout as I sprinted to him with his twin hot on my tail, I watched him open his hotel room and I ran as quick as I could into it and slammed the door spitting out a chuckle hearing the boy hit the door

"BITCH!" Bill sang followed by his own laugh and steps faded away from the door, I sat on Tom's bed and lay my head back into the sheets catching my breath hearing the door open again

"you good now?" He asked smiling at me "I didn't realise you were that fast- I swear you weren't when we were kids"

"excuse me! people change" I answered kicking him slightly, he grabbed my ankle stopping me from moving anymore- I melted at his touch which wasn't a usual thing

"mhm, you changed in a good way babe don't worry about it" he flirted looking down at me the smile changing into a smirk

"you're in a very odd mood today mr Kaulitz" I spoke sitting myself as he let go of my ankle

"only for you-" he leant down, pressing his head on mine "and if I remember properly, who moaned when we kissed earlier? hum?" his hand was now resting on the base of my neck "who was it Y/n?"

"I don't know Tom" I answered seeing him bite his lip at my words "maybe you imagined it?" we always played around, flirting but this was different... very different

"I have a fucking good imagination then don't I?" Tom pulled away slightly, his his fingers brushed my skin as he let go and he held my chin, lifting my face to look up to him "....I prefer looking at you like this" I blushed at his words, they made me feel soft

"bet you say that to all the girls" he seethed rolling his eyes

"only the special ones...and you're really special!"

"way to ruin a mood" I huffed

"I'm joking Y/n/n, you just look hot below me ts'all" his hand held me tighter and he bent to reach my lips, he pressed hard humming into the feeling and sucked my bottom lip causing me to have to hold back any noise I threatened to make as I didn't want a repeat of earlier "I better get packing" he spoke pulling back creasing my cheek with his thumb leaving me with a unfulfilled feeling

"yeah.." I pouted, he looked back down at me and grinned

"god don't look at me like that... fuck- stop now, I've gotta pack" I stood with him as he turned to grab a tossed shirt from the floor, his hand glided down my thigh leaving a trail of goosebumps- he knew what he was doing, making me blush and shudder as his hand left me "oopsie"

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we all sat backstage kicking our heals as the crowd arrived, but we also knew the crowd was special- our families were watching us tonight, I decided I'd wear a more appropriate outfit (not like my family hadn't seen pictures of me in mini-skirts and tube tops saying 'pouty') I looked alot like Tom, my baggy jeans hanging around my hips with a matching tank top to him "5 minuets!" a runner called making us all rise from our places

"excited?" Georg smiled shoving me lightly

"I can't wait" I spoke pinning around to the music that began, Bill looked back at me with a smile followed by a wink

"3...2...1" Felix called and Tom, Bill entered the stage erring a eruption from the crowd "go!" Georg and I walked on and smiled seeing the sea of fans watching us with grins plastering their faces and finally Gustav entered

"GOOD EVENING TRIER" Bill called holding the mic close "ARE YOU EXCITED!" though the lights were blinding I could make out the shapes of bodies from my place "ugh we have a show n' a half for you all tonight, and this show is very special to us- one, this is our last show here in the lovely Trier and- most importantly our biggest fans are here tonight" the lights moved to the box above the crowd and for the first time in weeks I saw them: mom, dad, Stella, the Kaulitz, Listing and Schäfer family, I nearly cried waving to them and blowing them kisses "so tonight is going to be the best show we've ever done guys! ARE YOU READY" I watched as my family cheered and little Stella clapped her hands. Tom's guitar began the start of Scream followed by Gustav and Bill ran back to main stage, the crowd danced and jumped along "SCREAM" they called back to us at every chorus making me laugh.

The night carried on and everything was going amazingly, and it came time for me to take centre stage, I brought my mic and herd people call my name "so- this is our newest piece of music, I originally wrote when I was in a very bad place, and as you all know I'm back up singer so usually I don't perform up here- so close to everyone so I'm a little nervous but.. but it means a lot to me so.. this is 'please don't jump'" claps filled the room and Tom joined me giving me a nod as he plucked away followed by Gustav and Georg, Bill was in the corner sipping a water watching me like a proud dad

I let my self get lost in the music, stomping my feet and twirling around "don't let memories go! of me and you" I sang watching my family stare in awe, I began up stage onto the platform where I stood teetering on the edge, all lights went off besides the one on me "PLEASE DON'T JUMP! DON'T JUMP, AND IF ALL THAT CAN'T HOLD YOU BACK, THEN I'LL JUMP FOR YOU" I finished bowing to the crowd who burst out with claps, screams and calls making me jump at the sudden noise

"Y/N Y/N Y/N!" people began to chant making me well up, Gustav ran up the platform steps holding my hand gently so I could get down the steps as it was tricky in platforms, hand in hand we met with Tom who smiled widely mouthing 'they're proud' I looked to see my mom whistling, soon the five of us stood at the tip of that walkway, people reached for us, calling us all over

"THANK YOU AND GOOD NIGHT!" we all shouted bowing once more as the light darkened, we all walked off and back to our room where there were drinks set out and towel "shit Im so thirsty" Georg spoke grabbing the bottle and cracking it open as we all took our first proper breath and relaxed

"erm- sorry I know you got off stage but someones hear" Gayle, my runner spoke holding the door open a little more

"BABA!" a small voice called, I looked down to see Stella dressed in a Tokio Hotel shirt and orange leggings running toward me, her blonde hair tied into piggy tails

"STELLA!" I cried falling to my knees pulling her into my arms "oh my god I missed you so much" I whispered into her neck, her bright eyes looked into mine and I couldn't let go of her, I pressed kisses to her chubby cheeks

"Oh my- Y/n dear! another voice came in and I snapped my head to see my mother, tear stained face reaching for me, I watched as Stella ran onto Gustav who picked her up hugging her tightly and I ran to my mom who was closely followed by the rest of our families "sunshine I missed you!"

"I missed you too mom" I cried as she stroked my hair away from my face, she let go and I turned to see my dad who had Tom in a bro-hug

"aww hello Poppy!" he spoke, I nearly fell apart hearing my nickname again, and he grabbed me into the hug "aw that was amazing kids" he spoke letting go of us, I stood speaking with them until I herd the voice of my sister

"Tommy!" she laughed and everyones faces snapped to her

"SHE SAID MY NAME!" The dreadheaded boy called lifting her into his arms and tickling her "ME BEFORE BILL!" he danced seeing her smile

"Hey! Stella I thought you liked me more!" Bill huffed squishing the cheeks of her face

"am I the better twin?...yeah! I know" Tom scoffed bouncing her on his hip, our families laughed and all began hugging each other

"darlings that show was fantastic and the crowd! I couldn't believe it" Simone, the twins mom smiled "I couldn't be more proud"

"thanks mom" Bill hugged pressing a kiss to her cheek "wait..erm hold on!" we all watched as the singer ran out calling for something, I turned to see Stella smiling and reaching for all the boys, Tom, Georg and Gustav were sat on the floor singing songs and twirling her around, the song finished and Stella did a bow making the boys laugh at her antics

"Baba!" the little blonde called reaching for me, Tom realised and quickly scooped her up so she was lying on her tummy with her arms out she began airplane sounds (but kept interrupting herself with her chuckles) "Brrrrrrrrr!" she grinned showing her two small teeth

"aww my baby airplane" I spoke reaching for her as Tom got closer, the two reached me and I took my sister from his arms spinning her while pressing a kiss to her cheek again "you're a very cute plane Stella"

"Plane!" she repeated getting a 'yeah a plane' from the guitarist who couldn't stop smiling

"Okay... everyone come stand over here were getting a photo!" Bill came back in grabbing his family, the line up was the Kaulitz' far left, then my family the Y/l/n's, then the Schäfer's and finally Listing's "We want a few!" Bill called to the person holding the camera

"1...2....3" everyone did a wide smile, even Stella knew what was going on "perfect, do you want another one of these then we can do different stuff like.. the point?" its like a lightbulb went off it the taller twins head

"okay yes... then the point, then serious faces, then one with us 5 a bit more infront of our families, then on chairs" he rambles while setting us all back out for the next 3000 photo's we'd be taking

I don't think I've ever herd the numbers 1,2 and 3 said so much in my life but after half an hour the pictures were finally done and in fairness they looked great "well we best get going" Christine, Georg's mom spoke grabbing her bag

"oh.." we began before Simone whispered something to her husband

"why don't you all come stay round ours? we can have a family night, drinks, games, food" me and the band cheered, quickly grabbing our stuff and getting ready to walk out- we knew that today being a day show, fans would be waiting for us- we decided the safest option was to give our families over to security along with our bags and walk out on our own

"okay Stella we'll see you in a little while okay?" I hugged her once more before giving her over to dad who was carrying her out, we waited till we knew they were in their cars and I came the time we'd be walking out, with one last check of the room we began outside, screams filled our ears, people threw flowers to us, cards, papers and... thongs- but we picked the flowers up. a few people grabbed at my clothing but besides that it was a safe 3 minuet walk from the building to the bus

"they were loud" Gustav spoke getting into his favourite seat, at the very back on the left "Georg come sit!" he called to the bassist who jumped through the seats, leaving Bill who liked sitting in the front then me and Tom sat in the middle two seats

"god I fucking loved that show" I spoke belting myself in, Tom did the same and our hands brushed- its not something that many would really worry about, it was an accident.. but I could help go hot at the feeling

"it was so good, I feel like we'll be in Felix's good books" the dreaded boy spoke getting a nod from the band, we finally began the drive home, it would only take around an hour and a half so I got myself comfy which meant me resting my legs over Tom- this was a normal thing as usually sometime around the trip we'd switch and I can accidentally put my cold drink on his legs while he's asleep definitely not making him yelp- no not at all...

"can you take my shoes off, you're closer" I spoke tapping his shoulder and with a huff he began unlacing the platforms, I sighed at the feeling of my feet going light and not having to lug those shoes around any more "thanks bab" I called leaning my head back, Tom got comfy to, scooting deeper into the seat and his hands lay on my legs drawing small shapes and humming a long to whatever song was on the radio

"wanna know something crazy?" He asked looking over at me to which I nodded "I haven't fucked a girl since Tuesday, and its Friday now" I pretend to be shocked, slapping my hands to my face

"holy shit! that is crazy!" he rolled his eyes "I can't even remember when I last fucked someone- probably around my birthday" I sighed slightly annoyed, not that I'm some sex freak who needs to be constantly fucked to live but... my birthday is in February and its now July

"damn... how do you go that long?" Georg spoke uncrossing his arms, being genuinely interested

"Notta clue... I-"

"Y/n I know whats in the back draw in your room" Bill turned showing a sinister smile

"Bill!" I called knowing exactly what he was on about

"ooo" the boys cooed making me go red, Bill laughed even harder pointing at my face "aww! she's embarrassed about her dil-"

"BILL SHUT IT!" I shouted flinging my empty water bottle at him making him cackle throwing his pillow at me

"IT'S BLACK!" He called and the 4 boys Burt out laughing again spluttering words and coughing at how much they were laughing

"oh my god you are all dicks!" I groaned trying to push myself as far back into my seat as I could, I even took my legs down from Tom who I could realised but I was way to embarrassed to give him a 'look'

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"he traffic isn't moving so were going to be a little later to the Kaulitz" Gregory our driver spoke facing us

"ugh" we all collectively sighed, its been over 30 minuets of just stand-still traffic, cars horns went off but nothing was moving and being a warm day in a quite packed van it was getting hot

we'd moved past the dildo conversation thanks to Tom who made a fool of himself by spilling water all down his shirt- I did wonder though, was it on purpose? to take away the attention from me... but anyways whatever it was, or even just it was an accident- my legs were back on his and he continued to draw little shapes

"I'm going to sleep" Bill spoke looking back to which we gave a nod, by we I mean me and Tom as the other two fell asleep a few minuets back, the van sound turned quiet as the radio was turned off

"wanna play a game?" Tom spoke quietly

"sure, which game?" I asked seeing a little grin appear to his face

"erm... eye spy?"

#tom kaulitz #tom kaulitz x reader #00s #tokio hotel #tom kaulitz imagines #kaulitz twins #gustav schäfer #georg listing #bill kaulitz #Germany #🇩🇪#scream #monsoon

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