Me and my brother speak in a language without words, we speak in gestures and offers.
It is one we are both fluent in, one we both know well like the back of our hands.
Words don’t mean much for us.
Saying good morning and good night to each is something we both forget to say.
Were as buying something from the store without the other mentioning about wanting something speaks volumes.
It means, I thought of you and it’s been a while since you asked me of something, so here, my memento to you.
But sometimes being fluent in one language is hard.
Having fights and bickering and arguing and teasing is one I’m unsure in.
We both have done tremendous amount of hurt to each other, but how am I supposed to carry on without you?
Who will punch me in the shoulder?
Who will say to me to do my chores?
Who will I go to school with?
Who will I complain to my parents?
Who will be my brother that I don’t already know?
It is like buying a piece of new furniture.
Sure the chair was old and I tripped over it a multitude of times but It didn’t mean that I didn’t grow fond of all its squeaking and rough patches.
The point is, who can ever be like you?
You are a one of a kind sibling and I don’t think I hate you as much as I make myself believe.
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My last post about the progress on my Batuu vest left off with me contemplating exterior pockets, looking to Bix Caleen as an example of a fitted vest in the Star Wars universe. I ended up talking myself out of any visible exterior pockets, with or without flaps, after looking at all those pictures of Bix. I've got enough other bits of visual interest going on with my outfit that I felt like exterior pockets just cluttered up the look.
Once I had decided against adding additional pockets, I was able to move on to the next step: finishing all the edges and attaching the lining to the exterior in preparation for getting the zipper in place. I turned under the armscyes of the lining and the exterior separately, both using a blue lace hem tape that I originally bought to go with this fabric back in 2016. Eventually I'll top-stitch them together with the hem tape sandwiched invisibly between the exterior and the lining, but for now they're finished enough to allow me to try the vest on without fraying the armscyes.
It took me awhile to think through all the steps for attaching the zipper, with all the asymmetry and overlapping and exterior and lining, while also not wanting the zipper to show from the outside at all. Eventually I figured out that I would need the underlap (left front) to be completely sewn together with the edges finished before I could attach the zipper to that side -- but I would need the overlap (right front) to not be sewn together yet, so that I could attach the zipper just to the lining.
With that finally figured out, I put the lining and the exterior together with right/finished sides together, lined up all the seams and notches carefully, then pinned the edges together from the left (underlap side) shoulder, down the center front of the underlap, and around the lower edge of the vest all the way around to the bottom corner of the center front on the overlapping right side of the vest.
After a lot of ironing to get all of that to lay flat when right side out, I was able to trim the center front edge of the overlap to be nice and clean and straight again. When I drafted the center front panels, I modified that right side to have an additional ~2" of width past where I wanted the zipper to be, specifically so there would be a built-in flap to cover over the zipper. Remember: no visible zippers in Star Wars!
Once I had the overlap panels of both the lining and the exterior all trued up, I marked the center front line on the lining side (in the below pic, the angled line going from lower left to upper right), laid half of the separating zipper onto the fabric so that the teeth were lined up with where the center front line met the lower edge of the vest, then measured from the outside edge of the zipper ribbon to the cut edge of the overlap panel. It was just about 7cm away from that edge, so I measured that distance all the way up (past the dashed line that marked the underbust elevation) and drew a nice crisp line with my chalk pen.
That gave me an easy line to follow when sewing the zipper to the inside/lining of the overlapping flap. Since I hadn't sewn the edge of that panel together yet, I was able to move the exterior layer out of the way and sew the zipper only to the lining, for now. I sewed one line of stitching just slightly in from the outside edge of the zipper ribbon, then did a second pass about halfway between the edge and the zipper teeth. It's on there nice and secure, but has a bit of room to separate from the fabric while it's being zipped, so it doesn't get fiddly.
After that, it was just a matter of pinning the other side of the zipper to the lower front corner of the underlap (this time on the exterior side of the fabric, where it faces the lining of the overlap), then try it on with the rest of my Batuu Bounding outfit and pin the underlap side of the zipper until I had the fit I wanted.
I sewed down that side to match the overlap panel side of the zipper, then tried everything on again to double-check the fit. It was a bit weird with the exterior of the overlap flap still unattached, but it fit well enough that I decided to sew the edges of that overlap flap from the lower corner up to the shoulder seam. The back of the neckline is still open, and the armscyes have been turned under but not attached to each other yet, so I can turn the whole thing right side out by pulling it through the back of the neck. With all that ironed and the zipper zipped up, the vest looks like this currently:
Folding back the outer edge of the overlap reveals the zipper. Because of all the overlapping and underlapping, the zipper is just top-stitched in place. It was way more mind-bending to figure out where everything needed to be placed to get this look, but way easier to actually sew on than, say, an invisible zipper set into a seam.
At this point I was able to try on the vest (with my Jyn Erso sweatshirt) and get a pretty good idea of the overall look. I still want to do a bunch of top-stitching both for accent and to help everything lay flat, but even with that I think I'm going to need something to keep the flap over the zipper from coming open.
I looked at a bunch of options for Star Wars-y looking buckles, settled on one I liked the best, then cut the basic size of them out of paper and taped five of them to the outside of the overlap just to get a basic idea of how it would look. I got Jack to weigh in on it too, and we both felt that the buckles were reducing the sleekness of the vest, and weirdly pushing it more towards an Imperial/First Order sort of look. My character isn't an out-and-out rebel, but she doesn't side with the First Order either. I pulled the taped on paper off again, and both Jack and I felt that that was the significantly better look.
But since I knew I still wanted some sort of closures to keep the flap down -- including one at the top left shoulder, that will hang open most of the time, along the lines of Han Solo's and Cassian Andor's shirts (and a bunch of others, this sort of overlap detail shows up frequently all throughout the franchise) and thus be visible where it hangs open.
I ended up finding these slightly unusual looking hooks-and-eyes that I think will provide a nice, nearly invisible look through the torso of the vest, but not look totally out of place on the flap edge that's hanging open. Bix's fitted coat has a similar closure of just barely visible, just slightly odd hooks and eyes, so I feel like I'm in good company there. They should arrive tomorrow, giving me enough time to hopefully get some of the top-stitching done before then.
That top-stitching is the next step, and one of the last things I need to do for this vest project. I want to top-stitch just inside all the finished edges, including the armscyes, and on each side of each of the seams, probably 2-3mm away from the edge and the seamline. That's going to involve getting everything lined up correctly and all the seam allowances lying flat inside the space between the exterior and the lining, but I think the effect will be totally worth it, both for the smoother fit and the subtle visual interest.
After that, I'll have some handsewing to do to invisibly anchor the zipper to the exterior of the overlap panel and to attach the hooks and eyes, once they arrive. The very last thing I'll do on this project is decide if I want a little stand-up half collar that ends somewhere on top of the shoulder, a bit like the one on Jyn Erso's vest.
I'm pretty sure I want a collar like that, the question is just if I need to lower the neckline in the back first, and then how far forward on the shoulder I should bring the collar. Once I've decided on that, I'll cut it out in two layers, lining and exterior, and sew the outside edges together. Then I'll be able to sew the lower edge of the exterior to the back of the neckline, and hand-sew the lining lower edge to fully encase all the raw edges. I did something similar with the Moment vest, and it comes together pretty quickly. I think I should be able to have the vest completely done by this time next week without much trouble. Hopefully.
Alongside working on my vest, I've been continuing to hand-sew the pleated panels onto Jack's jacket. In the tags on my last sewing update, I mentioned that I had about 5" still to go on the first panel. I was in the really annoying section in the middle of the sleeve where I really had to put my whole arm into the sleeve just to pass the needle through, and it was slow-going. I had to make myself push through that annoying section, rather than continue to put it off.
Eventually I worked my way all the way down to the cuff, cut off the excess from the pleated panel, turn under the edges of the lowest pleat, and hand-sew that into place. I am so pleased with how it turned out, but to keep Jack from making jokes about only having one sleeve done (and so that I wouldn't find myself with time to hand-sew and nothing ready to sew), I quickly pushed on to getting the second pleated strip started. I took a bunch of measurements from the finished sleeve and transferred them to the second sleeve, pinned the pleated panel into place, and had Jack try it on just to double-check the placement.
I was able to tear through the upper section of that second panel, between my increased speed and confidence in my method of hand-sewing this, the easy access through the neck side of the jacket, and a couple of long-ass work meetings where I was basically just there to listen in and take notes every now and then. As of posting this, I'm about halfway through with the second panel, and starting to get into that annoying section of the sleeve again.
The effect of the pleated panels on both sleeves is just so cool that I will definitely be getting photos of the jacket on Jack at some point, either on our Disneyland day or during a try-on before that. He's somewhat allergic to photos, but damn it I'm proud of how this looks, and I want to show it off. I've been calling it a 'sewist flex' from the very beginning -- look at what I can do, look at how cool and Star Wars-y it is -- and I'm really looking forward to sending this beauty out into the world in all its epicness.
And I think Jack feels similarly, based on how he's been talking about wearing this jacket all the time once it's done. His whole outfit together (this jacket, cream colored henley shirt with the buttons and bottonholes removed, mustard-y tan moto jeans, hiking boots) looks wonderfully casual Batuu Bound. The effect of the whole thing is Star Wars, but none of the individual pieces feel weird or costume-y. He might not wear those pieces together for anything other than going to Batuu, but each piece paired with something else looks pretty normal. So if Jack is able to get a lot of wear out of this modified jacket, all the better. I know I'll get that burst of sewist pride every time I see him wear it, lol.
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you know what would automatically change my hatred to love for sasusaku? If their genders were reversed. Majority of the reason why I hate sasuke and sakura relationship is because the type of environment and the culture I grew up in where it's been fed to women since basically birth to always be faithful to her man no matter how terrible he treats her, even after marriage. The pharse, "Just be patient and he will change", infuriates me to another level. Seeing sakura chasing after sasuke throughout the series after numerous rejections and an attempted MURDER on her by him made me roll my eyes so hard like girl just move the fuck on omfg. And even after their "marriage" sasuke's treatment towards her doesn't get better lmao, leaving her alone with a whole ass child to take care by herself?? BYE sakura's patience for him is outmatch cus I would've divorced his ass for that. Though, the more I mature, little by little I begin to understand the complexity of their relationship after putting my gender issues aside for a second and look deep into them. And especially now, after reading your perspective on their whole relationship, it really did made half of my hatred go away and understand the relationship wholeheartedly. Like yeah, I absolutely love the trope of one person saying they don't deserve the other person's love but the other person keep loving them anyway, that stuff makes me giggle and swing my legs in the air and shit. It's just that the only way this trope would work for me if the person loving them has enough self-respect for themselves AND if it's a girl in the former & the guy in the latter. And honestly, I found naruto being borderline obsessed with sasuke annoying too but the reason why I can digest it more well is because naruto can go head to head with sasuke without backing down. Like, I wanted to see at least ONCE sakura having a heated argument with sasuke, or punch him in the face in the series. I feel like sasuke deserves a punch from her at the very least 🤷🏽♀️
Sigh, I really did wanna love their relationship and their journey to love (that scene of him catching her when she was about to fall and then having that iconic eye contact had me feeling butterflies ngl) since it has all the tropes I love but the execution is just so...
i mean if it helps any i absolutely hate post-canon and that's where my primary divide with most sasusaku fans lies 😭 i'm not sure if you read the blue-plums post i reblogged but it's a good dissection of why exactly it fails as a conclusion to both their individual arcs and their relationship arc generally. the post-canon we see is a direct answer to what sasuke's and sakura's dreams are at the start of the series, but the problem with this is that sasuke and sakura are nowhere near being the same people at the end of the series as they were at the start. generally, i don't think post-canon really takes the individual arc of any character into much account. its primary goal is maintaining the status quo with a slight veneer of friendship power draped over it for aesthetics. but nothing at the root is changed despite every traumatic development the characters were relentlessly subjected to. resultantly, you're left with a portrayal of sasuke as a neglectful father who glorifies the lone-wolf hero trope, which goes against everything he could possibly have learned from itachi; and you're left with a portrayal of sakura as someone content to keep house despite the bulk of her character arc being grounded in her ability and desire to take initiative not only at home, but abroad. it's not true to who either of them is by that point and, even more than that, it's a disservice to everything they've put themselves through for the sake of the love they were vying for. so while i love sasusaku as it progresses up through 699, i tend to wholeheartedly ignore whatever comes after and relegate that instead to either my own imagination or blue-plums's in her fics
what i will say about the naruto and sakura distinction is that a lot of people are more comfortable with how sasuke reacts to naruto bc they believe what naruto is doing is right. it's kind of like: if the only thing sasuke will realistically respond to is violence then obv naruto can resort to that violence without dwelling on it too much. but if you think about violence in the context of sasuke's entire life, it's not actually helpful at all beyond its ability to physically bring him to a grinding halt. even when naruto finally breaks through to sasuke, it's not the violence that makes things click for him. it's the words he says after, and it's the words he's always said before that that have stayed in sasuke's mind. violence, in contrast, is a poisonous thing for sasuke bc it's the only thing that has defined the parameters of his entire life. it robbed him of every person he cared about prior to his meeting team seven, and inevitably it intimidated him into seeking out more violence once he realized that he was incapable of saving the new people he'd come to care about as well. everything, at the root, was driven by sasuke's traumatically-exacerbated response to love and loss. the idea of losing naruto and sakura to the hands of anyone else was unbearable. so he decided that he'd rather have killed them himself. it was absolutely irrational. but a twelve year old child put through that kind of successive, relentless trauma was never going to think rationally, and certainly not after being exploited by people like orochimaru and obito (and to an extent itachi) in turn
all of this to say: there is of course a gendered aspect to the fact that sakura's response to sasuke is markedly not violence. but i also think people sort of refuse to dissect her response any further and esp in context of the narrative itself. despite being the hallmark of rationality within the team and perhaps even the series, sakura was inevitably always driven by the value she placed on humanity. it would've been so easy and rational and "right" to kill sasuke bc he was an insurgent, a terrorist, a danger to public safety, etc. but sakura knew it was more complicated than that. even without knowing about the intricacies of the uchiha massacre she'd been a witness to his suffering and struggle and helplessness. she was as much unable to kill him bc of her love for him as she was unable to kill him bc she knew it wouldn't be right. bc really, what would it solve. sasuke being written off or dying would accomplish nothing bc he would become one more person in the long line of victims to nationalism and the military-industrial complex. while naruto's desire to retrieve sasuke was driven by his love for him it was also driven by the fact that he was stubborn and relentless and refused to give up on people. if you won't believe in yourself i'll beat the belief into you. it's a very shounen-esque trait. in contrast, sakura's desire to retrieve sakura, while also driven by her love for him, was significantly driven by her ability to see that sasuke needed help. in fact, that's all she ever wanted him to get: help. and it would be one thing for this to be an isolated desire but when you read it in context of her own goals as a medic and a mental health professional, her unwavering belief in sasuke is a lot more striking. she was the only person in the entire narrative who never resorted to violence as a solution to sasuke's problems. and she was angry, to be sure. much as she loves him the struggle to bring him back and convince him that he was worthy of love and healing left her emotionally exhausted. but they're also children at the end of the day. she could've been angry at him, or naruto could've been angry him, and in the end none of it would've mattered in the face of knowing they'd finally gotten through to him. he had a smile on his face, he didn't have an arm anymore, and for the first time in his life he met a loss with utter peace and content. it was a thing of miracles after six years of relentless grief and sorrow, and nothing else could've been on their mind.
at the end of the day, team seven's love for sasuke isn't rational. the farthest thing from it, really. but that's what makes it so radical in context. if love in naruto was only ever meant to be rational then hardly anyone would survive. love was always written as an act of defiance and for however subtle the depiction sakura exemplified it
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