i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.
most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".
even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.
hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?
the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.
bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.
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sometimes im normal and then sometimes i think about how robin had been on the run for 20 years starting at age fucking 8 and when we meet her she's actively aiding in the destabilization of a country and gets so many people killed but one of the first things luffy says about her is that she isnt a bad person. I particularly think about her first appearance and her interactions with crocodile, because crocodile is (much like other OP characters) kind of a ridiculous man in his dramatic overcoat and his giant pets he feeds people to and. do you think robin was emulating him in that way with her own personal giant dramatic coat and cowboy fit. on the run for 20 years ever since she was a child, having to make herself useful to people so that they wouldnt suddenly abandon her, emulating her boss not only to gain his favor but also to try and appear intimidating herself? how many times had she done something like this. robin is a character who presents herself in so many ways, always wrapping herself up in an air of mystery and intrigue but shes also so deeply childish, she constantly makes morbid jokes about her situation because the last lesson one of the only people who cared about her gave her was that what else is there to do but laugh. to never stop laughing. having lived on the run she knows that an assassin is most effective when their weapon is concealed and yet she freely shows off her powers just to gain their trust. to play with luffy and chopper and usopp. how gratifying do you think robin felt when nami called her a sister. in skypiea she's constantly providing tactical assistance in how to survive in the wilderness but she's afraid when luffy and usopp start laughing at her suggestions. lets make a bonfire, robin! we're out camping, this is what you're supposed to do! she freezes in the same way she did when the kids on ohara laughed at her but even when the straw hats happily invite her to party she still stands on the edge, sitting further from the rest. she doesn't know what to do there. she had no will to live after luffy had saved her but one of the truly happiest moments she has is when she's not even cheering, just sitting in awe seeing the ancient city in the sky. was she thinking of her friends then? she never had friends her own age, just scholars multiple times her age and yet they were still her friends, who would never get to see this sight. when aokiji reappears and nearly kills them, shes stonefaced upon waking up that the straw hats even considered having a sleepover in her room. because they were worried about her. she's never had a sleepover, and it's something so simple to the straw hats, that of course they wouldn't see their friend as someone to use. she's never escaped the headspace she was in when she had to run away from the mountains of corpses of a burning ohara. the first and last thing her mother ever said to her was that she didnt know her, no matter how much she wanted to embrace her daughter. she never had the chance to say goodbye. she never had the chance to grow up.
sometimes i think about how nico robin was in many ways raised by her friends in the straw hats with their love for her and hauve covid
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anyways happy pride to all my high risk queers out there, to all my disabled queers for whom events aren't accessible to, to my immunocompromised folks who can't risk attending events where people aren't masked or taking covid precautions! happy pride to my fellow cripqueers that want to be out there fighting and celebrating with their friends and family and can't because it's not safe for them to do so– you're not alone and you deserve to celebrate too. we all do.
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one time on another platform when i was super new to self shipping i was like. how can you believe your f/o loves you back? and someone replied “don’t they bring you comfort? that is their love for you”
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When his student appeared on his doorstep one night, bleeding and begging for help, Lancer hadn't known what to think. So he didn't. He pulled young Daniel into his home and patched him up as he listened to his tale. Once he was done there was one thing he was sure of, Daniel couldn't stay here. He supposed now was a good time as any to take that teaching position in Metropolis.
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all’s fair in love and poetry’s a very obvious play on words. and the implication that her craft was the war is very interesting
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shoutout to whatever twenty year old runs kyle maclachlan’s social media and asks him to do all of the absurd meme shit that he does with absolute glee it is both beyond comprehension and hysterical how into it he is
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