the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Overindulgent father Astarion who tells his children they’re allergic to any kind of jewellery that isn’t made of the highest grade Dwarven crafted gold.
It’s not even because Astarion might have a certain aversion to silver, no, he just raises his children to have standards, thank you very much.
And it doesn’t end with shiny things, oh no…
The Ancunín brood is known to be dressed in perfectly woven cotton, silk and soft leather clothes, no matter the occasion.
They’re seen playing with expensive toys, reading artfully illustrated books that certainly belong behind thick glass, not in children’s sticky hands.
There’s even talk that one of the children is not as naturally inclined to music as his parents claim him to be, surely his lyre must be enchanted—the instrument certainly looks extravagant enough!
And then there’s always this air of effortless haughtiness surrounding the Ancunín children whenever their nannies and servants are parading them through town as if they were perfect little dolls; objects to show off the wealth their parents acquired in quite the mysterious ways.
So, it’s no secret that Astarion and Tav are pampering their children—some might say they’re even spoiling them rotten.
And maybe they are, especially Astarion.
But he doesn’t see why he should raise them any other way, nor does he want to.
When it comes to his children, Astarion has his own standards, and as long as Tav agrees with him nothing really matters.
Because, these people, they don’t know anything about the Ancuníns.
They don’t know that it’s not unusual for Astarion to wash out dirt and mud and strawberry stains from comically small finery, leaving behind only the memories of a day spent playing in the garden, chasing after ducks, picking flowers, lazing in the sun…
That any holes and tears the children’s clothes might suffer are quickly mended, making them look as good as new in no time.
Nor do they know that Astarion doesn’t mind fashioning a brand new dress to match that of a favourite doll, either. Or to embroider a pretty vest with the likeness of that stray cat the children seem to adore, although their father would rather they don’t touch the mangy animal.
No, those people know nothing at all...
“Not tired!” Astarion’s youngest cries; the vehement denial of her father’s earlier accusation is cut short by a telltale yawn.
The room still smells of fragrant lavender oil and peaches even when the bath water has already grown tepid, just one or two degrees above what Astarion would consider too cold to be enjoyable.
Amused, he raises an eyebrow at the protesting toddler before he lifts her out of the copper bathtub with little effort.
By now, he knows every step of this game.
“Tut-tut, my dear child, what did mama and I say?” Astarion kneels, quickly wrapping a soft towel around the child to keep her warm. “We only tell lies outside of this house.”
Unfazed by her father’s gentle scolding, the girl crosses her arms that haven’t yet lost their puppy fat across her chest, reminding Astarion a little too much of a very displeased Tav.
Suppressing a sigh, he leans back to consider the pouting child, wondering what could possibly be upsetting her this time—the list is growing longer by the day, after all.
“What’s the matter, dear?” Astarion asks gently, hoping it’s something easily fixable as it’s growing rather late.
“Want apple!”
Decades ago, Astarion might’ve rolled his eyes—he knows exactly which stupid apple the child wants, it’s been haunting him all day—but once he started to treat his children’s problems as if they were his own, his life has grown somewhat easier.
“Why, let’s get an apple on our way to bed, then. Would that be alright, Your Highness?”
The girl promptly nods her head, allowing Astarion to pat her hair dry before dressing her in a clean night dress.
She rests her cheek against her father’s shoulder as he carries her first to the kitchen to grab a fragrant apple and a knife, then to her bedroom where they settle on the cosy window seat, just like they do every night.
Soft moonlight is pouring through the windows; the child giggles at the way the knife’s blade is catching the silver light as Astarion peels and cuts the apple into even pieces.
“Here you go,” he finally says, giving the slice of apple one last examining look before surrendering it to the impatient little hands reaching for it. “A sweet treat for my little sweet. Doesn’t it taste so much better when we don’t eat it off the floor, darling?” And when it’s not crawling with ants…
The appeased toddler nibbles at the juicy fruit as Astarion carefully combs through her still-damp curls.
Her hair’s getting long, he notices, knowing that taking care of it will become more time-consuming each day.
Once, Astarion would’ve thought this task tedious, brushing out hair that’s not his own, oiling and braiding it for no other reason than knowing his children enjoy him doing it.
But that’s why he loves doing it in the first place, he supposes.
Astarion can tell by his toddler’s heartbeat that sleep is about to claim her.
The half-eaten slice of apple is still clutched in her little fist as he cradles the child to his chest, slowly rising from the window seat to put her to bed.
He’s just about to lay the child down that the fruit drops to the floor, his daughter’s tiny hand clutching at his shirt instead.
“Thank you, papa,” she mumbles, more asleep than awake.
Astarion pauses.
He breathes in the clean, yet unique scent of the little girl that is forever engraved in his brain, the same way he knows under which exact constellation she was born. When she took her first steps, what her first word was. Soon, he will have to memorise her favourite colour, and what she likes to eat when dirty apples won’t be that appealing anymore.
By now, Astarion knows this game by heart, knows that with every year that passes, he has something new to learn about his children.
And sometimes he wonders what it’s like to grow up with clean bed sheets and full bellies. Sleep filled with naught but warmth and happy memories. Ever open doors and tears that are dried by tender kisses. Living in a house where mistakes and anger are welcomed, safe.
He wonders what it’s like for his children to know that their father’s love comes without conditions. Not now and not ever.
Sitting down on the bed, Astarion holds his youngest a little closer to his chest, unwilling to let go of her, yet.
He’s often accused of spoiling his children when most people can only just grasp the very surface of his love for them, the bare minimum of what he feels for his one and only, precious family.
These baseless accusations are as unimportant to Astarion as the people voicing them.
He’s raising his children to have standards, wants them to take their father’s love for granted, to accept nothing less but pure devotion.
It’s the only way Astarion knows how to love them, the only way that comes most naturally to him.
Astarion looks down at his little girl, now fast asleep, a gentle smile tugging at her lips.
After all these years—all these children—he’s still in awe watching them sleep in his arms as if no harm in the world could ever befall them.
And it won’t—not if Astarion can help it.
“No, thank you, my heart,” he whispers, pressing a kiss against the crown of the toddler’s head.
When it comes to his children, Astarion holds himself to the highest standard.
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I keep seeing people bitching about "uwu when I say 'from the river to the sea' people say I'm calling for geeenocide! They say I'm antisemitic!" and like.
Maybe. instead of clinging to a phrase that a bunch of white leftists have co-opted because they think it sounds nice. And digging your little immature heels in. You should LISTEN when people tell you that yes. The phrase's FUCKING ORIGIN was a call for the eradication of Jews from the area known as Israel and Palestine. That NO, you cannot divorce it from those roots. YES, it IS still used to mean that TO THIS DAMN DAY.
And look. Maybe you DON'T think that Israelis should all be killed and/or exiled from Israel and Palestine. Maybe you DON'T think that the genocide of an entire people is the solution. Maybe you DON'T hate Jews and want all of us dead. And if that's the case? Great!
But how the FUCK are we supposed to tell the difference when you are using the EXACT same phrase as countless people who DO want those things. People who DO hate Jews, who ARE supportive of organizations that want to commit violence, people who SUPPORT what happened on October 7th?
When people tell you "hey, this phrase means something else, it has ALWAYS come from those roots, and using it is NOT OKAY because it is STILL used as a rallying cry for violence against Israelis and Jews worldwide", the way to react? Is NOT to fucking double down and use it.
Because that? DOES make you an antisemite. And if I see you using that phrase? Then I MUST assume that at best, you do not know what it means and have SOMEHOW avoided the countless Jews and non-Jews I have seen talking about it, or at WORST you actively hate me and want me and every single one of my people dead.
And frankly? You are not worth that risk to interact with.
Stop saying it. There are SO many ways to support Palestine, the Palestinian people, and their fight for rights, that do not involve spouting genocidal, antisemitic rhetoric. it is NOT HARD.
But apparently, some of y'all are insistent on being racist.
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Ancient Greek Earrings Speculation Time
So seeing this clicked something inside my brain. For a good while I always imagined all these earrings are the lobe type...
Like so. A cute lobe earring.
Except the shape of the arc and the kink at the hook puts me in doubt.
So then I thought... what if it's some other kind of piercing. Or... what if it's not a piercing at all. What if -- it's an ear cuff?
As an ear cuff, the design makes more sense. The placement of the gem, the bird, the arc and hook. Plus you can layer it behind heavier dangly earrings so the bird looks like it's snuggling underneath flowers or leaves (as these lobe earring pendants tend to be)
So then with my possibilities wide open, I'm suddenly seeing the "solution" to the issue I've always had with this style of ancient Greek earrings
What bothers me about this is that if you hang it by the lobes, the animal hangs upside down cos of the weight.
Backward facing lets you to see the animal more but it's still strange Forward facing is much worse... you can't see its face if you look at the wearer from the front.
Upside down animal pendants may very well be the fashion but I honestly can't imagine that SOME olde jewellers wouldn't be bothered by this too. It's a design flaw??? If you know a designer you know how particular they are about details like this.
But what if... they are not lobe earrings at all. What if... these earrings are helix types (forward helix and helix piercings)
Suddenly the design makes MORE sense. Look!! The animal is UPRIGHT and facing forward. And it's snug on top of the ear, which carries the weight of the pendant. My only ?? is possibly the size of the hook going through the hole but large piercings are not uncommon.
What supports my weirdo speculation for the helix earrings is that the hook (including the missing pin meant to be placed on the ram's mouth) is quite smooth until the metal becomes fancy + twisted. Which is a lot of room to insert across two piercing holes.
I've been bothered by these silly animal earrings for so long.
I'm FREE now when I allow myself to speculate that ancient greeks had multiple ear piercings + earring styles.
Who knows if it's legit historically but the animal is upright + facing the correct way like this lol /end
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I’ve only ever interacted with you before by (obsessively) liking your fics so forgive this being so random but I feel like part of the reason people are more okay with artists charging for their work over writers (and I think everyone should get paid for it tbh) is the perceived accessibly of writing skills over drawing skills. Like I don’t think it’s malicious but I feel like a lot of people at least subconsciously look at fanfiction and think “I could do that, I have Microsoft word and can physically type” meanwhile they look at art and think like “I wouldn’t even know where to start to get there” not realizing that it would take probably the same amount of work and time to get as good at writing as Umiko is at drawing (is drawing even the right word lol idk)
Like I think it’s subconscious right now but if a writer did pay wall their fics it would almost immediately become something they would say to the writer like “why would I pay for this when I can do it myself”
Fwiw, from a customer service rep making $16 an hour, if I could give you $900k a year I would, if for no other reason than you’ve given me terrible Soap brain worms (I was so blind, but now I See™️) (also just to be clear I, in no way, think learning to write is just easy, just that easy access to the tools to do it with make it seem like it must be and thus people undervalue it as a skill in pretty much all areas of life but for this purpose, especially in fandom spaces)
no but you're like 100% right. when people ask me for tips and tricks to get better at writing, i try to be super encouraging and tell people like "you can do it too!!!" because i like making people believe in their own abilities, but it is an incredibly hard thing to do. i think i undersell how hard writing is. but you're so right, i think subconsciously most people think it's not as challenging as creating art is. i completely get your point and agree.
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