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paper-mario-wiki · 5 months

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Shangri-La Frontier mid-season review

This is by far the best fake video game I've ever seen written in fiction.

Most MMO-centric isekai stories have trouble with providing accurate and realistic depictions of the complexities and minutia that give MMOs the allure they have. I've seen so much handwavey bullshit tacked onto fake-games that introduce unrealistically overlooked mechanics for reasons like giving the protag immense power just because they're the protag and the story is about them. A good example of this is another MMO Isekai airing this season, "A Playthrough of a Certain Dude's VRMMO Life", wherein the main character becomes extremely rich, powerful, and famous by episode 2 because he stumbled into a stealth archer playstyle, a build which apparently no human in that universe had ever conceived of before, and then making a fortune by selling basic potions to everyone after NPCs stopped selling them (another thing he was uniquely able to do because not a single other player had the forethought to spec into alchemy). These lesser, dime-a-dozen isekai add up to be boring fantasy strories with gaming elements clumsily put in so that the author can demonstrate how powerful the world's inhabitants are by showing their stat allocation screen instead of, say, explaining anything about what they do that's so uniquely powerful and how they figured it out. Ya know, stuff you'd hope to hear about from any competent story.

Shangri-La Frontier is a breath of fresh air for anyone who, like me, is sick of authors ignoring the things that actually make video games compelling in service of creating a stock-standard narratives in fantasy worlds because it allows them to get away with bullshit. I've always found it very convenient that many isekai narratives indulge in things like chattel slavery, because it's societally normal enough for the protag to purchase a beautiful, vulnerable girl to add to his harem (dont worry, she is always inexplicably in love with him no matter what because he's SUCH a kind master). And it never really seems to go anywhere. Because the Video Game Isekai, while an interesting premise in theory, is more often than not used exclusively as a means to simplify the structure of a world's power scaling to abide by an arbitrary set of omnipresent universal rules (e.g. what people who have never cared to look into game development think of video games). This anime, by comparison, is VERY clearly authored by someone who plays a LOT of games.

Every piece of logic used to drive the plot forward, so far, is congruent to a real-world example of video game conventions, and I'm not just talking about levelling up and selling monster parts. Story elements that I've rarely (if ever) seen explored in other isekai are ever-present and genuinely clever and amusingly introduced. My favorite example of this so far has been the way the protagonist has been able to go head to head with so many overlevelled foes in the first 9 episodes. The story of course makes note of how good of a gamer Sanraku (our hero) is, but much like in real life games, being super duper good at dodging attacks doesn't really make up for a 70 level gap in items and learned skills. For that reason, he gets his ass whooped more often than he actually outsmarts others (so far he hasn't beaten a single player in pvp). So how is he getting out of these situations without dying so frequently? Simple: he got access to a later area too early relative to his level (sequence break) and got access to a high level follower NPC that's been carrying him. This is something he acknowledges directly several times, specifically using words like "Emul has been hard-carrying me for a while." This, to me, is extraordinarily meaningful. That's something you can exploit in Skyrim, man. That's REALISTIC CHEESE STRATS. The excitement and wonder I find in this show doesn't come from watching the protag do something unexpected, but by watching him do something that I would think to do.

This knowledge the author has demonstrated regarding modern gaming culture extends further into the actual realistic nature of game design and community. The story exists in a reality where full-dive VRMMOs are the be-all-end-all of gaming, and given the prohibitively expensive nature of developing and designing expansive, immersive worlds, most games are pretty shit. It's been hinted at so far that this is due to a monopolistic megacorp which is one of the only entities rich and powerful enough to make a good game (the game in question being the one that shares the title of the anime), but so far the strife of the characters have been pretty centralized to the happenings of the game world and its politics. By the way, lets talk about the game world's player base politics, which I'm also quite pleased with. It exists in the form of guilds and clans who struggle for power not by participating in seemingly random pvp with other powerful players to see who is the most epic and badass warrior (again, like many contemporary isekai typically opt for), but by gaining actual realistic support from a fictional playerbase with realistic desires and playstyles. Some guilds are interested in lore, some gather for alliance and boss raids, some for things like animal husbandry, and (naturally) at least one is dedicated to trolling and PKing. Each of these factions, through the very little that we've seen of them so far, communicate on forums and only know as much as is reasonable for them to know. The only reason they give a shit about the protagonist at all is because he gained access to a high-level unique scenario quest that they want information on how to access, and the only reason word of that got out in the first place was because someone posted a screenshot of him with a unique NPC onto a forum, asking about it as "where can i find this pet summon, its super cute!" That's real. That's video games, baby.

I like this show a lot so far. I like that it cares about video games, but I also like its writing. I like the main character and how hes less of an ultra badass super cool guy, and more of an earnest challenge-run lets player. Like, a lot of his dialogue straight up sounds strikingly similar to Japanese youtubers. And he's naturally always quick to point out inconsistencies in the game world's logic. I ALSO really like his community of pals from a janky old fighting game, and I ADORE the girl from his school who has a crush on him and also just so happens to be an exceptionally high level player from a top clan, and how she had to spend 9 episodes working up the courage to send him a friend request. I love that so, so much, dude.

I highly recommend this show if you're into a single thing I've mentioned. The animation is great. The world is beautiful. The character design is immaculate. And I'm looking forward to watching it continue.

#text #shangri la frontier

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olderthannetfic · 2 years

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Something that frustrates me about the Harry Potter conversation is a lot of people missing the point behind the motivation to boycott it. They seem weirdly focused on the content of HP when it's actually... not that bad? It's not perfect, in fact a lot of aspects are pretty fucking problematic and worthy of discussion, but not uniquely so by the standards of the fantasy genre. Yes, I know the goblins are clearly drawing on anti-semitic tropes. Yes, the house elf situation is fucked. Yes, lots of not-like-other-girls-style misogyny. Yes, Cho Chang was a fucking disaster of racism. I KNOW THIS ALREADY! I'm not an idiot and Harry Potter fans were talking about this for far longer than JKR has been a TERF. But I'm also a fan of the Elder Scrolls and Dragon Age and the Witcher and a shitton of isekai anime and tons of other fantasy medias which are so much worse. Harry Potter is only moderately problematic by the standards of most popular fantasy media, especially for the mainstream standards of the time period it was written. Worthy of criticism, but not dropping it entirely. And actually reading HP and looking back at JKR's behaviour at the time, much of it seems largely unintentional, just that JKR drew on a lot of fantasy tropes that she didn't properly examine as well as her own unexamined biases and she had some flawed understandings of progressivism that were fair for its day but don't fly now, but doesn't seem malicious. The actual authorial intent at least seems to be pretty progressive at least, even if the execution wasn't the best. And sure, it's not a masterwork but there's a reason it connected to so many people, even if a lot of it was luck and timing. We don't have to ignore that and doing so feels dishonest.

I'm just so annoyed when people try to shit on the contents because they're missing the point and confuse the actual problem in a way that weakens their argument. I don't give Harry Potter money anymore because JKR crossed some lines for me in real life, totally separate from Harry Potter as a piece of media, and I don't want to fund her bullshit because she is so influential it is hurting people. The content of her books is utterly irrelevant to this decision. She could have penned a goddamn magnum opus and it wouldn't have mattered. So I'm sick of people bringing up books that are "better" or ragging on the contents of Harry Potter because none of that is the point and never was the point and it comes across as just taking advantage of a shitty situations to dunk on a popular thing or those who enjoyed it. Yeah, it was a mediocre fantasy series. But it hit the right emotional escapist buttons in a lot of kids even if it had the moral nuance and depth of a Teenage Mutant Ninja Turtles anti-drug PSA. Having to drop it sucked for a lot of people because it can't be replaced and yelling about how bad the writing was doesn't change that because it never was about quality. JKR's TERF transformation was in many ways a betrayal of JKR's intended audience considering how the text preached acceptance and love and starred an abused, unwanted child getting to go to magic school where he's special. Pretending Harry Potter should be dropped because its content has issues obscures the actual problem of a raging transphobic having money and influence and that not everything created by bad people is poor quality so boycotts might require giving up access to things you actually like or are valuable and that's not always an easy decision to make.

JKR was a probably decent person with fairly liberal politics when she wrote Harry Potter. The books, while imperfect, are not more horrible or full of problems a dozen other popular fantasy properties. JKR become a TERF later in life and while she may have had ingrained transphobia prior to this when she wrote Harry Potter, that is not the same as the virulent hate-movement she's part of now and we should recognize how easy it is for people to get drawn into hate-movements. Any argument to boycott should be about how she's using her money and influence to affect real life laws and attitudes unless you want to try and get people to also drop half the fantasy genre.

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animebw · 1 year

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I’m gonna be honest, I thought going into Winter 2023 that this was gonna be a bit of a dump season. One of those seasons where anime just kinda sits around farting and we all wait patiently for the actual Good Shit to start coming out again while pretending to catch up on our backlogs.

That... has not been the case.

Bofuri Season 2: Seriously, how does this show get so many incredible action cuts?

Buddy Daddies: Look, it’s probably not gonna be gay, but Spy x Family meets Tiger and Bunny is something we all need in our lives, okay?

Campfire Cooking in Another World: Couldn’t even last a full episode of this one before my eyes glazed over. Dropped.

Endo and Kobayashi Live: Now this is pretty charming! Pity the animation’s such garbage, though.

Giant Beasts of Ars: It’s a damn good season for fantasy anime, y’all.

Handyman Saitou in Another World: Could actually end up a halfway decent isekai SOL if it stops being so goddamn terrible at structure.

High Card: This is exactly my brand of Anime Bullshit(tm) and I am so on board.

Ippon Again: An actually great female-led sports anime? With major A Place Further Than the Universe vibes? Do not sleep on this one, y’all.

Kaina of the Great Snow Sea: Damn. Good. Season. For. Fantasy. Anime.

Kubo Won’t Let Me Be Invisible: As far as Takagi-san knock-offs go, this one is pleasant enough.

The Magical Revolution of the Oh Fuck It These LN Titles are Impossible to Remember Just Call it “MagiRevo”: Buckle up, folks, we might just have another Actually Good Isekai on our hands.

Malevolent Spirits Mononogatari: It’s Noragami but shit. Dropped at 1 episode.

Nagatoro-san Season 2: Yeah, turns out I’m still not above the occasional well made trash.

Nier Automata: Genuine question, is this gonna be an acceptable substitute for the game or will I just be spoiling the experience for myself?

Onimai: I fucking hate the Mushoku Tensei studio so much and I hate myself even more for deciding to stick with this one.

Reborn to Master the Blade: This one might be soon for the chopping block, but I’m holding out hope that its story can overcome its middling production values. We’ll have to wait and see.

Revenger: GEN UROBUCHI’S BACK BABY YEEEEEEHAW

Sugar Apple Fairy Tale: Take notes, Every Isekai: this is how you explore slavery in a fantasy setting.

The Tale of Outcasts: Feels like a 13-year-old’sedgy Ancient Magus Bride fanfiction. Honestly, though? I kind of really dig it.

Tomo-Chan is a Girl: LET. TOMBOYS. BE. TOMBOYS. WITHOUT. SHAMING. THEM. FOR. IT. Dropped at episode 2.

Tokyo Revengers Season 2: At this point, I’m just watching out of morbid curiosity of how bad the manga’s ending supposedly was.

Trails of Cold Steel: The Northern War: Easily the weakest fantasy anime of the lot. Giving it one more episode to impress me, otherwise it gets the drop.

Trigun Stampede: Y’all are buggin, the CG here is incredible.

Tsurune Season 2: Good god, the glow-up from season one is nuts. KyoAni just does not miss.

Vinland Saga Season 2: Okay, manga readers, let’s see if watching a bunch of sad men farm is as incredible as you say.

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auxryn · 9 months

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So I'm watching one of this season's many isekai animes. The main character (who arrived in this fantasy world after dying of overwork as a salaryman in Japan, another victim of Japan's famous 'Black Companies') encounters a group of striking workers.

A strike? Ooooooh... how is this going to go?

The strikers have taken over their workplace and are demanding higher payment for the piece-work they are performing. The work is not only very dangerous, but is skilled labor requiring official licensing.

On his way to see what the fuss is about, the main character runs into a powerful rival adventurer who has been hired to murder all the strikers. He convinces the murderer to wait and let him talk to the strikers first.

This is interesting. How do the author and Japanese society as a whole view this situation?What will our intrepid hero do?

The strikers demand he stop and declare the area off limits. He pulls a gun. The strikers gather to repel him. He knocks them all out, ties them up, and hands them over to the police. They are essentially treated like bandits.

NANI THE FUCK?

What the hell is this hall monitor bullshit? Didn't you learn anything at all from your previous life and more importantly death?

Later in the episode the main character encounters a woman who is literally fainting from overwork and endeavors to help her.

We will need to wait until next week to find out what amazing advice he has for her, but so far his attitude seems to be:

'I worked too hard because I only focused on my job, but now I have a cute isekai girlfriend who wants me to come home on time so she helps reign in my workaholism and take it easy.'

PUSSY DOESN'T CURE LABOR RELATIONS, SHITHEAD!

You weren't working too hard, you were being exploited! There are people who were enriched by your work and your death! Keeping a healthy work/life balance is relevant only to business owners who can set their own hours. If you are employed by someone else then they are determining your workload and your hours. If you are working yourself to death it is because they asked you to!

Scandal and regulation have not ended unpaid overtime, unused vacation days, and death march schedules in Japan. What will? Organization. Solidarity. Strikes. You need to change work culture.

Not treat activists as if they are somehow thieves.

#rant #anime #wtf

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isekai-crow · 4 months

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2024 Winter Anime Lineup (Master Post?)

First post for a new blog where I'm going to try and record my opinions, break downs, comparisons, and various degrees of squees about anime!

The lineup for this year's Winter isn't as packed as the 2023 Fall season was, but that's always the case. It sure is still causing my To Watch List to keep getting longer... but more importantly because it's so lacking in big name shows one of my most anticipated shows gets to shine...

SOLO LEVELING

俺だけレベルアップな件

LET'S GOOOOOOOO!!!

I'M SO EXCITED FOR MY SHADOW BOY TO FINALLY ARRIVE!!!

also, holy CRAP look at all this TRADITIONAL FANTASY!!! There is even a decent selection of non harem Isekai this round too! And a lot of awesome sequels/continuations!

Anyways, here's what's on my to watch list for this season! I'll be posting about them in their own or other threads as I figure out how I want to set this blog up. My reasons for WHY I'm watching what I'm watching

Definitely Will Watch!

Solo Leveling / 俺だけレベルアップな件

Apothecary Diaries /薬屋のひとりごと(Continued)

Delicious in Dungeon (Dungeon Meshi) / ダンジョン飯

The Villains Day Off / 休日のわるものさん

Undead Unluck / アンデッドアンラック(Continued)

Fire Hunter (Hikari no Ou) 2nd Season / 火狩りの王

High Hopes / Might Drop / Taking My Time

Sasaki and Peeps / 佐々木とぴーちゃん

The Witch and the Beast / 魔女と野獣

Doctor Elise / 外科医エリゼ

Cherry Magic (THIS ENGLISH TITLE LMAO) / 30歳まで童貞だと魔法使いになれるらしい (DEF WATCHING THIS ONE NOW)

Shangri-La Frontier / シャングリラフロンティア　(Continued)

Beyond Journey's End / 葬送のフリーレン (Continued)

Gonna Give Them A Few Episodes

Mashle Season 2

Fluffy Paradise / Isekai de Mofumofu Nadenade Suru Tame ni, Ganbattemasu (I'm doing my best in another world to pet fluffy creatures)

Ishura

The Wrong Way to Use Healing Magic / 治癒魔法の間違った使い方

Blue Exorcist / Ao no Exorcist (OUT OF LEFT FIELD THIS ONE)

Delusional Monthly Magazine / Gekkan Mousou Kagaku

This is already insanely long, so the second half of this essay about what I think is below ↓↓↓↓

DEFINITE WATCH LIST

SOLO LEVELING - I've been waiting for the solo leveling anime since BEFORE the anime was ever announced, re-reading the webcomic/manhwa multiple times and just HOPING someone would animate these gorgeous shadows. It is a very well done power fantasy with only squints of romance, and while I'm sad it's been localized to Japan (and all the fuckery that comes with of Korean erasure), I got to see the first two episodes at the World Premiere and I. Am. So. Hype.

APOTHECARY DIARIES existed completely outside of my head space, and my initial response at the premise was, Raven of the Inner Palace? I wasn't actually expecting much from it and then the first few episodes BLEW ME OUT OF THE WATER and now I'm obsessed.

DUNGEON MESHI is one of those manga I've heard about, but tried reading and it was too slow paced for me (I say, currently slogging through The Boat Arc (TM) of Hunter x Hunter), but the anime gives it life and I think I'll enjoy this alot. I love cooking anime and fantasy, so this will be fun!

KYUJITSU NO WARUMONOSAN is just straight up Crow Bait. That curly bowl cut, the gap moe of a villain who loves cute things, and voiced by fricken Shintarou Asanuma!!! (I know him as Samatoki from HypMic, other's will know him from the "Fucking Bullshit" song from Carole and Tuesday, and a host of other roles) Also, all the pretty sentei / power ranger boys!!! I'm so hype, in the most relaxed chill way for this.

UNDEAD UNLUCK is so weird in that it involves a lot of random sexualization, but it doesn't make me uncomfortable like Seven Deadly Sin's random gropping did, maybe because there is actual implied consent involved. Fuuko and Andy are Poly and I love them for it. And the world building is TOP NOTCH.

FIRE HUNTER - If you haven't seen season one, you are missing out. A darkly beautiful post-post apocolyptic alternate Japan-esque world, from the POV of a young girl, and a young genius boy having to let himself be manipulated by capitalism to survive, and gods? a magic system? but so soft that it's barely there even while being a full on fantasy story.

High Hopes or Taking My Time

SASAKI AND PEEPS- What a weird little show that has the weirdest combination of isekai, the most "this is fine." salaryman, and a fricken' CHUNIBYO BIRB. I've already watched the first episode and it feels like there are two magic systems going on and its a bit confusing, so we will see how this plays out!

WITCH AND BEAST - I keep wanting to call this Beauty and the Beast, because the beast is a rad bad ass looking lady, and the witch is certainly one of the most beautiful undertakers I've ever seen. I think he carries his boyfriend around in his coffin backpack, so I'm hype to see WTF is up with that >o>

DOCTOR ELISE - Why do manhwa I read keep randomly popping up as anime??? This is a vilainess turned good story, and supposedly the market is full of these, but none of them are the good ones I've read, so I did a double take of happiness when I saw this. THIS ONE IS GOOD. An spoiled princess gets killed, is reborn in Korea and becomes a doctor, only to be killed by Airplane-kun, and winds up back in her old body where she decides to become a doctor again! The prince is even not your typical icy asshole! (although maybe he is a little at the beginning..)

CHERRY MAGIC - THIS FRICKEN ENGLISH TITLE GOOD LORDS ABOVE. I'm dying. I'm also excited to see this one play out and I'll be hiding behind a pillow giggling like a mad lad while I do. It's been a while since there's been a good BL that's not SAD (looking at YOU Given and Banana Fish, but avoids eye contact with Sasaki and Miyano) so hopefully it doesn't dip into that territory. Going into this one mostly blind as to the premise apart from the obvious Gap-Moe with the love interest.

SHANGRI-LA - I started watching this on a whim as the Fall season started to wind down, and found it to be a good potato chip to have on in the background. I'll probably continue watching it, but not weekly.

FRIEREN - This is what I watch when Jujutsu Kaisen hurts too much to keep going. I'm only a few episodes in, so it'll be slow going, but I think it's about to pick up it's pacing a little where I'm at, and it'll be good comfort food to have.

MAYBES

Mashle Season 2 - The pacing was SUPER WEIRD in the first season that despite all of it's shitting on the properties of she-who-shall-not-be-named, the end of the season kind of fell flat. I wanted to like it more, so I'm hoping Season 2 does that for me.

Fluffy Paradise - I love isekais with an adult in a child's body pretending to be just super smart, and this doesn't feel like it's going to do that, but still looks cute none the less. I'll give it a few episodes, but will quickly drop it if my watch list is too long.

Ishura - Is this what life is like for D&D Characters when they hit level 20? I HOPE SO. I LOVED the Legend of Vox Machina, and hope this has the same sort of vibes, but I'm going in blind!

The Wrong Way to Use Healing Magic - Love me some fucked up healing magic. Please DO NOT let this be ANYTHING like Redo Healer. I refuse to watch that even those FUCKED UP HEALING MAGIC IS FUN. But this. This I want to see. Please let this also not be a harem. I'm fine with ~vibes~ but please no actual harem that's not actually Poly.

Blue Exorcist - THIS IS TOTALLY OUT OF NOWHERE. HOW LONG HAS IT BEEN?????? I remember the last season feeling like a disappointment? But can't remember why? Gonna see if this is worth re-watching the seasons from like... a decade ago.

Delusional Monthly Magazine - I watched the PV and had no fucking clue what was happening. Therefore, I will be watching a few episodes to sate my curiosity about WTF OR possibly just get myself even more confused and rage quit. lmao

I've watched the first few episodes of a couple of these, and will be watching a few more tomorrow, so Next Goal: Post a write up or three about what I think!

#anime #anime winter 2024 #apothecary diaries #solo leveling #sousou no frieren #undead unluck #cherry magic #sasaki and peeps #dungeon meshi #mr. villain's day off #mashle #kusuriya no hitorigoto #frieren #beyond journey's end #ore dake level up na ken #delicious in dungeon #masterpost

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bytedykes · 9 months

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What is ORV actually about? I assumed that it was like... A modern psychological thriller with a bit of queerbait, but now I'm seeing your posts and reblogs tagged ORV that are all kinda surreal and fantasy type stuff, I feel like I saw the word isekai a couple times? So what is ORV actually?

ok i have been sitting on this ask for a few days bc i. have no idea where to even begin trying to explain what orv is about

here's a post by tumblr user ot3 that does a better job of explaining orv than i ever could. below the cut is MY attempt at an orv summary

"what is orv actually about?" this is a wonderful question. i don't know. i did nothing but read this novel for 2 weeks straight and i could not for the life of me tell you what orv is "about"

the thing about this book is that if you're reading it, it makes perfect sense. the events are linear. there is a bunch of mindfucky bullshit BUT it all happens in a relatively straightforward way. i understand orv perfectly. but at gunpoint, could i put the events in chronological order? no. pull the trigger

ok. orv is about a salaryman named kim dokja who has the most uninteresting boring life in the world. this is a lie. he does nothing but go to his job he's about to get fired from, eat convenience store kimbap, and read webnovels. he reads a specific webnovel (twsa) that has been updating daily for 13 years straight. he has been reading it since he was 15 through his entire adult life

twsa is about the apocalypse, starring protagonist yoo joonghyuk. the day kim dokja reads the last chapter and eagerly awaits the epilogue to be published the apocalypse happens. exactly like in the webnovel. now armed with a .txt file of twsa and his autism superpowers he navigates the apocalypse trying to reach his ideal ending

orv, for lack of better term, does not take itself very seriously at times. frequently, even. at least half of the major plot points are comprised of complete bullshit. every few chapters i had to put the book down and go "no fucking WAY is this actually happening" but it was! it was happening every time! its hysterical!

orv is also extremely meta. every time you think "ok it cannot possibly get more meta, this is it, this is the peak" ur wrong. u are wrong every single time until the very end of the epilogue. it can ALWAYS get more meta. orv is 100% the most meta thing i have read in my life

on top of all this, pretty much anything you can think of has happened in orv. "orv is a book about everything" while an exaggeration, this is true. it really fucking is. it has everything in it. you know that poem by shel silverstein, "everything on it"? that's what reading orv is like

it tackles many serious topics (such as: loneliness, the desperate desire to connect with other people combined with the inability to allow yourself to be loved, finding the things that push you to keep surviving) and many topics that are. not that (such as: "what if a dumpling had a face how would that work", "what if gay people were insane and not even friends", "what if a guy was so autistic his brain started eating people", "what if a monkey was actually 4 monkeys" and more such things. wouldnt that be fucked up)

orv definitely. yeah. surreal and fantasy type stuff is a very appropriate descriptor. a modern psychological thriller is... also appropriate i suppose. "a bit of queerbait" is NOT appropriate because orv is built on queerbait but not in the sense of it being baiting. in the sense of it being canon but unsaid. like its not canon. but it is. its canon and it is constant. there is an archangel that ships said queerbait she is a proud yaoi supporter. this is a real thing i am not making up

on top of that insane queerbait. there is insane polycule bait as well. like i need you to understand that while its not "canon" in the traditional sense of the word it IS real and it IS on screen and it IS as explicit as it could actually be without it actually being, you know, explicit. it literally makes me feel insane

ISEKAI. RIGHT. im not really familiar with isekai as a genre so take this paragraph with a grain of salt but orv is more of a reverse isekai? the fantasy world comes TO the "real" world. however there are in fact multiple isekais-within-the-isekai later on. multiple types of them even

anyway orv is also heavily based on the theme of stories and like. god i hope you've read ot3's post because im sure they explained it better. its a very theme-heavy piece of media where the rules of the world aren't based on logic but based on how they can further the themes. its very intricately constructed and like

it will blow your mind. god. i dont even know what im saying anymore. its good is my point it is so fucking good. orv changed me. it is a very hopeful piece of media and i am sure that rereading it will devastate me even harder than it did the first time

TLDR: orv is an insane long book about literally everything and at least half of those things are complete bullshit but are incredibly integral to the plot. somehow. it is very worth reading and will change ur life forever

#orv #asks #uhdudhudshu i just used this as an opportunity to infodump im sorry. again ot3's post definitely explains orv WAY way better than i did

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tinker-the-prol · 1 month

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Important edit: check the comments for details, slight spoilers included. This is coming out of my watch list for the exact reasons I mentioned here. 😮‍💨

Hobgoblin? More like Hotgoblin, amirite!?!?

I'm skeptically optimistic about this one. So far I am enjoying the concept as well as the execution. Just kinda waiting for the other foot to drop with the typical isekai bullshit. You know, stuff like the main character acting shocked at the reality of slavery in this world and then immediately purchasing a person, children in situations children shouldn't be in with each other or with adults, horniness in all the worst kinds of ways*, etc.

Seriously, isekai have some of the most interesting concepts in anime and manga. Why do they always have to include these things, it is usually completely unrelated to the story and seems to only be included to indulge the author's sick fantasies.

* Nothing wrong with horniness, I started this post with horny. But isekai manga/anime always seem to include sexual themes in the most disgusting ways.

Edit: A commenter pointed out a very dumb thing for me to leave out of this post. There's literally a scene where the protagonist walks into a room and sees human slaves. So honestly, not off to a good start. Hoping they decided to include that to actually add to the story and not to make the protagonist just a stand in for the authors shitty fantasies... Like I said, I'm very skeptical of isekai. The track record isnt great.

#re:monster #isekai #please don't be gross

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isekaifantasybullshit · 2 years

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metanarrates · 10 months

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rly hoping this reverse isekai anime i started watching sticks the landing. "guy from fantasy world who can see ghosts reincarnates into the undead corpse of a japanese guy and now the fantasy guy has to solve his host body's murder while getting caught up in assassin bullshit AND figuring out how to live in modern day japan" is one HELL of a premise and if the plot remains as gripping as it has been for the last 4 episodes, it may end up as one of my fave thriller animes ever

#narrates #so far its like SHOCKINGLY good. i wasnt expecting much but i love it so far #big first episode plot twist btw. i wont spoil it in case anyone else watches it but its really well executed

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halfbit · 8 months

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also gonna finally make a taglist post. only including projects i'm currently working regularly on.

reblog/comment if you want to be tagged (or untagged) for these projects. specify which/all please. i'll add links to more in-depth intro pages once i actually make those.

serpent's quest. main project, an isekai fantasy hopefully multi-media work about wolf and his debt and guilt-bound found family job-hopping in a world of magic and shenanigans and definitely not getting dragged into a plot to enact revenge on a god. inspired by tcf, gintama, orv, and every isekai/other world story ever.

project revive. my self-indulgent korean webfantasy type bullshit project. includes gay people, death not being the end, everyone has a secret, women who can kill you one-handed, curses, and a god king that can't be resurrected at any cost. inspired by tcf and a lot of dramatic villainess comics.

13 houses. formerly referred to as "adigore story" or "vampire sack project". plot is currently getting revamped (hah) but basically a closeted midwestern boy ends up getting pulled into a dangerous conspiracy by a young vampire who doesn't remember why he wants revenge. he seems harmless, he's gentle, and kind, but he's going to do whatever it takes to find out what he lost, and to make the vampires responsible regret that he was brought back as one of them.

project western sun. strange vampire x rookie vampire hunter, set in a sci-fi western where the hunters are cowboys. featuring: family secrets, exploding guts, horses that are hoverbikes, legendary outlaws, power imbalances, anime fight logic and guns that break the laws of physics. inspired by trigun and that one vampire anime until it turned out to be the world's most convoluted incest because we can't have shit in this world. also bonanza and other old westerns i would watch on tv a long time ago.

❖ reoccuring tropes in all my work (aka so common that i didn't feel the need to mention them in these write-ups) include: primary gay/mlm relationships, elements of horror varying from fridge, body, and eldritch, frequently mexican characters/protags who aren't stuck as sidekicks or have roles beyond just being the funny guy, some dramatic ass jrpg bullshit— you bet their asses are gonna kill some gods, the little guy/underdog vs. the world/the system, getting angry about the poverty hole, resorting to violence. and revenge.

♧ the tag list will be used for writing releases, art that i'm proud of/directly relates to the story, as well as the more organized lore dumps or major changes for the project.

you're also free to request being tagged for anything related to a project, but i would not recommend that. you would be subjecting yourself to a cruel fate. you know not what seals would be undone.

#writeblr #writing community #creative writing #writers on tumblr #queer writers #tag list

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absolutewifey · 8 months

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The DnD game that I had been playing in with some friends from college has officially and abruptly ended so I'm gonna isekai my player character into the world that I'm DM-ing a couple games in.

It was an urban fantasy setting in a magic AU Earth. He's a drug dealer who lived in big cities and now he's gonna show up in my version of the Feywild which is VERY different from the Faerie world from his original universe. But I'll have his mom be there too otherwise he wouldn't cooperate with the lady who summoned him.

The poor son of a vixen is probably gonna be like:

Journal Entry 23,

I've been in this lord-of-the-rings bullshit place for 2 months now. My mom is here too at least but it sucks I won't be able to see my nieces and nephews again...

I finally got an audience with the Bitch in charge around here. And according to her it was a one-way teleportation spell so they can't send us back to Earth or do any kind of reverse summoning. The 'pipeweed' here is okay but I think I need to find a better gardener to breed some GOOD kush if I want to make a living the way I know how to.

God I miss cocaine.

#smalls #g smalls j #Foxy momma will be there too #dnd #ttrpg #this deadass workd in my favor SO well for my plans with the BBEG

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stierhai · 10 months

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Thoughts on: The One Within the Villainess

Manga: The One Within the Villainess

Amount read: Up to chapter 12

Impression: Middling positive.

On genre:

I'm not an Isekai person. I don't find wish fulfillment to be compelling in media. I don't care about game mechanics. I don't like characters going into the narrative with all the answers already and just needing to wait to put them into effect. Isekai may run the gamut of tones, with there being as much seinen edgelord bullshit as there is cute reincarnator sidesteps the plot of the in-fiction original work, so I won't say there's never conflict in isekai but... none of that does anything for me. With rare exceptions, the conflict almost always feels extremely shallow to me even when the stakes are high.

This is because they don't typically feel like they're about the characters, so much as they feel like lore infodumps and following a road map. Then top that off with a main character that has either a narratively convenient power that typically is powerful enough to overcome all conflict by default whilst requiring a lot of info-dumping— or the power is skipped in favor of short-cutting straight to the power being a lore and plot dump... they feel less like stories in and of themselves and more like reading a tabletop corebook. Lore is, in my mind, meant to be the stage upon which we tell stories, not the story itself— and I just don't think the stage can stand all its own and pretend to be a competent story.

And that is even assuming the stage was competent to begin with. A lot of Isekai also are very tropey and reference not just the broad strokes of other fantasy settings writ large but other isekai.

And there is no place this is more exemplary than the Villainess subgenre of isekai works.

They've all got this same basic framework: girl dies somehow and wakes up in an otome game she either played or knew about in her old life! However, she isn't the protagonist of the otome game, she's the villainess: an odious character who existed just to obstruct the heroine's chosen route in the game!

But here's the thing. I play otome games. I'm maybe not an expert, but I do have a casual acquaintanceship with the genre. The villainess rival plot that's endemic to this whole-ass genre? It stems from one of the earliest otome games ever, Angelique. However: it's not a trope that actually stuck around in otome games. To the point that Angelique's own sequels and spin-offs also didn't have the villainess rival. Similarly, the idea of the grindy items or whatever-- most modern otome games are not "dating sims", they're visual novels. You can think of them as choose your own adventure books, way more than a grindy dating sim where you have to raise stats, repeatedly talk to the dating options in certain areas on certain days, or give them items. The last set of actual popular otome games that had those elements is probably the [Heart/Spade/Diamond/etc] no Kuni no Alice series, I'm pretty sure? Someone can correct me if I'm wrong. But either way, I can say pretty confidently that Persona 5 is more of a dating sim than most otome games.

The fact is, these manga and light novels are all cribbing notes off each other, not otome games. So I have a grudge against them for that, first and foremost. It's like, okay you're talking shit about the problems and how terrible it is for the villainess to have to suffer just because she also liked the guy and her life is ALSO BAD and it's like. This is just not a thing. These works exist as critiques of a phenomenon that just isn't widespread and barely exists at all. You are all still just mad at Angelique-- or rather, because they don't know their "source material" at all, they're just empty shells of someone else's subversion of an extremely old game. And the subversion of ACTUALLY THE VILLAINESS IS FINE is also eroded even further by the fact a lot of them just decide to have the plot be actually the heroine is the real bad guy. Look at that hussy, chatting up these dudes above her station and stealing someone else's fiance. The issue isn't that the original plot of the game set up these girls as having their own happiness achievable only as mutually exclusive, implying women are all enemies competing for men, the real issue with the initial story is... genki girl bad, elegant girl good. I'm hating on a few specific manga here, but I'm sure there's more than that out there that have pulled that particular twist.

They have nothing to say. But when the framework of the story is we're going to fix the shit that went wrong in the original... it reads like they're trying to be commentary on the original genre. Which just falls so, so flat. Thanks for the commentary on a thing that isn't even a problem with the genre and also your commentary sucked.

So, enough generalities. Onto The One Within the Villainess.

The Plot:

The basic rundown: The villainess, Remilia, was replaced out as a child by Emi, a Japanese girl who was familar with the game Remilia is from. Emi did all the usual villainess isekai protagonist things-- rescued the male love interests from problems in their lives and came to occupy the same space as the protagnist did within the original game's story. Remilia, from within Emi, watched this and was satisfied because she had lived a loveless life with terrible parents but with Emi's memories of her own family in Japan and the second-hand experience of Emi's new life, she was able to finally experience happiness and became protective of Emi.

However, a fellow isekai'd girl has taken over the role of the game's protagonist. Pissed off that the villainess has changed the plot, she plots Remilia/Emi's downfall. Emi suffers the same fate as the villainess in the game, and retreats within herself. Remilia, back in control of her own body, swears vengeance and to make herself happy to fulfill Emi's wishes for her. To these ends, she does some bog-standard villainess things. She takes control of the land she's exiled to, begins doing damage control to her reputation, saves some poor people who were neglected by fate in the "original" timeline, teams up with a demon lord, and kills god.

I won't say the plot is anything special. A lot of the plot points I have read beat for beat in other manga. It also has the issue of not being very familiar with otome games— aside from my usual otome games almost never have a villainess issue, the whole subplot about the shop shows that the writer is thinking of the mechanics of a mobile game. And granted, I've never played a mobile game otoge, maybe they really are like that. But with the genre as a whole taking cues from a very old otome game, it is weird to see the very modern cash shop mechanics thrown in there. It feels like indiscriminate cribbing off the notes of other isekai that just accidentally took something from the wrong source material-- that any one isekai is as good as any other to crib from, overlooking the thing that's supposed to make the subgenre distinct. Which makes sense-- if you don't play otoge, you wouldn't know what the mechanics were like so you probably wouldn't see an issue with a cash shop existing as a plot point and as a major part of a subplot.

Thus far, this review has mostly been negative. But that's because I've focused on what it has in common with most other villainess isekai— a genre I started with saying I don't like. So, next: what sets it apart and what it does well within its trappings.

The Art:

The art fucks /pos.

Manga is a visual medium, and having good art isn't a must persay, but it does a lot to influence audience perception of characters, setting a mood, and just the overall enjoyment of a series. Characters in this manga make great fucking faces. The otoge heroine just runs around making the shittiest faces, the clearest faux-cutesy but complete scumbag expressions ever. They're great. Emi and Remilia technically have the same face but they're very well distinguished by light shines and make-up, sure, but also the kind of expressions they make— Remilia playing at Emi is also distinguishable from what we saw of Emi. Things are telegraphed really well-- you can see the people around Emi being affected by the heroine because they also begin making shitty smug faces (though not to the same degree).

Also, about selling a mood: killing God isn't an exceptional plot point in a JP fantasy series. It's every JRPG I played growing up, it's my beloved Angel Sanctuary, etc. So how do you sell the audience on the gravity of killing this God that was only recently introduced? Radical art style shift from villainess isekai to surreal high contrast Madoka witch labyrinth was the answer this manga landed upon and damn if I can't say it doesn't work. That sequence was great. Excellent choice by the artist.

The character designs are also pretty good. Remilia and Pino Blanchet definitely pass for the villainess and heroine isekai tropes. The demon shopkeep also looks like a minor NPC that for some reason has been taken out of a minor role and been given a more major one, whilst also making sense with the larger world set-up as we get that. The demon king looks like a boy you might romance on an otome route. The gods have weird inhuman forms. The dwarf girls both look like dwarves, in a western fantasy sense whilst still fitting into an otome game! I'm not sure any of them really stand out to me as like damn good job, but I think as a whole they do help get across the setting-- both as a fantasy in its own right outside the "game's plot", and as an isekai into an "otome game".

Emi and Remilia:

Okay. Listen. Listen. I grew up in YGO fandom, alright? Bodyshare romance is peak. And I've got a thing for unrequited love, tragic loves, dead girl haunts the narrative she can no longer directly touch but everyone around her is still impacted by the hole she left. And, to clarify, that isn't what this manga is— I do not think this was written with the intention of being read as hot girl doppleganger ghost romance— but it's got the vibes. That even if that is not the intended reading of the text, it has an appeal that people into that could appreciate.

So, Emi is not textually dead, aside from the whole reincarnation thing. But she is functionally a ghost in the story. After she fell into despair, she retreated within herself and Remilia retook control. In-character, Remilia believes that Emi is as she was— alive, and now merely watching from behind the scenes. With this belief, she seeks to make Emi's ideal world so she can emerge and live happily again, just as she did before. There is no sign of Emi stirring, but Remilia is motivated by her memories and ideals, by what she gave her and honoring her memory. The Remilia the audience knows is a person changed, but not by someone who is in the story any longer. In this way, Emi "reads" as a ghost, haunting the narrative through her effect on Remilia. Dead girlfriend vibes, is what I'm saying.

There's also something to be said for the dynamic necessitated by the bodyshare where despite being deeply invested in the other's happiness, they do and do not have any personal relationship at all. They both know intimately and have never met the other person— we see Emi playing Remilia's game and crying over her; we see Remilia watching Emi living her life on a flat-screen television window in their mindscape. Without direct interaction, they nontheless are invested in each other, their highs and lows, their success and happiness. They're the other's biggest fan, but not in the sense that we usually think of in the modern era when someone says Parasocial. They are aware of each other, and both is individually important to the other. Whilst the situation is fantastical, it comes out feeling like an early internet friendship with both girls lurking on the other's blog, more than it feels like the relationship between stan and oshi.

On Female Characters:

So, this manga is guilty of the whole villainess isekai trend of actually the game heroine is the bad one! twist.

I forgive it.

The most important relationship in the manga, the fulcrum upon which the whole manga's storyline sits, is the one between Emi and Remilia. They're both full characters in their own rights, even though Emi exists only in flashback. Meanwhile, of the major side characters the ratio of male to female characters actually favors women. There's two men, whilst all the other major side-characters with personalities are women. So, Pino being shitty is just like, oh okay she's just a shitty person, not that this author has kind of an unfortunate attitude about women. Also, Pino's character flaws of being incredibly selfish and focused on romantic feelings without caring about the target of her affections as a person-- it rather neatly echoes the evil god featured in the manga as well. The two of them echo each other, so considering we see the exact same flaws in evil incel god and the main female antagonist... Yeah, I don't see the way Pino is written as a problem here.

The Demon King:

So, speaking of side-characters. The Demon King Angel is supposed to have been a secret route from within the game. And while I think this manga gets a lot of shit wrong about otome games I will say this for it: Angel absolutely feels like a true/secret route character. Gorgeous character design, genuinely tragic backstory with a good reason for him to have been an absolute bastard within the story. . . nailed it. Good job. A++. More than anyone else here, I actually buy him as an otoge character.

It's a little bit unfortunate for him that Remilia is only interested in Emi and making Emi's ideals a reality! That just makes him feel like he's properly executed even moreso though, and really drives home that this manga is about the relationship between Emi and Remilia more than any thing else though.

post also available on dreamwidth

#manga review #the one within the villainess

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canmom · 3 months

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Man, it is refreshing to find someone else who wasn't impressed by Frieren's demon arc. It is not like I disliked it, I do like this kind of shonen action bullshit, it is fun. But to me it seems like a step down to the earlier episodes, the show downplaying its own strong points to do common action. It is surprising to me so many people seemed to love it as much as they did, it is the lowest point of the show so far for me.

Mmm. 'Didn't dislike it, but a step down' is a good summary - it deemphasised what made the show stand out narratively, to try to be something else. If I was in the mood to watch Kimetsu no Yaiba or Jujutsu Kaisen I would! Fortunately, we seem to be getting back on track with ep 11 - I'll be writing that up once I've watched another 4-6 more episodes. I'm getting pretty near the end of the first cour, so I might watch up to there.

Bit of a weird cour length at 16 episodes, but honestly that's good - I'd love to see 'seasonal' anime be more able to break free from the pacing constraints of 'it must always be 12-13 episodes'. Sometimes that's not the best way to slice up a manga!

One thing I do appreciate about the simultaneous success of Frieren and Dungeon Meshi is that they're both fantasy anime which don't do the isekai thing and put some effort into establishing a setting which feels like people live there. They're both very overtly RPG-influenced, but neither is actual litRPG, which is very much to their benefit. Ryōko Kui's passion for lovingly constructing her fantasy setting goes without saying. I'm told the Frieren manga sketches its setting rather loosely, but the anime is doing a whole lot to flesh it out as a place people live, because they let Seiko Yoshioka go absolutely nuts.

I was chatting with kvin on the sakugablog server (senpai...!) and he mentioned one particular instance - there's a scene Eisen is tending to the graves of his family. In the manga it looks like this:

Nondescript piles of dirt with a rock on top that are just next to his house. (Also, oof, this colouring. I thought this was a fan colouring at first but no that's official.) When we cut forward 50 years, we see Eisen leaving flowers: they're in big wrapped bouquets like you'd buy at a supermarket. The little Minecraft hut hasn't changed at all.

In the anime, it looks like this:

Not only do we have the recurring use of fields of flowers as a symbol of remembrance, there's clearly been some thought put into the design of the grave markers - even if we're not told what the spherical stone might mean, it obviously means something, and you have the stone as a symbol of permanence. There's those little ritual plates for offerings. And, significantly, it's clear that Eisen has added to these graves over the intervening 50 year period: the graves in the later time are larger, with more stones. The area around the grave site has more flowers and another tree that's grown. It's clear he's been carefully tending to this site his whole life. It's that kind of attention to detail that really makes this anime shine.

It's clear this anime was a real labour of love, and I don't want to deny that there is a lot to praise in the demon arc. I didn't mention it in my post, but the scene where Frieren commands Aura to kill herself (after Aura's mind control attempt backfires) is impressively brutal - apparently episode director Nobuhide Kariya acted that scene out with an umbrella, complete with expressions. (The expressiveness of the acting does a lot to foreshadow the demons having more complex characterisation, too. I hope.) It's just quite a weak storyline off the bat, so the execution can only do so much to elevate it.

Honestly, skimming the manga a bit, I'm all the more impressed by this adaptation. Admittedly, some of it is down to a weak scanlation that doesn't read very well, but it really doesn't have the same impact at all on paper. It's not just the fight episode - throughout, the anime staff clearly gave themselves freedom to interpolate and expand in ways that end up making the manga feel like a rough draft.

...actually come to think of it, they did a similar thing with Bocchi. The manga is a 4koma (by all accounts a good one), and they fleshed it out into a more substantial story with a strong emotional arc and also all the wacky experimental animation gags you could hope for. So I guess that's kind of just how Keiichiro Saito rolls! But it's really impressive how adeptly this team is able to handle such a completely different register. Bocchi and Frieren could hardly look more different on the surface.

Anyway, I'll save any more comments for the next part of this impromptu liveblog.

#anime #sousou no frieren

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