I love your take on Crowley!
I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?
I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.
thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.
that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
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thinking abt luffy, and how he grew up so poor that if he wanted to have a decent meal he had to go into the forest and fight big, dangerous animals. but at least he was strong enough to be able to fight, while there were people that lived close to him that had to live amongst the trash, hoping to find scraps they could sell so they could eat once during the day.
thinking abt how luffy values food so much, how he always eats as much as he physically can. how he values the people that feed him, that eat with him. whether its a luxurious meal or just an apple they share.
thinking abt how pretty much everytime he saved/liberated a place/island/nation was bc someone from the place had fed him.
how when he actived gear 5 he was fighting to save a nation that its main problem was starvation. and not only that but the food there had also been weaponized to mock them and make them suffer more. and it was fighting for them that he fully reached the form of nika, the form that will allow him to bring down the current government and its system which creates these areas where people starve
also! how in zoros introduction we see him eat something that was on the dirt, partly bc he hadnt eaten in a long time and partly bc someone made it and risked themselves to bring it to him. and how sanji is always happy to cook for anyone whos hungry and absolutely hates food waste. and how these two are luffys wings
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"may god have mercy on your wretched soul! ...that is what i should say when i kill them, is it not?"
vivica, one of the key supporting characters of reassassination. a scythe-wielding overachiever, her primary goal is to defeat octavia under the orders of the clear crucifix organisation.
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