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slyandthefamilybook · 6 months

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A NON-EXHAUSTIVE BUT NEVERTHELESS EXHAUSTING LIST OF NEO-NAZI AND WHITE SUPREMACIST DOGWHISTLES

since some of y'all apparently need a refresher course. as always, use your judement when deciding if it's a dogwhistle or just innocent usage of a number or symbol

NUMBERS

100% - 100 percent white

109 or 110 - A reference to the 109 countries that have expelled, in whole or in part, their Jewish populations. 110 refers to the hope that more countries will do so, usually specifically the United States. Often posted on its own as a reply, or phrased as a question (e.g. "If you were kicked out of 109 bars it's probably our fault")

1290 - A reference to the Edict of Expulsion of 1290, which expelled the Jewish population of England

13/50 or 13/52 or 13/90 - The supposed statistic that Black Americans make up 13% of the population yet commit 50% or 52% of violent crime, or 90% of interracial violence. Often posted on its own as a reply

14 - The Fourteen Words, a Neo-Nazi slogan

14/23 - A number representing the Southern Brotherhood, an Alabama prison gang

1488 - A combination of the Fourteen Words and Heil Hitler

C18 - Combat 18, a British neo-Nazi group

18 - The letters A (1) and H (8), standing for Adolf Hitler

21-2-12 - The Letters U (21), B (2), and 12 (L), standing for Union, Brotherhood, and Loyalty, the slogan of the Unforgiven, a Florida prison gang

23 - Often thrown up as a hand sign, with two fingers raised on one hand and three fingers raised on the other. Represents the letter W (23), standing for white

271,000 - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

88 - H (8) H (8), standing for Heil Hitler

9% - A number representing the percentage of the world's population that is white

SYMBOLS

((( ))) - Triple parentheses, or echo. Used by neo-Nazis to call out someone as Jewish

Iron Cross - A German military decoration

Sonnenrad (Sun Wheel)

Reichsadler (Imperial Eagle) - A blocky, art-deco eagle facing to the side. Variants exist, some facing right, some facing left. The Parteiadler (Party Eagle) has a slightly different design. The Reichsadler is usually clutching a wreath with a swastika, although this is sometimes left out to maintain plausible deniability

Totenkopf (Death's Head) - A symbol used by the SS

Wolfsangel (Wolf's Hook) - Used as the insignia of various Wermacht (Nazi Military) divisions

Wolfsangel (horizontal)

Odal Rune - From the Proto-Germanic "Othala" meaning heritage

Algiz Rune - A symbol used by German nationalists

Celtic Cross

"Broken Sun" Cross

Arrow Cross - A Hungarian nationalist party that was active from 1935-1945. The symbol has been re-appropriated by modern neo-Nazis

Valknot

EMOJI

🤑 Greedy Face Emoji - Used to refer to "greedy Jews"

💰 Money Bag Emoji - Used to refer to "greedy Jews"

🥸 Disguised Emoji - Used to refer to Jews because of the enlarged nose

🤥 Lying Emoji - Used to refer to Jews because of the enlarged nose

👃 Nose Emoji - Used to refer to Jews

🙋‍♂️ Raising Hand Emoji - Used for its resemblance to the Sieg Heil salute

✋ Raised Hand Emoji - Used for its resemblance to the Sieg Heil salute

o/ or 0/ - Used for its resemblance to the Sieg Heil salute

🐸 Frog Emoji - A reference to Pepe the Frog, a webcomic charcter co-opted by the alt-right

👌 Okay Symbol Emoji - A hand symbol co-opted by the alt-right. Sometimes said to resemble the letters WP, or White Power

🚪 Door Emoji - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

🚿 Showerhead Emoji - Refers to the showerheads used to dispense Zyklon B gas in the gas chambers

⛽ Gas Pump Emoji - Refers to gas chambers

⚡⚡ Double Lightning Emojis - Used for their resemblance to the Siegrune (victory rune) badge worn by members of the SS (Schutzstaffel)

💀 Skull Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

☠️ Skull and Crossbones Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

WORDS/PHRASES

6MWE - Six Million Wasn't Enough. A call for further genocide against Jews

AKIA - A Klansman I Am

Annudah Shoah - A mockery of both the Shoah (Holocaust) and the fear of further genocide

Auschwitz had a swimming pool/rec center/maternity ward/etc. - An attempt to diminish the horror of concentration camps by making them seem more like labor camps with amenities

Blood and Honor - A neo-Nazi slogan

Blood and Soil - A neo-Nazi slogan

Blood Libel - Not a phrase used by the far right, but something they often believe in or claim. Blood libel is an antisemitic conspiracy theory stretching back hundreds of years. The original claim was that Jews used the blood of Christian babies to bake matzah (a ritual food eaten on Passover). It has since evolved into images of Jews drinking blood, kidnapping and killing non-Jewish babies, and conspiracy theories about harvesting adrenochrome

Bowlcut - A reference to white supremacist mass-murderer Dylan Roof

Cohencidence - A portmanteau of Cohen (a common Jewish last name) and coincidence. Used to refer to Jewish control (e.g. "All these companies are owned by Jews! What a Cohencidence!")

COORS - "Comerades of Our Racial Struggle"

Cultural Marxism - A conspiracy theory that Jews are intentionally weakening "Western values" in order to make countries like the United States more susceptible to communism. This was called Cultural Bolshevism in Nazi Germany

Da Shoah or Muh Shoah or Muh Holocaust - A mockery of the Holocaust

Day of the Rope - A day referenced in neo-Nazi book The Turner Diaries when all race traitors will be hanged

Degenerate - An insult based on the false theory that bad morals will cause human beings to regress along the path of evolution (to de-evolve). Used to describe groups, individuals, or ideologies

Early Life - A reference to the "Early Life" section of Wikipedia biographies, which will reveal that a person is Jewish or has Jewish ancestry

Every Single Time - Every time something bad happens, the perpetrator is Jewish

Featherwood - A term derived from racist prison subculture. A featherwood is a woman associated with a racist gang

FGRN - For God, Race, and Nation. A Ku Klux Klan slogan

The Fourteen Words - A neo-Nazi slogan. "We must secure the existance of our people and a future for white children"

The Frankfurt School - A school of sociology founded at Goethe University Frankfurt in 1923. Usually blamed as the originator of "Cultural Marxism"

Fren - Internet slang. A diminutive of "friend", used to diminish Naziism and make it seems more harmless. Often used in usernames to describe one's self (e.g. sad_fren_88)

Globalist - A person who desires connection between countries in terms of politics, trade, and travel. Used to scaremonger about Jews destroying countries by removing their borders

Gorillion - A mockery of the number 6 million, being the amount of Jews who were murdered in the Holocaust

Goy - Hebrew for "nation", used by Jews to refer to non-Jews/gentiles. Used disparagingly by neo-Nazis to suggest Jews view non-Jews as beneath them

Goyslop - Unhealthy food that Jews force non-Jews to eat to keep them weak

Groid - A shortening of "Negroid", an archaic terms used to describe Black people

Groyper - A follower of avowed neo-Nazi Nick Fuentes. A reference to the "Groyper" meme, a variant of Pepe the Frog

GSHW - Germany Should Have Won (i.e. won World War II)

GTKRWN - Gas the Kikes; Race War Now

HDKH - Hitler Didn't Kill Himself. A neo-Nazi theory that Hitler escaped Germany and fled to Argentina

John 8:44 - "You are of your father the devil, and your will is to do your father's desires. He was a murderer from the beginning, and does not stand in the truth, because there is no truth in him. When he lies, he speaks out of his own character, for he is a liar and the father of lies." Part of Jesus' rebuke of his Jewish followers

Joo or Jooz - An intentional misspelling of "Jews" in an attempt to bypass censors or automatic content filters

Kate Hikes - A spoonerism of "hate kikes"

Kek - 4chan variation of "lol"

Kekistan - A fictional country imagined by white nationalists with a flag that resembles the Nazi battle flag

Khazar - A reference to the conversion of a group of Khazars (a Turkic people) to Judaism. Antisemites speculate that the entirity of Ashkenazi Jews are descended from these Khazar converts, and therefore have no historical, cultural, or genetic tie to the Levant. This has been proven false on multiple occasions

Kike - A racial slur against Jews

Lizard People or Reptilians - A conspiracy theory by far-right figure David Icke, claiming that world leaders are really reptilian aliens. Most people who believe this theory believe that the lizard people in question are the Jews

Magic Soil - A protest against the idea that people of one nationality can become people of another nationality simply by living in a country (i.e. "France doesn't have magic soil that turns Africans into Frenchmen")

Nicker - An intentional misspelling of the N word in an attempt to bypass censors or automatic content filters

Ns - Black people (as in the plural of the letter N)

NSDAP - Nationalsozialistiche Deutsche Arbeiterpartei. The Nazi party, but using an acronym that is unfamiliar to most people

NS - National Socialist

Noticer - Someone who "notices" that Jews control the world

The Noticing - A mass movement of people "noticing" that Jews control the world

New World Order - A far-right conspiracy theory about Jews taking control over the world and implementing a single world government. Also used in conjunction with phrases like "world banks"

OFOF - One Front, One Family. Slogan of the neo-Nazi group Volksfront

ORION - Our Race Is Our Nation

Oy Vey - A Yiddish exclamation meaning "oh woe". Used by neo-Nazis to mock Jews

Pattern Recognizer - Someone who has recognized the "pattern" of Jews always being in control

Peckerwood - A term derived from racist prison subculture. A peckerwood is a man associated with a racist gang

Power Level - A memeification of far-right beliefs. The more fascist your beliefs, the higher your "power level"

The Protocols of the Learned Elders of Zion - A 20th century Russian hoax claiming to be the minutes of meetings between Jewish leaders discussing how they will take control of the world

Pure Blood - Someone who is a pure member of the white race

Rabbi Smolett - A claim that Jews fabricate antisemitic hate crimes (a reference to actor Jussie Smolett who was accused of doing the same)

ROA - Race Over All

The Goyim Know - A phrase used by white supremacists acting like Jews who have discovered white supremacist activity, and are afraid that they've been found out. Often "The Goyim Know, Shut It Down", which adds the idea that Jews will prohibit any conversation that gets too close to the truth

The Red Cross - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

Tiny Hats or Tiny Hatted People - A reference to the Kippah or Yarmulke often worn by Jewish men

Reject Modernity, Embrace Tradition - A fascist slogan warning against social progress and calling for a return to a prelapsarian (usually ethnocentric) paradise

Rubbing Hands - A reference to an antisemitic charicature called "The Happy Merchant"

"To learn who rules over you, simply find out who you're not allowed to criticize" - A quote often misattributed to Voltaire, which neo-Nazis use to decry claims of antisemitism as efforts to silence them. In fact, it's a quote from a neo-Nazi pedophile

Shabbos Goy - A non-Jewish neighbor of a Jew who can be asked to perform acts Jews are forbidden from doing on the Sabbath (e.g. turning of a light or turning on the heat). Used by neo-Nazis to claim someone is a slave to Jews

Sheeeiiit - An over-the-top representation of how "shit" is said with a Blaccent. Often used in memes declaring Black people to be less intelligent

Shekels - Jewish currency (from the Hebrew word for weight, similar to how British currency is called the pound. In reality, the plural of shekel is shkalim). The name has been adopted by the State of Israel for the NIS (New Israeli Shekel). "Shekels" is used by neo-Nazis to mock Jews as being greedy

Synagogue of Satan - An antisemitic term for Jews, stemming from the Chrsitian Bible

They or Them - When used to describe a nebulous group of undefined adversaries, these words almost always refer to Jews

They Cry Out in Pain As They Strike You - An antisemitic proverb claiming that Jews will make false cries of antisemitism while at the same time perpetrating atrocities

Troon - A slur against trans people, particularly trans women

Volk - German for "folk", or "kind". Used by neo-Nazis to refer to white people

We Wuz Kangz - A racist phrase ment to mock Black nationalists

White Genocide - The myth that a group of people (usually Jews) are conspiring to eliminate the white race through various means including immigration, intermarriage, and homosexuality

WP - White Power

WN - White Nationalist or White Nationalism

Wooden Doors - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

Zio - An abbreviation of "Zionist". Used derogatorialy by neo-Nazis

WPRWS - 'Weimar Problems Require Weimar Solutions" (sometimes shortened to just "Weimar Problems" or "Weimar Solutions"). Prior to the rise of the Nazi Party, the democratic Weimar Republic was in financial crisis (the eponymous "Weimar Problem"). This was often blamed on the Jews. The "Weimar Solution" is Naziism

ZOG - Zionist Occupied Government, reflecting the belief that the United States government is controlled by Jews

#atlas entry #this took me several hours to compile so please give it a reblog #there are also a lot of ways nazis will mock Black or Jewish names but that's less dogwhistle-y and more foghorn-y #if you see someone say “lol 'Stein' 👃” and don't understand what they mean. I dunno that's on you man #also sorry for putting kike on here but you'd be shocked how many people I've met who have genuinely never heard it before #also the ADL website has a bunch more representing various prison gangs #but I feel like it can be overwhelming to know that 11 12 and 13 can all be racist symbols. I don't wanna make people jump at shadows #besides those are more likely to be worn as tattoos than displayed in someone's twitter bio #jews #jewish #judaism #nazis #neo nazis #neo-nazis #christofascism #far right #alt-right #white supremacy #white nationalism

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lionblaze03-2 · 2 years

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Me in early 2021

(Second pic for proof of the date)

Actual canon warrior cats, 2022

I am going to eliminate god. I am going to freak out and scream and piss on the floor. I’m going to. Change his name probably actually. Maybe have Myrtle be his old prefix that he changes by request when becoming a warrior he is trans after all and Molestar’s entire thing is being progressive and letting his clan be who they are and want to be so. Hm

#I’m thinking of going with squirrel?? Because of the like. Neck tuft? But that’s also been a traditionally feminine name so idk #also it’s labeled ‘queens’ and kits and not nursery toms and kits because a. What if another queen that is female. And b. All the other one #If all the lineups didn’t have the same words on them I’d freak the fuck out probably. Two little ‘ ‘s I can deal with #What’s the proper term anyway??#I call them den dads but that seems like more of a nickname than the official ‘queen’ title #Also this is for me and @honeycomb-ferret ‘s webcomic #Former Myrtle is literally a background character with background kits. 0 importance. And yet here I am. Still loving him #Ancient Ties #Ancient Ties : Twisted Bonds #at/nd #When will I actually link it on here? When a new and presentable chapter comes out

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waterloggedsoliloquy · 7 months

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mutual 1: sorry the update for my webcomic this week is a bit late! i really had to rush it so it prolly looks really sloppy lol [some of the most sophisticated comic art ive ever seen]

mutual 2: call me uterine lining the way astarions cervix got me bleeding profusely

mutual 3: do you think nanowrimo will give me a posthumous pity publishing deal if i mention it in my suicide note

mutual 4: okay fine i finally started revolutionary girl utena

mutual 5: does columbo know the service he did for butch lesbians. for all of us

mutual 6: wish you were here [blurry picture set of conifer woods in early autumn evening, taken as if frantically running down a winding trail]

mutual 4: im pretty hardy i dont need the trigger list but thanks for looking out for me guys

mutual 7: good morning lovelies another day the wizard tried to best me and another day i successfully locked him in the spare bathroom lol hope u like drinking shampoo fucker

mutual 8: here is a zip of every yuri manga scan i have and here is a backup in case i get dcma'd. the himejoshi lifestyle will never die

mutual 9: i wish i could go back in time to the shinzo abe assassination and ask to hold the doohickey

mutual 10: here's my essay on how wanting to be loved is the same as wanting to be eaten. three paragraphs in you'll find out that this is 100% tied to an obscure beauty and the beast manga i've been reading lately and how much i want to fuck the beast

mutual 4: oh thats why there was the trigger list.

mutual 11: YOU CAN'T LOCK ME IN THIS BATHROOM FOREVER

mutual 12: why do i have to defend my thesis to people i dont even respect. im not dickriding you just give me the degree

mutual 13: its just me and this scab ive picked into my scalp against the world

mutual 14: my little dragon got glazed and is ready to go into the kiln! everyone wish him good luck!

mutual 3: nvm i am a beautiful genius. perhaps the most beautiful genius of all

mutual 15: i think we should give david lynch rpgmaker and whatever happens happens

mutual 16: kpeyboaatrds brpokem gpuys

mutual 17: also heres my work in progress glossary of mixtec words! i still have a long way to go but i love being able to preserve my roots even in this small way

mutual 4: i just finished the black rose arc. question: what

mutual 18: i need emet-selch to be my wife

mutual 19: i need glados to be my husband

mutual 20: visited the ocean today!!! <3 beach pics!!! there is a darkness growing within me

mutual 21: the forms for my legal name change came in. pls vote in this poll of what my middle name should be: Dill Pickle (Dickle for short), Optimus Prime, Tumblr User Gorgonicteratologist, Smeve

mutual 22: just finished my 100th book of the year! this weeks read was the uses of enchantment by the psychologist bruno bettelheim,

mutual 23: reeses penis butter cups lol

mutual 4: i need to hunt akio for sport

mutual 24: oouugghhrgh. hot. dog.

mutual 25: your favorite character or fictional other would want you to brush your teeth and wash your face so you're well rested and wake up feeling refreshed! make them proud!

mutual 26: being a delivery driver isnt the worst job ive ever had but i do keep wondering what itd be like to drive off into the wild blue yonder one day and not come back

mutual 27: weird dog? [phone picture of critically endangered stork]

mutual 28: i think the two phone line polls in front of my house are having a lovers tryst. no way to prove it tho

mutual 4: WHAT

mutual 29: while you bitches are balduring your gates or finalling those fantasies im doing what a REAL gamer does. playing a b tier rpg that came out in 2004 for the 18th time

mutual 30: ^ real. hamtaro ham ham heartbreak is a masterpiece of interactive art. im not even going to call it a video game at this point

mutual 4: THAT'S HOW IT ENDS?! ANTHY?

mutual 31: can you help me pick which drawing looks better: 34% overlay or 36% soft light?

mutual 32: new video essay out. its called disability in video game narratives: final fantasy 14's most reliable fault. i churned the script out over an all-nighter and my mic crapped out halfway through but by god i did it

mutual 33: my new zine bundle is out! if you buy it you also get a discount on all my game jam games! i really cant wait for you to play them!

mutual 4: yall should watch revolutionary girl utena

#cecil drawls #long post #i love you guys

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anonymouspuzzler · 11 months

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Haha Whoops Uh Oh! (UPDATED 6/11/23)

so this isn't the type of post I normally like to make, but! uh! hey! I just got ambushed by a HUGE tuition bill I wasn't expecting, and I'm out of options to pay it - they've already applied my scholarship and loans, I'm already working multiple jobs that are basically just barely paying for rent + groceries, and I only have enough on my credit card to pay for One of the three payments they're requiring, which only gets me through till July (with, again, no options that get me that amount of money by that time).

further full disclosure, this bill came at like, the worst possible time - they've given me four days to make at minimum the first payment (which, again, I can only do by maxing out my credit card), and on top of juggling multiple jobs I'm also in the middle of two classes, including one which involves upcoming travel (that is already paid for, thank god). Hence, me Scrambling a li'l bit!!

as such, I've set a new goal on my ko-fi!! it is, of course, HUGE, but genuinely any small amount people are able to contribute goes a huge way to giving me SOME way to pay it off. note that 3-coffee doodle requests are still A Thing, commissions are still a thing (if you have one active I'll be getting to them this & next week), and I'll be streaming wherever I can to pull together money that way - wherever it comes, any support is HUGE and I mean that.

UPDATE 6/11/23: I am updating the original post to remove the ko-fi link and yet you fine folks know: HOLY HECK, y'all managed to get my tuition dealt with. words truly cannot express my gratitude for that - I'm so, so, SO humbled and thankful for everyone who came out to get me out of a really rough situation.

in the slightest, smallest attempt to pay forward the kindness i've been shown, I'm gonna try and use this moment to direct y'alls attention to some other folks I know who could use some kindness! hardly comprehensive, in no particular order, just top-of-my-mind type type beat. (note that these are all folks' twitter handles - some of 'em are on tumblr too, but I figure best to direct you to where I know they are 100%!)

@/Pochiyaki is a friend & artist who's been trying to get out of a bad money situation a while, and could definitely use some love!

@/rudeboimonster is similarly a dear friend who's been struggling to find long-term work and housing, anything you got would help.

Or, considering supporting the work of a creative you love! A few I've been loving lately that I'd recommend:

@/cosmignon (Runaway Draikana webcoming, and other comics and illustration work)

@/SynthCharmVA (voicework & writing/show development)

@/Tonya_Song (music - including vocals, piano and composition - plus education and activism work)

@/jaypg_art (character design, visdev, and illustration)

@/littlegoodfrog (Matchmaker and other comics)

@/winonaparadise (Girls With Horns and other comics/illustration work)

@/derekmballard (comics, including the upcoming Cartoonshow graphic novel)

@/_PartyCoffin_ (Welcome Home, and just about every art form you can conceive of)

and of course, if you're not following & supporting my amazing partner @/hollowtones, who helped me through this tough situation in every possible way - well you ought to be!! a delight and talent in every imaginable way, and I'm only a little biased on that.

and above all else... THANK YOU ALL SO MUCH!!!!!!

#anonymous puzzler talks #if you are able or willing to signal boost this as well it's deeply appreciated #i love my school but they have a horrible habit of waiting until the last possible moment to tell you that you have to pay for something #and then not giving you any options to finance it #so unless you've been checking the finance portal on your own Multiple Times A Day with no indication of if or when something will change #You Are Just Fucked

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genericpuff · 6 months

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zoo wee mama, the new Hbomberguy video is a RIDE and it's absolutely relevant to everything going on in webcomics. let's talk about it.

youtube

I'm sure a lot of you have heard about this video going around already (it's gotten 2+ million views in just a little over 24 hours) but if you haven't, I highly recommend you set aside time to watch it yourself, I was surprised to see how much he had dug up especially regarding Youtubers that I never suspected were plagiarizing. He also says some very on-point stuff about how we view content creators and plagiarizing in this "do it yourself" industry that really resonated with me because it's stuff I've been saying for years in the webcomic sphere.

I won't spoil the video much because I think it's best experienced watching it for yourself (especially because he's putting all the money he earns off this video towards compensating the people who had their work plagiarized by one Youtuber in particular who's especially guilty... I'm not even gonna mince words, it's James Somerton) but this passage in particular just felt so validating to hear from someone who clearly holds themselves to the standards that more Youtubers - and creators in general - should be holding themselves to:

"I think a lot of people are inclined to protect creators they like on the grounds that plagiarism is a very academic-sounding problem, like something that happens in research papers or journalism, not something that you can do in a silly video made for entertainment purposes. Why are we holding Youtubers to standards? That would be like expecting accurate history from someone whose name has 'historian' in it! Because Youtubers often project a sense of being scrappy, do-it-yourself amateurs, it feels almost wrong to expect them to be professional... but a lot of them are professionals, regardless how authentic their persona may be. Youtubers are now among the most recognizable faces on the planet, and have become immensely wealthy doing this. Some are so influential we literally call them influencers. Maybe it's a good idea to have some standards for not stealing. Maybe." - Hbomberguy, "Plagiarism and You(tube)" timestamp: 3:35:32

Obviously this has nothing to directly do with webcomics but I do think it's something that reflects very similar behavior within the webcomic community that's, frankly, worth discussing. Many people justifiably want to make a living off their work, want webcomics as a whole to be taken more seriously in the mainstream next to traditional publishing, and for webcomic creators to be taken more seriously as professionals.

But at the same time, I still see a lot of infantilizing of the people in this industry, done by both their fans and the people within it, the idea that being a professional (noun) isn't mutually inclusive of being professional (adjective). It's how we've gotten creators in the past like Snailords, mongie, and yes, Rachel Smythe, who are often shielded by their fanbase on the basis of, "they're just indie comic creators doing what they love, leave them alone!" when they're very much not that, at least not anymore. At least two of those three creators have TV deals (though whether or not they'll make it to the screen is debatable), and all three of them have or have had Webtoons seemingly wrapped around their finger more so than any other creator (though mongie has argued she left Webtoons over unfair treatment, it really doesn't seem like that to the people who know how much mongie was intentionally pushing the rules of what she was allowed to post on the platform, particularly with her Sam x Charles smut).

They are not 'indie creators' anymore and they are not exempt from criticism just because their younger fanbase mistakenly assumes them to be the same age as them. Rachel, mongie, and Snailords are all in their mid-to-late 30's. They all have merchandising deals and either have TV deals or want to have TV deals. They've all been given priority advertising by Webtoons even at the cost of undercutting all the other creators and series on the platform that need it more. They are not "scrappy" creators, they're contractual professionals now and they all do not act like it. Whether it's reacting poorly to criticism or using their characters as a mouthpiece for their own egos or even just using their comics as a poorly disguised fetish, they're all contractual professionals who do not act professional. And they're not the only webcomic creators who do this.

And again, I've talked about this before on here and in the discussions on reddit concerning LO and other webtoons, so it's incredibly validating and refreshing to see Hbomberguy put those feelings into words (albeit about Youtubers, but let's be real, Webtoons is definitely trying to be the "Youtube of webcomics", as is Tapas and other competing webtoon platforms) because that sentiment rings true for a lot of the webtoon creators who have practically failed upwards and only forgo their advertised "professional status" when they're under fire for their actions and writing. Rachel is an "award winning creator" and "self-proclaimed folklorist" until her comic is criticized for its blatant misrepresentation and disrespect towards an entire culture, then all of a sudden "it's just fanfiction". Mongie is the creator of the bestselling series Let's Play until she's called out for racist depictions of Asians and Hispanic people in her work, then all of a sudden she's "just trying to make a fun comic" that's not meant to be taken that seriously. And of course, their audience of teens and young adults who don't know any better keep forgiving them and vehemently defending them because they wrongfully assume that these creators are scrappy teens just like themselves who just started making webcomics for fun and then achieved fame and glory overnight (which they're not!)

We should be having bigger discussions about what awaits the webcomic and "content creator" industry as a whole in the future and what standards we should be holding creators and their work to. We can't possibly expect these mediums to be taken seriously as a professional industry if we don't set better expectations for the quality of the work that's being created and the creators who are building these platforms for themselves.

"In current discourse, Youtubers simultaneously present as the forefront of a new medium, creative voices that need to be taken seriously as part of the 'next generation of media'... and also 'uwu smol beans little babies who shouldn't be taken seriously when they rip someone off and make tens of thousands of dollars doing it." - Hbomberguy, "Plagiarism and You(tube)" timestamp: 3:36:18

#hbomberguy #webtoon critical #anti lore olympus #lore olympus critical #lo critical #let's play critical #Youtube

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ketterdamskaelishprince · 1 month

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ada's spectre, and why i'll likely always feel sad about it

here is the promised analysis/talk about ada's spectre. going to preface this by saying i obviously don't know the true intent behind everything and her design, i just like to look, giggle and then make sad little observations which just help me love this silly webcomic even more. so if you disagree with me on something– totally ok! i love to learn and i love to see different interpretations.

there's also a few bits i missed out because i wrote this all last night in a bit of a haze, and i cannot be bothered to expand on some of my ideas, especially when it's just stuff like "BROS SO PARANOID AND RAW RIGHT NOW".

anyways, here we go :) @mugcereal this one's for u pookie <3

so i think with ada's spectre, we first need to look at the instance as to how she gets it, because that always makes things way more sad!

to specify, she turns into her spectre at episode 69, and i think it's really sad how she does it. she basically gets a string of roasts from prospero that go along the lines of calling her "conceited" "twadry" and "... and stupid!" – effectively throwing back in ada's face what she believes everyone thinks of her.

(obviously, as a very big and glaring sidenote, i believe prospero is aro/ace or just aromantic so OBVIOUSLY i am not bashing him for this. bros told her so many times that he doesn't want to be with her, let alone to be touched. that is a flaw in ada's character and is a reminder to us on the importance of boundaries!!!!)

so, ada is basically there, collapsed on the floor in a robe– effectively showing the most intimate and private part of herself as an insecure and lonely girl. and that's when she transforms.

i think it's interesting to understand how this most likely links to her life and how she died. so we know she was killed with an axe, most likely by the man she fell in love with and worked for, and how prospero's words in this situation, hurt her just the same as the words before her death. why?

because they remind ada of what she knows and fears she is: just a stupid, fake and cheap person who will never have the same status and respect as the people she pretends to be and surrounds herself by.

i think it's also interesting that she's clutching her stomach/torso here, and correct me if i'm wrong but that could be a potential signal to the part of her that was axed to death (?). no idea if that's a good shout or not but it's what i first thought!

anyways! now we move onto her spectre design!

first of all, her spectre design eats. like just a personal side note, i love it. it's just so gorgeous and i don't care if she's terrifying to some because to ME? to me, she's my gorgeous little pookie who can scream and show people their worst fears and she looks amazing whilst she does it <3

ok anyways, actual design.

to first understand her design, i thought i'd show you what banshee's traditionally in folklore look like!

typically, they are described in two ways. the first way is a youthful women with long black hair, blue eyes and just super pale. this description could also lose the blue eyes and just keep the black hair– either way the first depiction of a banshee is a super young woman.

this is not the one we're focussing on today folks!

we're going to focus on the second depiction. a hag/ old woman, with red cheeks, a grey cloak and a green dress, often seen to be combing her hair. banshee's throughout folklore are known to wail, scream and cry when a family member had died. to most, the banshee was a sign that death was coming to your household and they are known in myths and folklore as a predictor of death.

now, hold onto the green dress and look at ada's design real quick for me.

here we see a lot of green, which yay! definitely shows signs it comes from the second depiction. i think, on top of it being a nod to the second depiction, i think it could also be an allusion to something else: jealousy.

green symbolism in media can often vary, from meaning new life, luck and also jealousy. and i think if we take in the things ada screams whilst in her spectre form, such as this from episode 82:

you see there definitely is some sort of jealousy there, but this isn't something i necessarily want to focus on, it's just an observation i made that may or may not be true!

anyways, to continue, i want to look at ada's outfit when she's a banshee. i'm going to basically be making my notes i took last night look nicer.

(keep in mind that when i wrote these, my ideas were literally bouncing off my brain and sometimes they're a bit contradictory, but i think that's the beauty of my crack theory analysis!)

i think the act of almost showing her bones to the outside, there's a level of rawness to ada we don't usually see. her spectre form essentially gives her the power to scream out her anger, and by seeing her bones it's almost as if to say this is the ada she doesn't show people. this is the ada that she keeps to herself because god forbid anybody love her (because in life and death it's become abundantly apparent to her that nobody does seem to love that ada).

but then, what i thought was also a super cool thing as how the bones almost act like a corset!

then i got sad because i looked at the bows, and because something dawned on me and it made me start to frown. there was a sad realization to me as i looked at ada's spectre design that even in this all powerful form, she hasn't lost her insecurities, they just become more prevellant. because for all of the traditional wrinkles, hag-like appearance a banshee is meant to have, ada barely has any.

obviously this could be in part to character design and stuff, and yeah probably– but let me be sad!

because ada carries her frills and bows from life here because she doesn't want to be ugly, she doesn't want to be this creeping monster who rips apart people. because if she's not got her intelligence or status or anything going for her, she has her appearance and by god she's not going to let that go to waste. so here her spectre form is, a banshee.

so what must ada do? she must takes her frills and keep her insecurities, her fears and her crippling need to be loved.

another aspect which is super interesting is the stitching on her body. one one hand, it could be an allusion to her violent death, suggesting the man she fell in love with didn't just stop at axing her once, but just kept on fucking going (which, you know: fuck you, whoever you are).

but on the other hand, it could be a metaphor for ada's thinly veiled facade she puts on of being a prim and proper lady (which we actually, interestingly enough, see she looses a lot the more time she spends with montresor– opting to take parts of his language like "ain't" and "beggin'". this sort of leads on from previous ideas people have made of ada willing to change herself to be loved. she swaps civility for the wild wild west all for a bit of love).

ada offers up parts of herself in this metaphor. that's what she always does. she offers herself to the rich man she fell in love with, she offers herself up to prospero (again, look at the. side note. bro wasn't wrong for rejecting her he literally can't like her) and she offers herself up to the acolytes and she fucking barks for them (because i'm not over that).

piece by piece, she strips away everything she is until she literally is just skin and bone. and once she's torn herself apart, she needs to stitch herself back together– because it's against the facade she's put on to look so broken and messy. and so she repeats the cycle again, giving more and more until she is literally hanging on by a thread.

her powers are also super cool. traditionally, as i said, banshees wail when a family member is soon to die/has died, and is often like an omen/predictor of death. so yeah, ada having a banshee scream makes sense. but the whole 'fear itself' is also super cool. i kind of like that she has this– because its sort of satisfying for her, the girl who's been pushed over but still comes running back, to watch as people become paralysed with fear. idk, retribution or whatever.

i'm going to leave you with this not very profound thing i wrote last night (and then just some other mumblings):

i think that although spectres are super powerful and also just a very fantastic concept, they're also fragile. spectres are quite literally the monster inside of you. yet here ada's monster is, and with all her bows and revamped dress of a banshee (or potentially an allusion to her life as a maid) she tries desperately to be anything but that. because to here it's ugly and it's too much of her on display. and with some much of you on display comes the very fear that if you are hated, disliked or something repulsive, you no longer have anything to blame on anybody else. you just have yourself to blame.

(as morella says here in episode 88).

i'm not saying ada isn't deeply flawed, because she is. she has so much fucking baggage and insecurities that they literally forbid her from doing the right thing sometimes. i don't think she's a good person, but i also think that she has the opportunity to be a good person/ do a semi-good/ non-bad thing, and all she has to do is take it. but i also think it's nice how that's shown in her spectre design.

and, you know, if none of this makes sense, that's also fine!

anyways, yeah. somebody tell me never to make a random analysis at night again because it's a bit of a bitch to translate in the morning.

#ada nevermore #nevermore webtoon #annabel lee nevermore #nevermore #ada #ada nevermore analysis #nevermore character analysis #character analysis #adas spectre #is that even how you spell it #anyways i love her for who she is #my precious little screaming meow meow #LMAO #ok idk what i'm talking about anymore LMOA #forgive if there are typos because at this point i am TOO TIRED to do anything about it

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canmom · 1 year

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comics and animation have a lot in common, but one interesting difference is that arranging pictures in space rather than time means there's a tradeoff between the amount of drawings you use to show an action, the amount of space each drawing is given, and the amount of pages you cover which determines the 'pacing' of the comic.

if you slice the page up into a lot of tiny boxes to show many stages of a motion like an animation, then each panel has correspondingly less space for background details, and it may affect the aspect ratio of panels. if you give yourself space for a large splash panel, then the pace will slow.

one solution to this problem is to break the convention that a panel is a single 'frame' of action and show multiple images of a character in the same background. Kentaro Miura did this sometimes, and Tradd Moore (on here - @traddmoore) is an expert who uses it frequently (I'll reblog his spiderman comic in a minute). Kamome Shirahama, a genius at creative paneling, also uses it in a couple of places.

a similar trick will have a single background continuous across multiple panels, showing a static 'camera shot' at different times.

the limitation of these methods is that breaking convention makes the panel a little harder to process - you need to make absolutely sure you cue the reader clearly about where to enter the panel. and it requires action that involves a large movement so the drawings don't overlap. so most authors use it as a 'once in a while' thing.

an opposite approach, used in early parts of Superpose by Seosamh and Anka and Goodbye, Eri by Tatsuki Fujimoto, is to go even harder with the cinematic convention and give each panel the aspect ratio and detailed backgrounds of a film camera, taking all the space you need - Superpose opens with about two panels per page which may be very similar to each other, creating a very deliberate sense of pacing. to pull this off you need to be either extremely fast at drawing like Fujimoto, or accept your comic taking a long time to get anywhere - and you also need to be very good at placing the camera in space. you're basically drawing fully rendered storyboards at that point.

one of the interesting difficulties of comic-making is controlling pacing. if you draw many very similar panels it will convey a sense of high concentration and intensity, or a heavy atmosphere, like a long take in a film. much like in prose, if you spend a lot of pictures on something it draws attention to it. so you want to use the 'slow down' sparingly for effect.

as in animation, you're also limited by your own capacity to draw all those pictures, and moreover the space to put them. this is one reason why comics in magazines tend to be sharply limited in page count, and webcomics tend to be very slow compared to other forms of serial fiction. (perhaps manga can make heavier use of pacing tricks by virtue of cheaper printing and endemic overwork. i don't think that's the full story though.) meanwhile, when Transmetropolitan started to experiment with manga-style pacing, apparently it upset fans who felt the story progression was being diluted. when reading Transmet in one go, though, you don't even notice. what works well in an anthology of hundreds of pages may work poorly in a serial.

i think the pace of the reader is often controlled primarily by the text - at least for me I find I sometimes have a tendency to jump very quickly over panels to get to the next bit of the story and have to consciously slow myself down to make sure I don't fail to appreciate the art. so while a series of text-less panels is effective artistically, you might want some words to act as speed bumps. but too much text per picture and your comic becomes exhausting to read, like Subnormality. and you don't want to over-explain what's conveyed perfectly well by the pictures, as many older comics do.

ideally, you use your text, small panels and large panels to create a sense of rhythm. a big splash panel can act as the full stop in a sentence, or a longer take after a series of rapid cuts. negative space is an especially powerful device in the right hands: when you hit a page of Chainsaw Man or Berserk that is almost entirely white after several pages of dense illustration, a character bursting into the void, there's an immediate 'wow' effect before you even process what's happening in the illustration. (i can't seem to find the chainsaw man example i had in mind, so here's one from berserk.)

and on that note, the other thing that comics have that animation doesn't is the impact of being confronted with the whole gestalt page. in the manga I was helping Fall translate when she died, We Are Magical Boys (Bokura wa Mahou Shounen), Fukushima Teppei frequently puts one panel much larger than the others so it dominates the page, usually a close-up or full length character portrait, allowing the cuteness of their unique art style to treasure centre stage. Sandman, which I'm currently rereading, is full of elaborate page compositions, where a drawing might not even be a panel per se, but a visual element. Witch Hat Atelier is full of elaborate borders and clever compositions. just look at this...

how did she come up with that! the absolute madwoman! the right side is relatively standard Atelier (establishing shots, the main cast eagerly stepping out of their panel) but on the left, we have a set of panels falling down from above onto a large splash panel. even though this image is concurrent, the panels invite us to appreciate it in chunks, and the page as a whole has this great visual of the pages of a book, continuing the image of the previous page. (more of this on upcoming post on Atelier)

a character emerging from their panel to overlap others, breaking up the monotony of the grid and adding a sense of depth to the page as a whole, is a reliably appealing motif. also, drawing one panel borderless, so it implicitly continues behind the other panels. large areas of black and white and choices of colour saturation can convey a mood to the page as a whole.

the danger you run is always the loss of clarity. the reader must be able to tell what panels to read in what order without thinking about it. Sandman will sometimes do a double page spread where you're supposed to read across both pages, and this consistently trips me up. Dresden Codak is by an adhd author and her drive to give every page an elaborate layout is very familiar to me, but especially in Hob, it messes with the flow of the comic overall.

so every comic page, every comic, is a fascinating balance of all these factors. how to create a strong, visually interesting composition, control the pacing appropriate to tone, create a thrilling sense of rhythm... all without sacrificing clarity.

not much more to say about this as yet, it's just something I'm thinking about while trying to lay out a page of Ghost Barrier. my tendency is to generally use larger panels, and try to be creative with layouts, but you have to consider not just each page in isolation but how they relate to other pages. so to make the splash panel land, I need to contrast with a denser page immediately beforehand.

the more I make comics the more of a feel I'll get. cool medium!

#comics

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artbyblastweave · 1 year

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worm sounds fascinating, how do I get started reading it? would you recommend starting from the beginning?

(Here we go)

So, first off, the specific questions you asked indicate that I should probably clarify the following: Worm is a single self-contained novel by Canadian author John McCrae (Pen name Wildbow). The book was written and published online for free on Wordpress, at a rate of two-to-three chapters a week, over the course of two years between 2011 and 2013. It's useful to conceive of it as a book written under the same paradigm as a particularly-faithfully-attended-to webcomic, except (and very unusually for a superhero thing) it's entirely prose with no visual elements. All of this is a longwinded way of answering your second question; yes, you should absolutely read it from the beginning, and the beginning is here. The entire book is available online, for free.

(In case that you haven't been able to pull together a broad sense of what the book is about just from perusing my Tumblr, I wrote a broad pitch for the setting at large and the story of Worm specifically here. The gist is that it’s a reconstructive superhero setting where superpowers are ironically tied into the user’s moment of greatest rock-bottom trauma, which is a major explanatory factor in why there are so many unstable kooks in costumes taking out their frustrations on the world; Worm proper follows the upwards-and-downwards trajectory of one Taylor Hebert, a teenaged insect-controller and would-be superhero with the secondary superpower of being able to rationalize nearly anything she does as being in the service of some greater good.)

Worm is divided into 31 arcs; each arc is comprised of 6-to-10 chapters, told in first person from Taylor’s perspective, followed by an interlude chapter told in third-person from the perspective of a member of the supporting cast. This structure is partly a holdover from early in Worm’s development, when the book was conceived as an ensemble piece that would rotate perspectives between different cape teams; as the book picked up steam, it also became a monetization vector, as Wildbow would write additional interludes if his donors hit certain milestones. This is important to note because one failure mode I’ve seen for reading Worm is that people will assume they can safely skip something called a “donation interlude” without missing anything important. You can’t. From a thematic perspective, the interludes are a major method by which the narrative keeps the protagonist honest, as they provide a sane or at least differently-insane perspective on the situation at hand, or on whatever over-the-top bullshit Taylor has pulled recently. From a craft perspective, the interludes are some of the best and most memorable writing in the book, at least in part due to the novelty of each character’s perspective. From a story perspective, Wildbow was very diligent about making sure that most or all of the interludes introduced information or set up future events in a way that, if worst came to worst, he could incorporate into a regular chapter if the goal wasn’t met. But he did meet those donation milestones, meaning a lot of the book isn’t gonna make sense if you don’t read the interludes. Read the interludes.

You may have caught on to that “31 arcs with 5-10 chapters an arc” factoid and done some quick napkin math. Worm is long. Very Very Long. To my knowledge, Wildbow didn’t miss an update once, and 10,000 words every three days is considered a middle-of-the-road output for him. The effect of his truly insane production rate is twofold. First, the quality of Worm’s prose increases exponentially over the course of the book, going from workmanlike to amazing as a result of the sheer volume of practice he was getting. The second effect is that it’s 1.7 million words long. There’s a piece of apocrypha about how a mail-order copy of Stephen King’s It fell through a mailslot and pulverized the recipients chihuahua. Top researchers hypothesize that a printed edition of Worm could plausibly achieve similar results with a mastiff. This is mitigated by the pageless online format that lets you consume vast quantities of text without noticing the volume of what you’ve read; kinda similar to the infinite canvas trick that make some webcomics unprintable, or the infinite scroll UI trick if it were used for good instead of evil. But the gist is that Worm is very Long, and it’s also essentially a rough draft. Your enjoyment therefore might be contingent on your willingness to extend it a mulligan based on the absurd circumstances under which it was produced.

The very first chapter of Worm has the following disclaimer; Brief note from the author: This story isn’t intended for young or sensitive readers. Readers who are on the lookout for trigger warnings are advised to give Worm a pass. Some people interpret this as glib or dismissive on the part of the author; I think what’s closer to true is that he was just saving time, because the alternative would be most of the first chapter just being a ten-thousand-word long list of specifics. I can’t think of a single common trigger warning that isn’t applicable to Worm. Name a fucked-up thing, and it’s in there somewhere. Special mentions going to Bug Stuff (duh), dismemberment, torture, child abuse, incest, implied (and some offscreen) sexual assault, Nazis, animal death, and horrifically fleshed-out descriptions of bullying and institutional apathy, which are heavily influenced by the author’s own experience as a disabled student in public school. Reader Beware.

And, on a related note, the book was pretty clearly trying to be progressive.... by 2011 standards, which means you’re gonna be sucking air in through your teeth at points vis a vis representational issues, if that’s a big sticking point. It would be disingenuous for me to frame this as something that meaningfully detracted from my own reading experience, but it would be equally disingenuous to act like it doesn’t bother anyone deeply, and for valid reasons. To hone in on the queer rep angle specifically, picture the discourse if Ianthe was the only canon-lesbian character with any focus in TLT and you’re getting close to the situation on that front.

Wildbow (AKA Writers Georg, who should not have been counted) continued to maintain the two-chapter-a-week production rate to this day. His other works include:

Pact (2014-2015) and Pale (2020-present) which are Urban fantasy works set in a universe colloquially known as the Otherverse, a setting in which essentially all magic is fueled by bullshitting the universe so hard that your chosen magical tradition is incorporated into reality as Something That Is Allowed; a major downstream result of this is that the sheer weight of precedent means that no magical practitioner is allowed to explicitly lie, on pain of the universe revoking their magical ability if they’re called out on it. Pact follows the misadventures of Blake Thorburn, a jaded 20-something who gets a target painted on his back after his grandmother- a widely feared diabolist- kicks the bucket and wills him her potentially apocalyptic cache of demonic texts as part of a complicated post-mortem gambit. Pale is a murder mystery/coming of age story. Set in Kennet, a small Canadian town with a subculture of unorthodox magical creatures who’ve managed to avoid being subordinated by more powerful human practitioners, the story follows a trio of pre-teen witches who’re hurriedly brought into the magical fold and tasked with trying to solve the murder of an extremely powerful magical being whose residence in the area was a major warding factor against magicians moving in and trying to bind the locals.

Twig (2017-2018), a biopunk alternate-history coming-of-age novel set in a universe where, instead of writing Frankenstein, Mary Shelley actually figured out how to reanimate the dead; this kicked off a necroengineering/bioengineering revolution that leads to Britain conquering much of the world by the 1920s, lording over their holdings with everything from Kaiju to designer plagues, with a Royal Family that’s been modified into undying, post-human atrocities who treat their subjects as playthings as best. The protagonists are The Lambs, a group of heavily augmented child-soldiers used by The Crown’s science division as an investigation and infiltration unit; picture here The Hardy Boys or Scooby Doo if every case they were sent out on was in service of Ingsoc. Alternatively, think of Scott Westerfeld’s Leviathan trilogy with the same aesthetic sensibilities, but paired with the balls to portray British Imperialism as backed by genetic engineering as something apocalyptically horrifying rather than as forbidden-love fuel.

Ward (2018-2020) is the sequel to Worm, set in the parahumans universe two years after the end of the first book. Basically impossible to describe in any additional detail without massive spoilers; suffice to say that it was contentious. I liked it personally, and I maintain that it’s main error was not having the same ten years of Pre-writing that Worm got. Other works in the same universe as Worm include PHO Sundays, which were RP threads that Wildbow ran weekly on the official subreddit in which he would post a fictitious forum thread from within the setting’s cape enthusiast forums, PRT Quest, which was a semi-canon Play-by-Vote quest on the Spacebattles Forums, and Weaverdice, which is an ongoing WIP TTRPG for the parahumans universe that he works on in his spare time, and for which he’s written a lot of fleshed out faction documents and character profiles.

There’s probably some level of broad fandom analysis it’d be useful to impart here; one interesting bit of fandom lore is that, by virtue of being a superhero setting that made some effort to be internally coherent, the series received a big bump from the Rationalist community, who you may or may not have run into on here. The series was also a big hit with battle boarders, who-would-winners, and that whole corner of nerddom, since the power system is so well-defined and well-articulated; a consequence of this is that a major Worm fandom Locus is the wargaming-site spacebattles, which was hit with such an ongoing deluge of Worm Fanfiction that they have a designated Worm section on the creative writing board, something no other fandom necessitated. Both of those things have affected the shape of the fandom and the fanfiction scene in ways that I don’t feel qualified to comment extensively on this late in the evening, but it’s a fascinating little abyss to have a staring contest with. At any rate, I’d genuinely would recommend the subreddit for the OC threads, worldbuilding idea threads, and stuff of that nature, the Cauldron discord if you’re into fanfiction, and Tumblr if you’re into rambling character analysis. I would recommend none of these things before you’re actually done with the book.

That’s all I’ve got for the moment. Hope you enjoy the book. Or shun the book, if my sundry disclaimers generated a sort of warding effect. I hope you have a contextually appropriate interaction with the book.

#worm #wildbow #parahumans #worm web serial #thoughts #asks #superheroes #meta #worm thoughts

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evegwood · 9 months

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So what IS Inhibit??

Inhibit Book One and Two are on Kickstarter right now, but maybe you've never even heard of the comic before!

Inhibit is an urban sci-fi webcomic about teens with superpowers and depression, growing up in a system that isn't built for people who can't succeed in the very specific way society wants them to. We follow one kid, Vic, who is about to age out of his youth holding centre.

Vic is on track to being shunted into adult housing, but his mentor (in the loosest sense of the word) Nate has other plans for him: join his team at Urquhart, the elite superpowered police force, to fast-track Vic's licence and get him sent back home to a normal life instead.

Sounds like a great plan. Until a run-in with a mysterious arsonist, who decides Vic is the best guy to help her break into Urquhart and achieve some inscrutable goal. Vic is completely fine with this and is very happy to hel -- wait, no, sorry, he isn't, he hates this it sucks.

His birthday, his mentor, and his new stalker aren't all Vic has to worry about. His old classmate Masha tries to make amends for falling out years ago, but after Vic's first disastrous outing with the Urquhart team she begins to get suspicious of Nate and Vic's real motives.

Adding to the chaos are Vic's best friends Julia and David, whose casual relationship with things like "rules" and "getting in trouble" is the bane of Vic's existence.

Julia in particular thinks the whole thing about Vic getting followed home by a pyromaniac is pretty funny actually, and she enthusiastically throws herself into the fray.

It'll be completely fine; Nate definitely has Vic's best interests at heart, Vic will get his licence, and he'll go home. Except the thing his new arsonist companion is seeking might be the very thing Vic needs...

Inhibit is a really fun ride through the fear of failure, childhood trauma, and blowing shit up. Book One was shortlisted for 3 SICBA awards back in 2019, and Book Two is going to look absolutely fantastic with colours by the amazing @spiremint!

Both books are currently up for preorder on Kickstarter and you can get them in PDF & print formats. You can read Inhibit for free at inhibitcomic.com, but Book Two will come out 9 months before those pages get posted online! You can also follow @inhibitcomic to keep up with page updates.

🔥 Preorder here

Thanks for reading, and thanks for your support!

#inhibit #kickstarter #meetthewebcomic #meet the webcomic #webcomics

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ashthemadwriter-archived · 1 year

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Love Like Cherry Blossoms

—Osamu Dazai X Fem!Reader

Summary: Y/n is a normal citizen with a normal life. Everything in her life goes as planned; work, home, eat, sleep and back to work; but things suddenly change when she switches bodies with a member of the ADA, by accident.

Genre: Fluff, Romance, Smut, Fantasy, Humor

Warnings: Mentions of male genitals, Coming out of coma, Body swapping

Word Count: 1.5K

A/n: This chapter is based on the webtoon "Turn to prince charming", which is where I got the original idea from. It's available on webcomics if you're interested!

Series Masterlist ⇝ Part Two

Vacuity.

It's what you've been feeling for... How long? You're not exactly sure, but it seems to be quite a while from the looks of it.

This place seems... Unfamiliar. Numb, senseless, and disturbing. You're floating around in a blank space you don't recognize, the light is blocking your vision and no matter how much you struggle, you can't move a single inch. This torpidness is illogically painful, you want to cry but there's no such thing as tears coming out of your eyes. It's only fear, tediousness, and irritation. But what hurts the most is...

You don't know what to do to free yourself from this nightmare.

Wake up.

It's a new voice coming from behind, and it feels so holy that you almost think it's a figment of your imagination and turn a blind eye to it; but you keep hearing it continuously. It's calling out to... You probably, since you're the only one who's present; but that's why you're confused.

Someone else has stepped into this dismal dimension.

...Actually, no; he was probably here from the beginning. He's been watching you from the very start, and after all the time you tried to run away from the blinding lights, now he wants to offer you a hand and help you out.

About time.

You look around, desperately searching for any sign of life and moving thing, but there's no one here except you, yet the voice doesn't stop echoing in the space.

Wake up.

You want to take his hand and run away with him, but you can't see any hand stretched out to hold yours and help you up. His voice comes from a very close distance, like he's whispering it next to your ear. Even though you cant see him, it doesn't scare you; it caresses your soul, comforts your broken heart, and kisses your spiritual scars.

You want to see your savior.

You cry out for him. Your throat stings and you cry out again and again, but nothing changes; except for his sentence becoming longer.

You should wake up.

And that's when you finally meet his cold, gorgeous hazel eyes; and through his bright, rueful smile, you suddenly realize the truth.

He isn't your savior.

He's just another victim.

"I know that it hurts, but you need to wake up"

When your eyes finally shoot open, the lights in the room bothers you again; but in the brief second you caught a glimpse of the room, you recognize the white walls, a packet of serum hanging on a metal pile, and the figure of a white haired boy sitting next to your bed, dozing off.

A hospital.

But I don't know this person.

You look around the room for any sign of familiarity, but when you don't find anything again, a frustrated sigh escapes you lips.

Well, at least I can move around now.

Careful not to wake the man up, you get out of the bed and drag the metal pile with you to a door you assume is the bathroom, which turns out to be right when you open it. You feel a bit dizzy that might be actually the result of your long coma; but there's another strange thing as well;

you're taller than you used to be.

Shaking your head to the side, you shrug your shoulders and unzip your pants to get rid of the pressure coming from your full bladders; but just as you're about to sit on the toilet, something new catches your eye.

A penis.

You giggle lightly and take a look at your member again. People were right! It sure is small when it's not erected. It has the same color as your skin and It kind of looks weird too... But at least it's shaved! Not completely though... But you can work with this too. And also...

Now you can pee while standing up!

Maybe life is showing its kind side to you again.

You mumble your favorite song as you take a piss, excited when it goes right inside the toilet. You're so good at aiming! If there was ever a competition about who can shoot their urine right inside the toilet, you probably would have been the winner, although this is actually the first time you're trying this out.

Wait.

You look at the penis again, and your blood freezes in your veins, because the last time you checked, you were definitely a woman.

Did you... get gender bent? Maybe they had to... turn you into a guy to save your life? What a pile of nonsense! Even if that's true...

Why are you taller than before?

You get up as fast as you can and run toward the mirror, and when you look at yourself, you're met with a foreign face of a brunette man with dashing looks. What shocks you more is his eyes, the same eyes you saw before you regain consciousness. You later realize that the voice you heard before is also his; but now, all you try to do is to scream, which results in a strident sound reminding you that sadly, men can't scream, and also in two people barging inside the bathroom- one of them is the one you saw earlier, and the other one is a white haired young boy, who's wearing an expression like he's been worried sick.

"Dazai? What's going on?"

Dazai?

As the taller man speaks up, you wonder if you recall knowing anyone named "Dazai", who you've been mistaken for. But maybe this isn't a mistake after all- maybe it's time for you to face the truth;

that you've switched bodies with some guy you don't even know.

Yet you still got a question to answer.

Looking at the blonde's stressed face, you bite your bottom lip with discomfort and let out a worried gasp.

"I... I have a penis, and I look hot"

His teeth grit.

"No Kunikida! Don't hit him!"

Dazai on the other hand, is having the time of his life.

"C'mon ladies! What are you afraid of? Hug me a bit tighter!"

Your friends share a confused look between each other and tighten their grip around whom they assume is you, but is actually a perverted man with handsy manner.

"Ahhhhh, I nearly died. What a tragedy indeed! Aren't you all happy that I've survived? You can express your happiness by giving me a kiss, you know. I won't mind it at all~"

For someone who's been in a coma for nearly two weeks, Dazai sure is energetic. The doctors were all so taken aback that they got him a blood test to check if he's feeling alright or not, but everything was normal, except for his behavior. Well, yours, to be specific. Your friends have never seen you so... weird; yet they don't say anything because you're back, and that's all that matters. Nearly.

Dazai is feeling blessed. At first he was disappointed since he was literally at death's door but somehow survived; but all those negative feelings faded away when he looked down and saw two pair of boobs on his body. His lips curled up into a wide smirk, and then called out for the people outside, bringing him to his current situation.

One of your friends caresses his hair and looks at him with pure concern. "Y/n... Are you really ok? We wanted to sue that scumbag who hit you with his car, but he also got lapsed into a coma and we weren't sure if you wanted us to... "

Scumbag? Oh! They're talking about him.

"No need to do that, pretty! I'm sure he's a decent man with pure heart and killer looks— besides, accidents happen, right?"

"Oh? Sure... Apparently he's waken up too by the way! You might not wanna sue him but we can go to his room and kick that careless ass of his! Why don't you wanna sue him anyway? These careless people piss me off— he nearly took your life!"

Dazai feels a tiny bit guilty. All he wanted to do was to mess with Kunikida, and what better way than stealing the key of his new car? Although he was caught in the act and had to turn on the engine in order to run away from a shouting, raged Kunikida, forgetting the fact that he doesn't know how to drive a car. He eventually lost control of the car and all he thought of doing was to pull up the car, to avoid crashing into anything.And of all people, you had to run in the middle of the road.

All Dazai saw before his head hit the windscreen was you, collapsing on the ground, your head getting struck against the street corner.

"No need... Actually, if his colleague— or whatever, comes here, shoo him away somehow. Tell him that he's one hundred percent forgiven but I don't want to see them ever again, ok? Especially if the guy's name was Kunikida"

Right. For now, all he should do is relax, enjoy himself and avoid everyone until things get calmer.

Tag List:

@pussydrunkfyodor @celestair @hey-comrade-hold-stil @echo28 @voyagewiththesatan @a-fanatic-fangirl-requests @xxseiraxx @dazaiwuzhere @bluerskiees @dazaisusedtampon @silverbladexyz @gslgsydyodyodoyd @otherworldly--dreamer @dazvia @cowsforkenji @ryokuryuu @thebirdsworkfortheboswazeee @winesupermacy5158 @whossuzy @iillusionsxbay @witchl0ve

#ashthemadwriter #bsd x reader #bungou stray dogs x reader #bsd imagines #bsd fic #bungou stray dogs #dazai x reader #dazai osamu x reader #osamu dazai x reader #dazai x y/n #dazai x you #dazai smut #osamu dazai smut #dazai osamu smut #dazai fic #dazai imagines #dazai osamu #osamu dazai #love like cherry blossoms

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sev-arts · 9 months

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What the webcomic is and why YOU should be reading...

(i.e. a promotional post by the Author @sev-wildfang/@sev-arts herself)

The story of how vampires used Christianity ahem, The Church to enslave humans and steal their Souls, and one sexy Devil's quest to reclaim them... repossess them in a way... if only there was a catchy two-word phrase for that

Starring two trans women who put on the horns and skin of Demons to fight the power - homophobes get pummeled, transphobes get zapped, fascists are blown to smithereens, and at least one alpha male grifter gets his mojo permanently turned off.

Your new blorbos: Reah, orphanage escapee and former nun on a quest for revenge, and Tabitha, ex-cop drag queen on the path of atonement

Will they? Won't they? Can they settle their differences and work as a team? Will the past they thought they had left behind come back to haunt them?

Tasteful amounts of graphic nudity and bloody violence, language that does not sugarcoat social stigmas around gender diversity, and frequent use of hateful language by characters who would say those kinds of things IRL too - this is a comic for readers 18+ ONLY *

Rendered in gorgeous black and white ink and select splashes of color, entirely hand-lettered, with labyrinthine detailing that make every single page worth dwelling on, with hidden extras to find - the Devil's in the Details!

Alluring nonstandard panel layouts inspired by stained glass windows, photo collages, fever dreams, art nouveau advertisements, underground comix, etc.

An astonishing archive of over 700 pages as of right now (DEC 2023)

Seriously, look at them:

Where can YOU read this comic right now?

On its ComicFury site

On its tumblr mirror @souls-foreclosed

On its own website

Technically you could buy the physical books off of me, but you wouldn't be reading a web-comic then

Paging @readwebcomicsgdi for some extra eyes on this!

* You'd be surprised how difficult this comic is to host online with any sort of reach these days. Tapas (mobile app) and WebToon don't want it. And that's not even getting into the fact a lot of platforms treat ANY kind of trans content as sexual and unwanted in the first place.

#souls foreclosed #webcomic #queer comics #dark fantasy #comics on tumblr

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magic-is-something-we-create · 3 months

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Writeblr Re(rere)intro that's a year late!

Hi! I'm Pax, and I write Big Books that keep getting darker and darker in subject matter 🎉🎉

Basics about me:

he/him or they/them, Mid 20s

Favorite genres: Fantasy, SciFi, Horror, Mystery

Favorite authors: N. K. Jemisin, Tamsyn Muir, Brandon Sanderson, Pierce Brown, Samantha Shannon

Other things I do: Digital art (including commissions!), Twitch streams (usually art or writing sprints, occasionally video games), digital art assets and fonts (PWYW on Ko-Fi!)

Basics about my WIPs:

THE MILLENNIUM SAGA

High fantasy/Steampunk epic, 8 books planned. Book one: Firebreathers (160k words; ~700 pages) Book two: Echoseers (148k words; ~600 pages) Book three: Goddess-Touched (15k as of posting; 3rd attempt at drafting) First person, Multi POV What starts as a simple rebellion against their local Citylord becomes a flight - and fight - for their lives, as Ember Timber, their family, and their newfound friends are forced to flee overseas from the vengeful general who will stop at nothing to earn her Eternal King's favor, and will in fact relish hunting her own son and grandchildren for sport. But along the way, the crew learns that the Eternal King's immortality was not granted in return for his success as the Chosen One long ago, as they have always been told - and the sacrifice for such a thing is not only paid dearly in blood, but on its way to being repeated.

WHISPERS

Dark fantasy Noir. Currently with beta readers. 172k words; ~750 pages. First person, Dual POV. Set in the same world as Millennium Saga, ~5 years after the series concludes. Marika Swiftfoot owes her life to the Shadow of Fowden, the sorceress leader of a terroristic crime syndicate based in the north pole. When the man she once loved finally comes to collect on that life debt ten years later, she plans to kill him the moment it's safe. Too soon, after all, and everyone else she's ever loved will join him beyond the Veil. But hate isn't the only feeling that lingers between them, and when they're offered another way out of their debts, the lives of a few innocents looks like a bargain compared to the life of cruelty ahead of them. Lorelei has been hunting the Shadow for twenty years, and looking for the sister who disappeared for thirty. And here, names are legacies: she wants to earn Hopebringer before her legs give out for good, to erase the stain her father's name has left with Vowbreaker. And for that, she sees one way forward: she must never break her vows, no matter how small. The Shadow must die, and the Whispers with her. Her sister must be found, even if all that's left to find is a story. She must find answers for every case she takes on, even if she doesn't know so much as the name of the man who's gone missing.

THE LOST

Space opera webcomic. First scene fully illustrated; will release once the first chapter is complete, a week after Patrons receive the final scene. In the far reaches of space, the term "Media Empire" is quite literal; the Watchers have extended their influence throughout their galaxy filament with the help of their beloved Coliseum, and the Champion therein. After all, having a shapeshifter capable of replicating anything leads to some gruesome, spectacular fights, made all the more heartrending when they are the last of their kind, trapped in the ship molded from their kin's corpse. But while the Watchers have total control over what happens in the pit, they cannot predict the audience. And they certainly cannot predict the malfunctioning psychic implant of an assassin in the front row, and the loss of both opponents and a long-time prisoner of war to the escape.

I also post art of all of these semi-regularly, including in-progress stuff, as well as excerpts and rambling braindumps!! I'm also a huge worldbuilding nerd, so if you ever want to learn more about the worlds I'm writing, don't be afraid to ask!! I love talking about them :D

Boosts are appreciated <3 tell me about your own WIPs in the tags/replies/wherever!! I love learning about what people are working on!

#writeblr intro #aboutthewarlord #writeblr #writblr #wip intro #??? idk how else to tag this

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raedshadowlegends · 10 months

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Why Lore Olympus and Miraculous Ladybug are the Same Thing but in Different Fonts

Good evening, good day, hello and howdy. I am INCREDIBLY bored and I'm here to go on a nonsensical tangent about two pieces of media that I hate and have dedicated a vast amount of my free time to. This is all in good fun and all of my rudeness is intended to be satirical and/or comical unless indicated otherwise.

Now just to preface, if you know me then you know how much I dislike Miraculous Ladybug. Folks in my circle got to watch as I descended into madness writing a 64k word review on season 5. So I've spent an uncomfortable amount of time dissecting this show.

I have also spent an uncomfortable amount of time engaging with the shitshow that is Lore Olympus. And now my ass is gonna try and compare the two because there's a lot of shit going on here.

None of this is going to matter and it's all in good fun. Like I said, I am bored. And sometimes it's fun to compare stuff you hate.

Now let the insanity ensue. FP spoilers and MLB s5 spoilers below the cut btw.

To get a major difference out of the way, Miraculous Ladybug is a tv show. Lore Olympus is a webcomic.

But mediums aside, these two things still have a lot in common. So for the first comparison, I'd like to talk about the insecurity in both properties.

Insecurity

What I define as insecurity in this context is a piece of media that is too afraid to commit or adhere to a certain tone, story, style, etc. In short-- they don't know what they want to be.

Insecurity in Lore Olympus is a bit more obvious than with Miraculous so I'm gonna rant about that first.

Lore Olympus just straight up does not have a story to tell.

There are too many random ass plots being added and discarded on a whim for it to be a coherent story. A good way to explain it is kinda like this-- In this episode of LO, something cool new and interesting is set up and you have to keep reading to see what happens! And then nothing ever happens. Or it happens because the audience won't let the author forget so there's a half-assed attempt to wrap up that plot point.

LO is so insecure about what it is, it feels the need to add more and more to make it actually something. But what it is is a hollow story that lacks substance. So all of these new random plot points are kinda like bandaid solutions if that makes sense.

There are so many unfinished/under-utilized plot points that if you were to count out each and every one, you'd probably keel over dead before you finished. There's that many.

It's too insecure to commit to any one of them in the grand scheme of things.

I don't know how coherent all of that was so here's a shitty tl;dr

LO doesn't know what it wants to say anymore so it's just adding more shit to keep the reader "invested."

Yeah ok I think that makes more sense. As for Miraculous...

God. I fucking hate Miraculous.

It's insecure as hell and you can smell that shit from ten miles away. It's insecure with it's premise, I think.

If it just kept to the simple "monster-of-the-week" formula, I do not think I would have written so many words on it's fifth season.

Miraculous (apparently) had a grander story to tell beyond the "monster-of-the-week revert back to the status quo each episode."

But we don't see any of that in full swing till season 3, really. Which is a long ass time to get the ball rolling imo.

It's a little jarring to see the show go from the stupid kid status quo adventures to a heavy and emotional story??? And I say heavy and emotional with the most sarcastic tone possible because the only emotion I feel watching this shit is rage.

Despite wanting to make that shift to a serialized type of show, Miraculous was too scared to stray from the successful status quo format.

To explain a bit more I wanna talk about my review of the season.

While it is mostly filled with rude jokes and incomprehensible jargon, I bring up a lot of points in it regarding the state of things.

One of those things being the show's hesitancy to move the story along.

The fifth season was supposed to be a grand final battle and a conclusion to this story arc. But it was too scared to commit to that so there's way more episodes that are nothing but shipping fodder.

There are many episodes that season that just... feel the same. Just with different coats of paint. "Marinette is trying to date Adrien but she's awkward and clumsy and oh no! shenanigans ensue!" We've been doing this for 8 years.

If they want to tell a serialized story then they need to grow some balls and cut the shit we've seen a million times before.

Their insistence to stick to the status quo makes the writing exceptionally weak downright painful to sift through. It was too scared, too insecure, to stray from its formula.

That's a part of the reason why I think the season is paced so bad. There's so little time spent on the interesting parts of the story because they had to cram in as much shipping shit as possible. So by proxy, there was less time to tell a good story.

Both of these stupid ass properties don't know what they want to be. There are too many things being added and not enough balls to commit to any of them.

Now with both LO and MLB, we can all agree that the writing is pretty shit. Nothing new there. But shitty writing often bleeds into the characters and making them shitty by exposure. Almost like a spill of toxic waste, infecting anything near it and turning into a rotten pile of sludge and chemicals.

So yeah, the characters are ass as well. But I only wanna complain about the female leads for both of these things.

But just to mention Adrien and Hades, they are pretty similar. I won't go into detail but the short of it is, "Character with deep seated issues that could have been interesting, has a lot of potential, but is just kinda garbage in the end."

At least Adrien Agreste isn't monetizing death and has a bunch of shades in his basement doing his work.

Persephone and Marinette

So I always say that I don't like using the term 'Mary Sue' to describe a character. But as it turns out, I use that term a lot. So I'm not gonna lie about that anymore.

These two characters are Mary Sues.

Persephone first

Oh my god I hate Persephone a lot. She just ticks every box on my list of 'THINGS I HATE IN A CHARACTER.'

Which is funny because her character had a lot of promise and heart in the beginning.

I related to her a LOT when I picked up this comic before my frontal cortex developed. I related with her character and her struggles. Especially after the Apollo incident. That really stuck out to me. It was so powerful.

But all of those tiny things I liked about her character were stripped away. Her ambition to study in school? Poof, gone. Her charm? Not charming anymore. That kindness everyone in the story gushes about? I don't even think it was there in the first place.

Truth be told, I do need to reread this comic because the beginning is fuzzy as fuck in my walnut-sized brain. But I can tell you for certain that the way she was in the beginning is not who she is now.

And this isn't the case of a character going through an arc and developing and changing. She's just getting worse and the narrative treats it as a GOOD THING.

"Oh yeah, Persephone trashed Leuce's apartment instead of talking to her husband like an adult. She threatened to kill this nymph but you're supposed to find that endearing." Like, what??? I will not have a story try and get me to believe this is a good thing.

If this were a good story, Persephone's actions in that episode WOULDN'T BE REWARDED. But she's rewarded with sex for being a fucking psychopath towards a random nymph. Wow.

And that leads into my next point-- she can never be in the wrong ever.

AOW? Retconned, not her fault. It wasn't her fault she killed all those people. It's actually Eris' fault because she gave her wrath.

Trashing Leuce's apartment? She was in the right for that, apparently.

Killing people in a famine during the 10 year banishment? That's never explored, we just know she killed people, burned a library or something, and probably shot the president too. But it's fine, she's the good guy.

And most recently (and potentially the most frustrating);

Persephone causes winter.

Not her mother, Demeter, no fuck the myths. Persephone is the one who caused winter actually. AND SHE DID IT ON ACCIDENT SO TECHNICALLY IT IS NOT HER FAULT CAUSE SHE DIDNT MEAN TOOOO UWU She also probably killed a million flower nymphs in that snap freeze but its ok it doesn't matter.

WHAT?

WHAT THE FUCK? CMON NOW.

She's not going to receive any consequences for anything because she is just too perfect.

She's smarter than Athena, prettier than Aphrodite, better than her mother in every way, all the boys want her, she has a perfect body, she's pink, her eyes go red when she's angy, she has the most power of everyone in the world, she's a super rare fertility goddess, she has all the gifts, all the blessings, and none of the development.

It almost feels like a wattpad fanfic.

"My mom doesn't like me so she sold me to one direction and then I became queen of the underworld."

Yeah, I don't like her.

And the same can be applied to Marinette!

A character who is so blatantly perfect, the narrative fucking BENDS TO HER WILL.

She's a creepy ass stalker and has done some weird ass things to get close to this random famous white boy and it's all excused.

It's literally excused.

There is a rule about character backstories. They are supposed to provide an explanation for a character's behavior, not an excuse for it.

In season 5, episode 14 - Derision, we see a bit of Marinette backstory. Some stupid bullshit happens and Marinette essentially says she isn't going to say 'I love you' to anyone unless she knows literally everything about them.

She says a lot in that stupid ass scene but it's basically just saying that all of her stalking and creepy behavior is justified. Which it is not.

Marinette can do no wrong. The narrative won't allow it.

She's perfect in every way. And even when SHE is in the wrong, characters somehow find a way to apologize to her. Either that or she turns a situation about someone else into one about her self.

She's just the perfect character who ends up saving the world.

Fuck having Chat Noir face against his dad in the finale, Marinette has to girlboss all over the place and save the day but then actually lose because the "plot" demands it.

Oh yeah and she's probably never going to tell Adrien that his abusive dad was the villain they had been fighting for months. Do you think that's a good choice? I'll give you a hint; it is not.

It makes Marinette look like a HORRIBLE character but it's painted in a way that makes the viewer believe this is the right decision.

I don't think I need to get into specifics as to why that is wrong and disgusting.

If I had to make a prediction for this show going forward, she isn't going to tell him. It's going to be forgotten and she's going to be painted as the hero.

No flaws, no accountability, nothing.

Garbage character. Fucking hate it.

Both of these characters will never see consequences for their actions. Their bad actions are either excused or retconned out of existence. And that's not how you write a character btw. If you want them to be real, give them consequences. The world should not revolve around them. They should have flaws and issues that should be explored. But apparently that's too much work.

It's funny how both of these properties claim to be about feminism and somehow completely miss what feminism is

Miraculous thinks that feminism means "Girl power! Girls are better than guys in every way!" And Lore Olympus makes no attempt to be feminist at all. Women hate other women, and they don't get a lot of opportunities to explore and express themselves.

I could get into the whole purity culture shtick but that's a shitty rant for another day.

I've been ranting about this for a while and I got the big ones out of the way, methinks. I do want to get into the creators of both of these things but that is also a rant for another day.

Cause if I got into that now, we'd be here a while.

So let me just make a final comparison and wrap things up here. I don't think any of this makes a lot of sense but I hate both things and I'm passionate about it so I'm gonna keep rambling.

Miraculous Ladybug and Lore Olympus never attempt to grow as stories. They are both scared to try new things and to stick with it. Most of the time this results in rushed writing and horribly done characters.

It's so clear that both of these things are desperate to be something great but they just can't put in the work to get there.

Honestly, they both feel like the product of a team of yes-men. Bad decisions and errors slip by WAY too often and it's kind of embarrassing.

These are popular pieces of media and they have the resources to be great but they just aren't.

They're both too insecure to make something of themselves.

It's honestly really sad and I don't want this for either of these things. I want LO to be stunning and retell the myth of Persephone with the respect it deserves. I want MLB to be a serialized show with focus on the lore. Sure it can start as episodic but it can ease us into a deeper story and intrigue the viewer. But I want it to flesh out the world and be an entertaining experience.

It's sad but it's the way it is.

Who knows, maybe MLB season 6 will be good. And maybe LO will have a 4th season and it'll fix all the problems it has.

I dunno.

Thanks for reading this incoherent nonsense.

#This is a really random comparison between media so if you see this and are confused im so sorry #i got bored #anti lore olympus #lore olympus critical #anti lo #lo critical #unpopular lore olympus #unpopular lo #anti miraculous ladybug #ml salt #ml critical #ml criticism

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