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#iroh 2
queen-of-paradise · 26 days
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no pun intended but why are so many firebenders lowkey hot tho like zuko yes mako yes iroh junior yes and lowkey even azula's hot. a diabolical monster, yes, but still hot.
im sensing a type and idk how i feel about it but they're firebenders. they ain't hot for nothin
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ninadove · 1 year
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For the recent ask game: Korra from TLOK!!
(Idk if you’ve seen it but I know you’ve seen ATLA so if you haven’t seen TLOK yet then let’s hear what you think about Uncle Iroh)
I have seen both series, so now you get to hear me rant about two fictional characters! Lucky you!
KORRA ( THE LEGEND OF KORRA )
First impression:
Pretty girl. Muscles. Short hair. Queer.
Need I say more?
Impression now:
I love how much Korra grew throughout the series.
I’m sure many many Tumblr folks have expended on it in proper essays, but it’s refreshing to see that the writing team approached her as they would any protagonist, instead of treating her differently because of her gender ( which makes sense, in a world where cool warrior ladies like Kyoshi have been a thing since the beginning of time ) !
Favorite moment:
No surprise here, I’m going to say the ending. I knew about it beforehand and it is the reason I started watching the series in the first place.
Idea for a story:
I’d love to see more content about Baby Korra discovering her powers and her parents absolutely F R E A K I N G O U T about it! What little we saw of her at that age was so cute.
Unpopular opinion:
Not sure if this is an “unpopular” opinion, but the relationships between the Main Four were the weakest point of the show in my opinion.
I was extremely annoyed by the whole love triangle debacle, and even Korrasami felt a bit underdeveloped ( There were HUGE instances of flirting between the two in S1, and then they kinda… Paused… Until halfway through S4? ). That one is understandable, though - we all know the challenges of trying to sneak a queer storyline into a kids’ show.
Overall, I didn’t get the “found family” feel that made ATLA so great from Korra and the gang. I’ve heard good things about the comics, though, so I might get my hands on them someday!
Favorite relationship:
Despite what I just said, it is Korrasami, 100%.
I like that they didn’t let the love triangle ruin their friendship ( any negative feelings they had were directed either at Makko or themselves, rather than each other ) and how well they work together despite being so different.
And Korrasami did so much for queer representation in general. It might not seem like much when we look back on it now, but these girls really kicked the portal door open for all of the great stuff we’re getting today!
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Favorite headcanon:
Many people have created great art of Korrasami getting engaged using a Water Tribe betrothal necklace. I especially love scenarii in which Asami is the one to propose ( engaging in your partner’s cultural traditions because it’s important to them is a huge pro-gamer move in my book ) .
IROH ( AVATAR: THE LAST AIRBENDER )
First impression:
A funny old man who might or might not be sabotaging Zuko’s efforts to find the Avatar on purpose. For his own good, of course.
Impression now:
A much more complex character than I originally expected. He’s great, obviously, but also imperfect, and I love him for that. More on that later.
Favorite moment:
Probably not a surprise either: the reunion with Zuko in the White Lotus camp. Cleared my skin and watered my crops.
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Idea for a story:
I’d like to see more fluff of Iroh in his later years, when he can reflect on how much Zuko has grown throughout the years. Maybe play with Izumi as well! Intimate character pieces are my favourite type of fics to read and write.
Unpopular opinion:
He’s not as perfect as the fandom makes him out to be… And that’s a good thing, actually!
I especially think he could have done more to protect the kids from Ozai ( we see him look away when Ozai burns Zuko’s face, and his whole attitude towards Azula, A LITERAL KID, makes me uneasy ). The complexity only makes him more compelling though, and I think we could all benefit from recognising that even good people make mistakes sometimes.
Favorite relationship:
Iroh and Zuko, obviously. I absolutely ADORE the adoptive father figure / troubled kid working through his trauma dynamic ( something something Professor Layton, something something Hershel and Clive ).
Favorite headcanon:
I really hope he got to meet Baby Iroh and understand how much of an impact he truly had on Zuko’s, and probably Izumi’s, lives.
I could also see him b*tching about his nephew with Mai over tea. If they can’t embarrass him a little, what’s the point?
Thank you for these @crestofshame!
For anyone interested, the ask game can be fond here.
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m-r-moth · 1 month
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who should i add to the giant group pic?
the silly little cats have gotten out of hand, i love them so much
(for the rest just search the catla tag on my blog)
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aangarchy · 6 months
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Y'ALL
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Now THIS is the first look they should have given us from the start. Not those bad photoshopped pictures with generic backgrounds. At least here we see the costumes come to their full potential!
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allgremlinart · 21 days
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Iroh was really fucking lucky he was right about his whole "you should know this is not a natural sickness" thing like what if he just had the mumps
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ittsybittsybunny · 2 months
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
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mugentakeda · 5 months
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not even harvards top scientists could understand the complexities of the azula-iroh beef lore that i made up in my head
(silly bonus under the cut)
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retirement-home-rumble · 10 months
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Retirement Home Rumble: Round 2
Side A
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*100 in our hearts
Why they would crush the other geezers under the cut:
WARNING: There may be spoilers
Betty White Propaganda:
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Iroh Propaganda:
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microscotch · 10 months
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🌷🌞🍂⛄
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a-hams-art · 1 year
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most people unlock Dad Lore, the twins unlock Uncle Sokka Lore
--- @starry-nights12 and i share custody of the steambabies
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sokkabackbender2021 · 19 days
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Another Zuko and Aang parallel that I don’t hear enough people talking about is the season 2 finale. Both of them are at a crossroads of destiny, both of them are choosing between what they believe to be “their destiny” or what they’re “supposed to do” and choosing the people they love, Iroh and Katara. The people who connect them to the parts of themselves that they want to be rather than who the world is telling them to be. They both chose their “destiny,” and leave the person they love behind. But I think what’s more important is that at the end of it all, they find their way back to that person and themselves simultaneously. They do this by choosing what they want, by choosing love. Zuko abandons the life he always wanted in the fire nation and finds forgiveness in his uncle, and Aang holds on tight to the values of his people who were taken from him, and finds peace and love with Katara. And they both seal this with tears in their eyes, and a tight embrace.
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queen-of-paradise · 17 days
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little does tenzin know, ever single fucking one of bumi's united forces stories are fucking true and iroh will vouch for every single fucking one of them
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ba-sing-se-dropout · 9 days
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Iroh "seeing his past self" in Azula rather than seeing her for what she is after becoming Spiritually Enlightened is just proof that there still exists atoms of extreme selfishness in him, and it's either that he's not aware of this truth which would disprove the concept of being enlightened or he's very aware but chooses to ignore their existence because it's easier for him to put the blame of how his love for his brother despite knowing how he is led to his deliberate ignorance and lack of confrontation against him on the child his brother is raising. That way, seeing himself in Azula becomes a synonymous for seeing the love he had for Ozai that he didn't squash out of himself and a person should never repeat the same mistake. That's why we see him squash out the little hint of care Zuko had for Azula.
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wileycap · 3 months
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zuko: must regain honor
iroh: be a good person
zuko:but...? honor!!!
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aangarchy · 1 year
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My little cousin (15) finished season 2 of atla, here are her opinions of the characters after the s2 finale
Aang: "adorable and he better not be fucking dead"
Katara: "i hope she gets vengeance in season 3." Me: "vengeance on who?" Her: "the world."
Sokka: "he needs a girlfriend, every girl he's met has either died or left him... are you sure he's not into guys at all?" Me: "the fandom thinks so." Her: "they're right."
Toph: "she reminds me of a feral little dog most of the time"
Zuko: "get that traitor out of my face"
Azula: "if i speak."
Uncle iroh: "if he needs to die for zuko to finally get some character development so fucking be it"
Mai: "knife wife"
Ty Lee: "she's so me coded"
Suki and the Kyoshi Warriors: *hums who run the world girls by Beyoncé*
Jet: "dead. at least i think."
The Earthking: "oh that loser"
Long Feng: "who?" *gets shown a picture* "imagine being half bald and losing your whole army to a teenage girl"
Joo Dee: "she's innocent"
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gabriella0807 · 1 month
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Zuko & Iroh - Book II. Chapter 1 & 2 aesthetic
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