girl ur replies are off i just wanted to say: JAEWON X JIHYUN AT THE HOTEL MOTEL HOLIDAY INNNN 🗣️🗣️🗣️🦗🦟🦗🦟🦗
( Thank you for telling me I’m old I forgot) The song started playing in his head as soon as he started to put his back into the kiss. Both Jae Won and Da Un are very lay low rich dudes but they whipped out that credit card like “We are going to a nice hotel not a love motel you are losing your virginity in good sheets ! “ ( and it was SO Jae Won’s first time with a boy. Man was more nervous than Baby Mouse !)
Comparable to: Innocent Man (kdrama) ; Hotelier (kdrama); My Secret Hotel (kdrama)
A classic kdrama that is hella melodramatic. It has an amazing cast with a pretty decent storyline that gets amped up to 100% filled with betrayals, secrets, romance, murder, revenge, evil villains (like evil evil) and heartbreaking events. There’s also some funny situations to break up all the melodramatic moments. Lee Dong Wook and Lee Da Hae is magnificent in this their chemistry together is amazing as well. My only problem is that the drama is way too long and would of been a ten for me if it was edited down to at least ten to sixteen episodes. There was way to much repetitiveness to it going back and forth with the same issues, where no development of characters were happening nor the plot. Eventually it did get there. Overall it’s a nice drama especially if you like over melodramatic ones.
Alright, new question, I know how much you enjoy your Sad Gay Boy Hours. What shows, besides Until We Meet Again, because I know how much you love it, satisfy your Sad Gay Boy needs?
The Boys Who Suffered
The big thing about The Knowing is The Suffering. There is a melancholy that seeps into you and makes you think you aren't enough. These characters are hard to watch. I know you asked about shows, but I'm doing some movies as well because I've been thinking about genre history lately. For this it's about whether or not the quiet sadness in me connected to the quiet sadness I perceived in a character in this show.
Moonlight (2016)
He is the saddest boy in my heart. This is the moment that breaks him forever.
For The Boys
Jamal, Syed, and Anthony have suffered for being who they are, and they are hurting. They cling to each other and it's often too hard.
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Weekend (2011)
This man is so lonely even if people love him. I feel melancholy for days any time I watch this film.
Big Eden (2000)
I don't know who taught him shame, but there's this sense of surrender in Henry that has haunted me for fifteen years.
A Single Man (2009)
Colin Firth and Stanley Tucci play some of the saddest gay men who have ever existed. This entire project is about grief.
180 Degree Longitude Passes Through Us
Inthawut is the saddest man in BL.
Given (2019)
The reveals about the depths of sadness in this boy are really some of the best I've experienced.
Eternal Yesterday (2022)
He was suffering even before Koichi died, and it saddens me so much that the world bent to let him say goodbye to help him grieve.
The Pornographer Series
I just knew there was something fundamentally off about Kijima and the rest of these men.
The Day I Loved You (2023)
I keep meaning to write something about this show, but there's something special about going into a relationship you know won't be forever because of external factors, and also choosing to make that time as special as possible.
Tokyo in April is...
Ren suffering for Kazuma gets me every time.
Like in the Movies (2020)
I'm never getting over Karl and Vlad. I'm sad we'll likely never see them again because in so many ways the specific pieces of melancholy in each of them are why they didn't walk away together.
To My Star 2: Our Untold Stories
These two were not left at HEA and they didn't end there this time, either. Both of these two are carrying some heavy shit in their hearts, and I find comfort in seeing them stumble and keep trying.
What Did You Eat Yesterday?
Shiro makes me so sad sometimes, and I'm so glad he found Kenji.
The Eclipse
Every boy in this show is a sad mess.
The Eighth Sense
I'm glad Jae Won found Ji Hyun, because that country twink won't give up on him.
Kabe-Koji Nekoyashiki-kun Desires to be Recognized
I recently rewatched this and feel so much about Mamoru and Issei.
Our Dating Sim
Lee Wan was wrong, but I get him.
We Best Love
"Yes, I'm in love with you, but that's none of your business."
Stuck On You
The Philippines crushed the pandemic. This is quietly one of the better ones about people who were already suffering.
Blueming
Hwang Da Seul's oeuvre always seems to hit my sad boy core.
Sing My Crush
Every time Han Baram says Im Hantae's name I lose it.
Serie / 청춘월담 Jahr: 2023
Genre: Drama / History / Mystery
Hauptrollen: Park Hyung-sik, So-nee Jeon, Pyo Ye-Jin, Jong-Seok Yun, Tae-sun Lee, Heo Won-Seo, da-Eun Jung, Im Han Bin, Jo Sung-ha, Jong-Hyuk Lee, Soo-Hyun Hong, Dae-chul Choi, Kim Gi-du, Min-ji Lee, Jeong Woong-in …
Serienbeschreibung: Eine Geschichte über einen Prinzen, der ein Buch mit Geistergeschichten erhält, die verschiedene Arten…
hi sasha!! could you recommend some korean names for a Seo Soojin faceclaim? thank you so much for all the help you give!
hi sweet anon!! 💕 here are fifteen names that could possibly fit seo soojin. i hope you'll find what you're looking for; if not, i would gladly look for other options. 🌱
This is a bonus interview translation for the 10th anniversary Elisabeth send off special, which gives context to the previous interview translation with Ock Joo Hyun and Shirota Yu. They met after the concert that is being talked about in this interview.
Initially, I couldn’t find any Elisabeth interviews from 2013 so I just resolved to using this one since three of the four interviewees had been involved in Elisabeth even though they don’t talk about it much. Luckily I found the other one but I didn’t want to let this translation go to waste so a bonus for you all~!
[TRANS-ARTICLE] 230427 ‘King The Land’ Lee Junho x Lim YoonA, warm and harmonious script reading site revealed for the first time.
JTBC’s new Sat-Sun drama ‘King The Land’ (written by Choi Rom/directed by Im Hyun Wook) which will premiere in June, tells the story of Goo Won, a man who despises laughter (played by Lee Junho) and Cheon Sarang, the Smile Queen who has to smile (played by Lim YoonA), together the two set out to find happy days in which they can sincerely smile brightly together in ‘King The Land’, the VVIP lounge which is a dream place for hoteliers.
On the day of script reading, director Im Hyun Wook and writer Choi Rom, as well as the main characters of ‘King The Land’, Lee Junho (as Goo Won), Lim YoonA (as Cheon Sarang), Go Won Hee (as Oh Pyung Hwa), Kim Ga Eun (as Kang Da Eul), Ahn Seha (as Noh Sang Sik) and Kim Jae Won (as Lee Ro Woon). Throughout the script reading session, there were smiles on the actors’ faces and laughter.
First of all, Lee Junho conveyed his warm ambition to ‘create a filming set that are full of laughter’, emphasizing the character's characteristics with the feisty tone of Goo Won, a man who despises laughter, displaying the nature of Goo Won, how on the outside, he looks like he does not care about others and is just going by his way, but on the inside hides his deep loneliness.
Lim YoonA expressed her determination full of fighting spirit, “I will do my best to make this smile continues until the end of the shoot.” She then immersed herself in the role of the Smile Queen Cheon Sarang, who possesses a lovely smile and bright energy, and showed the true value of a professional King Hotel employee by cleverly digesting her lines in foreign languages as well.
The solid synergy between Lee Junho and Lim YoonA, who met as partners in the drama, is definitely outstanding. While providing laughter to audience through their seamlessly connected tiki-taka, the realization of feelings for each other also caused excitement to the point that even the sleeping love cells are awakened. The chemistry of the two actors brightened up the set, foreshadowing the birth of a lovely romantic comedy that will save viewers' smiles.
On the other hand, the performance of Go Won Hee and Kim Ga Eun, who will show strong friendship with Lim YoonA as the King Group’s ‘Three Musketeers of Worker Ants’ are also brilliant.
Go Won Hee, who plays the role of Oh Pyung Hwa, a flight attendant of the King Air, aroused sympathy with the daily life of a hardworking office worker that is put down by her boss and junior. Kim Ga Eun transformed into Kim Da Eul, a superwoman struggling between work and family, and showed off the dignity of the sales queen with her natural eloquence that captivates people.
Ahn Seha who enters the King Group together at the same time with Lee Junho, breathed life into the drama by showing the vibes of Noh Sang Sik, who is full of life skills, with his sly way of speaking and exclusive comical acting. Kim Jae Won plays the role of Lee Ro Woon, a handsome flight attendant of King Air, forming a strange atmosphere with Go Won Hee (as Oh Pyung Hwa). As a result, other than the romance between Goo Won and Sarang, the relationship between Oh Pyung Hwa (played by Go Won Hee) and Lee Ro Woon (played by Kim Jae Won) are making people curious.
With the news of ‘King The Land’ script reading which shines due to the fantastic chemistry among the actors, the birth of a new acting restaurant is predicted. Therefore, expectations are already high for the broadcast of the first episode of ‘King The Land’, a seven-star sweet romance that will provide the highest level of satisfaction.
UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.
imdb puanı: 7,5
Benim puanım: 7
Drama: All of Us Are Dead / Now at Our School
Hangul: 지금 우리 학교는
Director: Lee Jae-Kyu, Kim Nam-Soo
Writer: Joo Dong-Geun (webcomic), Chun Sung-Il
Episodes: 12
Date: 2022
Language: Korean
Country: South Korea
Casts : Park Ji-hu, Yoon Chan-young, Cho Yi-hyun, Park Solomon, Yoo In-soo, Lee Yoo-mi, Kim Byung-chul, Lee Kyu-hyung, Im Jae-hyuk
Dizi Güney Kore'de bir lisede son derece saçma sebeplerden ortaya çıkan zombi virüsünün yayılması ile başlıyor. Joo Dong-geun'un 2009 ve 2011 yılları arasında yayınlanan Now at Our School adlı webtoon’dan uyarlanan bu dizi hem klişelerle hem de yeni bakış açıları ile dolup taşıyor.
Yıllardır her şekilde işlenmiş olan zombi temasına hepimiz artık aşinayız. Aşık olan zombi gördük, doğum yapan zombi gördük, kör zombi gördük… Gördük de gördük… Neler izlemişiz, bu bizi şaşırtamaz dedim ama meğer bu dizideki zombiler hiç bildiğimiz gibi değillermiş. Alışkın olduğumuz Amerikan zombileri, minik minik yaklaşıp yakaladığında bırakmıyordu. İnsanlar kazara dişlenirlerse de hop zombi oluyorlardı. Bu dizideki zombilerimiz değişik hareketler yaparak son sürat üzerinize koşuyor. Dişleyip bırakıyor, öyle doyana kadar yeme dertleri yok. Açlıktan değil de sanki kanlı canlı birini görünce kıskançlıktan saldırıyorlar gibi. Onunda canı çekilsin benim gibi olsun diye ısırıp rahatlıyor, sonra bakıyor başka kalbi atan biri var mı…
Dizide bu kadar mantıksız nokta varken nasıl bir çırpıda bitirdin derseniz, o kısmını bende bilmiyorum. Bir şekilde kendini izletmeyi başarıyor. Hikaye bir zombinin arkadaşları tarafından zorbalığa uğrayıp bir binadan aşağı atılması ile başlıyor. Son derece diziden kopuk ve mantıksız olan bu sahnenin akabinde, aynı zombinin hastanede babası tarafından öldürülmesini izliyoruz. Nasıl ölüyor, ölüyor mu emin de değiliz. Zaten bir zombinin neden ortalıkta başıboş dolaştığına da anlam veremezken, dayak yemiş olması daha da mantıksız geliyor. Bunlar burada yaşanırken, aynı zamanda bir lisede öğretmen olan zombi çocuğun babası, çocuktaki bu sözde ’rahatsızlığı’ bir fare üzerinde denemiş. Bir de üzerine demiş ki, bu kadar tehlikeli bir şeyi neden okuldaki odama götürmüyorum.
Okuldaki bir kız öğrenci de öğretmenin odasında sağı solu kurcalayıp fareyi görmesin mi! Fare görünce ne yaparız? Parmağımızı uzatır acaba ısıracak mı diye deneriz… Tabiii. Farenin ısırdığı kız hemşireyi, hemşire başkasını ısırıyor derken okul zombi okuluna dönüyor. Bu sırada ilk ısırılan kızcağız hastaneye götürülüyor. Polis de soru sormak için peşinden gidiyor. Okulda tam bir kaos ortamı yaşanırken, birde bazı öğrencilerin ‘zombi bile olamadım’ depresyonlarını izliyoruz.
Dizideki bir diğer saçma bulduğum nokta, ebeveyn sahneleriydi. Dizinin en başından beri evlatlarına ulaşmak için canhıraş mücadele veren birkaç aile üyesi, zombileri ilk gördükleri yerde ölüverdi. Ne hikayeye ne de çocuklara hiçbir katkısı olmadan geldiği gibi gittiler. Uzunca bir süre onları izletmiş olmaları son derece manasızdı.
Bütün bunlar olurken, okulda bir avuç öğrenci kalıyor. Herkes durumu öğreniyor ama kimse kurtarmaya gelmiyor. Sonunda gelmeye karar verdiklerinde ise, zombiliğin varyasyonu çıkıyor. Akıllı zombi! Tabi ki birde kötü karakter ilk varyasyon oluyor. Çiğnenip tükürülüyor, binadan atılıyor, üzerinden araba geçiyor, gözüne kalem sokuluyor… Yine de her seferinde geri geliyor. Geberemedi şu çocuk diye diye izliyorsunuz.
Sonuç olarak, bütün jombi mevzusunu bir kenara bırakırsak, sosyal eşitsizlik, zorbalık, adaletsiz yönetim, ayrımcılık ve daha pek çok yaşanılan konuyu minik minik izleyiciye veriyor. ‘’Koreli zombi’’ temasının yanı sıra yüksek bütçe ayrılmış olması da diziyi ilginçleştiriyor. Dediğim gibi onlarca saçmalığa rağmen sonuna kadar akıcı bir şekilde kendini izletti.