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#if you read all this ily
lesbianfakir · 7 months
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"#if anyone cares send me an ask id love to ramble about my issues with how mangahood are structured" oh? owo?
ANON YOU ARE MY HERO!! You have been warned these are my personal taste opinions and don't necessarily reflect what makes a "good" story
I have two main points that sort of tie into one: I think fma makes more sense as a smaller scale story.
Under the readmore because this got long:
Yes, it’s a shounen of course it eventually has a grand arc with the world at stake. I can’t really blame it for that. But at its core the story is about the Elric brothers’ love for each other, and their loss of innocence as they venture out into the world that's hurt them so. We care about them, about their near impossible struggle to right a mistake and get their lives and bodies back. And we see how cruel and horrible the world can be through the eyes of children. Keeping with mangahood’s hopeful tone we also see how good the world can be, and imo this works best in the smaller interactions ie winry helping to deliver a baby, the hughes’ family’s generosity to the elrics and winry, etc. The jump from a character driven story (Edward wants to save his little brother) to a more shouneny plot driven story (Edward needs to save the world) takes the focus away from a lot of what I find compelling about FMA.
3/4's of the way into mangahood the Elrics are sort of subsumed into the plot at large and the story doesn't come back to them until Al makes his sacrifice. If I'm being honest, the final battle feels a little contrived to center our protagonists when the whole conclusion could've been written with them at the center to start with (that said I LIKE the end of Brotherhood, this is just a personal taste for story structure thing).
Now obligatory 03 ramble, in contrast 03 keeps the Elrics centered throughout. The final battle isn't much of a battle at all. And sure, it isn't as grand. But it feels in keeping with the heart of the story--Dante is going to kill Alphonse so she can live forever. The whole series up until this point is about Ed trying to save Al, it makes SENSE for this to be the conclusion. The brothers' codependent love comes to a forefront with each unwilling to let the other die, even at the cost of his own life. In this way not only do we begin and end with the Elrics, but we've stayed with them the entire time. 03 is a much more character driven personal story and that's where its charm lies.
My second and bigger issue with the structure of mangahood isin the way it uses large-scale tragedy to fuel its plot.
There are better posts than I can make already written about how mangahood centers the feelings of the perpetrators over the victims. What I will say is the fact that the ishbal war started due to an “accidental” hate crime against an ishbalan child by a military officer is a very sensitive topic and hits close to home (I’m American and this is a very, very relevant conflict). It feels a little in poor taste to me to take something so political and so sensitive and go ahaha but you see it was ENVY all along! Arakawa picked a very heavy subject as the backdrop for her story and sort of relegated it to that: a backdrop. What’s presented as a racially motivated genocide actually was just the bad guys being evil. It falls just short of a real, in-depth criticism of the military. Instead we are left with good men and women who were just following orders (which she DOES explore to a good extent and I appreciate how she does not shy away from making it clear what they did was unforgivable). The corrupt military being corrupt because it is the pawn of a big bad inhuman god-wannabe just... falls flat for me.
In 03, the child's murder at the hands of the police is a fabricated story created to "explain" the genocide--instigated by the military without provocation. And this happens because one, powerful human selfishly wanted to extend her own life. This is the story that feels more true to life and dares to really engage with the themes presented instead of writing them off as some plot device. Not to say that 03 didn't have its own problems with its depiction of genocide because. oh boy nazis in shamballa?? HUH!.
Anyways again these are all my opinions. I think FMA has a lot of heart, and it works best on a smaller scale in order to tell a more personal story.
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ethmaron · 4 months
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mer au ramblings under cut ↓
i was thinking about the mers and their behaviors in particular-- i can't remember if i've ever really talked about it (if i have it's on one of the older posts? probably under one of the asks from capricorn) but bc i had spotted that recent thing i drew in my canvas library the mers are so cat-like in my head. or something. i do think they hide under their tails a lot when they get upset or embarrassed and stuff but that's probably more coming from i think they hide away in little caves and stuff normally and its like just a placeholder behavior sorta deal. they like the dark and small spaces bc like tims got that cave he likes to go to a lot (he takes kon there eventually--idk if ive ever mentioned tims little hideaway lol)
i do think they also like to smack each other with their tails as a playing thing which is fun until its a human and they get absolutely wasted by 30+ lbs of pure muscle. i do think it would be hilarious if in some of the first interactions dick smacks someone and there is very quickly rules established. he ends up only being able to play with jason until he goes . "missing". (tbh this is making me think about little dick and jason and im getting very teary. thinking about bruce deciding to reach out to the humans as a way to help protect both himself and his sons from poachers and stuff. gets them access to medicine.)
i DO think that dick and jason woulda been much closer in this though and i feel like being honest mers kinda have shorter lifespans in the wild? (bruce is probably still pretty young by human standards i think, but is getting up there by mer standards) limited access to food + getting into fights + poachers. actually the fighting aspect is interesting to me because i dont think i've thought much of it before? the only natural defenses they have are teeth, nails and tail. i think mer fights would probably be very quick and typically escalate fairly fast. (also realizing bruce would definitely be a killer in this au by virtue of protecting his territory + his family. wonder if it would turn into a more he doesnt want his kids to have to ever kill? but idk bc that would be a part of the lifestyle of a mer, and they would need to know how to defend themselves anyway) weak points definitely tail fins and throat. fins specifically because they cant swim without them so they'd just kinda sink and rot at the bottom of the ocean if they dont have someone helping them; which is to say in the case of shredded fins because jason kept his fins but theres holes in them which Does effect his swimming speed but only because of the holes and not the material of his fin (i do think the humans have tech that could theoretically replace tail fins in order to help them swim again but they wouldn't be as durable as their natural fins. wouldn't be able to tolerate fast swimming. probably what would've happened to babs--i don't think ive ever addressed her in this au? i should go and design some of the people that are missing. i think shed be reallyyyy pretty.) but i think that once a fight is determined to be to death they just go for the throat/gills.
regardless that is to say that the hiding behavior i think is funny and i do fully believe the first time kon or jon sees it they immediately make a cat comment and then show pictures. depending on who the mer is/their landside education they dont even know what cats are which would be kinda funny i think. hilarious to me if damian convinces jon to bring a cat because he wants to meet it (he definitely still loves animals--probably bffsies w some of the sharks and other animals in their territory.) I DESPERATELY WANT KON TO BRING KRYPTO oh god kory would have a heart attack if he snuck krypto in. bart would love him. i think tim and cassie would be a little ehhh about him but krypto so sweet just a little baby .
i had talked about a while ago that i should try to work bernard in--i think itd be kinda silly if there were a bunch of tims like comic HS friends that are just interns or something in different areas of the facility and stuff and they all end up kinda becoming friends anyway. bernard, darla, ives, etc. idrc if it doesnt make sense this entire au is a trainwreck anyway lol
ACTUALLY very funny to me i was thinking abt how tim gets a little demanding in getting carried/carted around on land and he finds out kinda quick most the people there can't actually lift them up (kon can technically lift tim/bart/cassie but he Struggled at first). him asking ives to take him to a different tank and ives just gives him a really long look before getting a wheelchair and helping tim drag himout of his current tank LOL i think there would be lots of cursing and sniping from both sides .
ill wrap this up but now im thinking abt mer courtship stuff--idk if ive ever talked about that here? its kinda silly LOL
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nicks-disks · 8 months
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I never consciously realised just how serious and genuinely stressed the Tumblr experience can be.
Like oh my god I never post, but when I do it's way too much. I never interact with anyone, but when I do I'm probably missing the point of their post and I'm making a fool of myself, or I sound passive-aggressive, or their post was meant to be between their friends and mutuals and they probably don't really want me commenting. I can't network for the life of me, and I have no idea how to branch out into communities and get to know people better because I have no idea what the Tumblr customs are and how to go about it. On other social media, like Instagram for example, you can get away with being far more solitary, like an onlooker who never really interacts with anything. Tumblr is very community-based though and that's sort of the whole point of the app, but the problem is do people want me to interact? And if so, am I doing it in the right way?
My bet is that I feel so cautious because I think Tumblr is a huge safe space for so so many people, and that's not something I want to disrupt or intrude upon. I don't want to violate people's comfort with my ineptitude, and the chance that I might gets me quaking in my boots. I get what it's like to have something unwanted in a space you thought was safe and it sucks BALLS dude
This is probably insane and it all sounds like nerd shit but I'm curious to know if anyone felt similarly, even if it's not just about Tumblr.
If you're seeing this I think you're really cool and surely we be friends. I don't really know how to go about Tumblr but I absolutely will drop 6 posts in 2 days, like and reblog 200 more posts and then not be seen again for months, but I would really appreciate the interaction or any pointers on how to navigate here <3
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surrenderonvinyl · 2 years
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nothing annoys me more than getting emails for art requests that start with “this should be an easy one”
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wu-does-art · 1 year
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will probably had a very interesting talk with mike later.
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obikinetic · 2 months
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Missing your obikin art hours pls come back to us 💓💓
Anon you are so sweet and I made this just for you 🥺💖
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nibbelraz · 4 months
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heh the funniest thing about all the sqh stuff is I literally have most of a fic written from outsider pov which is basically sqh’s head disciple realizing he’s a god and that any prayers to him get answered (usually by sqh without him realizing it). It’s several k words now and the random sqh posting makes me hopeful some people would like it 💜
ANON
ANON PLEASE
On my KNEES AND CRYING PLEASE SEND ME THE FIC WHEN YOU DROP IT I PROMISE YOU SO MANY PEOPLE WOULD BE SCREAMING WITH JOY AT THIS CONCEPT
if not I will scream with joy, I AM screaming with joy rn, I personally will be your number one fan
anon I would love to read this whenever you post/publish it
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sukunasdirtylaugh · 4 months
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always a god never human II satoru gojo
tags: post shibuya au, alt au where satoru is cursed to be blind, fluff, argument, angst, regret
word count: 4.5k
note: I wanted to write something that could encapsulate what being human is for satoru in the best worst case scenario. some of you might love this as I do, and thank you for your support. also, I made a reference to odysseus and the cyclops so I think I got it right (I haven't read the odyssey in nearly 10 years). also forgive me and please correct me if I got the kikufuku part wrong. will make a part two if this comes out well (I already have it drafted).
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satoru gojo had been exposed to curses for as long as he could remember. first, as a boy, then as a student in jujutsu tech, and finally as a friend and instructor to those around him; but he had never been directly cursed.
not until now.
"you may remain as the strongest, satoru gojo, but your strength will be the only thing to hold you. no one but yourself will disinter it, so don't waste your time searching for something already set as destined." he recalled.
"love will be your salvation yet damnation, for you will cry for your shortcomings and failures. no one but you will carry this burden. let it remind you of this day, of the battle in which you never, truly won."
he always wakes up in a cold sweat afterwards. with the erratic beating of his heart and the tears running down his cheeks, satoru clings to himself, pressing a hand to his heart so as to remind himself of his current position. the back of his throat feels rough like sandpaper, and he licks his lips before reaching for the glass of water he's reserved for nights like these.
he drinks nearly all of it, his heart heavy before his fingers fish for his phone by his bedside.
"hey siri," he speaks, voice hoarse, "what time is it?"
"it's 3:24am."
with an exhaled huff, he puts his phone to the side, making note to remember where it is in the morning. as he lays his head down and focuses on the feeling of blood rushing to his fingertips, arms laid out side by side and fists clenching and unclenching, he sighs.
tomorrow will be better, he tells himself, but it has to change, whispers the other.
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"now listen, don't give me that look, it's serious!" your frown causes utahime, your longtime friend of 4 years to shake her hands out to grab your attention, causing you to stifle a smile from your face as you hide your lips behind your cup of tea. "I have a job proposal for you, from a friend. and I think you'd like the pay."
utahime had always been sensible on the topic of money. knowing your constant struggles as a college student and now graduate, seeking to find new sources of income to keep up with bills and student loans, the sorceress felt compassion for you, a friend of hers who has grounded and guided her through frustration after frustration; work and romance related. she's never had the luxury of normalcy to a life like yours, she knows, so doing this was in her best interest for your benefit.
she tells you she has a friend who has decided to take up reading. problem is, he's blind.
"he's not a child, though he acts like it sometimes, but he's not some prune old man either. he's around your age so I'm sure talking to him along with your patience won't be an issue."
besides the generous pay for your time, 6 hours a week for $500 as a starting salary, there was something about this arrangement that left you with a good feeling in your heart. and it wasn't because your client was blind, no. it was the sheer opportunity for growth, in doing something you loved and doing something someone wanted to partake in. so on the day of your arrival you dress your best, hair neatly combed with a pearl diadem and academia as your outfit inspiration for the occasion. "he lives in a secluded home," you recall utahime's words, "up on a hill, or cliff. I don't know. it's always cloudy over there," and you can make out the home on the hill. it's quaint, and you feel thankful for having picked the clothes adequate for the weather.
it surely looked like it was going to rain, so you quicken your pace until you're at the front door, standing still as you swallow the lump at the back of your throat. you were no psychic, but the way your heart churned and palpitated let you know something was about to change your life forever.
"you must be the girl utahime sent, I'm satoru. please step inside," you absentmindedly take in the smile he gives you, taking no answer from you before he opens the door to let you in. he wears a pair of black glasses, contrasting to his snowy hair and porcelain skin. wearing casual loungewear neither of you dare to touch one another in the sense of exchanging a handshake out of respect, or fear. it all feels formal, too formal as if this were a job interview or more.
"it's quite cold outside, isn't it?" after you step inside and change into a pair of slippers that are slightly too big for you, satoru shows you to where you would read to him.
he makes conversation rather well, you find, but there is slight awkwardness in the interactions but not in the way he moves around the house. as he moves up the stairs, he has a hand against the wall as he takes each step with precision, knowing when and where to step. you're fairly quiet, but polite in your conversation with him, until you reach the space he calls his 'study' which is just a room with a large window accompanied by books and belongings.
"you're probably wondering how on earth a blind guy has a clean place, right? well to answer your question, housekeeping."
"I wasn't thinking about that," you answer softly biting the inside of your cheek, "I was just admiring the window."
there's a momentary silence between the two of you. either satoru is surprised by your reply, unrelated to his blindness, or you have struck a sensitive chord, however, his nod makes you think otherwise.
"it is. before I was blind, I'd come here as a teen. house is mine, so even the doors are nice in here." and when he hears you agree, he smiles. "anyways, I'm sure utahime told you the basics about this, yeah?"
"yes."
"great. there's a book on that table to your right. you can start reading that one." as he walks, he takes a seat on a chair across from you. he patiently waits until you sit down again to ask, "before we start, would you like some water?"
"yeah," you breathe, "that'd be great actually."
"there's a few water bottles under the table next to you," he informs, making himself comfortable on the chair, limbs spreading comfortably as you take out a water bottle and glance at the book in your lap.
"this book is about malaysia," you read the title, "is that somewhere you'd like to visit one day?"
"maybe," he says, "it was from a friend of mine."
"did he go to malaysia?"
there's a long silence in between the innocence your question and his answer.
"he did," he answers slowly. "it was always a dream of his to go, so that's why I've kept the book." you don't press him further, instead nodding and suggesting on starting.
when you open the book, you don't miss the elegant cursive writing at the top right of the page.
n. kento
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you frequent satoru's home every monday, wednesday, and friday for 3 hours every day. the pay is more than what you expect the first week, $750, but you wonder how this man can easily afford your services.
the bigger question, is how can he live alone in such a home like that? does he ever get hurt? what does he do then?
"yeah, I live here by myself." he answers your question on the third week of your employment. "it's pretty neat though. I don't have to worry about anyone misplacing anything I leave, you know?" his attempt at a joke makes you chuckle and walk up the steps behind him to his study. "are we reading something new today?"
"there's something different I want to try," he tells you, "last night, on the news, I heard there was a feud over some meso-american statue. something to do with jade material being one of the few in existence. I know this is beyond what we agreed, but do you think you can find an article on it?" you nod, affirming his request.
"great!" he smiles, relieved, "my laptop is on the desk. feel free to use it."
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you wanted to say that was the last time he asked you for a favor like that, but it was you who fueled his interest. that day, you ended up finding 4 articles, and playing 2 videos about the subject. and as a result, both you and satoru engaged in related conversation until the end of your assigned time.
every few days, satoru would inform you on something (practically asking) and you'd reply by responding, researching the questions he ached to know. it went such way that you were reading him books less and less and more article, media coverage, and conversation.
"did you hear about the experiment trials being conducted by this company called oceangate?" satoru asks, interest laced in his voice, "they're thinking about sending people to view the titanic shipwreck."
and quickly enough, so were you.
"yeah, I also heard about it. I couldn't help but read an article about it. apparently, they've done a few trials, but the company is independent, so I don't know how safe it is or if they have government members involved..."
one of satoru's favorite moments consist of the following.
"did you hear about the crime case that just happened last week? the one with the girl who survived the car accident."
"I did!" you answer eagerly, "I heard her stepdad was the last person to talk to her boyfriend."
"do you think he murdered him?"
"it's tough to say," you bite your bottom lip in contemplation, "I knew he didn't approve of him because he was an aspiring musician, but these texts came out saying he wrote to his brother, 'that man better stay away from my daughter or else I don't know what I'll do',""
"no way."
"and that's not even the worst part," you adjust yourself on your seat, criss cross applesauce. "they found dna remains in his car before his death, hair. right before the car accident. there's speculation they argued before..."
"the accident." satoru nods.
as the weeks progressed, so did your conversations with satoru. the two of you had a knack for being adaptable in your interactions with one another. you could reach a book for an hour, then talk about some recent story or just spend a whole session talking, with the mention of an article or some source always being mentioned.
and satoru burned for that. with every interaction, he found himself looking forward to what else he could bring up, and so did you, even spending time of your own researching things he might be interested in learning about.
things the both of you turned out interested learning about.
"here," satoru could feel the warmth emanate from your body (or his) as you sat next to him, your body scooting closer to his, "hold your hands, yeah, like that," placing a small statue, no bigger than the size of a wine bottle, satoru freezes slightly as you guide his fingers to glide along the edges of the statue.
"my friend managed to get this one out of the archives," you explain, "of course, I just had to bring this to you too. can you sense the material?" the corner of satoru's lips tug upwards in acknowledgement of your excitement. it makes his heart squeeze and pulse in ways that felt familiarly unfamiliar. in a good way, of course. everything you brought in his life was good. whether he could see it or not, you were always so welcoming and sweet.
"is this... legal?" he out of everyone finds himself whispering. as if the authorities could be outside his door. you giggle.
"yes," you smile, "I asked my friend if she could let me borrow this for the day, to take 'pictures'." you chuckle, "obviously that's not what we're doing, is it?" a warmth follows satoru's cheeks as he shakes his head and you smile. "this mesoamerican statue is the same material as the one we read the other week, remember?"
we, satoru's words echo in his head as he nods. "y-yeah. thank you for doing this, you know."
"of course," you smile kindly, "I figured, out of everyone who could be here, I figured you deserve this."
deserve.
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"open your hands for me, satoru." your soft voice speaks as you cup his hands, the ocean waves crash from afar. after much convincing, you managed to pull satoru out of his comfort zone. what's the point of going to the ocean if I can't see it? he asks.
well, what's the point of me reading to you and us interacting if you can't see me? you counter. and he realizes you've won.
he can smell the saltwater, can feel the wind blow through his hair and let his feet sink into the sand, but that's not what makes his heart skip a beat. your hands shouldn't feel this soft, he thinks. the way you allow grains of sand to fall in his hands feel otherworldly, holy. the way he senses you smile at him and place a shell on his palm, letting him trace the surface with his finger as you guide him makes him feel as the most enlightened man alive.
he can sense you're close, not by strands of your hair slapping his cheek as the wind blows, but by the warmth of your body. suddenly, he does not feel he is at the beach, but with the beach guiding her hands with his and feeling the warmth of what he feels is your smile.
he remains silent, you're looking at him, and he's looking at you underneath his shades. he's frozen. waiting for you to say something, to break this off as if this would never, by any of his wildest dreams, occur in any universe.
but you don't.
satoru feels his pulse quicken, breathing deepen as the point of your feet slot themselves to his, your nose barely brushes his own, causing the six eyed user to forget everything he once thought he knew of limits and boundaries. kiss me, he thinks, take me, he begs to the heavens. satoru thinks he could be captivated, deeper than any spell odysseus and his men were under at sea, but they were cursed by calypso's beauty, and he felt blessed by the touch of an angel. your touch enviable to the gods above.
when you kiss him, he feels like he just made the greatest discovery to mankind, like he's waited his whole life for this, a feeling that greatly surpasses galileo's lifelong accomplishments and napoleon's combined. no feeling, word, or sight could transcribe what it feels to have your lips slide through his, to have you softly gasp against his lips, and to have your body close to his. satoru is convinced that he has reborn, become whole by the touch of your lips which have sweetly imprinted themselves throughout everything he is.
he holds the back of your neck gently, so as to remind himself that you are here, not a dream but here with him. flesh against flesh, man and woman who share one breath.
when you both pull away, satoru feels himself begging to pull you closer, but the hands that push him from you let him know you need to breathe. and although his body cries otherwise, you speak breathlessly, a hint of a smile in your tone, "did you feel that shell? it was my favorite kind to collect growing up," and he smiles because he learns what it is to collect something as valuable as the shells, your lips.
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with nearly 3 months of knowing you, there was a shift in satoru's chest one wednesday morning as you excused yourself for a call.
"...of course I don't! you think I want to live with him?" you ask, voice laced with disgust, "I won't be tied down like that again and you know it, Kiro. I'll be cursed if I have to be with someone like him again. you know I'd never stay for someone like that. It's dead weight on my shoulders, and I won't have anything but pity on him." your words, from the end of the hallway send daggers at satoru's heart.
"yes, I'm at work, what else do you want me to do? It's not like I can just fly my way to you in such a short amount of time. you should have told me..." a long pause, "yes... he's blind," another long pause, "I get paid on the 26th, but my boss won't let me work on the 25th, so you can sleep in my bed while I get home. and wear something under the covers, okay?" somewhere, somehow satoru wanted to tell himself he was not hearing things correctly, that you were still the same girl he knew to be around, but when you returned after your call, something was definitely wrong with you.
"so, how was you call?" he asks, feigning interest, "everything ok?"
"yeah, fine, thanks." you breathe, tired, opening the book in your hands, "chapter 21, the last spring."
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one week later.
as much as he wanted to deny it, satoru was beginning to think you had changed. what was it? was it him? the kiss? the way he grabbed you? or have you finally had enough of these little visits that could have been masked as pity for a young man like him?
when the 26th passes, he does not ask what your plans are. as much as he wants to ask, he thinks it's not of his place to ask. is he doing the right thing? he doesn't know. it certainly doesn't ease the unpleasant feeling bubbling in his stomach.
"do you have a favorite treat?" you ask. caught off guard, he nods.
"kikufuku," he tells you, "when I was in high school, there was this elderly couple that had a kikufuku stand and they used to have the best ice cream fillings."
"I thought kikufuku was cream based?"
"It was, but not to them. their ice cream filling was one of a kind."
"when was the last time you had some?"
he laughs, "years ago. I'm pretty sure they ended up closing because the wife died, and she was the only living relative who knew how to make it."
"that's too bad."
"I know, but at least they were happy doing what they did." satoru then changes the subject, shifting the focus to a lighter topic.
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on december 6th, satoru recieves a call.
"I told you, you don't have to call me sensei anymore," satoru groans, throwing a wooden sword towards yuuta, catching it flawlessly.
"why not? you've always been my sensei. or would you rather us call eachother cousins?"
"you're right," answered satoru adter a long moment, earning a laugh from his former student. "so what was it you wanted to talk about? clearly it was not to train, so what is it?"
"I just wanted to see how you're doing."
"well you could've just called..."
"you haven't trained with us in a while," yuuta sighs, "everyone. we don't really know what you're up to these days."
and he was right, but satoru would never admit it.
"what?" he asks, almost faking offense, "can't your sensei go on vacat-"
"-utahime sensei says you've been in your home a lot," he clarifies, "only few of us know. toge, panda, yuuji and I."
"what about megumi?"
"he's kind of in his own world," yuuta sighs, placing his weapon down before taking a seat next to gojo in the training room. "he knows things haven't been easy."
"you've kept an eye on him and yuuji like I asked, right?''
"to a degree," he admits, "I can't have them open up so freely because I'll always be their upperclassmen, but you... you're..."
"I get what you're trying to say." he answers flatly.
"you do?"
he nods.
"can I walk with you to your home?" yuuta asks, "there's another thing I'd like to ask, personally this time."
satoru finds himself agreeing with his younger student, what else could he do besides that? as the two walk, satoru finds himself giving advice he didn't think he could give, advising the student on what shall become of him now that he's already over age and in his own right to choose his destiny.
as he advises his pupil, satoru finds himself wondering the same for himself. he's turning a year older in 2 more days, what will become of him? what will he do? what does this mean in relation to kenjaku's damned curse? it aggravated him. upset him how everything felt so secure, almost ideal weeks ago, but now his life felt back in square one, returning to his home that he had grown used to be alo-
"surprise!"
not one, nor two, but several familiar voices called from the inside of his open, making satoru freeze in shock.
"surprise! we thought we'd surprise you sensei" panda's voice rang.
"he's right!" another voice, yuuji's appears, "we thought about making a little get together with our favorite sensei..."
"obviously someone had to plan this," satoru turned, stunned when shoko's voice came into play. "you?"
"no," she chuckles, turning to you but you quickly shake your head, reaching for utahime, "it was utahime!" you call, "she wanted to plan something nice for you."
"aww well aren't you sweet?" he grins tauntingly at utahime who can't help but send daggers your way as shoko muffles her laugh.
for the duration of the party, satoru is accompanied by his co-workers, friends, and students. he hears more about what they've done. what travels they have accomplished, and what romances some of them have experienced all while they share laughs. all while satoru searches for yours.
you stand a respectable distance away from him, deciding it would be best to let his friends and students take over since he hasn't seen them in so long. you weren't as special as they were, only having known satoru for the least amount of time, a part of you felt like a stranger. not that anyone made you feel left out, no. everyone was kind to you and even appreciative for your presence. however, you spent a whole majority of the party not talking to satoru, as if you weren't there.
when it came time to cut the cake, everyone who was an adult was nearly drunk. the students, all joyously supervised by ichiji laughed as they shared a group photo. yuuji, satoru's student mentioned something about adding the photo as his lockscreen, causing everyone to burst out laughing from ichiji's protests. everyone looked happy, with a twinkle in their eyes as the end to the party came to an end.
the students and ichiji were the first to leave, then shoko and utahime finding balance in one another, leaving you alone with satoru in his home.
"you didn't drink, huh."
"I don't really drink in social events." you shyly admit, scratching the back of your neck as satoru does not face you, looking towards the door where utahime and shoko left not long ago.
"you thought you were social?" his words take you by surprise.
"I, um.... I talked to your friends." you say, "they were very nice."
"I barely heard you."
"that's because you were probably occupied talking to the others-"
"-you didn't talk to me." he finds himself saying in annoyance.
"I didn't want to take your day away,"
"from who?"
"you."
"there's nothing to take from me."
"yes there is," you tell him. "your attention. you haven't seen your friends in-"
“they all pity me.”
“what? no they don-”
“-you’re not blind. people don’t… they don’t look at you like some pity animal, just waiting for you to fuck up.”
“you are not a pity....”
“oh yeah?” he breathes, ragged. “then why the fuck did you agree to read to a blind man?”
there was some silence, regret pooled at the back of your throat and then a shift in your weight as you stood. 
“I’m sorry,” you whisper. I like you, “I- I’m sorry.”
“I’m sorry too,”
“I- are we…?”
“I don’t think we should be seeing each other,” he expresses. “not for a while,”
“a while?”
“yeah, a while.’’
“do you… want me to leave?”
“I think it’s for the best.”
“Do you want me to come back monday?”
“I don’t think so,”
when you left, satoru's jaw tightened, hands now fisted by his sides and a body so rigid one might think he were frozen in place. satoru stays like that for several moments, eyes nearing a burning sensation as he focuses on where he would imagine the door is, almost expectantly waiting for your return as if this were a dream.
but it wasn't.
and as the minutes pass, he paces his living room. hands running over his hair.
he had done wrong.
"ichiji," his voice almost broke, dry and borderline desperate. “I…” I think I fucked up, “I want you to pick up y/n. She just left my place, but she doesn’t have a car.”
"I already did," he says, "she said just that."
“Did she tell you anything?” he finds himself expecting.
“not really..."
“how did she look?”
normal? Ichiji wanted to say, didn't you just see her? but the tone in satoru’s voice confirmed that he did something to leave you so quiet after the party. 
“she was quiet,” he tells him, “...maybe she was tired from the party. you know, she organized it herself.”
“she... what?”
“yeah. utahime helped her bring the cake. she needed someone to drive while she carried the cake because she didn't trust anyone to hold it the 20 something minutes it took to get to your house. she told me she was trying to look for someone who knew how to make ice cream kikufuku and ended up finding the niece of the old owners of a shop she said you used to frequent. after long convincing, she was able to get the niece to help. I’m pretty sure she made the cake, with the help of the niece of course. she also made the dinner, and even had shoko bring in the drinks along with candles that your friend forgot to bring, — so I guess she was just tired, right?”
Satoru was speechless. unsure if it was the fact that you did so much for him or the fact that he had never heard, in his entire life, hear ichiji speak for so long with such conviction, it was everything he needed to hear.
right? the words in satoru's mind, head pounding with everything and anything relating you. and on the other side of the line stood a confused yet almost concerned ichiji.
"hello? are you still there?"
"yeah," he answered dryly, "is... is she home safe?"
"of course, I dropped her off." but it sounded like, why wouldn't she be? to which satoru felt like it wasn't a good enough answer. he needed to see, hear that you were okay. and he was afraid that he was regretting his words so easily.
"satoru," now serious, ichiji's words pulled him from his thoughts, "are you still there? what happen-"
"-I fucked up," he choked, "I... I said things I shouldn't have..."
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just-null-cult · 5 months
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Just curious, have you read a Noritoshi x reader fanfic on Quotev titled Body is one, mind is a million?? It is SO. GOOD. SO. GOOD.
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^^^real image of me reading that fic in every chapter
Anon, I need to make out with you rn. Why was this gem hidden from me. Tysm for telling me about this, i will think of nothing else.
heres the link if you want to read it for yourself!
[my rabid ramblings and fanboying under the cut]
FORGIVE ME FOR THE PERSON ILL BECOME ONCE I FINISH READING THIS ALL. IM GONNA TRY SO HARD NOT TO MAKE THIS MY PERSONALITY.
I read the first chapter and intro, and I'm already hooked. Stoic and PINING NORITOSHI??? + TEASING GN READER?????????? I COULD FEEL THE PINING FIRST CHAP IN IM FUCKING DONE.
dude, you have no idea how badly I needed this in my veins. it's so tough finding fics that I like, and this one is so //PUNCHES MYSELF.. man if i tweak how i write for Noritoshi bc of this fic, i'll die. tysm to the writers out there.
IM GONNA GO DELUSIONAL BRO OH MY GOD AFJEK the way Kuzure (the author) wrote Noritoshi to be annoyed by you but grow to love you. its. ITS MY FAVORITE TROPE.. kuzure........ i have to add you to the wall of heros..
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Funny story, my ass did NAWT believe that Cove would actually change his appearance based on whatever tf I did until I flirted with him in step two and went to change it for him before step three and was like “omg he already has his hair set as long lol so wild XD” mf YOU TOLD HIM IT WAS HOT. THEY TOLD YOU HE WOULD CHANGE IT BASED ON WHAT HE EXPERIENCED AND YOU TOLD HIM YOU LIKE BITCHES WITH LONG HAIR.
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wispscribbles · 6 months
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Mw3 spoilers (just a long personal ramble)
Hiii. So
As soon as the pre-release came out on, I hunted down spoilers, because I know myself and knew that if someone died and I got that information out of the blue, I wouldn’t take it well. Jokes on me, because I still haven’t been taking it well lol
I won’t talk about how Soap’s death was handled or the quality of the game. Plenty of smarter people are doing so.
I try not to talk a lot about myself and irl stuff on here, but will just say: I am very unwell, mentally. (Cue silence because that’s not surprising at all) Something I am very aware that I do, is that I latch onto fiction with my whole being, usually one specific character. For some reason, I always latch onto the character that ends up dead, usually in a way that make them only exist to further the motivations of other characters. It sucks.
So my hope for Soap has never been great, but for some reason I was still so shocked?? I don’t know, I tricked myself into thinking this time was different. Such an iconic character with so much good setup for great character development. I knew someone would die, but ow. To me, he was the element that made 141 seem more like family than coworkers. Soap’s interactions with the rest just livened up the games so much and made them all shine. Especially Ghost. Their dynamic, man.
Soap was the character that intrigued me enough to jump into the cod rabbit hole. It feels very hollow without him.
I keep telling myself that it’s silly to be so hurt over something fictional, and that I can just treat it as a mcd fanfic and move on, but nope. Brain’s stuck in the bad stuff. It’s a bad habit of mine to let something like this affect me so much, but well. Logic vs feeling and all that.
I really did find so much comfort in Soap this last year, that I severely needed. It feels a little like losing someone I know, someone who helped me through a rough time. I related to something in him and felt inspired. I only started writing after getting into ghostsoap, I started working out and I got back into art after a very long burnout. It may be fiction, but the impact is not.
So that was pretty much the worst case scenario of what mw3 could be to me. I always knew the risk, but, once again, ow. But there also seems to be plenty of good stuff in the game that I enjoy. I’m happy with the Ghost and Soap dialogue, the whole team working together and seeing Laswell and Farah and Alex and Nik. I hope I can be inspired by some of the new content once I’m calmer.
And I was worried they would ignore Ghost and Soap’s relationship after their development in mw2, but they genuinely seem to have gotten real close. It’s nice. I thought the shipping might scare the game devs into never having them appear in a scene together again, so that’s a plus.
Bottom line to all this is: I probably need a little break to get my head sorted. The grief is surprisingly real, it’s triggered some old stuff for me (haven’t been sleeping or eating, been stuck in some old thoughts). I’ll need to calm down and become a bit more normal about this again. Part of the grief isn’t so much about Soap himself, but also just the safe space that this account has been. The very nature of how the fandom is going to interact with Soap and Ghostsoap is going to change now, and man… I liked how it was, y’know? Could’ve used a little longer in that bubble. There’s going to be plenty of new fics and art, lovely stuff as always, but many of them will be tinged with grief, and I’m not in a place where that won’t break me a little.
I will hopefully come back to posting and making stuff once my brain settles down. I have so many drafts for fics and ideas that I hope I can return to. I’ve gotten so used to drawing these lads that I doubt I can stop tbh
The version of Soap that we love is already evolved from the games due to all the time and care the community has put into the character. The games may have killed him, but luckily, he’s fictional. We can do what we want, same as before.
I’m not even saying that I wish they hadn’t killed him. The games are crafting a story that fits their audience. It makes sense.
But I will choose to live in one of the many universes we’ve created for Soap, where he is alive and cared for, with a found family and a spooky lieutenant with a soft spot for him. Good for him.
Hope you’re all taking care of yourselves. RIP canon Soap (again). Thanks to Neil for a wonderful portrayal. And no matter where we go from here, thanks for a wonderful year of creating with you lovely folks. Seriously, some of the kindest people I’ve met in fandom. <3
Lastly: fuck you Kevin O’Reilly, but more importantly, sincerely thank you. (CallMeKevin video about mw2 got me into this mess. Otherwise I was keeping cod at an arm’s length, but he’s my fav youtuber, so I watched it. And here we are!)
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tears-of-taelia · 3 months
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This day still terrifies me. To my core. With the strange weather that happened before, I expected something to occur. I could have never predicted the magnitude of that event. I assume you're here to wake me up then? You want us to face that evil again? I'm… We're afraid... Of everything. Of everyone. I don't know what I'm supposed to do! WE DON'T WANT TO GO BACK!
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maliciousalice · 1 month
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@thresholdbb omg tumblr ate your ask but thankyou for asking!!!!
👕Character whose fashion you like.
Phoar! Startrek really isn't a show I associate with being fashionable. It's very camp isn't it? In theory a lot of the wardrobe is really cool and they wanted to gain that retro-future aesthetic. Did it work? I'm not sure. However it does make a statement. The Startrek aesthetic is really recognizable and that's important! I think that's where modern trek kind of looses the plot. It's not as careful about the unique visual design as a whole anymore and as a result it doesn't settle in our minds. Is it bad artistry? No but it's not as stringent. What I mean by that is older trek cared about nuance. For example every haircut was done the same way on men, or suits were tailored in a way to look sleek but practical (they weren't). Gaudy patterns were important to denote things like status. It looks ugly on the outside but when you're watching the show it envelops you and makes you feel welcomed into the universe.
I digress.
To answer this, the most fashionable character, hands down, is Quark! That mfer always looks good, and has the finest drip in the galaxy. Love that.
🥲 ST moment that makes you cry.
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There are two moments that make me particularly sad. Kate's acting in the climax of Resistance is incredible. I read somewhere she had a special-wink-wink- relationship with the Director in the early seasons and she was being tested by this episode in some regard. I think it paid off. I treasure any time her captain-hood is removed, and the extreme vulnerability of Janeway is on display-MWAH MWAH poignant. This episode is beautifully intimate, particularly this scene. It's overall gorgeous and unique in how she whispers to him, as if there is nothing more important than to secure his peace of mind as he dies, and it's heart rending when it ends with her just crouching there, emotionally alone. I love how Janeway is forced into the father-daughter dynamic between her and Caylem, one that she would ordinarily resist (heh themes) because I think it inherently weakens her status. The back and forth throughout the episode of them taking care of each other's welfare is so it's terribly sad when it's torn down and we discover the truth behind Caylem's family. If you've dug around her character you know that her Admiral-Father has had impact on her life. She's haunted by him in both a figurative way by being a Captain, and literal sense later on in Coda. Much like Caylem, she looses her father in a violent manner that she has to carry around while she forges ahead. It also reflects well on Kate's relationship with her actual father, she recently revealed that she was never able to get him on her page, but in spite that she adore him with all her might. So a scene like this is really revealing-I believe she was able to draw upon those feelings and that's kinda neat to be so raw as an actor. SIGH.
This one just straight up made me cry fr because Prodigy s1 is a really mature, well done piece of (Startrek) media. Holo Janeway has an irony about it where in the end she is program designed to be a teacher, and she didn't expect to develop a strong bond with the crew. Her final moments are of displaying a huge amount of selflessness and courage to help the kids get out of trouble, similarly to how Janeway would approach dire circumstances. The music swelling and the ship activating is just OOOOF!!! I love how it parallels Dal's initiation of the first Protojump in a Moral Star. By that means It suggests how proud she is to get to do this for them. As a character she is really interesting to think about, in a way I can't entirely articulate. A lot of her moments are quite sad in general, she has to keep an active role so she isn't ignored, and help where help is needed, but at the same time she has constraints, one being that she manipulated by the antagonists. And In contrast to that, the kids do their best to help her feel like she is important and more than a command program to be used insincerely. She grew to love the Protostar crew, that's evident in her body language in this scene. She has a lot of depth overall. Equal to the real Janeway she deeply feels love, guilt and pain, but importantly she is transformed by the her time on the Protostar and while active, learns and grows with Dal, Rok-tak, Zero, Jankom and Gwyn. It's REALLY sweet that they care all care about each other.
I love her and I love JANEWAY!!!!
🥹 Favourite behind the scenes picture.
Ooooh I love all behind the scenes stuff. My brother in Christ It's super difficult to just name one thing and I'm very greedy!! I wish we had more BTS content for Voyager but sadly, it's a matter of grab what you can, however you can. Anyway, I have an inherent interest in seeing the cogs behind the wheel. I chose these samples because I think they're charming.
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The continuity polaroid's are so fun and a lost technique, I like to think about assistants having to pull the actors aside and asking them to take those. How daunting! Kate's grin in the one where she is offset is SO cute. So she must have been in a good mood, super Cheeky!
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Following that is a screenshot from a video of her having her makeup done. A rare catch. I like this because she often sooks about how much time hair and makeup was spent on her to become Captain Janeway. I get it's a huge time-sink, but love or hate it, the full irony is that her early season appearance is really iconic and in it's own right adds to Captain Janeway's sensibility. Silly goose Kate! Besides that, she looks hot checking herself out, haha.
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Moreover, I love on-set editorial photos of actors in costume. While we did have heaps of them in the Starfleet uniform, I wish we had a larger collection with clearer releases, it would have given an opportunity to see in things of interest better detail. Particularly the lower half of unique costumes. For whatever reason special outfits weren't often established or framed for us to see the legs in the show, so a nice big photograph would have solved that. Also I love that these style of pictures capture an impression of an episode without giving it away.
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Similarly, fly on the wall on-set photos are cool. They're way more intimate and candid than anything else and it makes me feel as though I am spying on the actors, but they're also a good way to document how things might have been on set.
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The Timeless one is interesting too because it's of a deleted scene, we never see Chakotay look at a dead Janeway (how deliciously macabre!), but at some point in time it was in the script and they filmed it.
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Hmm this bts picture of Janeway in the Cardigan is adorable! I believe it was worn by Kate for a Charity but look how cute she looks? Makes me wish we saw her mess around with things like that more because 7 Years is a long ass time to be in uniform everyday ( coming from someone who went to school in a Uniform and enjoyed it for the most part). Casual Fridays anyone?
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I love this gif. It's from the first shoots of Caretaker and Kate looks so radiant! Her smile is is breathtaking! Whenever I see this gif I get a sense of delight. Poor thing had no idea what she was getting herself into, haha. Really though, check out the original Caretaker photos, they're super-cool. The history behind it is fascinating; I'd love to see more footage from that version of the pilot episode. Unfortunately, it's probably not preserved well, much like lots of Paramount's historical material.
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On a similar trend, it's fun to see this set of pictures too. It's for the First Contact film / maybe the Universal studios ride, when she reprised her role as Vice AdmiralJaneway. Kate was genuinely delighted to do this cameo and it shows. As per her operandum she put her whole self into this small segment and that's so darling. It makes me wish we had more of this Janeway at that point in time. I love post Endgame chubby-Janeway. In a fictional sense it denotes that she is comfortable or stressed to be an Admiral (sadly it's the latter in real life) or whatever and I love that for her.
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These kind of pictures are fun because it's been said that at times it was the most playful set to be on. There are tales that the cast were not that serious all the time. You get that impression here, and it's probably why the majority of them are still good friends to this day. They're like a family bros!!! Having worked in media I know that wrapping up after working on something for a long time is really rewarding and I bet they had a good time at parties.
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Apropos previous, the opposite can be said. While they had fun, the hours were long and the scripts intensive. Kate was around for all of the episodes of Voyager in one way or another, and still managed to bring her A-game each time. She is truly admirable! Seeing her so exhausted is charming. She had a lot of weight to carry for the franchise and did an exemplary job performing her way through 7 years of weird and wonderful material. I wonder how often they fell asleep on set? I know I would. Get some rest queen!
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Finally, I've been following Prodigy bts as best I can, and because of my career in animation I get pretty interested in Production art. I love seeing the fast metamorphosis of a visual style. It's really impressive how much attention they applied to the designs, maintaining the older stuff, while adapting a new frontier. One of the lead artists made some pretty neat observations to get Kate's appearance right. It's so cool that they documented that journey, because from my dabbling I know she has a very beautiful, distinct face that isn't easy to capture.
ANYWAY Thankyou for reading my fat thesis fellas. tl;dr i love this stinky Startrek Voyager and by extension the franchise.
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saturngalore · 8 months
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she’s so darling to me honestly <3
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
#and then like a year later they find out edgeworth's fine and if that happened to me i think i would kill him fr#WKSHDKAHDKS#lana skye#ema skye#miles edgeworth#the skye sisters' relationship with one dramatic depressed prosecutor is something that can be so personal...#ive literally never thought this much about lana or ema ever. they never occupy my thoughts but somehow.#everyone else: man edgeworth's vanishing must have had a real impact on franziska and phoenix. me: what about these 2 side characters who#technically only appeared once in the whole trilogy. in a dlc. what about them.#it's actually so interesting how much lana is set up to be important to edgeworth. phoenix even says she reminds him of mia and when i#first read that i was like ??? bc of the scarf? there's more to mia than a scard phoenix. but then you pay attention to how she interacts#with edgeworth and it's like oh. i see it now. and then she disappears forever.#mind you i dont think she or ema were like. destroyed by the news of edgeworth's supposed passing. not in the way phoenix was anyway.#for better or worse both lana and ema are shown to have a tight hold over themselves emotionally speaking. lana keeps a lid on them for#years and ema is told she might have killed neil by accident and is functional after a brief faint and recess. like those women are strong.#but i do think it would have had a deep impact regardless of how well they were able to cope. like i've said i dont see how it wouldnt.#anyway this concludes my rfta moment. time to go back to being unable to say a thing about susato-san even though she occupies my every#waking moment. if you read all this ily <3#it's also past midnight so if this is all a bit everywhere im sorry
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kvtnisseverdeen · 7 months
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TJ MIKELOGAN'S HALLOWEEN 2023 EVENT
↳ day nineteen: an animated halloween movie or show
it’s the great pumpkin, charlie brown (1966)
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