This is madness
Hear me out, this was what my head canon was for new Willy Wonka:
Willy Wonka is played by Ben Affleck
Ever since he inherited the factory from the previous 'Willy Wonka' he has been on a downward spiral of hell. Trying to get a new 'Willy Wonka' to take his place is impossible in this modern era because children suck, and each year he attempts a 'golden ticket' tour to the factory in hopes that one day he can fucking retire by finding the perfect child to con into taking on the business.
Harrison Ford is Charlie's grandpa.
I don't remember Grandpa's name, so we're going with Grandpa Ford.
~Charlie has no other grandparents because they're all divorced or dead.
~Charlie (I don't know child actors so pick whatever you want) sometimes visits Grandpa Ford but not super often which spurs Grandpa Ford to want to plan a fun trip to bond with his grandson.
~Grandpa Ford thinks the Willy Wonka Chocolate Factory is super cool and so he keeps buying candy bars until he gets the Golden Ticket.
~Scene where Ford is like 'Charlie, look, we get to go to the Chocolate Factory!' but Charlie is on his iPad screaming about Roblox. By the time Charlie hears him, he's like 'Grandpa, that's so unkewl, why the heck would I want to go to a factory? Can't you just give me money for Robucks?" (Is that what it's called? Lol)
~Charlie is forced to go
~WonkaFleck has everyone sign papers. There is at least 1 parent who is trying to read through it all, but their child is throwing a tantrum so they end up saying 'fuck it' and signing it.
~The whole group of odd people have their mini solo scenes including:
-Kid who is allergic to Blue Dye 4000 and like, totally eats something very artificially blue because their parent is too busy on dating apps to pay attention. This kid doesn't make it far. They balloon up so much kid would need like, 20 epipens or something. WonkaFleck like 'not my problem you signed the papers saying you would be responsible for your own actions here'
~Kid who literally touches everything. EVERYTHING. EVERY. THING. You? Touched. Food? Touched. Machine? Touched. WonkaFleck gets kind of rage-y and tells this kid 'NO. STOP.' But kid's mom is a tiger mom and she jumps in and rips into Wonka about "we do not use the word 'no' in our household" and "how dare he think he can parent her child?" They do not last.
~One kid who stands uncomfortably close to people and stares. STARING. And everytime you try to speak to them they don't talk back, they just stare harder. Unblinking. WonkaFleck does not think he can withstand that level of terror in his life, so when the lights flick off (which is actually quite common in this facility) he boots the child into a candy flattener and we all know where that's going.
~We discover that Grandpa Ford is incredibly useful in the tour because he is one of the few people who can read things in cursive.
~At least 5-10 of the kids go around with phones and ipads taking FaceTimes of all the trade secrets and business practices.
~Wonkafleck trying to stop them by putting a ban on electronics, but they don't listen or they steal back their phones/items and their parents are like 'lol kids will be kids, am I right?'
~Grandpa Ford is at least respectable and had forced Charlie NOT to bring any electronics on the trip. The child cries like, 99/100 times the other kids have their electronics out, though.
~Wonkafleck finally destroys all electronics in one of his many rooms of weird shit.
~Grandpa Ford is incredibly good at storytelling, conversing, and trying to help resolve the problems of the children even though their problems are incredibly petty. Wonkafleck is undeniably sad that Grandpa Ford is pushing 90s or he would have forced him to take over the factory.
~Oompa loompas are actually regular people just wearing bright orange haz vests because gotta practice safety, yo
~But also they realize the factory is like, 4 million degrees in some spots and WonkaFleck is like 'sorry, this is a big place, I can't afford air in here'
~Also one room a chocolate "water tower" breaks because of these bad safety protocols and takes out half the tourist group but WonkaFleck is like 'do I look like I give a damn?'
~Grandpa Ford and Charlie do get into a little trouble by taking some candy, but it's because Grandpa Ford wants to 'take a little piece with him' to remember the trip by. Charlie just like 'uh huh, okay grandpa.' Doesn't question it.
~By the end, everyone be dead but Charlie and Grandpa Ford. But Wonkafleck is like 'you guys stole shit.'
~Charlie, realizing he means the candy, takes it out of his pocket and gives it back to Wonkafleck and is like 'here you go, mister.'
~Wonkafleck, totally moved by the fact that this child did something respectable, decides this is it. This might be the child to take over the helm of the factory. He's like "Charlie, since you were honest I'm going to give you a wonderful deal. Take this factory from me. You can inherit everything."
~Grandpa Ford like "oh wow, factory" totes bamboozled
~Charlie like, "No thanks, mister, I don't want it."
~Wonkafleck, almost loses his shit, barely holding on by a thread, is like "what you mean you don't want this factory???"
~Charlie says "I don't really like candy. I like energy drinks. And Robucks."
~Everyone is like 'flmlenwgngegbagbwgeljage'
~Grandpa Ford says, "Charlie, you can buy those things with the money you make from the factory."
~Charlie gives grandpa a weird look. "Why would I want to work for money when I can just ask for it??"
~Wonkafleck woes his fucking life. He rages a bit, then motherfuckin' skips outta the scene and jumps into a hot air balloon to reach the highest peak of the city so he can scream for all eternity.
~The End
What I actually thought after I saw the real trailer for Willy Wonka:
Wow I am totally off, lol.
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the symbolism of revolutionary girl utena is key to understanding what it’s even trying to say narratively and thematically. if you remove the symbolism, if you remove the ways in which the narrative obfuscates itself and abstracts what it’s saying, then what it is saying changes dramatically. if rgu was like ‘yeah lol and did you guys know that incest is bad’ or ‘maybe gay people are good’ or ‘hey did you know that csa victims are Real and Alive and Have Interiority’— like those are all paraphrases of things that it says, but the way that it chooses to say them is so powerful and conveys so much nuance and complexity that those simplistic statements don’t. it provides an incredibly meaningful commentary on the way that systemic violence and abuse are covered up, codified, made part of our culture that supposedly resents those things. it’s examination of incest, the incest taboo and how that impacts incest victims— it’s all so incredibly considered and layered because the show chooses to convey what it’s saying through symbolism, through its metatheatrical framing, through allegory. it retains the reality of these issues; it shows them to us only when we’ve already bought into the system’s lies to make a point about how that operates, how that works to make us all complicit in that violence. nanami. nanami.
dont even get me started on how the movie uses its symbolism to demonstrate how the abuse anthy and touga experienced is simultaneously built into the world and culture they exist in, and always obfuscated and abstracted for the sake of their abusers (also specifically the way that it engenders shame and prevents people from seeking help. rgu is so damn good at understanding how and why people don’t ‘do what they should’ in abusive situations: the systems in place don’t fucking work bc they are an extension of the system built upon that abuse). anthy is the model in all the paintings, the symbol of so many undesirable things, the canvas on which they are painted. her likeness is used as an approximation for all of these awful things, many of which are a part of her in a way, but such that her interiority, her feelings, are never regarded, never seen, never understood. she’s the model. akio is never explicitly named as her painter.
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in john wick: chapter 3 - parabellum, john wick stores his precious items inside a copy of a fake alexander afanasyev’s book called “the russian folktale”.
however, this is a stupid idea because afavasyev is one of the most notable russian folklorists and his very real books of russian fairytales would be one of the first places you would look if you went looking for literally any info on the baba yaga. not to mention, he has a book called “russian folk-tales”. oh, i hear you say, maybe they went with just a slightly different name but noooo, afavasyev doesn’t even have a book released in 1864. the real book wasn’t even translated till 1916 and you can find at the new york public library.
john should have at least gone with someone who can’t be found on the baba yaga wikipedia page, like come on, man. i think mr. jardani jovonovich could probably come up with a pytor polevoy’s skazki or maybe even take it out of a library context and it could be ivan snegiryov with a lubok?!?? hell, if he doesn't mind going a bit british with it then edith hodgett’s is credited with an early english translation of “vaselesa the beautiful” the very story which john wick hides his items behind.
anyway, it was cool when he killed that dude with that book in that one scene.
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