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#idk that anyone cares about that
wyrmswears · 5 months
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bit of a ninjago art dump! happy 13th birthday ninjago :D
jayyyy (and cole)
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source dragons designs for a small au
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cloudcastor · 3 months
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moms…..
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larabar · 5 months
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finding parallels
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hermit-frog · 13 days
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Armand stimming part ii | (part i - s1)
bonus:
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circuitcircus · 24 days
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in defense of kabumisu……..
addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have
listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh
kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?
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kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao
he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-
they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"
you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen
mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other
i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name..also saw his face multiple times and didn’t recognize him when they talked for the first time)
mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’
(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)
taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.
that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.
+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.
+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:
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also here we have him washing his own body
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just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason
kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well
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he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back
here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):
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there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)
kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲
kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant
you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately
also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:
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and this is just when they're first getting to know each other cuz there's a fuckload more
kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely
haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪
also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters
bonus kabru just looking at mithrun:
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lilaccatholic · 5 months
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Complex feelings about copyright and Disney's appalling ethics aside, it does unsettle me how quickly people jump to make and monetize the most unnerving, depraved content imaginable about characters created for children the second it hits the public domain
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sorrelpaws · 10 months
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no offense but i genuinely fear that their potential dynamic will go severely underutilized
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wishesofeternity · 1 year
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“You toil still in service to men. Your father, your husband, your son. You desire not to be free, but to make a window in the wall of your prison. Have you never imagined yourself on the Iron Throne?”
A couple of things:
1)  Alicent is a queen consort and is a Hightower by birth, so no, she cannot imagine herself on the Iron Throne, because Targaryen succession does not work like that. This is basic knowledge that 5-year-olds would presumably be expected to know, and I am astounded and embarrassed that Rhaenys, with her age and experience, lacks this fundamental bit of common sense.
2) Alicent has been the functional regent of Westeros for the past six years. In the previous episode, we see her actively governing the realm and overseeing all royal matters (while Rhaenyra sits on her ass with her loser husband in Dragonstone). We also literally hear Vaemond tell Rhaenys “It’s not a king who sits the Iron Throne these days, good sister. It’s the queen”, so I can assure you, Rhaenys, that Alicent has physically sat on the Iron Throne just fine. She lacks authority, obviously, as she is the consort and not the king, but she certainly did not and does not lack power, to say nothing about influence. This ridiculous show, however, does not seem to be able to differentiate these terms.
3) Does this show not understand that Alicent installing her son as King is not just beneficial to him (which the show acknowledges) but also directly beneficial to her? This is a patriarchal and patrimony-inclined world; Alicent’s son being King would not only mean immense prestige for her family; it would also mean the ultimate peak of power and influence for her (which we see her unapologetically wield in the books). In Westeros, we see Visenya Targaryen supporting her brother and her son’s kingship rather than angling for the throne in her own right, and wielding absolute power and authority in their reigns. Historically, Empress Matilda (the female claimant to the throne in the Anarchy, the war this story is based off) relinquished her claim in favor of her son, Henry II, presumably because she recognized he stood a better chance at gaining the throne (which he did) and continuing her legacy. Joanna of Flanders, who literally wore armor and led troops into battle, did it to support the cause of her husband in direct opposition to the claim of his niece. Yet according to this show’s logic, every single woman who has fought for their fathers and brothers and husbands and sons subscribes to internalized misogyny rather than, idk, supporting their families and gaining power, security and status in the process. Not to mention, Alicent relinquishing her children’s claim and stepping aside would not only be utterly humiliating and degrading for her from a political and personal standpoint, but also legitimately life-threatening for her children and her family. More competent writers would understand that she did not have much of a choice.
4) “You desire not to be free but make a window in the wall of your prison” is the MOST SICKENING PIECE OF VICTIM-BLAMING BULLSHIT I have ever heard in a long, long time. Alicent was a teenager when she had to marry the much-older King (her best friend’s own father) because of his desire for her. He repeatedly raped her and forced at least four pregnancies on her that she did not want. She was utterly isolated at court after her marriage, lacking comfort and friends (including Rhaenyra, who abandoned Alicent for three years after learning that she was being made to marry her father and, based on the comments she made, did not even stop to consider the awfulness of Alicent’s predicament). She had to endure the humiliation of her father being fired and made to leave court, leaving her even more alone than she previously was. She had to endure her husband constantly favoring his firstborn and his grandchildren by his firstborn rather than Alicent’s children who were a direct result of her rape by him. Her son was maimed and bleeding and her husband chose to defend his firstborn’s moronic decisions rather than bring him justice.  She is not a Targaryen, she does not and cannot ride a dragon. WHAT WAS ALICENT SUPPOSED TO EXCEPT TRY AND SURVIVE? HOW ON EARTH IS SHE BEING JUDGED FOR IT?
(And this ridiculously condescending comment is coming from Rhaenys of all people, lmao. A dragon-riding Targaryen who was an actual claimant to the Iron Throne, unlike Alicent. So, what was stopping HER from seizing power, pray tell? After all, she even has the Velaryon forces to back her claim. Instead, in her own words, she made peace with her sidelining. She constantly disagreed with her husband’s ambition regarding her claim and her family’s power. She volunteered her 12-year-old daughter as a child bride for her own aging cousin. The hypocrisy and double standards here is pathetic, and the lack of self-awareness on the part of the show is even worse)
Alicent was legitimately terrified for her children and her family’s lives, and she was entirely justified in doing so: if Rhaenyra ascended the throne, Alicent’s children would inevitably become threats to her whether or not they directly opposed her. This is unavoidable. Look up any historical usurpation, and that’s the inescapable result - and that’s not even going into the fact that Rhaenyra and Daemon are people who are reckless, cruel and indifferent to violence, and would not hesitate to kill any opposition to their reign. The show’s so-called claim that Alicent is upholding the patriarchy falls apart when you consider the fact that this is the only solution that guarantees the security of her children and herself. How is Alicent’s perfectly understandable motivation written as internalized misogyny? 
And moreover, from a writing perspective ... why give her this arc at all? Fire & Blood was badly written, but it doesn’t change the fact that they looked at an ambitious woman who wanted to enhance her power and improve her family’s standing, who directly defied her husband’s wishes in terms of succession in favor of her own, and rewrote this choice into one borne from internalized misogyny. They wrote her as a child bride, a rape victim, an abuse victim and a teen mother and then used this backstory to say that she was conditioned to become the so-called agent of patriarchy (which they do not support with believable evidence) who opposes their so-called feminist protagonist (whose primary enabler is Alicent’s rapist and abuser, btw, not that his abuse is acknowledged nearly enough by the narrative considering how heavily he was romanticized in the last few episodes) It’s a heinous, disrespectful, absolutely terrible writing choice, and I cannot emphasize this nearly enough.
(Oh, and speaking of Rhaenyra, let’s talk about how her queenship solidifies Viserys’s claim over Rhaenys’s. Let’s talk about if she truly cared about women inheriting the Iron Throne - as opposed to just herself - she would have considered this. Let’s talk about how she disregarded the claims of Baela and Rhaena in favour of her son when it came to Driftmark. Rhaenyra is not challenging the patriarchy, her ascension to the Iron Throne will not change anything for anyone except for herself, do not make me laugh by claiming otherwise)
ON TOP OF THIS, the show can’t even decide on a consistent motivation or characterization for Alicent. They repeatedly show us her visceral and justified fear for her children’s lives, which is somehow forgotten in episode eight in favor of her saying that Rhaenyra will be a good queen. Her desire to see her son crowned and thus ensure her children’s safety is disregarded in favor of her actually wanting to fulfil Viserys’s half-baked wishes on his deathbed. They have her say that everyone knows Aegon will be king, and then act surprised when the Green council plots to install him as King. They do not care about Alicent’s personhood and individual character; what they care about is her position as a foil and antagonist to Rhaenyra.
In conclusion: this show sucks. It shows absolutely no understanding regarding the politics of its own world and our medieval history and is a parody and a travesty of respectful storytelling. It has inconsistent and baffling character motivations and downright misogynistic writing, and this is not acknowledged nearly enough by the fandom.
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clickityweasel · 1 year
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if you see me posting those gay scientists from pacific rim in the year of our lord 2022 no you don’t actually
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wikiangela · 1 month
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tease tidbit tuesday
tagged by @bidisasterevankinard @tizniz 💖
more bucktommy the will talk (they're getting there, the conversation went a bit off track lol) - it might be done this week, and then I can focus on the smut, and the buddie fics, and I have a new bucktommy idea inspired by that video of lou barbecuing with his shirt off that I sooo wanna write🙈
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“Well, yeah, of course.” Buck answers easily, his heartbeat speeding up. He’s a little anxious about putting too much pressure, too many expectations out there, but he also knows that even if he did, they’d get back on track, they’d be fine. And besides, Tommy’s smiling, he doesn’t seem freaked out at all. And that’s after Buck brought up children. But if they’re moving forward with their relationship, they need to know what they want out of life. It seems reasonable to have this conversation this early on.
“Good.” he responds, grinning widely. “Now I won't have to stress about your answer when I ask.” he adds, and Buck feels himself blush, butterflies in his stomach going wild. Oh. Oh. This is- this is real. They’re talking about it, and maybe someday soon- he might marry this man. He will marry this man. Tommy wants him forever. Tommy wants him. Tommy wants to marry him and have children with him, and just be with him. Sometimes it’s still so shocking to Buck that someone as great and amazing as Tommy wants him, but he does. Buck’s not sure he remembers the last time he felt this wanted.
“How- how do you know I won’t ask first?” Buck asks, moving his head slightly closer to Tommy, just enough to look into his beautiful blue eyes. It feels surreal, talking about this, when they only dated for a few months, but it also feels… right. It feels like they’re on the right track to get there one day.
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no pressure tags: @elvensorceress @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @hippolotamus @giddyupbuck @sunshinediaz @honestlydarkprincess @underwaterninja13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @buddieswhvre @fortheloveofbuddie @your-catfish-friend @theotherbuckley @daffi-990 @dangerpronebuddie @hoodie-buck @aroeddiediaz @diazsdimples
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olivegardenhunter · 27 days
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I think nobody talks enough about how each of the sannin all have such glorious hair. all three of them have such long and luscious hair. i bet they traded hair routines and created their own hair formulas. I mean a jutsu like jiraiya's surely requires special shampoo. and just look at how shiny oro's hair is, it wouldn't be out of place in a pantene commercial. and tsunade, as vain as she is, most definitely has a whole ass routine too. hell, looking at hashirama's hair, I bet there's a secret senju haircare routine, passed down through generations. that's their real kekkei genkai. the legendary sannin, more like the legendary luscious locks.
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twinstxrs · 4 months
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the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
#gorgug thistlespring#fantasy high#dimension 20#fhjy#fhjy spoilers#btw these r just my personal opinions u r 100% free to disagree#gorgug & his rage interest me so deeply because of how deeply that rage existing seems to be against gorgug’s own will#like mechanically classes are choices & you can switch stuff around any time. but gorgug as a barbarian always felt like an unwilling choice#like that 14 y/o kid did not want to have rage. & that really interests me.#i’ve seen people before be like ‘what if gorgug dropped barbarian & went full srtificer’ but i feel like that simply can’t happen??#mechanically yea sure but it always felt like a core part of gorgug that the rage will always be there & it’s a matter of how you channel it#idk. dnd classes narratively being treated as ‘you can not lose this part of you’ even though you technically can#gorgug could be lvl 19 artificer & he’d still have 1 level of barbarian. because that is part of who he is.#btw i don’t think porter truly cares about gorgug valuing his rage only as a way to be a human shield#i think porter just sees that as ‘wrong’ but like. not as in ‘you need to take care of yourself’ & more ‘you aren’t conforming’#he thinks it’s wrong for the wrong reasons. the nastier ‘this is how you should be’ reasons#ppl being like ‘we r being too hard on porter. it’s an 150% courseload gorgug will be overwhelmed’ i think r missing the point bc like.#that is 100% a valid reason to not approve gorgug for multiclassing! but that’s also 100% not the reason porter rejected him.#that whole interaction was basically porter shoving his percieved version of conformity down gorgug’s throat. was v neurodivergent kid coded#no hate to anyone saying that last point btw these r all just opinions#thinking about last ep wilma & digby being like ‘you’re a great barbarian. you’re so great at it. but look at what you made!!!’ like.#they would never mean it like that. but when you only understand half of your son he is going to prioritize the half you do.
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smilesrobotlover · 7 months
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Some love at twilight stuff with the fam. Rusl and Uli are cute, Colin is an annoying little brother, and Kori and Rela are bffs and do everything together. I love them all.
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bladesmitten · 5 months
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here's everyone's dream visitor:
wyll: mizora - implied; he accepted her advances and later says he hopes to resist on the second time. "it's hard to resist when they have their hooks deep in you." + he described her as an old flame
lae'zel: vlaakith - she mentions her by name if you pass a check; she refused her advances. she also mind melds with you first before telling you about her dream.
astarion: cazador - he only mentions him if you pass the insight check + he says it was an exquisite dream at first but admits later that it wasn't. he hates it if you comfort him about it
gale: mystra - implied; accepted her advances, seems suspicious about it
shadowheart: she wouldn't tell me who she dreamt of, lmao. she refused the advances and told me i should do the same next time
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the-apocrypha · 17 days
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DVD Bonus Features: Fanfic Edition!
I have like 6k of cut scenes from my last fic (the fourth dimension) and many of them were not cut because they were bad, but because they weren't working with the overall story. Seems a shame to let them languish on Google docs. So, for anyone who might be interested - here's two scenes that didn't make the final cut!
<<<>>>
The hourglass is broken. 
The glass is intact, of course, as is the intricate brass housing Dream had spent so many hours bending and curving into symmetrical spirals. It is the spring plate that forms one of the bases—designed to depress slowly as the weight of sand gathers, thereby stretching a miniature steel coil beneath such that it begins to draw back a tiny gilt hammer. When the full weight of sand is upon it, the catch releases, and the hammer strikes the chime. 
Dream had left the mechanism skeletonized, proud of both the ingenuity and the beauty of the gears he had crafted. This is what allows him to see, today, that even though the sand piles upon the spring plate, the hammer remains stationary. The plate is not depressing.
He has migrated to the window for better light and turned the hourglass every which way. The symmetry of the hourglass means that an identical mechanism exists on the other side, for convenient comparison, and it is from this that Dream is hypothesizing that the issue is perhaps with the pinion gear. 
He will not know for certain until he attempts correction. 
And herein lies the problem, for in a masterful stroke of arrogance on his own part: 
The glass is intact. 
His only options now to access the mechanism are to melt the glass, or strategically break it apart, and in either case hope for both minimal damage to the contents and an aesthetically pleasing repair following the—
“What’s wrong, dove?” 
Or rather, what Hob actually says is hǒu is th' problem, culver?, because Dream is standing in the kitchen next to an abandoned bowl of muesli, because it is breakfast, because during breakfast they speak Middle English. Hob is before him, coffee in one hand, breakfast sandwich in the other. 
“It’s broken,” Dream replies. Is brokæ.
“It’s nearly eight,” Hob replies, eyebrows up. 
Dream abruptly sets the hourglass down. 
“So you noticed the Astrid Alarm was broken,” Hob says, as Dream swings the freezer door open and starts shifting ice packs and frozen pizzas about. “And then you didn’t set a different alarm. You didn’t eat your breakfast. You didn’t pack your bag.” 
“This is unhelpful.”
Hob goes quiet as Dream frantically stuffs notebooks into his backpack, then a water bottle (too light, probably empty), the peas, headphones, and a sweater from the back of a chair that is likely not his own. Three binder clips go into his pocket. All he needs is—
He turns to find Hob waiting, Dream’s wallet in one hand, sandwich in the other, meat now removed. 
Dream accepts both, and heads for the windowsill. 
“No kiss?” Hob complains.
The broken hourglass, too, goes into his bag. 
Dream doubles back, cups the side of Hob’s face more for the sake of injury prevention than tenderness, and presses a quick kiss of gratitude where it belongs. 
The hand on his wrist stays him. 
Hob’s fingers fall comfortably between the three watch bands that lie there, his thumb over Dream’s pulse point. 
“Tonight, five o’clock,” Hob reminds him. 
Dream holds up his other arm in reply, where a fourth watch glints golden. 
“Ah, perfect,” Hob says, beaming. “Hob Fob to the rescue.” 
It is one of the many great failures of Dream’s life, that this nickname has persisted. 
“Five,” Dream agrees, and pulls his hand free. “You will be wonderful.” 
“Best in my age group,” Hob agrees proudly, and raises his coffee mug just as Dream turns around to make for the door. The mug is a custom job from the internet a few years ago, chipped in both paint and porcelain, but the original black with white lettering can still be read: 
It does not belong to Hob. 
WORLD’S 
LEAST 
PUNCTUAL 
WATCHMAKER 
<<<>>>
(Originally there was an OC named Astrid that Dream would birdwatch with every morning, and Hob had a piano recital in the evening. Obviously these plot points went, and so the breakfast scene had to be rewritten.)
<<<>>>
A watch does not know the time it tells. 
It cannot feel the sun moving across the sky. It does not know the axis of the Earth, nor the ellipsis of its orbit. It does not reach into the fabric of the universe and pluck divine truth from the red-shift coefficient of the galaxies that hurtle through space as afterthought projectiles of the origin of existence. 
A watch begins with a mainspring—or perhaps a quartz crystal, or microscopic solar panels—but traditionally, a mainspring. This is where the potential energy is stored, to be released as the kinetic energy that will drive the gears to turn the escapement, which is what moves the hands of the watch forward, and would do so without rhythm or reason were it not for the staying hands of the balance wheel. 
The balance wheel is the best part of a watch. The most precise. The most expensive, for the precious gems encrusted upon it that almost entirely eliminate the enemy of constancy: friction. It is what decides the length of a second, for it is what checks the urgency of the marching army of gears that say go go go go go and instead says no. It says, stop. For one thousand milliseconds or one million microseconds or one trillion picoseconds, it holds the entire watch in perfect stillness. 
Then the second hand ticks over. The next interval begins. 
On, and on, and on, and on, it goes. 
<<<>>>
A watch does not know the time it tells. It is a mindless contraption, a work of metal and stone and glass, and it grinds inexorably forward with a steady tick, tick, tick, tick, tick that may at first listen sound like the drumbeats of progress. But listen closer. Listen carefully. 
It is not a ticking that you hear. It is one small gear, striking back against the machine, protesting, crying out again and again: wait, wait, wait, wait, wait.
(I liked this little meditation on the nature of watches, but it's a few shades off from my central thesis, and in the end was not needed.)
And that's it! Alas, sometimes good pieces must be sacrificed in the name of a greater project.
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extravalgant · 27 days
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speaking more from my last post about shadow magic and its just. so interesting tbh. like the first mention of shadow magic comes from khrysalis when we enter the eclipse tower and it gives us interesting looks into how shadow magic as a whole is regarded in the spiral...
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its so insane to hear that its a forbidden magic and that grandmother raven and BARTLEBY of all people forbade it to be taught. raven i could probably understand, but considering we are now bartlebys scion... it's hard to think about the possibility that he didn't trust us before. an outsider from the spiral learning a forbidden magic...
i think what's also interesting is the fact that the shadow magic the wizard learns is a wholly unique one. shadow magic corrupted the moon magic inside the tower, so there's a possiblity that our wizard only knows this specific subset of shadow magic—one that's been permanently altered by moon magic in the eclipse tower, and one that can only be taught by sofia darkside.
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it makes me wonder if velma knows the same kind, or if hers and the wizard's shadow magic is different... is one more volatile than the other? or if there's no difference at all and im looking into it too much lolol
knowing this and knowing raven forbade anyone in the spiral from ever learning shadow magic, it would make a little bit of sense for how hostile she initially seems towards the wizard... if we take what we saw from the book of secrets, then we know that magic law states that nothing is an accident—magic is reactive and 'sentient' to a certain degree, so there was no mistake in the wizard freeing grandfather spider from his prison using magic, because that's what they wanted.
granted it was for other reasons... but it doesn't paint a pretty picture of any of us. the wizard learns shadow magic, the wizard frees spider, and then spider goes on to say that theyre his favorite.
i think what makes this particularly more tragic is the fact that the wizard didn't even have a choice. sofia says this herself!
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they need to learn it. the sword of kings isn't enough. being a child of prophecy isn't enough. they failed once before, and theyre not eager to fail again. theyll try anything, and everything, and that includes... freeing grandfather spider.
which, you know, speaking of backlash... sofia mentions it too lol.
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which is interesting to me... i always complained that the morganthe fight needed a bit more oomph—which, i still believe it does, to some extent—but i think how she died was a fitting end to her. crushed underneath the weight of her own powers, her own shadow—her backlash. she was the instrument of her own defeat, and, well... that could have very well been the wizard. she's our reflection, our parallel. i think it's why the wizard never mentions or claims that theyre the one that did her in—because they technically... didn't, but they also did. which is cool!
much to think about....
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