"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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anti-curse
pairing: percy jackson x daughter of apollo!reader
summary: whether he knew it or not, percy jackson made the world a better, brighter place — and you intend to protect him, no matter what path the fates leads you down. fuck prophetic dreams. the future wasn't written in stone.
warnings/disclaimers: mentions of typical demigod things (battles, weapons, etc.); this is set during the heroes of olympus series so roughly follows that plot + features the seven demigods; mainly inspired by book!percy (dark hair, sea green eyes) bc that's the one i fell in love w growing up; characters are aged up from the book (reader + percy are meant to be 21-22 y/o) bc i imagine there was more time between prophecies/series....anyways, please enjoy <3
when you first met percy jackson, he almost shot you through the chest with an arrow.
given that apollo is your godly parent, you often found yourself at the archery field, which happened to be one of the first stops on percy’s tour of camp half-blood. after that first mishap, your other half-siblings were, understandably, too scared to let percy try again — frankly chiron seemed a bit hesitant as well — and you could sense that percy felt disheartened. so, you flashed the boy a reassuring smile before giving him a few pointers and a second chance. when he smiled back at you, you felt a fluttering in your stomach that told you percy jackson would be more than a little important in your life.
archery still wasn't percy's strong suit, but your gut feeling turned out to be true. you and percy had dealt with a lot since then — a handful of quests, several prophecies, more than a few near-death experiences, a titan war, and, maybe worst of all, high school. you couldn't imagine getting through any of it without him by your side, and you knew the feeling was mutual.
so, you were entirely anticipating that percy would be hurt by your announcement during dinner.
“no way that’s happening.” percy laughs, as if he can’t believe you’d suggest something as ridiculous as not having him accompany you on your quest. he remains unfazed, takes a sip of his electric blue coke before gesturing to the empty seat next to him. “come on, sunshine. have something to eat.”
the nickname sends your heart into a frenzy as you sit next to him. you and percy had never been anything other than friends, but sometimes....sometimes you look at his dangerous ocean eyes and wind-swept dark hair and it makes you blush. sometimes you consider the way his laughter fills you with warmth and his smile holds a thousand memories, the way he teases and winks at you and you decide that he makes your world so much brighter. sometimes you remember how sarcastic and thoughtful and loyal and reckless he is, his heart of gold and unpredictability of the sea. and you start to think that maybe possibly you'd fallen in love with your best friend.
that was not the issue at hand, though. you summon your favourite food and drink, but don't particularly feel like having either. percy returns to his conversation with hazel about how the two of you would drive up to montauk after you finally got your license, any time either of you needed to escape your reality, even just for a night. you'd sit on the beach, stargazing and roasting stale marshmallows and wishing to stay there forever. hazel seems to think that sounds like a nice escape, and percy promises that once the eight of you fulfill this prophecy, you'll all go to the beach house together, which makes hazel break out into a grin.
you can't help but smile at percy who loves his friends, who has loved you for so long. that feeling is quickly replaced by a pang in your chest that reminds you what's at stake. from the corner of your eye, you notice annabeth across from you, who looks at you like you’re a puzzle she can’t quite solve. you're trying to hide it, but if anyone can read you better than percy, it's annabeth. she knows something is weighing on your mind. you briefly lock eyes with jason, who you had gone to earlier for help, from the other side of the room, where he sits between piper and frank.
if you weren’t so distracted, you would have been able to enjoy dinner. the eight of you — all demigods of the current great prophecy — hadn’t been all together in a while, and it was nice to share a meal aboard the argo ii despite the reality of why you’d all been traveling together. leo had equipped the ship with magic plates and cups, and with the lively jokes and stories filling the air, you could almost imagine it was an ordinary summer evening at camp. you could almost forget that tomorrow, you had to go on a quest to rescue apollo and artemis from python, a monster so powerful your father barely defeated him thousands of years ago. you could almost ignore the impending war with gaea and the giants, and the doomed fate of the world if you were to fail. the one thing you could no longer ignore, however, is the gut feeling you have about the fate of the boy sitting next to you if your quest is to unfold the way you had first planned it.
you clear your throat, an attempt to interrupt the group's conversations.
“i was serious earlier,” you declare. “you’re not coming with me, percy. jason is.”
the smile percy had on his face fades. his eyes are filled with concern and disbelief, as he glances at you. “i – i don’t understand.”
"percy,” jason jumps in carefully, aware that he’s treading through dangerous waters like you had warned him. “y/n and i were strategizing earlier and it seems to make the most sense, given our powers combined."
percy shakes his head. “but — but you can’t just make last minute changes. we’ve already got everything set. right, valdez?”
leo shrugs, swallowing a mouthful of chicken before responding. “i don’t know, man. i’m no expert in quests, but it seems like i’m not the one who should be deciding this.” leo looks at you, and you nod gratefully.
you've been on edge since last night, and to calm your nerves you fiddle with the gold chain around your neck. it was a gift from your father: a necklace with a music note charm that can transform into an electric guitar or a bow and quiver. thankfully, you hadn't had to need both at the same time.
“it's up to me. and i want leo and jason to come with me.”
“then i’ll come too,” percy's voice remains calm, but insistant.
“isn’t there that thing about quests usually being done in threes?”
“that is true, piper,” percy agrees. he tilts his head towards you, like he's calling on you to remember. "exceptions have been made, though. like that one time with zoe." that had been years ago, when demigods from camp half-blood and hunters of artemis joined forces. five had been sent out on a quest, but only three came back. you shiver at the thought.
"or my quest through the labyrinth," annabeth recalls.
"but won't that also change our other plans, though?" hazel asks.
"not necessarily," you pipe in, your voice more assertive. "if jason and percy just switch. no harm done."
"we're not interchangeable," percy grumbles.
"hera sure seemed to think so!" leo searches the room for positive responses to his joke, but the most he gets is a half-hearted laugh from frank. "too soon?"
you take a deep breath. "it's not a big deal, really."
"it kind of is," percy counters. "you've never gone on a quest without me."
"you've gone on quests without me," you point out.
"that's...that's different."
"why? because i'm so weak that i need the son of the sea god to protect me at all times?"
you're giving percy the coldest stare you ever have. he hesitates to hold your gaze.
"you know that's not what i meant," he sighs.
"then what did you mean?"
percy looks at you, his eyes and tone softer. “look, sunshine, let's just stick with the plan, alright? we can just —”
“gods, you never listen, do you?" you finally snap. "you're not coming! i don’t want you there, percy!”
percy stares at you, stunned. you look around the table, and everyone looks back at you, wide-eyed. they weren’t used to this side of you, your sudden outburst not fitting in with your usually sunny disposition.
“well, someone woke up on the wrong side of the bed,” leo jokes in an attempt to lighten the mood, with less than ideal results.
“you saw something in your dreams, didn’t you?” annabeth realizes.
her conclusion makes you freeze.
demigod dreams are always significant, carrying vivid images of monsters, messages from friends or enemies. some children of apollo like you had visions of the future — pseudo prophecies that are supposedly set to unfold given the path you’re on. technically, you weren’t supposed to share your visions, something about messing with fate or destiny, but that didn’t mean you had to accept the way things were.
what you saw in your dreams last night, what might happen to percy, made your blood run cold.
you would defy all the laws of the universe and divine rules if it meant you could protect him. so fuck the path the fates are attempting to lead you down, and fuck prophetic dreams. you refuse to let percy die. no matter how frustrated you’re acting towards him in this moment, you know he would still do the same for you.
you figure that the future isn't written in stone, right?
either way, you're willing to challenge destiny for percy jackson.
without answering annabeth, you get up from the table and take a deep breath, carefully avoiding percy’s gaze.
“i go with leo and jason, or i go alone.” your voice is steady, fighting the heavy beating of your heart and tears caught in your throat. “either way, i leave in the morning.” you exit the mess hall before anyone — before percy — can protest.
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DP x DC Prompt
…
There are no more heroes.
Well, okay. Rewind a bit.
Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)
The point is, literally nothing is wrong with Danny Phantom’s afterlife.
And then Valerie Gray, the Red Huntress, disappears in front of his eyes.
Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?
Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.
So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.
There are no more heroes.
Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.
Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.
Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)
In other words:
Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.
Basically, they just do their best to keep everything from imploding until the Justice League and others are back.
(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)
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