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mcmansionhell · 1 year

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this house may or may not be real

on grayness in real estate

Allegedly, somewhere in Wake Forest, North Carolina, a 4 bed, 5.5 bathroom house totaling more than 6,600 square feet is for sale at a price of 2.37 million dollars. The house, allegedly, was built in 2021. Allegedly, it looks like this:

A McMansion is, in effect, the same house over and over again - it's merely dressed up in different costumes. In the 90s, the costume was Colonial; in the 2000s, it was vague forms of European (Tuscan, Mediterranean), and in the 2010s it was Tudor, dovetailed by "the farmhouse" -- a kind of Yeti Cooler simulacra of rural America peddled to the populace by Toll Brothers and HGTV.

Now, we're fully in the era of whatever this is. Whitewashed, quasi-modern, vaguely farmhouse-esque, definitely McMansion. We have reached, in a way, peak color and formal neutrality to the point where even the concept of style has no teeth. At a certain moment in its life cycle, styles in vernacular architecture reach their apex, after which they seem excessively oversaturated and ubiquitous. Soon, it's time to move on. After all, no one builds houses that look like this anymore:

(This is almost a shame because at least this house is mildly interesting.)

If we return to the basic form of both houses, they are essentially the same: a central foyer, a disguised oversized garage, and an overly complex assemblage of masses, windows, and rooflines. No one can rightfully claim that we no longer live in the age of the McMansion. The McMansion has instead simply become more charmless and dull.

When HGTV and the Gaineses premiered Fixer Upper in 2013, it seemed almost harmless. Attractive couple flips houses. Classic show form. However, Fixer Upper has since (in)famously ballooned into its own media network, a product line I'm confronted with every time I go to Target, and a general 2010s cultural hallmark not unlike the 1976 American Bicentennial - both events after which every house and its furnishings were somehow created in its image. (The patriotism, aesthetic and cultural conservatism of both are not lost on me.)

But there's one catch: Fixer Upper is over, and after the Gaineses, HGTV hasn't quite figured out where to go stylistically. With all those advertisers, partners, and eyeballs, the pressure to keep one foot stuck in the rural tweeness that sold extremely well was great. At the same time, the network (and the rest of the vernacular design media) couldn't risk wearing out its welcome. The answer came in a mix of rehashed, overly neutral modernism -- with a few pops of color, yet this part often seems omitted from its imitators -- with the prevailing "farmhouse modern" of Magnolia™ stock. The unfortunate result: mega-ultra-greige.

Aside from war-mongering, rarely does the media manufacture consent like it does in terms of interior design. People often ask me: Why is everything so gray? How did we get here? The answer is because it is profitable. Why is it profitable? I'd like to hypothesize several reasons. The first is as I mentioned: today's total neutrality is an organic outgrowth of a previous but slightly different style, "farmhouse modern," that mixed the starkness of the vernacular farmhouse with the soft-pastel Pinterest-era rural signifiers that have for the last ten years become ubiquitous.

Second, neutrals have always been common and popular. It's the default choice if you don't have a vision for what you want to do in a space. In the 2000s, the neutrals du jour were "earth tones" - beige, sage green, brown. Before that, it was white walls with oak trim in the 80s and 90s. In the 70s, neutrals were textural: brick and wood paneling. We have remarkably short memories when it comes to stylistic evolution because in real time it feels incremental. Such is the case with neutrals.

Finally, the all-gray palette is the end logic of HGTV et al's gamified methodology of designing houses with commodification in mind: if you blow out this wall, use this color, this flooring, this cabinetry, the asking price of your house goes up. You never want to personalize too much because it's off-putting to potential buyers. After twenty years of such rhetoric, doesn't it make all the sense in the world that we've ended up with houses that are empty, soulless, and gray?

A common realtor adage is to stage the house so that potential buyers can picture their own lives in it. In other words, create a tabula rasa one can project a fantasy of consumption onto. Implied in that logic is that the buyer will then impose their will on the house. But when the staged-realtor-vision and general-mass-market aesthetic of the time merge into a single dull slurry, we get a form of ultra-neutral that seems unwelcoming if not inescapable.

To impose one's style on the perfect starkness is almost intimidating, as though one is fouling up something untouchable and superior. If neutrality makes a house sell, then personality - at all - can only be seen as a detriment. Where does such an anti-social practice lead us? Back to the house that may or may not exist.

In my travels as McMansion Hell, I've increasingly been confronted with houses full of furniture that isn't real. This is known as virtual staging and it is to house staging as ChatGPT is to press release writing or DALL-E is to illustration. As this technology improves, fake sofa tables are becoming more and more difficult to discern from the real thing. I'm still not entirely sure which of the things in these photos are genuine or rendered. To walk through this house is to question reality.

Staging ultimately pretends (sometimes successfully, sometimes not) that someone is living in this house, that you, too could live in it. Once discovered, virtual staging erases all pretensions: the house is inhabited by no one. It is generally acknowledged (though I'm not sure on the actual statistics) that a house with furniture - that is, with the pretense of living -- sells easier than a house with nothing in it, especially if that house (like this one) has almost no internal walls. Hence the goal is to make the virtual staging undiscoverable.

If you want to talk about the realtor's tabula rasa, this is its final form. Houses without people, without human involvement whatsoever.

But what makes this particular house so uncanny is that all of these things I've mentioned before: real estate listing photography, completely dull interiors and bland colors all make it easy for the virtual furniture to work so well. This is because the softness of overlit white and gray walls enables the fuzzy edges of the renderings to look natural when mixed with an overstylized reality. Even if you notice something's off in the reflections, that's enough to cause one to wonder if anything in the house is real: the floors, the fixtures, the moulding, the windows and doors.

This is where things are heading: artifice on top of artifice on top of artifice. It's cheap, it's easy. But something about it feels like a violation. When one endeavors to buy a house, one assumes what one is viewing is real. It's one thing if a realtor photoshops a goofy sunset, it's another to wonder if anything in a room can be touched with human hands. I won't know what, if any, part of this estate costing over 2 million dollars actually exists until I visit it myself. Perhaps that's the whole point - to entice potential buyers out to see for themselves. When they enter, they'll find the truth: a vast, empty space with nothing in it.

The better this rendering technology gets, the more it will rely on these totally neutral spaces because everything matches and nothing is difficult. You are picking from a catalog of greige furniture to decorate greige rooms. If you look at virtual staging in a non-neutral house it looks immediately plastic and out of place, which is why many realtors opt to either still stage using furniture or leave the place empty.

Due to the aforementioned photography reasons, I would even argue that the greigepocalypse or whatever you want to call it and virtual staging have evolved simultaneously and mutualistically. The more virtual staging becomes an industry standard, the more conditions for making it seamless and successful will become standardized as well.

After all, real staging is expensive and depends on paid labor - selecting furniture, getting workers to deliver and stage it, only to pack it back up again once the property is sold. This is a classic example of technology being used to erase entire industries. Is this a bad thing? For freelance and contract workers, yeah. For realtors? no. For real estate listings, it remains to be seen. For this blog? Absolutely. (Thankfully there is an endless supply of previously existing McMansions.)

The thing is, real estate listings no longer reflect reality. (Did they ever to begin with?) The reason we're all exasperated with greige is because none of us actually live that way and don't want to. I've never been to anyone's house that looks like the house that may or may not exist. Even my parents who have followed the trends after becoming empty nesters have plenty of color in their house. Humans like color. Most of us have lots of warmth and creativity in our houses. Compare media intended for renters and younger consumers such as Apartment Therapy with HGTV and you will find a stark difference in palate and tone.

But when it comes to actually existing houses - look at Zillow and it's greige greige greige. So who's doing this? The answer is real estate itself aided by their allies in mass media who in turn are aided by the home renovation industry. In other words, it's the people who sell home as a commodity. That desire to sell has for some time overpowered all other elements that make up a home or an apartment's interiority to the point where we've ended up in a colorless slurry of real and unreal.

Fortunately, after ten years or so, things begin to become dated. We're hitting the ten year mark of farmhouse modernism and its derivatives now. If you're getting sick of it, it's normal. The whole style is hopefully on its last leg. But unlike styles of the past, there's a real, trenchant material reason why this one is sticking around longer than usual.

Hence, maybe if we want the end of greige, we're going to have to take color back by force.

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#architecture #design #2010s #mcmansion #mcmansion hell #nc #2021 #essay

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tasteofyourblood · 2 years

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cis fashion is so fucking funny, like i keep getting adds for bras and they're like 'enhance your figure! accentuate your curves! push up!' and im over here trying to look like 🧍

#all those 90s jokes about looking like a washboard. I WANT THAT #just let me look like a stick of a man pls. i was literally looking for binder-esque swim tops yesterday not fucking bikinis shut UP #trans things

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bettsfic · 6 months

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Writing q: do you/did you ever feel like there's a dichotomy between writing something fun and light and tropey & writing something good/that you're proud of? I'm trying to write a romcom-esque multichap fic that ends happily but I keep running into this mental block that it's not Serious Work so it can't be what i would consider good (which is hilarious because a) its all fanfiction none of it is serious?? and b) i know that's not true!) lmao. Was jw if you have any thots on this

i've got an analogy for you.

before i started writing, i was really into baking. back then i was not only a perfectionist but an extremist. i believed that REAL baking meant using the rawest possible ingredients. the idea of store-bought puff pastry or pie crusts was appalling to me.

and every year i baked a pumpkin pie for thanksgiving. to bake the pumpkin pie, i had to go out at early o'clock in the morning on a saturday to my local farmer's market and pick out the most perfect pumpkins. and i don't know if you've ever baked pumpkin pie with real pumpkins but it takes a long damn time. and it's hard. and so i baked the pumpkins for hours and scraped out the innards and made a puree, and i roasted the seeds for a snack. and amid all that, i made the crust from scratch too.

the pie always turned out! so i kept making it that way. until one year i just wasn't up to the task, and instead swallowed my pride and bought canned pumpkin and a premade crust.

and it tasted exactly the same as the pie that took me an entire day to make. it was also much cheaper, because in our era of industry, the processed stuff has become more affordable than the raw stuff unless you grow it yourself. (and believe me, i wanted to.)

the only difference i could discern was in the texture, because canned pumpkin is pureed more than i could puree real pumpkin. canned pumpkin also has other kinds of gourds in it, but that doesn't really affect the taste. i also felt bad for not supporting my local farmers. but it was worth it to be able to bake a pie from start to finish in 90 minutes.

for so many years i had it in my head that if a process is harder, the result is better. it was that mentality that kept me in a job i hated for a long time. it's hard and i don't like it, therefore it's more serious and respectable. it was unconscionable to me to think that something fun and easy could result in something good.

when you're writing fanfiction or anything where you're relying on the audience's knowledge of something else (like tropes), you can get it in your head that it's inherently easier and therefore worse. and because it's a skill, in order to become better at it, you have to challenge yourself. to challenge yourself, you have to make it harder.

but you're making something. you're putting words on a page in formations that have never existed before. that's hard, period. you don't have to make it harder. your readers will value it regardless of the challenge you give yourself. every thanksgiving, my family just appreciated that i had baked a pie. they didn't care how i'd baked it or what ingredients i used. yes, the longer and more difficult process created a product i was more proud of than the shorter, easier process. but you can't taste pride.

this is something i have to remind myself of all the time, because my instinct is to make everything more difficult than it has to be. you're always going to be your own worst critic, in part because you're the only one who knows your own process and the blood, sweat, and tears you put into it. but ultimately, nobody cares about the pumpkins. all they want is the pie.

#writing advice #process

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good-to-drive · 12 days

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Rating Beatle Caricatures from The Simpsons (Non-Exhaustive)

7/10. Pretty much exactly what you'd imagine "Simpsons-style Beatles" to look like. Paul's sultry-yet-superior eyes are simple and effective. John and George are recognizable but unremarkable, though John's Roman nose has translated well. Ringo's puppy dog eyes are perfect and his nose is only mildly offensive.

11/10. Deeply offensive portrayal of the snooter but I don't care. I want a pocket sized figurine of this character to carry with me at all times because looking at this picture tells me that everything is going to be all right. The warm fuzziness of Ringo Starr has blended perfectly with the warm fuzziness of classic Simpsons and I could not be happier.

2/10. I'm not saying it isn't accurate, I'm just saying that I hate it.

9/10. I'm biased because this episode sparked my interest in vegetarianism, but they really have captured the effeminate, dreamy, fuckable look of mid 90s Paul McCartney incredibly well, right down to the eyebrows. There's a touch of their later tendency to draw celebrities in a less stylistic way than original characters, but he's still very clearly Simpsons Paul. We don't have to talk about what they did to Linda.

3/10. The glasses are doing a LOT of work here. Somehow it feels like they tried to make him more conventionally attractive, like they put their reference photo through an Instagram filter before they drew it. It's symptomatic of modern Simpsons in that it's pleasant to look at but devoid of personality or joy. Also, on a personal note, this episode led to a lot of jokes online about how John would never go to heaven, which isn't so much offensive as offensively first-thought.

0/10. Soulless.

10000000/10. I know technically this one doesn't count, but this episode and specifically this still is undeniably their best and most compelling caricature of The Beatles. Apu radiating George-esque exhaustion and disillusionment, Barney/John looking to Homer/Paul with mistrust (but he's still looking to him), and Skinner with his eyes downcast, fully withdrawn into himself, a stone in a torrential river that is finally overflowing its banks. They've deviated from the original image but in doing so have made its impact more pointed and powerful. As we look at this still we become heartbreakingly aware that The Be Sharps are over in every way that matters, and yet we know too that they are not over. That the love Homer felt for his unborn child when he wrote Baby On Board is only growing stronger every day, that the things expressed in this episode will continue to matter to us even after the characters have returned to their normal roles. The Simpsons is episodic by nature and nothing, no matter how compelling, will still exist in a week. But ephemeral things like love and hope and earnestness are no less powerful, no less the purpose of our human lives, because they come to us in brief episodes. Just because they no longer exist it doesn't mean they are no longer real. I don't know why Yoko looks like that.

#the beatles #paul mccartney #john lennon #ringo starr #george harrison #beatles #get back #the simpsons #the be sharps

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thattimdrakeguy · 2 months

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Hey,

So if it's not too much to ask, can you give me a summary on the Core Four's personalities? I really wanna know for analysis reasons, I'm re reading all the core 4 young justice and teen titans books and trying to decipher my favorite one.

I can give you the personalities as intended by their creators no problem, Person Newtonote.

Now as you read you might think "Oh, hmm, that doesn't add up with what I've read" when it gets into the Young Justice and Teen Titans books, but that's 'cause different writers write different things, and some writers understand some characters better than others, and some of it is just plain character development, or in worse case writers doing what ever they please 'cause they don't care.

I'll let you judge when what happens.

Onto what you've asked though, I'll try to keep it simple as I can while still being detailed:

Tim Drake:

My personal favorite, that much is likely obvious.

As intended, he is an idealistic young boy, and dreamed of Robin as an even littler boy (he's pretty small for his age). He's clever, and resourceful, and thinks very very highly of the legacy of Robin. It's his heart though that got him his job as Robin, and his compassion and genuine passion for the role of Robin. And he displays what many may call boy scout tendencies. Even admitting to original Robin Dick Grayson that he enjoys helping old lady's cross the road (or something like that.)

Being raised in private schools, without a lot of friends (He's shown having no friends until he goes to public school to my knowledge), he's a pretty naive and oblivious, trusting person. And it's through out his journey's he has to learn how dark Gotham City can get. Though compared to the other Bat-Family members of this era (90s) he's very much the heart and light-hearted youthful energy to it.

His social ability is mostly perfectly fine, he's no complete weirdo. Kid can get friends easy peasy. Easily likable to folks. Endearing. But he has an oblivious side, and can get ahead of himself. Has a habit of getting spiritually adopted by people who instantly want to protect him. Anyone from Batman, to former CIA agents, and even villains. He's just got that babyface on him, and button nose.

He also deals with anxiety in terms of being Robin, being worried that he may be stripped of the job, or let people down, or mess something up. And sometimes that lends him having a lot of insecurities about himself. While having some prior training in martial artists, and implications of having taken gymnastics, also a former boy scout, he still doesn't naturally take to the role like all other Robins around him. Which means he has to try a lot harder to have his keep.

In the Bat-Family in this era (the 90s) he's the heart, and baby to everyone. They're uber protective of him, and take him out of the action when they deem it to be too much for someone like Tim. Within Young Justice he puts on a heavy Robin persona to hide what he's really like. Making himself out to be a more Batman-esque mysterious leader.

When really, he's a dorky, fanboy, who loves Kaijus, Crocky the ??? Crocodile I guess (Basically Barney the Dinosaur), super heroes, cars, Warlocks and Warriors (Dungeons and Dragons), sports, comics, Sci-Fi, fantasy, and cartoons. Self-admitted geek, with some popular interests in there.

Think of Tim as sort of Autistic kind of. He's never officially said to be. But when you read his origin, it's definitely a legitimate way to interpret him. Though I believe his uniqueness is intended to really be molded by Tim's passion, and obliviousness from a lack of parental figures in his very young life.

Tim is supposed to be an optimist, as told by his creator, but to be real a lot of writers seem to forget that, even when making jokes about how he's optimistic compared to others. I think sometimes the writer's own cynism leaks out into him. So remember that...despite a lot of writers forgetting it. Be better than them.

Cassie Sandsmark:

My personal second favorite member, but, please, make up your own mind here.

She's a rebellious teenage girl, and tomboy. She stays up pass curfew to party, but is at heart a good hearted individual who truly wants to help. This comes at odds with her stubborness and headfirst attitude. She hates being treated as a kid. And shows a great deal of intuition and cleverness. She's also a babysitter. Seemingly a good one too.

Her need to prove herself can put itself ahead of her own logic though. And she buts head with her very stuffy mother who doesn't appreciate Cassie's care-free nature. She means a lot to Cassie, and Cassie wants her approval. Cassie's natural being is...very much in contrast to what her mother would prefer though. It's fun.

A lot like Tim she's also shown to be a Super Hero fanboy. For her it's specifically Wonder Woman and the Flash, while with Tim it's basically anyone the writer decides he hasn't met offscreen yet.

Through her journey's she learns to contain herself though, and better use her powers.

Bart Allen:

The most teenager-y teenager you ever seen. He has ADHD, but not the uber-hyperactive, talkative, hugger you see in some more modern misunderstandings of him.

Originally he was pretty quiet. Super popular in his school. Girls loved him and considered him a pretty boy. But in reality he has no social knowledge, because he was raised in basically a video game for two years. He's essentially an alien learning to fit in with human civilization. So he's incredibly reckless without intention. It takes him awhile to truly process the concept of death and related repercussions. So he's sort of dangerous.

He can be quite surly, and mean spirited on occasion. But like most heroes, he has a good heart that comes out in the end. It's just simply the 90s and being Anti-Authority is the norm. His name is Bart after all. Underneath that is a young man who does sweet things when he has it in him.

Just don't think of him like a baby like how a lot of people make him out to be. He's a teen's teen.

Original Bart, like original Tim, and original Cassie, to me, is the best version of the character. The most nuanced, and interesting.

Oh, and minor violent streak on Bart too. Started a fight before, and stuff like that.

He cares inside. That has to count for something right?

Kon-El:

Hot-Headed pervert. Over-confident. Fame hungry. Lady magnet. Stubborn. Head first. Sort of a prick. But again good hearted.

I haven't read him as much as the others, because I don't personally care for him. Then in the early 00s with Teen Titans they decided just to make him an angsty young Clark, which is personally boring.

I don't have a lot of great things to say about him. His solo is very dated, and overtly sexual. Something I have no interest in reading.

He's at his best in Young Justice though, where he isn't written as jail bait by a writer who thought it'd be great if he dated grown women to fulfill teenage boys dreams. Instead you get to have fun with a very flawed character without the distracting perversion...mostly.

Punk styled. Loves dressing like a punk. Until he doesn't. Ruh-roh.

Again though, different writers write different things. They catch onto different things more than others, some are plain neglectful, others don't care, some want to change stuff for the sake of it. It's comics, you'll be lucky if it's consistent.

But on my years of studies, all that is what the character's where intended to be by their creators. So a lot of it is a starting pad, but it's also the purest form of them you're going to find.

#Tim Drake #Robin #Cassie Sandsmark #Wonder Girl #Bart Allen #Impulse #Kon-El #Conner Kent #Superboy #DC Comics #Young Justice #Young Just Us

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jayenator565 · 6 months

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My Tanthamore Comfort Fics

We were talking about comfort fics in the Tanthamore discord and I realized I have too many for a normal sized reply, so here's a tumblr post instead. In no particular order i've reread these fics...maybe too many times.

I'm just gonna list em by author cause that's easier. Keep in mind we may have different definitions of the word comfort.

@commanderbuffy

650 ft2 - Ok so like envision these girls have been best friends for forever and they've been secretly pining for ages, no sense of personal space, they can read eachother like books AND they were roommates!

The Tanthamore Affair - This fic has everything, one bed, fake dating, celeb au, the fic that changed the meaning of a certain emoji and all the tropes you could want really

@badlance

We've got to find other ways to make it together - this one line says all you need to know

"It is the greatest irony of Jade Claymore’s life to be a certified genius who is nevertheless in love with an idiot."

@spybrarian

More Than Just Survival - as far as 5+1 fics go this one has me in a CHOKEHOLD

I scream at your chest for as long as I must

one night at the start of the end of the world

@ilovemyships (i think you need an AO3 account to read these gems)

you won't believe it (they think we're lovers)

don't wanna pressure (but friends don't kiss friends)

@acre-of-wheat - Acre's way with words should be studied

Network Connectivity Issues - I have never related to a character more than I relate to this Jade

The Dark

The Bite

@jlmichigan

Out of the Cuirass - one of the first tanthamore fics I ever read actually and I still come back to it every so often

@stbot

lay down your armor (come lie bare with me) - saintbot has a catalogue lemme tell ya but this one for tanthamore is just so heartwarming

@overkill-max

Escaping Fate - the Kit runs away fic that everyone needs

Dil3mma (idk their tumblr right now sorry)

A Sword And A Shield (And Everything In Between)

Deja-Brew - the loveliest coffee shop one shot

Jad3dEt3rnal (idk if they have a tumblr either)

This Daydream is Dangerous - cuddly vampire Jade, need I say more?

ana_chronistic (idk if they have a tumblr either x3)

Oops. I proposed. - fake dating x 100, fake proposal it's like fake dating to the next level and I love the growth of communication and pacing in this.

@barmaid-anon

do what you feel now

you want a good girl that does bad things (to you)

fulfill (an obligation) or keep (an arrangement)

we simply don't have time to unpack why these are comfort fics, we're just going to accept it and keep going.

@thecsquirrel

Sword and Shield - I love this look at what post S1 life could have been like for the gang, revisiting Nockmaar, seeing Galladoorn, getting into the evil Elora storyline with Graydon, spending more time with the Nelwyn and in the Wildwood it's just everything

@wigster07

What a pleasant surprise - a fic of one of my other comfort fics, I know it's like fic-ception in the best way possible. If you liked Tanthamore Affair I have an inkling this will be right up your alley

@isabrella @jade-claymore @allthefakepeople @resurrecho

those rumors they have big teeth - BAND AU need I say more? I don't need to but i'm going to, this fic has everything Kit and Jade in a band, Kit's leather pants, gay-ifying songs, MAMA MIA, totally gay best friends who have basically been dating for years but won't admit to it, Jade gets to be a bit problematic as a treat, inner band fighting, what more can you want?

@swashbucklery

meet you where the spirit meets the bones (tanthamore 90s werewolf au) - its a SERIES of these repressed gay DORKS and they're werewolves, there's such a charming way to how this author writes them I legit can't even with these two gays

@onlyshestandsthere

these walls come tumbling down - look, we don't have time to unpack why there's so many were-related supernatural esque fics on my comfort list and I know this is only 2 chapters in but I can already feel the comfort in all the hurt ok I dont even have to wait I already know i'm gonna be rereading this like monthly

I'm gonna have to stop there even though I know i'm still missing some! If someone asked me what my favorites are we'd be here all day XD

#tanthamore #tanthamore fics #fic recs #jade claymore #kit tanthalos #willow #willow 2022

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itsclydebitches · 4 months

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Cinder is a lot more sexualized then the male parts of Salem's inner circle

Like tyrian is shirtless sometimes but that does not feel as...drawn attention to, as say, the lingering shots of Cinder's butt or thighs. Or her wearing short shorts and high boots you know what I mean?

I do, anon. RWBY got a lot of attention back in the day for its anti-upskirt technology, but that doesn't give it a free pass for all the other ways you might (and it does) sexualize the cast. I've never been inclined to give RWBY too much shit in this regard because it is pulling from media with a LONG history of such designs and cinematography - it feels unfair of me to act like RWBY is uniquely responsible for such problems when I'm simultaneously willing to overlook, say, the 90's "gag" of Yusuke flipping up Keiko's skirt - but there's nevertheless a voice in the back of my mind constantly asking things like, "Why are so many of the girls fighting in heels?" and "Why are they dressed like they're going to the club and not the literal TUNDRA??" I'd kill for the whole cast, but the girls in particular, to get a re-design that focuses on fashionably compelling practicality, rather than sexy fanservice. (Though Ice Kingdom did a good job overall, particularly for Ruby.) Sure, RWBY didn't give us panty-shots, but one of the first characters we're introduced to is literally designed like a dominatrix.

If we're talking about outfits though... I'd say Emerald gets hit the worst out of Salem's minions. Yeah, Cinder is definitely sexualized in a more general sense as the tall, white (that's not a coincidence), long-legged beauty who sensually conjures fire as she prowls towards the heroes, camera focused on her hips swaying. But Emerald?

She suffers from the same problem Yang has. AKA, if your woman isn't classically beautiful (like Wiess and to a different extent Blake), or cute / child-like (Ruby, Penny), but is instead going for a sporty, comparatively masculine-esque vibe... then they've got to show a LOT of skin. RWBY makes it sexy by just denying them clothes. You're entering dangerous battles on the daily? You want to protect yourself? Too bad. The audience needs a midriff and cleavage and your whole arms to stare at. Shorten the skin-tight pants so we can see some leg too. Oh, Yang has to have long pants because she's heading into the coldest Kingdom in Remnant? Never mind that, cut a strip out to show her thigh.

"But Clyde, the girls don't need to wear armor because of aura--" then why the hell does Jaune bother wearing that heavy-ass suit? Is it weight training? Does he just think it makes him look cool? ...or does it exist in case his aura breaks and he's allowed to wear more protective gear because there are different gender expectations attached to his design? The aura argument is just a modern rehashing of the Supergirl sun argument: using made up lore to "justify" getting your women characters into skimpy outfits, despite the men rarely being held to the same standards.

Tyrian is actually an interesting exception here and if I were less tired I'd think through this argument more, but something something as the "crazy" character he's allowed more leeway in breaking those expectations. Also the open shirt shows off his scars, which likewise help sell how dangerous he is. With the exception of characters like Cinder and Nora - whose injuries are Important Character Moments the audience gets to see play out - scars are surprisingly uncommon in Remanent. Or, again, they're severely downplayed so as not to interfere with that classic beauty design (like Weiss', or even Yang who gets a perfect cut when losing her arm). So when you see a character with giant scars spanning the length of his chest, an open shirt drawing deliberate attention to them... that makes you go, "Oh shit. What's he been through to scar like that in a world where most people make it out of fights with no permanent damage?"

#rwde #rwby #mymetas #also sorry there's no readmore #tumblr won't bring it up for me :(#thanks tumblr

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