I want a Lord of the Rings animated series done by Tom Moore.
Cartoon Saloon's style portrays fantastical intensity so well while also carrying the stories they tell with such lightness and fluidity. The 1978 animated version of Lotr leaned on the weight, action, and drama of Tolkien's trilogy but I think Moore could make something that would include the abstraction and artistry the story deserves.
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DP x DC: The Most Dangerous Card Game
Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter.
Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.
The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge.
And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).
And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game.
Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.
(The most intense card game of the Justice league’s life).
After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely).
Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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thinking about time lords and their fucked up little society again and i just realized how devastating the revelation of the drums in the end of time is in relation to the master's character.
because of all the renegade time lords in the universe, i think it's the master who most exemplifies the philosophical outlook that the time lords have towards the rest of the universe. they're stuffy observers, administrators, yes - but this position is one they've decided for themselves because of this concept of supremacy over other life forms. imposed and upheld this idea that other species that lack a time sense are less-than, primitive. and the master buys into this hard.
and i mean... compared to the doctor, the master is good at being a time lord. he buys into these supremacist concepts, this idea that every other species (and especially humans) is practically a meaningless ant in the grand scheme of the universe. takes it to the extreme, yes, but its the same underlying principle. he's a good student (despite whatever chibnall might think) - that one time lord from terror of the autons (identity forever a mystery) (its brax) even says "he did receive a higher degree of cosmic science than you." the master could play their game if he wanted to. he's remarkably comfortable with being on gallifrey/the idea of gallifrey(in eot/tlotl) than the doctor ever is. where the doctor avoids the subject of the lord presidency like the plague, the master is like "well if you kill the president you ARE the president! and then you have all of gallifrey!" and when the doctor destroys gallifrey (nominally), the master tries to rebuild it in the sound of drums/last of the time lords. tries to emulate their society. honor them in his little fucked up way. he brings them back from the time war!
and what does he get for it? how did the time lords treat him in response?
they decide to implant the sound of drums in his head, stretching back until he's a child. puts this insufferable noise, this splitting headache, in his head for his entire life. all so that they may live while he dies. because he is diseased, because of them. he has swallowed the pill, bought their propaganda, he has followed the rules, he tried to rebuild them he tried. and in response he is chewed up and spit out like trash so that rassilon's god complex can survive while the universe crumbles.
how crushing must that be to someone? to have your whole worldview - that you are better, you are chosen, you are special - come crumbling down in a few short moments? to see the revered founder-god of the civilization you have so desperately tried to revive look at you and say "you are diseased," even though he was the one to poison you in the first place?
and as his heart is torn to pieces... when rassilon says "no more," and charges his gauntlet, the master - who has spent countless lives fighting death with his bare hands - does not move.
part of me thinks he does not want to.
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Creative Hubris takes another unsuspecting victim.
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My take on a revived clover AU
I like to think that monsters preserved the human children as a sort of remembrance using similar magic to their food since it doesn’t expire, but since humans have more physical matter it only delays rotting rather than completely stopping it, and since clover had died being much less harmed because they gave up their soul rather than getting murdered they get to be the first to come back with minor changes since they didn’t rot that much and their internal organs stayed in tact.
Also in this au flowey kinda goes MIA on frisk and doesn’t wanna be friends/isn't ready to talk to them juuuuust yet, clover’s kind of an exception though :D which also means frisk doesn't reaaallly know about clover til weeks later cause clover isn't ready to face martlet starlo or anyone else until they feel ready, dying and choosing to be alone as a 12 year old can be not great for the brain
Flowey is technically clovers guide through the underground but is still trying to get the other humans to wake up so he’s kinda busy but will know if clover is near a save like in game.
I might give this clover figerless gloves to hide the more human-lookin' skin
Clover is actually essentially sneaking around places like waterfall and snowdin town, staying places that have small shops and less people that would be able to recognize them
The tumblr user howlonomy gave me so much brainrot in their au so look at it!!! Their clover is such a creaturr!!!! /pos
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I know Cell has a bit of Vegeta in him but I don't think he'd be too proud to ask for help 😂
Based on my word vomit in a discord chat:
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I'm nowhere near done with my full bad batch rewatch but I have said it once and I'll say it again: Echo would understand Crosshair better than anyone else after this experience and that is a hill I will die on.
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Okay, but let's talk about Balam's hair for a hot second
(Yes, it may have become one of my fixations)
You know, the guy not only cut it radically - and we know it's because of Iruma - he also let it grow back, and now he grooms it much better than before. Why?
While my wishful thinking headcanon is that Kalego offered to brush it after they declared their feelings for each other (they are definitely introduced as best friends, but c'mon, look at them here)
...I also recognize this is not canon, so it can't be the actual reason.
So I was wondering: why this difference? IMO it signifies personal growth, but what caused it, if Iruma led to the haircut? And then it hit me.
Meeting Iruma, again - but in a deeper way than I thought at first.
According to Balam's own words, he decided to cut his hair to appear more approachable. But why not brush it and style it as he's doing now?
Everything we know about Balam's past points to him being treated like a weirdo and marginalized, not only because he likes picture books, he was also hyperfixated with the existence of humans.
This went on all his life, from bullies at school to his own students. He was likely wounded, full of self doubt and possibly shame, so he withdrew into himself, and his hair was messy because why bother if people avoid you anyway.
So imagine finally having tangible proof that you were right all along. That's life changing, not only because of the discovery itself - it can make you reevaluate your whole story, and yourself. A radical cut was a logical thing to do, to break with the past.
But why letting the hair grow back then?
I speculate that Balam is most comfortable with long hair after all, and he feels more like himself this way (I mean, he had medium-to-long hair in all flashbacks). I like to think that his personal grooming is a metaphor for his newly found self confidence and self love: he can be himself to the fullest, he likes the demon he is, and he's not afraid of showing it to everyone else now, by making his hair prettier. He was right all along, and everybody else can shut it.
Such a small detail in the grand scheme of things, yet enormous for the single character. I love this manga so much ♡
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“put me on a pedestal and i’ll only disappoint you
tell me i’m exceptional, and i promise to exploit you
gimme all your money, and i’ll make some origami honey!
i think you’re a joke!!! …but i don’t find you very
fuuuuuuu~nyyy”
More tagr art!!! Assorted stuff this time! Featuring some cute chibi stuff. Some solo gaz’s, a lil uhhh. Comic of an altercation.. and a very belated Halloween pic I started drawing last Halloween and didnt finish lol. Also featuring lyrics from pedestrian at best cuz that song rllly rlly fits my ver of tak lol.
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I miss goro. Bring his bitchass back
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The Hetalia fandom is like "they're literally immortal patron deities with supernatural healing abilities lol of course none of them are disabled! And if they become disabled they'll all eventually heal obviously!"
Meanwhile Odin has one eye, and Thor has chronic pain from shrapnel being lodged in his brain.
Meanwhile Tyr had his hand bitten off during Ragnarok, and it never grew back.
Meanwhile Hephaestus was born disfigured and kicked out of Olympus at birth.
If ancient civilizations portrayed some of their gods with disabilities, then we can do better now, guys. Come on.
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ik everyone and their mother has said this already but I appreciate how many episodes of puppet history focus on non-white stories and are both respectful and dont just focus on mass suffering at the hands of white people, and when they do have episodes involving that they still make sure to focus on the people fighting back and not just "oh this horrible thing was done, sad!"
Also I appreciate how Shane makes an effort to pronounce shit correctly, and to be respectful of people's cultures and spirituality, and to find lesser known stories from these cultures. It's always cool to go into the comments and see people who usually don't see their history or people acknowledged talking about how happy the episode made them.
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Okay but quick super random thought: If monsters can still come back from Tartarus after Medusa turns them to stone, but their former stone self is still there…do you think a monster has ever happened upon the emporium a second time, seen themselves, and gotten some crazy deja vu?
Has someone ever come over, seen their friend’s statue and gone “HAH her face looks so dumb in this one, I’m gonna buy it and give it to her as a gag gift” Do some people return immediately after and kick down the door like “hey SNAKE LADY that’s kinda fucked up that you put me in the FRONT for everyone to see!!! Anyway, I forgot my bag-“ Has anyone ever purposefully come over to get a sculpture of themselves, and they just come back a month later for it?
If Medusa can’t kill monsters, she must have made some friends along the way, and I think that’s an adorable idea. I hope she started a book club or something, and that’s why she has such a big dining table.
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Random fandom thoughts/feelings
The reblog button is turned off on this post but I think it's another incredibly important one to be thinking about. I enjoy their framing of how the profit economy of other social media sites has been bleeding into fandom spaces on both tumblr, and like this post focuses on, Ao3. It's something that I've been noticing more and more and it really rubs me the wrong way and I feel like OP's post words it perfectly in a way I've been struggling to express.
This sort of connects the previous post I reblogged on the topic talking about how fandom is not a good in road for becoming internet famous.
A facet of this that's really bamboozled me recently is that I feel like i've been seeing more and more of is the idea that a singular person has a right to call "dibs" on a specific piece of media. Which is honestly totally fucking wild to me and if I'm being totally frank kind of dumb.
Every single one of us who interacts with fandom and by extent and IP is flirting with copy right law, the consequences of which everyone should be extremely familiar with by now with the fall of LJ and various lawsuits by authors, dmca notices, etc.
We have all heard the adage "there's no such thing as an original idea"; the idea that everything we create is the amalgamation of all the things that influence us, good and bad.
This is totally normal and good, actually.
For example, if I and another person both watch a TV show, see a production photograph that we really like and decide to draw it and post them one after the other it would be considered extremely bad behaviour to then turn around and make a big stink about how someone else had the gall to turn around and draw the same thing that I did. We can all look at a picture, video, lyrics to a song, become inspired and create something wildly different based on our tastes and influences--but we also are equally, if not more so, likely to create something nearly identical to our peers, especially in a fandom space where ideas are concentrated and we are all consuming each other's thoughts, opinions, and creations. More than once I've come up with an idea for a fic or a drawing that someone else had had a nearly identical execution of without us communicating or viewing each other's work. That's just the way the human brain works, we're hard wired to make connections in a fairly similar way.
You do not have a right to call dibs on any one photograph, clip of video, song lyrics or any other bit of media you might consume.
This stands for artists, writers, gif makers, AMV creators, and any other way you choose to express your love of fandom creatively.
If you are really hard pressed to focus on the numbers and work at being ~influential~ the burden is on you to distinguish yourself creatively.
There's a reason why not being able to see follower counts is so important to the way fandom and tumblr functions. The concept of ~small creators~ and ~big creators~ or BNF or whatever are all burdens you place on yourselves. No one is taking anything away from you by engaging with the same bit of media you are in a similar way. We all have a right to express ourselves creatively and emotionally through any snippet of media that sparks our interest. You do not get to "own it" just because you happened to pump something out first. There are no creative "dibs". This isn't even some sort of "fandom" etiquette thing that has gone thus unspoken. It's a strange possessive thing that I've seen crop up more and more as the idea of being a capital "C" Creator brain rots people's minds and atrophies their ability to be creative.
Sort of on a tangent, but I have a bunch of other personal random thoughts about how this push to be prolific stagnates fandom, but these are more complicated for me and I'm not as clear on how I want to express them. On one had I am completely on board with the "there is no such thing as cringe" mindset and that everyone has a right to create whatever super indulgent thing they want to without having to suffer people being snobby about it. But, on the other hand I feel very strongly that the cycle of people seeing one trope or characterization being repeated repeated over and over and gaining popularity, reading only that--writing only that--leading others to also only consume that, really stymies creativity and makes it harder to grow the fandom if people that are trying to enter aren't into That One Thing, while also ostracizing people who are already in the fandom that aren't into That One Thing. I strongly believe that people's tastes are at least 70% just what they're exposed to, and obviously not everyone is going to be into whatever weird niche concept they're exposed to through fandom, but the more they are the more opportunity they have to expand that horizon. I don't know how many times I've gotten a version of the "I wasn't sure I would like this but I gave it a shot and it turns out I really love it!" and how good that feels and how much I wish other people were emboldened to do the same instead of being so wrapped up in how their work may or may not be received.
This is mostly a subjective thing though, so it's less cut and dry. Like for example, I really struggle with engaging with transgender fic despite being transgender myself because of the way most AFAB fic is written to the point where I avoid it now almost entirely. Which, frankly, really fucking sucks but also I will be the first person to fight for other's ability to write transgender characters wether they appeal my personal feelings and taste or not.
Anyway, this is one of the reasons I'm so protective of fandom community events, especially ones that employ aspects of the fandom gift economy such as exchanges. There are one of the few wholly un self-centred places left where the focus is on gifting someone something they will love and giving back to the fandom at large by flooding it with art and opportunities appreciation and engagement with each other. It is not supposed to be an opportunity for you to think about yourself and "getting something good" in return or using it a convenient deadline. It also offers you an opportunity to engage with fic tropes and genres that you've never considered writing or reading before.
TL;DR if you've found yourself recently squabbling over how many notes your gifs, art, writing, etc. has been getting compared to other people instead of focusing on forging community ties and your own creative expression, I'm sorry to say you're doing it wrong.
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