Hi hi!! I'm finally coherent enough to like... make remarks about your ghost hunting fic! First of all, I love how you write both of them. They felt in character even in an AU. Eddie especially, he was such a little shit, gently mocking Steve the whole time but playing along anyways. And I love how you write Steve as a believer because he's seen shit. The way you kind of lined your AU up with canon was really neat! The entire scene in the study room, heck yeah. But then Eddie admitting to Steve the reason he always came with him... I was melting. puddle of goo. He was so sincere! And you did a good job making it scary too. At least in my opinion, but i'm kinda chicken shit when it comes to ghosts lol! Thanks for tagging me! I'm glad I got to read it!

(p.s. i accidentally hit the unfollow button instead of the ask button and had a minor heart attack so if you see that... that's what that was lmao!)

hey hi i'm so sorry it's taken me forever to respond! i saved a keyboard smash draft so i wouldn't lose this in the ask box and then couldn't find it again anywhere and thought i'd dreamed it??

but how could i dream up something so kind and thoughtful?? truly, thank you so so so much, this has made my whole day, multiple times over.

this was truly so fun to write! eddie is a little shit, but he's a sincere little shit lol. and i hope it wasn't too scary! i'm also a total chicken when it comes to anything scary, especially paranormal stuff.

thank you thank you thank you again, for reading and for going out of your way to send this to me! this truly means a whole lot 💜

here's the link if anybody wants to read my spooky steamy ghost hunters au

ok this sounds insane but in 2018 i went to a few carnivorous plant talks at the botany conference in minnesota. i got caught up in conversation with one of the guys there who was a huge nepenthes guy who told me a story about another collector in the pacific northwest who'd been buying poached plants, like a huge amount, and eventually got staked out by the fish and wildlife service and arrested and had all his plants seized and went to prison for it. idk if i ever talked about this on this blog before-- i know i liveblogged a lot from that conference but cant remember what all i posted-- but ive avoided talking about it since then because i was never able to find like, news articles or anything covering it, but behold.... we now have proof it was real, and im like 80% sure this was this guy he was talking about. the raid happened in 2016 and they'd been staking them out since 2013. he had nearly 400 plants and had been sourcing many of them from poachers in indonesia and borneo.

remember folks: poaching happens with plants too! it's a huge problem not only in carnvirous plants (nepenthes especially, which this piece is dedicated to talking about) but also in native plant populations in the US, including native carnivorous plant populations (north and south carolina's venus fly traps, california's darlingtonia, and sarracenia from the east coast), native orchids (historically one of the most poached categories), desert plants/cacti/succulents, and slow-growing woody ornamentals (cycads, for example). never buy bare-root plants off ebay or facebook! your best bet is local nurseries (which usually purchase farm-raised plants that do well in a wide range of conditions, and as a result have a healthy population in the wild) or specialty greenhouses (more expensive, but at least in the case of carnivorous plants offer young plants bred from established adult plants in-house, raised in captivity).

lukewarm take of the evening: y'all care too much about being ""outdated"". fellas this smp moves inhumanly fast. it is ok to CHILL holy shit CHILL. y'all are like "(posts BANGER ART) super late guys sorry" friend i am hitting you with a blanket i am snapping you with my metaphorical towel WHAT DO YOU MEAN SORRY. "(posts BANGER FIC) rip this is outdated now" WHO CARES???? I LOVE YOU, OK. ohhhh woe is us as the fandom at large for having MORE HAPPY PILLS ARC CONTENT oh no how outdated!! how could you be writing speculative fiction about how forever felt during happy pills :( slash SARCASM!! WHAT DO YOU MEAN!!!! THERE ARE SO MANY BANGER ARCS, WHAT, YOU THINK WE'RE COMPLAINING????? FOR GETTING MORE OF THE CONTENT WE LOVED????? oh no we're past the period where everyone thought green gay ninjas were like Dead Dead, my work is now outdated and noncanon :( WDYM. GIMME. A BANGER IS A BANGER IDC IF IT TAKES THREE MONTHS. you think rome was built in a day?? fuck you, baltimore, GIMME. my ass has been cooking a goddamn backflipo family fic since july when it was ALREADY outdated do you think i fear god??? "oh no, you're making an edit of slime's (attempted) egg murdering spree?? how could you, that was months ago it's irrelevant" SAID NO ONE EVER.

save your wrists kidlings ok carpal tunnel is no joke. CHILL!!!!! CHILL!!!!!!!! TAKE YOUR TIME SHEEEEEESH OK LOVE YOU <3

HELLO. it's been rough trying to think of a design for nightmare, so i plan to scrap this specific body type (for now) i'm gonna start over when i find decent inspiration and references but since they look fairly decent you can all have them <:]

my main issue has been the hair and how to properly implement the tentacles in a way that works smoothly for a pony design but still feel like nm everything else (the palette and the cutie mark) im fairly happy with, so i might reuse them

his main design inspirations (for now) is nightmare rarity and chrysalis! any suggestions or direct doodles you can suggest would be EPIC his mane is so fucking hard to figure out

Gonna be honest I am really, really, REALLY not excited for this movie. It’s probably in my top 3 worst things that could possibly happen to RA. I have no confidence that they’ll do a faithful adaptation, and even if it’s a good movie, it’ll never live up to the version of RA in my mind (though, to be fair, I doubt anything can). I’ll watch it when it comes out, but the books are forever going to be the only canon for me

You ever read a fic so good it changes the whole characterization of the dude in your head

big godzilla fan but i will never in my life interact with the fandom based on what i've seen on here

THEY DON’T EVEN REMEMBER??? Luffy be walking out of this with LONG lasting trauma of watching all his friends nearly die and the others are just like. Man that was a nice nap! Luffy what are you doing on the ground sprawled out like that? Meanwhile Luffy’s internally having a breakdown because holy fucking SHIT what the hell did he just have to go through,

how do you animate? ive always wanted to but idk where to start, any advice? love your art btw

thank you!! i Love encouraging people to learn to animate it seems daunting at first but once you get the hang of the basics you can basically do anything

i Started learning animation by not even animating, i just would rewatch all the original animaniacs skits animated by tokyo movie shinsha over and over again and go through them frame by frame to study the timing and movement on any shots i liked, timing is probably the Most important part of animation and a lot of it genuinely just comes down to intuition, so it's good to get into the habit of studying any animation you like frame by frame, i Still do this all the time [usually just for fun but also to use as actual tangible motion reference in whatever i'm working on, for example i learned to animate lightning effects from hunter X hunter and i learned to animate floaty bouncy movements from perfect blue]

BUT i'm getting ahead of myself, basically it's good to study animation you like before jumping right into actually animating, but that won't do you any good if you don't understand the fundamentals!! this also gives me an excuse to do a warmup for once which i usually skimp out on [<-hack fraud]

the first thing ANY animation class will teach you is The Dreaded Bouncing Ball [<-i actually like animating balls][<-intentional euphemism], because it's both simple And teaches you really essential basic animation skills such as A) motion, in general B) timing C) how timing sheets basically work, and occasionally D) squash&stretch!

you'll sometimes see animators draw charts with a bunch of lines off in the corner of a page, that's basically an old-timey timing sheet! each dash on the line indicates how many frames for a particular movement; for example, the top ball bounce has more frames bunched up at the top where it moves slowly, less frames when it's moving fast

if every motion you animate uses the same number of frames to do any movement, it'll look weird, because nothing in real life typically moves like that. you can demonstrate this in real life by just moving your hand in front of your face from one side to the other really fast; you won't see it in the middle, because that's where it's moving the fastest. this is basically where the principles for smear frames comes from!

the second thing they teach you in animation school is flour sacks so really animation is just all about nothin but balls and sacks

but the flour sack exercise is slightly more complicated so my advice for Getting STarted really ends here. once you have the hang of bouncing balls, you can apply those principles to things like character animation; some of the first "character animation" type things i ever animated when i was first learning were just really quick expression changes and flinching. this also teaches you about anticipation and what richard williams [author of the animator's survival kit highly recommend seeking out a PDF of that, he also was animation director on who framed roger rabbit and he made thief&the cobbler, he also animated some sequences on the raggedy ann&andy movie] calls Takes&Accents

this is a Really Really simple way to get started on character animation, this is only four frames! a lot of really bouncy-looking anime tend to animate their expressions pretty much exactly like this. you can always add more frames to make it smoother or more expressive, sometimes you'll also see an "anticipate up" frame before the "anticipate down", but remember the Timing is key so if you're adding more frames, try not to shift the timing too much or it might look awkward

OK i have spend like two hours typing this up instead of actually working on what i was supposed to today LOL i hope this helped at all if you have any more questions ever feel free to ask i Love talking about animation

OH ONE MORE THING!!!! i started learning animation in adobe animate [the software that was formerly Flash] but it SUCKS!!!! DON'T USE ADOBE ANIMATE!!!! i currently use a pirated copy of toonboom harmony which is THE industry standard 2D animation software and also just the best art program i have ever used in general, but it is CRAZY expensive that's why i pirated you can also invest in a perpetual license for clip studio paint pro or EX, but pro only lets you use 24 frames Total on a timeline and EX is like two hundred somethin dollars, OR i've heard decent things about procreate dreams? which is a mobile app IDK if it has a desktop version but i think it's only like twenty bucks

OK good luck have fun everyone please enjoy animating

I don't remember if I ever made a post about this, but for a long time I thought Griffin made up the whole clone pod thing to give Barry an excuse to get his body back again and then eventually also Magnus, and that that was a cool little world building thing. But I found out a while go that no, apparently it's a real spell called Clone from the Player's Handbook. 8th level necromancy wizard spell.

Also, it takes specifically 120 days for a body to form completely, which means that technically, Barry could have popped into his body again since before Petals lol

In the spell description, it also says that you can make the body younger, and I love the fact that he had that option but chose to keep himself the same age anyway

Also, since Magnus first gave Garfield his blood during the interlude before Crystal Kingdom, technically his body would have been ready since around the Eleventh Hour, and Garfield decided to just hold on to it for another few months without doing anything with it lmao

OH SHIT WAIT-

GRIFFIN THOUGHT MAGNUS WAS GOING TO TAKE THE CHALICE AND THAT HE WAS GOING TO DIE DURING THE MISSION TO GET IT BACK FROM HIM

HE SPECIFICALLY MADE IT SO THAT IF HE DID DIE, MAGNUS' BODY WOULD HAVE BEEN READY TO GO THEN TOO

Man I love how that whole arc played out in canon, but I so wish we had gotten to know what would have happened if Magnus did take the Chalice and how that would have played out

"St*ncy is the only way" Yea girl to getting stuck in the suburbs 💀

i feel like we as a society don't talk enough about how genuinely traumatic car accidents can be. like. i feel like we treat them so casually unless a car gets flipped over or something. but car accidents are actually such a traumatic thing that can happen to people??

from one mineru lover to another ... can i pleek hear the headcanons you have for her

KICKS DOWN DOOR

YES ABSOLUTELY

some loose context for the headcanons i have for her

the zonai hail from the silent realm and formed 3 major settlements originating from the decaying trial gates, one in the sky islands, one in faron, and one below in the depths (using the eldin gate that had since been buried under hyrules changing landscape). by the time of totks ancient era, the zonai had been slowly and steadily migrating back to the silent realm with mineru and rauru being the last to stay

hailing from the silent realm, the zonai culturally place a massive emphasis on self betterment through trials, self inflicted or otherwise, as a way of marking time through growth, in service to the goddesses

im using the oot elements, so the gerudo get spirit (which manifests as lightning) and mineru gets shadow, linking her to the sheikah and the technology theyll create

rauru and ganondorf are exes who had an EXTREMELY messy breakup before rauru founded hyrule

i can elaborate on that more (and will later) but for NOW

MINERU

so i headcanon mineru as this character thats deeply atheistic and autistic. which doesnt make a lick of sense until i explain it further lmao

mineru, to me, is this person thats deeply materialist, whereas her brother rauru is deeply idealist, and sonia is a staunch spiritualist (which is why her and rauru make such a good match for each other). minerus primary concern is The Real. the golden goddesses are Concretely Real but their influence is negligible. mineru grows up in a culture that dedicates themselves to spiritual self growth through trials of self betterment for, ostensibly, the sake of three goddesses no one will ever see or talk to or be touched by. they exist, surely, because the triforce exists, because their power exists, but mineru will never see them, hear them, talk to them, touch them, or see their hands mold reality. in every aspect she would care about, They Are Not Real. and so ascribing to a cultural norm of "betterment through trial" (needless struggle and self doubt) just. doesnt click for her. why chase spiritual enlightenment when theres shit to do RIGHT here?

shes this kind of gruff, non social person who nonetheless cares deeply and intensely but wants to dedicate her effort and energy to things she considers important. her brothers important. her work is important. vague divine approval? unimportant. shes more concerned with how things tick than the Grand Plan of it all.

a lot of this makes itself manifest in her role (in my headcanons and aus) as the sage of shadow, if you understand shadow as Unseen (Concealed) Truth. why do the islands float? how does zoanite work? what can we do with this energy? what can we make? how can we build on it? shadow magic, imo, requires a strong thread of creativity. its what makes OoTs shadow temple so brutal and the history behind it so heinous. but it isnt inherently bad. its creativity, imagination, the Unreal. its the drawing of a curtain and the throwing it aside. this underlying current, the need to understand How and Why, is what makes minerus cutscenes with this understanding so much more enjoyable to me.

mineru is this character defined by her inventions, whos headpiece mirrors the goggles purah and robbie wear, whos role as shadow, the creator the inventer the counterculture, will be revisited when the sheikah create technological wonders that will spread throughout hyrule. she makes a mech to house her soul to survive the thousands of years into the future. whereas other sages choose a successor, mineru says "youll see me there in the temple my damn self." because if you want something done right you do it yourself!

i headcanon mineru and rauru as hailing from the sky island zonai civilization, and theyre the last hyrule dwelling generation. she grew up watching these senseless tests of courage that just risked major injury for no good reason, and then her baby brother goes off to better himself because he wants to make a meaningful impact in the world, and it just cascades into a dominos of bad decisions. she doesnt put any stock into divine intervention because the only people who can save anything are us. i picture her being endlessly fascinated by her home and the constructs and that curiosity being the foundation for a lot of what she does from there on out. becoming a fantasy mechanic, an inventor, getting down into the nitty gritty of a machine and getting covered in grime and oil but not caring because theres a problem that needs fixing and she has a wrench. voraciously tearing into any book she can find, any historical record, being this treasure trove of information and trivia and history because she cant help but come back to those questions, how?, why?, again and again.

itd be easy to hear her described as anti social and gruff, and see her interpreted as a little standoffish and blunt, and end up viewing her as kind of an ass, and you wouldnt be wrong per se but its really just that mineru only really puts effort into a relationship she cares about, and she really REALLY pro cons that shit. her first and foremost concern is rauru, her little brother, and as the zonai migrate back to the silent realm, her last remaining family. when rauru descends to the surface in search of problems to fix and Be Of Help, mineru correctly assesses his budding relationship with the gerudo royal is one fated for disaster, because nothing good comes from entering a relationship just to "fix them" regardless of how well intentioned and kind hearted you may be. because of this she doesnt invest much into getting to know ganondorf as he interacts with her brother, because shes expecting it to blow up and doesnt want any of that blowback. nevertheless when that comes to a head in the WORST possible way (a situation in the au that results in the creation of the gibdo queen, the first blood moon, the deaths of several gerudo guards and the eventual deaths of koume and kotake, a situation that will then contribute to The TotK situation) mineru beats herself up every day for not being more involved. her brother is sweet, and truly believes in the ideals of the zonai he was raised with, that to struggle is to overcome trial and better ones self, and such an effort is a spiritual responsibility of those hailing from the silent realms, created by divine hands, because of the power theyre capable of wielding. she cant fault him for that, because rauru IS capable of great good and he WANTS to help people so bad, but as mineru surmised years earlier, when your inundated with this concept that You Have Power and your Obligated To Use It, you never stop to think that maybe you arent the best person to solve this issue. you cant use a wrench for a screwdrivers issue. and knowing that, knowing rauru is driven to help but too inexperienced to know what he CAN help with, mineru feels responsible for not stopping him from biting off more than he can chew. (rauru, on his end, solely blames himself)

so shes a bit More Present when he meets sonia and when his idealism leads him to found hyrule, she stays close, but she really can NOT be assed to be dragged into politics because jesus christ. no. but she continues to be like. Peak Older Sister. every time rauru has a problem, shes the one he turns to. every time rauru wants advise, he asks mineru. he loves her a lot and relies on her guidance because he considers her one of the smartest people he knows (she is, along with sonia) and even though most of the time its rauru once again trying to fit a square peg into a round hole, theyve basically been abandoned by the rest of their people (who have written hyrule off as this kind of Fun Ordeal but Not Worth It as they go on being fucking. philosopher kings in a realm of Eternal Silent Trial where you can freely perfect whatever magic bullshit you want without worry of a body count or, ya know, consequences because very little is physically tangible there). mineru isnt going to like. continue that trend, and just leave rauru to it. hes a grown adult for sure, but that just means its his responsibility to grow and change as a person, not that he cant ask for help. especially because she doesnt want him to handle everything alone

so shes hands off with the hyrule business, and plus sonias got a good head on her shoulders, shes a nice balance to raurus Impulsive Do Gooding and helps him move from individual action to Systemic Good (tho that in itself is another one of Raurus Bad Impulsive Ideas because founding a Divine Kingdom of Good is a fools errand). and for the most part mineru is fairly assured that it wont blow up too horribly (*loud incorrect buzzer*) but man. when they show up with zelda.

so raurus very much a "im divinely obligated to help people" and sonias v much a "fate ordained our meeting" type and mineru is very very much Not That. but zelda? zelda is so much closer in personality to mineru, so when rauru and sonia show up with this girl from the future that theyve basically adopted, minerus like "alright you are once again Back On Your Bullshit so im NOT getting Into It" AND YETTT. zelda ALSO cant stop asking how? and why? (because light and shadow are closer than most people think), and zeldas so invested in what makes this tech work, how it functions, what makes it go, and while rauru and sonia try to give zelda the best they can, zeldas also similarly thrilled to get her fancy white dress all gunked up with oil cuz theres a plug that needs reconnecting and mineru cant get her hand thru the gap. they get on like a house on fire and despite herself mineru loves zelda. absolutely adores her. which was NOT on todays to do list, for sure. and so despite herself mineru is now including zelda in her (very small) circle of family and similarly mineru is this gruff no nonsense figure zelda can earnestly talk to whos similarly concerned with the Real and the Practical and how it can be applied to solve our problems instead of omens chasing and prophecy fulfilling. which is why mineru goes out of her way to help zelda in a way she generally doesnt for sonia because well. zeldas basically her niece. and sonia can handle herself. and also zelda loves hearing about weird programming quirks in the constructs. so its really just kind of inevitable

but minerus pursuit of knowledge is why she knows about draconification (and rauru doesnt), and why rauru comes to her for help because thats kind of his habit. its a lot like asking big sis to beat bowser for you cuz you cant get it, and like she clowns on you for it but still takes the controller.

and when rauru and sonia are like "the ganondorf situation is Our Problem and we arent involving zelda" mineru is 100% behind that because uhh YEAH rauru it IS ur problem this is YOUR ex and your series of Questionable Decisions, but also why she throws herself into it because she does still carry that responsibility. she still feels that guilt for not protecting rauru from himself as his older sister, and that so many people suffered, and that now more people she cares about ARE suffering and WILL suffer. a feeling thats compounded by raurus sacrifice sealing ganondorf

understanding how the sky islands float was a childhood dream of minerus, to understand the hand of the divine and make it tangible and real, and while she achieves that, with the help of someone who really truly gets her and her work, the context surrounding it is so grief stricken and heart rending it thoroughly spoils the joy of scientific pursuit, which is probably why it isnt something mineru records in a lot of detail. in a lot of ways mineru loses all the people she considers family to that same Hand of Divinity, which imo makes mineru being atheist more richly thematic and adds to her character. its this combination of "am i being punished for my lack of faith?" alongside this determination to assert your individual power in SPITE of divine influence, taking herself to the present by her own craft and the sheer power of ingenuity and creativity and the aid of an equally learned peer. also her spirit bond is on the middle finger. i love that for her

this is long as fuck so im throwing bonus thoughts in the tags

It's time to rant about my human in Palia: Ori Tian

He is awful and I love him. You can learn more about my human under the cut! This information is not spoiler free as his character changes over time as we learn more about the world.

Ori Tian || He/Him They/Them || 29-30 || The Watcher

Ori's history makes more sense with a few key points (some of which are spoilers you learn when talking to folks/exploring the world):

Kilima was built on the ruins of an ancient human school (I think of it as a university)

The ruins were where humans were forced to go by the human king (the Fire Temple lore) where it seems they were getting more and more ridiculous orders. I consider this to be when humanity's downfall was fast approaching.

The disaster that killed the humans was not just Flow (which I see as a global warming metaphor) but also an attack from Shadow Creatures (the Library you unlock with Jina).

The human downfall took hundreds if not thousands of years until they finally died out. They didn't go out with a bang, but with a painful whimper.

All humans have innate magical abilities. Some humans spend their whole lives learning how to tap into them, others are born with a close connection.

--

Human Life

Ori was a professor at the university and the dean of the humanities department which happened to be part of the school's administration. Their specialty was ethics and mortality, especially when it came to magic and Flow. They helped students organize various clubs and organizations inside the school, as well as supporting them during walk-outs or demonstrations against the king for trying to force people into "safety areas" to "wait out the danger" instead of facing the problem head on and cleaning up the mess humans had made that was destroying their world.

To students, Ori was known as the laid-back professor who was easy to talk to, but who wasn't afraid to talk back and be firm when needed. His tests were hell on earth but his classes were fun to those interested in a good-natured debate of philosophical principles and theories. He took it easy, but he took it.

To fellow professors and adults, Ori was a belligerent and sometimes down-right rude person. He had no problem calling people out for acting immature or acting ridiculous given certain circumstance (despite being hypocritical at times as a very hyper person themselves). The amount of fist-fights Ori has gotten into in university board meetings was too many too count.

He was outspoken against the king and didn't bother to hide his politics, which put them in a lot of danger. But Ori had one special thing that kept them safe from a great majority of threats: magic.

Ori was born with a natural affinity for fire magic and his anger could become explosive (literally). His flames were hot enough to melt iron and--when incredibly agitated--he could make anything he touched spontaneously combust. Yet this natural affinity came with a strict control he tried to keep tamped down... except when he couldn't in arguments. Fire brimming at the edges of his clothes (they never really caught on fire--clothes are expensive!) and his hair becoming bright flames. It's no wonder he was considered one of Embra's chosen.

On top of being a professor, a dean, and an activist Ori also managed the Phoenix Shrine. He was the primary caretaker, although he was as close to secular as someone could get in Palia. Is Embra real? Yes. Is she a goddess? Sure, why not. Does that mean you can't argue with her and have to accept everything she says or does? No fucking way!!! Ori is whatever the equivalent of a Jew is in Palia and he is very proud of his heritage, traditions, and beliefs.

His best friend was a kitsuu who followed him around the university and joined him on a lot of his routines for the temple. They could never be separated, his friend bringing him gifts from the natural world and Ori returning the favor with food and shiny things. His other close friend was Einar--who remembers Ori and what Ori did when he died.

Ori's death happened when the Shadow Creatures attacked the school. Many had already been moved to the temples, but Ori had stayed outside to protect the students that didn't want to go yet. When the evacuation order came to get everyone to safety, Ori was left at what is now known as the Mirror Pond Ruins.

When the last students were fleeing into the library--unable to get to the Water Ruins, Ori stood as the last guard to buy them time to lock the door. His magic was always explosive and he gave the Shadow Creatures the best show he could: he immolated himself in a massive explosion to protect the students he swore to protect. Taking out any Shadow Creatures in the nearby vicinity.

The only thing left behind was a pendant.

--

Kilima Life

Ori doesn't remember anything after being reincarnated. At first when he woke up Jina had to walk him through a lot of things, but slowly some stuff started coming back to him. His traditions, his knowledge of what he once studied, his love of researching, his hatred of authoritarian governments and anyone that bans or burns books, and intolerance for adults acting like immature brats.

He's slowly remembering some recipes he used to cook (thanks to Reth's help), other human languages he learned, more about life for humans, but a lot of it is very fuzzy and comes back slowly.

Still, though, he doesn't recognize the kitsuu who had great fun trying to get his attention with the help of Tau and can't comprehend why they keep little him little presents every day... and he doesn't remember his old friend Einar. Maybe it'll come back eventually, but there is one thing he is starting to remember...

Magic.

And he won't let the Order take it from him.

I find it funny when people talk about how a zombie apocalypse would look "more realistically" and completely forget that a decomposing body looses all muscle function in less than 2 days after death- even if somehow there was anything realistic that could make dead bodies get up and attack people, unless there was a way for it to functionally replace the nerves and muscles of the body (for example, very futuristic Nanotechnology) they wouldn't be functional zombies for very long, the apocalypse would be over in probably a handful of weeks.

Ayumi and Yoshiki would be roughly 33/34 years old respectively today in 2024 and therefore by a couple years older than me, yet I'd still call them my children and would give them cookies and tea and a warm blanket to alleviate their cursed ghost-driven timeline they are in.