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#i probably need to become more active on here
getvalentined · 2 days
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I've never done a full breakdown of everything that happened to my version of Vincent while he was under the knife (although there is a partial breakdown from like 12 years ago on Ask Vincent Valentine), but @spinejackel tagged my recent Vincent doodle gushing about autopsy scar (Vincent Has a Y-Incision headcanon supremacy!) so I figured it was probably a good time. This is also probably the best method, since I can apply the right tags and trigger warnings to hopefully keep it from hitting the people who would be disturbed.
For anyone who doesn't know, figuring out the fucked up physiology of victims of science is like my entire jam. I think this is what happens when you let a chronically ill child watch Akira and the original Bubblegum Crisis OVA and most of the works of Masamune Shirow. All that before FF7 even existed. This means that the explanation under the cut may seem excessive, and this post is very long. I've been building it over over a quarter century, I don't think there's any avoiding it at this point.
Warnings for body horror, nonconsensual body modification, medical horror and torture. Basically, if there's anything you can think of related to becoming a victim of science under the rule of an unethical sci-fantasy oligarchy, it's probably in here to some degree. It's explained plainly and simply, in clinical but not visceral detail.
My headcanons for what Hojo did to Vincent are pretty specific, albeit not precisely comprehensive; 27 years later I still don't really have a particularly solid concept for how he turned Vincent into a shapeshifter, although at least we know it's not something entirely specific to Vincent—Hojo repeated that facet of the experiment in Azul, but not in any other SOLDIER operative even in DeepGround, implying that it's only possible if very specific physiological conditions are met. The minimal concept I do have involves a twisted application of the concept of incarnate summoning as it appears in FFXIII-2, but it's very vague and also not the topic of this post. Maybe later.
Regarding the Y-incision/autopsy scar, my headcanon is that once Hojo tweaked Vincent into being able to regenerate from any injury—an enhancement that is confirmed to be entirely Hojo's work in Dirge—the professor of course felt it necessary to run various tests quantify the usefulness of his handiwork. He did this first by inflicting various surface injuries, then by causing more extreme bodily trauma, which eventually culminated in Hojo removing the majority of Vincent's internal organs in order to measure how long it took them to grow back and, assuming they did grow back, how the new ones compared to Vincent's original parts.
To be able to observe this as closely as possible, Hojo kept Vincent's torso open for the entire process—which he repeated twice more in order to check the weight, size and structure of the newly-grown organs in comparison to the originals. This study proved that most of them did grow back, but the majority of them stopped developing much earlier than was appropriate for Vincent's age and size. The difference was consistent, Hojo just never figured out why most of them grew back smaller and less-developed.
The reason this happened is based the fact that most of the organs in the human trunk are used in digestion and other related processes, and Vincent's regeneration means he doesn't need to eat or drink anymore. His body only expended as much energy as was completely necessary to develop those organs to the point of being functional rather than normal, because they're not really necessary. Vincent is glad he still has them, though, because he does still occasionally eat (usually in social situations) and also he'd be really sad if he couldn't even have coffee.
Vincent's brain activity remained normal during the entire process, although that may have something to do with Hojo driving a bunch of fluid lines into his head and flooding the inside of his skull with mako to keep him awake the whole time even while deprived of oxygen. (Rebirth spoilers, but seeing the bit in the Nibelheim Protorelic questline where Hojo does something super similar to this, after this has been my headcanon for decades, was a trip.)
Two organs didn't grow back at all: Vincent's appendix and one kidney. This was also the result of efficient energy expenditure, as the human appendix isn't necessary for survival, and only one kidney is really required. (Each time Hojo removed the new kidney, the one that grew back would be on the opposite side, which bothered Hojo to no end.)
His lungs grew back a little larger, possibly because his skeletal structure never quite recovered after his first transformation into Galian—his arms and legs are noticeably too long for his body, although not to the point of looking impossible, and likewise his ribcage settled to breadth that would allow for larger lungs. He doesn't really need these anymore either, related to his brain being exposed to so much mako during the process that it can now operate without oxygen if necessary, but switching himself over from aerobic to anaerobic respiration is really unpleasant and Vincent tries to avoid it when he can.
His heart was pretty normal by the time Hojo was done with him, although his heartrate had dropped to like 20bpm even when elevated. Again, if respiration isn't necessary, there's not much reason for the system to be active. (By the time Lucrecia was done this had dropped to around 5bpm on average, although it's completely arrhythmic and jumps all over the place when he's not either particularly active or on the verge of a transformation.)
This was the experiment that left Vincent susceptible to degradation, which Hojo didn't realize until after finally closing him back up. Upon realizing that Vincent's body wasn't responding properly to a different test (a repetition of an earlier experiment related to the regeneration of external tissues and features), Hojo just kinda threw him in a tube to be disposed of at a later date, kinda like that scene in Arrested Development where there's that dead dove in a bag in the fridge. The incision healed at some point during the period that Lucrecia was working on him, but early enough in her work that the tissue couldn't flawlessly regenerate (like it does in the present), leaving him with one more gnarly scar on top of all the rest.
Vincent is self-conscious about all the physiological changes brought on by what was done to him, often to the point of loathing. His left arm is the worst—it rotted off while he was in the throes of degradation and grew back as something that he hesitates to call his arm—but Vincent hates that Y-incision scar almost as much. Some days they tie.
(It has come up in appropriately horrified conversation with Shalua that, considering how his regeneration works, Vincent could probably get rid of all the scars on his chest if he somehow peeled the skin off his torso in a single swath. He will not be doing that. Besides, it might grow back the wrong color/texture/etc, like his left arm. Not worth the risk, much less the suffering.)
Also I gotta finish off this entry with the extremely stupid headcanon reveal that Vincent's (honestly fairly impressive) dick was cut off during the first round of bodily trauma regeneration tests—and Hojo has never felt the sort of rage he experienced upon discovering that it grew back bigger than before. This occurred early enough in the experiments that Vincent was not awake for it, and thus has no idea how the fuck this happened, and does not want to talk about it ever thank you very much. I've never mentioned it in public anywhere because it is extremely stupid, but I hope someone out there finds it as funny a concept as I do.
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riri-twix · 7 hours
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Can We Become We?
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Chapter 3: So Much, Yet So Little
Summary: Satoru, Suguru, and you are forced into a marriage by your families for economic reasons. Satoru who doesn’t know what it’s like to love or be loved. Suguru who believes he is undeserving of anyone’s love. And you who didn’t want to love in the first place.
The three of you agree to stay out of each other’s business, and save the relationship acts only for the elders who imposed this on you. But what happens when feelings for each other start to develop?
She/her pronouns for reader | use of y/n | no smut in in this chapter
You can also read it on ao3 here
When everything was finally over, it was way past midnight. A majority of the guests had already filed out of the building, while the remaining few were gathered in small clusters, quietly chatting among themselves – the elders probably.
The whole wedding passed by in a whirlwind of activity, a blur of colour and sound that your mind couldn't quite grasp. The whole time, it was difficult to ignore the unfamiliar light weight around your ring finger.
All you could really focus on was maintaining that smile on your face, feeling the ache in your jaw from keeping it there for so long. It almost felt like your face was going to get stuck like that.
The night breeze was cool on your skin as you exited the wedding hall, grateful to breathe in some fresh air. You could finally drop the fake smile. Satoru and Suguru had moved to the side, each of them standing in front of their respective parents as goodbyes were being said.
Your father steps forward and takes your hand, looking you directly in the eye. “I know this wasn't what you wanted, but you need to be strong.” He says gently, his voice laced with a mix of concern.
You just nod, pulling your hand out of his grasp.
“It’s getting late, we’ll let you go.” Your mother smiles softly. "We’ll miss you so much. But please come visit us soon, alright?”
“Yeah, of course.” You try to keep your voice neutral, but you can't help but feel a little resentment towards your parents.
You knew that if you expressed your true feelings, it would only lead to more drama and stress, and you were tired of the fighting. Instead, you simply offer a tight-lipped smile and mutter a quick goodbye.
You turn around, without giving them a hug. Nothing felt real, as if it was all just some kind of dream.
A gleaming, white limousine was waiting for you, Satoru, and Suguru. The sleek car stood out against the darkness.
You’ve never been inside a limo before. You always thought that if you were going to get the chance one day, it would be so much fun, to feel like a literal celebrity. But all you felt like was a robot on autopilot.
The chauffeur, a stout, middle-aged man in a dark suit, opened the rear door for you. He offered you a polite smile and ushered you inside. The smell of freshly cleaned leather and pine air fresheners welcomed you into its embrace, as you sink back into the plush seat.
After you, Suguru enters the limo. You exchange a brief glance with him as he gets in, but neither of you says anything. Satoru follows suit, before the chauffeur closes the door. Soon, the car pulls away from the curb, silently and smoothly, like a ghost on wheels.
Between the three of you, no one speaks. And it stays like that for a while. You don’t really care though, not with the way your cheeks were hurting. Talking was the last thing on your mind right now.
You're tired, you're emotional, and above all, you're done. You’re so done with everything.
You lean your head against the window, letting out a deep, exasperated sigh as your muscles finally release the tension they've been carrying. The cool glass feels soothing against your skin. You close your eyes, focusing on breathing.
Tap tap
You frown, shrugging away the light poking on your shoulder.
Tap tap tap
“What?” You murmur groggily, not quite ready to open your eyes.
“Y/n?” That was Suguru, his voice soft but insistent. “We’re here.”
Your eyes flutter open into a squint, vision unfocused as you lift your head up from the glass. Wait what? Did you fall asleep?
“Oh.” You mumbled, trying to shake off the exhaustion that still clings to you. “I fell asleep.”
“It's okay.” Suguru says again, his tone comforting in its familiarity. For a brief second, you’re grateful that he’s being nice.
Satoru rolls down his window as a rather polite looking man with short, black hair and glasses walks up to the limo.
The man bows respectfully, arms by his sides, before straightening up again. “Sir.” He says his voice barely more than a whisper.
“Stop calling me that, Ijichi.” Satoru extends his hand out of the window, his face stoic and expressionless. “Just call me Satoru.”
Ijichi, who had been standing at attention, relaxes slightly at Satoru's words. The man produces a small set of keys from his pocket and places them in Satoru's waiting palm, before Satoru wraps his fingers around them.
Ijichi’s voice takes on a shy, almost meek tone. “You know I can't do that, sir.” He replied, a light blush growing more visible on his cheeks. “Just call me if you need anything, sir.” Satoru nods dismissively at that, and he stepped aside.
The driver takes off again, the car's wheels roll along the quiet residential road, until it eventually slows to a stop.
You blink and suddenly the fatigue of the night's events disappears. The house is not too big, no where near the grandiose of the Gojo estate, but it definitely wasn’t small either.
Satoru is quick to spring into action. Without wasting a second, he thrusts open the car door and leaps out, his movements swift and fluid. It’s fascinating, how a man with such long limbs has such precise mobility.
Suguru stays seated next to you, his eyes glued to the house in front of him. Was he overwhelmed by all of this? Should you comfort him?
Hesitating, you push the silent question away, and instead reach out to open the door. But before you can even touch the handle, the door is suddenly opened by the chauffeur.
A wave of irritation suddenly washes over you.
You suppress a frustrated huff and step down onto the pavement. You know he was just doing his job and all, but for some reason, you wanted to open the door by yourself. Annoyed, you pull at the hem of your dress with one hand to make sure it doesn't get dirty.
Satoru had already reached the wide front porch, slipping the key into the door’s lock. As you make your way to him, you notice the familiar silhouette of your car parked in the driveway of the house, beside one other. Someone must’ve dropped it off here.
Satoru had moved to the side, letting you and Suguru step through the threshold and onto the small foyer, before shutting the door. The automatic lock clicks, and the reality of everything hits you like a ton of bricks.
The atmosphere immediately shifts to something tense and awkward. You shift your weight from one foot to the other, not really sure of your place in this situation. What do you do know? Can you just walk in or…?
When Suguru decides to speak up, you felt like you could breathe again. “We need to sit down and discuss this.” His voice is calm and measured, as if he knows exactly what to do in a situation like this.
Satoru, on the other hand, looks like he’s had enough of the playing nice and pretending they’re all happy when they’re not. He shakes his head, a mixture of frustration and annoyance evident on his face.
“Discuss what exactly?” Satoru says, his voice sharp.
“This.” Suguru’s eyes narrow. “All of this.” He gestured broadly at the room and everything it contains. “And us.”
His bun, which was normally full and round, was now sagging lower on his head, weighing down from the strain of the long day. And yet, even with his hair less than perfect, it didn’t make him look any less stunning.
Satoru's lip curls into a sneer. “There is no us.” He spits, cold and biting. “There is just you, and you, and me.” He pointed at Suguru, then you, then at himself. “I said to stay out of each other’s business.”
Suguru's hand runs down his face, his eyes closing as he takes a deep, calming breath. I know that, and I said I agree with it.” Don’t groan. “But it's not that simple.” He opens his eyes, looking directly at Satoru. "We have to sit down and list everything, talk and work something out."
Your eyes dart back and forth between them, lips sealed tight to avoid adding any more fuel to the fire.
Satoru doesn’t nothing for a moment, as if he was thinking. Then his whole demeanour changes. “You wanna sit down and talk?” He scoffs, his voice dripping with sarcasm. “Fine then.”
He turns on his heel, walking down the hallway, the sound of his footsteps echoes through the empty house. You and Suguru have no choice but to follow.
You take your seats on the couches, facing each other, the air heavy with unease. Satoru crosses his arms, a sneer on his face as he nods with his chin. “Go on, curtain bangs.” He snarls, his tone thick with contempt. “Talk all you want.”
Suguru feels a pulse throb on the side of his temple. Satoru’s attitude was really starting to piss him off. But he breathes. Control yourself. “Okay, so first things first. Are we all getting our own private space?”
Satoru’s expression remains stoic and cold, but you can see a slight edge to his voice as he responds. “If this is about bedrooms, then yes.” Blunt and to the point. “There are plenty of rooms to go around. Pick whatever.”
As the words sink, something in your heart settles.
You’ve heard that, generally, most people have sex on their wedding night. And you can’t deny the fact that, while the thought had been looming in the back of your mind the whole day, you kept telling yourself that nothing would happen. Because in the end Satoru and Suguru were forced into this too.
You were more than reassured now.
“Okay.” Suguru nods. “Now, what about everything in the house.”
“What about it?” Satoru raises his perfect, white eyebrow at Suguru, and your heart skipped a beat.
“It is yours after all. We’re basically living here as guests, are we not?”
Okay, Suguru’s point makes sense. Satoru didn’t choose for you to live here with him, it was an obligation. It’s only fair if he sets the rules.
Satoru's response is as cold as ever. He shrugs, as if to say he doesn’t give a shit. “Just don’t come into my room.” His voice was devoid of emotion. “And keep your business in your own rooms.”
You look at him in confusion, trying to understand what he meant by that. “Business?” Your eyebrows furrow.
But he only scoffs. “What? You think I’m stupid or something?” He sneers at you both, every word coming out of his mouth was bitter. “Don’t act like you’re not gonna be screwing around.”
Well that felt like a personal slap to your face. “The fuck is that supposed to mean?” You scowled. Was he seriously accusing you of bringing random people to fuck with? As if it was that easy? You couldn’t even rizz yourself up in front of a mirror let alone a whole other person!
“Pretty sure it was self explanatory.” Satoru rolls his eyes. “But like I said, I don’t care. This,” He takes his ring off his finger. “Means nothing to me. Do whatever the fuck you want.” As if to drive the point home, he tosses it on the coffee table.
The room is silent for a moment before Suguru speaks up, his voice firm and steady. “Okay. Well, it’s settled then.” He picks up the ring and puts it back into Satoru's palm, curling his finger over it. “We’ll stay out of your room, and we should be fine.”
“Whatever.” Satoru stands up and walks away, leaving the two of you behind.
He didn’t want anything do with you, or anyone. Everyone was the same anyway. Just greedy slobs who only cared about what they could get from him. It wasn't just a feeling he came up with overnight, it was something he knew from experience, having been used and hurt in the past by people he had let close to him.
He’s let himself open his heart before. He let himself touch and be touched. Only for the person who ‘loved’ him only act that way for his father’s money. After they got what they wanted, they had spilled the news that they never actually loved him.
The very next day, he saw them share a post with their partner, showing off their newest car. The car he had bought as a gift.
It was just one person, he tried to tell himself. He needed to have hope.
He waited some time before opening up again. This time, the one who proclaimed love lasted longer than his previous one. He was staring to believe that their promise of forever might be real.
Until they asked for a huge amount of money for their project overseas. Satoru wouldn’t say no to someone he loves right? Except, they to left him right after their project succeeded.
Satoru realised that he would only be a fool to believe anyone ever again. No one was ever going to love him. Just his money and his father’s money. There was no point in anything. He couldn’t care less about you and Suguru.
But despite all this, there's a part of him that's still searching for connection and love. He's afraid of getting hurt again, but he's also lonely and longing for something real.
The soft pillow cradles your head as you stare up at the ceiling. You don’t know how long you’ve been awake. There was only the rise and fall of your chest. The bed you were on is so soft, so comfy. One would think you’d have blacked out the moment you touched it, considering how tired you were. But you couldn’t.
Your eyes were sore. You sigh and roll over, trying to force your eyes closed, but it's no use. Your mind wouldn’t switch off.
Suddenly you hear it. The soft, mournful notes of a violin fill the air, piercing through the silence of the night. (Violin playing)
At first, you're not sure if it's real or just a part of your sleep-deprived imagination. But as the music continues to play, the sound becomes more distinct, and you realise that it's coming from somewhere outside.
You make your way to the window, eyes straining in the dark as you search for the source. Then you see him. Satoru. He wasn’t asleep either? You slide the window open.
The night air was cool, but Satoru seemed to hardly notice the chill. He stood still on the back porch, with nothing but the moonlight illuminating his figure with a silver lining. The white hair on his head seemed to shimmer in the dim light.
He held his violin under his chin, the bow in his other hand, moving effortlessly across the strings as he played a melancholic melody. It was a hauntingly beautiful sound that seemed to echo through the night, filling the air with a sense of loneliness and longing.
He looks otherworldly.
Suddenly, weariness takes hold of you, wrapping a comforting blanket over your body. You feel your shoulders relax, your limbs growing heavy. You sink into the comfort of your bed once more. Your eyes drifted to a gentle close, listening as the sounds float in through your window.
Meanwhile, Suguru wasn’t sure if he’d be able to sleep at all.
On one hand, the bed is incredibly soft, and he's grateful to have a place to rest. On the other hand, he feels like he doesn't deserve it. He's used to sleeping on much stiffer, less comfortable mattresses, and the idea of sleeping on anything this heavenly? It feels almost wrong.
He couldn't shake off the thought that he should sleep on the floor or something. He didn't deserve to be given this kind of thing, to be surrounded by all this. It was a feeling of guilt and inadequacy, that he wasn't good enough.
Slowly, Satoru's violin fills the house with a sweet, muffled song. Suguru sits on his bed, leaning his head back against the headboard. His eyes close, and his expression falls into one of complete relaxation.
A small smile plays at the corners of his lips, and he hums along with the tune, lost in the rhythm. The sweet song washes away the thoughts plaguing his mind, helping him to find a sense of peace.
He was so tired. Maybe he could fall asleep after all.
chapter1, chapter2, chapter3, chapter4 (coming soon)
taglist: @keira80808
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solarbot · 5 months
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mandatory midpollo doodle break
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thompsborn · 7 months
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me, 30 minutes ago: its 1 am and i should sleep <3
me, immediately after: refreshes tumblr, decidedly does not go to sleep
#i say this like its funny haha#but tbh it is mostly because i am so fucking. Devastated about the horrible shit happening to palestinians#i saw so many videos and pictures today of such horrible things that they’re suffering through right now#and im seeing it through a screen from my safe little bubble in my house and its still destroying me emotionally and mentally#i cant imagine the fear and horror they must be feeling in gaza#and the fact that they have probably felt this fear and horror for a very long time because of israel’s ethnic cleansing of their people#im in such a privileged position and the least i can do is spread awareness and i donated what i could and i have plans to reach out to my l#local government and encourage them to speak up and condemn the genocide of palestine and im looking for local protests and shit like#im gonna do what i can but i know i cant do enough as just a singular individual with low social impact and not a lot of money#but i’ll still do what i can no matter what#i wouldnt be able to live with myself knowing i sat back and said nothing while the palestinians suffered so much#which honestly i already did because i wasn’t educated about it prior to this past week and thats entirely my fault#i mean partially i know its western civilization not showing the horrors that israel has committed but i try to stay in the loop on things#and try to be aware of things happening in the world and i failed to become aware of this before now#i could have been doing more for years to try and spread awareness for palestine and i never did and i wish i could go back and change that#but i cant#but what i CAN do is speak up now that i know and spread awareness and refuse to let palestine go down without a fight#sorry this is a fandom sideblog i know ive been posting a lot on my main blog and i do need to go to bed and whatever#its just hard to sleep knowing that as i sit here safe and comfortable in my bed there are children families innocent people dying in gaza#and the world is actively and successfully trying to paint palestine as the bad guys#its fucking awful and despicable
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catboybiologist · 1 month
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“As a biologist, the terms biological woman and man don’t make any sense to me” okay then you’re an idiot and a terrible biologist. I swear to god, morons like you only become biologists just so you can hold it over others, when in reality, if biology deniers like you can become biologists, then being one really doesn’t mean much anyway. But this probably just gave an autogynophile like you a boner to read, anyway.
Oh fun! Haven't gotten one of these in a while. Disregarding the fact that you somehow think the qualification for being a biologist entirely hinges on defining womanhood, I do need to ask some clarification. I know I'm feeding the trolls here, but here we go: does your definition of "biological woman" mean:
Sociological woman? Eh, context dependent, I'm not fully out of the closet, but oftentimes, I am and present femme. So let's call that one 50/50.
Psychological woman? Because I am one.
Neurological woman? Because I am one [1].
Physical woman? My soft tissue redistribution is handling that well.
Hormonal woman? My blood tests are within cis female ranges.
Transcriptional woman? As a signalling molecule, the downstream effects of estrogen have broad transcriptional effects, completely changing the profile of gene expression and functional genomics of my cells. [2]
Genetic woman? I mean, see my above point- as far as my genes that are actually active, I have all of the same transcripts being produced, controlling which genes are expressed.
Karyotypic woman? I actually have a few signs pre-HRT that might point to a non-XY chromosome pair, but I haven't had a karyotype. We'll put that down as unknown. And hell, even if its XY, there's plenty of cis women who are karyotypically XY, with suppressed sry or complete androgen insensitivity. Interestingly enough, a completely androgen insesitive woman can go her whole life without knowing- and functionally, is very similar to a trans woman, actually. Fancy that. [3]
Reproductive woman? I can't produce an egg cell, but neither can significant fractions of cis women. Also, this is all gonna change soon, which is fun. [4]
There's also a lot of understudied aspects to the biology of HRT and even pre-HRT that are emerging, largely demonstrating widespread cellular and genetic remodeling of trans individuals undergoing hormone therapy. The field is a bit behind due to constant political pressure to revoke funding, but a lot of the results are extremely exciting in both testosterone and estrogen hormone therapies. I'm sure that, as a self professed biology As someone who presumably has a lot of expertise in biology, I'm assuming that you're aware of all of this cutting edge research, and are keeping up with modern papers, including but not limited to these cool findings:
Trans men on HRT exhibit significant genetic and transcriptional changes that make them biochemically male. [5][6]. It's a good hypothesis that the same happens with estrogen treatment, but those studies don't exist yet- I'm sure you're reserving judgment until more publications exist, of course.
Trans men on HRT develop male cell types and tissues. [7]
Trans women experience muscular and blood cell changes that align with cis women moreso than cis men [8]
And many, many more! This is an exciting, underserved, and groundbreaking field of research, and I'm sure you're keeping up with the latest in scientific journals about it.
I'm sure, of course, that you understand that it becomes impossible to draw a distinct line anywhere in here, and that words like "woman" are shorthand for the myriad of traits that invisibly synthesize in our mind and in society to represent a concept? I'm sure you understand that science is fundamentally descriptive, not prescriptive? I'm sure that you understand that these findings, while really cool and interesting, actually don't mean jack shit about what the word "woman" means or not?
As someone who is the ultimate decider in what a biologist is, I'm sure you know that bioessentiallism is a childish mindset that completely ignores and disregards the constantly changing, dynamic nature of biological systems, something that extends well beyond biological sex and its relation to gender.
I'm sure that also, that you understand that beyond just this, that the role of science in society is to advise how to achieve our moral principles, not create moral principles in themselves. And I'm sure that understanding means you know that trans affirming healthcare and supportive societal treatment leads to reduced mortality and increased happiness for everyone, right?
So great to talk to someone who is surely a scientist on this. You are a biologist, if you're talking like this, I assume? I assume you're not going to spit complete misreadings of scientific language from the background sections of these papers that only reveal you've never read a scientific paper in your life if you're thinking this way? I assume you have experience interpreting data like this?
Also, imagining my genitalia while writing this? Ew. Please stop projecting your fetishes into my inbox.
Works cited:
Kurth F, Gaser C, Sánchez FJ, Luders E. Brain Sex in Transgender Women Is Shifted towards Gender Identity. J Clin Med. 2022 Mar 13;11(6):1582. doi: 10.3390/jcm11061582. PMID: 35329908; PMCID: PMC8955456.
Fuentes N, Silveyra P. Estrogen receptor signaling mechanisms. Adv Protein Chem Struct Biol. 2019;116:135-170. doi: 10.1016/bs.apcsb.2019.01.001. Epub 2019 Feb 4. PMID: 31036290; PMCID: PMC6533072.
Gottlieb B, Trifiro MA. Androgen Insensitivity Syndrome. 1999 Mar 24 [Updated 2017 May 11]. In: Adam MP, Feldman J, Mirzaa GM, et al., editors. GeneReviews® [Internet]. Seattle (WA): University of Washington, Seattle; 1993-2024. Available from: https://www.ncbi.nlm.nih.gov/books/NBK1429/
Murakami, K., Hamazaki, N., Hamada, N. et al. Generation of functional oocytes from male mice in vitro. Nature 615, 900–906 (2023). https://doi.org/10.1038/s41586-023-05834-x
Pallotti F, Senofonte G, Konstantinidou F, Di Chiano S, Faja F, Rizzo F, Cargnelutti F, Krausz C, Paoli D, Lenzi A, Stuppia L, Gatta V, Lombardo F. Epigenetic Effects of Gender-Affirming Hormone Treatment: A Pilot Study of the ESR2 Promoter's Methylation in AFAB People. Biomedicines. 2022 Feb 16;10(2):459. doi: 10.3390/biomedicines10020459. PMID: 35203670; PMCID: PMC8962414.
Florian Raths, Mehran Karimzadeh, Nathan Ing, Andrew Martinez, Yoona Yang, Ying Qu, Tian-Yu Lee, Brianna Mulligan, Suzanne Devkota, Wayne T. Tilley, Theresa E. Hickey, Bo Wang, Armando E. Giuliano, Shikha Bose, Hani Goodarzi, Edward C. Ray, Xiaojiang Cui, Simon R.V. Knott, The molecular consequences of androgen activity in the human breast, Cell Genomics, Volume 3, Issue 3, 2023, 100272, ISSN 2666-979X, https://doi.org/10.1016/j.xgen.2023.100272. (https://www.sciencedirect.com/science/article/pii/S2666979X23000320)
Xu R, Diamond DA, Borer JG, Estrada C, Yu R, Anderson WJ, Vargas SO. Prostatic metaplasia of the vagina in transmasculine individuals. World J Urol. 2022 Mar;40(3):849-855. doi: 10.1007/s00345-021-03907-y. Epub 2022 Jan 16. PMID: 35034167.
Harper J, O'Donnell E, Sorouri Khorashad B, McDermott H, Witcomb GL. How does hormone transition in transgender women change body composition, muscle strength and haemoglobin? Systematic review with a focus on the implications for sport participation. Br J Sports Med. 2021 Aug;55(15):865-872. doi: 10.1136/bjsports-2020-103106. Epub 2021 Mar 1. PMID: 33648944; PMCID: PMC8311086.
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fuckyeahisawthat · 2 months
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Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.
We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.
I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.
But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.
Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.
And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.
It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.
It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.
And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.
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hyperfixating-rn-brb · 5 months
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The Good Omens Fandom has had a lot of fun recently with the knowledge of Aziraphale and Crowley holding hands on the bus at the end of season 1.
Soo here's everything that went through my head as I learned of it for the first time.
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For that entire scene, Aziraphale is really far gone. He's dissociating so hard he can't even realize he's been sitting on a sword. Crowley is probably the only thing keeping him grounded.
They just narrowly stopped Armageddon after a showdown with literally Satan, and still can't let their guard down. For the first time ever, they're completely on their own side. Now they have to orchestrate a body swap to save both of them. They wouldn't just be killed, they'd be completely destroyed. Everything must go exactly according to plan, but how often does that actually happen?
And on top of that, his bookshop, his home, his safe place with the demon he has to pretend not to love is burned and gone.
Crowley is so incredibly gentle and reassuring this entire scene. He's been through so much trauma himself and has spent a lot of his existence shielding the angel from it, hoping to protect some of his innocence and naivete. Crowley is absolutely familiar with every symptom of PTSD and anxiety.
Now he has to see his sweet angel see such a small bit of the horrors of heaven and hell and start to crumble inside. He's going to do his dam best to try and help Aziraphale through it. Speaking softly, ("the bookshop burned down... remember?) slowly and carefully, gradually helping to pull the angel back to reality, reminding him that he's there and will help ground him.
They get on the bus, and sit next to each other. 11 years ago, they sat nearby but separated while Crowley begs Aziraphale to help him prevent the Apocalypse. Now they are sitting together. Both an act of reassurance and unity.
Crowley sits first, Aziraphale could so easily just sit across from him, behind or in front. But he chooses to sit right next to him. And hold his hand. Aziraphale desperately needs to be near to the *former* demon he loves, to hold him, to make sure they won't be separated.
In the book, their famous lines of "none of this would have worked out if you weren't, deep down, just a bit of a good person" and "just enough of a b*stard to be worth liking" came as Satan rose from the earth, as a goodbye in case they were destroyed.
Luckily, that didn't happen and they survived. Armaggedon was stopped. But the angel is still so anxious of losing Crowley. So he chooses to reach out, to anchor himself and reassure himself that Crowley is still there beside him and that they are okay, at least for a few minutes.
And Crowley let him. He knows how badly Aziraphale needs him, he needs the angel just as much. He knows how badly he craved an anchor and support system as he was first abused and traumatized by his Fall, then further by Hell. So he's going to continue being there for Aziraphale, doing everything he can to make his angel feel safe and comfortable.
Over the next few years, Aziraphale would become so much more comfortable reaching out and touching Crowley. Leaning into him, resting a hand on his shoulder or briefly touching his chest. Somehow both reassuring himself that the former demon was still there, and reminding Crowley that he's still there for him at the same time.
Then Crowley becomes more comfortable with the touch, leaning into the angel by himself. No longer flinching at a sudden graze of a hand or reassuring squeeze.
That one moment of the two holding hands on the bus cemented so much of their relationship. "The last few years, not really..." all started on that bus the moment Aziraphale chose to sit down next to Crowley.
edited: at first this said "new knowledge" because I just found out about this all the other day, and wrote this up at 3 AM, and didn't really fact check when this knowledge became well known. I've only really been a GO fan since maybe 2021, and only really started being active in the fandom during the last few months, so a lot of info that is fairly well known is still generally new to me. soo yeah this was edited :)
source for anyone asking for it!
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Geology of Natural Disasters and How to write them into your fictional universe.
So, you want to write about a natural disaster to advance your plot and torture your players/characters even more? Let me tell you how, accurately.
I feel like unless it is a volcano, natural disasters are a pretty slept on plot drivers, and some of them are really cool and unique! Today, I will talk to you about land slides, earthquakes (And earthquake related disasters), and volcanoes.
Landslides: Probably one I see the least in stories, but one that would be incredibly interesting to write into a plot where they believe in curses. Landslides can happen along ocean bluffs, slightly hilly areas, and highly mountainous areas, this means it is something that can happen in most landscapes. But what can trigger a landslide? Mostly all you need to trigger a landslide could be just abnormally large amounts of rain, excessive deforestation (with a little bit of rain), or an earthquake. If you don't want to use deforestation or an earthquake as a catalyst, a really cool indicator that the land is slipping and may be prone to a collapse is J hooked trees.
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This indicates that there is soil creeping slowly over time, and it may lead to a major landslide.
2. Earthquakes: Probably one of the easiest things to write, earthquakes can happen anywhere, but they are most common in places that are tectonically active areas. There are about three types of environments you can expect earthquakes to be common. The first is just rugged mountains, if your landscape looks like this, you should write in earthquakes. Associated hazards could be landslides, avalanches, and large falling rocks.
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The next landscape could be a thin mountain range, next to the ocean, very scenic, but very dangerous. Essentially, I am describing a subduction zone environment.
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Earthquakes in these areas could equal a couple different associated disasters. Scenario one: A very large earthquake happens, and the ocean begins to recede. This is a tsunami, enough said. If you are writing a tsunami though, please, please, do not write it as a large wave, thank you. Also, a common way people are hurt by tsunami's are from them going into the ocean because they don't understand a tsunami is going to happen.
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Scenario two: A large earthquake happens, your characters are in a valley and suddenly the ground begins to liquify as the ground shakes, once the shaking stops, the ground becomes solid like nothing ever happened, except everything has suddenly sunk into the now hard ground. This is called liquefaction and it typically happens in areas that have loose dirt or lots of saturated soil.
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Scenario three: There are a lot of small earthquakes, they do not cause a lot of damage, but you begin to notice that one of the isolated mountains has a plume rising. Earthquakes can indicate lava moving underground and the filling of magma chambers.
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The next environment that can host lots of earthquakes would be regions that have a lot of really deep valleys and small mountain ranges (not cone volcanoes), but overall seems pretty flat.
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This indicates a transform fault like the San Andreas. If you want to hint at there being earthquakes in the area, you can show fence posts that are suddenly several feet out of line at a dilapidated farm or something similar.
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(These earthquakes are different because they are cased from sideways movement, not an up-and-down movement this hint can only be used for this environment). Volcanoes would not be found here, but liquefaction and landslides could still occur here.
4. Volcanoes: If you thought earthquakes had a lot of information, volcanoes do too. First you have to ask yourself, what kind of volcano you want to have, what kind of eruption style? So lets break down the kind of eruptions you can have and what their landscapes look like. Hawaiian Shield volcano: This will produce a smooth fast lava, the landscape typically is pretty flat, but there will be small cones and the rocks can have a ropey or jagged texture and the rocks will be almost exclusively black to dark red.
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Stratovolcanoes: These will be solitary mountains, typically, that look like perfect cones (Picture shown in earthquake section). These will have large ash cloud eruptions and pyroclastic flows, they may have some lava, but typically most damage is done from the pyroclastic flows (think Pompeii). Some hints of these, other than describing the cone features (which can be hidden by other mountains), would be to talk about petrified wood! Trees can get fossilized in the ash and I imagine it would be very strange to find this rock that clearly looks to be a piece of wood, but its a rock. Subcategory- Calderas: Used to be a large stratovolcano, but they erupt so explosively that the entire cone collapses and creates a basin.
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There are a lot of kinds of volcanoes out there, so forgive me for just putting an infographic and then talking to you about these really rare types of eruptions that I feel like people should know about.
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Okay lets talk about blue lava (kind of) and black lava
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You will notice the lava is still red in the middle of this image, during the day these would look like a normal eruption, but at night the burning sulfur would make it appear blue. Some cool features other than this, would be that any water in the area would become very acidic and burn the skin due to sulfuric acid. This would again be really cool if you are trying to describe a 'cursed' land.
Black lava: This happens only in the east African rift I believe, but it is a carbonatite lava, but if you are writing in a rift valley (where the continent is tearing apart to form a new ocean) this might be a cool feature. The lava will cool white and will quickly erode, it makes for a very alien landscape!
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Anyway as always, this is supposed to be an introductive guide for the basics of writing geology to create cool landscapes/features into dnd or fictional universes, if you are a geologist please understand my oversimplification of tectonics, I didn't want people to run away.
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butchvamp · 1 year
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briarpatch-kids · 10 months
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Let's talk mobility aids!
Canes
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Canes are for when you need to take a little bit of weight off of one side of your body, need a little help with balance, or need a little extra stability when you walk. It's an easy mobility aid to find and get, and it's pretty easy to figure out how to use. Have the cane sized so the handle sits at wrist level, then hold it on the opposite side to the one that hurts. Match your cane strikes to the steps on the hurt side. It will hurt your arm, elbow, and shoulder sometimes, but having a properly sized cane will help.
Rollators
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Rollators are kind of the "next step up" in support. They come with more restrictions, you get limited to ramps and stuff, but they're also the least restrictive wheeled mobility aid because they're light and easy to pick up and toss around. They also have a seat a lot of times and a basket so you don't need to carry stuff. They're for when you need a place to rest, something to lean on when you walk, better balance assistance than a cane, and less weight bearing than a cane. I also found that it helped me with fatigue quite a bit. There's two main kinds, euro style like the first, and regular like the second. There are other fancier ones but I'm covering the basics here.
Rollators are my favorite mobility aid and I've used everything from canes to a fancy high grade power chair. They're just the perfect balance of help and freedom. They provide so much support for how far they go.
Crutches
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Arm crutches are pretty neat! They're a lot more ergonomic than a cane. In fact, some people use a single arm crutch as a cane. They distribute the weight a little better, so it's not all on your wrists, and they support you better than a rollator can. The major cons I found are that they take two hands to use so you can't carry much and I had a really hard time trying to learn to walk with them. A lot of people who use forearm crutches have other mobility aids and use the forearm crutches when they want to or need to walk.
Manual Wheelchairs
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These are for when walking becomes more difficult than pushing a wheelchair. There's no weight being put on your legs and feet and depending on your needs, you can get really specific with your adaptations if you have a custom wheelchair verses a standard wheelchair. My first custom chair looked like a monster truck because i took in the woods and gravel, my second custom chair after I got sicker has a head rest, a backrest that holds me up, and a little electric box that I can attach that helps me push. The difference between getting a standard and custom wheelchair is dependent on how much money the user has, what kind of needs they have, and what kind of medical access they have. (One is not more "real" than the other.) I highly recommend getting a cushion for under your butt if you have a standard chair without a cushion, I used a standard full time for 6 months and a cushion made a huge difference.
Mobility scooters
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Mobility scooters are for people who can't walk long distances, but can still walk with the help of a cane or unassisted. If you can walk around your house, but not really much else, a mobility scooter might be the aid for you! There's a lot of different styles and battery life lengths and handling abilities so try a few different scooters out if you can.
Powerchairs
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Powerchairs come in a couple different types or "groups" depending on your needs. Group 1 is the kind of chair you're probably most familiar with. It's basically for someone who needs a powerchair to get around their house, the doctors, office, and grocery store. You can't do any custom seat cushions or anything, but it's for people who don't need it. Think of like... someone who can walk pretty okay still, it just hurts to walk or they're off balance or a little weak feeling. A lot of times more elderly people will use these, if you're more active look into group 2
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Group two chairs are little more durable, a little more stable, sometimes you can switch the captains seats out for custom seating... They're what a full time powerchair user would use if they don't need specialty functions like tilt or recline. They also often have 6 wheels rather than 4 like the group 1 chairs have.
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Group 3 powerchairs are reserved for specific diagnoses like muscular dystrophy, ALS, and other severe neurological and neuromuscular illnesses. These are also called "rehab" chairs because they're for making sure severely disabled people have quality of life. The tilt function is for pressure relief, though you can also get things like elevation so you can raise and lower your chair, and some of them can recline flat. There are other avenues of moving grade 3 power chairs beyond the joystick as well in case someone can't use their hands or doesn't have them. (Head controls, torso controls, and straw controls called sip and puff are alternatives.) They can go on a little worse terrain than group 1 and two chairs and go a little farther, but if they get stuck they weigh 350 lbs and it's awful.
There's a few other types of mobility aid that I don't know enough about, like ankle foot orthotics and gait trainers, but these are the basic "mobility aid" most people will come across.
If you use another type of mobility aid and want to educate people, add it on!!
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Lucifer Morningstar x Reader Smutty Headcanons
I promised on this LM x Reader post things would get spicy soon, so here we are, coming so far from my first post! Just the first of probably many more smutty Lucifer posts, because we all know this man fucks and we all want a piece.
Warnings: SMUT
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- This man legitimately loves everything about eating pussy. He loves performing it, he loves bragging about how well he performs it, he loves giving tips because he believes in respecting the craft, and he loves putting down anyone too entitled to provide what he sees as this most enjoyable of services for one's partner. You don't even have to ask him to go down on you, it'll be one of the first things he offers, and he'll regularly ask if you're interested in letting off a little steam. Having the ability to extend and shapeshift his tongue into having an opposable forked tip makes him capable of techniques beyond your wildest fantasies, and whether you like to receive from above or below, he's equally down to have you seated on his face or laying back to enjoy yourself.
- He's not poorly or overly endowed for a man of his size, but he's also quite literally the one who originally proved that size doesn't matter in the slightest, and he's had thousands of years to perfect those original techniques. From position to tempo, he's mastered everything he needs to hit the G-spot with impeccable accuracy, and his hands will be quite busy seeking out where you most enjoy attention as he rides you with the power and virility of an untamed stallion. All this combined results in a mind blowing time for you, every time, and he's got the stamina to answer all of your repeated requests for another round.
- Nevermind the magic he can work with his tongue or his dick, the King of Hell is also a wizard with his fingers. He's even got a carpal tunnel roller just to keep his dexterity in top shape for when his skills are needed. Finding your clit is effortless for him, and he'll show it all the love he thinks you deserve, responding eagerly to your feedback in the moment and putting his mouth to use on your neck as he does so. Whether you want him inside, outside or both at the same time, he's happy to provide, and he'll gladly push his wrists to the limit if it leaves you properly satisfied.
- If you offer to be the one servicing him, he'll happily accept, and you'll quickly find his mannerisms shift quite considerably when he's on the receiving end. He starts out confident, offering banter to match your own, but as soon as your mouth gets to work, his demeanor changes. A grin becomes an open mouthed moan, his hands tenderly take hold of you to ground himself, and witty quips turn to soft and needy sighs. The more heated things get, the more he loses himself, but it's a great way for you to gauge how well you're performing. Growls and an appearance of his horns are a sign he's really having a good time, especially considering he's always got steam to blow off. Particularly rough days will result in him losing all control by climax; fully extended wings and horns, an unfurled tail he wraps about you, hair disheveled and clinging to a fine layer of sweat, and more than a few reality bending bursts of power surging around the both of you. It's his favorite way to end the day on a good note. He'll pull his fingers from your hair as he breathlessly apologizes for the show, but the both of you know watching him go feral is part of the fun.
- The afterglow is peak cuddle time for him, and he'll be in no hurry to get dressed if there's somewhere either of you needs to be, so more than a few of his duties will end up delayed thanks to post-coital bliss. All six wings will seek you out for a fluffy embrace, and if the two of you are at all winded, the otherworldly softness of Archangel feathers might make staying awake quite impossible. Should you have some energy to spare though, he'll want to actively enjoy the snuggle. Hearing you breathe, feeling his skin against yours, and engaging in pillow talk just make him the happiest little guy. Such moments really allow him to let his guard down, and you might hear him speak with a softness and hopefulness that rarely leaves the bedroom, but he's just as interested in listening as he is in talking. Don't be too surprised if he drifts off with his head in your boobs though.
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luulapants · 1 year
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Existential despair is so common in a person's twenties, I think, because up until that point, we've had a pretty clear road map for what's expected of us and we haven't had much reason to question that map. There are still a few milestones outlined for us (start a career, get married, make babies) but more and more young people are entering the post-school world and realizing:
A) that career thing just isn't happening like they said it would
B) I'm not ready to get married/I don't want to get married/marriage isn't the sort of life-altering event that it used to be
C) I'm not ready to make babies/I don't want a baby/I can't afford to raise children right now (see point A)
And in the absence of these milestones to shoot for (which one could argue weren't the promise of fulfillment they claimed to be in the first place), what we're left with is this aimless abyss of "the rest of our lives" sprawling out ahead of us with no indication of how it will go or what we should be doing to shape it. Young people start their first jobs, find they hate them, and think to themselves, "Is this it? Am I just supposed to do this job until I'm too old to do it or die first?"
Which is, yeah, really fucking depressing!! So here's my best attempt at an alternate roadmap for young people that don't vibe with the old model. Please feel free to add in your own suggestions!
Learn how you work and what you want out of a job. Unless you've been in a job-specific training program that gives you hands-on experience, your first jobs should be experiments. Learn how a full-time job feels for you, what elements are more or less difficult. Different workplaces have different cultures and expectations - what do you need out of a job environment? Do you need to find fulfillment in your job or is it enough for it to pay the bills and leave you time to find outside fulfillment? Do you want to climb a corporate ladder or are you content to hunker down as long as your bills get paid? This period of experimentation is exhausting and may feel like it's consuming your whole life.
Learn how to make time for things outside of work. Adapting to a full-time work environment often leaves you feeling so drained that you can't do anything but go home and collapse on the couch every day. That's fine - for a little while. But it can also become a habit. You need to learn how to do things after work or you'll go crazy. Go to a trivia night. Start an exercise schedule. Take a class in your community. Find volunteer work. Join a band. You will find that putting more things into your day makes you feel like you have more time, not less.
Find a community. Making friends as an adult can feel impossible. Where do you find these mysterious friends everyone seems to have?? This goes along with #2, though. As you start regularly attending the same activities, you will find that repeat interactions with the same people turn into friendships or at least friendly acquaintances. Say yes to invitations. Get involved in your local community. Strive to be connected enough to bump into people at the grocery store.
Unlearn bad lessons. We all internalize some messed up things when we're growing up. As you start off your adult life, that's the time to actively work at unpacking the things you've brought with you from childhood and deciding which things are helping you and which things are harming you. This might mean therapy or joining a spiritual group or reading new things or just making special time to be in your own head.
Learn the lessons you missed. In this, I mostly mean practical things. "Adulting." Areas of your day-to-day practical life that are causing you extreme stress are probably related to a knowledge or experience gap. Do you hate cooking and cleaning or were you not taught how to do it properly? Are you afraid of making medical appointments or is it just something new you're not used to? Does money make you queasy or do you need to learn how to make a budget?
Find something fulfilling. This can be your job. It can be volunteer work. It can be faith. It can be a hobby. It can be creating things. It can be challenging yourself physically. It can be activism. It can be going for walks in nature. Everyone finds fulfillment in different places. If you're not finding it where you are, look somewhere else.
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DPXDC: I wanna be like most girls ghosts.
or Danny: What should I do to make my mom happy?
or ~Danny deserves a little teenage rebellion as a treat~
Maddie: I just want this damned Phantom to stop pretending to be a hero! All ghosts are pure evil, who is he trying to deceive? Danny: Oh, really? And Danny took it personally.
It’s not Danny’s fault that he’s a good kid and wants to make his parents happy. But why would he have to be a monster to make them happy? Why must they hate him to be happy?
Danny’s obsession was going crazy.
Well, when your own parents call you a monster in the face, it hurts. Why do they always believe that only their opinion is the absolute truth? They have no idea how much worse things would be if at least some of the ghosts really behaved the way Maddie and Jack think they’re supposed to. If he really is evil by nature, is there any point in fighting his own fate? They want to see him as a villain, he will become one. He will. He just needs a little help and practice. And not bring it to the level when Clockwork has to clean up his mess. Poor guy is without a vacation for how long? Couple of millennia?
Johnny 13: Sup. Danny: F*ck off, Johnny, I’m not in the mood. Busy thinking about world domination. Get out of here or I’ll call Kitty. Johnny 13: What’s wrong? You’re usually so grouchy only towards the end of the week. Danny: Nothing. Just parents. Again. They are wonderful but I can’t help but feel sometimes that they, em… Johnny 13: Suck? Danny: Right…Damn. I’m a terrible son. Maybe something is wrong with me. Johnny 13: What? No, no, dude. You’re just growing up. And you’re a little late, usually teenagers go through that stage before they graduate. Well, you’ve probably been busy with other issues, so just missed it. Danny: I wonder whose fault it is. Aren’t there ghosts who enjoyed to ruin my life in the middle of school day?
Johnny 13: Oh, bother. Anyway, you’re entering a beautiful time of emancipation, where you’re going to shape your own view of life and, along the way, to get drunk on cheap alcohol at parties, maybe to go to jail and to become the greatest disappointment to your family..And then you will be ashamed to remember it for about the next ten years. Danny: Well, it looks like I’ve already done two out of three additional things. Great success. Johnny 13: When did you get drunk? Danny: I didn’t. Johnny 13: Oh. Want to fix that? Danny: What? No. What an idiot wants to add a headache to his problems? Johnny 13: Well, your loss, then I’ll go terrorize the bars of Gotham alone and no one can stop me. Let’s see what your boyfriend will say about it. ~~~~~ Danny: Bartender, another shot of Dead Man’s Fingers, please. Red Hood: Babe, haven’t you had enough? Danny: Have you ever felt that no matter how hard you try, no matter how many sacrifices you make, in their eyes you’ll always be nothing more than a monster? Nothing more than a mistake? Oh, Death doesn’t give people like me a break. Red Hood: …I’ll have what he’s having. *gives the bartender a sign to switch the rum shots to a batburger milkshake for them, and starts talking to Danny so that he doesn’t understand Hood's scams*
~~~~~
Johnny 13: Other people’s kids are growing up so fast. It seems like yesterday he didn’t know how to shoot ectoblast, and now.. Kitty: Stop trying to make me feel bad, we’re leaving. Johnny 13: But the boy needs our support, honey boo!
~~~~~
Danny: I'm fine. Really, I am. This isn’t the first time mom’s called me a monster. She often called me that when she was upset with my behavior in my childhood. Huh, it's even funny. Jason: There’s nothing funny about that. Danny: No, you don’t understand. Looking back, I was really a very active child and didn’t know when to stop. Not surprisingly that I often annoyed my parents. They’re very busy people, and Jazz couldn’t always keep an eye on me. And I was often afraid to go to sleep alone because there were shadows in the darkness of my room. Well, I used to think they were. But I pretended everything was okay to not distract parents from work. Jason: Hey, it’s not your fault. You were a child. Obviously, kiddo requires a lot of attention, they must have understood that. You are the second child in the family, right? Danny: Well, Jazz was different. I don’t know. Anyway, I thought if the monsters behind the curtain and under the bed were just like me, well, according to my mom, you know, then they wouldn’t want to hurt me. And since they look after me, they are friends. So I kinda greeted all the suspicious noises and howls. Huh, I was a strange kid. Jason: If you smile at someone in the dark alley right now that someone is more likely to wet themselves or faint. Danny: Rude! I’m not that scary. Admit that I’m adorable. Do it right now. Jason: Stunning, darling. But still carry a gun and a knife, please. My childhood taught me that what's hiding in the dark is worth beating up. Danny: Come on, what should I be afraid of? Death? Anyway, I want to try this shit. Like, the inevitable one. Being a bad boy, you know? Hood *raises eyebrows*. Danny: Oh damn it man, I'm talking about ghostliness. I want to try to be like most of dead ones. I want to unleash my side of the trickster and the villain. But only a little bit. I have to be supervised so that things don't go too far. Would you help me, honey?
~~~~~2 hours later~~~~
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~~~~~
Goons used to expect a lot of weirdness from working with the boss.
Sometimes Bruce Wayne would go into their base and yell at the Red Hood like he's one of his kids. Of course Wayne's well-known as 'Gotta adopt them all' but the guy must really suffer from insomnia to count the Red Hood into his brood of chicks several times. Sometimes the boss would fight Robin or Nightwing over differences in morals…or for biscuits. It varied from moment to moment. Sometimes the boss caught the local street children, fed them and taught them to steal correctly. And most of the foundlings stayed with them under their protection.
To make a long story short, Red Hood is not the typical crime lord that some of them had to deal with before. Which is a blessing. Thanks Lord for the health insurance. But still the crime lord. Which means he's still scary, and sometimes deadly.
Anyway, when the boss brought in a guy who looked more civilian than any civilian in the whole Gotham and said he was going to be their intern, they thought it was a joke at first. Despite the fact that Hood was not in the habit of joking while working.
The teenager was too well-mannered and sweet to come from Crime Alley. Phil thought the guy was gonna run when he saw the first murder, Jessica didn’t think the domestic boy wouldn’t chicken out at the sight of a fight. But arguing with a boss’s orders in their profession is like asking for a bullet in the head, so these conversations were taking place outside of their boss's sight. God, how can they teach him anything? What do you take from a boy who’s only good to do the coffee run? Fenton will fall if they’ll give him something heavier than 10 pounds. And then boss will yell at them because he treats the new guy like a princess on a pea. Well, at least that’s what they thought until the boss decided to give the new guy his own assignments:
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~~~~~
Red Hood: So, what have you learned during your internship, my young Padawan? Danny: Well, it looks like I’m gonna suck at being a criminal mastermind. I think I may have to find myself some other profession. Red Hood: Come on, you just need a little more practice. Danny: Thank you but I don’t think that’s fit my obsession that good. Don't misunderstand me, I wanna be like most ghosts. But I was wrong to go to hit that goal only base on human stereotypes about my nature. Red Hood: What a pity. The newbies just learned not to flinch when you walk in. But, to be honest, I'm not gonna miss the adrenaline-boosting roller coaster of you at work. Danny: Oh, and I guess to hold on to the concept of humanity was really stupid too. I clearly no longer fit in and I’m finally ready to accept that. So, hopefully, if you get into trouble, you can rely on my ghostliness and call for help. I am the spirit of many talents and of my word. I can haunt your enemies or walk through the walls of Arkham Asylum. Whatever you need, I’ll be here. Red Hood: I’ll bear that in mind.
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scoobysnakz · 4 months
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made the mistake of reading a bucky fic while being DEEP in my miguel phase so here’s 1940’a husband miguel headcanons 👐
1940’s hubby Miguel who doesn’t like you working. Not because he’s a scumbag asshole like some of his colleagues but because he hates seeing how tired and stressed it makes his special girl.
1940’s hubby miguel who drops hints at you being a housewife. “You’re always so tired,” he murmurs while zipping up the back of your dress. His hands trail down your sides until they reach the plush of your hips. “I hate seeing the love of my life with bags under her pretty eyes.” he finishes before planting a quick kiss on your cheek and turning you round to face him. “Stunning.”
1940’s hubby Miguel who hates coming home late because it means you’re already in bed and he can’t listen to you ramble about your day.
1940’s hubby Miguel who loves spending his evenings dancing in the kitchen with you. He twirls you round and round while watching the dress he bought you for your anniversary spin in the air around you. the sound of your soft laughter as you eventually pull yourself close to his chest, you breathing heavily and palms flat on his pecs.
1940’s hubby Miguel whose favourite activity is cuddling in bed with you. He can't get enough of the feeling of your back pressed against him as gently traces circles on your shoulder. Your pouty lips and scrunched nose are probably the most beautiful thing in the world, and he makes it known.
It's the part of his day that's quiet, like we'll and truly quiet. The only sounds that can be heard throughout the house is low humming of the radiator and your heavy breathing. He can finally relax and its with his favourite person in the world.
1940’s hubby Miguel who can't help but get hard as you slowly wake up. You arch your back against him as you yawn lazily, still blissfully unaware of the world around you. He can feel his cock chubbing up at the way you snuggle back into him, ass pressing against his crotch in a way that if you were properly awake he would fuck you silly for.
1940’s hubby Miguel who slowly rocks his hips against your ass, hands carefully gripping your waist. Carefully, he pulls his cock out and slots it between your thighs, a heavy groan escaping him Precum leaks out from his tip and smears the back of your nightgown.
The head of his cock pokes out from between your thighs as his thrusts become more desperate, more sloppy, more urgent. His cum spills out in a heavy, hot load against the fluffy pink (your choice) bedsheets.
You wake up with a meek whimper before your eyes flutter open. “Migs?” you mumble through pouty lips. Smirking, he gives you a quick peck on your neck before nuzzling his head into your hair.
“Shhhhh, Doll,” he croons, “my girl needs her beauty sleep.”
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claw-deen · 11 months
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when you're forced to leave your home (because of your parents):
i'm writing this because the sad, rebellious, angry teen in me wished gwen didn't forgive his dad so easily (are my daddy issues showing? idk are they?)
i'm also writing this for all of us who had to grow up too fast, and whose parents never accepted them as they are, for those who had to leave their own "home" because of that; i'm proud of you, you're great, keep living your life the way you want to <3
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miles would try to make you look on the bright side of the situation. your parents don't accept you for the way you are but he does, and he would make sure to remind you that every day. family is so important to him and making you feel like you belong somewhere would become his number one priority.
gwen is probably the most likely to understand what you're feeling, bonus point if the conflict concerns your dad. “fuck them. they weren't good for you in any way.” she would say. you're more than welcome to stay at her place for as long as you want.
pavitr is like miles, family is sacred to him and he will need some time to understand how can your own parents force you to leave your home. you're such a good person to him and he would be really supportive of you.
hobie would try to hide his joy at the news. he's a clever guy and has long noticed how your parents were messing with your mental health. nevertheless, he understands that this is a difficult time for you and suggests you stay at his place. “remember that I appreciate you okay? and if those fuckers are too stupid to realize how amazing you are then it's their problem.”
miguel would try to act like the adult he is and discuss with your parents, needless to say, he would return home angry. “they don't deserve you kiddo, one day they'll realize all the mistakes they made. you can stay here if you want, I'll take care of you.” he would say, as his dad mode gets fully activated. (scream in daddy issues)
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thatbadadvice · 7 months
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Dear Advisor,
I tend to be a very reserved and shy person so making friends is super hard. Recently I’ve been wanting to socialize more , but I genuinely don’t know how. Is there any advice that you have that can make me look more approachable and not be scared to talk to people. I’m so stressed about being alone and not having any friends, but I just find it so hard to go up to people and make a conversation. I tried once but it became super awkward. I just really need good advice from someone on how to approach a person and continue a conversation.
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Dear Awkward Anonymous,
It would be so easy to get into a whole deep let's-skeetshoot-therapy-on-the-internet session and try to help a total stranger unpack all of the GA-FUCKING-ZILLION ways in which social awkwardness shows up in a person's life. It seems easy, and it even seems meaningful and worthwhile, but to do so I would have to presume a bunch about your life, and make a bunch of assumptions about the ways in which my own experiences maybe/probably track with yours, and it would be a whole big wank-fest, and frankly ... it would be awkward. I'd be like you, standing there at the party, hoping that what I'm saying resonates or lands or even vaguely tracks with anything a stranger has ever known or experienced, presuming (probably rightly!) that it doesn't, and then flailing and blaming myself when I didn't emerge from the interaction with all the world's gold stars.
So here's what: stop talking to other people as a primary social occupation. Going up to people and just talking is fucking terrifying. The Bad Advisor says this as a Certified Extrovert™ who rarely shuts the fuck up.
Instead, find a thing to do with other people that involves some sort of task or goal or activity. Talk about the thing you're doing together, when you're doing it. If it feels okay, maybe introduce one or two of your own relatable-to-the-activity experiences in the process. See who picks up on it. Ask the people who pick up on it genuinely interested questions in response. This is what we awkward people call: engineering a conversation. It is the way, I am told, humans make connections with other humans. I have seen it work in my own life.
Depending on where you live and your ability level and skill set, I bet you have some options! You could seek out an open board game night, pub quiz session, knitting/quilting circle, or mutual aid meetup that's looking for volunteers. Especially look for social activities with strangers that involve a dedicated, pre-prescribed activity (such as a hiking or mall-walking group, stuffing envelopes for a political candidate or cause you care about, planting trees at your local park, or tasting tea/wine/beer/etc.). (Somebody is going to say join a ballroom dancing club or suchlike; I am personally terrified of this, but if you have a higher tolerance for strangers touching you and fewer than two left feet: it's literally an option. Line-dancing, on the other hand ... absofuckinglutely.)
Even if what's available in your area isn't your precise and specific interest, it might be worthwhile to check out something you are decidedly meh about -- you might not be the only meh person there. You can bond over shit that's boring or shitty with other people who find it boring or shitty! Some of my best friends, arguably my very best friends, came out of experiences we mutually loathed or found at least moderately and mutually miserable.
Consider especially finding an activity where you yourself are the manager of operations and/or have a designated task to take care of that is unique to your position! This doesn't have to be complicated or skill-dependent; can you become a voter registrar in your area? Well, bam! You've got paperwork people have to fill out and a good reason to jibber-jabber with folks who have to ask you the questions. Other ideas: join your local neighborhood association board, become a notary public, or see if your local pet rescue is looking for intake line volunteers. Do you have a trustworthy, especially outgoing friend who might agree to play "social glue" for you a couple of times at their activity-centric events? Make it explicit! Ask them if they'll play friendly wing-person for you at their D&D game, fantasy sports league, or some such.
Alternately: Do you have a unique and fun and shareable skillset you can share with others? Are you pretty good at drawing, programming? Simply a font of endless Merlin or NFL or Real Housewives knowledge? You might start a local Discord or other online social group to discuss and share your interests, then move it to the real world in a few weeks once folks get comfortable. You get the idea.
Most of all: Look for stuff that has more-than-just-talking opportunities available outside the designated group jam for you to maintain connections. Perhaps a group chat, a Discord, a Slack, what-have-you, where you can take more time to consider and draft your responses and posts? Connections with humans get made a thousand ways, and talking raw-dog with strangers is but one.
It takes a true social unicorn to be simply good at talking and only talking to other people. There are some of these one-horned wonders out there, to be sure — but let me assure you that the vast majority of folks want to be accepted and seen just as much as you do, and they're staring at the ceiling at night thinking just as much (more, probably) about all the weird, wonky shit they themselves threw at you than they are anything you ever said to them.
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