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#i need to write more of him soon
thekittyokat · 2 days
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you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah
#sorry i got really into my feelings about mark hoffman again#the very specific version of him in my brain that i really really wish i had the time and energy to properly share with you guys#saw#well until i muster the energy to explode all of my feelings out into a fic. if you want to TRY and understand#know that my three biggest hoffman fic insps right now are as follows#your best kept secret hoffman. a series of mistakes hoffman. and rushed like a dreadful wind hoffman.#there is a very clear throughline just know i am extremely emotionally compromised rn#thinking about theee fics vs the canon path hoffman spirals down#something something the absolute tragedy of watching a man's descent into madness#the transformation of a man into a monster#and what could have saved him from himself and kramer's corruption#sorry i'm rambling so much oh my god i was just having such a crying fit out of nowhere about this#do you think he could feel it happening. do you think he was aware he was losing his mind.#the script version of him fucks with me so bad. the crazed rankings and the longer hair and him not being well kept anymore#it's impossible to think he didn't know he was deteriorating#fuuuck okay i need to either chill or write a whole longfic rn#i project on that guy so much i truly don't know if i could properly write my vision of him#until i do something more substantial the full extent of my hoffman exists for me and my boyfriend only. they get me like no one else#well ginny and jenna also get me. please read best kept secret and a series of mistakes Oh My God#where am i going with this. i like tag rambling actually this is a nice way to do it without forcing EVERYONE to read my delirium#anyways if you've read all of this i think i love you? feel free to dm me about hoffman and my very specific headcanons and aus#maybe soon i'll try and start writing my fics about this tragic man#i could never say any of this on twitter btw they'd string me up for my opinions on him as a sad wet beast who could have been fixed#if only he hadn't been weaponized first#god i'm too tired to even be as embarrassed about this as i should be. thought i unlearned cringe already#but i've been spending way too much time on twitter and they HAAATE hoffman there#rip. i know it's not that serious but i'm sensitive rn and hate feeling lonely in my thoughts#ok bye for real otherwise i'll never shut up. i might tag ramble more often bc this was therapeutic in a way i needed badly#cat chat
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fatuismooches · 3 months
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DOTTORE SUNSET DATE... i would like to point out there's a lil Puffttore in the sky with a heart... i think that's adorable,,
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Him admitting his feelings... :3 (marriage soon)
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ACCEPTING THE CHOCOLATE BAR AT LIGHT SPEED... you know he loves you if he shares his sweets with you!!
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Other random things... *nom* also because i think it'd be adorable for Dottore to actually look forward to spending an eternity with you.
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Last one... he went to bed 12 AM sharp 😭
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comradekatara · 14 days
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sokka, katara, and the paradox of “the gifted child”
something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.
while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.
moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.
katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.
katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.
and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.
i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.
so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.
when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.
moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.
when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.
sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.
one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.
sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.
katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.
however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.
unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.
of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.
so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.
thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.
both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.
#analysis#sokka#katara#katara&sokka#hakoda#kanna#kya#hakoda&sokka#kanna&sokka#kya&sokka#kanna&katara#whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me#like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal#but simultaneously dehumanized etc etc#but also the fact that like. zuko treats her the same way katara treats sokka#he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor#when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE#katara and zuko are like ‘let’s put azula in her place’ and high five#and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet#so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf#but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times#so there’s rly no need to argue that#whereas katara loves calling sokka an idiot so i do believe that some clarification is in order#but like. yeah there’s no way sokka was dismissed or neglected as a child#he’s dismissed and neglected by the world at large#but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye
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gooperts-gunk · 2 months
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im so crazy over the tragedy of everything q!bbh does being under a demon pretense even though he's a fallen angel.
do u think he just accepts the demon label because it's easier. do u think he believes it too, and catches himself in his thoughts with "oh, right. im not exactly that". and maybe he believes that he did this to himself? do u think what he did was to protect himself or someone? no matter the fall, he still has so much kindness to give and his brain just isn't wired the way a natural-born demon would be, he can't hold back instincts when time demands it, maybe that's why he fell in the first place.
and when he's finally bad, not good, it's treated like the end of the world, without empathy on why he would act out. do you think this keeps happening? the same scenario, multiple times, every timeline? he has to be used to it. so he has to take it in stride. he's good until he lashes out under extreme pressure, and suddenly he's called demon. and once again he's what heaven made him out to be. what he made himself to be, his brain would ruthlessly provide...
i don't think he wants to be that, though he hides secrets behind secrets of which neither identity is a home... but i don't think he wants to have to change, either. and i don't think that's wrong of him.
...you collapse atlantis ONE TIME and all of a sudden YOU'RE the bad guy and SURE it was FUN but REALLY now,--
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cryptiduni · 10 months
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“white mourning.”
#‘‘A white mourning. A modern death. Divorce or something similar. All you can do is put more distance between you & him. make him smaller.’’#jean is a very easy character to hate if you know nothing about him. & you know what they say. easy target doesn’t make for a good practice#judit literally compares harry to intellectually disabled man yet you don’t see ppl hating her because she is outwardly nice.#she’s polite yes but she doesn’t care as much as jean cares for harry#he is not perfect. he is mean. but loyal. if he truly didn't care he wouldn't hab come back to martinaise & coulda just reported harry’s as#he put up with du bois’ bullshit for years and built a toxic (totally straight) relationship with him yet always comes back.#he says he will leave you in the village to die but please understand harry isn't exactly a great person. especially pre-bender hdb.#planned a make up joke & put on a wig for hdb even tho he wasn’t the who started the whole fiasco#you can hate him all you want for leaving harry before & during tribunal but how could he have foreseen all this bullshit would have happen#his second leaving is kinda bullshit writing but#jv is dealing with his own demons too. clinical depression. partner almost died. job is shit. case spiraling out control#i do not blame the DE staff either. sometimes shit just happens. not everything needs a grand explanation.#but it definitely coulda been handled better. but i understand. resources were sparse.#i relate to ​jv. as someone with temper issues & attention problems i have to remove myself from the scene or i'll say shit i'd regret late#my man is having the worst week of his life. leave him alone.#kim is great but have u heard of a man who thinks he's old when he is only 30 & luvs horses & his commie boyfriend that he's divorcin' soon#disco elysium#de fanart#jean vicquemare#disco elysium fanart#jean heron vicquemare#jean posting#illustration#de#artists on tumblr#my art#I WANTED TO DRAW THIS FOR MONTHSSS YOU COULDN'T IMAGINE. HE LITERALLY HAUNTED ME IN MY SLEEP!!!#i love him normal amount. very healthy. much feelings#my little maiu maiu
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pathetichoney · 1 year
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[Image ID: A drawing of a selfie taken by Sam Manson with Damian Wayne. They are both dressed up in formal attire, Damian in a black/dark grey suit with a red tie, and Sam in a purple topped off the shoulder dress with black straps. She is wearing a variety of jewelry, a necklace with a bat pendant, a black choker with a star of david in a circle pendant and cartoonish spider shaped earrings. Her hair is reminiscent in her half-up hairstyle, but with two ponytails rather than one. The background is a dark wall, a white collumn and white tile flooring. There is a window in the back, with green curtains, and outside the window is a cityscape of Gotham at night. There is a watermark of the artist’s username in the top left corner @pathetichoney​. End ID.]
i am back on my bullshit this time with a v special new way that i’m drawing bc i got a new phone that i am paying out the wazoo for, however i can draw on it so my art has gotten significantly better. though of course i had to test myself and do both 1. a full background 2. a character who wears lipstick which i always struggle with unless their mouth is in a particular position and 3. a character that i have never ever tried to draw.
so like. rip me lol.
anyways i am back on my bullshit bc this is fanart of fanfic!!!! i always feel exactly in my element when i do this, it’s just always so good??? and fun?? and when i first read this fic, i mean oh god i just fell for it so hard. i ended up rereading it again like barely 48 hours after i’d finished reading it the first time lol
the fic in question is a damian and danny are twins au! it’s called Leap Before You Think by TourettesDog and i just-- the characterisations are just so well done it all feels incredibly natural especially with the merging of the two different universes into one cohesively and seamlessly it’s wonderful. there are a few faults with this pic i think, however i am still incredibly proud of it. as a bonus, here’s a better view of the window scene because i’m still really proud of that one:
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catscidr · 12 days
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chucks this dottore x y/n art like a smoke grenade and runs in the opposite direction like the cop in cloudy with a chance of meatballs
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words-with-wren · 8 days
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@chrumblr-whumblr day three: Carrying
Fandom: Endeavour. Four and a half years and I am BACK I missed these boys even though they break my heart <3 kinda bad but all of these are. Barely any editing OR even proof reading I'm ready 20 minutes late and posting from my phone woopsies
Word count: 2,170
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It was raining. Morse hunched in his coat, squinting bitterly up at the water coming through the trees. The sun hadn’t even started lighting up the area, and the whole morning had an air of misery about it. 
“Morning, Matey.” Strange’s greeting was altogether far too cheerful for the early hour of the morning and Morse turned his glare onto the other man. Dimly, he found himself for the first time a little envious of the uniform Strange sported--the hat and coat looked altogether far more suited for the weather than Morse’s own clothing. 
Morse just nodded in response, risking a hand from the safety of his pocket to wipe wet hair out of his face. 
“You really think we’re going to find something in this?” Jakes joined the two of them, an unlit cigarette between his fingers, looking positively damp. He was holding a torch in his other hand, the light illuminating the falling rain in a narrow beam. Morse found some small vindication that the sargent looked about as miserable as he felt. 
His vindication disappeared a moment later when Jakes flashed the light of the torch directly into his eyes for a split second. Morse squinted abruptly, blinking at the momentary blindness. He decided he wasn’t in the mood for a fight and assumed that was an accident.
“If there is anything, we should start looking soon,” Morse muttered. He hunched his shoulders, trying to find some comfort in his soaking coat and staring at a single point while waiting for his eyes to readjust. “The rain’ll wash it away soon.”
“If it hasn’t already,” Jakes muttered. He put the unlit cigarette between his teeth. It sagged disappointingly, wet through. Deserved. 
“The doctor said it’d be a knife, ‘bout so large.” Strange held up his hands as he was speaking, indicating a length about five centimetres long. Morse nodded, turning his attention to the woods. 
The chances were low that the murder weapon was still in the woods where the body had been found, but DeBryn had said there had been some kind of struggle, and likely not all of the blood found splattered across the scene was the victim’s. 
It was possible the weapon was still lying somewhere in the woods. Morse was of the opinion that their efforts could be better spent chasing other leads, but orders were orders and now here he was, standing soaked in the rain. 
“Right then,” Jakes said, taking charge of the situation. A few other uniformed officers mingled around and it didn’t take long for a search to be organised, starting from where the body had been found that morning and steadily branching further out. 
Morse found himself trudging through the wet forest, mud on the ground sticking uncomfortably at his boots, sweeping his torchlight over the muddy ground. At least he’d thought to pick up some wellys before heading out--his feet were about the only part of him not soaked through. 
He scanned the ground as he went, hoping something would come up soon so they could all go and get warm and follow more useful branches of inquiry. The route he was following started drifting steadily downhill, and Morse had to withdraw his hand from his pocket to keep his balance, grabbing onto tree branches and trunks as he went, torch held tight in his other hand. 
The mud was slippery and he almost lost his balance more than once, grabbing onto a tree to catch himself. His hair was back in his eyes and he wiped it out of his face again with frustration. 
They wouldn’t even be able to get anything useful out of any evidence they found--a murder weapon would be one thing, but after this rain there was no way they’d be able to get any prints off it. This was all a useless waste of time. 
Something flashed in the light his torch cast and he paused, one hand resting on a nearby tree trunk. He aimed the beam of the torch towards whatever it was, making out something sliver dangling from the branch of a tree. He stepped forward and suddenly a sharp pain bust through his foot. 
He was on the ground before he realised what had happened, face pressed uncomfortably into cold mud. Pain flashed through his foot and he gasped, pushing himself up onto one hand. 
Great, now he was wet and muddy. Not to mention his foot was throbbing in a concerning way. He shifted to sit but had to gasp out in pain, vision flashing white as he moved his foot. 
He managed to catch himself before he fell back into the mud, but the world twisted and spun around him dizzyingly. HIs torch lay on the ground nearby, a beam of light illuminating the mud in an almost golden hue, sparkling dots of rain flashing through the light. 
A root was jutting out of the mud just beside his feet and he glared at it--clearly the culprit that he’d missed in the wet and mud. 
He managed to awkwardly shift into a sitting position and retrieve his torch, eyes watering with pain every time he moved his leg. Supporting himself with one hand, he glared at his foot as though that would make it stop hurting. 
He wasn’t going to be able to walk on that he realised a moment later. With a groan, he started digging in his pockets with one hand, finally withdrawing the whistle Jakes had given him before they left the station. 
He blew sharply on it, automatically blasting out three short bursts, three long, and another three short. Someone would be near enough to hear and come to his aid. While he waited, he turned his torchlight onto the silver thing, still caught in a tree. It looked like some kind of locket, sparkling in his torchlight, and he hoped that whatever picture was in it hadn’t been ruined by the rain. That could be an important clue. 
“Morse?” Strange’s voice called from the trees a few paces away, and Morse could make out the flash of his torchlight. 
“Over here,” he called. “Twisted my ankle.” His voice carried a note of bitterness as he spoke, trying not to think too hard about how this was going to take a few days to come right again. 
Strange appeared through the trees a moment later, still looking positively dry. Morse, sitting propped up against a tree, his leg stretched in front of him, covered in mud and rain, glared up at him.
“You alright, matey?” Strange asked. Morse scowled. 
“I will be. Just give me a hand up.” Strange moved towards him but Morse spoke again. “Wait, before you do.” He flashed his torch at the locket again. “I found that.” 
“Of course you did,” Strange said good naturedly. He followed Morse’s torch beam and carefully tugged the locket off the branch it was stuck on. Tucking it safely into a pocket for later inspection, he turned his attention to Morse, in the process flashing the torchlight into his eyes. 
He squinted, holding a hand up and Strange apologetically dropped the light. 
“Sorry Matey,” he said, clicking the torch off and slipping it into another pocket. That unform coat really did have a number of pockets. 
“You’re as bad as Jakes,” Morse grumbled. But it was noticeably lighter now, and the torches were beginning to not be needed. Morse kept his on regardless--he didn’t want Strange tripping on an invisible root and joining him on the ground. 
“Up you get then,” Strange said, holding out a hand. Morse grabbed it with his free one, but the moment he tried to pull himself up, he jostled his leg and let out a scream of pain. He sagged back, eyes squeezed shut against the flash and steady throbbing coming from his ankle. 
“I’m okay,” he said, waving away Strange’s anxious hovering. “Just let me catch my breath.” 
“I don’t think you can walk on that,” Strange said. Morse just groaned in response. At least his boot was doing a better job at keeping his ankle tight than his usual shoes. Though taking it off was going to be a nightmare. 
That was a later problem, now he had to figure out how to stand up so they could get out of this miserable forest and somewhere dry. 
“Everything alright?” Jakes appeared through the bushes, the morning light strong enough to illuminate his pale face. Morse didn’t have the energy to glare up at him, his foot was hurting too much and his irritation at being seen in such a state by the sargent a secondary matter right now. “No time to be sitting down on the job, Morse.” 
“He’s twisted his ankle,” Strange explained. Morse just nodded. 
“Touch luck,” Jakes said. “Best be getting you to Casualty then.” 
“I would if I could stand,” Morse muttered. He shut his eyes as another wave of pain flushed through his foot. 
“I’ll carry you back,” Strange offered. Morse opened his eyes again, his pride battling for a moment with the pain emanating from his foot. 
“Morse is a skinny blighter but I dunno if you can carry him yourself,” Jakes said, staring down at Morse with a critical eye. Then he flicked off his own torch and tucked it away--it was more than light enough to see by now--and moved to Morse’s side.
Before Morse could really process what was happening, he found himself wedged in between Jakes and Strange, one on either side of him. Both of them tucked an arm under him and their other behind his back and Morse found himself lifted between the two of them. He instinctively threw an arm over each of their necks to stop himself topping forward. 
“Easy goes now,” Jakes muttered. Morse gritted his teeth as their movements jostled his foot, determined not to show any more pain. 
It didn’t take long to get back to where the cars had packed on the edge of the forest. The rain had slowed to a steady drizzle, and Morse felt bone wearily exhausted. He was lowered to the ground and somehow managed to remain standing, leaning almost all of his weight on Strange and holding his foot up. Jakes ducked forward to open one of the cars.
“You finish up here,” he said to Strange. “I’ll get him to Casualty. And then home.” 
Both of them fixed Morse with a long stare at that, but Morse just nodded. He was too exhausted to protest, and right now he wanted nothing more than to sleep off the pain. 
They managed to manoeuvre him into the back seat of the car, where he could stretch his leg out over the seats and Morse only briefly blacked out for a second. 
“Oh, here,” Strange said, fishing out the locket he had tucked away safely. “I’ll see you back at the nick,” he added to Jakes. Jakes nodded from the driver’s seat, a lit cigarette alright between his lips now he was out of the rain. 
Jakes didn’t say anything as he pulled away from the forest, moving quickly along the road. Morse bit down a groan of pain as the movement of the car jostled his foot, but it faded to a bearable dull throbbing soon enough. 
(He kept catching Jakes glancing in the rear mirror. There wasn’t anyone behind them, so he didn’t know why almost every time he looked up he made eye contact through the small glass.) 
“What’s the locket?” Jakes asked, finally breaking the silence. Morse couldn’t help be a little grateful for the distraction. 
He pulled it out, examining it closely. It had initials on it--F.C. The letters seem familiar to him, but he couldn’t quite place it yet. Carefully, he pried it open. 
The image inside was of the victim--a young man named Joseph Ethans. 
“It’s got Ethans in it,” Morse reported. He caught Jakes’ eye in the mirror again. “Doesn’t seem like something he’d own though.” 
“A girlfriend’s?” Jakes asked. Morse frowned, biting down a hiss of pain as Jakes took a corner a little too sharply. 
“F.C.,” he mused. Jakes made a questioning noise. “The initials on the locket.” 
“That’s the girlfriend’s name, right?” Jakes said. “Felicity Clarke.” 
“What’s her locket doing out in the woods then?” Morse asked, closing it again and tucking it safely into a pocket. 
“Maybe he was going to give it to her?” 
“I think we may need to question her a little more closely,” Morse said quietly. “DeBryn did say the killing wounds were weaker than one would expect from a grown man.” 
“You think the girlfriend offed him?” Jakes asked. 
“Maybe--aah!” He said the last as Jakes skipped a curb. 
“Sorry,” Jakes said. “Almost there.” 
“We’d better be,” Morse muttered. He shut his eyes, feeling strangely satisfied despite the throbbing ankle. Maybe the morning hadn’t been a complete waste of time after all. 
The rain outside finally made way for a weak winter’s sun. 
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teddybeartoji · 4 months
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hear me out hear me out vampire!reader x gojo preferably a sweet dummy gojo who just stumbles into the castle and is a bit afraid but his curiosity just won't let him leave and the person who's living in this beautiful castle is just the nicest ever even though there are deep dark maroon stains on their collar and their fingertips are a little tainted and their eyes keep burning into him and they keep getting closer and closer to him almost purring in their ear cooing and comforting the lost man + i keep thinking about the "vampire" scene from saltburn too oh my god what am i doing to myself rn
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thinking about writing a jmart fic inspired by my original story. would y'all read it or nah
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mlmfocalette · 7 months
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queer platonic layla x alhaitham ( they are both trans )
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homicidal-slvt · 7 months
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I want to make a guy feel so good that he fucking cries.
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ahsokatanohno · 8 months
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HERA AND LEIA ARE PALS. AHSOKA AND EZRA AND SABINE REUNITED. AHSOKA IS HOPEFUL AND THRIVING. THREEPIO IS HERE ON BEHALF OF SENATOR AND DEFENSE COORDINATOR LEIA ORGANA. ZEB IS TRAINING RECRUITS. MY HEART IS FULL.
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an-theduckin · 5 months
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Sometimes I wish twomp wasn't so centered around plargos. Like yeah they're cute n all but I kinda want 2 see more side characters yk? Most characters just appear in one episode for a few seconds n just disappear forever n yeag I just have alot of love for them n it just makes me sad 2 know I probably will never see them again. Ashur is def expanding on the world building n lore rn so it's probbaly not gonna be 100% centered around plargos in the future but like. More side characters pretty please <33
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trollex-is-gay · 5 months
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Well guy diamond is one of the best character tbh, a loving single father completely devoted to his son/HJ- HB/
I mean honestly he is pretty great, I won't lie when I say he's a decently charming character lol
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"Forever?" Pac calls around the base. "Are you here?"
In the back of his mind he hears Mike laughing - they both know that Forever is somewhere within his larger base, just that Pac isn't entirely sure where. Richas had said he was here, and Pac's pretty sure the mentioned stack of paperwork isn't letting him up any time soon. Not if not even their son's begging had not dragged him away.
He twirls the vine lasso in his fingers - that's what he's here for, after all.
"Forever?"
This time, when he listens, he can hear a groan and something mumbled. It's clearly Forever, but also does not sound like him at all. Something's wrong; Pac tucks the lasso he bought to drag Forever from his work away, and heads towards the noise.
A little silly kidnapping is nothing between friends, but if there's genuinely something wrong then he needs to be ready. Mike, settled in the back of his mind, agrees - asks if he shoukd send Rocharlyson to Cellbit and come over too.
Pac declines - for now - but makes a careful approach in the direction of the noise.
He turns a corner and there Forever is, sat on the floor with a blanket over his shoulders and a giant stack of paperwork around him.
"Forever why aren't you at a desk?!" Pac says, before he can think of anything else.
One look at the paperwork shows most of it is Presidential work, but at least a few pieces look like redstone machines.
"Oh hey Pac," Forever doesn't look up. "Just fancied a change of scenary."
"You'll hurt yourself," Pac says with the certainity of someone who has done the same a thousand times before. "Do you want help carrying it back to your office?"
"Just let me…"
Forever's signature on the paperwork is lopsided at best - he reaches for another, and Pac slaps his hand away.
"Richarlyson misses you," its a low blow, but it is one. "Let's put this in your office then go see him."
"I'll put it in my office, but I need to work," Forever's face is at least appropriately pained as he says that, and the compromise came unusually fast.
It's okay, once they put the paperwork down then Pac can kidnap him and force him to see some sunlight; he leans down, and grabs a stack. Forever makes to stand up, only to lean heavily on the wall.
"Forever?" Pac's eyes fix on him immediately. "Is everything okay?"
"I'm fine," Forever waves a hand. "I'm fine, I just... Need to get this done."
Pac doesn't quite believe him; he begins to lower the papers back to the floor, that he might offer Forever the support of his arm.
He's not quick enough - Forever seems to gather himself, makes to stand properly, and in a blink is back on the floor, sprawled amongst the paperwork.
Pac screams in every way possible, dropping the papers to get to his friend. He hears Mike say something along their bond, but doesn't listen as he drops to his knees at Forever's side.
Already Forever is starting to come around; Pac taps his cheek for attention, and eyes flutter vaguely in his direction.
"Forever?" he asks, trying to pull him closer to awake. "Forever, you do not get to tell me you're okay."
"Pac?" Forever's voice is hazy, and its not reassuring.
"I'm here," Pac says. "Mike will be here soon - he'll do the yelling. Are you okay? Did you hurt yourself?"
Soon is maybe an understatement; as soon as he says that, he hears Mike's panicked yells from above. Afraid of hurting Forever's head more Pac instead tugs on their bond, a little scared himself but guiding the other half of his soul down.
He doesn't try to hide his own fear there, for all he masks it from Forever.
"Or... Now."
Mike makes much better time than Pac did, glasses slightly askew and lab coat far from clean as he storms over.
"Forever, you idiot!" He yells, before taking a breath and dropping maybe a third of his volume. "When did you last eat? Or drink something? Sleep?"
Even as Mike says all of that, he and Pac flash their own thoughts back and forth - Pac shows him how he found Forever, and what happened. Mike continues scolding as he guides Pac through checking Forever's head and spine for any damage. To their joint relief, there doesn't seem to be any.
"Where's your kitchen?" Mike ends with.
"Kitchen?" Forever screws his eyes up, the effort of thinking entirely consuming as he waves a hand in the approximate direction.
Pac and Mike share a worried thought, unbroken even as Mike hurries off in that direction.
"Forever?" Pac tries to ask more gently his time. "Does anything hurt?"
There's a pause; Forever shakes his head a bit, only to grab at it.
"I'm just a bit dizzy... it's fine," the words come too slowly, quiet and slightly slurred. "Just... A moment."
Pac tries to swallow his throat, reaching out and resting a hand on his arm, "take your time. Do you want help sitting up?"
Forever nods, and it's another terrible decision. Pac shuffles closer, helping as Forever eases himself up and against the wall. They're near one of the slight corners, and the extra wall seems to take a lot of his weight.
Once he is situated, Pac pulls his hands away. They hover, expecting to need to catch him again; thankfully it isn't true. "All good?"
The nod doesn't seem to cause too much trouble this time, though Forever's breathing still sounds a little off - forced but level, like he's counting breaths - and he still refuses to open his eyes.
Mike returns not long after; Pac feels him coming, and looks up to greet him. He's carrying some juice and some toast on one of their lab trays. The plates are Forever's and presumably clean, at least.
He kneels next to Pac, and puts the tray on the floor. He squeezes Pac's leg a little - Pac presses a little weight against his side - before picking up the juice.
"Forever," he says. "Drink this."
Forever cracks one eye open, and groans. He does, however, take the glass. Both hands are needed to hold it, and he makes use of the straw Mike put in there, but despite the slight shake he manages it fine.
After the juice, Forever is handed the toast. Pac watches as a little colour returns to his cheeks, and finds Mike relaxing too.
Now he can see that Forever simply forgot to eat anything for a while, Pac relaxes. He's done it before, Mike's done it before - he's pretty sure everyone on the island has, even if not to the point of fainting. Maybe not Etoiles - he has to be so much more careful about his blood sugar than the rest of them - but Etoiles would know how it feels none the less.
"Sorry," Forever quirks half a smile around the toast. "I must look an absolute dumbass."
"It's okay, we've all done it," Pac tilts his head a bit as he smiles back. "Mike and I have picked each other off the floor so often."
"You do," Mike confirms, taking back the cup. "I'm dumping your paperwork on Cellbit, and you're having a nap."
"Cellbit doesn't sleep either," Forever points out.
"But he's Roier's problem, not mine," Mike stands, offering Forever an arm.
It takes a little effort, but they get Forever on his feet. The query about his bed makes Mike, once again, protectively angry. Pac... declines from mentioning his own lack of one, but then he usually shares with Mike so perhaps its not so much a problem.
Pac grabs the tray, plate, and cup, ready to drop them if his hands are needed but not expecting it.
They end up setting up a bed in the corner of his sitting room - Pac has no doubt it will disappear soon enough - and sitting Forever down on it.
"Guys, I'm fine," Forever says, and he genuinely does sound better now.
Pac isn't sure, though, and Mike feels even less believing of the words.
"Nap while we make you dinner?" Pac suggests.
Forever looks between them, goes to argue, then sighs and lies down.
Pac actually looks at Mike this time, and the look is returned - Forever is definitely not okay.
I'll cook and you stay with him? Pac thinks at the other half of his soul.
Mike nods to the suggestion, and perches on the back of the couch. Pac nods back, and vanishes off towards the kitchen.
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