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#i need this to be a side plot of the show
yanderes-galore · 1 day
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i love the way you write yandere mettaton and yandere mettaton fans have been starved for new writings (maybe idk) may i request yandere-daze prompts 8, 11, and maybe 2? i feel like it makes sense idk potential plot: after showing you off to the world as mettaton usually does, a fan gets a lil too close for comfort (could be a friend or a random monster/human) and mettaton has no choice BUT to take action, and poor darling takes it harshly, before eventually getting dragged off somewhere else where mettaton an darling can have a moment of peace. ofc, not without a fight. ya you can use the plot if you want or go nuts, i'll be happy either way /pos
I can try, sure :) Hope I get the vibe of clingy Mettaton right.
Prompts Here
Yandere! Mettaton Prompts 8, 11, 2
“Please don’t make this harder than it needs to be.”
"You think I’m a monster? You’re the one that made me like this!”
“Please pay attention to me!”
Pairing: Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Possessive behavior, Clingy behavior, Jealousy, Isolation, Controlling behavior, Implied abuse of power, Heavily manipulative behavior, Delusional behavior, Forced relationship implied.
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Ever since monsters returned to the surface, Mettaton has been putting on shows for monsters and humans alike. Of course, he hasn't done it alone. He has you, his beloved co-star, right by his side on every performance.
Many knew you two as a duo, be it on talk shows or concerts. You two were closely linked and had fans of all sorts. There was just one rule when it came to you.
Don't touch.
Mettaton took such a rule seriously. Others could look, talk, and admire you. However... only Mettaton could hold you. This was a rule Mettaton often enforced during shows.
You can look... but you can't touch.
Mettaton adored you during the performances you both shared. He's easily jealous, sure, but in the end he knows you belong to him. At least... he thought that.
Mettaton's eye nearly twitched when he saw you speaking with a fan. His glowing eyes stare as you smile and laugh with them. He tells himself you're just being polite.
Anything for the fans, right?
Perhaps you know them! Yes, they must just be a friend.... He can allow friends, can't he? Why is he still so irritated?
Then he sees you hug them....
No. Touching.
"Sorry, Darlings!" The robot coos, stepping over to you and scooping you against his waist. "Me and my little co-star have to go! It was wonderful to see you!"
It's then Mettaton escorts you away from the large crowd. He keeps you close to him, metallic hands gripping you tightly. You struggle to keep up with him, the star not answering until he pulls you into the dressing room.
"Darling..." Mettaton coos, glowing eyes glaring down at you. "What was THAT?"
"I was greeting someone I knew? They were congratulating me for becoming famous!" You shoot back, Mettaton grimacing in response.
"Whatever happened to our rule? No one touches you but me! No exceptions." Mettaton huffs, the sound coming out like air from a vent. "After all, then everyone would ask to touch you... and I hate sharing."
"You're getting angry over nothing." You try to reason, but Mettaton refuses to listen.
"Nothing? Then surely it shouldn't be hard to cut that person off, no?" Mettaton seethes. "Surely you can do that for me?"
"You don't get to control me because we work with each other." You frown, Mettaton's eyes twitching in irritation. "They're a friend!"
“Please don’t make this harder than it needs to be, Darling!” Mettaton sighs, strolling over to you. "Cut them off... or I'll do it for you."
"What is wrong with you!?" You fight back. "I thought you were just protective... but this is something else entirely."
"What's wrong, Darling?" Mettaton hums, seeing you back away from him. "Scared of me?"
You wouldn't want to admit it, but in this moment you agree. You are scared of him. You're scared of him because he's not usually this... Jealous? Possessive?
"You think I’m a monster?" Mettaton chuckles, eyes never leaving yours as he corners you near a wall. His gaze turns a dull pink before he leans closer. "You’re the one that made me like this!”
Mettaton watches you as you shudder. You stare up at him with fear in your eyes. The sight makes Mettaton hesitate... but he can't deny the fact he feels excited.
"Now, don't look away from me..." Mettaton whispers, watching you try to avoid eye contact once he leans in. "You know I want your attention more than anything else, right?"
Mettaton frowns when he watches you shake. His metal fingers caress your face softly. It's an attempt to comfort you... yet also to steal back your attention.
"Aww, baby, I'm sorry..." Mettaton hums, "You just make me so jealous sometimes... Please pay attention to me, Darling!”
You try your best to reason, but it seems you can't with the delusional robot. Before anything else happens, thankfully, you're interrupted. The door knocks and Mettaton shoots up in shock.
"Y-You two okay in t-there?" Alphys calls through the door. You sigh in relief as Mettaton looks upset he was interrupted. With an irritated noise, Mettaton answers.
"Of course, dear! We'll be out now~!" Mettaton answers in a cheery tone, dragging you once again to follow him outside.
You're lucky you were interrupted when you were...
Who knows what he had planned if Alphys wasn't worried.
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ranbling · 1 day
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I'm gonna make one last post about this topic to get out everything from my system:
Tommy fans seem all to eager to bury his past and talk about his growth when this curtesy is never extended to female love interests (and Ana, Ali, Natalia and Marisol never acted anywhere close to how he did in the begins episodes). He was absolutely terrible to Chimney and then only stopped pretending he's not invisible when Chimney saved his life. Even then he gave no apology, just a thank you and decided to move on as if his past behaviour haven't happened. And then he acted the same with Hen - pretending she's invisible and making little side comments (I'm not saying only he did that, the everyone in the old 118 is guilty of this) and he and Sal only decided to respect her and actually aknowledge her when she saved made a choice and saved someone's life, who would have been dead thanks to the old captain. And there was no apology to Hen either. The old 118 was a backwards and regressive place, but this an explanation to his behaviour not an excuse.
People can argue how not everything needs to be shown, but I feel like it's hard to make amends when the other party is not even owning up his own behaviour enough to even apologise to the people he hurt with his behaviour.
The date with Buck was also not a great first queer experience. Having your date tell you how he understands working in a macho line of work and not being out to calm your anxiety, than make little side comments when you're not ready to come out to your best friend who just showed up by coincidence is not cool. (As a queer person, I don't think Buck put Tommy back into the closet, it wasn't like Eddie knew they were on a date or Tommy is gay and yeah maybe the finding hot chick comment was unnecessary, but Buck was anxious long before Eddie showed up). Also I get why Tommy wanted to leave, but not telling until the Uber pulls up is also a shitty thing to do. Natalia also leaves Buck and people seem to hate her for it, but she comes back.
Also the Evan thing and calling Buck kid. I hate both things. Calling your date kid is weird and just why would you do that? And I know that Tommy calling Buck "Evan" is supposed to be cute, or special, but it just gives me the ick. It's not his prefered name
Also telling Buck how he's jelaous of the family dynamic of the 118 and then going for a kiss is certainly a choice on the part of the writers.
Tommy is character who had little to no development during the show - yeah they seem friendly in the Bobby begins episode, but do you want to be unfriendly to the guy who works with you and finally decided to not be a dick? and we're just supposed to believe he was always a good guy, who only acted the way he did because the old 118 was old school and he was figuring out his sexual identity?
He's not a character with good development or layers, he's a character who was a plot device to show how horrible work places that are considered macho to poc and women, and now they decided to bring him back for some reason as a first queer experience to Buck and act like him being gay excuses how he acted in the past
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annabelle-creart · 3 days
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A lil Blurr redesign for the Life of Rescue Bots Au because I wanted her to look femenine (I know in the show is male but Rescue bots don’t have enough women and I wanted some body angst for the Chase and Blurr plot, and by that I mean father and daughter plot)
I added the lil things that look like antenae cause of Chase’s moving fins of his head sides, that move when he hears something, and also I added an ambulance mode because they really need a real ambulance in the program, they don’t even have one in academy :v
In conclusion: i keep much of the body shape cause of her personal plot but also wanted her head to look femenine, and of course her character as well, added and alt mode ambulance and antennae so she would look physically more to Chase
In this Au she was an ilegal racer back on Velocitron before the war knock at the planet, she was one of the best but always get injured, the debts were higher and with the police getting out of control just as the people, she and Salvage decided to escape together to another planet near, but something went wrong and they both ended up crashing on earth and then into stasis, if they weren’t asleep so much time they would probably had Chase’s age but due to the stasis, they remain as teenagers, the day the sky turn red and green due to the battle between Mandroid and the autobots, the ship they were trapped into send a signal to Griffin Rock, because it was near, so the rescue team went into the rescue and awake them, becoming since then the two new members of the rescue team with Sissi. Even if sometimes acts like a kid she is really passionate and love people but is a little insecure in the moment of recieve and give care, she was orphan just like Salvage, they only learned to trust in each other, even when Blurr treat Salvage like less and lie to him too much times to count it or Salvage says things at her ear to annoying her and keep her away from the rest.
it’s actually something i want to talk about not here but in a comic but if Blurr and Salvage are teenagers who grew up alone and treated like scrap i would not be surprised that they depend too much into each other at the point of a toxic relationship where Blurr treats Salvage like less even if can’t do anything without him and Salvage makes her think no one is enough or secure for her except him, so, yeah, both have problems and need therapy… you know? I’m going to edit Salvage’s psychiatric disorder from ‘none’ to ‘emotional dependent’ I literally just thought in the idea and like, i didn’t even planned that Salvage and Blurr would be such a mother fraggers ajksjaksjs
But don’t think wrong, Blurr and Salvage are not bad, they are just hurted and don’t know how to deal with the situation, Blurr can be a little egotistical for all the years she had been thinking and taking care about herself and Salvage talk to her just like she wants because he knows her well, enough to be like a second conscience, they do what they think necesary to survive because what is now a toxic relationship was Salvage’s superhero who could keep him safe and sound and never allowed a night without energon, and Blurr’s family who cure her wounds and kept her faith in humanity (well, velocitranity?), they just were together too much time and started treating the other with more authority than they actually have.
I think sleep absence is making me do angst, night mfs, I need more sleep than Kade dreaming with gremlins
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max-nico · 3 days
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AND ANOTHER THING WHILE IM ON THE TOPIC
I feel like Knuckles the series is another one of those times that Tails was right there, and what I mean by this, is Wade should not have been in the focus of the show, sorry don't care lol. He's a fine side character, incompetent white man who doesn't do anything well and never gets consequences for it is fine, but we didn't need another show centered around that topic.
Now, I may be biased bc Tails is my favorite but if we needed to give Knuckles a journey about learning to find home and we needed to give him a powerful sidekick who also learns a lesson, Tails is right there. Tails, who grew up without a family entirely/a family who hated him is learning to accept a new family, and Knuckles, who had an entire family but lost them all is accepting that it's okay to find a new one. That literally could've been the plot and we could've kept all the shenanigans that happened, minus the Wade Whipple bowling tournament plot, and the copaganda.
The elder guardians would've loved for Tails (or even Sonic, or ffs MADDIE) to be the newest successors of their tribe, and he would've been perfect for it. A young, hopeful, bright mind, still malleable to learn the ways of the tribe and no ego to get in the way, and an overall good kid.
Plus I feel like what most of us want is to see the boys interact, not some random white guy.
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sophfandoms53 · 3 days
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Finished the Knuckles Show and uhhhhhhhhhh it’s certainly a show.
There’s good stuff buried in every episode especially where Knuckles is concerned. They set up a very interesting arc for him and just didn’t really explore much with it. After the first episode Knuckles is shoved to the side CONSTANTLY and is made the B plot more often than he should be as the TITULAR character.
Every criticism that said Wade takes over the show is correct.
After episode 1, Wade takes over every A plot and Knuckles is only ever in the B plot that has either minimal time focused on him or he’s just straight up not around (episode 4 is the worst offender here but it’s an issue from eps2-6). They actively write Knuckles out of the plot constantly and it’s very frustrating.
If you like Wade and enjoy his personal journey about his family then this’ll be fine. I, for one, thought it was interesting on its own but 100% it has no reason to be here in a SONIC MOVIE KNUCKLES spin off show. This is not Knuckles’ show. It’s Wade’s and that’s the biggest let down.
Knuckles IS there but that’s it, he’s just THERE.
And it sucks because Movie!Knuckles himself is very well crafted and very entertaining and engaging to watch. The show is at its strongest when it’s about Knuckles and spending time with him. Episode 1 is the only episode that it feels like what it was advertised as - the Knuckles show.
Sonic, Tails, and Maddie only show up for the first episode and never come back. Which is wild because part of the plot is Maddie has grounded Knuckles and he sneaks out but there’s never any consequences shown once he gets home nor do we see how anyone reacted once they noticed Knuckles is gone. These three are just abandoned after episode 1.
Tails has like 6 or 7 lines, my boy deserves sm better LMAOO
A big highlight, however, I LOVED Sonic in this one episode. The way you can see and FEEL how he’s grown from movie to movie and in this first episode is very well done. He’s truly becoming the Sonic I know and when he and Knuckles had their conversation on the roof where he tries to help Knuckles see the beauty in Green Hills, his home - that entire scene was PURE Sonic’s golden heart on display. He does still have his jokes that remind you Ben Schwartz is his actor and that he’s a silly kid but he IS still Sonic at his core and I loved that. It made me very sad we didn’t get to see more of him but I appreciated seeing Sonic handled this way. It makes me very eager to see how movie 3 goes about him considering everything Shadow brings to the table and how different of a threat he’s gonna be for Sonic.
Episode 2 is alright but GOOD LORD episodes 3-5 are such a waste of time. There’s good sprinkled in them in isolation but as full blown episodes, a waste. You can skip most of what’s happened and be fine.
The big climax fight in the finale just HAPPENS. The plot armor literally comes bursting through the wall and yanks Knuckles out of the plot for way too long and we only get TRUE and INCREDIBLE Movie Knuckles action (his fire fists which were insane btw) in the last 5 minutes and it only lasted like 2 of those 5 minutes.
Overall, it’s not entirely unwatchable but it’s not worth a majority of people’s time. You don’t need this for movie 3 so if you wanna skip it - I’d recommend that. If you really watch though, I’d only say watch the first episode and the finale and just google the context for what’s in between bc eps 2-5 are total slogs after a while.
If you like silly dumb fun - this is the show for you. But it’s not the show many Sonic fans may have wanted or expected.
I’m not angry or anything like many people have been. It’s not worth getting angry over. I’m moreso just disappointed because I can see a good show about Knuckles hidden in there. They just opted to give more time into Wade for whatever reason.
Just an overall let down imo.
Knuckles deserved better❤️
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nervoushottee · 6 hours
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More | John Price x Fem! Reader
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Summary: You’re stressed out of your mind and John knows exactly what you need to relax
Warnings: Explicit 18+, just sex, just porn little plot, you’re getting fucked from the back babes
Notes: Y’all this is literally a pattern. I’m ovulating… I’ve been reading a lot of 141 fanfiction and I just needed to write about my big man Price. Enjoy hottees
*this is unedited and probably doesn’t make any sense. Sorry not sorry*
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“Fuck John-” you mutter out. You can hardly hear yourself with how loud and filthy he’s fucking into you. Your brain fuzzy, all the contents of worry and stress slowly easing out of you with each thrust.
Your cheek pressed against the soft sheets of his bed, your hands placed on each side of you as your fingers softly curl into the linen. You back arched as your ass hits against his lower stomach and pelvis. His thick cock making your insides clench when he hits that certain spot. You don’t even notice the small amount of drool slipping out of your mouth onto the mattress.
“This is all you needed isn’t it? Just need me to fuck the stress out of that pretty head of yours. My sweet girl, fucking look at you.” John explains. You whine at his words, clenching at the way he calls you his sweet girl. You were, you were his good girl. His. His. His.
Hours before, you were stressed out of your mind with everything that had been happening. You couldn’t even imagine how John manages to handle everything with being Captain. The small amount of work compared to his big load made you feel like shit for complaining, stressing and crying over it to your lover. But you should’ve know better, because John Price would never think your stressors were lesser than his.
You were his world, his everything. If you asked him to jump, he would ask how high. If you need ice cream that was only made in Italy, he would be on the next flight out. If you need comfort from your stressors, he is going to give it to you. And he thought the best way to give it to you this time to fuck your brain dumb.
“It’s been a while since I’ve fucked you like this love.” The sound of his voice grounding you from your haze. His hands sliding against your ass, gripping softly before releasing. He wasn’t wrong. Usually, your sexual rendezvous were soft, intimate and saccharine. An intense love shared between you two after a long day on base. Slow and pleasurable that you loved all the same. But when the was time for this, you loved every minute of it.
“More.” you whine into the sheets. Your words were muffled, but you knew John heard you all the same. You feel his dick slow down inside of you, causing you to whimper, feeling the weight of John’s chest against your back. “You sure love?” he whispers against your ear. You push your ass against him, ushering him to move. Wiggling and making an effort to show him you wanted more. You hear him groan against your ear, peppering kisses down your neck.
“Yes sir. Please.”
The last bit of contact you got from him was a soft kiss against your shoulder before he got back into his position and started to ram into you. This time at a deafening pace than before.
You gasp at the sudden change of pace and cry out loudly. Fuck this feels so good. The way he pushes his thickness in and out of you so quickly. Making you feel winded, numb and so fucking blissful.
“Fucking love when you talk to me like that. My good fucking girl. You’re so good to me, letting me fuck you like this.” You feel your lips turn up into a small smile as you grip the sheets tightly into your hands. You knew your words would put him over the edge like this. He’s always calm and collected, always catering to your needs and wants. But sometimes, most times, you wanted him to let loose. To go all the way with you, and lose himself. He didn’t always need to be this perfect captain he tries so hard to be. He was perfect in every way to you. But you wanted him to make you his, to unwrap his fantasies on to you and let you take care of him.
His hands gripping your ass firmly, moving you so you can match his thrusts. He wasn’t stopping his rhythm. If anything he was going even faster, chasing his own pleasure as you simply take what he gives you. “Thank you sir- thank you, please don’t stop- please.”you cry out. You hear him chuckle at your words.
“Oh love, I’m just getting started.”
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chobani-flip · 3 days
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the disconnect between the storytelling of the show and of the fandom
lately, I've been thinking about storytelling and storytellers in the context of 911.
like, there's two sides to this storytelling business, right?
there's the small group writers and showcreators who have an idea for the characters and plots and have to come up with a way to share those ideas within the constraints of a network television series
and then there's us, a massive international community with a wide-range of life experiences, who watch their show and then go on to tell our own story about it.
and i wonder if we're always watching the story they're telling.
im not even necessarily talking about the buddie goggles right now.
what got me thinking about this was ana flores.
and the one scene the fandom likes to pretend sealed her fate (when in actuality, let's be quite candid, it was the fact that she was a beautiful woman who dared to date eddie instead of allowing him to remain a viable option for canonical/fanonical offscreen cannoodling with buck)
"there's a lot to be said for getting back on the horse, but there's also some value in learning that you don't like horses." eddie: "i'm sorry?" "sometimes, our limitations tell us when to stop. but sometimes, they can show us where to look next." (romantic, feelingsy song starts playing) "today, he falls off the skateboard. but tomorrow, he writes the great american novel."
see, the problem here is that this is CLEARLY meant to be viewed as wise and deep advice. as a moment of connection between ana and eddie... the way the scene is cut, the music that plays in the background, the intense eye-contact between the two characters, the way eddie reacts to her words... we're meant to enjoy the simmering tension and potential between them...
but... it's not great and deep advice, not really. it's been pointed out that it comes off as ableist. and ana is supposed to be a teacher at this excellent inclusive institution; she is meant to have experience with children of different abilities feeling frustrated and wanting to do the same things other children are doing... someone on here pointed out that if they were the teacher, they would seek to understand what need christopher was trying to fullfil by getting on the skateboard and help him achieve it by other means
but what ana comes up with is this awkward horse metaphor that doesn't really make sense for the situation, and a condescending: "awwww, well, im sure he's the next hemingway"
BUT SEE, THAT'S NOT THE STORY THE SHOW IS TELLING US. the show is ostensibly framing this scene as romantic and great and deep. and that is NOT ana's fault. the character of ana didn't travel to our reality, didn't block the scene, didn't cut it and add the soundtrack. that's on the showcreators.
but somehow, it's really difficult for us to see it that way when it comes to ana.
in a way that it's not when it comes to Hen, poor little Mara and the Doberman.
because we know Hen and Karen, and we like them.
so we awkwardly shuffle around, side-eyeing each other, quietly nudging each other and going: "bit of a fail that, huh? kinda a weird thing to do on the part of the show, huh? comparing a little Black girl to a dog...why did they do that???"
or there was an excellent post floating around about whether Buck and Eddie realize they can say no to sex, that their consent matters.
"what if i come home and she wants to haaaaaave..." "well, you'll get through it somehow," says buck with an amused grin on his face.
see, the problem isn't necessarily whether the characters know that their consent matters, but whether the showcreators do. because this is clearly meant to be viewed as a joke.
eddie is a macho guy, who tends to keep his cool in difficult situations, so it's funny when you see him freaking out over the fact that his girlfriend wants to have sex with him and he doesn't want to have sex with her because her former chosen-profession taps into his well of Messy Catholic Feelings.
isn't it? isn't that just fucking hilarious?
and the answer to that is: no. it's not funny to any part of the audience who's ever felt pressured (by a partner, by society, by their own expectations) to want or to have sex.
but does the show realize that?
i'm sorry but i don't think so. this is the show that framed dr.wells sexually assaulting buck during a therapy session as a joke to casually bring up and needle him over later, that felt the need to reassure us that chimney and maddie can and do have wild, passionate monkey sex (you remember, albert teasing chim, then the hotel with the revolving room, etc), that had karen ask hen what the point of a relationship was if the couple weren't having sex...
now, i genuinely don't think the showcreators mean to be hurtful, or harmful. i don't think they realise how all these things come off. because they're a fairly small group of people from Los Angeles, North America, and are working within the constraints of a network television show
(and the point of the Eddie and Buck scene was Buck coming out to Eddie, so maybe they felt Buck saying: "you know, you can tell her you don't want to have sex, right? that's allowed." would fraction the focus of it? idk)
but what happens is that there's this disconnect between the story they're telling us and the story we continue to tell among ourselves.
when it comes to the characters we like, we tend to ignore the unpleasant meanings and messages in relation to the character, or we retcon it in fanfic, or we Fix-it with some heart-to-hearts and apologies.
(for example, i haven't seen many fics that show athena being a Cop as not-a-great-thing. but are we really ok with her saying "i wasn't on their side, but i understood their side." when her son expresses some reasonable dissatisfaction with her reaction to a cop pointing a gun at him and michael? or are we just ignoring it because we love angela bassett?)
when it comes to characters we are predisposed to dislike, this disconnect makes us dislike them even more. which leads to the writing of bashing fics, and in some cases harassing the performers online jfc do not do that people that's never ok
(of course, some characters are hated justifiedly imao, like the buckley parents and chimney's father...)
maybe this is the frustration that makes for such a prolific and active fandom?
I don't know.
but I think it's something to keep in mind when watching the show. because that disconnect is always going to be there and I know that for my own personal mental health, it's easier and nicer to believe that a group of RL people might sometimes be just a bit ignorant at times and write in weird shit unintentionally, than that my favourite characters are massive assholes unpredictably and randomly
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So I thought I'd make a post on this as it's been a minute since the season 3 trailer dropped and what I'll be talking about was something that was making the rounds and I thought I'd say something when the craze had died down; but amongst the various topics of conversation, weirdly Colin's virginity seems to have come up, along with the general nature of his sexual experience. So be warned I'm going to be referring to spoilers at points from what's been posted by others on here and on Reddit, I'll leave a gap between this paragraph and the next so there you go, read at your own discretion. (note: post may be long, whoops)
So even if you've remained away from spoilers and seen only the trailer and other official promo stuff, it's clear that Colin has returned from his travel's more experienced this time in more ways than one, namely it is clear that he has been deflowered (kind of hate this term but I couldn't think of something else), and beyond that he's then also become particularly experienced in the bedroom and in the ways of charming women and such. I've seen some people say that they wished he'd still been a virgin more so because they would've found the dynamic of both him and Penelope being virgins something interesting to see as a shift from dynamics of previous seasons, and whilst I don't necessarily hate that, what's disturbed me is the way other people have had such a visceral reaction to Colin having any involvement with any other woman ever and getting ridiculously angry; which is funny when really they should be seen as interesting points of character development. In episode 1 of season 3 he returns home obviously looking as he does now and there's the whole sequence of the dropped glove that he picks up and kisses the hand of the lady in question it belongs to, Colin has returned feeling he has a solid sense of himself but also thinks himself untethered to the necessity of connection in order to engage in sex or even just flirtation, but this is important as the season progresses. In episode 2 from what I've read, he visits a brothel in which he pays for the services of a woman who works there, everything goes fine, I don't know exactly how much we will see of that encounter but it'll probably be enough; also to note, the source of this information stated very clearly that this interaction and a following one in episode 4 do not bear significance or even compare on what we will get with Polin in terms of an array of content that this season delivers.
Speaking of episode 4, reportedly he goes again but this time he's unable to engage as well as he did before and without a doubt this is due to Penelope. Additionally, this is an interesting look at sex in terms of it just being for gratification, and sex in terms of connection, a means to an end versus an act of love. In previous seasons, the depiction of brothels/sex work establishments doesn't really bear the same importance plot wise (side note I am not nor should you go shaming these people in that line of work as it's one that deserved respect like any other, it is simply functioning as a part of the conversation here), unlike here where I think that it's really important as it show's Colin's inner need for connection in order for it to work, because when he was away he probably had no issues getting his kicks because he convinced himself this felt right and back home would be no different, but that only lasts briefly and why you may ask? because the friend who he'd left and returned to transforms from a woman only in name to a woman in fully realised form, from a wallflower into an Emerald, and this kicks into gear the real maturity he needed to gain, realising from not just her appearance but the other qualities she possesses and the ways in which he is both attached and attracted to her, that she is who he has truly loved this whole time, he just needed to get out of his own head. It should also be pointed out that in the show, Colin has always drifted with finding himself let alone sorting out his feelings, so it is highly likely whilst he was technically violating polite society rules with his interactions with Penelope and this should've fired something off in his brain, that it caused him instead to think this is simply something that someone does with a friend they value highly versus being a by-product of his underlying feelings that he has with no one else. And as such, whereas Penelope was the one pining before, now he will be the one doing so and he's no longer on the pedestal he was previously so they'll be on even ground to start something real.
On a quick note, this is a friends to lovers ship but I want to make it clear, especially with men and women dynamics, that not all friends are going to have this trajectory whether we're talking about characters or irl people; friends to lovers tropes should be understood as two people who's connection starts with friendship and there's always a sense it could be something more whether or not both parties are consciously aware and it's to do with how they explore that, and is NOT in any way the case that these friends can somehow never be just friends with a strong connection, case and point Penelope and Morgan from Criminal Minds, close friends and nothing more and they're great.
Something also to say is that the obsession with Colin's sexual experience is just as bad as they way women are treated for their sexual experience, it creates this weird value and attributes a weird rating system of respect to something that's not our business, as well as fetishizing what people do or don't do with their bodies and making assumptions about their activities, so you know maybe we should agree to not do that. Beyond that, how about we actually watch what happens instead of spiralling out of control about this stuff. Also, if I see anyone who aren't fans of this ship to begin with, just leave, you're wasting energy on something that you literally don't need to be, do what the rest of us do and exit out and invest your time in what you actually enjoy instead of festering hate.
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It is unfortunate that the writers intention was to make the audience feel sympathy for eunseung but lop sided writing meant irritation was only ever directed at the character. The ending that eunseung got was clearly an attempt meant to tug at sympathy strings especially the zoning in on the necklace and the dialogue prior, of him not understanding why he was unloved, but the issue is -
1. there has been no valid attempt to show us why he should be loved in the first place, every attempt to get haein was by ruining her life first, we don't even have a clear reason as to why he liked her in the first place except for pure obsession (which just seems weird now given we have that flashback now and know that he despised the family and you mean to tell me that one dog scene was all it did???). The writer could have even gone the route of saying his need to be with haein was so that he could be closer to his mother or something, like even that would have made more sene than what we got, and so when he looked at haein in with that hurt after literally being a jackass the whole series with no reason why she should have ever liked him it's difficult to give a shit about his death although it's clear the writer was aiming for that.
2. his relationship with his mother has been so poorly executed, we should have got this messed up dynamic in earlier episodes so that we could see how little moh seul hee actually cared about him and how eunseung was broken by this, instead we got a few mediocre conversations that always ended with him willingly benefitting from her plans, plotting with her, ruining characters with her, and all in all just being all "you abandoned me" one scene and then "that's what we need to do to maintain our wealth" the next. We could have had such character exploration by delving into his hatred and abandonment issues had they linked it to the story instead of just shoving his meaningless obsession down our threats.
3. there is little added to his character at all, he doesn't care about anyone, you dont see him meaningfully interact with anyone, even his business prowess is a lukewarm tell don't show situation, when da hye felt bad for him I was like why? there has been nothing shown to the audience where you have reason to feel bad for him, if anything his end seemed too kind after everything the main characters had been put through and more importantly outside of haein he hasn't had a single moment of kindness. Frankly he didn't have a single meaningful moment.
A good villain does not in anyway need to be redeemable, but they do need to be enjoyable to watch and it seems like the writer tried to create a complicated villain but fell short by just giving him three main traits "I have mommy issues, I am obsessed with a woman who has shown no interest me, and I hate the man she loves because I am not him" that for the most part were poorly unpacked and then failed to invoke feeling from a perceptive audience.
With all this said, park sung hoon did a great job working with what little he had and deserves all the praise and well so long eunseung I'll miss yelling at you every week.
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ficretus · 3 days
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That one Jaune concept art really did bring back the whole "Oscar shouldn't even exist" hate train, huh. Oscar has one of the most bizarre hatedoms I've seen.
Been having some thoughts about Jaune being Ozma's incarnation and how would that theoretically impact the plot.
First of all, would Jaune becoming an Ozma's vessel make sense narratively? While there aren't any hints in early volumes of story going there, it does flow together relatively well.
You have Jaune, someone who is almost completely incompetent, enrolling to the one of the most prestigious Huntsmen academies. And if Cardin can figure out Jaune was a fraud, then surely all powerful Oz can as well. Jaune becoming Ozma's vessel would answer the question of why does Ozpin tolerate Jaune despite knowing the truth about him, he is grooming him to become his next vessel.
Jaune post Volume 3 also had the mindset to accept that role. After Pyrrha's death he considered himself to be worthless compared to people around him. He would accept what's essentially Faustian bargain with Ozma to sacrifice his mind and soul for greater good.
It also synergizes well with Jaune's primary literary allusion of being Joan of Arc. Joan started hearing Voices after experiencing a tragedy of her village being sacked. So you'd have a direct parallel to Jaune getting a voice in his head in the aftermath of losing his school and partner.
That's all fine, but would it "fix" the narrative as some people suggest? I'd say no. Most common arguments for it I've seen besides people just hating on Oscar is that it would reduce main cast bloat (or in some cases specifically male cast bloat) and it would give Jaune more to do.
Yeah, it would fix the cast bloat, but in very superficial way. You are removing one of the main characters, but at the end of the day all of his plot points would still have to remain. Oscar is not a filler character, he is not dealing with some random side plots that are inconsequential to the main story. As Ozma's vessel he is dealing with members of his faction, Hazel and Salem herself. Pretty much all of this would have to remain in the story but be given to different character.
And who would that character be? Jaune in this case as Ozma's vessel since all of these plot lines are Oz specific. He has to be the one dealing with his faction members since he is the one who personally knows them. He has to be the one dealing with Hazel since Hazel's motivation for becoming evil was Ozpin's neglect of his sister. He has to be the one dealing with Salem considering that's his ex wife and nemesis. And that's on top of Jaune specific plot lines like dealing with Cinder since that doesn't just magically disappear. You are not fixing bloat of any kind since by removing Oscar, you are ballooning Jaune's narrative role to ridiculous degree (which also makes the point about reducing the male cast moot). And Jaune's narrative role doesn't really need an upgrade considering he is already one of the main characters.
Imagine Atlas arc with Jaune as Ozma's vessel: He would be dealing with Ironwood, Hazel, Cinder, Salem at bare minimum. RWBY? never heard of it, you are watching J&O show.
Overall, it's an interesting idea, but I don't think it would work well in canon story which is probably why it was scrapped by the writers (if it was even an idea in the first place).
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jingerhead · 1 year
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All the daycare moms trying to piece together how Kazuki and Rei got together when they're a comedian and an oil baron:
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oobbbear · 6 months
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Water angel wip for the end of Halloween goodnight
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joyflameball · 2 months
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What yougotta understand is that when you're interacting with blogs from a fictional universe, such as the English Willy saga, ya DON'T GIVE THE GAME AWAY. Don't just TELL THEM all the plot. Don't tell them exactly what's happening!! Don't tell them the important names!! Send asks and such but actually think through, how would a normal person respond to all this? How would a normal Tumblrina respond? The answer is YOU PROBABLY WOULD NOT FIND FUCKING EVERYTHING OUT IMMEDIATELY. The answer would probably be memes and clowning on things! If you wanna allude to things that will happen in the plot, ALLUDE to them. If you know that someone's gonna burn to death, say you hope the stress doesn't cause them to burn out. Please, my Tumblrinas, learn the art of subtlety in writing. You are not the main character in fictional universe blogs. It's okay.
#cassie rambles#english willy#this post was prompted by me getting annoyed ppl in the comments of the english willy posts were just straight-up giving everything away#PEOPLE. LEARN THE ART OF ''WAITING'' AND ''SUBTLETY'' AND ''YOU'RE NOT THE MAIN CHARACTER HERE''#like just straight up saying ''yeah that probably means elizabeth! that's probably a murderer's corpse in there!''#girl these reveals take TIME#the reason the "lisbef'' thing and the ice cream thing work is because we know the plot to fnaf! we know what he's talking about!#we don't need it to be said explicitly! that's what show dont tell is!#and it sucks the wind out of the sails if you just say ''oh yeah that's a reference to elizabeth afton''#it's like if the op brought up fires and someone immediately said ''oh fazbear frights is gonna burn down btw''#like NO. THAT'S NOT WHAT GOOD WRITING IS. THAT'S NOT HOW YOU DO REFERENCES TO THE SOURCE MATERIAL.#the reason saying like ''aw i hope mike doesnt get cold in there i hope he brought smth to stay warm :('' works is because it isn't blatant#i mean if you know hte plot to fnaf 3 it is but if you don't it doesn't break immersion by just telling us the plot#all of this is said lightheartedly#anyway.#LIKE NO YOU IDIOTS!!!! DON'T JUST BRING OUT CIRCUS BABY BLATANTLY!!!!!!!!!!!!#YOU'RE TRYING TO RUSH THE STORY!!!!!!!!!!!!! LET IT BUILD UP AND THE PAYOFF WILL BE BETTER!!!!!!!!!!!!!!!#STOP TRYING TO BE THE MAIN CHARACTER!!!!!!!!!!! YOU ARE A SIDE HARACTER HERE ADN THAT IS OKAY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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mummer · 5 months
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still sorting out how to feel about it but fuck ncuti was just insantly beyond all expectations. King
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gareleia · 2 months
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EPIC THE KNITTING SAGA AU
An AU my friend and I fleshed out a bit while chatting, where Athena and Hermes become Telemachus' god parents (pun intended)
first of all, the AU is called that cause Athena, as a goddess of arts and crafts as well as arts of war would totally knit socks and/or sweaters for Telemachus. I literally do not care that it's probably always too warm in Ithaca, it DOES HAPPEN and he PUTS THEM ON or ELSE
also, she's his great great auntie (cause hermes is the great great grandpa) DUH
and she would try to teach him crafts too, like:
Athena: think, Telemachus, think! Telemachus: BUT I CAN'T DO THIS STITCH
and then there's crying and Athena has to deal with it even though she's emotionally constipated and had definitely taught Odysseus some unhealthy coping mechanisms in his youth (and now she's forced to realize that, maybe Penelope even elaborates on it for her)
meanwhile, Hermes HATES being called grandpa (but secretly learns to enjoy it sometimes)
he's the type who teaches Telemachus all the "wrong" (read: fun) things in life, like talking to girls, playing pranks, lying out of his ass to get out of trouble, etc.
and then BOTH get in trouble with Athena, while Penelope just shakes her head at all of them.
Hermes obviously runs off, leaving Telemachus to deal with the scolding alone
Telemachus: hears giggling from behind a tree Telemachus: GRANDPA, I CAN'T BELIEVE YOU LEFT ME THERE! ( -`д´- ) Hermes: Awwww, now, now, champ! Don't you remember the first thing I ever taught you? Come on, gimme lesson number one! Telemachus, sighing heavily: 'Every man for himself'
Hermes gives Telemachus lessons on what Not To Do. And he gives those lessons hands on.
Hermes: I subscribe to practical learning!(´∀`)b
And that's their go-to excuse for when Athena finds them
Telemachus: Heeeeey, Athena? Theoretically— Athena, already popping a vein: What. Did. You. Do? ༽◺_◿༼ Hermes, from the bushes, with tears in his eyes (probably from laughing): He's going to the run, run Angel~
Edit: there's a second part now
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futuretrain · 5 months
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i don't know how to fucking explain it to you but scott not waiting hand and foot on stiles and coming to personally kiss his every booboo is not scott being "unsupportive" or a "shitty friend" especially when he continues to stand by his friend for every season of this whole show jfc
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