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#i miss the monologues episodes

alienturnip · 1 year

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Suddenly remembering that sopping wet day when I went to visit Sa Pa with my sister and some other family members. It was raining and occasionally flooding, the drizzle never really stopped, and we were walking up a hill with raincoats on and water drops clouding our faces. But my little sister was such a smart and funny person and a delight to be around, we chatted through the whole long walk and laughed and made jokes and random but elaborate discussions… I don’t even remember what we talked about but it was one of my best memories for so many years 😭

#alien turnip’s monologuing #personal #on another episode of i miss vn #please let me enjoy a terrible weather with an dearly beloved person of my life again #i need to remember that the cloudy sky can light up like that #and every year it’s harder to remember how the fireworks over the rooftops looked #how the food tasted like #how to take walks in the neighborhood not feeling like a complete stranger #how to stroll along the sidewalk with my hand in another’s

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thecryptidzenith · 4 months

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Alright. So this episode was great, but in terms of themes & setting the stage for the rest of the story, this line really stands out:

"You feel something. You look, the Night Yorb twinkling. You've spent your whole summer chasing this. You know all the things you've missed. Your whole summer vacation, all of your friends. Some of you had birthdays on the road this adventure, and yeah, there's lots of adventure, but all of you feel a tiredness in your bones knowing that the reward for saving the world yet again will be going back to school and having another year of working just this hard forever."

This monologue from Brennan is the most thematically/foreshadowy thing we get in the episode, and it does set quite the stage. This is a story about exhaustion and the price of adventure. It's a story about what the hells these six people are going to do with the rest of their lives.

Fig releases something at the end of the episode. Some piece of magic that will certainly mean something later. This is how it's described:

"You've been holding onto a piece of magic for a long time... If you take me, you know what you would save. And you smell something sour and curdled."

"There is a flash of light, a kind of lemony yellow creamy light that flashes out over the hangvan."

Pay attention to that word choice. The magic is "sour" and "curdled" and "lemony yellow creamy." Is it reminiscent of anything?

Gilear's connection with yogurt is established pretty early on in Fantasy High, and yogurt in general serves as a symbol for everything that Gilear is. A sad, pathetic adult and A Normal Guy. Brennan is very insistent when reading out Gilear's stats for the first time that he's just a guy! Some people have to be normal!

But our Bad Kids aren't normal. That's the whole point of them. They've saved the world. Falling to Gilear's level is terrifying. It's literally Fabian's nightmare.

From that part of Pirate Brawl:

"You hear a voice behind you" [Gilear!Fabian] "say: 'It's all going to be all right... I know it seems very far off, but there is a way for you to be happy.'"

And of course, the yogurt, the symbol of mediocrity, is here too. "The yogurt curdles in your stomach." Curdles. The same word used to describe the magic coming out of Fig. The yogurt that Fig gives to Fabian while he's having his breakdown in Leviathan is lemon flavored too.

Of course the primary conflict seen in the trailer is about difficulty graduating. That's a normal problem. That's a normal concern for normal people.

The fear of mediocrity can be strong. Especially for people as exceptional as the Bad Kids. But the fear that you'd be happier taking the easier path, that the road less traveled isn't inherently better, that your hardship is for nothing... that's even worse.

The reasonable thing for Fig to be releasing would be the red growth seen on the minis in the trailer. But no. She releases something lemony and creamy and sour and curdled.

#fantasy high #fantasy high junior year #fhjy #fhjy spoilers #d20 #dimension 20 #figueroth faeth #no i cant tell if im joking here either #meta #speculation

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bumblingest-bee · 1 month

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nine people to get to know better

ty for the tag @gudgercollege :)

last song: in my life - the beatles. i've also had the my fair lady soundtrack on loop for the past like two days lol

favorite color: usually say yellow but honestly i've been vibing with like dusty mauve lately. love me some muted pinks

currently watching: the latest season of jet lag: the game has me so engrossed i finally signed up for nebula to get new episodes a week early. playing hide and seek across an entire country is my childhood dream and i am living it vicariously

sweet/savory/spicy: savory babey

relationship status: single. hopeless romantic. trying and failing to get over a guy

current obsession: oh god. can i admit that, despite never having given a single shit about the british royal family, i'm genuinely obsessed with this missing kate middleton thing. it's pure concentrated schadenfreude to see how spectacularly the royal PR is fucking it at every possible opportunity. they've reached like bialystock and bloom levels of backfiring

last thing you searched: "audition monologues" because i love putting things off to the last minute <3 (the audition is on MONDAY and i still cannot find a decent one)

now for the final challenge let's see if i can find nine mutuals to tag (no pressure!) @the-common-pigeon @lemoncholy-stars @sparklyshakespeare @droughtofapathy @catboyrichardkarinsky @catboymoses @pealeii @ivorypiano @gingerpeachtea

#tag game #bee posts nonsense

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chirpsythismorning · 9 months

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Welcome to a series I'm calling:

Yes, that scene did foreshadow Mike's monologue was disingenuous

Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.

The Bingham's Beautiful Performance

First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.

Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.

Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.

This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.

The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).

A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.

Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...

Will. Will is the director

Director Will: GET THAT RADIO OUT OF MY SHOT!

Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...

genuine...

#byler #stranger things #byler theory #the binghams #what really gets me is that the script for the monologue implies it did work #but this scene (along with many other scenes throughout the show) make a nod to the fact that it couldn't have possibly worked #by making a literal play by play of it being a performance with a fucking director giving commentary in the background #later the scene outright uses the word genuine to describe suzie's dad (who parallels mike)#and therefore makes the connection to mikes monologue being disingenuous #mike's monologue could be disingenuous for a layer of reasons #but it is disingenuous for the simple fact that it only happened because of will #there are several scenes in the show that make fun of this concept of mike's monologue not working #some in s3 with one in particular from that season being a little too on the nose #but also more moments throughout s4 that also poke fun at it #to be continued

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buckttommy · 28 days

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umm. pause. guys. guys. gay tommy has been canon this entire time. what the fuck. like. oh my god. no. like. okay. okay. so. 2x9 (hen begins), sal [deluca] is talking about his girlfriend dragging him to see twilight. he makes a homophobic joke about tommy being team jacob and tommy's like "i don't even know what that means." chimney says "he's insinuating that you're gay" and tommy blows deluca a kiss. fine. whatever. but THEN you skip to 2x12 (chimney begins), and—i stg it's a blink and you miss it moment—tommy and gerrard (racist captain) are having this conversation in the background

tommy: what about that burger place? gerrard: tommy i hate that place. hey wasn't your girlfriend supposed to come and cook us dinner? tommy: uhh. next tuesday. gerrard: promise? tommy: uhh. uh. yes. yeah. i will promise.

and it's like. number one, this sounds like a conversation they've had before. something to the tune of "hey, how come you never bring your girlfriend around" which i can't help but think was intentional considering the members of the old 118 were entirely familiar with deluca's girlfriend gina. but number two, no straight man who has a girlfriend sounds that unsure that they have a fucking girlfriend. it was very much giving "ah yes. this human lady that i love that most definitely exists. absolutely. also i like breasts." and it's just like. ok. what the fuck. like. i don't know if this was the plan all along. i don't think it was. i still maintain buck/eddie were supposed to go canon after the shooting and the powers that be got in the way. but. but. the idea that this canon queer character has been hiding in plain sight (subtext) is just. wild to me. like. i've always headcanoned tommy as gay, mostly because every character he plays seems fruity as hell. but bro. i don't think it's a headcanon anymore. and i don't think it ever has been. what the fuck.

there's also the idea that. like. so i've been watching the begins episodes again trying to figure out what, exactly, tommy's crime against the members of the 118 has been. like. he worked in a -phobic/-cist environment. he was definitely complicit in making hen/chimney feel like outsiders in their workplace yes yes all these things are true. but as far as i can tell, tommy has rarely ever actively been anything except spineless. deluca makes a homophobic joke? tommy laughs. gerrard makes a bunch of sexist and racist comments? tommy looks, but doesn't say anything to encourage (or discourage him). hen gives her monologue? he looks chagrined.

and his complicity would be absolutely shitty and inexcusable if he was just a cishet white man. no questions asked. but if — if — you view his behavior through the lens of the fact that tommy is queer himself? that tommy is, and always has been, a member of a marginalized community who felt it was easier and safer to assimilate than it was to be openly queer and have a target on his back? his behavior becomes a whole hell of a lot more understandable. yes, it's still shitty, but. there's a purpose behind it. and this idea is supported by the fact that, when gerrard leaves (flashing forward to bobby begins again), even before bobby gets there (because we always credit bobby with making the 118 the family it is today), like. the atmosphere is completely different. tommy and hen? are friendly with each other. chimney and tommy? also friendly with each other. which we also know because in 2x14 broken, he calls him up for help. which lends credibility to the idea that the problems tommy had (or thought he had) with henchim were not about them as people but more about whatever manufactured conservative boys club bullshit gerrard fostered.

and it's just like. motherfucker. bitch. what the hell. like. first of all, leave it to 9-1-1 to tell a story like this in the most subtle way possible. like if that was indeed the intended implication, i'm throwing my tv off a bridge immediately. but also. second of all. what is wrong with this show. they're crazy. i want to eat it like a loaf of bread. just shovel it in my mouth because the idea that tommy has been queer all along, that he wasn't brought back just to be a stopgap on buck's queer journey to eddie, but that he's been haunting the edges of the narrative like a gay ghost is sooo like. ohhh. okay. [throws up]. like????? okay. anyway. i'm going to be thinking about this the rest of the day.

#tommy kinard #head in hands.....................HEAD IN HANDS #tv: 911 #jack.txt #There's also something to be said about the idea of FOX main characterizing Buck/Oliver #around the same time they put a stop to Buddie #Something about like. Conventionally attractive (dark hair / light eyes) white men are not allowed to be loudly quee #and like. I KNEW there was something there #I knew it. And I love Michael and David and Karen and Hen don't get me wrong #those are my emotional support gays #but I was just like ''hm. kind of funny how every queer character connected to the mains is a person of color right?''#and I never vocalized this thought to ANYONE but I always kept it in the back of my mind #even the men michael would be seen with *before* David — always black #and there's nothing wrong with it it's fine #but the idea becomes a LOT more insidious when I consider FOX's politics—when i consider that both racism and homophobia are inherent to #their brand. and then it's just like ''ohh. you guys made the black people dirty queers because white is right. okay got it''#anyways. let me stop talking. lol

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w2nv · 4 months

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EVERY EPISODE SO FAR THAT DOESNT END WITH “GOODNIGHT, NIGHT VALE. GOODNIGHT”

SO I finished the list today! This list includes any variation of the phrase, episodes where he just doesn’t say it although present, and episode where he doesn’t say it because he’s not present. I decided to mark colour code them as a result!

• variation, • no goodnight, • no Cecil

Before I start:

I did not include extra episodes like snippets from the lives shows and such.

For the quotes here I only took the final phrase. So anything that breaks the usual scheme like a lack of “stay tuned next” or any lengthy monologue about anything relating to the goodnight phrase, I didn’t quote

I’m thinking about making a video compilation later on but for now I DONT have the space to dowload all these episodes so this will do for now!

If I missed any, lmk!

———————————————————————————

• 1 — Pilot

Good night, listeners. Good night.

• 2 — Glow Cloud

Good night, listeners. Good night.

• 3 — Station Management

Good night, Night Vale. And goodbye.

• 4 — PTA Meeting

Good night, listeners. Good night.

• 5 — The Shape in Grove Park

Good night, listeners. Good night.

• 6 — The Drawbridge

Buenas noches, Night Vale. Good night.

• 7 — History Week

And, from this moment in history, the one that’s happening right now, good night.

• 8 — The lights in Radon Canyon

It is a good night, listeners. Good night.

• 9 — “PYRAMID”

Speaking of the nighttime, I truly hope you have a good one, Night Vale. Goodnight.

• 10 — Feral Dogs

Get your sleep, Night Vale. And don’t forget to dream. Good Night.

• 14 — The Man in the Tan Jacket

Good night, Night Vale. Be alert, and write down everything you cannot comprehend. Until next time.

• 15 — Street Cleaning Day

Good night. Good night. Good night.

• 19B — The sandstorm

Kevin: Until next time, Desert Bluffs, Until next time.

• 46 — Parade day

And until next time, Good Night, Night Va- Hey. Hey. No. What are you-

• 47 — Company Picnic

Kevin: And, as always, until next time, Greater Desert Bluffs Metropolitan Area. Until next time.

• 49A — Old Oak Doors (Part A)

Listeners, there is someone knocking on my station door, which must mean…Carlos? Carlos, is that you? Come in, and welcome home, my sweet Car…

• 53 — The September Monologues

Well, that's it for the September Monologues. We've said so much. What more is there to say?

• 65 — Voicemails

Kevin: Until next time, Cecil. Until next time.

• 67 — [Best Of?]

Leonard Burton: And as always "See ya, Night Vale. See ya."

• 70A — Taking Off

Kevin: Until next time, new Desert Bluffs, until next time. Oh. Oh no. This is so sad. No. I don’t like this. I am sad. No. No.

• 85 — The April Monologues

And so we reach the end of the April Monologues. There is much that could be said. I will say none of it.

• 86 — Standing and Breathing

Good night, Night Vale. (Maybe lock those windows too.) Good night.

• 87 — The Trial of Hiram McDaniels

Good night. I guess.

• 88 — Things Fall Apart

Hello? [very faint breathing] Hello? [very faint breathing] Who is this? [distant dog bark]

• 89 — Who’s a good boy? (Part 1)

“I want nothing, Cecil. Nothing at all. And I will have it.” Huff huff huff. Huff huff Huff.

• 94 — All Right

All right Night Vale. Good night.

• 98 — Flight

Good night.

• 100 — Toast

Good night, Night Vale, and every person who can hear my voice. Good night.

• 101 — Guidelines for Retrieval

Happy purging, Night Vale. And goodnight.

• 104 — The Hierarchy of Angels

Good night, Night Vale. Josie was beautiful. And angels are real. Good night.

• 109 — A Story About Huntokar

Huntokar: Good night, my Night Vale. Good night.

• 111 — Summer 2017, Night Vale, USA

Good night, listeners. Good night.

• 113 — Niecelet

Any second now. Any second. Any... second.

• 120 — All Smiles’ Eve

Lauren: Good night, Kevin. And good night, Desert Bluffs Too.

Kevin: Good night.

• 128 — A Matter of Blood (Part 2)

Oh god, it’s here.

• 133 — Are You Sure?

Is this the first time you’ve heard me say this? Are you sure? Welcome to Night Vale.

• 135 — The Mudstone Abyss (Part 1)

Kevin: Until next time, Desert Bluffs, Until next time.

• 136 — The Mudstone Abyss (Part 2)

Charles: Kevin. I. Handlebar cereal, okay? Handlebar cereal.

VM: End of message.

• 137 — The Mudstone Abyss (Part 3)

Kevin: Until next time, Desert Bluffs, Until next time.

• 148 — The Broadcaster

Leonard Burton: And until tomorrow, "See ya, Night Vale. See ya."

• 156 — The Trouble with Time

Listeners. I must go. I must talk to my husband. We can be together forever, don’t you see? A new world awaits us in the future. I must talk to Carlos. I must.

• 157 — The Promise of Time

Kasper: Believe in a smiling god, buddy. Believe in a smiling god.

• 164 — The Faceless Old Woman (Live)

FOW: And I will be seeing you very, very… soon.

• 171 — Go To The Mirror?

Won’t you have a good night, Night Vale? Won’t you have a good night?

• 175 — The October Monologues

And as the leaves are done, so are the October Monologues. All that can be said has been said. And all that can be said will be said again.

• 177 — Bloody Laws, Bloody Claws: The Murder of Frank Chen

That about does it for me, Night Vale. That about does it for me.

• 195 — Silas the Thief (Part 1)

Silas: And my name is Silas. Not Khoshekh. Okay? Okay.

• 196 — Silas the Thief (Part 2)

And one I have to consider. Am I Khoshekh? I don’t know if I’m ready to admit that just yet.

• 199 — Guidelines for Retrieval

Happy hoarding, Night Vale. Goodnight.

• 200 — Susan Willman Comes Clean

Susan Willman: So let me begin. This is a story about Huntokar, said a voice on the radio. A voice you had never heard before, though she has been speaking to you your whole life.

• 203 — The Kareem Nazari Show

Kareem: Again, really sorry. Uh, so… Take care. I guess.

• 216 — The Ball Is Where The Win Is

Steve: You have already made me so proud

• 221 — The Glow Cloud, Explained

All Hail, Night Vale. All Hail.

• 227 — A Word With Dr. Jones

Lubelle: Show over, Night Vale. Show over.

• 230 — Carlos, Explained

Good night, my Night Vale restored. Good night.

• 237 — Frown Night

Kevin: Until next time, Desert Bluffs Too, Until next time.

• 239 — Sister Cities: Vermillion Falls

Frank Luna: Good evening, Vermillion Falls. Good evening.

• 240 — He Is Holding a Knife

He is holding a knife. He takes the knife, and sets it against the microphone cord. And with one smooth and easy motion, he cuts the co-

#in other news #welcome to night vale #welcome to nightvale #wtnv podcast

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comradekatara · 2 months

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okay, so I did just spend the entire day watching NATLA. I had no choice but to watch this all in one sitting with my friends because I knew that if I attempted to watch it alone, or in increments, I would simply never get past episode 1. and I was right. it, of course, sucked so bad. I intend to write an actual, articulate review of the show as a whole when I have time, but for now, here is a list of the notes I jotted down on my phone (including some quotes from my friends as we watched), cinema sins style (pluses indicate details I actually liked, however minuses are far more frequent; points I considered especially significant are bolded).

– NO COLON to signify the central tension of the entire show!!!

Episode 1:

+ Love Aang’s eyebrows, just a very cute kid in general

+ opening fight scene kind of serves

– Sozin does NOT

– This clunky exposition is so strange considering they clearly already assume we are familiar with the entire show

– What’s going on with Kyoshi (ie, where is Roku)

– Where is Katara narrating????

– Hideous fonts

+ AANG SO CUTE <3 (he’s giving Dewey!)

– He can just fucking fly without his glider I guess?

– Airbenders saying wow at airbending (ding!)

– Aang’s uggs

– Sky bison…… L (update: I lowkey came around on Appa, but only bc Momo was so fucking busted he looked incredible by contrast)

– Gyatso’s mustache L (update: many such cases going forward)

– What’s going on with the accents???

– Aang cannot fucking act for shit I’m so sorry to this adorable baby boy

– Depicting a literal genocide as an action scene. Fucking awful

– Aang actually trying to head back during the storm defeats the whole point of the whole inciting incident of his entire arc????

+ Waterbending Avatar State sequence in the storm actually looks cool

– I hate White Sokka

– I hate shein Katara

– They do NOT act like siblings

– I hate White Sokka

– Where is Katara I miss you baby girl

– ZUKO’S SCAR IS AWFUL

– Katara has no agency or passion or rage or emotion whatsoever?!!?!?

– Acting is SO BAD

+ Clunky exposition works for Zuko because he does have a propensity for monologuing all his intentions

– Sokka, however, does NOT

– How can Sokka be “the last man” of the Southern Water Tribe if there are like. Dozens of other guys only ever so slightly younger than him just standing around.

– Kanna just saying Katara’s monologue because Katara is a nothing

– WHY DO FIREBENDERS KEEP ATTACKING AT NIGHT

– Clunky ass exposition “he had to grow up fast” give me a fucking break

– Who the fuck is this white guy

– Katara has no motivations at all?? She’s just chopped liver I guess

– The cadence of every actor is so bad

– They can’t decide whether they want to be the cartoon or their own thing and instead they’re just nothing

Episode 2:

– KANNA JUST GIVES HER THE SCROLL?!?!? KATARA DOESNT GET TO SHOPLIFT. OR DO ANYTHING

– MILF ALERT!!!!

– I hate you straight nepobaby suki

– She’s so fucking weird

– White Sokka has a bad face and a good body. He should have a strikingly beautiful face and a scrawny, malnourished body. L

– Aang being afraid to airbend makes no sense

– Where is Sokka’s fucking Kyoshi Warrior feminization!!!!

– Sexist ass show

– STOP IT KYOSHI STOOOOPPPPP #NotMyKyoshi

Episode 3:

– This one rebel leader guy is giving Katara more than Katara

– Why are the colors so bland

– Sokka being scientifically minded makes no sense bc that trait (which, um, is actually quite crucial to his character) hasn’t actually been established at all up until this point (or retained beyond this one episode)

– This guy is giving jock who happens to be good at engineering, when Sokka should be a NERD who HAPPENS to be good at FIGHTING

– Azula and Mai are NOT GIVING

– Azula should present as sure of herself and incredibly poised. It’s actual crucial to reflecting how she has been shaped by abuse

– And Mai should be razor sharp (both physically and figuratively) and not give a fuck about any of this!!!

+ Katara hitting herself in the face was funny

– Redemption for beautiful Jet (my friend: “I love seeing a beautiful man die”)

– Freedom Fighters are GIVINGGG

– How can Kya “watch the sun rise every day” if they literally live in the South Pole

– They don’t understand Sokka’s daddy issues AT ALL. The simple fact that he’s actually communicating them is egregious

– The first time Katara actually gets angry is for Jet. But not even for the right reasons.

– The first exchange that Katara and Sokka have that makes any sense is in ep THREE (of 8)

– “Sokka was right. You are the bad guy.” WHO WROTE THIS 😭😭

– Jet is only going after the corrupt and collaborators…. So, um… he’s literally right???

+ The fight between Aang and Zuko is actually SO GOOD and understands their dynamic (sidenote: they’re the only kids who are actually giving their original characters at all)

+ Aang reading Zuko’s diary is so fucking funny

+ I love you Danny Pudi <3

Episode 4:

+ I love the interior of Bumi’s palace. Statues of Flopsy

– Omashu is in India now I guess and also everyone in the world lives here

– Bumi’s hat!?!?

+ The nomads sound like Fleet Foxes

– Katara and Sokka are literally switching roles in this tunnel

+ This one Earth Kingdom soldier is really serving.

– The fact that he’s ostensibly framed as in the wrong here though is INSANE

– Zuko is supposed to be ten here 😭 that’s a grown ass man with a BA in Econ

– Sokka’s necklace is plastic

– Katara and Sokka being like “we never used to fight at home” ……. WTF!?!?

– KATARA WOULD NEVER SAY THAT TO SOKKA SHE WOULD BEAT HIS ASS INTO THE GROUND EVEN IF HE WAS RIGHT

– Adults keep being so mean to Aang :((

+ Zuko’s hair is great

+ I like that Bumi gave Aang his bison whistle(?)

– Bumi’s anger is….interesting

Episode 5:

– Canonically 13 year old Zuko is also a grown ass man

– “How was I supposed to know she was a Fire Nation soldier” ummmmmm maybe due to your INSTINCTS and CONSTANT PARANOIA

– They keep alluding to escapades offscreen without actually depicting any of their grounded bonding moments so we have no reason to care about any of these characters whatsoever or their relationships with one another

– Sokka good with kids and names??? Preposterous

– Zuko kinda gay asf

– Zuko calling someone an idiot and Sokka never once does . Sounds fake

– Oppressed peoples are just a mouthpiece for oppression instead of real human beings

– Instragram ass makeup

– Aang isn’t having any fun

– Aang feels like he has no agency whatsoever because he only ever does what the adults around him tell him to do and never does anything of his own accord. Let him have a sillygoofy time!!!

– Constant clunky exposition and no understanding of its own narrative… it’s truly like if ATLA … was LOK.

+ JUUUUNE

– Hitting on Iroh for #feminism

– “I always thought I was spiritually attuned. I don’t know how he got in here though” is actually so Katara. Finally an actual Katara moment

– Wan Shi Tong goofy asf Guardians of Ga’Hoole ass CGI monstrosity

– What is with Sokka’s fucking white people references (all you need is love, bye bye birdie, etc). White devil I need him dead

– Sexy Kitsune for the furries

– Fox accuses him of making jokes to deflect “What? I don’t do that” WELL. HE DOESNT IN THIS VERSION!!! (Alluding to a character trait that they don’t actually depict is crazy. He literally says everything he’s feeling at all times in this and barely ever says anything witty. It’s like they’re TAUNTING us.)

– Kya sounds like she’s from the Upper East Side

– Why won’t they let Katara DO anything!!!

– Too economical with their storytelling leads to no real depth whatsoever

– Putting Katara’s flashback in Book 1 undermines the whole point of TSR

– I HATE YOU WHITE HAKODA

– If Sokka is so bad at ice dodging in this then why did they give him the mark of the wise ??????? None of this scene makes sense

– Why is Sokka CRYING (he doesn’t DO that)

– Koh looks so bad

– Aang doesn’t actually know how to fight Koh he’s just such a wooden actor that he happens to get away with it

– First Roku mention????? Lmfao

– Gyatso talking to Aang is so wack but at least he’s being nice to him

Episode 6 (aka the best episode by far):

+ Zuko just drawing an eye on the page is so real actually

– Azula’s flames aren’t even blue

– And she’s not mysterious or imposing at all!

– I HATE the makeup in the show

– The pacing is AWFUL and STUPID, no consideration as to WHY information is revealed when it is narratively/thematically

+ Okay he’s really giving Zuko lmfao

+ Ken Leung has made Zhao feel like a real person (but no one else is doing that ???)

– Low-budget fantasy C-dramas have costumes one million times better than this.

– What is with Iroh’s obsession with boats

– Quirked up old man Roku

– Zuko flashbacks don’t read as significant because his scar is nothing and he’s the same age

+ Aang and Zhao scene is great

+ I’d follow Zhao into battle

– Other friend: “This is the best episode so far and it’s because Katara and Sokka aren’t in it”

+ Blue Spirit mask actually looks like a theater mask

+ Using the original Blue Spirit theme!!

+ This episode actually slays

– Their commentary on narrativization is solely relegated to Zhao and no one else gets to participate in this thematic conversation, not even KATARA

+ I love the sassy gay scribe

+ LADDERS SCENEEEEE

+ Zuko canonically having good handwriting is so real

+ Aang and Zuko conversation is great

– Why does Aang keep assuming Zuko is compassionate and wounded when he hasn’t displayed any compassion, remorse, or pain

– Iroh stepping into the Agni Kai goes against his whole character

+ Ozai kind of rules tho

– WHY IS ZUKO ACTIVELY FIGHTING OZAI!!!!!!!!

– Zuko’s backstory makes no sense

+ Zuko’s thotty little collarbone

– Ozai’s scene here undermines the whole point of Zuko’s banishment

– Such bad dialogue it’s crazy

– How do the 41st division not know why they’ve been on this boat for the past 3 years when every piece of dialogue in this show is otherwise expository as fuck

– What’s the point of Gyatso leaving. They don’t explain it at all

Episode 7:

– The NWT is so grey and underwhelming. My favorite location in the whole show. Can’t have shit in Netflixworld.

– BECAUSE AANG JUST HAS VISIONS OF THE FUTURE NOW I GUESS

– PAKKU AND YUE LOOK SOOOOO BAD

– Yue looks like a Euphoria character in a party city wig

– This isn’t how Azula fights!!!

– I hate what they’re doing with Azula so bad

– Mai sucks too

– Their journey doesn’t feel earned at all because they didn’t hang out or learn anything or do shit

– Why is Yue in the kitchens if she’s a princess

– And why is she WATERBENDING

– Why isn’t she repressed!!!!! She shouldn’t BE “ordinary”

– Why is Sokka explaining his duties!!!! He doesn’t SAY SHIT!

– Why isn’t the guy playing Hahn playing Sokka and vice versa (I’m so fucking serious)

– YUE’S A FOX????? WHAT

– All the offscreen battles where we’re supposed to assume character development actually happened. Sure.

– Hahn being nice and respectful to Sokka makes no sense

– MILF Yugoda! (How would she know Kanna. Update: I guess that doesn’t even matter here )

– THEY DONT UNDERSTAND YUE OR HAHN OR WHAT PATRIARCHY IS. AT ALL

– Kuruk is too serious and Roku is too playful. It should be the reverse. Playing into racist tropes :/

– His eyes are way too blue I’m sorry to this man

– They all look like they know what iPhones are.

– Yue is so annoying . L

– This whole Yue Sokka scene is the most annoying thing I’ve ever fucking seen in my life. And entirely antithetical to their whole deal

– “My friends” this “my friends” that, except they never actually hang out. They just keep calling each other friends but they never actually show it in a believable way.

– They want to be edgy but they actually never fucking shut up about the power of friendship like we are all five years old. I think when they said they were “appealing to a Game of Thrones audience” what they really meant was just that they are also bad, incredibly misogynistic writers who depict sensitive topics without any care or nuance.

– I actually like the Fire Nation boats

– Zhao is working with Azula??? She wouldn’t KILL THE MOON

– Azula would never ask Ozai to do things she would wait for his command at all times!!!

– Since when is Sokka wise and emotionally mature enough to hold this conversation with Katara, and why isn’t Katara being impulsive. This fight is so planned out; all the excitement is lost.

– Her completely blank expression as Pakku humiliates her. I hate you SHEIN KATARA!!!!!!

– This fight is so dull and lame whereas in the original that fight scene literally changed my life as a kid????? #NotMyKatara

– “The Legend of Aang” EW

– Why isn’t Aang waterbending at all. Book 1: “talking about water in completely abstract, hypothetical terms”

Episode 8:

– Iroh telling Zuko how to break into the North Pole is undermining the one moment where he actually demonstrates his intelligence as an independent person

– Stupid ass liberal feminism I hate you

– So they are sexist but also not. Makes sense

– What the fuck is with this moon backstory shit. Who needed that

– Zhao going to the Fire Temple instead of Wan Shi Tong’s Library for info on the moon completely undermines the point about the role of knowledge in imperialist conquest

– Kuruk looks like a Star Wars force ghost

+ THEY KILLED MOMO (kind of made me laugh a lot, so… points for that I guess)

– But they could only feature him for all of five seconds bc they don’t have the budget to constantly animate his mangy rat ass

– Why is Yue helping MOMO instead of ACTUAL HUMAN BEINGS

– They want me to believe that White Sokka has compassion for that little rat when I simply do not believe that this man cares for anyone or anything or even has a soul.

+ Zuko and Aang’s situationship/chemistry is crazy. They’re both kind of slaying actually

– That said, the kid who plays Aang is not a very good actor, he’s just adorable and has big ears and a Dewey voice. And the kid who plays Zuko has the easiest acting job in the show because Zuko is actually so over the top and dramatic that overacting feels authentic to this one character in particular (and no one else).

– Bending fights look stupid and feel thematically insignificant

– This red filter looks so bad

– Why do they keep dragging out fast paced scenes to explain everything so that they’re now boring af

– Hahn is just……. Okay go off woke feminist king. Sure. Why not

– All the exposition is so clunky and slow and undermining the actual point of the scene

– Not only is this not visually interesting, it also doesn’t translate tonally, and the primary actors can’t pull it off

– So NOW Iroh kills Zhao. Okay

– Zhao wouldn’t respect a teenage girl this much, even if she is the princess

– Koizilla looks bad :(

– RIP Ken Leung the Cunt Slayer. 5ever in our hearts </3

+ It’s actually so funny that Ken Leung apparently didn’t even know what he was auditioning for because he was by far the best actor in this show and nearly singlehandedly redeemed it. I love this guy so much.

– Me: “This isn’t a show. This is a farcical simulacrum of real art.” Friend, far more concisely: “This is a fucking joke.”

– Katara and Sokka barely even seem like they care about each other. Look at how they massacred by boy (and girl)

– Yue and Sokka alluding to fucking offscreen WOULD be a slay if they weren’t both annoying as fuck…

– Oh so NOW Katara talks Aang down from the Avatar State. Yeah. I buy that.

– “You’re not just the Avatar you’re my family” really? Because you’ve barely even talked

– The sequencing and pacing of the Siege of the Noth was nonsensical.

– “My daughter always made her own choices” NO SHE FUCKING DIDNT!!!!! THE WHOLE POINT OF HER CHARACTER. WAS THAT SHE COULDN’T!!! Shallow fucking libfem bullshit they MASSACRED my girl!!!!!!

– Why is Arnook comforting Sokka when Sokka should be comforting HIM

– Also Sokka would never express his insecurities to Arnook in the first place. NOT MY REPRESSED KING????

– Why is Sokka giving emotional support and Katara giving tactical support -_-

– They really think that “Gotta let go of the past to have a future” is such a fucking smart line they used it twice

– Conquering Omashu wasn’t a STRATEGY it just happened CONCURRENTLY because their imperialist regime is incredibly powerful … This show doesn’t understand its own politics at all.

– Azula has no poise or swag smh

– Aang doesn’t even know about Sozin’s comet because Roku didn’t tell him…

– It’s crazy that a show written in the 2020s is actually SO MUCH more sexist than a show written in the 2000s.

– TDLR; I hate you capitalism, I hate you Netflix, I hate you White Sokka, I hate you SHEIN Katara, I hate you heterosexual nepobaby Suki, I hate you girlboss Yue, I hate you visibly insecure Azula, I hate you whatever is going on with Mai, I hate you CGI Momo, I hate you wack ass pacing, I hate you clunky, idiotic dialogue, I hate you complete and utter lack of consideration into what made this show great in the first place, I love you Danny Pudi, I love you Ken Leung.

Which, in fairness, is all pretty much exactly what I expected this show would be. But at least actually watching it did indeed verify all my assumptions (although what they did to Katara specifically was even worse than what I had assumed, dear god), so I will be writing up a more in-depth review soon so that I can actually try to unpack why this show is such a dumpster fire, and how that reflects larger trends in media. But for now, all I can say is, I can’t believe I sat through 8 hours of this fucking garbage knowing it would be bad and it was. I’ve been saying this show would suck ass since the second it was announced, and yet it somehow managed to still prove worse than even my incredibly pessimistic expectations. A soulless, shallow, offensive work of profit that cannot even attempt to justify its own existence. I need to kill White Sokka with hammers.

#natla #‘’spoilers’’ under the cut #lmfao #in the immortal words of bloodbenderz: ‘it was bad’

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