Have you seen Lilia's vignette yet? Our insight into his initial parenting skills sure was, something.
HA HA YEP, Lilia's. questionable parenting has come up a few times and it's always, like, he read Baby Instructions 101 and went "ooh, I like red, I'll do those ones :)". he has Dad Instincts, but unfortunately they are Stereotypical '90s Sitcom Dad Instincts.
it was, however, worth it to see Sebek (watching Lilia gleefully dunking a bat into a coffee cup) just slowly turn to Silver and go "how the fuck are you alive".
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i'm not usually in fandoms for things that have like, live-action actors playing the characters (idk why i just tend to get into books, cartoons, webcomics, podcasts, etc). but the few times i've been somewhat invested in a live-action media for fandom reasons (mcu, teen wolf, pacific rim, star wars) i've seen fans waxing poetic about a character's/actor's eyes. and i've literally never understood the hype, i've just been like "yeah idk theyre eyes? i dont get what's so special about them tho"
what im saying is that not only are Taika Watiti's eyes the first time i've understood the hype but ofmd is also the first time i've actually noticed an actor's eyes before seeing fandom being obsessed with them. that's the power of taika's Massive Fucking Peepers i guess
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Spoilers for the ninth Detective Conan OVA, "The Stranger From 10 Years Later."
Realistically, out-of-universe, I know it's little more than fanservice. It's a peek at what a popular recurring character's future could be, a snapshot of how things may turn out for him. But in-universe, I can't help thinking about the implications of 26- or 27-year-old Heiji's short cameo appearance in Shinichi's literal fever dream.
There's an immense level of detail to the entire scenario. The tree in the Kudo yard has grown taller, downtown Tokyo is littered with new buildings and renovated old ones, a high school teacher's face is lined with more wrinkles than he ought to have after a mere "few months." It's a vibrant, breathing world that Shinichi's imagined—one that indicates to me that he's deeply considered the possibility of never returning to his old life. He's walked by his home, in a body so small that he can't even unlock the gate, and thought to himself, "One day, that tree will tower over the fence, but I'll still be stuck as tiny Conan." He's ruminated about it, wondered and speculated and deliberated, how the city around him will change while he hasn't been allowed to, not in the way he wants.
And he's done the same concerning Heiji. And... it's positive. Immensely so.
Interviewer: For today, we'll be interviewing... The famous detective from Naniwa, Hattori Heiji-san! He has brilliantly solved numerous intricate cases and is now recognized all over Japan! He's even opened his own detective agency!
Or, at least, it is at first, anyway. It's quickly revealed that Heiji and Kazuha's relationship hasn't progressed in the slightest, which, while obviously not a particularly favorable outcome for either of them, does say something about Shinichi. Because you could argue that Shinichi envisions Heiji living the life that he himself so desperately desires. You could say that the true purpose of Heiji's appearance in this OVA is to accentuate the future that Shinichi craves but cannot have, not yet and never as himself, where he's the mastermind behind a thriving, well-renowned detective agency, where an interview with him is unquestioningly broadcast on a huge screen overlooking Tokyo streets, where busy passersby stop in place, look up, and listen to what he has to say.
And... where he's also popular with girls.
Heiji is known as "The Lady-Killer of Naniwa" in Shinichi's imagination, and especially early in the manga, Shinichi does explicitly enjoy that kind of attention (File 10, included as File 1 in Volume 2, spells this out directly).
Interviewer: I've heard that the young ladies have a certain nickname for Hattori-san... "The Lady-Killer of Naniwa."
But the fact that Heiji and Kazuha have gotten nowhere points me elsewhere. This isn't an idealized fantasy that Shinichi wishes he could have for himself in the slightest. Ran is his dream. The emotional heart of this special, the dominant, overarching tragedy, is how Conan's overwriting and erasure of Shinichi prevents him from being with his lifelong love. There's no way that Shinichi would ever imagine a "happy end" that's anything like what Heiji and Kazuha have going on in this OVA.
So, what does Shinichi's conception of 26- or 27-year-old Heiji mean? A few things:
Even in this nightmarish "bad end," Shinichi cannot conceive of a life without Heiji, just as he cannot conceive of a life without Ran. It's unthinkable.
Shinichi wholeheartedly believes that Heiji will be wildly successful in his career.
Shinichi wholeheartedly believes that Heiji is so attractive and good-looking that of course he'll be wildly popular with women. Undoubtedly.
tl;dr, Shinichi's thought about Heiji's future, and those thoughts are really essentially, "Yeah, there's no way that my boy Hattori isn't going to have his own fantastic detective agency one day, and also, he's a hunk, so he'll be called 'The Lady-Killer of Naniwa.'"
Seriously.
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It's been interesting getting back into both Sam/Jack and MSR at the same time, I get to compare and contrast really similar themes (secret duty, dangerous truths, aliens, government oversight, honor, loss of family, pining, devotion etc) from really different framing. The X files is a much darker show overall and Chris Carter's misogyny problem and hand of fate baby arcs are frustrating and painful, and yet the MSR fic has so much more room to be much sweeter and more openly domestic and a lot of times the stakes are lower because as much as it affects their own lives, the Syndicate and the threat of Colonization is much bigger than what they personally alone can bring about or prevent. They have guilt and repression and fear of losing each other or the work to contend with, but we're also shown that as long as they have each other they're generally okay even without the work -- I mean aimlessness and depression (and out of character writing choices) yes, but the Syndicate operations aren't that closely affected by if Mulder and Scully are in the basement office or not, so you can conjure up a wide variety of believable paths for them to be together with or without 'the files.'
Meanwhile Sam and Jack could literally be prosecuted for disobeying orders/getting involved within the same chain of command, they could get their team or the whole program taken apart thanks to that excuse in the hands of Simmons or similar, they're directly on the front lines for 8 years and they're repeatedly shown via the quantum mirror that Sam and Jack both being active members of SG1 is the only reason Earth wasn't decimated in a hostile Goa'uld invasion so they can't just resign and be together. For a second you think there's a window but then there's a new war and they make Jack everyone's boss and send Sam to a different galaxy and then put her up on a ship, and you go; Oh. So that's an endless set of circumstances, then. There's so much 'be miserably, honorably apart, serving and pining forever or the destruction of Earth will directly be your fault' baggage baked into Sam and Jack's narrative setup that you're boxed into either character-bending wish fulfillment (which is satisfying to read but hard to commit to writing ime) or the soul excoriating 'hanging on waiting for what can never be' flavor of overly believable quiet tragedy.
I'm finding I'm spending more time with the show where the skinny grey aliens with big eyes are a lot more evil and the themes are more bleak but the characters are less entirely trapped by their own best intentions 💀😭😭
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