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#i literally didn't get it until like 2? 3? days after Aye did
somecunttookmyurl · 3 months
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Messaging because I saw how on another post and it was hidden:
here's some instructions for anyone who doesn't know how to opt out:
login in on desktop, it's not available on mobile yet
click "Account"
click on your blog
go to "Blog Settings"
go to "Visibility"
Scroll down to the bottom option
turn the toggle ON, not off
i've been excusively desktop for years, i know where the setting is, i did not have it at the time
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purekwon · 2 years
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reasons why episode 6 of the eclipse series should not have been shown to me: a very serious, very rational, write up
[THE ECLIPSE SERIES EP 6 SPOILERS!]
so far, we've seen many tension-filled akkayan moments - whenever they get a whiff of that locker room air, or a feel of each other on the crash mat - but EPSIODE 6??!!?!!! i'd like to say i have no words but i'm afraid i cant hold my thoughts in any longer or i'll literally exothermic-reaction combust. let us begin...
the all-revealing scene
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even tho this scene is a lead on from ep 5, it still made me sit up with shock. the anticipation and the tense atmosphere when aye discovers the truth behind so many happenings and akk's visible panic to find out he's been uncovered is just the perfect combo in this scene. and even tho aye has just found out damaging information, instead of throwing akk under the bus, he helps him hide from teacher sani. it's the way he constantly protects akk, despite the circumstances, that never fails to make me giggle and kick my feet. and omg the tension?? through the roof. I WAS SO HAPPY AYE WAS THE ONE TO FIND AKK (but also anxious)
2. the firepit scene
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"akk! look into my eyes. nothing is the best. you can't carry all the school problems on your shoulder. do you get it?" "but i must do it! if i can't, everyone will be disappointed in me." "screw those people!"
now this pushed me to my limit. we hoped for affection and we got emotional vulnerability, on both sides. akk with his hero complex, breaking down in tears before aye (aka the only person i've seen him be this unguarded around), and ayan crying after seeing akk so tormented by the good-boy persona he's trying to maintain. honestly, tears rimmed my eyes bc i FELT for both of them during the peak of this scene. aye holding akk's face to calm him and akk just allowing himself to be vulnerable in front of him.. it just UGH
3. their quiet yet LOUD moment
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this scene bro. when i tell you i squealed when aye got all flirty n shit and the way akk was just LETTING him do this until they got caught (eyeroll). we see a clear change from the first episodes where akk would immediately push aye away or escape the situation where as now, he seems to accept and almost.. yearn for it? wtv it was, it made want to push their heads together and give us all what we've been ever so patiently waiting for. the way aye has the ability to be flirty while being accusing of akk is genuinely attractive. idc.
4. my final effing straw
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THE NIGHTMARE TROPPEEE HELLL YEAAHHHH best trope going i swear. the way akk instantly comforted aye with a hug and was the first to lean in for a kiss for once??? the way they've become so fond of one another is just entirely tender and warm and i so thoroughly enjoyed this scene that i replayed it at least 3 times. he didn't hesitate to make sure ayan felt safe during the nightmare and neither did he pull away when aye leant in for the kiss.
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the safe aura this scene encapsulates is just immaculate and first and khaotung couldn't have done a better job at executing it. akk finally caved and wasn't forced into doing so, he did it voluntarily, of his own free will. he wanted to kiss aye. he wanted to make him feel safe in his arms and protect him from his nightmare. i love them. i really do. i'm happy this was the way they shared their first proper kiss, with mutual pining after a long day and in the comforts of akk's dorm bed. so homely it gives me butterflies DKDJHDJKS
this scene reminds me of leith ross' - We'll Never Have Sex "Oh, you kissed me just to kiss me Not to take me home It was simple, it was sweetness It was good to know"
but anyways.. that concludes this vent for now. in short, this episode should've been kept from my view because idk how im gonna cope when the series ends! 😃
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leewritesstuff · 3 years
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Keeping Up With The Hollands | 04
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Summary: You and Tom were offered to document your life since you are both famous in the entertainment industry. Now as you got older you left the entertainment industry and head for the medical field. How difficult can it be? Also, did I mention that you have kids?
Pervious | CHAPTER 04 | Next
Series Masterlist
WORDS: 1.6+k
Writting this made me laugh at some parts pfftt. Anyway let's pretend that Far Away From Home was shooting during the time the boys were of age (forgot their age ngl 2 or 3 somewhere there)
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Tom woke up first, sensing something on his face. He opened his eyes and catch a small foot in front of him. In confusion, he turned and notice all of his children on his king-size bed. Slowly but gently, he removed the feet that belonged to Edward.
He got up and head to the kitchen. Preparing breakfast for the family. His girlfriend Y/N was on a press conference for her charity.
"So today, we are going on the set of Spiderman Far From Home. Um, I'm not really sure how I'm going to do that and take care of four children. I know Harrison said he will be there but... I'm scared" he said to the camera as he tries to flip the pancake.
"I actually tried hiring a babysitter, they only lasted a few hours. I think I had forgotten to tell them that there would be more than one kids. Anyway, Ed and Chase gave them hell so they all left." After flipping the pancakes, Tom separated them, one for each boy and three for him, with some whipped cream on them.
Finish fixing up breakfast, he goes to wake up the boys, seeing as they are on a time limit. When he got there, he saw Jake up, trying to wake up his brothers.
Tom smile and ruffle the boy's hair, "Morning bud, you slept well?" Jake gave him a toothy grin and nodded. Jake got up and jumped into Chase's body making the boy yell, which woke up Max.
"Get up" Chase got up and pushed Jake down the bed, the two starting a fight. Jake's leg accidentally kicked Ed in his face, making the boy cry. Tom pulled away Chase from Jake and grabbed Ed, trying to soothe his nose.
"Alright, alright, it was an accident okay? You're okay" Once the boy calmed down, he picked up Maxton and carried him to the kitchen, as his two other ducklings followed.
Chase and Jake climbed into their highchair while Tom put Ed and Max in there's. He grabbed the prepared plates and gave them it.
Tom sat down in front of them, trying to feed each of the boys, "Chase is the only one who could fully feed himself, so I have to help the others."
Max took a piece of pancake and gave it to Tom, when Tom saw what he was doing, he opened his mouth and let Max feed him.
"Thank you Max for sharing." Max smiled and nodded and continued eating. After the boys were finished, Tom took their plates and washed them.
When he was done, he went to get the boys dressed including himself.
They made it to the studio safely. Tom took out each boy and placed name tags on them. He took Chase hand's who was holding Ed, then Jake's then Max and walked towards the entrance.
"Pa where we at?" Questioned Ed as he looked around the building.
"Well, we're at my work. You get to see Ironman, Thor-"
"Do we get to see Batman?" Tom looked at Max as if he just asked the weirdest question. As he was going to answer, Ed beat him to it.
"No stupid, they have Captin America"
"Aye! Don't call your brother stupid!" Ed pouted but kept quiet. After checking in with security and handing the children their passes they were allowed to enter.
As they were walking, Tom felt something heavy on his foot. He looked down and noticed Maxton was on it, he let out a sigh and tried to get the boy off of him.
"Max let go, I need to walk"
"No"
"Max, come on buddy, I need my foot"
"No"
Tom huffed and bent down, then he grabbed the boy making him scream. He tried shaking the boy off his foot but he wouldn't move. Giving up, he grabbed back Chase's hand and dragged his right foot.
"Stay then. Bloody hell"
On his way to his trailer, he showed the boys all the objects that were on the walls, the posters, the banners, the pictures of people etc etc.
Tom had left the boys in the lounge area with his stylist, Rachael since she asked too. He was grateful for that, but what he didn't mention was that they were slippery. Literally.
The poor woman's attention was more focused on Jake and  Maxton fighting to get the last box of juice, that she didn't notice that both Ed and Chase were missing. Somehow, both boys ended up by the set where Tom was shooting his scene for Far Away Home.
They watch as 'Spiderman' fought Mysterio. Wanting to go help his father, Chase quickly took off his clothes and ran onto the set and started hitting Mysterio.
(I'm sorry I had to laugh at this scene pffttt)
"Someone's Kid is on set!" someone shouted
"Tom's!"
"Whoa! Hey hey! Get me down!" Tom yelled when he notices what's going on. Jake who was playing as Mysterio, 'fell' onto the ground yelling, "Argh! You got me! Man down!" Giggles and laughter could be heard around the seat.
After they got Tom down, he quickly grabbed his son, and shield him, "Mate, I get you're trying to save me and all but you need to keep your clothes on"
Chase smiled at his father, dimples on display. Tom couldn't hold in his laugh and just started bursting out. Jake got up from the ground and head over to the duo. "I guess we have a new spiderman?"
The director yelled for everyone to take a break, Tom, Chase and Jake head over to where Ed and Jacob were enjoying themselves at the buffet table.
"Ed, I thought I left you at Rachel's? Why didn't you stop your brother?"
"He's older" "Yes he is, but you know sometimes he acts like a div and you're stronger than him, so why didn't you?" "I saw food" Both  Jake and Jacob laughed at that while Tom let out a sigh. He picked up the other boy and carried them to who knows where. They spent a good few minutes looking for the other two Hollands. After giving him, Tom carried the two to the lounge area. Tom got irritated when he saw both Jake and Max sitting next to Zendaya and Angourie who was entertaining the two.
"You're shitting me right?" The four turned towards the voice, Max with his bag on his back and  Jake running up to their father's leg and hugging him.
"Daddy said a bad word" "Pay the cookie jar!" Both girls laughed at their friend, watching as his children scold him for cursing. Tom squeezed into the girls and sat on the couch. Noticing that his brother was nude, Max goes up to Tom and turned around. The said man opened the bag and took out some clothes.
While he was putting on the clothes on his eldest son, he kept mumbling about how 'what's with you and clothes?' and 'I will glue them onto you' or 'You have some issues with clothes'
Both girls found the whole scene to be entertaining considering the eldest son was fidgeting and feeling squirmish. Zendaya who had Max on her lap, played with the boy's hair while Angourie tickled Jake. Ed kept on enjoying his juice box.
After finishing dressing the boy, Tom took out a juice box from the bag and handed it to Chase. "Now keep your clothes on okay?" The boy nodded his head in return.
"So what's his issue with pants? Is it too tight or something?" Questioned Zendaya.
"No. He just doesn't like clothes for whatever reason. We're trying to break him out of it but it's hard. The lad just likes to keep his bits cool" "Tom never say that again please" "I'm just saying"
As he was going to say something else Rachel burst into the room panting and sweating, gasping for air. Quickly Tom got up and handed her a bottle of water while Zendaya rubs her back.
"Are you okay?" questioned Angourie. After calming herself down, Rachel turned to Tom and quickly started spurting out apologizes, "I-I'm sorry,  I got distracted by Max and Jake? I think and then I lost the other two and then I told the two that were with me to stay put but when I came back they were gone!"
"Rachel, love, it's alright. I forgot to explain hay they tend to wonder about so that's my fault. I shouldn't have given you four kids. They are a lot to handle" After trying to reassure the woman, he turned to his troublemakers who all gave him a cheeky smile.
"You should apologise for worrying Mrs Rachel."
"We're sorry" The woman nodded her head and left the room, feeling tired after all of the stunts that were pulled on her today.
Since Chase interrupted the scene, the director decided to call it a day and sent everyone home. After Tom changes out of his suit, he heads back to the lounge to pick up his troublesome children.
Once they got home, Tom took them to the shower, after doing that he dressed the boys into their nightwear with the extra stress from Chase.
Once they were out cold, Tom grabbed his phone and called his wife.
"Hey love"
"Hey, you sound tired, how was today?" He took his hand and rubbed his forehead. A minute had passed.
"It was alright until Max and Jake gave Rachel the slipped, then while I was shooting Chase ran onto the scene and started hitting Jake" "He what?!" "Oh! Not our Jake, I mean Jake Gyllenhaal" "Almost got me rilled up"
"Yeah no, we were shooting a scene and Chase thought I was being attacked so he started hitting Jake, it was cute and funny but it did give me the day off. I got them ice cream, so we had a good day, yeah"
"Well I'm glad you guys enjoy yourself" "Yeah.. I miss you. I'm going to bed alright?" "Sure, night, love you" "Love you too"
Tom hangs up the phone and heads to bed, as soon as he laid down, he heard yelling in the other room.
"You got to be pissing me!" He complained but head into the other room to try and get his trouble makers back to sleep.
T A G L I S T @webmeupspiderdaddy @runawayolives @nerdy-collector-festival @hopelessromm@bi-lmg @speedyhandsbonkpalace (If you see this then I couldn't tag you) Want to be added? Then message me!
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witnessourescape · 3 years
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On Omega's origins
I'm trying to make some posts on Omega so I don't lose track of what I think about the funny robot. :) What we know about Omega's planet:
It was in a war against the Dragonstar;
It considered Midgardsormr a threat;
It completely destroyed the Dragonstar;
It's presumably gone, having seen a Calamity.
I'll talk about each point. I believe there are already clues to what Omega's original planet is in the game.
1. It was in a war against the Dragonstar
Contrary to common belief, what happened in the Dragonstar was not that Omega alone randomly attacked it for no reason (or to get stronger) -- Omega and its planet were locked in an interplanetary war. We don't know why -- yet.
Midgardsormr: Foolish machine. What hast thou to show for all the years that have passed since the culmination of our war? Naught save thy continued existence. Hast thou no thought for what befalleth thy home star…?
2. It considered Midgardsormr a threat
Omega's objective was to kill Midgardsormr. Not to enslave, not to colonize the planet: to kill the Father of Dragons, paragon of wyrms, because it was a threat.
Omega: Prepare to face Midgardsormr--red-maned wyrm of the Dragonstar, and nemesis of my world.
3. It completely destroyed the Dragonstar.
"By thee and thine was my home laid waste". The Dragonstar as we see in Alphascape 2.0 seems devoid of life, aetherically unbalanced. If those are aether geysers, then something must have gone really wrong. Omega's planet didn't enslave the dragons or something like that -- they killed the Dragonstar itself.
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4. It's presumably gone, having seen a Calamity.
Let's get back to this piece of dialogue.
Midgardsormr: Foolish machine. What hast thou to show for all the years that have passed since the culmination of our war? Naught save thy continued existence. Hast thou no thought for what befalleth thy home star…?
What did befell Omega's home star, after all? Why does Midgardsormr knows of it and why does he uses it to try to provoke Omega? Could it be related to their war? Could Midgardsormr have been responsible for Omega's planet's destruction?
The answer probably lies in From the Heavens, Final Omega's theme.
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Our shadows lost in light, this life A fleeting kiss Hark! Temptation rings! Virtue slips through hands a-clenching wicked fruit Passion festers, black’ning sinless souls to root Sink’neath dark waters Drink deep, we suffer Drowning, drowning, drowning, drowning Irons sundered Paradise plundered Come welcome this Come welcome this Destiny Virtue slips through hands a-clenching wicked fruit Passion festers, black’ning sinless souls to root Sickles grate on heaven’s gate their fields ignored Seeking sinners deathlessly they reap discord As two become one Here ends this, our journey Never-ending, onward march! Witness our escape This our escape, this our escape This our escape, this our escape This our escape, this our ascension
From the Heavens tells the story of a society falling to hubris, temptation and sin, their paradise destroyed. Isn't that familiar?
Still on From the Heavens, it's strange that the first sentence is "our shadows lost in light": ascian means literally shadowless -- this is why the Heroes' Gauntlet set is called the Shadowless set. Then, "[sink] 'neath dark waters" is literally Amaurot's theme.
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So, is there any other evidence Omega could be an Ancient machine?
Lots of them.
1. Omega and the Ascians got similar designs: both heavily use black and silver, and gold and purple as accents (Omega has a purple undertone and Final Omega has gold accents).
2. Omega and the Ascians share abilities: creation magicks and interdimensional travelling. It's not because they're both unsundered beings: I can't remember dragons having creation magicks or travelling interdimensionally. Midgardsormr enters Omega's rift in his Big form at the cost of his life energy. It isn't something that he does naturally and with ease.
3. Omega and the Ascians share a neighborhood at the Aetherial Rift, which is where ascians hide when they need to.
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4. The Passionate Amaurotine NPC has weird dialogue about death-defying autonomous figures.
Passionate Amaurotine: Oh, did you want to ask me about my latest concept again? The autonomous figures I told you about before? They are utterly without feeling or fear, and will without hesitation or objection carry out their master's orders regardless of any injury or death they may suffer as a result. Truly magnificent, wouldn't you agree?
5. Both Amaurot the Dungeon and Omega quote the biblical Book of Revelation. This one may be the most important yet: the Final Days are akin to the christian Apocalypse as seen in the Book of Revelation. In the end of the Book of Revelation, Christ makes His Second Coming, saying:
12 Look, I am coming soon! My reward is with me, and I will give to each person according to what they have done. 13 I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
Meanwhile, Final Omega's dialogue in O12SP2 is:
Final Omega: Experiment concluded. I am the Alpha. I am the Omega. Final Omega: <blip> <bleeeeeep> Witness...my coming... I bring...reward...and retribution...for all!
The dialogue in Japanese makes it even clearer that Omega is quoting Revelation 22:12 and Revelation 22:13. I'll make a post on it later. Why would the Ancients develop a war machine like Omega? Weren't them pacifists? Everybody is a pacifist until eldtrich abominations start banging at your door!
Research Report on the Akadaemia Anyder: High-ranking phantomologists have since been dispatched to afflicted areas, where they conducted the capture and transport of a single entity. This specimen, characterized by a disproportionately large maw, was dubbed “Archaeotania,” and investigations into its aetheric composition are ongoing. A theory posited by the esteemed Lahabrea suggests that the shape these fiendish beings assume is not random, but rather an amalgamation of the fears which lurk beneath our rational minds. As of this writing, researchers have begun pursuing methods by which potent guardians of deliberate design might be engendered to stand against this mounting threat.
Emet-Selch says Zodiark was summoned to rewrite the laws of the star because they went haywire with the creation magicks going wild, not to halt the monsters themselves. The Ancients also took time to develop the concept of Zodiark. Something must have been keeping the monsters at bay while the Convocation worked, and as we see in the Passionate Amaurotine NPC, there is some precedent that the Amaurotines could develop a death-defying autonomous figure ready to sacrifice itself for its masters if needed. How does the Dragonstar War enters the scenario, then? First, let's go back to Archaeotania. Archaeotania is a dragon.
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It looks like a dragon-dinosaur mix, it attacks with Megaflare and Gigaflare, it has lots of Shinryu's -- who is a Midgardsormr-based primal -- attacks like Tidal Wave and Ice Boulder. Archaeotania, being one of the original fears that were birthed by creation magicks going haywire, must have been influenced by a dragon. Meanwhile, Omega ignores other primals on Hydaelyn but only bleeps and bloops when Primal Bahamut appears:
Magitek Terminal: Even with its stasis systems activated, Omega retained a measure of autonomy. Deprived of mobility, the weapon continued to scan the world around it, searching for a threat to engage. It was at the time of Bahamut's resurrection when Omega emitted a unique signal -- a signal which appeared to indicate the acquisition of a target -- and we first discovered that the machine had retained some degree of awareness.
So, for some reason, when Sophia, Zurvan and Sephirot appear, Omega ignores them: it only bleeps and bloops when Primal Bahamut is born. It could be that its aetherical signature is so similar to Midgardsormr's Omega thinks it got its original target. But it could be that Omega was built to hunt beings similar to Archaeotania: artificial, dragonlike and presumably drawing aether from the ambient like even Midgardsormr does. Now let's take a look at this dialogue in the lvl 50 The Rising Chorus quest:
Lucia: Last night, the dragon star burned with an intensity not seen in fifteen summers. Not since the Dravanians engaged the Empire in the Battle of Silvertear Skies. Urianger: "The northern sky doth burn full bright upon the wyrm lord's call. The red behemoth beckoneth, and flame consumeth all." Lucia: The old Coerthan rhyme, aye. The brighthening of the dragon star is said to accompany the roar of a great wyrm. The astrologians believe that it was Midgardsormr himself who cried out in this occasion.
So we know that the telepathic roar of a great wyrm can, from Hydaelyn, activate and make the Dragonstar shine bright in the sky. As the Dragonstar is a dead rock floating in space now, we can only imagine the roar messed with its aether enough to physically make it shine. Could the Sound be an echo of Midgardsormr's roar? Why would Midgardsormr roar? We still don't know. But Midgardsormr is in some kind a harbinger of doom. I'll make a post on it later. What could be the timeline? The [?]s are because I don't know when or the exact order it must have happened.
Midgardsormr, for some reason, roars.
The Ancient's planet gets destabilized, the Sound starts.
The Ancients get scared, leading to their creation magicks going haywire.
The Amaurotines capture Archaeotania and develop Omega to halt the monsters and to give the Convocation time to act.
Zodiark is summoned, rewriting the laws of the star.
Omega leaves for the Dragonstar.
Hydaelyn is summoned.
Midgardsormr flees from the Dragonstar.
[?] Hydaelyn sunders the planet.
[?] Hydaelyn calls upon Midgardsormr.
Omega, while hunting for Midgardsormr, loses both its homing coordinates and contact with its home star.
Omega crashes onto Hydaelyn and doesn't realize it's back home because it is lost and the planet is way different than it was when it left.
I don't like that even Omega and the Dragonstar would be "Ancients/Ascians again". That's okay. I get it. But it would explain a lot of things, such as: 1. Why would Hydaelyn accept Midgardsormr but ignore Omega? Because Hydaelyn saw an opportunity to neutralize the greatest threat to Herself, Midgardsormr, but recognizes Omega as native from the pre-sundering Planet so doesn't see anything wrong with letting a wayward child come back. Omega was wrong in trying to go back home: it was always home, but it doesn't realize it. 2. How would the Allagans have found Omega? It's very interesting, even Deus ex machina (hehe) like that the Allagans coincidentally found a super-advanced, ready-to-be-reverse-engineered, easily-turned-off machine that was the basis for their technological revolution that led to at least two calamities. But we know Emet-Selch was responsible for influencing the Allagan Empire. What if Emet-Selch, or even Lahabrea, or both, were working together on this? They would know Omega was back, how to activate it, how to work with its technology and, most important, how to turn it off so that Allag would never be threathened by it. Why wouldn't Emet-Selch talk about Omega, then? Because Omega is a symbol that his people weren't as perfect and pacifist as he wants to believe. The fact that his people could only be saved by a violent war machine, and not by their peaceful, elegant creation magicks and debate, must be abhorrent to Emet-Selch. This is why he must have chosen, like Mitron, to leave Omega to suffer at Allag's. In the end, Allag triumphed both against the Dragons -- the Ancient's planets nemeses in this scenario -- and against Omega -- the stain in the Ancient's peaceful history. Anyway, isn't Final Omega non-canon? Not exactly, not as I see it. For some reason, Alphascape Savage is the only Savage tier that isn't the Menestrel making things up: it's Omega itself that gives you the data it messed with. Final Omega is a form of Omega made by Omega. Is there anything else about this crazy theory? Both Omega's and the Ancient's planet's name have been mysteriously omitted. Omega physically cannot speak the name of its planet in any of Hydaelyn's languages, and Emet-Selch never gives us the original name of the planet. I think this is it. I'll keep updating this post and doing more posts as I think about more things about the robot. Thanks for reading.
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Part 17: Interruption
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Ahead, there's the tall engraved wall standing alone with the words Reunion Tower as big as your head. The words are also large on the building which has metallic accents, glass windows, glass walls, and glass doors. It's somewhat reminiscent of Erik's hidden house back in Cali now that you think of it.. if it were dropped in the middle of the city and a tower were placed on top. Take away the fields of green grass and the towering trees. Maybe that's why you seemed so much more excited than he did. He was aready used to it.
Inside, the lights pop even brighter than before. There's the fat, round silver-colored column with diamond cutouts and it glows neon blue on one side, purple on another, and orange on the other. The pink neon light flowing from the ceiling bleeds into the purple lights while the adjacent white ceiling lights bleed into the blue. On top of that, there's lime green to your right. It's a panorama of color.
"Look at you, easily impressed. Smile big my nigga." When you turn, he's got his phone in the air. Again. "Stand by that column over there. That light on your skin finna look cool as shit... Aight tilt your chin down and turn three centimeters to the left. That's four, come back one. Perfect."
"Stupid. Let me see." Looking over his shoulder, you watch as he flips through the photos. "Send me the ones from before too, I wanna send them to Ava and Toni. They said show them how the dresses look."
"Sending them now."
Group by group the pictures arrive in your text thread and you save them making a note to self to send them when you reach the hotel. You'd do it now, but you're ready to go. Now that you got the photos from him, you can send them whenever you want. For now, it's time to go eat because the last thing you ate was a snack and before that you'd only eaten once. Erik's inner fatboy has reared his head a couple times since then.. though in this moment, he's calm.
"Feed me Seymour," you yell beating him to it. You pull on the arms of his slim fitting navy pinstripe suit. He's dressed smartly with his black shirt, silver jewelry, and black oxfords. Of course he had to be like you with the black to match, you hadn't missed the gesture either time.
"I'm trying." He pulls you in the direction of the hot pink lights and you take your hand back to store the phone away in your clutch before following free from his hold. The elevator this time takes you to a floor with a red, tan, and black theme. There're red flower arrangements conveniently placed and even a red lit fountain with coins at the bottom of the shallow clear water representing the wishes of passersby. Digging in your clutch, you have a few coins from the change you got on the first day in Houston when you'd bought the both of you that food. Tossing the penny, you close your eyes and wish for a raise on your job. You already have a list of upgrades to your apartment you'd make. The showerhead. A new comforter. A security camera perhaps. Maybe another lock for the door.
Erik leads you into Five Sixty, a restaurant by Wolfgang Puck, and you look around briefly at the other people sitting and eating primly at their tables, the clang of silverware mingling with the chatter. A waiter in black and white passes in front of you drawing your attention to the magnificent view through the floor to ceiling glass windows lining the walls ahead. There's the cityscape and bright lights against a dark sky. It's the same view as before but it's even better because everything is amplified against the night.
"Wait, we sitting back here?" You look between Erik and the concealed booth he stands beside in a way that communicates your discontent. You didn't get all dressed up and fine to haul your cookies to this tower and hide in the back! "This is a new dress," you lean forward to whisper with a threat in your tone. You don't care that the waiter is there averting his eyes uncomfortably. "I didn't put this on to not be seen... They gone see me.. THIS.. tonight!" You smooth the thigh-length black lace dress with sheer lace sleeves and lace cutouts in the bodice that's hugging you just right. It's the same dress that made him go gaga and now he wants to deprive others of the vision? Oh no. On your feet are the strappy black heels and you use them to turn around looking for another empty table.
"Ay, come here! You are beautiful, that's true... You fine. Still, this is more private than sitting in the middle of the restaurant. I just wanted us to have some space.. to talk." Right, 'talk'.. that's code for hanky panky. You literally just did that. Aren't you tired? "Thanks," he eyes the waiter slapping his hand and you wonder how much money he slipped into it as the guy walks away. Erik gestures to the booth for you to slide in. It's concealed by a little wall and faces the window while he sits across from you facing the restaurant that's hidden from you. It's like being in a private room. There's even a fresh red floral arrangement on the table along with lit white candles, none of which were on the other tables. This.. This was thought out ahead of time. When did he call?
"I.. guess.. it's not.. so bad," you shrug watching the subtle tension in his shoulders drop. He's relieved and you can tell by the ghost of a smirk on his lips.. light dancing in his eyes. "Plus these flowers are beautiful," you add watching him tilt his face away modestly. Watching him shift his attention to the menu, you do the same.
"Get what you want. Whatever you don't eat, just take it out."
"I know the drill." He doesn't have to tell you, you already know the routine at this point. He won't be happy until you spend a couple hundred. He's got so much money it's burning a hole in his pocket. You could think of better ways to spend it.
Still. Being pampered is not a bad thing every once in a while. It's not like you get this type of sugar daddy treatment often.
"What are we having," the waiter asks on his return looking to Erik and then you. He reveals a bottle of wine with Gaja Ca Marcanda written on the label, pouring two glasses.
"Thank God it's not Hennessy," you think aloud watching Erik's brows knit in humor.
"I should've got you some Hennessy. That's right.... Y'all niggas got Hennessy?" The waiter shakes his head and you cringe.
"Erik, stop. Don't nobody like the taste of gasoline but you." You decide to just start pointing to whatever you think is good. "Tamarind glazed baby back ribs, pork belly pot stickers, szechuan Beef Filet Au Poivre, and the tempura shrimp and crab roll."
"I'll take the roasted free range half chicken and pot stickers sound good. I'll take those too." Erik hands over his menu and you glare at him as you fork your menu over but he's not looking. He would order less than you. Doesn't matter anyway.. you'll still crush that food when it comes. "You up for another round of tame that anxiety? If so, I have something I want you to do."
"Boy I'm drinking my wine, I'm not messing with you." You take a sip and set your glass back down ignoring him as he leans forward trying to catch your eye. "Mm-mm, nope.... Move," you swipe deterring his hand from trying to touch yours. None of that smooth shit.
"I'm right here what's gone happen? Besides, you know I know how to calm you down."
Heads Will Roll plays loudly over the theme park speakers as you speedwalk away hoping no one will recognize you or point you out to their friends and family as the running joke while you search for a ride that's BBW friendly and NOT the Skycoaster.
"Erik, move... Come on stop," you push at him when he stands in your way like it's a joke.
"Why you running? Ain't like you getting shot at. Ain't no one after you, look." He kisses his teeth as you pass him. "You so embarrassed.. You won't see any of these people again."
"Yeah well anxiety doesn't necessarily run on common sense." You grab your flip flops from his hand and slip them on. He'd had you walking around barefoot like a Flinstone because he'd been too slow to catch up. He didn't get it.
"Obviously.... Come this way," he nods walking left. He turns walking backwards as you peek around him to see the bathrooms in that direction. That's an idea you can get behind, a quick bathroom break to escape the faces of the crowd until you could return to rational thinking. Too bad it smells like eight tons of gorilla ass.
"This is the women's restroom," you freeze, blocking Erik's path inside. Man it stinks. You can't stay in there. His face twists getting a whiff and he backs off quickly holding the back of his hand to his nose, pulling you with him. So much for escaping into the bathroom. Suddenly he pulls you into a cut and you speedily look around for anyone who could be seeing the two of you. It doesn't seem that anyone's paying attention. You could've sworn someone would've been looking. There's a small space behind the bathrooms just wide enough for one and a half of one of you to fit through at a time. You're pushed in first and Erik towers behind you. It seems private like no one would or should be back here, a theme park blind spot. Suddenly you have the urge to bring this to the park owners' attention. They need security cameras too.
"I feel like someone's gotten molested back here.. or something dark and unsavory," you whisper.
"Anyway." His thick arm snakes around your waist while the other cradles your head against his solid chest, his fingers massaging your scalp through your afro. Clinging to his body, you let your shoulders drop. "Relax and when I say breathe I want you to inhale deeply through your nose for a count of four then exhale slowly through through your mouth for a count of five. The goal is to breathe deeply to your abdomen. Okay?
Now breathe.
In, 2, 3, 4... Out, 2, 3, 4, 5.
Again. In, 2, 3, 4... and out, 2, 3, 4, 5.
How do you feel," he whispers and you close your eyes, your ear against his chest listening to his even heartbeat and naturally husky voice.
"I understand anxiety, Y/N... the navy will definitely do it to you. But it's unhealthy stress that takes a toll on your mind and body and that means.. health is relaxing both."
Your eyes pop open looking at the wall beside you when the hand on the back of your head lowers drops moving to your thigh and crawling under your red kimono and up into your panties. He's got a surprise coming. His finger slides slowly along your outer lips slipping between.
"Always wet," he whispers before his thick finger sinks into you and on your sharp intake of air he tells you to breathe.
"In.. 2, 3, 4," he counts as your chest continues to rise. The slick feeling of his finger rotating and pressing inside of you is all you want to focus on. "Out, 2, 3, 4, 5," he directs and you feel a second finger push in, stretching slowly and gently finding its place.
"Did I say moan?" The arm around your waist goes ghost and you feel a firm smack on your butt.
"Did I SAY moan," he repeats, his fingers still working skillfully.
"No," you moan, your voice unexpectedly meek. Another firm smack comes and then another. And another, his low chuckle so subtle it's like you've imagined it.
"You still moaning. And you breathing hard. Did I tell you to do that?" Another smack comes and you're close.
"No, Daddy," you whine. His grip comes on your asscheek tightly.
"Then why I still hear you? We controlling our breathing right now.. Aht," he brushes your hand from his half-mast bulge. You had a theory he wouldn't be so calm and quiet if the tables were flipped. "I remember when you were scared to moan now I can't stop you," he muses.
"I wasn't scared."
"Yeah you were but I made you feel good didn't I? You still came. Breathe in, 2, 3, 4.. Out, 2, nope start over. You still breathing hard."
It's his motions. His thick curled fingers plus the addition of his thumb rubbing your clit is making your breathing ragged.
"Control it this time. In, 2, 3, 4.. Out.."
You gasp. The feeling is building in your stomach and you keep inhaling in the middle of the exhale.
"I'm coming," you whisper seconds away from erupting on his fingers.
"Not if you don't breathe. Do it right and you can cum."
You whine quietly unsure if you can control it.
"You can do it, angel. Breath deeply in, 2, 3, 4. Steady through your mouth, 2, 3, 4. Good girl, cum on my fingers. Go 'head cum."
You already have and for a second you get chills, trembling, but it subsides. He releases you and your dress falls back down as you look up at him, relaxed.
"You ready to go back out?"
Erik smirks across the table having successfully triggered your memory and you send him a glare that this time he can clearly see.
"Aight so what you gotta do is go to the middle of the floor next to that table with the bl--"
Bl--? Blonde? Blowfish? Black? What is he staring at? You start to look back too but he grabs your hand shaking his head in a way that shushes you and brings more questions.
"Get down," he mouths soundlessly scooting closer to the wall and lowering his head and then you hear it. A loud bang followed by a scream, the slam of dishes, and the scoot of chairs. Frantically, you search Erik's face for clues of what's happening and his dark eyes are trained on the scene behind you as he holds his head in a particular way so not to be seen. He points to you and the table and you don't waste time getting under it. There's only enough room for one person, but now you're at an angle to see him pull a small gun from inside of his blazer. There was a pocket for it in the lining. You see him cock the gun and then it rests in his hand in wait, pointed away from you. How did he get that through airport security though?! What the hell is going on? It doesn't make sense and a thousand thoughts rush you at once.
The screaming continues but you only counted three shots through all of the chaos and noise as people scurry to escape and evacuate.
Should the two of you be running? Aren't you sitting ducks? How did Erik even bring that gun? Or did he pick it up when he got to Houston? Was that why he left you at the hotel alone? Why did he think he'd it? Does he always have a gun just on him for no reason? Was he anticipating something like this? Is he just paranoid and then something actually happened to cement the paranoia like with you in college? Should you be concerned? Who the hell is shooting in a restaurant?! Guess it wouldn't be Texas without guns. Will you really be safe here? Will Erik? It feels like forever under the table as you're cramped and folded and you have severe goosebumps, your heart pumping fast, every sound an alert. You're suddenly reminded of your phone and you pray no one calls it. The crowd seems to be gone but there's still noise. Small sounds. Shuffling, footsteps, low grunts, and zips. It's only after you don't hear anything for about five seconds that you notice Erik's foot move.
Instantly, you grab it bending your head and putting a crook in your neck to look up at him through the gap between him and the table. You shake your head when you catch his eye.
"Don't you dare," you mouth. You can feel he's about to dash off to play hero and get himself killed so you hold his leg more tightly. Just because he has military experience doesn't make it his job to confront a shooter. You refuse to let him go even when he mouths the words 'let go'. With a grip on his leg, you listen as the low sounds of footsteps retreating finally stop. Erik who has the visual doesn't look away from where his eyes have been fixed until almost a minute has passed. This time when he moves, you let him go and he walks away toward the main dining area, looking around you assume before bursting into the kitchen. "They gone," he says. You have to strain to hear but then there're two more voices. When you peak out, there's Erik with two employees who look nervous. You grab your clutch and climb from under the table on your way to stand behind Erik.
"Are you guys okay," the southern woman asks looking around as if the shooters might return. The guy with her seems too shaken to speak outside of echoing the woman here and there. "I-I called the police they should be here any minute if you all wanna wait. There's coffee back here.. tea.." She looks past Erik to the floor and when you look and see the blood smeared there, you both look away from it simultaneously. "I just don't understand," she sighs looking genuinely perplexed. "Why bring that street beef or whatever it is in here? There are families that come here." She looks disgusted and Erik looks like he's really trying to get out of here.
"We're gonna take off. We were just hiding out waiting for the shooters to leave. Safe to say the night's been ruined," Erik replies grabbing your hand and guiding you to the door. The two of you decide to take the steps, that way you have more control in case anything happens. Luckily, you don't run into anyone. "Order the car to take us back to the hotel," he says before you leave the staircase. "Let's be safe and wait here just in case."
As the uber pulls off, you see the police rolling up but you guys are already on the road.
"You aight," he asks looking to you and when you think about it, you're safe and nothing happened to you thankfully. However... he made you worry! What was going through his mind to want to confront murderers?
"Erik, what were you thinking? You were really gonna play hero? Do you realize if I hadn't stopped you from jumping out there, you could be dead? Have you even considered what that would do to me?"
"I know I must've scared you. I'm sorry for that. You absolutely right, you saved me from making a big mistake tonight and I appreciate you for that."
---
He'd seen the entire scene play out from beginning to end and was gauging the ideal time to step in and shoot the colonizing muhfukas who'd ruined the goddamn evening. He knew this hadn't been a regular shooting. Nah, this was a hit and going by the appearance of the body they'd taken.. young black man, short locs, muscular build.. He had a feeling they'd taken out the wrong guy. It was only a matter of time before they realized and he had to act before then. If only he could've followed them, he'd be lit but he couldn't abandon Y/N.
Still, she was right. If she hadn't stopped him from stepping out, he'd have killed both colonizers and there would've been three bodies. She'd have then viewed him as a killer and outside of being scarred for life, she'd have left his lying ass forever and rightfully so. If she hadn't been there at all, he'd of popped the two employees as well leaving five bodies since they'd of seen him shoot the other two. Her presence was saving lives and ain't nobody know it.
Now that he had the element of surprise and a lead, it was the perfect time to strike but he couldn't fuck it up this time. Again, his pride was on the line and now that Y/N had almost gotten involved in the bullshit, it was definitely time to get her outta there asap.
"Whoever on security tonight, they ass definitely getting fired," he deadpanned in an attempt to lighten the mood. She wasn't having it.
"Don't ever scare me like that again. You're not the police and you're not the terminator," she stated so firmly he knew not to fuck with it. He just nodded.
"You absolutely right." The rest of the ride to the hotel was relatively quiet with her laying on his chest, his fingers in her hair, massaging her scalp to calm her down. Walking through the lobby to the elevator was just as quiet until he broke the silence with a thought that'd been running though his mind since she'd scolded him. "You'd think you'd be the one to lose your composure, but it was me," he mused. "I ain't see that coming."
"I think I'm rubbing off on you," she chuckled wryly. He wanted to combat that thought, but when he really thought about it... she was. Ever since he'd gotten involved with her, he'd been crazier than usual, more prone to rookie mistakes, more emotion-driven instead of logic-driven. He barely recognized himself. This wasn't something that should happen at this juncture of his career or mission. He was fuckin up and if he continued to fuck up he wouldn't be the only one paying the price.
When they arrived in the room, he asked her to head back downstairs and buy them both food handing her a one hundred dollar bill and packing her bags in her absence. He figured take-out would be a bit of a wait time since it was dinner hours and he was right. By the time she got back, her return flight time had been changed and her bags were against the wall near the closet. She sat the plastic bag of plastic containers on the table and unpacked the items, dividing them up by which item belonged to who. She'd even brought bottled drinks. Pulling the utensils from the bag, she placed them on top of a container that held a bigass steak. He took it gently from her hand setting it on the bed next to him.
"I just got what I thought you might want," she shrugged unwrapping a straw to put in one of the drinks, handing it to him. That was when she happened to look left and see her bags packed on the wall. He stared at the bags, looking for his and not finding it before looking back to him, realization dawning on her. "We're going back tomorrow?" She was trying to keep the emotion from her voice but it had already flashed in her eyes.
"You're going back tomorrow," he clarified knowing full well she got it the first time. "But I'll follow you in a few days or so don't worry." Instant relief in her eyes, but then they got suspicious and he had to brace himself to dodge any verbal traps she'd try to set.
"I thought you were done with the responsibilities you came here for with your job. What did they even want you to do? You've been with me almost the whole time."
"It's been two days... I didn't have to report anywhere today so I dedicated it to us, but there are a couple of events I want to attend before I leave and it would be a waste if I didn't. You, however, have no more reason to be here and it seems to be getting dangerous in these streets. I want you back home for now."
"Dangerous? That was one coincident that had nothing to do with us. It's just as dangerous in Cali."
Somehow I doubt that.
"Naaah... Baby, I'd feel much better if you weren't in Houston after what I saw today. That's final. Flight's changed to 2 AM so after you eat you got a few hours to sleep and change.. bags are already packed. Go straight to my place when you get back and just wait for me. Use the car, pool, I don't give a fuck, but don't go to your apartment. I still need to check it out before you do."
"Okay, I know I'm paranoid... But you are PARANOID. Seriously? You're not coming?" She wasn't satisfied. She wanted her way, but he couldn't give it to her. "If Houston is as dangerous as you say it is then your well being is more important than some little event wouldn't you say so? So change your ticket too or we both staying here because I'm calling bullshit! What else is here? You already told me about your subs, what you got to hide?! What could possibly be keeping you here that you don't want me to see?! It gotta be wild since I've already seen you FUCK ANOTHER GIRL. WHAT IS IT ERIK?! WHAT ARE YOU HIDING?"
He stared at her like she'd lost her damn mind and he was trying to figure out when she'd find it. She stared back before returning to the food on the table. When she turned back, she was calm.
"My bad. I just don't get why I gotta go," she shrugged. He blinked a few times at her quick change in demeanor and she sighed heavily.
"It's okay... You've been through a lot of emotions today..."
"Yeah but I shouldn't blow up on you. That's a YOU move. It's not like it's your fault, you just want me to be safe... I get it. I just think you should worry about yourself too."
"...I feel you," he nodded. He had to borrow a page from handling Shay and Jaliyah. "And I appreciate your concern, but Y/N you getting ya ass on that plane and that's an order."
"Yeah, yeah," she muttered grabbing her container and plasticware. She sat in the chair at the table to eat and he stood to plant a kiss on her cheek before returning to the bed. He opened his own container and used the tall plastic straw sticking from the bottled lemonade to take a drink. She was too sweet for him to keep being so damn selfish. She definitely had to go.. for now.
---
A night flight alone to Cali. All there is to do, is sleep on the plane.
Erik had carried your things to the point where the two of you had to split, then he'd handed them over to you and nodded you on. It was all very quick and you were sleepy having gotten to the airport early just in case.
The sight through the window is black and there are lights on the ground but you don't really feel like looking, you're ready to close your eyes.
The little vacation with Erik was fun and so was seeing a completely different side of him, but now it was time to get back home. Well, his home...
Wait, he'd said. For the time being, you'll have to. The question to you now however, is for who? Who knows which Erik he'll be by the time he gets back. You can never tell with him. It's because he has more moods than a mood ring. More faces than Mr. Potato Head. For all you know, he could come back with a whole other woman expecting you to be cool with it. You just don't know what you'll get with him. Wait..
"Damn." You forgot to send the pictures of you and Erik to Ava and Toni. You didn't even get to see them again before you left. Kissing your teeth, you sigh and close your eyes again. You'll do it when you get to Erik's. Suddenly your eyes pop open and a smile spreads across your lips. You have his giant beautiful home all to yourself. You can use his things, smoke his weed, jump on his bed, wear his clothes, spray his cologne, eat his food, and explore as much as you want and he can't say a thing... Yes!
This might actually be the true vacation.
@muse-of-mbaku @imaginewhoever @goddessofthundathighs @panthergoddessbast @thadelightfulone @misspooh @marvelmaree @youreadthatright @forbeautyandlife @theunsweetenedtruth @bidibidibombaclaat @myboyfriendgiriboy @dameshaemonique @blackpantherimagine   @vikkidc @hidden-treasures21 @mysidefanting @hold-me-like-a-heart-beat @syndrlla97 @winteroflife @thotyana-in-this-hoe   @texasbama @gingerylimonte @princessstevens   @magic-madness-heavensin @wawakanda-btch @scrumptiouslytenaciouscrusade @wakanda-inspired @blackgirloneshots @thegucciwaffle @thiccdaddy-mbaku @drsunshine97 @purplehairgawdess @trevantesbrat @indigoxsummers @cccccx1   @dynastylnoire @iamrheaspeaks @blowmymbackout @fonville-designs @they-call-me-le @theblulife @raysunshine78 @sheisexcellent @blackpinup22
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Fearghal & Kaitlin
Fearghal: [So the setup is sending her a postcard pretending to be a mate visiting in England for whatever reason (could be fam you get the vibe, nothing suspect given the time this is) but giving enough info that she 1. Knows it is him 2. has the number of at least a phonebox nearby if not a phone in his care home 3. a time when he plans to first call the phonebox nearest their home in Ireland, assumedly this is some sneaky twin shit they've pulled similar enough before that she can catch on without any of the rest of the fam also doing so; only question is how long do we want it to be since he left?] Kaitlin: [3 months ish later then and they've turned 15 but only just for our ref how do we think the situation is with his dad etc like would he just be acting like he's dead cos is to him?] Fearghal: [basically my vibe was they wanted to weaponize Tabby killing herself for their gain, like make it something political even though literally not about that bar the fact her family and his family and co didn't want them together and she was a dramatic teenage girl in love (no offense but like) and so when he wouldn't go along with that there was a massive fight, actual, between him and his dad and then Fearghal left 'cos there's never any option but to do as your told with this fam and he can't lose face with all the other people etc etc and the story the dad is telling the fam etc is that Fearghal deserted them which not untrue but yeah, good enough for all the olders to disown him too so it'd be like we don't talk about him and if someone else bring him up you denounce him] Kaitlin: [let's say there's a crying baby in the background cos like in my OG post she can use her youngest sister needing fresh air as an excuse so casually left her outside the phonebox but might be able to hear her if she's going for it] Kaitlin: How ya Fearghal: K? Fuck's sake, you've not had a bastard, have ya? 's'not been that long, like Kaitlin: Catch yourself on! mind how ya ma was fit to drop, you eejit? well we're all lurred she had another girl who I'm hauling about as my cover, so I am Fearghal: [Laughs] Still easy to windup then [slight pause to take in that it's a girl and is here, like not the biggest shock but also literally no way of knowing at this time so] And go on, don't leave me in suspense, what name they burden the poor fucker with Kaitlin: [makes an unimpressed noise like fuck off] full of that good craic you are, bet the brits are buzzing to hear it. You ready? Niamh Roisin, it's a cracker, like [sighs] Fearghal: [laughs some more] Yeah, catch me on that most wanted list, obviously [makes a wincing noise like no] Christ, actually lost it fully then, has she? Made it longer than some but dunno if mentals get to heaven, haveta ask Father Quigley, like Kaitlin: [laughs herself] yeah yeah [makes like a idk noise] can you lose what you've never had? A good catholic'll find a way, to be sure, and she is that, our ma [makes a scornful noise at the mention of the priest as is standard for her] Fearghal: [makes a mm noise to agree] Suppose so, don't reckon much was said 'bout being good to 'em once you had 'em, so be alright [sighs] What have you been up to, then...How's it been Kaitlin: if it was she'd recite between the lines to keep us anyone's problem but hers, poor critter [sarcastic laugh because mum's getting no real sympathy] it could've been 3 days from when you went off for what's changed and not- [a long pause because everything's shit and we know it is] Fearghal: What's God if not top babysitter, eh? Cheaper than telly and who's giving money to the BBC [scoffs but cuts it short 'cos yep] And I'm fine too, you rude cow Kaitlin: and stand him next to our earthly da and he comes out lookin' class [chefs kiss noise] Hey now! [makes a fake noise of shock like she's appalled at the mention of the bbc] watch your profanity around me, dicko! [really long exaggerated sigh as a pisstake] a'course you are, land well anywhere, but hit me with your bars, it's no bother to hear how right I am Fearghal: If you can get him stand still long enough, like and you ain't a lad so no chance, babe [does pisstake wistful sigh] Forgot you needed protecting from the evils of this world, my apologies [coughs awkwardly then, stalling for time, fiddling with the phone in ways she can probably hear] Taking a bow as we speak, can't fit in here with me but the adoring fans are aplenty over this way, well more than there so fuck it, life's grand so it is Kaitlin: Wise up, boy, he only sways slightly of an evening on these ones lately so he does [but her voice is MAD because fuck being a girl in this fam] Did you now? Thank fuck my new lad has his uses then, like [takes a deep breath to try and calm down but exaggerates it for the pisstake because have to, god forbid they are serious rn] I went and saw your former biggest fan under that rock they've carved with protestant shite, no word on if life's grander for her now it's ended or if she's regretting she didn't send her prayers up saying she wanted another bite of the cherry, one that wasn't yours- [stops like I've probably gone a bit far here and shouldn't mention his dead ex anymore] Fearghal: Good for him [through gritted teeth like let's never talk about him thank you] Like you need a replacement protector, got how many ready and willing at home, just DYING to beat the shit out of some 15 year old kid for your honour and just for the craic of it [does it back, like and then is silent until the pips are going but he's still there 'cos they stop when he puts more money in] You'll be under some rock with Catholic shite if they catch you in their graveyard [says it much more quietly than he's said the rest] Kaitlin: [makes a noise of disgust that doesn't need to be exaggerated for the pisstake cos genuinely horrified at this fam thanks] what honour? Shame you brought down on us with what they caught you at [but her voice is softer too because didn't mean to go off and also doesn't mean any of that we know] supposed to scare me, is it? [said like I wouldn't be here to give them a chance to do it just like you weren't] Fearghal: Why you need to ask one of the others, ain't it; can't be the best looking of the bunch and the best behaved, got to leave something for 'em to do and impressing n pleasing him 's'never been high on my to-do so have at it, lads [does meh noise like this is all so casual] Called the fear of God for a reason, aye Kaitlin: [does the meh noise back and it's her turn to awkwardly fiddle with the phone/cough while she works up to saying what she does next, more quietly than she has anything else] how's it truly then? Away and everything. Free and clear Fearghal: It's, like- just shit because you realize that everything that happens in that fucking town, all the stuff that rules our lives and is all they give a shit about, no other cunt does, you know, Kait? Sure, its on the news when another bomb goes off or don't and that; but the English don't even have to think about it, their day to day ain't affected at all, no fucker but our lot cares and what's the point, honestly? Everything we were forced to at least think was important, if not fecking stupid, ain't and now I don't- [Stops to do some actual breathing to calm down] Not to mention I'm thick as shite, thanks for that and all- 'cos frees a bloody joke [laughs bitterly] I get by, now, got a place to stay so, don't haveta worry but don't be hopping the next ferry yourself, girl Kaitlin: [when you're just silent for ages because as much as you think it's bullshit you're basically in a cult rn with no chance of getting out so what can you say like] not that thick, warning me off coming to keep an eye on all these english girls with theirs on ya but no bother 'cause mind I get sea sick and class as boking on brits sounds I'd get fairly covered myself before I made any casualties of 'em Fearghal: Know enough about girls and enough about you to know the two don't need mixing, that's just school of life, that [moving away a bit and telling someone who's impatiently waiting to fuck off] Stay put [when you say it firmly like serious voice] That wain and the rest needs someone VAGUELY sane about to stand any chance, fuck me, Aislinn's already been corrupted and she's barely in double digits [kicks the box] Kaitlin: [laughs because yeah don't let her around any girls you like babe] you should know enough about me to know what giving me your orders'll do fer ya and what it'll make me do [but there's no actual real threat in it we all know she's staying for the bubs] Sane as you by that count, ain't I? [can't help genuinely sighing] Mammy's girl is Aislinn been like it since she was old enough to play house [grimaces at the thought cos never that bitch] got the rest under MY apron strings, grand they are and it goes for the stories I tell 'em every night after prayers, rest easy yourself knowing that, yeah? Fearghal: Alright, alright [hear the 🙄😏] But if you wanna be the next to bring shame on 'em, you can do better than a cheeky abortion, surely? [shakes his head] Yeah. [Pause] Yeah [Coughs again] I'm doing my bit, swear, it's gonna take a while 'til I can send you anything and I've got to work out how when I do- it ain't for them, just you lot but like I said, not cheap Kaitlin: [an outraged noise like who do you think you're talking to, of course I can do better than that etc] Yeah. [Pauses herself because again what to say, there's so much it's too much] I've got faith in the right shite, Gally [nickname ftw because feels] it'll work out. We'll work it out, like we did this Fearghal: 'Course we will, K. No other choice, is there [definitely not a question] Kaitlin: not a real question, is it? [she knows its not] Fearghal: you want me to ask you one? Kaitlin: do English girls fall for that? Fearghal: Enough of 'em, yeah Kaitlin: [makes a ugh noise] how you've got a bed, is it? Fearghal: Theirs top where mine is Kaitlin: I deeply feel that Fearghal: [makes the kinda sad 'ha' sound like 'I know'] Not all bad though, some class drugs about and you don't get kneecapped for taking a casual interest Kaitlin: [does a little hooray down the phone] Fearghal: Send you some but your phones probably tapped so I definitely won't Kaitlin: thanks or no thanks, depending who'll be listening Fearghal: Cover those bases and the baby's ears Kaitlin: nothing to be heard over her crying Fearghal: don't lie, you miss me that much [laughs] Kaitlin: fuck off [but laughs too] Fearghal: Will do Fearghal: so many English girls Kaitlin: [exaggerated being sick noise] nowhere close to a ferry and sick as a dog, don't start me any further Fearghal: You think I escaped to pray every day and fight the good fight, like Kaitlin: if you still pray you ain't escaped fuck all Fearghal: Not living on my knees for no cunt, sis Fearghal: am being haunted, for my sins, though Kaitlin: Be on track to commit more, you'll have enough ghosts for all manner of shite to get done Fearghal: No rest for the wicked on the one hand, but on the other, idle hands and idle minds [breathes out like so conflicted and confused] Kaitlin: [a change in tone because serious] She's gone, so are you. Leave it here. Leave it in this fucking town Fearghal: Not a choice Kaitlin: Can be Fearghal: Nah, s'not, boths already happened Kaitlin: Happened to you, gives you a say in how you deal with it Fearghal: Yeah Kaitlin: You've lived in one haunted house as things stand, ain't you? Miss home that much, is it? Fearghal: How could I not? Live for these lectures, like Kaitlin: [an unamused noise because you're basically calling her a nagging girl which ain't a mood] Fearghal: [the pips again] Oh shit, should robably let you go, yeah? Kaitlin: Yeah probably [but she obvs doesn't wanna that'd be clear] Fearghal: Tell the kids I miss 'em, won't ya Kaitlin: I'll even include her out there Fearghal: Try and send a picture some time, alright Kaitlin: 'Course Fearghal: You too, kid Kaitlin: [laughs but in a more genuine way] You're my twin brother, calling me kid is calling yourself a wain, you eejit Fearghal: That's alright by me, like Kaitlin: I'll not baby you, got enough noses and arses to wipe here while you're hand holding these brits Fearghal: No handholding, on me life, just good old-fashioned- [will cut him off before he can be gross] Kaitlin: [we can say she cuts him off with a very unamused noise as per like no thank you] Fearghal: G'wan then, piss off before that kid freezes to death Kaitlin: [doesn't wanna be the first one to hang up obvs] Watch yourself then Fearghal: You too Fearghal: When can we do this again then Kaitlin: When can you? It's no bother for me to slip out with this ginger whinger, needs fresh air so she does Fearghal: [laughs then is pondering like umm] Try next Sunday, after church, if I don't answer then I'll send another postcard or whatever, yeah Kaitlin: Tryin' to get a free sermon told to ya, respect that hustle if not the message Fearghal: Obviously, how am I getting to heaven from England? Kaitlin: [laughs] no angels in England is there not? You'll have been thinking on your feet for fresh pick up lines all these months, no wonder you ain't had time for me, like Fearghal: Something like that... [Trails off 'cos don't wanna tell her what's really been going on but also does 'cos not its like that and its been a lot to just deal with on his own] Kaitlin: But it's something else like what? [cos sees through you boyyy] Fearghal: It's alright now, like Fearghal: but it ain't as if the old man sent me on me way with anywhere to go, is it Kaitlin: He didn't put a bullet in your head as a send off, that's what gets me to sleep of a night, but- [trails off because she was gonna say she knows it hasn't been easy but she doesn't know how hard it's been and she's not trying to guess like let's compare struggles] Kaitlin: Yeah [another pause] Fearghal: Should've put one in his [so under his breath it's like did you mean that to be heard or] Kaitlin: You'd have to take ma out an' all, I don't reckon the broken heart myth is anything other than another story, and probably a few of us would make the cut for cute little orphans but you and me'd have to catch ourselves on quick and wise up Fearghal: Make Tara look after you all as well as Diarmaid's kids, see how committed to the family she really is [sniffs 'cos we been knew] Kaitlin: [makes an identical sound cos twinning] I'll take her out if she was bothered to try and get near 'em Fearghal: Least Owie is old enough to help out, young enough to give a clout, yeah? [genuine concern] Kaitlin: [scoffs because we know he's a bit of a knob but it's still affectionate because] Fearghal: He'll be alright [but doesn't sound as reassuring as that's meant to be 'cos like unlikely at this point] Kaitlin: He's got me, my will's stronger than god's so father Q likes to say [laughs] under his breath, a'course Fearghal: [laughs back but its less 'cos sad] He doesn't always chat shite Kaitlin: Reckon he's a soft spot for me Fearghal: [makes noise like 'hopefully not too soft' but is joking, doesn't need to be that kind of priest] Kaitlin: I don't wish you were here Fearghal: How could he not, with the charm [but just jk like] Is it better, in some ways Kaitlin: It's...[trails off cos we all know even if there's less hassle it's not better as far as she's concerned and the loneliness is a real mood] I'm buzzing you got out [genuine but her voice is sad] Fearghal: Your turn next, I mean it Kaitlin: After we get a few birthday's under Niamh's belt [pauses because it's sinking in how stuck she is for now] and the rest, give 'em a fighting chance Fearghal: Yeah Fearghal: I'll make it easier, any which way I can Kaitlin: Me too, for you, I mean Fearghal: I'm grand, honest but cheers [more pips] I am outta shrapnel though so- Kaitlin: Don't be putting honest on a lie [frustrated sigh because nobody wants this to end but she wouldn't have money] speak Sunday and like I said, watch yourself Fearghal: Love ya, K ['cos no time to take the piss for it or protest] Kaitlin: [let's say she gets cut off before she can say it back for the pain]
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