Actually let's make a separate post for this one. Look at this piece of official rain world art.

It's sick af it might be my favorite rw piece. So I'm gonna ramble about technical art stuff that it does that I think is neat.

First let's look at the layout. It's got a very distinct foreground middle ground background layering that you can break down like this

With these layers you can put a lot of Stuff in the background without any of the important parts getting lost. If you look at any small section of the piece you'll see Ten Billion wires, plants, metal sticking out, shadows, anything and everything. But since it's all grouped together on the same layer, it sorta fades into the background as Background and you don't lose the main shapes.

The scant use of purple/pink is also very neat. The purple is eye catching. The artist wants you to look at the purple stuff. But some of it isn't important at all, like the curling plants - they aren't supposed to be looked at directly, exactly, but they still lead the eyes around where they're wanted.

Your eye goes from the pink lizard at the top to the dragonslayer symbol to the slugcat, where it lingers for a moment, framed by the purple plants, then you eventually follow the plants and the pole up, the chain left, back to the lizard. The path your eye is supposed to follow is highlighted for you.

Okay last thing I want to talk about. The thing the tags at the beginning of the post actually mention. The secondary light source.

It's pink yeah like I was saying about eye movement. But also. It defines the slugcat. Look at this edited version without the pink light.

The tail gets lost. The foot gets lost. The slugcat becomes part of the scenery instead of the focus. The intended focus is so much more boring to look at then the little lizard.

So yeah I'm obsessed with rain world art I'm obsessed with this piece in particular. Study it and break it down ok <3

I watched Starship Troopers tonight.

Wait, did you put a photo of Vil and Neige as kids in Eric’s office??

oh good, I was afraid that wasn't going to read properly and people would just be like "what is this supposed to be". :') but yeah! I like to think Eric was pretty fond of Neige as a kid! single dad sees orphan child approximately the same age as his own son and goes "hmm. okay, you guys are going to be friends now." (this did not go as well as he'd hoped.)

(also I do love how it's kind of a running joke that everyone loves Neige except for Vil, who's standing over in the corner and just seething with furious irrational hatred. someday maybe he'll find someone who doesn't think Neige is the best thing since cinnamon rolls.)

Leo being put into a situation where there is absolutely no fighting, just verbal manipulation and perception games, would be amazing to witness. We see a lot in the series how good he is at subterfuge and how he uses his perception to manipulate to great effect, so it’d be so cool to really see it put to the test even more.

Manipulation is one of the most effective tactical strategies of all time, so just imagine Leo putting this skillset of his to the full test. Imagine the boys slowly get up to busting bigger and more powerful criminals, including those with networks of crime under their belt, and a simple fight isn’t enough to take them down. For criminals like this, Leo’s skills in subterfuge would be deadly.

you are SO SLOWLY selling me on gale/minthara the duality is just. *chef kiss*

is this anything?

royal au new blacksmith Jean Moreau being used to hiding his stature until he’s out of Evermore and told not to 🥲

my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.

*sighs* precious baby version of night and his mentally drained brother/dad got me dropping everything for a quick doodle<333

au by @dreemurr-skelememer

actually i do have something to say about this chapter and it's quite critical of it but also i'm tired tonight and i've been talking about it long and hard on discord already and putting it all together in a coherent post feels like too much of a task tonight. all i'm gonna say is that part 2 was very obviously going in a certain direction from the start, and i loved that direction, and to an extent it is still going in that direction but now very obviously missing a huge chunk of what stirred it in that direction. and i'm hesitant to simply say it's fujimoto that's dropped the ball on this (though it might the idealization, who's to say) because from the actual shape of the writing + slump in paneling/art + recent bitter interview by fujimoto + japanese audience is apparently vocally not a fan of asa + my own cursed knowledge of shounen jump and shueisha editors and how they react to a fall in sales = i think the lack of focus on asa has really hurt the themes of part 2 when she was an integral part of it + i think this wasn't entirely fujimoto's doing and it's very likely because she is apparently strongly disliked in japan and there's good reason to believe that fujimoto was told to not focus on her nearly as much bc sales slump and people complain as soon as she shows up. which sucks. becaue what made part 2 work as well as it did was the synergy and parallel between the two protagonists' paths, and the absence of asa's path in the past few months (both in universe and by real time in the comic) feels like a genuine writing and thematic and emotional hole in the comic that to me shows that she WAS supposed to be there. fujimoto had fully intended to write her in there bc there's a hole in the shape of her where she is very obviously supposed to fit. it isn't simply a question of "author forgets his female character" it's a question of "this crucial part of the manga is missing and the author is painfully aware of it and bitter about it too"

destiny intersects with the ruined reactor...

little details!

they’re a duo wether they like it or not

every time I come across Content that isnt my own I get the thoughts and thinks. Too tired to do anything about it except this ig

guys guys doodles !!!! doodles of the sillies

lovely babies are @liamthemailman's ocs 💐💐 (I LOVE THEM SM.)

he's a multitasking king <3 smoking shaving and creepily monologueing all at the same time

su au lets fucking goooooo

edit: TUMBLR ARE YOU FUCKING SERIOUS. WHY THE FUCK DO YOU SCRAMBLE SHIT WHEN I USE A READ MORE YOURE A FUCKING CUNT GOOD LORD

edit2: it added the edit but not the fucking read more. im tired

i had the brush set too small at first & didnt realize until i was already too far along- full body diamond authority is ok w the shaded fit & wings but the headshot is just. eh. kinda dislike it. im fucking obsessed with the other headshot tho

giyuu's a lapis along w tsutako, normal lapis terraforming job but some shit went down, tsutako got shattered, giyuu was left to fend for herself until she ran into a lost kunzite fresh out the ground (she had a slight imperfection, showed up as a spot along her cheek (corner of mouth to center base of ear) that looks like raw kunzite/ yk when a helmet or somethn gets shaved down sliding against a road? that)

they tough it out in the wilds for a while, they got attacked and accidentally fused to defend themselves, kept fusing when they were in trouble after that- yadda yadda meet makomo (also a gem) & sakonji and learn how to be their own person, getting their own names (giyuu got Giyuu, the kunzite got Sabito) and meeting a group of other rogue gems & making human friends

sabito got particularly interested in the concept of human masculinity & highly respected the closest man she knew, sakonji- transed his gender & chose to dedicate himself to protecting those he cares about. giyuu is very close to him and also changed pronouns & vibes bc sabito loved it so much, though he doesnt really care about human perceptions of gender (hes a pretty rock made of light, the fuck does he need a gender for? (sabito doesnt see it that way, he never got indoctrinated/had a formal gem education or whatever, so hes just vibin))

something something giyuu found a way to precisely control water, and what is ice if not Structured Water. sabito never got whatever his job as a kunzite was, but he has a similar ability as Pearl where hes able to summon a blade from his gem (rectangular cut, back of his left hand). when theyre fused they become Hawk's Eye (also know as blue tiger's eye), able to both control water(& subsequently ice) and form blades along his arms and feet; the blades on his feet allow him to ice skate, the blades on his arms are attached at two points on the forearm and is curved over the hand- the blade's allowed to spin around the arm, tip of the blade is at the point of rotation so itll be in the same spot above the hand no matter what side of the arm its on

When will humans figure out we actually do need to talk about and explore and channel our ugly, dark and fucked up parts into things that won't harm people or we WILL harm people? Violence sex and taboo isn't going anywhere, people are always going to do things they shouldn't and we're not going to be able to understand or deal with it if we never even allow ourselves to engage with those topics as ideas.

As a victim of abuse fuck anyone that thinks it's wrong to explore these harmful topics in stories...fuck you, genuinely. Stories help me process these experiences, it gives me a place to express myself where I don't have to worry about being palatable to the sensibilities of people who can't understand what I've gone through. Uncomfortable stories deserve to be told and must be told because this sanitized world you're imagining can't ever fucking exist.

Your discomfort/disgust is not a moral argument. And guess what! You don't have to engage with media that makes you feel that way. You're not obligated to examine it critically and justify your feelings about it, you can actually just decide it's not for you and that's fine.

You don't actually have to shame and make wild assumptions about people who do engage with it, either! An individual consuming media, in and of itself, is not an inherently harmful act. If it were, research and investigation and journalism and art and archiving would be inherently harmful, but they are not, they are necessary.

If we're going to discuss the ethics of consuming a piece of media, we need context. It is not enough to say, 'you laid your eyeballs on it, you thought about it, and that's the material harm!' No it isn't, and that reductionist, puritanical view really only keeps us from understanding where the harm is actually coming from. We need to do the work, people. Without nuance we can't address these broader social issues, we just create a neverending list of thoughtcrimes.