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longitudinalwaveme · 8 months

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Best and Worst Comic Appearances of the Rogues

Note: Keep in mind that some of these choices are very subjective and based on personal taste. In particular, it's difficult for me to know if the storylines I list as the "best" for a given character are actually the best, or if they're just the ones that appeal the most to me personally. I feel like the "worst" choices are more objective (or at least more likely to be shared by a majority of the fanbase).

I'm also only judging stories that I've actually read for this list.

Captain Cold

Best Pre-Crisis Appearance: While I like his debut story from Showcase #8 a lot, I think my favorite Pre-Crisis Len story is Flash vol. 1 #150, "Captain Cold's Polar Perils". Ayesha, Len's stalkee-girlfriend du jour, is a fun character, and Len's powers are at peak Silver Age insanity, which is always fun. It's really the perfect encapsulation of what Pre-Crisis Captain Cold is like.

Best Post-Crisis Appearance: Flash vol. 2 #182. This is the famous Rogue Profile issue for Len, and it is legitimately really, really good (even if its treatment of Lisa is frustrating at times). It's a very solid examination of the character and the backstory provides a lot of depth that Len really needed. Basically, if you want to understand modern Captain Cold, this is one of the best issues you can read.

Worst Appearance: Flash: The Fastest Man Alive #10-13. Every character in F: TFMA is poorly written, and Len is no exception. From having a murder retconned into one of the periods where he was supposed to be reformed to letting a teenage speedster take over the Rogues for no good reason, this story just does not understand Cold.

I will also note here that I generally don't like Joshua Williamson's take on Len. I have trouble putting my finger on exactly why, but if I had to take a stab at explaining it, I think I would say that Williamson's Len is too ambitious and too hands-off. Having him take over first Central City's underworld, and then Central City, seems out-of-character for Len, who's usually smart enough to understand that escalating crimes to that level is a great way to attract a horde of superheroes, and having him sit back and organize crimes without going out into the field himself, which Williamson did more than once, likewise seems out-of-character for Cold. Johns' Len wasn't always the best leader in the world, but at least he was always in the field with the other Rogues. Williamson's Len seems a lot more willing to sit back and let other people do the work for him, and he comes across as a worse leader because of it. Effectively, then, I think my problem with Williamson's Len is that his Len seems younger, less experienced, less practical, and less likely to inspire loyalty than any previous version of the character (except the one that was being written around the time of F: TFMA.)

Captain Boomerang Sr.

Best Pre-Crisis Appearance: Flash vol. 1 #310-311, or Batman #322. The first story has Captain Boomerang getting double-crossed by Colonel Computron and sent back in time (on a giant time-traveling boomerang!), whereupon he has to team up with the Flash to fight pirates. It's delightful, and is made even more so by Digger's determination to save his ex-employer, W. W. Wiggins, from the vengeance of Colonel Computron. The second story features Captain Boomerang fighting---and nearly defeating!---Batman, who narrowly escapes death on Digger's "doomerang". Batman really needs to take Flash's villains more seriously....

Best Post-Crisis Appearance: Suicide Squad #44. This gives us Digger's modern backstory, establishes that he's actually W. W. Wiggins' biological son, and generally serves as an interesting character study of a generally unpleasant character. Flash vol. 3 #7 is a very similar retelling of the same basic backstory, this time by Geoff Johns, and would have been tied with Suicide Squad #44 if not for the gratuitous scene of Digger killing his assumed father (for my money, Geoff Johns is a bit too fond of gruesome deaths).

Worst Appearance: I don't read a lot of Suicide Squad, so I'm not familiar with the terrible Digger appearances that may have happened in the various Suicide Squad runs. Because of that, my nomination for the worst Digger story is Identity Crisis #2-5, the story that killed him (and poor Jack Drake and Sue Dibney) for the sake of earning grimdark edgelord points. What makes it even worse is that the story's scenes of him interacting with Owen are actually pretty good, so we got teased with a really interesting plot for him right before he was pointlessly axed.

Heat Wave

Best Pre-Crisis Story: Flash vol. 1 #266-267, or Flash vol. 1 #312. The first story gave us the first version of Heat Wave's backstory (specifically, it established his cryophobia due to having been locked in a meat freezer as a child), presented him as the main villain of a story basically for the first time (all his previous appearances had him teamed up with another villain), and was full of delightful Pre-Crisis pseudo-science, like heat-seeking fire. It also featured a panel of Mick totally freaking out at the sight of ice cubes. The second story was Mick's first reform, and it was a solid, if slightly goofy, tale of Mick proving that his parole officer was framing him for crimes. It also led to him and Barry becoming friends (and temporary roommates) a few issues later!

Best Post-Crisis Story: Flash vol. 2 #218. It's one of the few Post-Crisis issues that uses him as a lead character, and it establishes his now-iconic tragic backstory and pyromania. Even though it's a bit excessively grimdark (did he really need to burn down the circus where he worked as a fire-eater?), it's a solid story nevertheless.

Worst Story: The Flash: The Fastest Man Alive #11-13, or the "Three of a Kind" crossover (Green Arrow #96, Green Lantern #130, and Flash #135). Everyone was terribly written in F: TFMA, and Mick was no exception, as he was portrayed as an idiot and then killed Bart Allen.

In the crossover, Mick teamed up with two random villains that he had no prior connection to, for some reason decided to try to revive Dr. Polaris with them via hijacking a cruise ship, and ended up killing a bunch of people. It really felt like he just got shoved into the story because they needed a Flash villain in it, and they didn't think about which one would actually make sense in the plot. It makes even less sense when you remember that Mick would go back to being reformed directly after this.

Also, the New 52 introduced us to the Hothead McAngryman version of Mick, and it unfortunately took over five years for him to finally get back to normal. Having the character with fire powers be hot-headed and aggressive is probably the most boring choice they could have made, and it hurt Mick's overall character for quite some time.

Mirror Master I (Sam Scudder)

Best Appearance: Flash vol. 1 #126, or Flash vol. 1 #146, or Flash vol. 1 #306, or Batman #388 and Detective Comics v1. #555.

The first two stories are delightful Silver Age nonsense. Flash #126 features Sam traveling to a mirror world where the inhabitants essentially make him their king, but he quickly gets fed up with the fact that he's given whatever he wants means that he has no opportunities for dramatic theft, and he summons the Flash to help him escape from his boring life as king. Flash #146 is the story where the Mirror Master switches his legs with the Flash's legs. It also features Barry and Sam attending the same self-help class without knowing it!

Flash #306 has disco-dancing Sam, and, more importantly, it's one of the very few stories to try to give Sam an interesting motivation: specifically, he's fallen in love with a woman who's trapped in a mirror and is desperately trying to free her. The ending of the story is a sad one for Sam, but it's also surprisingly touching.

Finally, the Batman two-parter features Sam at his overconfident, flashy, hilarious best as he tries to prove that he's a better criminal than Captain Boomerang (incidentally, this is also a great Captain Boomerang story). It features such highlights as Sam freaking out at the sight of Batman, Sam getting freaked out by Gotham muggers, and Sam deciding to rob a bank because it's across the street and he doesn't have any better ideas. The first part of the story also features some of the best facial expressions he's ever made.

Worst Appearance: For a single story, it's either Flash Rebirth #2 or that issue from Joshua Williamson's run where Sam wore his socks and underwear in the hot tub. Weirdly, Flash Rebirth #2 featured Sam only briefly, and in a flashback, but it retconned a murder into his early past in a way that would darken all of his fun Silver and Bronze Age adventures. It's one thing to have the Rogues become more dangerous in the present, and another to retroactively make all of their early, light-hearted stories grim like this. (Geoff Johns was responsible for this retcon, and far too many others like it. I really wish he didn't like grimdark retcons so much.)

The Williamson issue had Sam who was Evan-in-all-but-name-and-accent. At that point, he might as well have not been Sam at all! That being said, this was basically just the culmination of all the problems Sam has had since he was brought back to life in the New 52. I don't know how you make a character as fun and dynamic as Pre-Crisis Sam was boring and confusing, but somehow they managed!

Weather Wizard

Best Pre-Crisis Appearance: Either Detective Comics vol. 1 #353, or Adventure Comics #466.

Watching Mark fight---and actually briefly outsmart!---Batman in Detective Comics #353 is a lot of fun, and this story is full of delightful Silver Age zaniness, including, but not limited to, Mark saving Gotham City from a drought by filling all of its reservoirs just so that he can make a big announcement in the sky about how he did it in thanks for getting to steal three priceless valuables, and in turn use that message to determine what in town is worth stealing.

Adventure Comics #466 is an entirely different brand of delightful insanity, and features the Weather Wizard briefly turning good, stopping a horde of locusts from destroying crops, and saving Blue Valley from a flood because sun spots were messing with his wand, which he somehow managed to telepathically link to his brain. No, really. Sunspots briefly make the Weather Wizard turn good. Reading this is worth it just to see Barry's reaction to friendly happy Weather Wizard.

Best Post-Crisis Appearance: Rogues Revenge #1-3. By far the most in-depth look we've ever gotten at Mark's past, his relationship with his brother Clyde, and his boatload of issues. Despite being one of the more frequently-used Rogues in the Geoff Johns era, it was rare for Mark to get a lot of attention outside of his role as a big threat, and this miniseries was a nice change of pace for him. I just wish it hadn't ended with the pointless death of his baby son, Josh, because seeing Mark develop a relationship with Josh would have been far more interesting (and less grimdark).

Worst Appearance: The Flash: The Fastest Man Alive #11-13. The story where the writers replaced the Rogues' brains with rocks, and hoped we wouldn't notice. We did.

Trickster I (James Jesse)

Best Pre-Crisis Appearance: Flash vol. 1 #142. In which the Trickster steals a little kid's toy detective set, and proceeds to screw around with the entire city, and the Flash, just because he can. It's a great display of the Trickster's inventiveness and creativity, and the story goes out of its way to state that Trickster is more interested in attention and having fun than in getting money.

Best Post-Crisis Appearance: Catwoman vol. 2 #69-71, or New Year's Evil : The Rogues.

The Catwoman story features some of the funniest James moments ever, and it's so much fun watching the two con artists try to outsmart and outplay one another. Catwoman and James have a great dynamic, and it's a shame they've never really teamed up again.

New Year's Evil: The Rogues features James at his most heroic, teaming up with the Pied Piper (and, thanks to some manipulation on his part, some of the other Rogues as well) to save his ex-girlfriend Mindy's son, Billy, from a group of mercenaries who are attempting to overthrow the government of Zhutan. The story also eventually reveals that Billy is James' son, which sadly never went anywhere since for some reason no one wanted to follow up on this awesome plot point.

Worst Appearance: Countdown! Not only does he forget all of his Post-Crisis character development, but he also acts really stupidly for no reason, is a humongous jerk to the Pied Piper (his close friend!) for no reason, and then is pointlessly killed for no reason.

It's also worth noting that his most recent big appearance, the one written by Joshua Williamson, was very frustrating to me. It's not as objectively bad as Countdown, or James' appearances in F: TFMA, but it takes James in an unpleasant, dark direction, and I didn't care for it at all.

Pied Piper

Best Pre-Crisis Appearance: Flash vol. 1 #307. This story is very important for the Pied Piper, because it not only gave him his full backstory but also gave him an actual name after over twenty years of him not having one! It's also just a fun read in general, full of delightful Pre-Crisis "science" and featuring some great character work for both Hartley and his parents, who are so desperate to preserve their family name that they have a reporter who uncovered the secret kidnapped so they can bribe her to keep quiet!

Best Post-Crisis Appearance: Flash vol. 2 #19, or Flash vol. 2 #32.

William Messner-Loebs' run on the Flash is underrated, and his work on Piper is a stand-out example of why more people should read it. Even though Hartley doesn't appear a lot in Flash #19 (his first ever Post-Crisis Flash appearance, by the way), but when he does show up, it pretty much single-handedly establishes what he's going to be like going forward; establishing him as an at least mostly reformed Rogue who cares about protecting the homeless and disadvantaged. It's just really sweet.

Flash vol. 2 #32 features Hartley teaming up with Wally to save his parents and his adorable little sister Geraldine from the henchmen of the Turtle and the Turtle Man. It's adorable seeing Hartley interact with his little sister, and it's also nice to see him finally make peace with his parents, even if they'll never be close. I really wish Geraldine had gotten to show up again, because I want to see more of Hartley's little sister. Also, this story features a line that I've always found hilarious for some inexplicable reason:

Thug (in response to Joan Garrick showing up at the Rathaways' mansion): An old woman? Seize her!

A close runner-up is Flash vol. 2 #190, which is a retelling of the origin story from Flash vol. 1 #307, but with more details and from Hartley's POV (the original tale had his parents telling the story).

Worst Appearance: F: TFMA and Countdown (since one led into the other, I kind of count them as one story). In which Hartley totally forgets that he reformed, is involved in the death of Bart Allen, loses about 100 IQ points, gets chased all around the DCU, gets insulted almost non-stop by the Trickster in spite of the fact that they're supposed to be friends, watches Trickster get shot in front of him, and almost goes crazy and dies.

The fact that he gets to blow up Apocalypse with Queen music is awesome, but not nearly enough to salvage this otherwise terrible storyline.

The Top

Best Pre-Crisis Appearance: Flash vol. 1 #297-303. Roscoe comes back from the dead, possesses Barry's father, spends what appears to be several months living with Barry and pretending to be Henry Allen (while slipping off to visit Lisa on the side), and then attempts to kill Barry Allen and steal his body for his own. It's weird and creepy and unique and perfect for Roscoe, and it features lots of top puns, as all good Roscoe stories should. Also, even though he's generally a huge jerk in this story, his relationship with Lisa is adorable, affectionate, and shockingly healthy.

The most hilarious thing about this story is the fact that at one point in it, Barry thinks to himself that his relationship with his father is the best it's ever been....in response to the interactions he's had with Roscoe posing as his dad. That's right, Barry apparently gets along better with Roscoe-pretending-to-be-his-dad than he does with his actual dad.

Best Post-Crisis Appearance: This is hard. Most of Roscoe's Post-Crisis appearances are pretty bad. The writers of Hawk and Dove didn't do an especially good job with him, Mark Waid's one story with him was a decent Pied Piper story but a terrible Roscoe story, and Geoff Johns seemed to hate the character, so that always affected his Roscoe stories. If I had to pick one, I guess I'd go with @gorogues' suggestion and pick Flash vol. 2 #215-216, since he's really intimidating and cool in those issues. Unfortunately, even those issues are not immune from the curse of bad post-crisis Roscoe stories, as they include the stupid Identity Crisis tie-in retcons that negated a whole bunch of the Rogues' character development.

I seriously don't know what the problem is with the Top's post-crisis stories. All of his Pre-Crisis stories were good, solid fun, and his best story shows that he can be really effective and creepy as a main villain. Why is it so hard for modern writers to write good Top stories? He isn't inherently any weirder or goofier than the Trickster.

Worst Story: Hawk and Dove vol. 3 annual #1, or Flash vol. 2 #120-121. The Hawk and Dove annual features some truly hideous art (I'm sure @gorogues has some scans to prove just how bad it is), and features a badly out-of-character Roscoe, who just seems out-of-place fighting Hawk and Dove.

Flash vol. 2 #120-121 takes the solid idea of Roscoe trying to become president by possessing the body of a senator, and then kind of ruins it by having 99% of the cast treat Roscoe as a total joke (the same Roscoe who once tried to blow up half the world with an atomic grenade!) and by having Roscoe act like an unparalleled jerkwad towards the Pied Piper for no real reason. Before his death, Roscoe generally got along pretty well with the other Rogues, so there was no reason for him to act so nastily here. Worse, I think this depiction went on to influence Geoff Johns' portrayal of Roscoe as the most unfriendly and cruel of the Rogues, which is kind of frustrating as he wasn't always like that.

Golden Glider

Best Pre-Crisis Appearance: Flash vol. 1 #257. Golden Glider is terrifying and awesome, and this story shows you exactly why. Within this issue alone, she discovers Barry's secret identity (making her the first Rogue to pull off this hat trick), almost kills both of Barry's parents and Iris (as revenge for Roscoe's death, which she blames on Barry), puts up a very solid fight against the Flash, doesn't even flinch when the Flash threatens to kill her as a bluff (saying that she has nothing left to live for now that Roscoe is dead), and, although Barry manages to save Iris and his parents, she escapes without being captured. Pre-Crisis Golden Glider is the best, and it's a shame she never gets written like this anymore.

Best Post-Crisis Appearance: Flash vol. 2 #19. Her interactions with Wally in this story are great fun, and I like seeing her be chummy with her older brother and her fellow Rogues at the party they're throwing. Her interactions with Connie Noleski (Wally's one-time girlfriend) are also pretty funny. This issue is also notable for being one of the last stories that doesn't portray Lisa as a total lunatic, as for some reason, her character got shifted into that direction not long after COIE.

Worst Appearance: As I thankfully haven't read Teen Titans vol. 6 #22, I'm nominating Flash vol. 2 Annual 5. It's a great story for Captain Boomerang, Weather Wizard, and Trickster, but it's a pretty bad story for Lisa, as it portrays her as being completely insane and serves as Exhibit A of how Mark Waid didn't know how to write the character. Golden Glider was scary because she was smart, calculating, and surprisingly composed (given how full of rage she was). Making her violently comic-book crazy undercuts how scary she was back in the Bronze Age.

You know, it really says something that Carey Bates, Lisa's creator, is probably still the best writer she's ever had. And he was writing in the late 70s and early 80s!

Mirror Master II (Evan McCulloch)

Best Story: Animal Man #8, 17, and 21, or Flash vol. 2 #133.

Nobody writes Evan McCulloch better than his creator, Grant Morrison, and these issues put that on full display.

The Animal Man stories introduce McCulloch, establish his weird personality, his freaky powerset, and his strict refusal to kill women or children, and are generally a delight to read. McCulloch has a very distinct voice throughout and is the funniest part of all three stories. Basically, everything you need to know about the character was established in these three issues.

Flash #133 is McCulloch's best appearance in an issue of Flash. He maintains his weirdness, his distinctive voice, and his insane powerset, and he takes the Flash and the reader on a trippy, colorful adventure around the world and through the looking glass. He maintains his generally cheerful and friendly attitude towards superheroes, and he is, once again, the funniest character in the story. Grant Morrison's Evan is a delight.

A close runner-up was Flash vol. 2 #212, the story that gave Evan his backstory (grimdark though it is, it somehow kind of works for him) and established what has become arguably his second-most famous characteristic (after his Scottish accent): his addiction to cocaine. It is a very good story, and I like that we get to learn more about Evan's history, but I will say that Geoff Johns' Evan isn't nearly as cheerful and weird as Morrison's, and I think that the story would have been even better with Morrison's cheerful nutty Evan than with Johns' creepy, sullen version.

Worst Appearance: Flash: TFMA. You know the drill by this point. Stupid Rogues. Pointless death of Bart. Bad writing all around.

Trickster II (Axel Walker)

Best Appearance: Flash vol. 2 #183. There are actually surprisingly few issues that focus on Axel as a lead character, but I've always enjoyed his introductory issue. It establishes some backstory for him and effectively tells you who he is (an annoying brat who might be in over his head) and what he can do (use a lot of crazy trick gadgets and work computers better than the older Rogues). I also like the bit towards the end of the issue where Mark is thoroughly unimpressed by Axel and asks if he's supposed to be their mascot. It always gets a giggle out of me.

I also thought the arc in Joshua Williamson's run where Axel briefly got super-strength was a pretty good story for Axel. It's one of the few times he's been played sympathetically and I thought that it worked really well.

Worst Appearance: Helmet of Fate: Detective Chimp. Okay, I haven't actually read this one, but I know enough about it to know that Axel murders 4 teenagers for no real reason, and that's enough for me to list it as his worst appearance.

Also, I can't really think of any Axel issue that I have read where Axel is portrayed really terribly. Writers usually seem to have a decent grasp on his character.

Captain Boomerang Jr.

Best Appearance: The best appearance of his that I've read is in Flash vol. 2 #220-225 (the Rogue War storyline). It's one of the few stories to feature him with the Rogues, and his grief over the death of his father and his relationship with Captain Cold are both very interesting. The story also finally tells us who his mother is (Meloni Thawne) and how she had a kid with Digger (well, sort of. We know time travel shenanigans were involved, at least). That being said, @gorogues says that his appearance in Manhunter v. 3 were really good, and I've heard that the story where he teamed up with Tim Drake was a good one as well.

Worst Appearance: Blackest Night: Flash #3. The story where he was turned into a idiotic child murderer and then was pointlessly killed off!

A close runner up was the Rebirth (I think) issue of Suicide Squad where he suddenly showed up and was inexplicably a snobby criminal mastermind who really hated Digger.

#flash rogues #flash comics #captain cold #captain boomerang jr #captain boomerang #george digger harknesss #golden glider #mirror master #sam scudder #evan mcculloch #heat wave #weather wizard #the trickster #james jesse #axel walker #the top

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anime-grimmy · 4 months

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Sooo, as has been evident from me rambling so often about it, I’ve been reading a lot of Genshin fics lately (specifically Sumeru centered ones), and it is so funny to see how headcanons and AUs change between the releases of the characters.

Ofc, this sticks out to me especially with Haikaveh cos Kaveh got released so late for showing up so early and ppl ran far with their ideas. One of the biggest theories was (and I think still kinda is) is that Alhaitham is or at least is linked to the Scarlet King bcs his eyes have the same shape as the eye portrayed in the Forbidden Knowledge cutscene.

After the quests came out where you find out about King Deshret’s and the Goddess of Flowers’ relationship, ofc ppl started to push Alhaitham and Kaveh in the respective roles, which, ngl, I totally vibe with. Even more so cos I can only image the Goddess of Flowers with Nilou’s kinda personality (since her outfit is supposed to look like the Goddess) and the thought of her reincarnation still being good hearted beyond believe, yet also a fucking idiot with anger issues is so fucking funny.

However, the theory I personally even more subscribe to, is that both Alhaitham and Kaveh, at least in an design aspect, represent the Scarlet King. I cannot by God find the one vid that talked about it, but they laid out a lot of design specifics that rly did make sense. This ofc, made me think a lot about it too.

Alhaitham could represent King Deshret’s mind and rational side, the part of him that made him a genius and good leader. As much as Alhaitham acts as if he sucks as a leader, which from a personality standpoint might be true, his abilities and critical mind say otherwise. Alhaitham is strategic and very wise for his age, but also curious and ambitious about the knowledge he seeks. He is not without fault either, as, despite him saying he acts only out of self interest, he still does act very arrogantly and above others.

Kaveh on the other hand shows King Deshret’s soul. Clever and curious in his own right, Kaveh seeks out knowledge not only to learn and understand but because his emotions drive him to reach for it. Kaveh has a bleeding heart and follows its voice more often than his mind’s, yet that makes him empathetic to people and care about them, which we know the Scarlet King was known for as well (caring for his people, that is). His emotions and self-sacrificial nature are his crux as well, though, and lead him close to his own downfall time and time again, much as it happened with King Deshret.

Both Alhaitham and Kaveh make up the body. As is evident how haywire the theories went when the Forbidden Knowledge quest came out, Alhaitham’s eyes bear a strong physical resemblance to Deshret’s supposed eyes. Not to mention, we know Deshret is often described as powerful, so I wouldn't be surprised if Alhaitham’s body build is part of that too. For Kaveh, in that one video I mentioned they said that Kaveh’s attire seems to represent some sort of royalty. Also, in a world quest, though I don’t remember which one (i think either aranara or djini) the NPC you travel with says the traveler reminds them of King Deshret, especially the golden hair, which ofc also works for Kaveh.

(Mind you, I havent dived that deeply into Deshret lore and I did zone out during the world quests often, so pls do correct me if I say sth stupid.)

So yeah, the two sides of the same coin. We already know these two have been designed as perfect mirrors to each other, in their ideologies, personalities all the way to their colour schemes, but with regarding the headcanon they’re both aspects of the Scarlet King, it’s also an interesting analogy to think it’s Deshret’s different sides clashing with each other.

Yes, yes they’re basically the Left Brain Right Brain meme for King Deshret.

Also, as I’ve said, I’ve read my fair share of fics with the Scarlet King reincarnation, which is usually Alhaitham. I am honestly too lazy to write a whole ass fic about it, but you can bet your ass my mind has conjured up enough stuff to fill a few pages. To finally get it outta my head tho, I will just ramble here instead.

I personally don’t think that Alhaitham and Kaveh are reincarnations of Deshret, even though it’d make sense why his body and mind would be two separate entities, as he split himself to avoid spreading more Forbidden Knowledge. I see it more as the two being “blessed” with parts of his soul or something.

Ngl, the whole thing came to me during the one World Quest where you clear up the sandstorm above King Deshret’s Mausoleum and you get to this big platform on top. I dunno, it just looked so cool and it made me think of how this could have been a ritual site or something. So, perfect place for some foreign memories to invade your brain, no?

Also, you cannot tell me the Akademiya wasn’t frothing at the mouth when the Mausoleum finally became accessible. I’d assume they’d send research teams up there after the Traveler cleared the place, and it would seem logical for both Alhaitham and Kaveh to be interested in the place, their respective curiosities spurred by the fragment of Deshret inside them.

They and a small group of scholars take it upon themselves to scope the place out, and eventually end up at the top of the pyramid. Kaveh would marvel at such a grand stage so high up in the air, being able to see into the far reaches of the desert. But he also feels trepidation in his soul, though he brushes it off.

Alhaitham and him conduct their respective researches, Alhaitham jutting down any interesting runes and scripts he finds on the podium, while Kaveh sketches the many columns and the scenery behind, his mind running wild trying to understand how such impossible structures hold. But as he stands at the edge, looking out upon the empty desert with its many ruins, a thought pops into his head.

The desert should not be dead like this.

It’s then that Kaveh feels something shift inside him. Sensations rush over him, the sun beating down on him so differently than just moments ago, the air smelling not of sand and dust but of spices and flowers, the stillness of the desert filled with the distant rush of a city well lived in and people calling him yet not shouting his name.

Kaveh stumbles back to the middle of the podium, only for Alhaitham to meet him halfway. They stare at each other with wide eyes, stare at the other but seeing reflections of themselves. Kaveh bores into Alhaitham’s intense gaze, seeing the many questions and the fierce determination to solve each and everyone of them reflect in those piercing pupils of his, and thinks:

Only a gaze as steeled as mine is fit for a king.

Alhaitham roams his eyes over Kaveh, over his golden hair reflecting the sun, making it almost blinding to look at, over proud shoulders, pushed back to straighten his stance, over calloused hands, twitching in the need to create, and thinks:

Only a presence as loud and vibrant as mine can win over my people.

The spell is broken as fast as it had come when one of the scholars of their group asks for their assistance. Kaveh and Alhaitham busy themselves with helping out the rest of the research group for the remainder of the stay to not let those intrusive thoughts resurface and really just hope that it was some weird hallucination caused by the heat or dehydration or something.

Lucky them, it wasn’t.

And really, all this fancy dressing in the form of a story just to come to the one headcanon stuck in my head: If both Alhaitham and Kaveh are the Scarlet King, and they were to inherit his memories, I believe they’d experience them differently.

Alhaitham would have tangible memories, thoughts that’d pop into his head unbridled. He’d see the tension between Desert folk and the people of the forest and think “This is not what we fought for.”. He’d run across Cyno, discuss matters of the Akademiya with him and think “As competent and loyal as ever, just as is to be expected of my General.”. He’d meet with Nahida and think “No matter the shape she takes, her wisdom remains the same.”.

Kaveh on the other hand would experience the memories with sensations. He’d witness a fight between the matra and Emerites and be transported to a battlefield, as countless shouts and clanking metal were heard while the unmistakable taste of blood sat heavy on his tongue. He’d look at scholars disassembling a Primal Construct and his hands would itch for his tools while his heart sped up in excitement, even if Kaveh knew his knowledge of such machines was limited. He’d watch Nilou dance in the Grand Bazar and almost buckle under the mix of elation, yearning and unfathomable grief that overtook him.

(it would also be funny the other way around, as in, experience the memories with the parts “missing” from them. Though Kaveh, being the overthinker he is, would have an easier time cos his head is filled all the time with thoughts anyways. Alhaitham would have a real crisis though lmao)

At the end of the day they’d come home to each other, stand face to face and stare into a mirror of themselves, all the while the edges would start to blur and it’d become increasingly difficult to know where one of them started and the other ended.

I dunno where I’d even go with this story, in all honesty. I personally don’t like the kinda fics where King Deshret actually “awakens” and either takes over or integrates into the person he wakes up as. I think I’d push a story like this more into the territory of this experience making the two learn more about themselves and each other. As in, since they both “derive from” the same person, even if they’re steadfast in their own beliefs, they’re kinda forced to actually see from the other perspective as well. While this would probably lead to even more arguments, I believe it’d also manage to blunt their edges and while they still can’t agree with each other, they understand and therefore don’t always go on the defensive with counter points at the ready.

Tho, if both are considered King Deshret, would that count as self-cest.

#genshin impact #alhaitham #kaveh #king deshret #headcanon #does this count as an au?#bascially just going wild with the idea of both alhaitham and kaveh being deshret #or parts of him #and i might have written down a prompt for a fic #woooops

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narwhalandchill · 6 months

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okay so. skirk thoughts

first of all: as much as her design is still just kind of an ehhh compared to what couldve been, i do think it looks so much better in the actual game. the sfx in her arms and legs in particular helps a Lot imo. still not a massive fan but given i already loved the hair+eyes as well as the general color scheme, im warming up to it. still unfortunate we didnt get something more ambitious but i can live with this lmao

personality wise i actually really love how they went about her? its a little unexpected but skirk really has that abyss autism rizz to her JSJSIDISGFK love it. like this really isnt someone used to any manner of regular human interactions and it shows. i really like how blunt and utterly unfazed she is even when dropping some insane lore bombs bc theyre just peanuts to her. shes just completely unlike any character from any faction weve encountered before and i rly love the energy they gave her

i also found her little ramble about the value of life and death pretty interesting. it almost makes it sound like she considers herself dead in some way? with how she talks about there being no point in holding onto the bonds and remains of dead things and how this personal philosophy of hers is why she never comes to the surface anymore. like huh. whats up with that.

it also really reminds me of how an underappreciated aspect of childes characterization imo is how like. Incredibly insistent he is on staying alive being the most valuable thing? like this comes up Repeatedly in his voicelines. and now we have skirk literally talking about how to live is in itself a blessing. like i am Not buying this being coincidental at all. so unless they physically disprove me in this somehow down the line im taking this as 100% proof that childes high regard for life is Directly imparted to him through skirks teachings. and thats really interesting to think about.

and like. overall im quite happy with this glimpse of her character we have? i have bigger issues with the overall handling of the childe+narwhal+skirk segment of the AQ but those are narrative problems. skirk really stands out as a character and shes just. really fascinating AND funny as fuck in her nonchalance like. what an icon.

the only real unfortunate thing w her appearence specifically i think just has to do with the way her manner of speech and position as a narrator of dubious reliability to an extent is already leading to some. Quite unfortunate misreadings and/or taking the implications of her statements too far at face value. and i just know fandom will latch onto those forever 😭

(& jic i dont mean dubious reliability in the traditional unreliable narrator or like. lying or sth sense. just that her worldview is so alien and foreign to us that it should be taken into careful account before just blindly running off with any particular thing she claims)

like. firstly. the narwhal. ppl really dont seem to be catching onto how skirks perception of it as just a scuffed pet thats a hassle to manage isnt like. actually reflective of what a massive deal of an entity it is (read the boss fight quest item drop lore i am begging. or just wait for me to start narwhalposting JAJSKDK its coming 100%) 💀💀 what it DOES reflect more than anything is what an absolute maniac surtalogi (+ skirk by extension) has to be in order to claim a creature of this magnitude as a PET of all things. its also good to note that skirk herself readily admits both her highly unconventional view on most things AND that her master wont necessarily share any and all information with her - more so what he thinks is pertinent for her to know. her assessment of the narwhal as a nuisance of a task for a disciple isnt really reflective of the ultimate big picture HSJDKDKSK though it is very funny i have to admit.

im just preemptively annoyed and frustrated by it already bc its highkey giving azhdaha all over again where 99% of fandom just dismissed his deeper lore bc they took the storytellers claims of zhongli creating him at complete face value. like to the point hoyo had to literally add a whole segment at the end of the chasm interlude where zhongli more or less directly wink wink nod nods that a career entertainer isnt giving you the most accurate lore on this stuff 😭😭 like please. ive had the tears from among the stars lore fucking HAUNTING me ever since i first read it. its not just a silly pet whale im hhhhhhhhhhhhhhhh

and secondly. people really jumping the gun on "haha skirk thinks childe weak" when she was... quite literally speaking in past tense JSJSKDKSISKDK thats ajax 14 not the current state of things. while i do agree skirks power level is still way above his to the point i absolutely do think she considers him weak from her standpoint & ways off from his true potential, id also just.... like to point out that she pretty much confirms that her view of his competence has very much changed too? like please yall

skirk, who in all the years post ajax' 3 day abyss trip made NO effort to contact or keep up with him whatsoever and stated that her disciple wasnt worth even speaking to in the past has now LITERALLY voiced the intent to assign him the task of being a messenger between herself (possibly even surtalogi) and neuvillette. and she has made it VERY clear that she views the communication between herself and neuvillette (and traveler too) as one between equals?

this isnt her assigning childe some irrelevant side quest to keep him busy but actually utilizing him for a task she takes at least relatively seriously. like wdym she still considers him the exact same as before 😭😭😭😭 like obviously childes far off from being regarded as anywhere near an equal by skirk bc SHES just that insanely powerful but seriously. to me this is as clear an acknowledgement of his growth on her part as we will get JSJSKDKFKSKDKJ

but alas. everyone loves a "ha ha childe so weak XDDDD" like they just never wanna let that one go. Man

anyway still rly like skirk!!! all im Really hoping for in the future Especially w how i feel the 4.2 narrative while overall brilliant really sidelined and mishandled the potential and gravity of the narwhal side of things is that like. PLEASE let the interlude be the continuation to this 3rd descender n skirk n childe abyss situation i am so fucking tired of khaenri'ah and the abyss order im sorry lmao

also itll be like 4 years before we ever see her in Real action as a combatant but i am already So hype to see that. especially since her powers are so abyssal and alien in nature like thats going to be So gourmet i just know it.

#whew. that eas a bit.#but like im sooooo happy i ended up liking her as much as i did . i really worried i would end up let down somehow bc #skirk has been such a mysterious lore figure in the bg all this time and that by itself builds hype that can end up just falling flat #but im really glad im just even more invested in her situation now that shes finally made an appearancr #just hope we can get at least some interactions between her n ajax sooner than later.#ALSO. YEA THAT WAS A LETDOWN. disciple suits ok its fine but man i wish shed call him ajax 😭😭 hopium she still does when its at his face #rambles #genshin #genshin spoilers #4.2 spoilers #long post

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sleepy-vix · 4 days

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What would your ideal book be like (as in, what theoretical book would be your absolute favourite) what genre, page count, setting, characters, etc would it have?

oohhhh this is such an interesting ask. hmm i'll have to lay this out in dot points

BE READY FOR LOTS OF TEXT!

also i am indecisive and messy so my opinions will probably change idk T-T

alr here we go

- genre: psychological novel? im not exactly sure what the genre is but i love when books follow a mentally ill character that's just trying their best to navigate through life, and the book is about the way they interact with their surrounds and respond to issues and cope with their past and come to decisions, iykwim?

BUT I WANT FANTASY in it too so it will be epic. i love fantasy world building and i love when it makes so so so much sense. it would be cool if they had elements and got sorted into elemental groups too- that is so satisfying and fun to read.

- page count: probably 500. personally i think a normal book is 300, and it seems daunting when it's got like 700 pagesz but considering that this is my ideal book, i think i'd be sad if it had less than 400 pages (cus the story would be over soon) so i'd say 500 pages is the perfect amount.

- setting: in terms of time, i never really cared for it. i realise that i should probably have a preference on which century i like to read, but i find that characters can be mentally ill and epic no matter if they are from the future or the past.

in terms of location, hmm i wouldn't want to read about a character being anywhere with tropical or summery vibes. i like my characters knee deep in snow and drenched from head to toe in rain. it keeps them depressed and relatable ^^ (/hj....?)

oh also it would be cool if the country and places were mad up, since that this is a fantasy.

WAIT OR asia. i am obsessed with books that focuses on/is based off asia :)

- characters: trios are the best and i will die on that hill. ok like i dont need the trios to be together 24/7 but i need there to be THREE main characters if you know what i mean. one of them can be an antihero idc. it just has to be THREE.

oh also i love to read in the perspective of characters who are ambitious and feisty and impulsive because they're the opposite of me. but also i'd like them (idc abt gender) to be cunning, witty and good at making plans.

another character that i need in the trio is the smart one. there HAS to be a smart side character or else i will NOT fall in love with the book. i need the character who makes all the entensive plans. i need the character who is a walking dictionary. i need the character who hates to fight and would rather be learning but is somehow good at it and therefore forced to fight alongside the makn character. (oopsies im just describing the poppy war. but that is not a crime ;])

if its a soldier poet king trio i will be obsessed with it forever and ever

ok so for the stuff that u didnt ask but im gonna include:

-writing style: advanced. work my mind to death but enrichen it at the same time. i dont mind a difficult and layered magic system- in fact i LOVE THOSE, as long as they make sense and they are creative. do not give me that "she let out a breath she didnt know she was holding" bs.

i want "the night circus" level description when it comes to settings. i need to see taste hear smell FEEL the fucking surroundings

-vibe: doomed from the start. i dont want my characters to be happy. make me fall in love and then break my heart and do not apologise for it :,) (shit am i masochistic? damn)

- others: it would be cool if it is somehow relevant to our present irl current political state/ real world problems. it would be even cooler if it somehow fits a ton of mitski songs. also gayness is very welcomed

yeahh thats all i got for now. oops i wrote alot. at the start of my reply i was thinking along the lines of solitaire and crime and punishment and no longer human, but then it was all scrapped and i based it all off of the poppy war trilogy because it did fantasy and character dynamics/personalities/backstories SO RIGHT.

tysmmm for this ask. i would love to ask it right back, but i dont know who you are :(( ahsvsj feel free to tell me anyways tho in my askbox as an anon !!

*this was not proofread

#asks #vix's library

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deke-rivers-1957 · 2 months

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Kissin Cousins Review

After Viva Las Vegas went over budget, Colonel Parker as the technical advisor pushed the panic button. The next immediate film had its budget slashed and everything was rushed just to make back any money lost. The production was very cheap despite a somewhat ambitious story of having Elvis play 2 characters.

Despite being made after Viva Las Vegas, Kissin Cousins came out first making for a very jarring experience if seen back to back. A lot of people HATE this movie because of the concept and cheap production, indicating that Colonel's plan didn't work as he expected. After all, if you only spend a grand total of a $1 million dollars on a movie, you only need $1,000,001 to make a profit. Does Kissin Cousins have some good parts to it or is it all bad and should never be mentioned again? Let's find out.

Kissin Cousins is a pleasant opening song. It's not something that blows you away but it's a nice little ditty with cute art. It makes me wonder why we never had an animated film as those were usually way cheaper than a regular movie. Yes animation in the 60s wasn't as big of an industry as it is now, but if Colonel wanted to value cheap production, animation would've been the way to go.

We get introduced to the conflict of the movie: The military wants a military base on the Tatums mountain land in the Smokey Mountains. The Tatums don't want to sell as they don't trust the government. As stereotypical as this sounds, this was a pretty common experience. The only issue I have with this element is that they want to show this as the Air Force, but everyone is dressed in Army uniforms. Josh starts off wearing a more accurate uniform but we quickly do away with that. A sign already that no one cared enough to make things accurate.

We also see very quickly that this movie is so cheap they can't even film b-roll footage of the real Appalachian Mountains. Instead we get Southern California mountains and Hollywood sets. As much as it sounds like a nitpick, the mountains are a mega important part of the movie. Depicting the real mountains would add more immersion into the story by showcasing how these people live. Smokey Mountain Boy as a song doesn't stand out on its own. It does sound lovely in the context of the movie. It sounds like the type of song a military man would sing. We get a dumb joke about mountaineers not knowing how to spell and the girls not knowing what Jodie looks like. If you look very closely we get another sign that the movie is cheap in the form of a faint yellow line in the middle of the screen. That's meant to be the filter that allows Elvis to play both Josh and Josh at once. More on that later.

We find out that Jodie actually isn't their brother. He's a cousin too and my whole world just blew up. This whole time I thought they were all siblings because he lived with them like he's their brother. There's Gold in the Mountains is bad. The lip-synching is non-existent. It's very apparent that neither Azalea or Selena's actress are actually singing. They sound nothing like they're speaking voices. I don't think this song was really necessary and could've been cut if it wasn't for a quota. Ma calls Jodie her nephew and man I want to know this man's story. There's so many ways you can go about this and show how this could significantly impact his character and his decisions.

Pappy is an amazing character. Arthur O'Connell really shows his range as he sounds nothing like Pop Kwimper from Follow That Dream. Despite being the same character of the government disdaining patriarch on paper, you really get the idea that this is a completely different person. Pappy and Pop are similar but are not the same. What I don't like is that his clothes are seen as dirty and full of holes. Jodie and the sisters don't have that problem so unless Pappy just got done wrestling some pigs, this is purely for laughing at dirty uncivilized Southerners. While it is unfortunate that some of them lived that way, this isn't the Tatums' situation.

Ma's an amazing character too and it only highlights my point that she wouldn't accept anyone in the family to be walking around in unkempt clothing. She would've immediately patched up any holes she found. You get the idea that she isn't someone to push around. She respects Pappy's authority but she also has her own authority. Ma is willing to flip Jodie right on his butt if he disrespects her despite Jodie easily being bigger than her. In real life, an average sized woman being able to flip over what I consider to be a 200 lb man would be super impressive. We clearly get the idea that Pappy loves it. He wants his wife to be a strong woman who doesn't take disrespect from anyone.

This whole scene insults Southerners by having them own a Confederate Flag in the house, eat possums and other stereotypical "white trash" food like this is a regular occasion. Like it's something they take pride in eating and wouldn't want to eat anything else. Note: people only eat that when there's nothing else available. It would only make sense if they were proud of Ma being able to make do with what little they had but again this isn't what they're going through. They have pigs so it makes no sense why they still eat possums outside of stereotyping.

We get a visual gag of the captain turning green. This is such a cheap special effect. It looks like they just shined a green light over his face like we're in a cartoon. So bizarre and only exists because "haha isn't mountain food so disgusting." Totally unnecessary especially with how long they drag the joke of no one knowing what an ICBM is. In real life, if this family was as ignorant as the movie makes them out to be, they would not survive.

One Boy, Two Little Girls is a very boring ballad. It adds nothing to the movie and is just filler. We already got a song with him singing to the sisters and learn nothing new. You can just cut to Josh talking to Azalea and Selena about how to convince Pappy. This whole interaction between Josh with Azalea and Selena is weird. We're supposed to think he digs both of them.

Catchin On Fast which is just as shallow. The song itself isn't bad, but in the context of the movie it comes out of nowhere. Josh just randomly picks Azalea over Selena. Yes we get the drama that Selena has to get married first, but outside of that there's no reason for him to pick Azalea. Yes it could be a matter of Josh preferring brunettes but it's never established to be the reason why he likes Azalea more. Admittedly I love that Selena isn't jealous of Azalea or mad that Josh picked her sister over her. In a different Elvis movie we know that would've been a conflict that lasted throughout the whole movie.

We get introduced to Midge and Jodie completely looks smitten. This is a completely different side of him. It's implied that he's had relations with more than one Kittyhawk woman but becomes such a different man around Midge. In that moment, none of the other women matter anymore. Midge is the only woman on his mind and you have to wonder what about her captures his attention. Maybe it's because she's not immediately throwing herself at him or seems interested in him at all. Just by this scene alone, Midge does not give a single care that he's staring at her. If anything she straights up ignores him after they're introduced.

Watching Azalea interact with the Kittyhawks when they give them their own bikinis is the only difference we get. Azalea actively stands up to them and puts them in their place. She doesn't tolerate their actions. Ma puts her foot down when she sees that this turned everything upside down and I can understand where she's coming from. If Azalea and Selena are disrespecting her and the Kittyhawks are causing nothing but trouble, of course she would be upset.

The reporter exposes their plan to get the mountain base and the plan is all coming apart when the general contacts the captain about going up to the mountain. The captain orders Midge to go to Ma and try to smooth things over. Despite this being the 60s, the captain treats Midge like any other subordinate. He's not overly harsh or lenient with her just because she's a woman. Now that's gender equality. She runs into Jodie and at first we think Jodie's going to act like a pig and a wolf. And he does act like that, but what makes this movie better than most is that he gets his comeuppance. Yes it's meant to be a source of comedy but given the 60s, Midge being allowed to push back against horny men is incredible. She grins and bears it when it's the other military men because a lot of them may outrank her and pushing back would be horrific. But since Jodie has no authority over her, she pushes back. In other movies Jodie would be a creep who escalates his advancements after every rejection. But he doesn't. He saw the look on Midge's face when she thought he got hurt. She doesn't actually hate him, she just hates how forward and physical he is.

Based on their social situations, you can clearly see how it influences these women's reactions to male attention. Midge is just so used to men seeing her for her body and nothing else that when in a situation where she can push back against that behavior she will do it, while the Kittyhawks hardly ever see men so any attention or interaction with men would be like giving kids candy after denying them that for so long. And whether he fully realizes it or not, Jodie has to acknowledge that Midge really isn't like other girls but her own person. So he changes his approach to serenading Midge with Tender Feeling. Easily the best song in the movie and actually adds depth to Jodie's character. Even though he's a cocky jock, this song actually matters by showing that he's capable of being more than that. It still fails but even when it fails the only thing on Jodie's mind isn't a notch on his bed post it's WEDDING BELLS. He had full choice of any Kittyhawk out there to marry. He could've married any one of them at any time. But he doesn't want to be with any of them. He wants Midge. You can make an argument that as soon as he saw Midge for the first time, he wanted to marry her. Unbelieveable how this side character in a cheap Elvis production actually has some type of character arc.

Meanwhile, Azalea tries to convince Ma about changing her mind. I know the movie wants to make us feel bad about it, but we don't have any reason to feel bad. I don't feel anything for this relationship. Outside of Josh being different than the other mountain men, there's no real reason for her to like him. I care more about Hezekiah missing Pappy and he's a dog.

So they go to find Pappy and all of the men except for the captain and Jodie get captured by the Kittyhawk women. For once an Elvis character doesn't like being appreciated by multiple women. I guess it's meant to show how Josh is more "civilized" than Jodie. We get another Joe Esposito appearance in this movie and he actually gets a line.

Ma actually gets a song lamenting the loss of her husband. Pappy, Won't You Please Come Home is actually a pretty appropriate song. It shows just how much she loves him. The vocals could be better but it doesn't have to be professional because within the context of the movie, Ma isn't a professional singer. Pitch doesn't matter when you're sad.

We find out Pappy got chased by a bear and got stuck in a tree. The wide shot of him being stuck in a tree is so bad. You can tell this is a stunt double since Arthur O'Connell is too old to be doing stuff like this. Even when you can see his face you can tell he's only dangling on a wire and it's not even clear how he's caught. I get we needed something to get Josh on the family's good side but they could've done this a bit better. You would think this would be when Josh and Jodie would have to work together to save Pappy, but I guess that would've just been too hard to film. Again if Jodie had a real character arc this would be the moment when he realizes "hey Josh just isn't doing this because he's told to. He genuinely cares about us. He acts like he's kin."

We get a good old fashioned hoedown and hi where did all these people come from? Up until now we've had the Tatums and the Kittyhawks as the only people who live on this mountain. So why is there a whole village of people here? It completely changes the Kittyhawk women's reason to exist. If you imply that there's literally no other man on this mountain outside of Jodie, then these women being boy crazy make perfect sense. Now that we know Jodie isn't the only young man, they just look like a stereotype that women are promiscuous.

Barefoot Ballad fits so well with Jodie's character but watch out foot phobic people because it's exactly as it says on the tin. The dancing however, isn't that great. It shows just how rushed this movie's production wise. I guess it could work in that in universe these aren't professionals but as a movie it could be better. This is where the song quota kicks in as we get yet another song in the span of not even five minutes. Once Is Enough is fine but it's still filler. The dancing is still bad as one of them actually falls down and it stayed in the final cut. Based on Pappy's little speech I would've thought he would start singing. Heck even the captain who would later play Grandpa Joe showed he could sing in Willy Wonka so it's not like we couldn't have had a Pappy song.

After all this time, Jodie finally gets a character moment where he warms up to Josh. While Jodie internally realizes that Josh was alright when he saved Pappy, this would've been the perfect moment to showcase that he's willing to compliment Josh. If only he had more of a role in the movie because what little we get shows a pretty engaging character arc. Midge coming around would've been a natural reason for him to warm up to city folk. I could make a whole post about how I would write his character since there's so much potential.

The Kittyhawk women actually play an important role by sending the general in circles. That's what makes this movie great. Everyone has a part to play even if they start off as a joke. Pappy gets in a drinking contest with the captain. I have to laugh that Jodie managed to snap Pappy's suspenders when Pappy tries to run away. It actually adds to Jodie's claim that he's the champion and therefore strongest man in the mountains. Ma makes it clear that they have to talk things over so Josh and Pappy try to make a deal over a game of checkers. Jodie actually tries to help Josh out by getting the captain sober. If only they took advantage of them looking alike and had Jodie disguise himself as Josh. Jodie would have to swallow his pride because he knows if this deal fails, he would lose Midge as she's a WAC.

It isn't until Josh comes up with a deal allowing Pappy to continue selling his moonshine without "revenoor" interference. They also get protection and $1000 a month for the land. The deal goes through and everyone ends up happy. The one thing I wish was better explained is how despite all these people being on the mountain, Pappy is somehow the leader. I think if we had so much as a line about how these people came from distant villages would be enough as it's not like the military intended on buying the entire mountain.

Kissin Cousins (Number 2) is a banger of a song and I really like Jodie's twang when he sings but wow the production is cheap. They don't even bother cropping the shot above where you can actually see Lance LeGault (Elvis' body double) in the background. This isn't the first nor only time either. Throughout the movie and during the song when they switch back and forth between Josh and Jodie, we can see his face by accident. Elizabeth Montgomery in Bewitched had to do something similar when she had to play Samantha and her identical cousin Serena. That episode came out in 1966 and managed to do a better job. A TV show somehow did the same concept better than an actual Hollywood produced film. It's so sad that production was rushed to the point of basic editing mistakes and mistakes in general are left in. Even the ending where the characters hold up "The End" signs feels like this is a cheap high school production instead of a Hollywood movie.

This movie has several problems. As I've said the production is cheap with songs that are nothing but filler and at times have noticeable mistakes, Josh is a very boring character with an uninteresting romance in Azalea, Jodie makes you wonder why they wanted Elvis to play two characters when one of them doesn't even do that much, and they outright insult Southerners by using very cliched stereotypes.

So why do I like this movie in spite of these problems? Because the story has enough good elements that you can actually fix the problems without having to completely change the movie. It's like a Clambake in that I would consider the highlights to be enough to cover the glaring errors in it. If this movie had a different production team or a better budget I would say this story is one of the better ones for an Elvis movie. Therefore I would give this movie a 7/10. This is a movie that best exemplifies how Colonel's interference directly hurt a movie that otherwise would've been great. I highly recommend watching it so you get the perspective of how poorly Hollywood thought of Southerners, yet still have the Tatum family feel like real people.

AN: Shout out to the discord besties for providing commentary about how the Tatum family showcased the bad light Hollywood painted the South in. Especially @grizelda71-blog. Your notes in particular helped me see both the good and the bad in this movie. Also shout out to @smokeymountainboy for your work as Jodie inspiring me to review this movie this month.

Tagging: @arrolyn1114, @thedaisymaisy, @that-hotdog, @peaceloveelvis, @imaginationlast, @fuzzymusic94, @helen06dreamer, @sfull12345, @briefpandatimemachine, @alittlemoreelvis, @lynettethemadscientist, @motht-eeth, @ash-omalley, @spooky-hazex, @teamnefarious, @blighted-star, @ab4eva, @oh-my-front-door, @father-of-2cats, @atleastpleasetelephone, @xanatenshi, @crazymadpassionatelove, @burnthheparaphilia, @aliengoth3 @stormie-ryan23, @yksuwyksud, @tacozebra051, @alienelvisobsession, @vintageoldsoul, @ohmygiddd, @lovininapinkcadillac, @stephthestallion, @mistyspresley, @bisexualwvtson, @ahundredlifetime, @karel-in-wonderland, @elvispresleywife, @georgefairbrother, @moonchild-daniella, @musiclover712, @worldofyns, @sillybookmarks, @g00d2balive, @leighpc, @generoustreemystic, @peskybedtime, @thetaoofzoe, @renegadewarrior, @vintagepresley, @tupelomiss, @myradiaz, @pinkcaddyconfessions, @kiankiwi, @presley72elvis, @delulubutidontcare, @januarypresley1969, @livelaughelvis, @hooked-on-elvis, @slayingjd, @ilivebecauseiamforced, @dusintv, @cattcb, @eapep, @jaqueline19997, @richardslady121, @iloveelvis2, @lett-them-eatt-cake, @if-i-can-dream-of-elvis, and @lookingforrainbows.

#jodie tatum #jodiexmidge #josh morgan #kissin cousins #1964 #elvis film #elvis film review

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wallisninety-six · 8 months

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The Quiet, Dark, Landmark Rock Experiment of the Beach Boys' "Today!"

In 1964, The Beatles arrived to America and began the British Invasion, causing the Beach Boys to play catch up commercially and artistically- they released four albums in just under a year, and started laboriously touring nonstop as a result- and those results were consequential to bandleader Brian Wilson.

Brian had already been producing, arranging, and preforming in not only the band's output, but also for other artists like Glen Campbell, and stressed hard over work, his image & artistic output, and his rushed marriage with Marilyn Rovell. And eventually, while on tour- he suffered a serious panic attack that was so bad, that he soon moved away from touring to focus solely on songwriting & production...and the first major result of it all, is the 1965 album "Today!"

Today!- by many accounts, is a really *weird* album and sticks out from not only the classic surf-era of the band, but also from the post-Pet Sounds period. The latter half of the album (and the whole work in general) is often talked about in comparison to Pet Sounds, which makes sense- but I think doing that does Today! a great disservice to what the album meant in 1965- because it's endearing, strange and even innovative completely on its own terms.

Today! was divided into uptempo songs on side 1, and dramatic ballads in side 2- and the great talents of session group The Wrecking Crew were brought to do the instrumentals for both; five of their members had worked on previous Beach Boys albums like All Summer Long, but with Today!- they had a fuller, two dozen-strong crew to help create a new, bold sound in rock and roll: progressive, atmospheric, and orchestral. And more than ever before, their sound plus Brian's increasingly complex compositions and the inclusion of instruments not heard in rock helps elevate the album's sound itself to whole new levels.

The album's ideas of a more progressive rock were very novel in a world of classic rock & roll, traditional vocal pop, and then-growing folk rock movement- that barely any major act sought to go in a similar direction in rock aside from the equally-ambitious Beatles. It made the intro "Do You Wanna Dance" have a borderline power pop sound, give "When I Grow Up to be a Man" a twinkling baroque shimmer, and "Kiss Me Baby" that much more theatrical and thunderous- with Boys' harmonies in one of their strongest forms for this album, too. And not only that, Dennis Wilson sings lead for the first time on two tracks- showcasing his deep crooner vocal style and an implicit message that this isn't the youthful boy band you know anymore.

The subjects of these songs itself helped veer mainstream rock lyricism towards something much more brutally confessional and (for better or worse) much more glaringly honest and autobiographical, to an almost uncomfortable extent- the worries of growing up and your future being bad, relationship issues of mutual distrust & suspicion- but also still wanting it all to last. Brian's lyricism was much more overtly paranoid, and much more explicitly sad- sometimes in ways that Pet Sounds wasn't. This is reflected in some songs Brian sang lead in like "She Knows Me Too Well", his voice was much more hoarse and emotional in a way that goes beyond *just* singing a sad song...

Potentially leading to the more emotional lyrics and performance- Brian started to drink much more, and he used marijuana for the first time- leading directly to the hazy sadness of "Please Let Me Wonder"- a hint of Brian's willingness to go beyond music and go *deeper* within himself to make a more personal, creative statement. All of this makes the last track more glaring- it isn't even a song but part of an interview with the band, almost certainly put there by the Boys/Capitol Records to lift the downer mood of side 2 and show that "everyone's okay!" (Brian's wife, Marilyn even appears in it chatting with the group)- but this inclusion at the very end almost feels as if the entire album we just listened to was what was brewing behind the interview the whole time.

This is the album that cemented the band's image change that moved away from that iconic surf image that started in All Summer Long, and it helped chart a new path for the band that led to great future success- But things wouldn't be so rosy. After all, the lead-up to this album saw significant and growing vulnerabilities to Brian's psyche even as he was quickly & radically expanding his artistic talents...and this was hinted in the seemingly skippable last track where Mike Love utters a line that- in hindsight, is incredibly ominous-sounding:

"Brian, we keep waiting for you to make a mistake."

#the beach boys #beach boys #brian wilson #today!#the beach boys today!#the beach boys today #1965 #60s music #dennis wilson #the beatles #music history #music production #album review #cw: alcohol #cw: weed #cw: drugs #mike love

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snakebites-and-ink · 5 months

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Working Normally

I’m feeling ready to try my hand at posting whump series made of several chapters! I’m starting with one of the probably less-ambitious of my planned multi-part WIPs so I can smoothly ease myself into writing longer series.

Meet Asher, a pet who (with his master’s permission) holds a job as an IT guy. Set in the box boy universe.

The current plan is for me to post a new chapter about every two weeks, but whether I’m able to maintain this will be dependent on how much of a writing stockpile I can create during winter break ^^'

Chapter 2

CW: BBU, pet whump, dehumanization

“Did you try powering it off and turning it back on?

That was a question Asher always had to ask. At least half the time that was all it took to fix something, yet surprisingly few people tried it before calling for him.

“Do I look stupid to you?” The man asked.

Asher swallowed back a sigh. “Of course not. I just have to ask so I know what you’ve already tried.”

The answer seemed to mollify the man. “Yeah, I turned it off and back on. It’s still broken.”

Asher nodded and sat in front of the computer. “I’ll see what I can do.”

It was often a delicate balance, fixing people’s issues without offending them. Most people didn’t like the idea of a pet knowing better than them—at least when it came to anything beyond trained positions and how to beg nicely. Even when they had a totally different area of expertise than him.

Asher, at least, was good enough at staying polite and respectful that he could usually keep them appeased. Sometimes people were completely happy with him the whole time. More often, there was a subtle tension as they decided whether they thought he was being too presumptuous or not, which he was usually able to defuse with deference.

There was occasionally also a case where someone decided to escalate things, which could become quite unpleasant for Asher. As a pet, he simply wasn’t entitled to the same rights or the same basic decency as a human being. And if he fought back, he would face much larger consequences than they would. At least they couldn’t physically hurt him, though, without having to face his master’s wrath for damaging his property. Asher’s punishments were his master’s alone to dish out.

After spending a while troubleshooting, Asher was able to get the computer working normally again. The guy said “thank you,” which was more than some people did when Asher solved their problem. Asher responded with the obligatory “You’re welcome,” in the friendly voice that said he was always happy to help, and bade the man have a nice afternoon.

Only when he was in the hallway, out of earshot, did Asher let out a sigh. Being a pet who had a place in the world of people had its perks, but ease certainly wasn’t one of them. His collar marked him out as different, lesser even, and once someone saw that, he was treated as such. And being a pet did make him different in some ways, but it didn’t make him as far beneath everyone as most people seemed to think. Others cared less about what he was actually capable of than about the role they thought he ought to fill.

At least his owner was more open-minded. Asher didn’t know how he would have handled it if he’d ended up with someone who wasn’t willing to give him any amount of power over his own life. Asher was glad he belonged to someone who allowed him a fair level of independence, even if that did come with its difficulties.

#pet whump #box boy universe #BBU #whump #whump writing #original fic #writing #fiction #oc #my writing #my posts #Asher #Asher series

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ms-scarletwings · 7 months

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I am sorry to bother you but I have to say, I feel Dib got treated too harshly most of the time. It's the point of the story yes but at times it just feels flat out sadistic for no reason.

It's why the Gargantis Array comic storyline sucks to me, it was just two issues of buildup to make Dib a gross fat joke and humiliate him across space. Jhonen just really seems to love torturing Dib more than anyone and it's rarely even deserved.

Oh, this is the opposite of a bother, friendo!

I actually have a lot of reading to still do on the topic of the comics. I’m woefully only really up to good knowledge about issues 46-49 and a lot of bits of pieces otherwise. If what you’re saying rings true, that is sad to hear, but pretty interesting still. I’ve always in the back of my head been a little afraid that Dib’s karma could be flanderized to the point of making him a butt monkey. Especially when we all know that’s supposed to be Skoodge’s job! (waka waka)

As for the show, honestly? I think they managed the balance just fine. It’s not so much that the show was specifically cruel to him, but that sadism broadly was one of its central themes and there were no efforts made to exclude Dib from that. And why should they have? He’s not an innocent woobie, and in fact is actually in the seat of a very ambitious antagonist against the real main character’s goals. Arbitrary events of misfortune and pain were the bread and butter of the series back then, and almost no one was spared. Jhonen (who cameoed himself in the show just to choke on a fish and die for a joke) also from what I hear injected a lot of his own qualities into Dib, so I imagine it probably IS very entertaining to him to give the boy the works.

From what I have seen of the comics, that looks like a much finer line to tow. And this more of an off the cuff ramble, but you know what I think??? I think they made Dib a touch way too sympathetic actually. There’s so much more focus on just him and Zim’s side antics, and the more time you take Dib off world and away from the rest of the Earth side characters, the fewer reminders they give you about how many of his problems are majorly self inflicted and how much of a disturbance he can be to society. And, for better or worse, a less dark overall tone in the comics means that the moments of overtly black comedy are going to stand out a little more against the modernized background by contrast.

And there’s another elephant in the room that kind of gets to me, personally. As well as I can put it well, the art style change kind of really affects the lens he can be viewed through. Maybe more than most people want to admit. And I’m not dissing the rounded down, brightened up change, it’s not a better or worse direction from the show… but it is a different one with different strengths and weaknesses.

Like, look at Dib’s early season model sheets for a base of reference.

Now compare him alongside the comic and Florpus interpretation of Dib Membrane. OBVS I am simplifying a ton here, there’s a ton of room for more range than these examples.

I’m not here to say he’s a better or worse Dib visually, he’s still Dib to me! But is notable how comic Dib actually breaks a ton of the “rules” of what kind of character they wanted Dib to be. To put it one way, they sanded down some of his edges and he’s not as apparently “skrungly” as he used to be.

What I like about the change is that it actually gives the better impression of him actually being the lil dorkass kid he’s always been. He’s got a slight aesthetic shift that shows off his unique interests and it definitely sets him apart from Zim, who actually retained most of his own show design. He’s still got some funny lookin’ qualities and he’s so much more endearing

One of the downsides of all that, however, is probably that he’s so damn endearing and as a default.

I dunno if you ever watched Little Shop of Horrors, amazing musical btw, but, it’s supposed to have this whole tragic ending where the main character’s, Seymour’s, long chain of mistakes catch up with him and he meets his demise. In the movie, they casted Rick Moranis for the character, and he played such a puppy-eyed, adorkable Seymour that it made audiences suddenly too bummed out to even appreciate the dark ending. They hated it so much that the crew actually just changed the ending completely so that Seymour gets a consequence-free happy ending with everything he ever wanted. Even though he’s literally a serial murderer of sorts. You were always supposed to feel for him, but not to the point where watching him fail just makes you feel horrible.

I think Dib works kinda like that on a meta level.

If there’s any ruling on what goes over that invisible line when it comes to handling his character, I think Florpus Gaz nailed it right on the head. Dib is never supposed to just utterly break under the weight of his world. Can he sometimes crack? Yeah totally, especially in the “brink of madness” sense. Or if it’s funny. The golden rule is not to give him more than he can handle, and Dib CAN handle a lot of bullshit. He may be a frustrated lil squirt but he’s been at this for a very long time, and it’s hype af watching how he’s not slowing down even in the face of that. Dib and Zim’s biggest POSITIVE shared trait is the strength of their spirits against a world that is ultimately callous and cruel at every turn to them.

Every second you write Dib where he’s wallowing in despair or feeling sorry for himself is a second you come closer to that line and it’s what you need to dish out in wary moderation.

So I guess the TL:DR of what i think I’m getting at here is… it’s all about perspective.

But I really should read more of the comics.

#invader zim #iz #dib membrane #iz dib #iz analysis #answering asks #woah I finally have asks?!?#🥹#scarlet talks about things

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minijenn · 4 months

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Jen Tortures Herself With Every Dreamworks Animated Movie Ever: Rise of the Guardians

So I vaguely remember watching this movie at a Walmart once while I was waiting on my car to get fixed. Fuck all if I remember anything about it though other than that people ship the ice twink with Elsa or whatever. So I kind of went into this one for my first active watching of it with bare expectations. How did I end up finding it then?

The Guardians are a group of mythical beings composed of North (Santa Claus), the Easter Bunny, the Tooth Fairy, the Sandman, and their newest recruit, Jack Frost. Together, they protect the children of the world from the villainous Pitch Black (the Boogeyman) from spreading fear across the entire world. A pretty solid setup with some good payoff, but... there are problems.

I think my biggest issue with Rise of the Guardians is... well, its ambitious. A bit too ambitious for its own good at times. It has so much it wants to establish with these characters and how their roles and powers work that it sometimes bogs itself down with all of the details and... overcomplicates things a bit too much? Like on its own, we all are familiar with the concept of Santa or the Easter Bunny, and I do appreciate how creative this movie is with executing them and the work that they do. But sometimes, it just... gets in its own way? If that makes any sense?

So a simple premise that bogs itself down in the details. Ok, what else is there about this movie to redeem it? Lots, surprisingly! The Guardians are all really fun characters in their own right, and I loved the dynamic developed between them. Jack Frost is our focal point out of all of them, and I really liked him! He's an angsty little ice twink who can't been seen by almost anyone because no one believes him, so he has plenty of baggage for compelling drama. My one issue with him though is that I don't think Chris Pine's voice works for his character design? Like I look at that character and I do not think the voice of a man cresting his mid 40s. Its just a touch weird in terms of casting.

The other Guardians are also really fun and unique takes on characters we all already know. North is a delightfully different take on Santa, still just as jolly as we know him to be, with a slick action-hero element of him to the side. The Tooth Fairy has a very sweet, fast-paced energy to her, while the Easter Bunny brings a great edge of sass to compete with Jack throughout the film. The Sandman, while not saying a word, is probably my favorite of the bunch though. He's just so charming and sweet and while he isn't in much of the movie, he makes such a strong impact every second he's on screen.

Of course, we also have our villain, Pitch Black. He's sinister and manipulative, if not a bit... predictable? Like we've all seen this kind of villain before, he isn't doing anything new, but he works well as a foil for this team, especially for Jack and I think he's an ok antagonist overall.

Visually, this movie is beautiful, so unlike almost anything Dreamworks has ever made before, with gorgeous effects and fantastically animated action sequences. The character designs are so... un-Dreamworks, but they work so nicely in the world they inhabit. That world itself is beautifully built, especially in its more fantastical setpieces like the Tooth Palace or the North Pole. The score was also lovely to listen to, capturing the sheer creativity of this movie so nicely.

At the end of the day, I think that's the perfect word to describe Rise of the Guardians. It's very creative, with a lot of love and thought clearly poured into it. It really is a shame that it didn't go anywhere further into a series or more sequels because I would have loved to see more of this team and watch them just... be together. They're that fun to watch in action. Same for the movie itself. It's good!

Overall Rating: 8/10

Verdict: All hail the Ice Twink

Previous Review (Madagascar 3: Europe's Most Wanted)

Next Review (The Croods)

#jen watches #dreamworks watch #rise of the guardians #dreamworks #jen tortures herself with every dreamworks animated movie ever

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galactikburzt · 6 months

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Oh yeah remember that one post i made about that forbidden testing tracks mod before it came out a while ago

I have decided that I am gonna be this mod's strongest soldier because some people out there are being mean about this mod when there was clearly a lot of passion behind it and it really seems to be someone's first mod ever and like, i do really hope that we get to see new things from the creator in the future because i do see a lot of potential in the mod

Putting my thoughts over the mod in detail under the cut

Personally, I do think that this mod's main issue was that it tried to be way too much at the same time

Which, as someone who likes writing for myself from time to time, I get it. Sometimes you kind of just write something so ambitious that you later realize that its so big for you that you wont be able to manage to get yourself to complete it

The mod has A LOT of mechanics, and I mean A LOT. While I have never had the chance to learn how to build puzzles in portal since my pc is currently not working, I do know a little bit about level design since I am interested in the topic, and also because I do also like messing around on custom level editors whenever I can which was the thing that made me feel interested on level design lol (i really love seeing video essays about gameplay mechanics whenever i can because i do find that very fascinating but that's not the point i am trying to make right now)

Forbidden testing tracks does have lots of mechanics, several multiple types of guns, a dimensional traveling portal sort of, i think, sparks you can jump on, explosive cubes, hell it even has a test room that rotates itself

When you put it out in paper like that it sounds amazing

But the thing is, I can't get myself to mention all of these mechanics, and that's the thing

The mod has so many mechanics, that it is difficult for the player to process all of these new things at the same time

Some of these mechanics appear only once or twice only to not be used ever again

I do think, that whenever you add a new mechanic to a game of any genre, you need to let the player have the chance to process it, learn it, and mess around with it until they get the hang out of it

Let's take a look at the first portal game for example

Im not gonna go into detail about all of the mechanics and how the entire game is constructed because that would be exhausting and too long to write, but I do want to point out the introduction of the portal mechanics

At the very start of the game, we do see the first portal in the game, which we need to use to get out of chell's relaxation vault

We don't have the portal gun in our hands yet, and for a person trying to play for the first time it would be overwhelming to get the gun with both the orange and blue portals at the same time, so the game lets the player get through one portal to walk through to get to the outside of the relaxation vault

And then the player is able to process the main mechanic of the game in that way, you get through one portal and you come out to the other one

There are other tests that do a similar thing to get the player to be used to the portal mechanics and the portal gun

like the test we get after the first one and the test we use to learn how to use the portals to reach higher places, so we can get to learn about stuff like learning where to place portals, how to move around and how do portals work in general, all before we get the two portal gun thing so it can be easier to process for a regular player

(sorry if i am not explaining myself correctly 😭😭😭)

I do think that the mod could benefit itself by focusing on one or two mechanics, like some other mods out there like Aperture tag and Portal Reloaded, who do focus on the gel gun and the time travel mechanics respectively

And speaking of adding way too much, I do think the writing does also suffer from this in a way

So there's this core called SAIC (which is honestly the best part out of the entire mod in my opinion)

I think that the voice acting for him is very good, and I personally Do love his animations as well

When I first saw the trailer I was very excited to see this core in particular, because his lines were delivered very well and I was excited to see more of him in general

but unfortunately, he didn't really get too much dialogue

Yeah, there is this section at the second chapter where we grab him for a bit, but he really just says two small dialogues at the start and at the end

After we meet him, we kind of just hold him for a bit and he doesn't say anything while we walk until we get at his management rail

The game does have a couple walking sections which can feel empty sometimes

I think the game would have benefited from small dialogues through the way while walking these long ways, along with solving some small puzzles outside of the main test chambers, something like the start of portal stories mel with the old aperture which had the player exploring the place without it feeling too lonely thanks to the recordings and later also virgil along the way so the player doesn't feel too lost

There are many things that come off as out of context, we don't really know about SAIC's motivations as far as I can remember and the first half of the game feels very empty, because there's nothing to guide you or give you context

Maybe someone could think that the creator didn't leave too many recordings so the player could feel lonely, but sincerely it is very possible to have a game full of dialogue along the way which also makes you feel isolated, and Portal 1's atmosphere along with GLaDOS having lots of dialogue through every chamber proves it

So while we have the first part of the game being completely empty and out of context, then we have the second half of the game which is overwhelming.

So, let me try to describe it

A lot of nothing happened, i THINK that SAIC was trying to get us to escape, and then GLaDOS catches the player or something and then SAIC apparently dies. And then Wheatley takes over the facility because TURNS OUT that the whole thing is happening at the same time of portal 2

Then things happen i guess and the player just keeps testing because i forgot why, then something happens and we are at the moon and apparently cave johnson is alive and then turns out SAIC's death was a fakeout, and then there's something about Rachel Johnson twin sister of chell because of a something failure???? And then i think everyone just decides to destroy aperture at the end

Just like some of these mechanics out there, there are so many things in the story coming out of nowhere (along with some of these way too into the headcannon territory) that feel out of context, and overwhelming, and then there are some elements which are not used enough or just appear once or twice to not be seen ever again, like SAIC, for example

His voice feels nice to listen to, and I feel like the mod would have benefited itself by having more dialogue and exploring his character with small stuff like him peeping in to say a couple things and adding random comments even if it's just something like a "so... What's your name?" "Hey hey, over here!" Or anything like that

He genuinely should have gotten more screen time, the way his lines were delivered was very nice to hear even if his dialogue was short and the writing could get nonsensical

I think SAIC has the potential to be just impactful as Wheatley if handled correctly, but unfortunately he was set aside even if he was supposed to be one of the main characters because the mod itself was trying to add way too much at the same time, which didn't allow the player to get attached to the story

I think the creator just. Added so much that they couldn't focus on the details of the story

which is understandable because I myself had a couple original stories that never saw the light of the day for the same reason

I realized on the hard way that I was biting off way more than I can chew, because i kept adding more and more, to the point i either had so many characters with no purpose or i couldn't get to work on details because there was too much to work on

So yeah, I do think that sometimes less is more in creative projects, you don't need to be the next super big project immediately, just focus on the essentials and then add the final details later. Try to know the size of your project and keep it in mind, because even short things can be very enjoyable and memorable to experience

With that aside, there's only one question left that I do want to answer

Why

Why do I like this mod so much? What do I see in it for me to call myself the #1 fan of PFTT despite everyone disliking it? Why am I taking the time to write a long essay about a mod that probably no one else aside from me might even like?

Well, I'm pretty sure you have noticed me repeating this one specific word through the whole essay so far:

Potential.

Yeah, the mod is messy both story and gameplay wise, but I think that the mod does have a lot of effort and passion put behind it

I seriously hope that the creator is not gonna end up stopping with doing more content after feeling discouraged by the reactions of all these people

Because I do think that this developer could create for example, the next portal stories mel, or the next aperture tag in the future

Because even if it is very flawed, I think the mod does have it's charm regardless

Yes, it was surreal to watch, it made no sense sometimes, it had lots of things coming out of nowhere, and some other couple things

But I had a good time watching it

I absolutely love SAIC, and when I saw the trailer I KNEW that he would be one of my favourite characters once the mod came out, and I was right

Even if the mod was nothing like what I have expected

I had lots of fun while watching this mod, and sincerely I do wish I was able to play it despite everything

Because it seems like something you could get on a call with a couple friends and talk about it

And ironically even if I can't remember the story, waiting for the mod once the trailer came out, and later watching this mod on a stream through one sitting was one of the most memorable things i could have experienced

I can't stop thinking about SAIC, even if he didn't appear as much as I hoped he would, and even if he didn't have that much time to shine, he has left an impact on me despite everything

When i saw this line in the ending screen while seeing other people's reactions it absolutely broke my heart

I do want to wish lots of luck to the creator, and I genuinely hope to see what they create in the future

And I hope people are gonna be kind to this new creator, because I can tell that this mod clearly had a lot of passion and love behind it

Now, Lastly I do want to apologize if there's anything i have not worded correctly, since English is not my first language

And with that aside, I am gonna end this essay right here (unless there's anything i forgot to mention that i want to edit in the future aha)

Thank you for reading, and have a nice day

#galactikburzt rambling #portal #portal forbidden testing tracks #SAIC portal #claiming myself as the number one forbidden testing tracks fan immediately /hj

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honest-moth-of-silver-grove · 5 months

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Hey! I hope you’re having a wonderful day. I was wondering if I could get a BG3 match up? 💜

I’m fairly motherly and quite sassy when I like to be. I tend to care too much for others to the point where I will end up destroying myself in the process out of worry. My best attributes are probably my loyalty to the people I love and my persistence. My worst attributes are probably my lack of confidence and my insecurity.

As for hobbies, I enjoy doing art as a way to express myself. I also enjoy walking outside during the nighttime. Puzzles are also incredibly fun for me since I enjoy theorizing and problem-solving.

I like the nighttime, warmth, physical touch, quality time, cats, playful banter, and cheese. It’s really important to me that friendships I make are built off of honesty and genuine likeness. I dislike loud noises, tomatoes, stereotypes, and people acting fake or lying.

When it comes to my sexuality, i’m pan and demisexual. I’m open to any gender, though I would much prefer a monogamous relationship.

Thank you SO much! And I genuinely hope you’re having a wonderful day. Take care of yourself. 💜💜💜

A/N: Don’t worry, I got your second ask as well! I have included the description below as a refresher (since you said your memory can be tricky at times) and so other people know what I’m referencing as they read my answer. I didn’t just make toritofrito’s attributes up people- I swear lol!

For you @toritofrito because you said you’re pan but specifically monogamous, I’ve made (who I think is) the best selection for you below:

Hi there! I submitted a previous BG3 ask but forgot some things! Sorry for forgetting some stuff, so here’s some additional info. And I do hope you’re having an amazing day/night! (Also, ahead of time, apologies if I repeated anything from my previous ask. I have some issues with memory.)

I am an INFJ with a 1w9 alignment. I tend to conflict with myself over the moralities of certain things, but I try to be a “peacemaker” of sorts, if that makes sense. Yet at the same time I do really enjoy the idea of adventure and freedom, and I tend to be open to different perspectives.

I also LOVE learning new things from different subjects. Some of my favorites being about international cultures and language. Its something i’m passionate about.

As for appearances, i’m 5”8 and have a lanky and curvy build. I also have shoulder length dark brown hair and amber eyes.

(Disclaimer: I’m unsure if whether or not I do have autism, and I definitely won’t self-diagnose myself with it until i’m sure that I have it.) I do struggle with sensory overload sometimes and get terrible social anxiety. I also have some PTSD. It would be nice if my partner would relate or be able to comfort in some sort of way (not that I wouldn’t return the same comfort). I also tend to struggle with properly communicating my emotions or ideas verbally, so someone who could be patient with me would be wonderful.

Again thanks so much! Take care of yourself and have a wonderful day/night. 💜

☸ Gale would be a great match for you!

He’s genuine and kind and always striving to be greater than he was the day before. I think you and Gale would get along well together. He’s quite ambitious and has a tendency to lose sight of himself in that ambition. Gale would do well with a partner who’s a bit motherly, as someone needs to remind him to take breaks from his learning or studying to feed himself/get enough sleep, etc. And while you said you tend to care for others so much to the point of neglecting yourself, you’d be able to relate to Gale’s overworking himself. But at the same time, because Gale is such a loyal and dedicated partner, I think he’d take it upon himself to do the same for you. If he notices you working so hard for others, to the point where you neglect your own needs, he’d sweetly ask you to stop, before spending his day or night pampering you, ensuring you’re taken care of.

As a wizard and a professor, Gale is all about learning and continuing to challenge the mind. I bet he’s an avid puzzler, and he’d love to have someone to share this hobby with, especially when it comes to solving literal puzzles with puzzle pieces. Tara is nice to talk things out with, but she can’t really contribute to those, having only paws to work with. I can see the two of you spending the early parts of the evening in front of a roaring fire, huddled over a table where a thousand tiny puzzle pieces sit scattered across the surface. You could snack on some good wine and cheese as you excitedly reveal the puzzle’s final picture. Once the sun fully sets and the stars come out, Gale would love to take you on a nighttime stroll around his tower. The nippy night air gives him an excuse to hold you close, plus he gets to infodump all he knows about the constellations to you.

I see Gale as an ENFP, which means he is very compatible with you as an INFJ. The two of you tend to be authentic yet idealistic, which means you can be very honest with each other, and that you both genuinely want to see the other person be the best version of themselves they can be. You also have a strong desire to do what is good/right, something Gale shares. Occasionally, his ambition may cloud his judgment, but I think your love will help ground him. With you at his side, Gale doesn’t need to become a God, he just needs to be a man worthy of your affection, something he strives to be every day.

He loves your willingness for adventure, and how open you are to learning new things like cultures and languages. He’s spent many years collecting knowledge and books dedicated solely to such subjects and would love to share them with you. Any book, any scroll in his tower- it’s now yours as well. Gale loves you so much, there is no story or fact or piece of knowledge he would not search endlessly to find should you inquire about it. He wants nothing more than to satisfy every one of your needs- the emotional, the physical, the intimate, and the intellectual.

Gale thinks you’re absolutely gorgeous with your enchanting amber-brown eyes and lovely hair. He offers to braid it or tie it up for you, even though he isn’t all that adept at hairstyling. He will try for you of course, but there’s a lot you’ll have to teach him in that department. (And if you want to get in Tara’s good graces, while you’re teaching Gale about haircare, maybe suggest he shave his beard every once in a while. Tara will thank you profusely if Gale was to ever show up to a family function clean-shaven, even once.) Plus Gale cares deeply about how you respond to his appearance. You could tell him he looks sexy in a cowboy hat once, and the next day come home to find one atop his head. He wants to always be someone you want because you are someone he always wants.

Even with your anxiety, and PTSD, Gale wants you to know he loves you, no matter what. And he understands how overwhelming things and people can get. He tends to be a bit awkward socially, much preferring Tara’s company to the company of strangers. So if things ever become too much for you, he’d gladly call it a night, and usher you away to a quiet spot to calm down. And he tries very hard not to rush you when you talk. He may butt in unintentionally, unable to keep himself from starting a ramble or two of his own, but he does his best to reign it in, and not interrupt your train of thought until you’ve said everything you want to say.

Gale is a very genuine and open lover, although he has made it clear he believes in monogamy- the full devotion of oneself to one’s singular partner. You can trust that his affections will not stray or ever become untrue. You are his future. Nothing, not Mystra, or the orb, or the parasites could ever take him from you. He promises a happy life, away from all the unintended madness, where the two of you can happily spend your days reading and learning and enjoying each other's (and Tara’s) company.

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