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#i have no idea what could be identifying info lol
ltleflrt · 1 year
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AO3 tos anon here, thank you for all the explanation.
I actually sometimes wonder myself what’s my stakes in following a lot of spntwitter drama 🙈 I think in this particular case, I just wanted to know the truth. I understand you don’t have concrete proof but as I said I take your word because I know you from outside of the twitter echo chamber and trust you. I also wanted to figure out if AO3 is basically deleting fics just like that but your explanation makes sense as to why they’re doing it.
The fact that reporting trolls should chill, though, I fully agree with.
GAH, THE TUMBEASTS ATE MY FIRST ANSWER. I'm still gonna end up being long winded about this though cuz it gets me pretty heated. I try not to talk about it, but then someone asks me about it and oh lord here I go lol
I honestly don't care if there's a ringleader or just a well organized group. I just wish that the Reporting Trolls would consider printed fics the same as classic 'zines and get the fuck over it. Reporting printed fics can bring down the attention of the IP holders too, so they're not the Fandom Heroes they think they're being.
And when it comes down to it, I don't think they're really trying to protect fandom. If that was the case, there wouldn't be fanfics publicly posted on Lulu that have been sitting their for several years. They're targeting specific creators who have gone out of their way to keep the links hidden or private. So I think there's a kernel of truth to the idea that they're doing this out of jealousy. If it's That One Author that seems to be the ringleader, she may be upset that other people are getting more attention than she does. If it's her fans, they may be upset that their favorite author isn't getting as much attention as they think she deserves. It's even possible that they're not aware of what they're really doing, so they fall back on "BUt pRoFIT".
This whole thing about "but Lulu makes money!" will forever drive me nuts. Lulu would make the same amount of money selling paper and ink on a book that's just 700 pages of the word "Orange" typed on repeat as they would selling paper and ink on a book that's 700 pages of my story. The paper and ink is only worth paying for because of me, and I'm not making any money from the work I'm doing.
Look I can prove that, at least :D
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Hell, I'm losing money on it. I pay fanartists to create covers for me. I'm bad at formatting the PDF, so I pay people to format it properly for me. I've spent hundreds of dollars to make these prints look nice and semi-professional. I give away copies for free to the artists and the people who help me with the formatting, and some of these are over $20 because of how thick they are.
Everyone is getting something out of this EXCEPT for me!
*huffs and puffs in irritation*
The AO3 stuff is, unfortunately, squidgy. Over the years I've heard of other things getting reported on AO3 where authors have complained that they weren't given enough opportunity to clean up whatever the violation was, or the AO3 staff wouldn't/couldn't tell them where the violation was hiding. If something is reported, it's going to come down to a judgement call from an AO3 employee. As someone who has had to make judgement calls on things that are grey areas, I can tell you it's tough. And sometimes it's best to err on the side of caution, which is usually not in the customer's favor. Without knowing exactly what was behind the AO3 staff's decision to delete, I can't say whether their decision is fair or not. It is scary though, because it's hard to tell whether an offhand comment will get you in trouble or not, and it puts us all on edge when we hear about something getting deleted.
Anyway, sorry I went on a vent session again. I'm glad you got some answers that at least made you feel better ;D
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tlou-reid · 8 months
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Okay so your AFAB nonbinary Emily fic got me in my feelings. It was so good!!!
I have a request idea where the AFAB nonbinary reader starts dating Spencer and Spencer being Spencer is all reassuring and scientific like, “people have been using gender neutral pronouns for thousands of years. It’s completely normal.” And he likes to impress the reader with his research that he’s done after getting to know them
If that’s also too specific I get it
note 1: i love that you guys enjoy me writing nonbinary reader!! my best friend is nonbinary so being able to show love for your community means a lot to me <3 but did want to say i am not nonbinary and i encourage you to seek out and support nonbinary writers as well!
note 2: i am a full-time student so i am not spending a lot of time researching lol if this info is wrong its bc it was from a quick google search
Send more requests here
All Spencer could do was smile as you were rambling about your gender identity. He loved listening to you talk, almost as much as he loved the blush on your cheek as you told him how you preferred gender neutral pronouns, and how you viewed yourself. "Honey," he chuckled as he cut you off, "I understand."
"Okay because," you rushed out, "I've just been thinking about this a lot and I know some people think it's weird or wrong or doesn't exist or stuff." Your voice fell as you finished. Your heart was pounding in chest. You knew Spencer would never judge you, he was the kindest man in the world. But Spencer was just the first step. After coming out to Spencer, there would be never-ending cycle of coming out. Friends, families, coworkers, doctors, everyone. It was overwhelming.
"Did you know gender neutral pronouns have been around for a very long time?" Spencer inquired, cutting off your train of thought. "It's dated back to the 14th century, at least the written record is. The first recorded use was a French poem about a pair of brothers. One turns into a werewolf, he saves his brother from his uncle that is trying to kill him."
All you could do was listen to Spencer spew facts he had memorized. You offered a "really?" and let yourself be comforted by both his voice and his knowledge.
"Really!" he exclaimed as he continued, "And while not completely correct as Native culture varies from tribe to tribe, there is a general idea of a 'Two-Spirit', of someone who is neither male or female. The idea of this can be hard to describe as the definitions available have been made to fit traditional western culture, and Native American culture has different rules and roles attributed to gender."
He barely let out a breath as he finished, "And, after all, gender is nothing but a social construct. What you define gender as is even different from what I define gender as. We all have our ascriptions based on our own personal education, experience, values, and perspectives. So whatever you choose to identify with is completely and totally up to you! I will do whatever I can to make you comfortable, I hope you know that."
A pleasant smile spread across your face, "I do know that." He leaned forward, said a quick "good", and pressed his lips to yours briefly. "I love you."
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profanepurity · 9 months
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your praetorium au is always such a fun read, it's so interesting and i honestly and running with it as the actual lore of the band. i was curious though, what year is it set in and how old is everyone? like when did primo become papa and how much older is he than secondo and terzo and copia to have raised them in a sense and just like all of those little details abt them! thank you if you answer, your work is phenomenal, both the art and writings <3
That is such a big complement, thank you so much!!! So the AU actually takes places over quite a significant chunk of time. I guess you could technically say it started back in the mid 40's- early 50's. I've been considering the idea of making one big timeline post to show designs, ages, and other info. I think it would be helpful to have as a reference to go along with some future comics I have planned, but it would take a minute to make lol, so it might be something I have to draw out as I go. I was thinking of the timeline images looking something like this...
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Please excuse the typography for now, I lost the Adobe Suite and I'm working with CSP text only lol. Here's a copy of the text in the image, just in case: "Primo Emeritus was born in 1944. Nihil was unaware of his son's existence for some time. Six years later, 1950, he would meet Sister Imperator in Translyvania. Nihil is 31 at this point, and Imperator is 24. Nihil will become Papa during this same year. While he and Imperator are in a relationship, they would never marry, and she would not be considered his Prime Mover. Towards the end of 1950, Primo is discovered by the church at a near by orphanage and identified as Nihil's son. On the night of Primo's dedication, at just 6 years old, Lucifer reveals himself to the clergy and claims him as his next prophet." To answer your question, Secondo was born in 1953 when Primo was nine, Terzo was born in 1967 when Primo was 23, and Copia “arrived” at the church in 1970 when Primo was 26. So there's quite an age gap between the boys, besides Terzo and Copia. Primo was well into his 20's by the time they were born, so he and Elizabeth were able to pretty much raise them at that point. That's not to say Primo didn't look out for Secondo as well, but he could only do so much still being a child himself. Primo didn't become Papa until 1986, at the age of 42, when Nihil finally decided to "retire" at the age of 67. Primo was already married to Elizabeth by this time (they married when he was a Cardinal), so she took the role as his Prime Mover at the same time as his ascension. There is so much more info and dates, but for the sake of not just vomiting numbers at you guys, I'm definitely going to draw this out over time lol! Also, just to clear up potential confusion, this updated timeline may or may not follow previous dates or minor facts that I've had in some of my past fics and art. All major events will be the same, but some small details may be different! More coming soon 🖤
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dimple is a great fucking character and i will fight anyone who says otherwise. specifically i will fight them by making them read this masterpiece client-crashing god-tackle effortpost about dimple
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ive deliberately put off watching the telepathy arc episodes so i could finish this. i like tome So Much. you have no idea how much willpower it took. but it is done and its abt dimples like whole story and purpose and life and i think its a real good thing for you to read and enjoy
im so serious about this that I'm gonna capitalize and punctuate. My sorta thesis here is that Dimple's goals of manipulation are an expression of the basic act of choice that Mob Psycho 100 defines as living, but caring for Mob freaks him out because it distracts him from that purpose, and that contradiction and desperation to choose to live through control is tragically what ends him. Dimple is a friend. Strap in, motherfuckers, we're going for a ride.
Dimple's Goals (Dimpoals)
This is kinda an easy one.
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I'm gonna be using images from the show and the comics but I'm not talking about anything past season three, episode six, so no worries anime-onlys. I describe all relevant visual info for each image, though there are also extra IDs in the alt text--I try not to repeat information.
Dimple wants to be a god, "the ultimate being in all creation," "the greatest power in the whole world," and "an object of devotion for all humanity." This dovetails with ideas about superiority and idealism in other parts of the comic but this post ain't about that. It's important that he never says what he'd actually do as a god. Like what is the power for? This comes up in his final confrontation with Mob, too.
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Dimple claims that Psycho Helmet leads "people onto the right path," but the second Mob interrogates that he admits he has no plan, "no codex of any kind" from the comic. I don't think that's entirely true, though. Clearly Dimple doesn't care about ruling, because he doesn't actually know what he'd do with the power. But he does want to be revered--he wants positive attention!
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Dimple's LOL cult is all about people laughing, and in this panel he says he chose that so he could gain a following without violence. Dimple's attempt with the divine tree is the same, he's trying to keep people the same besides their worship of the tree, make them feel happy in togetherness, help them "find peace at heart." I think there is a reading where making people happy is just a means to an end for Dimple. He for sure tries to kill Mob the first time they meet. But he doesn't have any logic for why he's not, like, using his powers to threaten people and demand tribute. He wants to become a god by making people feel good.
All this said--he's not gonna do it by being himself.
Identifying as evil
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When Dimple meets Reigen he identifies himself as an evil spirit. Obviously this is sort of a joke. Like the idea that Mob's pet/mascot is actually an ancient malevolent ghost is pretty funny. But it's meaningful for Dimple's character too, so let's talk about what "evil" looks like. First, obviously the possession thing. How good is it that among all the people trying to manipulate Mob, one of them wants to literally control his every move? Second, here's a bunch of bad stuff Dimple did that Mob thinks about right after Teru tries to exorcise him:
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Bro! She's like fourteen! (Dimple makes a lecherous comment about Tsubomi in this image.) He threatens Reigen, he tells Mob the body improvement club is a waste of his time, he straight up asks Mob if he can possess him... He's vindictive, pushy, mocking, and transparently manipulative.
Now to be fair lots of Mob Psycho characters are Like That. But there are some other things more specific to Dimple. Third, he tries to possess Ritsu, taking advantage of his fear of Mob. Fourth, again, the attempting-to-kill-Mob thing. Fifth, here's a bit from a recent side story:
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My god. Dimple is terrifying in this. If you haven't read it, Uu is a little dog spirit that Reigen's been keeping around as a pet. Dimple notices that it's feeding on Reigen's energy so he gets rid of it. In these panels he waits until Reigen asks him where Uu is before telling him that he ate it. He has all these lines on his face and this expression of like hostile delight. There are creepy effects blobs behind him. He burps! He does a thing he knows will hurt Reigen and then rubs it in his face, acting like he takes pleasure in it. And finally from one of my favorite scenes in season 2:
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I love love love this scene, when Mob is asked to exorcise the ghost family and he refuses. It takes the existing tropes in the story and introduces this like moral complexity and thoughtfulness, it communicates a change in stakes... "They won't have to exorcise you if the clients are dead." Again Dimple is smiling maliciously. He tries to manipulate ghost dad into attacking the college assholes, which is the one hand, for the purpose of getting him exorcised by Mob, which is the other hand. Harm in both directions. There is a third hand! We'll get to it.
But I want to summarize this section first: Dimple's default tool for dealing with adversity is manipulation. He, unlike, say, Reigen, is very comfortable looking like the bad guy, and to some extent he believes he is one. He wants to reach godhood by making people feel good, and he's going to do that not through bloodshed or by being a paragon of virtue but by using other people's flaws to control them.
The Living Spirit
Sorry, I want to do some more stuff before I get to the third hand.
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I'd like to think I've been helpfully analytical up to this point, though probably not too novel. But I haven't seen anyone talk about this. Dimple is the liveliest dead guy in the comic, by a wide margin. He has multiple genuine relationships with people, he gets embarrassed, he gets happy, he fears things, he fully laughs. Sure in-canon this might be a proximity thing but in a narrative context I think it's significant that he's so much more of a character than other spirits. Here, in essentially his introduction as a significant character, he says, "I don't want to spend the rest of my life as a ghost!" There's also a great pun he makes in the Dark Horse translation when Reigen questions the existence of urban legend spirits--"Look, pal, just because you're a fake, don't disrespect the lived experience of the dead!" He thinks about living a lot.
Dimple comes back from apparent evaporation more than once, first when Mob exorcises him at the LOL meeting, second when Teru exorcises him in their first encounter. He really really wants to live.
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Then there's the brief conversation between him and Reigen about the woman being stalked by what appears to be a spirit, but ends up being a neighbor astral-projecting himself. In this panel Dimple denies that spirits get horny. "It's not like we can do anything about it." He doesn't even think about like romantic love. So most importantly, canon aroace Dimple. But also Dimple believes that being a ghost reduces your existence. It's not even a possibility to do certain things, whether you want to or not. There's a tension here, Dimple craves life but knows that as-is he can't have it.
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And then there's this six-page omake at the end of volume five. Please please read it if you can, it's not in the anime and it's such a good little story. When Dimple is almost exorcised by Teru, he only just manages to pull together an ant-sized form, and is rescued from being eaten by a pig ghost by a tiny human spirit called Stubble. The above image is an abandoned house in the woods, with Stubble, off-screen, monologuing, "I simply don't want to perish. I don't hold any grudge against this world. Neither do I have any dreams. Years have passed, without a clear goal." Stubble lives an extremely reduced existence, figuratively and literally. He rides around on the back of the ghost of flea, i.e., he is dependent on the echo of a thing that needs to latch onto something else to exist. He has no agency at all.
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It's disconcerting, how Dimple starts at Stubble's size and slowly grows--or, reframed, Stubble slowly shrinks. Here Dimple accuses Stubble, "You died, even before your death. But I on the other hand..." Stubble gets angry. "You're dead too!" Again you should read the story, the way it concludes really blows me away.
Remember in the first episode of season three the S&S crew help the bald guy out of his funk, and at one point he says, "Am I doomed to just repeat these meaningless days until my death?" And then, soon after, "Wait, is my life already over?"
This is about the desperation of agency. Because like, Stubble is right. Dimple has been dead for a long time. His goal is ridiculous. His existence is scraps, yet he's clinging to them with everything he has. What's the point? Lay down alone among the insects, shrink and fade.
Dimple doesn't have a counterargument to Stubble. He doesn't justify "why." But the last sentence he says in the omake is, "I want to stay alive." Dimple, and by extension this omake, and if I may be so bold all of Mob Psycho 100, identifies agency with life. It's not even that life is about making choices, it's that life is literally the act of choosing. You have to choose to live. And Dimple does.
He likes control. He likes choice. He may not be alive but he chooses to live every day. Why? Because he has a purpose: he's going to become a god. And he's going to take Mob there with him.
The Third Hand
Are you good? You're like 1500 words in, feel free to take a break, drink some water.
Maybe you're starting to sense where this is heading. On the third hand, Dimple manipulates ghost dad to help Mob. He attempts to take away both of their autonomy in order to ease Mob's obvious distress. Let's talk about Dimple's evolving relationship with Mob.
I say this a third time, Dimple tries to kill Mob when they meet. Then, despite a positive spin on his initial pitch to Mob, he's pretty transparently evil about it.
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These frames of the show are from that introduction, the first with Dimple surrounded in stars and bright colors saying "Let's shoot for the top of the world together," the second with Dimple thinking, face lit from below and body language full of menace, "I'll just wait for my chance to possess him." To be fair again, lots of Mob Psycho characters are Like That. Compare this to the first episode of season two: when Mob tells Dimple the story about Emi, Dimple, excited, assures him that they should keep sticking together so Dimple can help him out with these things. The animators even use the same image of Dimple with the stars and colors:
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"Looks like you'll always need an advisor like me!" But this time he doesn't have the sinister turn he did when they first met. This is how Dimple keeps acting throughout season two. He helps Mob, apparently so that Mob trusts him so that in turn Mob can help him reach godhood. But he goes so far above and beyond without any malice: he keeps Banshomaru safe, he possesses one of the high school kids bullying Mob, he eats the curse off Reigen's back, he tries to defend Mob against fucking Toichiro.
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Here's a great couple panels: after Dimple explains the deal with urban legends becoming real, he reiterates that he wants to be a god. Then Mob asks Dimple to "make sure [Banshomaru] won't get hurt," and little surprise lines come off Dimple. He agrees but says, "You gotta do me a favor sometime too." Dimple is a little struck by Mob's trust, but maybe more importantly this is the first time in a while, and I think the last time in season two, that Dimple suggests Mob do something for him. It only comes after he reiterates exactly what his purpose is. Dimple's priorities are a little unstable.
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Yeah this is just a full comic page from the encounter with Mogami but it's meaningful as shit. Dimple has just suggested taking over Mob's body to protect it. The first panel is Dimple looking away and down, deflated, ashamed. A few sweat drops come down his face. He says, "but something like that..." And to his surprise (action lines, closeup, wide eyes) Mob agrees. Dimple puts on an evil affect when he responds: a horizontally squashed panel shows his backlit face. He smiles unpleasantly and laughs a little, "Kuku..." But his heart clearly isn't in it! His eyebrows are worried, not hostile. There's no pleasure in his smile. He's covered in sweatdrops, eyes wide. When Mob assures Reigen, "It'll be okay," there's another panel of Dimple where the remnants of that affect slide off him. The backlighting is still present but not as severe, the echo of that smile is on his cheek. He's openly worried and covered in sweatdrops. Mob's speech bubble covers a large portion of his face.
Points about this. First, by now Dimple has given up on possessing Mob. This thing that seemed like the main path to his goal is not an option. Second, while both Dimple and Reigen believe that this is a bad idea for Mob, Mob disagrees. Dimple identifies as evil. Reigen identifies him as evil. Mob no longer does. This is classic Shigeo Kageyama behavior, being generous to people even when no one including themselves thinks they deserve it. And the worst part for Dimple is he's starting to agree with Mob. When the option he'd dropped is handed to him on a silver platter, he finds he doesn't want to take advantage of this kid that way. He's a different person than he was.
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I don't even know how relevant this is but. Look how much fucking fun Dimple has when he's possessing Mob to protect him. He's doing all these flips and kicks. His smile when he's fighting Mogami!Asagiri is so funny. He does the wildest mid-air combo I ever did see when he attacks the Claw guy as Mob.
Mob becomes such a top priority for Dimple that in the first episode of season three he realizes he forgot that he wanted to become a god. Not only that, but when he comes to Mob to convince him to lead the cult together he's immediately distracted by Mob and what's going on in his life. Mob has to prompt him for him to remember that he's there about the cult.
All this is why Mob's mistrust of Dimple in this conversation is so tragic. Dimple has helped Mob so much, and been so much of a genuine friend, because he knew that Mob trusted him. Where did it go? What happened? Mob's parting words to him are, "Why don't you give your schemes a rest already?" What schemes?? This is the first he's had in months. The translation in the comic, though, is so much more brutal:
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"Why don't you stop doing bad things?"
Dimple is
Dimple is terrified of Mob. When Mob wonders if Dimple is scared of him, he's right, of course he is. He has lots of reasons. Mob almost evaporates Dimple when they first meet, threatens him multiple times. Dimple saw him at 100% rage, Mob's first on-screen. He watched Mob hit ???% without being knocked unconscious. This is all especially threatening given Dimple's drive to live. He's terrified when Ritsu tries to fight Mob, he's terrified when Mob asks him if he had anything to do with Ritsu's kidnapping, he's terrified when he thinks Reigen is about to tell Mob that they don't know what happened to his family. But I also read his fear as a symbol of how important Mob is. Dimple attached himself to Mob as the way to achieve his goal. Dimple helps Mob out in so many ways, putting off his goal, so that eventually they can fulfill his purpose together. Then he starts caring about this kid so much that he forgets his purpose! Of course Dimple fears Mob, because their relationship threatens what drives him to live. As much as Dimple is a manipulator, Mob is the one who ultimately has power over him.
Dimple so easily reverts to an evil persona once he leaves Mob because without Mob that's all he can be. If he can't get to the top with Mob, then he has to do it the old way, by using people's flaws to manipulate them. He's able use the broccoli to become a physical presence and get around the "amazing power" problem--though the broccoli's presence and power are still kinda Mob's! But why does he need to become a god at all? Because that's all he is. If he doesn't have Mob and he doesn't have his purpose, then he has nothing.
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"Don't go casually denying the thing I've been wanting so badly!" Dimple gets so angry when Mob tells him he's being fake because first, Mob is denying Dimple's manipulative tendencies, which are really important to Dimple right here because he feels his identity is so precarious. And because second, Mob is denying Dimple's purpose. Dimple is in equal danger from Mob's physical attacks and Mob's denial of what he wants. What he wants, what he chooses, is what living is. Dimple doesn't want to die.
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Here's a lot of a comic page again, from the final confrontation. Dimple tells Mob that he's just been using him the whole time they've known each other. Mob says, "I'm sad... Does that mean it's time to say goodbye to Dimple?" He steps towards Dimple, who screams in fear and anticipation. I think this is basically the worst thing ever, because god, Dimple is so afraid. Mob is justified in what he's doing but Dimple's desperation is what stands out to me, how hard he's tried to cling to agency and life and how sincerely he believes Mob is about to take it all away from him anyway, to disappear forever and ever.
And then Dimple insults Mob's shirt.
Dimple insults Mob's shirt
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Fucking kills me. These are two frames from episode six, Dimple sees how much Mob suddenly trusts him and his reaction is anger, "You okay with leaving me like this?" His eyes are wide, brow down in anger. And then what he says next, "I'm... a dangerous evil spirit!" Here the anger is present but has softened with worry on his brow. The lines by his nose and his pouty lower lip make him look scared and sad. This fight has made it important to Dimple's identity that Mob try to stop him, because he's evil, and Mob stops evil spirits.
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Panels from the comic where Mob tells Dimple, "You weren't doing bad things. You were just doing what you wanted to do. Together with me. You trusted me before I trusted you, Dimple. Thank you." Mob doesn't think Dimple is evil, but he identifies how important Dimple acting on his wants is, and he tells him that he still values their relationship. He denies that he has to hurt dimple but affirms his power to choose.
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I maybe could've skipped a lot of BS if I put this page further up but I wanted this to get felt, what Dimple's admitting to himself here. It's another section of a page. Panel one, a white splotch in darkness with Dimple's thoughts, "It felt like my ambitions would fade away. Did spending time with unselfish Shigeo cause even me to lose sight of my goals?" Panel two, Dimple is the white splotch. He's scared. "...eh? Wait, that's a problem...!! I'll lose my reason for existing!" So Dimple tells Mob, angry, "No, not yet... I'm not done yet! Even now... I've still got... plenty of things I want to do! And ambitions!" Mob agrees, with that tired, frank look. "I'll hear you out for real. As your friend." Accepting Mob's friendship like this is terrifying, because it means what it always has, forgetting about this purpose. What if Mob stops trusting him again? If he really, consciously abandons his purpose, will he still have agency? He wanted a friend, always wanted a friend. Will it be enough? Will he disappear?
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Dimple takes Mob's hand anyway. This was such an amazing shot, I've reproduced its animated glory here, Mob and Dimple reach towards each other, Mob weakly, so Dimple closes the gap and grabs him. The hand grasp of all time. I'm not gonna talk about how this fits into all the other Mob Psycho hand symbolism, that's another 4000-word megapost.
It's worth it. I'm convinced that by involving yourself in a network of people and creating some sense of obligation to others you can actually give yourself an even deeper kind of agency than you could achieve alone. And this is awful, terrifying. Because it involves giving yourself up a little bit. You have to give up some control. Dimple wants to be a god, to have ultimate power and control, so much of him is his manipulation, but he has to give that up for this. Goals that may have guided you for a long time can become irrelevant--and then who are you? If you've defined your life by something for years, and at the end of the decade you realize you don't fit your definition anymore, where do you go? Dimple tells Mob, "Let's go home." But...
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Panels from the comic, where Dimple carries a sleeping Mob and thinks, "I said 'let's go home,' but I don't really have any place to 'go home' to... And I don't have anything to aim for from here... I wonder what I should do now." That Dimple is allowing himself to think this is really powerful. I don't think this has to be a sad moment. Like obviously Mob thinks that Dimple's home is his house. He just asked him to stay away until he reverts to his smaller form, as in, he otherwise would've expected Dimple to stay with him. I appreciate the larger point that now Dimple feels unmoored, and deciding on a new purpose is existential. But I think Mob also has a larger point that he believes he can help moor Dimple. I think allowing yourself to wonder where to go next is so important. Dimple is where Mob was a few months back when he decided he wanted to join the body improvement club! He has a future, even if he can't see it very well.
Or, um.
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I keep fucking crying while I'm writing this. I love the translation in the comic here. Dimple kneels before a prone Mob and, finger touching his forehead, says, "Listen well... I'm giving you orders for the first and last time. First, wake up. Stand up, Shigeo." Mob is still for a moment and then says, "...it's no use. I can't put any strength into my legs. I can't move my arms either." Dimple is very serious now as he relays, "Your body may complain, but still... stand up. Even if you cannot stand... you must stand." God damn it, god fucking dammit.
Sometimes it's not so easy to change. Your actions have consequences. Your history follows you. Dimple's desperate attempt to keep his old wants comes back to kill his new ones.
Dimple's final act is the same thing he always does, he manipulates Mob to protect him. And it is good and kind. Suddenly his reason for existence is paradoxical: he's going to have to die to fulfill it. Who exists to die? But that's not what it is. Because he's making a choice. He denies death, he says, no, you can swallow me whole, you can annihilate me, but even then you can't take my agency away from me. And I will use this final choice to protect someone I love.
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Dimple was a friend.
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lillazyboithings · 8 months
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I think I’m brainrotting on the rtc swap au now so here’s a bucket load of stuff I wrote about it
literally Constance would get two songs (since she gets switched with Mischa) and the first song is basically TSIA just changed a bit to fit Connie more and the second song instead of being about a lover whose almost on the other side of the world it’s more like Sugar Cloud in actual Ride The Cyclone yk
Also the song order would be like by the character they swapped with so instead of Ocean first (since she was swapped with Jane/Penny) Penny would go first, also considering Legoland would hopefully probably still somewhat exist in the swap au Penny could say a line something like “ You know,, it’s probably best I go first because I have the most experience performing here, “ which would be a direct reference to Legoland
^^ Also nevermind partly about that because it wouldn’t make sense in some ways the song lineup would be like this
Penny
Noel (he would probably still sing a song somewhat like Noel’s Lament just probably less tragic yk)
Every Stories Got A Lesson (sung by Penny of course)
Mischa
Ricky
Jane Doe (Ocean)
Constance TSIA
Constance Suagr Cloud (also note Sugar Cloud would change a bit to fit swap Constance more)
Ohhhhh, I actually had something in mind for their swap songs actually! (sorry if i took a bit too long to actually reply, my laptop suddenly went haywire while i was trying to fix the wifi)
read long info under cut :DD
Okay so like, you're absolutely right about two thing, where Penny and Ocean swap, but the order actually goes from Penny, Ricky, Constance, Noel, Ocean doe, and Mischa since they all swapped roles (makes more sense in my head), and how Constance has 2 songs! I also really like the thing about Penny's "You know,, it’s probably best I go first because I have the most experience performing here," line since it kinda actually aligns with the characterization i have for her in mind.
the song I kinda have for Penny would be like a mix of Play to Win and What the world needs, but like, more focus on her love to take advantage of all her friends without making it obvious at first, and how people should always put the important people (her) first. (my thought process for this is like, penny is commonly the one being hurt, so why not let her hurt others)
Ricky's song would be like some tragic song about how the canine people are under attack by the zolarian cat people. It would detail how he'd like, fall in love with one of the canine people and then how he'd sacrifice his life for her to save them all.
Constance's first song would obviously be like TSIA, flexing on everyone obviously, the only difference is better autotone /j
Constance's second song (which you're still right about) would be like a somber sugar cloud. It could actually be like, how she shouldn't have been so mean to everyone around her, and how she misses the warm happy moments of life.
You're also correct about Noel's song, it would most likely detail about his successes as a hooker in post-war France, about how his name is well known around the country, and how someday he wants to settle down with a man who would treat him right
The Jane doe's (Ocean doe's) song would be like a mix of fun and morbid. It would constantly switch back from singing about the countless possibilities of who she was and who she could be, to singing about why no one came to find her, why no one wanted to identify her, and about how sad she is about no one being there to wait for her when she comes back.
Last is Mischa's. Since he's Penny's best friend and how I characterize him as a floor mat and lost puppy kind of person, he uses this last song to stand up to Penny and how he doesn't want to be taken advantage of anymore. It would be in the format of those "i want" songs ngl.
This is basically my idea of the songs (if i actually had song writign skills, i would actually make lyrics lol)
you're free to ask more if you like! :DDD
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allgremlinart · 1 year
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@nonryenary (re: these tags)
ok so keeping in mind that I'm mostly pulling all of this from my memory of my one lecture class...
this is a Cycladic figure/idol
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they're Greek/Aegean. there's a bunch of them. they all look more or less the same; pretty small, though varying in size, arms crossed left over right, faceless, etc etc.
Now in the late 19th century there were a lot of fakes of these being made. (note: fakes are unlikely to be made by the museums themselves, but by scammers who would sell the fakes to museums and rich patrons while passing them off as real))
there were a couple of ways to identify a Cycladic fake from what I remember; the arms were always crossed left OVER right, not the other way around, and they are within a specific height range (I forget the exact numbers). If a figure is off in regards to either of those details, its very likely its a fake from either the 19th century or the mid 20th century.
here's an article with more in depth info on identifying fakes: https://www.latimes.com/archives/la-xpm-1991-12-04-ca-291-story.html
..now I don't remember what year it was that my professor spotted the alleged fakes, so I have no idea if they would even still be at the MET, but do I think it's possible that she was right and there were fakes? Yes lol. (especially considering the MET has had fakes slip by before. cough.)
(I wish I could remember my professors name lol, as that would help quite a bit, but I forget ;w; I'll look for her tho and update this post if I find her! She also wrote a very interesting book about monkeys :))
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melodygatesauthor · 9 months
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@vigilanterenaissance here (apparently tumblr doesn’t you send asks from your side blogs… bummer)
for your 2k celebration i have like soooooo many ideas lol i decided to compile one ask instead of bombarding your inbox 😅
would you ever consider writing a moon boys/reader/layla piece? it’s like my bisexual dream 🩷💜💙
steven and miguel?? hello?? i need more info like, yesterday 😳 i keep picturing overprotective marc and jake looking at this 6’9” guy as wide as a fridge with claws and fangs and going ‘absolutely not’. the extra tension of steven thinking miguel is hot cause he sort of sounds like marc, or that he speaks Spanish like jake? chefs kiss
for blurbs, i would die if you wrote up a few ‘steven with a transmasc reader’ hcs,, only if ur comfy with it of course!! 🤗
congrats again on reaching 2k!! im so excited learn more about the novel ur writing too <3
Heyyy! Yeah I'm hoping they'll let you send asks from your side blog at some point hahaha but this is okay for now!
Okay so I'm gonna break down your ask below the cut :P
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It's not that I wouldn't consider it, I would just have to be really inspired to do something specifically like that. I def think Layla is hot, don't get me wrong (I am bi after all), but I don't really have much interest writing wlw personally. It's not to say I won't ever write it, but I'd have to get like the best idea ever for it to excite me enough lol.
Eeeeeee I wrote some headcanons here. I'll def be exploring this ship more when I get a chance I promise. On a side note to what you said about Jake and Marc being "absolutely not" about it...Steven comes in with "no I wasn't sayin' I was going to do anything with him, just that I thought he was rather charming, that's all..." - Flash forward to Marc waking up a couple mornings later wondering why his bumhole is aching 👀
It's not that I'm uncomfy, I just don't want to misrepresent. I did some research so I think I know what "transmasc" means but if someone who is either in the trans community or well educated in it could please let me know that would be great. I think it's when you have a vagina and possibly even breasts but identify as a man? I just wouldn't want to make a mistake on that. If someone also wanted to volunteer to proofread my headcanons prior to me posting them that would be great. I would honestly hate to say something insensitive on accident. I don't think I WOULD say anything insensitive, I'm very careful, but just in case! I know there's a severe lack of trans rep in media all over so I'm happy to write a little here and there if I'm feeling inspired to!
Thank you for the love and the ask babe! I'm super excited about the novel too. I'm going to keep posting more as I work on it!
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Melody's 2k Celebration Masterlist
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the-whumpening · 1 month
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Meet the Character Monday #1
Eddie Glenn - Son of Bat
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[Image ID: A sketch of my OC, Eddie Glenn. He sits hunched over, with his elbows on his knees, looking to the left of the screen. One hand is by his mouth, and he appears to be biting his thumbnail. Eddie has fair, curly hair and wears a hoodie and shorts. He's missing his ring finger on his right hand. The drawing is all in shades of blue. /End ID]
Basic Info:
Name: Edward (Eddie) Glenn
Age: 24
Birthday: Feb 14 (Aquarius)
Height: 5' 4" (162.5 cm)
Hair: Blond
Eyes: Blue
Favorite Color: Blue
Gender ID and Orientation: Pansexual; not overly pressed about gender. If he really sat down to think about it, he may identify as agender, but for now cis male is fine.
Pronouns: He/him mostly, but he doesn't mind others.
Other: Is autistic and ADHD
What's Eddie's role in the band? Eddie co-founded Son of Bat with James shortly after high school. He is the primary drummer, and he also designs the band's album art and merch.
Fun Facts about Eddie:
He thinks horses are kinda gross. Why are they like that?
Tarzan is his favorite Disney movie, and inspired his love of Phil Collins.
He believed in Santa until he was around 13-14. (Despite growing up Jewish herself, Eddie's mom wanted to give him as much of a "standard American" childhood as she could, including a secular Christmas.)
His sleep cycle is hyucked, so he usually ends up sleeping on the couch rather than his bed. Technically, he and Vince shared a room until Vince moved in with Cassandra.
He had to have his right ring finger amputated due to an infected injury at 12 years old. Luckily, he's left-handed.
Because of his AuDHD, he tends to forget to eat/misses hunger cues and struggles with low blood sugar, so he always keeps snacks/candy in his pockets for emergencies. Plus, gum is a great subtle stim and sour candy helps calm anxiety attacks.
Biggest Secret: Maybe not the biggest, but he's never told anyone that when he and James first met, he had a bit of a crush on him. As they got to know each other better, it quickly shifted into a more brotherly/platonic love, but he would still die of embarrassment if anyone found out.
Inspired by this post by @amaralionelli. I might not do all of those specific prompts, but I'm working on ideas for how I can rework it for my preferences. Also, this was just a lazy sketch so there's a ton of mistakes, pls don't judge lol
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avvxree · 9 months
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— jjk imagery: the fishes
it’s without a doubt that, in this seasons, i find so much visual/auditive metaphors that is super interesting to break down! and i think the fishes in the ending just represent their whole situation in the show, just by seeing the fish going black i was like ‘oh somethings going to happen’. i’ll get in more details!
disclaimers - i am not a pro on either of their characters, it’s based on my perception so things might not feel accurate… feel free to correct me if needed and you can also provide your own info/perception if you want! i am always happy to discuss about it! / i might add more precisions if i feel it’s needed, i will reblog with the info! [CONTAIN SPOILERS FOR SEASON 2] / also, might contain errors, i wrote this late at night/early in the morning and didn’t have the time to edit it (it will be done sooner or later)
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so, let’s start with how they appear the first time: they both appear in white which is most of the time linked with purity. in the start of this arc, even if they have different visions when it comes to the duty of a jujutsu sorcerers and their purpose, they are still able to connect with each other. it’s pretty easy to identify which fish represents who: the black eyed one is geto while the blue eyed one is gojo. i also like how the fishes has a resemblance to them, geto’s fish as (idk how to call those actually lol) lines that remind me of his bang/how his hair are tied and gojo’s fish is more filled which kind of represent his hair somehow.
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(also, i noticed that the fishes go in the directions of the other, blue eyed fish goes left while geto is shown more on the left side and black eyed fish goes to the right while gojo is show on the right side, it’s like they’re joining each other like they do in the ending: they’re meeting up)
then, we see the fish that represent geto fade to black after the wave hit him. the wave represents the turning moment for his philosophy and his motives, the moment when gojo told him they could kill the people in the room. that’s when they started to drift apart, also shown in that ep with the color and the wall between them + they are not looking at each other. geto is in the blue, he still believes that it’s not the right thing to do since they seemed innocent. gojo is in the red, which is a colour mostly connected with violence, who propose that idea. between them, there’s a wall which visually represents how their views differ and conflict with each other. it is the turning point for geto and the moment that he starts to doubt his believes. all to say, that wave represents that moment. it hit him hard and it ‘corrupted’ him. black his not linked with good things most of the time, and that showed he fell into the darkest corner of his mind. meanwhile, the fishes are also drifting appart.
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another shot i thought was interesting was when they looked at each other’s fish. i am not so sure about how to take gojo’s reaction, but geto’s is pretty obvious to me. so here is their respective reaction (start & end of the sequence)
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gojo’s part - as i said, i am not quite sure what to say about his reaction since he doesn’t really show any big emotions. the only thing i can get is maybe he was clueless about what was happening in his mind. he noticed something was up with him since he did ask him if he was fine, but suguru doesn’t share what is really happening inside so satoru can’t guess what is happening to him. he just sees it and doesn’t get it since it’s a debate happening in someone else’s mind.
geto’s part - he looks at the fish before looking down and closing his mind. it feels like he knows their relationship will be affected by that change. he seems like he’s looking away as a way of saying ‘i understand we will not be able to get along, i need to let go’. while he doesn’t share about the whole situation, he knows that depending on the path he takes it will have repercussions on the things around him which includes his relationship with geto. that’s why i perceive some sadness, but not necessarily some regret since it’s his belief and he seems like someone who will follow it to seek the ideal world he seeks.
also, notice the lighting: satoru is in the light while suguru is in the shadow. it represents their mental state.
i cannot add any pictures anymore sadly, but the last shot we see is geto’s fish following gojo and gojo’s fish following geto. then, the fishes disappear. this could represent their future. i think that the human version represent them in the present and the fishes are what will happen to them, the fishes disappearing shows that their relationship faded because of the divergent path they stand in.
SO! in conclusion - i want to note how parallel is something that seems to be very present in jujustu kaisen, which is very interesting! being a jujutsu sorcerer, facing death and sometime the need to end someone’s life for their own good (for exemple, yuji and the transformed human because of mahito) or to save more people (themselves or the enemy) creates differences between the characters. depending on what they experienced, the people they met and at what time, how they coped with their emotions, etc. makes them see the world another way. it’s something i really enjoy, since it feels like these things influence their actions and how the story is told. if one character is changed for another, things could drastically change. all to say that having character that mirros each other is great. in the case of satoru and suguru, their contrasting personality is what made them have different outcome to the situation that affected geto’s philosophy of life.
i hope you liked it! and i also feel like i over analyzed that but i stand by what i said. i don’t know if it makes sense but i wanted to share that! see you and take care :)
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of-nyon · 11 months
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was going through my wips and unearthed the decepticon X AU that fizzled out cause I don't know how to finish it, and...I still don't know how to finish it, lol. So here's what I got.
vvvv CLICK BELOW to see Soundwave having a nice night out, X getting to be just a little bit manipulative (as a treat), and Zero having a bad time.
There had been some terrible mistake.
From Soundwave's briefings and his own research, X had fully expected an invitation to a performance as the Decepticon diplomatic envoy to the Vynhar, a species that above all else loved dramatic performance and passion, and also had been identified as having useful resources that the Decepticon Army was stretched too thin to justify a full-scale invasion to acquire. And also, X tended to dislike that approach, and with Soundwave surprising him by backing him up, Megatron had agreed to send him out here instead.
But, it seemed, the Autobots had the same idea. And the Vynhar were either playing for drama, or had simply decided to lump the Cybertronians together in the audience.
The red-and-yellow mech next to him was ramrod-stiff in his seat, his EM field tightly pulled against his frame. Awkwardly sat between the lone Autobot and the reassuring presence that was Soundwave, it was near-impossible for X to focus on the opera, a well-loved Vynhara tale about forbidden, star-crossed lovers.
Something pinged in his inbox. The Autobot – Zero, or so he called himself during an awkwardly stiff introduction – was requesting to open a comm channel. X checked in with Soundwave first.
:he wants to comm me. Do I accept?:
Soundwave was silent for a moment. Then, a file packet of info was sent over to him, which X opened curiously.
:Autobot Zero: potential recruit,: Soundwave explained as X scrolled through the mech in question's personnel file, some of it plucked straight from Autobot data networks. Soundwave truly lived up to his well-earned reputation. :Recent disagreements with Autobot high command. Unsure why they have sent him, but still an opportunity.:
:I see,: X replied. :thank you: He accepted the request, noting recent disciplinary action in the file. Brig time, extra chores. Not very Autobot-like -
:Give me one good reason I shouldn't kill you right now.:
X blinked.
That was one way to introduce yourself.
:Well, it would cause a scene. Vynhar hate interruptions. They wouldn't look kindly on the Autobots afterwards. And, maybe you could take me. I'm not much of a fighter. But Soundwave is. I suppose that's two reasons.:
Zero didn't reply. On stage, the hero sang out his anguish at the prospect of being separated from his lover, who he'd met about ten minutes ago.
There was two more hours of this.
:My name is X,: he tried, bringing to bear his greatest weapon: the principle of sheer, grit-stubborn politeness that even Starscream wasn't unaffected by when meetings ran long and everyone was tired and grumpy.
The Autobot stared ahead. X didn't expect a reply, but a few moments later, his inbox pinged again.
:You're not a warbuild. You don't even have any visible weapons. You're tiny. You look like an accountant. Why are you a 'con?:
:Well, why are you an Autobot? Seems you get in trouble with them an awful lot.:
The red mech somehow stiffened even further. Finally turning to face X, his Autobot-blue optics shined in the low light with startled accusation.
“How do you know that?” Zero hissed, ducking in closer. His hands gripped the sides of his seat. X just smiled and tipped his head upwards at the not-actually-that-monolithic-once-you-got-to-know-him block that was Soundwave, who was currently doing an amazing job of pretending to be utterly unaware of the miniature drama playing out next to him, appearing totally focused on the stage. Zero cursed under his breath and sat back.
:Can he actually read minds?: Zero's uncertain gaze darted from one Decepticon to the other. X gave a reassuring smile.
:I can ask him not to! We're having a private conversation, after all. So why all the brig time? Don't you agree with them?:
Zero said nothing, turning to once more watch the stage. Well, that was fine. No need to push this early. X decided to give him some ground:
:Well, if you must know, you were close. I was a clerk. But…two of my older siblings were created as domestic helpers. Disposable-class.: Even if their creator had never intended it that way, there had been no escaping the chokehold of Cybertron under Functionism, not until Megatron had stood up and said enough.
Even then, X had still had to smuggle them out, Blues dropping in with a rare reappearance and an ultimatum to get them to safety. The fees had been exorbitant, and, discovering the perceived betrayal, X's good graces with their creator finally ran out. He wasn't the all-powerful outlier he'd been intended as – just a normal mech. A clerk.
:…I don't know much about that stuff,: Zero admitted. :I was made for the war.:
So, the Autobots weren't teaching their history, then, at least not the parts that didn't suit them. X and his siblings had technically been illegal, their creator thinking that his genius put him above something as mundane as the law. No doubt Optimus Prime, then known as Orion Pax, an Enforcer, would have without question upheld the law had he ever become aware of -
:I think Prime thinks he's doing the right thing,: Zero continued, interrupting X's internal pity-party. :He's either being deliberately kept in the dark about how bad it is, or he does know and just doesn't care. I don't know which option's worse.:
:How so?: X asked curiously. He would have thought that worshipping the ground Optimus Prime walked on came standard with being an Autobot, especially one being spoonfed a carefully abridged history of Cybertron, but he was always ready to learn new things.
:…the MTO factories. I have some fancy ability that means I get to be a real person. The rest of my batch got sent out to die before they were an hour old.:
X's face paled. Of course, something had to sustain planet-wide battlefields and uncountable atrocities. The Decepticons used up every scrap they had, up to and including prisoners. The Autobots simply created their own warm bodies – Made-To-Order mechs, stripped-down versions of Cybertronians who had guns put into their hands and were pointed towards the enemy sooner rather than later.
X tried his best. Sometimes Megatron could be swayed; sometimes he couldn't. But surely it was the better option than the Autobots, defenders of the old regime.
It was there in Zero's file: the facility was hidden away in the middle of an asteroid belt, but when he cross-checked it with current data, it had in fact been targeted and destroyed two centuries ago.
He wondered if Zero knew. He wondered if anyone had bothered to tell him.
:So you didn't get a choice?: X asked, seeing an angle. :You were just made an Autobot, that's that?:
They were both distracted when the heroine on stage screamed, forced unwillingly to strike down her beloved. There was dramatic, booming music, and the curtains closed to polite applause from the audience. The first of three intermissions – the true appreciation was expected to be saved for the curtain-call finale.
:That…happened fast,: Zero said. Avoiding the question, perhaps, but it opened up another opportunity: the reveal that he'd been paying attention.
:X: requires refreshments?: Soundwave pinged, standing up.
:Oh, I'm fine, thanks.: He smiled and nodded his appreciation. Out loud, he said: “Zero, do you want anything?”
“Huh?”
“Soundwave's offering.” He was not, but the idea of trying to recruit Zero had been his, so X figured he wouldn't mind.
“O-oh.” Zero's optics darted once more between them. In the better lighting, with X able to get a proper look at him, he didn't look half-bad, especially for a cold-constructed MTO. Maybe the Autobots had given him a frame upgrade? His outlier ability was listed as classified, so they had at least some backend security that Soundwave couldn't pass through with barely a thought.“No. No, I'm good.”
“Acknowledged.” Soundwave turned to leave. :Request: please contact me immediately if you require assistance.:
:Acknowledged,: X teased lightly back. :Go and let your little terrors out. I bet they're bored out of their processors.:
:Rumble and Frenzy: unappreciative of finer arts,: Soundwave agreed with a sigh, then began to stump his way down the aisle to the stairs. “He's not that bad once you get to know him,” X said. “A bit of a softspark, honestly.”
“That's Soundwave,” Zero said disbelievingly.
“He's a carrier model. He has five cassetticons that depend on him,” X replied. “He's-”
“Ah, gentlemechs, I believe the term is, how are you enjoying the play?” The Vynhara representative that had met X and Soundwave when they first disembarked approached them, taking the empty seat next to Zero.
“It's a very interesting production!” X said brightly. “The lighting in particular, it's very cleverly done!”
“Oh, our Chief Technician will be pleased to hear that,” the Vynhara trilled. “I will be sure to pass on your compliments.”
“I liked the fi- the choreography,” Zero offered. “The. Main actor? He does some good stuff.”
“Ooh! Glint will be thrilled! A Cybertronian, complementing him!” Their feathers ruffled in glee. The Vynhar were an avian race, of about a height with X and Zero – not minibot sized, but smaller than the average mech. X's creator had handcrafted him as a personal project and only had so much material to work with; Zero was taller only by a head.
“Save it till the end, though, yes?” X said – it was a traditional Vynhara saying, meaning to wait until a story was finished in its telling to fully judge it. The representative dipped their head in understanding, crest-feathers falling about their face.
“Of course, of course! I do hope you continue to enjoy it! I will pass on your complements to the relevant parties~” with an extravagant bow, they left.
“They will want to know your thoughts, so you might want to start putting your review together ahead of time,” X advised. Zero looked at him, then sighed and shook his head.
“I'm not the kind of guy you want doing something like this. I feel like I'm being set up to fail. Prime called it a vacation.” Zero grimaced. “He was smiling, too. He's not taking it seriously.”
“He takes the battlemask off?” X asked, surprised at the notion.
“No, but – you can tell. The derma under his optics kind of crinkles. I think Prowl might have put him up to it to get me out from under his feet for a few cycles.”
“Oh, him.” X instinctively tensed, his plating pressing closer to his frame at hearing the name of the Autobot Second-in-Command.
Zero raised an optic ridge in question, but X didn't feel like elaborating, not with memories of the interrogation threatening to claw in at the edges of his mind. He was grateful Soundwave had come back for him, and that was that.
Speaking of, the large mech chose that moment to return, Laserbeak – usually the best-behaved of the cassettes in situations like this – perched on his shoulder. She warbled a greeting at X, fluttering her wings lightly at him. He smiled in return, nodding to his superior officer as he sat down once more.
:Progress?: Soundwave queried as Zero looked away.
:It's going well! He only threatened me once, at the beginning. He's been talkative since then. He thinks Prime and – and Prowl have set him up. That they don't think he'll succeed.:
:Noted.: Music began to play, signalling the second act. As the lights dimmed, Soundwave's red gaze looked past X to size Zero up. :Continue if you wish.:
:Noted,: X mimicked back, reaching out to pet Laserbeak, who leaned into his touch happily.
:Is he your boss? Why are you both here?: Zero questioned as the play resumed, starting with an energetic dance number meant to tonally clash with the drama of the close of the previous act.
:Oh, he insisted,: X replied, turning his focus to the less-than-perfect Autobot. :I proposed diplomacy instead of invasion. Soundwave backed me up.:
:…must be nice,: Zero said. :I think Prowl would eat his own arm before he agreed with me on anything.: He gave an audible sigh. :I'm telling you too much. No-one's actually sat down and had a conversation with me, you know? Prime tried, but it didn't really work. It was after I got picked up from the facility and had a proper badge given to me instead of just paint. I'd only just found out my batchmates all died.:
X made a noise of sympathy, catching Laserbeak's attention. She trilled quietly, moving over to his shoulder to butt her head against him in her own way of showing solidarity.
“Oh, no, I'm all right,” he murmured quietly, using a finger to stroke her head in a way he knew she liked.
In the play, the hero, thought dead, made a dramatic return, the effects and lighting technicians truly going all out. With all the booming distraction, X reached out, daringly, to take Zero's hand.
:We're all just mechs in the end,: he said.
Zero said nothing, but he didn't pull away, either.
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Need advice for a questioning system(me lol) okay so I’m a questioning system, either fragments or facets. I do not know which but the important thing is…it’s hard. Would I be plural even if it’s like…emotional? Whenever I feel a specific or certain emotion or vibes I feel like a different person or..different source??..I don’t know how to explain it.
Hi! This is a tough question, and we feel it’s ultimately up to you to decide!
We’d like to softly pitch some non-plural things that you may be dealing with. We’re not trying to disuade you from looking into plurality, but we want to make sure you have as clear an idea as possible about what constitutes plurality and whether or not it’s something you’re going through!
It’s worth it to mention that all kinds of people, singlets and individual headmates included! can experience a range of emotions. Sometimes a singlet might feel like a different person when they’re angry vs. relaxed vs. stressed vs. elated, or anything else. It’s normal to feel different when you’re feeling different emotions - that’s part of being human! So we would say that simply experiencing different emotions (even if they’re particularly strong emotions) shouldn’t be an indication that you’re plural in and of itself. You can learn more about basic emotions and emotional states here (an infographic made by the University of West Alabama).
You also may be fictionkin or otherwise otherkin and experiencing kin shifts (mentioning this since you said it’s like your source changes!). We aren’t super educated on kinning and kin shifts, but if you feel like your “source” shifts during different emotional states, this could be something like a kintype that changes depending on your emotional state. You can learn more about the different kinds of shifts that accompany kinning here (a post made by fromfiction here on Tumblr)!
If neither of those feel right, and you still feel more drawn to plurality than anything else, you can check out our master post for questioning systems! Hopefully something there will be useful for you.
And if, in the end, you find that the plural label works for you, that you feel affirmed, safe, and comfortable identifying as plural, then you are always welcome to identify that way! Plurality is an opt-in label, meaning you can try it out for a while and see if it works for you even if you’re still questioning!
We hope this helps somewhat! Best of luck to you on your journey!
🌸 Margo and 💫 Parker
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shi-daisy · 1 year
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Detour
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Late to the party but it was my largest fic so I plead innocent! Lol sorry, anyway I was but stuck on this entry cuz I had zero ideas until it hit me that the Ulquihime/Wavewave AU could work for this. Having both otps interacting its so fun I might do it yearly like the Reunion AU. Hope you all like!
*Fic is set after A Different Reality & A Blissfull Vacation both from the same AU.
@ulquihimeweek
Ulquihime Week Day 3- Wasteland
Detour
They'd done the process so many times Ulquiorra knew something was wrong when he woke.
This time the universe hopping felt heavy as if their entire body struggled to function. Whereas other times felt as if they blinked and were suddenly reunited with their friends.
"Aw, My head. This trip was rough."
Ulquiorra took a step back when he heard his wife's voice come out of someone else's body.
Orihime no longer looked human, but rather she was an orange Cybertronian. Her eyes were still silver and her hairpins had become pieces attached to her new head.
"Ulquiorra?! What happened to you?!"
He touched his own face to feel it was also now made of metal. His body too was green and black and made of metal, he felt as if he had wings again but they were different from those of his resurrection.
"This can't be...We...We've become Cybertronian."
Orihime looked to the side and her silver eyes turned wide. "Maybe that's for the best. Otherwise we wouldn't survive here."
He looked back to see a glimmering glowing gigantic city. It looked exactly like what Soundwave described.
"We're on Cybertron..." Ulquiorra whispered.
"But how?! Does this mean the war is over? Is that why we're here?!"
"I don't know. Either the war ended or it has yet to start. Otherwise the planet would be the wasteland Shockwave studied back on Earth..."
A beeping sound startled them both. It seemed that even in this new form, Urahara could still contact them.
"Ah, hello hello! I see the machine has changed you. That wasn't supposed to happen."
"Kisuke-San! Not only do we look like this, but I think we jumped in time! What are we going to do?"
"No need to panic Inoue-San, You just need to find Shockwave. He'll be able to bring you back in no time. I shall take care of the twins until you return."
"Then we must go to the city. Hopefully we shall see you soon." Ulquiorra told him.
Orihime held our her hand and he took it. Be it metal or skin, he would always feel bliss upon being touched by his dear wife.
***
Despite her worries, Orihime couldn't deny she was utterly fascinated by technically being in an alien planet.
The mechanical sounds that could've been deafening otherwise, the ungodly amount of flying machines that she now knew were literally alive flying through the sky instead of walking, and the absence of humans, flora and fauna were so different from Earth that she couldn't help but want to take it all in.
"I see Astronout Inoue is enjoying this." Ulquiorra smiled when he saw her giddy expression.
"Yes! I never thought I would ever explore an alien planet or that it would look like this. I'm wondering if you and I could transform too! Do we even know how?"
"Considering you have wheels on your back I'm guessing you'd have vehicle mode."
"You bave wings, then that means you're a flyer."
"From my physique alone I suppose I'm a seeker."
"Like Starscream?"
"Don't ruin it, dear."
She laughed at her husband's comment. Though she knew he was fascinated by all of this too.
They finally managed to find a city map, but sadly it was in Cybertonian. Orihime remembered a few words, courtesy of Soundwave's lessons. She identified the word Prime in one of the info squares, but given she couldn't read the name before it they were still unsure as to what time period this was.
"If Optimus is the Prime this is either during the war or after our friends lost it. If it's Sentinel is before and if it's neither the war might be over and won by out friends."
"I can't say for sure, but I think the first letter of the name would be an 'S'"
Their suspicions were confirmed as they saw a familiar purple vehicle speed by them, while being pursued by a police car.
"Prowl and Biteback?" He asked.
Orihime nodded. "That means this is before the war began. We should look for Shockwave in his academy."
"Despite not sharing the keen interest you both have in science I've always wanted to see the Jhiaxian Academy of Advance Technology."
"I think we're influencing you then."
He chuckled and kissed her forehead. "Indeed you have."
She thought the walk there would be easy, after all things, were supposedly peaceful. But just as Soundwave often said that peace masked some ill intentions, they were just tucked away well for a while.
"We've only been walking for two blocks yet I've seen sentinels all over."
"Yes. I'll admit I didn't expect so much hyper vigilance."
Ulquiorra pulled her close by wrapping an arm around her waist. Orihime leaned into his touch as they finally arrived at their destination.
"Think this is the right place?" She asked.
"You won't get away with this you glitch!"
She recognized that voice, although now it sounded far more playful even young. 'Stormsurge?!'
Her old bot friend looked the same, save for the heaviness he and all of the others carried during the war. She almost didn't recognize who he chased out of the Academy until she glanced at his red eyes and purple paint. 'Is that...Tarn?! Stormy was right he did look nerdy.' She stiffled a laugh as she saw the old rivals fighting in their youth.
Even more familiar faces were there for her to see when she glanced at the academy door. Thundercracker and Skywarp were there making bets on who would win this match.
"My money's on Stormy."
"Nah Damus is getting this one."
"My guess it's all of you will go back inside and cease the nonsense!"
Another bot arrived and while Orihime didn't recognize his face she knew that shade of violet all too well.
"Now come on, away with you! If you keep fighting like that I'll have you clean Weeljack's lab."
All of the other bots scurried back inside but the purple stranger noticed them. "Hello, may I help you?"
"We're looking for Senator Shockwave." Orihime tried to keep her tone calm, still she felt herself grow tense as she hoped she'd be given a different answer from the one she expected.
"Ah well you just found him. What can I do for you?"
She froze. This wasn't the Shockwave she knew. He still had his face and both pretty golden eyes. His smile was bright and sweet just as Soundwave had described him before he was tortured. Orihime wanted to warn him, but before she could Ulquiorra spoke.
"We have a request, but I think we have to explain ourselves first. This might take a while."
***
When it came to their robotic friends he usually got along best with Shockwave and Orihime with Soundwave. This version of Shockwave however, he was so similar to her that he could've sworn they were siblings.
Knowing this made it all the more difficult to process that the bot would end up just like he was during his centuries at Hueco Mundo.
"Organics traveling from a future alternate universe to our own, it's simply brilliant! Oh I would love to see how you look in your original form but anything organic would simply perish under this planet's atmosphere."
"It would be due to the radiation or simply the size diffrence?"
"Both could be factors...Oh sorry you were here for assistance and I've been talking non-stop, I'm just very excited."
"No problem. It's good to see you like this..."
He heard the sadness in Orihime's voice as she commented. Thankfully their purple friend was too prepcupied with finding the tools he needed to assist them.
"There. I think I can send ya back home swiftly. We'd have to go to my house however, as that lab more equipped to deal with high magnitude projects."
"Then if you allow us we'll be happy to accompany you home. Truth to be told were both enjoying this visit. Seeing things it's not the same as experiencing them."
"Is that so? Well then, I'll give you a tour as we reach the mansion!"
That seemed to lift their spirits in a small way. The walk back to the house seemed short but they stopped often to gaze at whatever place Soundwave had told them about on their previous meetings.
The library, the hospital and even the plaza were all there exactly as described by Soundwave on earth. Their friend really knew how to set ambiance.
Upon arriving at the mansion, Orihime be seen gasping at the look of it all. "It's so pretty! Ulqui, dosent it look like Las Noches?"
"The arquitecture is different but yes the color and feel are similar. Shockwave I say you and my old boss have the same taste in decor."
"Well thank you, glad to hear you find it familiar."
"Shocky? Is that you?"
Again they both froze upon hearing the younger softer voice of another dear friend. Unlike Shockwave, Soundwave was completely unchanged. His paint, look and optics were all the same, save for the fact he wasn't wearing a Decepticon insignia.
'Because it hadn't happened yet.' He thought.
"Yes Soundy it's me! I brought some friends over who require my help. Are Sunny and Cade around?"
"Unfortunately no, they're out with the cassettes, but I'll lend you a hand."
"Well you two, let's work to get you back."
***
"Those two really like to chat no matter the circumstances. " Orihime mused out loud.
Ulquiorra and Soundwave were chatting away while she and Shockwave kept on organizing the machinery. She managed to hear a little bit of their conversation.
"You're the one who pushed me to confess. It's thanks to you we're conjuxed in the future so please do remember to encourage me when I'm back in my squishy form." Ulquiorra told him.
Soundwave laughed and gave a thumbs up. "I'll do my best."
"I take it we're all close once we meet again?" Shockwave asked, noticing her smile as she stared at them.
"Yeah, we are close."
The feeling of closeness was not diminished by the change in circumstances. If anything she was overjoyed to finally see Shockwave like this. So calm and happy, and with his body and face unmarred by scars that would last milenia.
The pretty technological planet had been a delight to visit, but she differed with their blue mech friend when he said it turned into a wasteland during the war. 'Any planet that does something so callous to a bot like Shockwave is a wasteland regardless of beauty. I'm just glad things didn't come to that in the Soul Society.'
"Hime?"
"Sorry I was just...thinking. Shockwave there's something I should warn you about your future."
The purple bot raised his hand to stop her.
"Don't. Anything you tell us might affect the future and put you and Ulquiorra in danger. I won't allow that.
Whatever has to happen. Let it happen. I know well what we're all getting into with this conflict."
She hugged him tightly. "Just let me say, that you'll be okay reagerdless. He'll never stop loving you, and the same goes for you to him."
"Then that's all I needed to know."
***
Hugs were exchanged as Shockwave quickly sent them back home. In the blink of an eye they were back in Karakura.
"Good to see you both. Had to ask some babysitters for help with the twins."
Ulquiorra smiled upon seeing Shockwave and Soundwave in their human forms, carrying Kokoro and Sora.
"Took you five million years to get back. I used to wonder when we first found you why you looked like those cute bots we met back home. Now I know why." Soundwave laughed. "Should've stayed a seeker and replaced Starscream."
Ulquiorra smiled and took his daughters back. He then glaced at his smiling wife. "I appreciate it, but I think I'm much happier here as an organic."
"Good choice. This seems prefera-" Shockwave was cut off by Orihime tackling him into a hug. Even in human form he did have his trademark blank expression. "Inoue, you'll hurt yourself if you keep glomping people like that."
"It's just good to see you again...I'm glad you're still here."
"I told you. I would be fine as long I had him with me. You feel the same, don't you?"
"Always."
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Thanks so much for clarifying! I very much didn't want to push any boundaries 💜
- My choice of ship is for sure Baldur's Gate 3. (Only request: plz NOT Raphael, Mizora, or Minthara - one is legit a trauma trigger, the other two are... Reasons.)
- Gender: any and all, I'm too bi for choices
- Personality: I'm autistic, and my mood is consistently more changeable than I think it is... dunno if Sag/Leo/Cap means anything to you (it's cool if it doesn't), but it does to me in the sense that I can see what it means in myself. I'm thoroughly Chaotic Good according to every alignment description I've seen (and all my friends lol). Still a dingus who frequently courts red flags for reasons I can only identify as Traumas lmao.) I'm very mentally scattered. Burnt-out gifted kid who immediately chose to gradually swap my waning INT for WIS, inasmuch as I could. A soul who intensely wants to help everyone I care about, but can't for all sorts of reasons, but dammit do I try anyway. Fiery, feisty, but still learning to actually be assertive. Cuddly with anyone and everyone who is interested. I love radically with all my heart, be ye friend or partner, but breaking it means I'm either a sobbing broken mess, planning a murder, or both. Please don't let these taint the results bc they're still options: I honestly believe and have been told by others that I'm a perfect mix between Karlach and Astarion, personality-wise. I'm down bad for just about all the tieflings in the game/in general (I relate to them a lot), and almost always play one, but all races are welcome in my heart. I don't really draw lines between close friend and partner; I believe closeness and intimacy aren't things that should be constricted at all between one or the other (there is literally a group chat saved in my phone called "Platonicule," if that gives you an idea 😂). Generally amiable to, but wary of, strangers. Hobbies: I make homemade skincare and balms for the homies, cooking, and everything about music and linguistics. I'd also love to try my hand at ceramics/pottery someday. (Also I don't know where to put this, but definitely high sex drive, kinky, and switch/vers but usually end up sub/bottom? Which I'm not conflating, just that's usually how it plays out. Sorry that all was... A Lot lmao, I'm also overly specific/dunno when to shut up. 😅)
- I ship you with Aziraphale from Good Omens! He seems like he'd be absolutely elated to help you finish your writings, and even go out of his way to find a good publisher for your book (and maaaaaybe do a teensy little miracle to tip the scales in favor of them accepting it, if the situation called for it). Fastidious, fashionable, would be as sweet to you as you to him, and would be quite happy with letting you have your alone time (he needs it too lbr.) Also if he's not at least on the ace spectrum himself (he totally is tho), he certainly would never make unwanted advances. Plus, I mean, living in a cozy bookshop that your partner keeps clean, organized, and cute as fuck? Idk that sounds like a dream. You could chat for hours and hours about history if you so chose (and his hilariously unique perspective on it since he's seen most/all of it.) Honestly I also now can't stop thinking of a Movie Night with you two and Crowley that goes a little chaotic because Crowley has a very different and probably intentionally contrarian analysis and keeps getting half-jokingly offended when either or both of you have different opinions. There may be thrown popcorn. 😂
I ship you with Gale
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Your relationship can bested be summed up in burnt out autistic "gifted" kid solidarity, in the best way possible.
You and Gale are in a constant loop of affirming your love for each other it makes the pair of you nearly impossible to be around. You info dump, you cuddle, you cook, you are just able to be, together.
Gale is also very deceptive in his chaotic good tendencies. While it may look like you're the one doing something crazy, Gale only makes a meager attempt at protest before following after and justifying your actions later. He does, however, bring some of your ideas and scattered thoughts into a sure focus, allowing you to accomplish what you actually set out to do instead of leaving it all in your head. You, meanwhile, help remind him that wisdom is sometimes more important than intelligence.
He's fully supportive of all your areas of study, even putting aside space in the tower for you to practice pottery. Just make sure to save a few pieces for him to admire and he'll be happy.
And as for the sex, let's just say for all Astarion can talk the talk, Gale walks the walk with avid enthusiasm. (He's the horniest mother fucker in the squad, fight me)
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I'd honestly be nervous about making Crowley jealous somehow, but if all three of us can be besties, I'm down. Lol
6k Follower Celebration (requests are still open)
(5/30)
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Genshin took over my life and I'm now going to make my hyperfixation of it everyone's problem
Some time ago, I really, REALLY got into Genshin Impact and it has, without a doubt, taken over my life.
Recently, I read two pretty cool fics on Ao3; "Wards of the Wind" by Kiri_Kaitou_Clover and "Just a Boy" by Karmitara, which... both had me cooking.
I have a funky Genshin AU / Story Idea I want to info dump about! I call it "A Thousand Winds in a Windless Land"!
The general gist of it is that during the Cataclysm, Barbatos is sent to kill the Khanri'ahn heir, baby Kaeya, however, Barbatos is unable to bring himself to kill him and hands him over to Dainsleif who escapes into the Abyss while Barbatos distracts the Sustainer of Heavenly Principles.
Of course, they (because I stan gender-neutral Venti) lose. Normally, such actions would result in execution, however, the Sustainer is unable to kill Barbatos without consequences that probably involve Istaroth, so instead, she seals Barbatos away, but still tells all the Archons that she killed them to prevent any more rebellious behaviour.
Before they get sealed away, however, Barbatos transfers their powers over to their siblings; the Thousand Winds, putting them on the same power level as the adepti of Liyue, and then Barbatos transfers their soul into a vessel in the form of a wisp similar to the rest of the wisps so that they can keep helping out in Teyvat in secret. After sealing Barbatos away, the Sustainer goes to destroy Mondstadt as part of Barbatos' punishment, but because of the Thousand Winds' power up, they are able to defeat the sustainer and send her and Celestia into a slumber after she'd been weakened by the Cataclysm.
Afterwards, the Wind Wisps essentially became divine protectors of Mondstadt, similar to the Four Winds and Liyue’s adepti. They’re also able to have human forms, identifiable by their white hair and anemo-coloured tips and eyes. They mostly stay in Mondstadt but are also known to live in other nations alongside people they decide to stick to.
I imagine that the inclusion of the wisps and the presence of Barbatos (who calls themself Nye since their identity as Venti has been compromised) changes a lot of things that I'll probably cover in another post lol. But I like to imagine that some of the wisps decided to stick around with anemo users and residents of Mondstadt, as well as people who are just generally fighting for freedom as well as the archons. I also like to imagine that a wisp decides to stick around with Dainsleif, and as for the Traveller? The wisp who follows him around is literally just Nye/Venti lol
I don't really know what the Mondstadt quest will be since I plan for Dvalin to be cured :PP
I am also a sucker for Venti & Tsaritsa shenanigans and like to headcanon that they have a sibling relationship, so I imagine that around half of the animosity she feels towards the other archons is probably Barbatos related. She's mad at Morax because he was the one in charge of making sure that Barbatos would kill Kaeya, she was originally not as disappointed towards Beelzebub and was even a little sympathetic towards her until she decided to take the coward's way out and hide away in her Plane of Euthymia and leave an emotionless puppet to rule her people, but the Tsaritsa probably has nothing really against Buer and Focalors since there was genuinely nothing they could have done since neither of them become archons until after the Cataclysm. I'm not sure what Murata's role should be in all of this yet, but I do know that the Tsaritsa probably also really blames herself for not being able to prevent Barbatos' fate. My brother even suggested that maybe she was the one who was originally supposed to kill Kaeya, but because she refused, the duty was pushed onto Barbatos.
I'll probably info-dump more about this AU later lol
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DBH MODDING (1) - HOW I MADE JUICY
Hi everyone :) I'm going to start a lil mod diary because I'm trying my best to learn how to do stuff with like, 0 prior understanding. I'm writing everything I find out because frankly, I can't find info like this elsewhere. I have to figure everything out myself. If you're like me, and have no experience or knowledge in manual modding what-so-ever, I hope this series of entries will help you! If anyone has any information or extra points, PLEASE say something lol. If I'm wrong, I'm begging you to correct me!!!
It's currently 30/12/2022 and for the last 3 days, I've been looking at modstuffs for Detroit: Become Human. I started with the browser model swapper and successfully located the game file it needs. For me, I downloaded DBH through Steam, so I go the HDD (where I keep my Steam stuff) > steamapps > common > Detroit Become Human > and the file will be in the list of BigFiles. HOWEVER I made a new folder just on my HDD called "Original BigFile_PC idx" and copied and pasted the original file into there so if anything breaks, I can just plug my original back in.
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That's how I can get shots like this, because I swapped Connor's game model for North's:
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I have been hanging out in a DBH modding server, and they're talking words my uneducated ass can hardly understand. But what I have picked up is this:
Mokit is like, movement capture? Like how Bryan explained that the little dots on his face capture the actors movement. And there are a bunch of cameras and stuff. idk here's a YouTube vid. So anyway these movements are saved in files and you can switch mokits with characters.
Pretty sure points on mokits are labelled or something, because in the model swapper, an elbow is an elbow, whether you're North or Sumo.
And so also in the model swapper, you can switch out these files. I have no idea how to do this manually. I haven't experimented with the mokit swaps yet anyway.
After that, I downloaded the Custom Texture Tool (also found in More Tools) and yesterday I cracked it open. Here's what it looks like upon opening:
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I locate my game through HDD > steam > steamapps > common > Detroit Become Human. Then this all comes up on the left:
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And I'm like dang. I have no idea what any of this does, but what's really cool is that I can see which files are attributed to which BigFile (which I previously couldn't open). Immediately I go for the catalogue, because SURELY that's where the textures live. It looks like this when I open up the Catalogue tab.
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I chilled out and browsed the files for a bit before searching for Connor. I really liked how these files are named just because of story structure and specific scenes. It makes so much sense, thank you CONNOR_INTO2.
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So rn I can't view a lot of files and I didn't quite understand why, but after a quick Google, it's because you need a specific program to grab em. But anyway, you see that black-red-green-blue square in the third row fifth column in the screenshot? I was like oh man. I know what THIS is for. I export the DDS file (I save the image) and it opens up in PAINT DOT NET. so im like ok ok i'll do it. I gotta.
Using Common Sense, I swatch the red and the green and I keep the text in the parameters of where the old text was so that it goes on Connor's uniform in the right spot. I have no idea what the red and green colours mean. After that, I save it as a separate file in another folder on my HDD. Here is a comparison of the before and after:
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I don't know why they have to be upside down, but yep. + Sorry, it's unfortunate I can't upload the Juicy texture to this post. Must be to do with the DDS file format or whatever.
Anyway, this was the result:
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crying
So I'm like okay, I understand this a little. I want to colour other stuff. After a whole bunch of dicking around with files (and I will not document my painful process), I watch a video on texture maps. My mind BLEW because:
I could identify the normal maps (purple ones).
I understand now that roughness maps will be the maps that make uniform textures shine or not. (I don't know which ones are roughness maps yet).
A few more things:
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This is Connor's uniform jacket and this is his belt, but they're completely different texture maps. I have no idea what the red and green mean. Maybe it's to communicate to the roughness maps what to apply? (Shiny belt buckle vs leather strap.) And for Connor's jacket, here is where I can change the colour and look, but it won't change the fabric texture and actual shape. Anyway, so I'm going to download a 3D model program to see if that gives me a better understanding of things.
I'll update you soon!
~ Trinity
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fairyysoup · 1 year
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i‘ve been trying to get into ghost for years but idk where to start pls help -ts anon
*cracks knuckles* i am so glad you asked bestie
I would honestly start by focusing on the music because they are, after all, a band. i think a lot of people tend to get either confused or intimidated by the lore surrounding the members and the storylines that go on from one album release to the next, so it's easiest to start with the roots of it and worry about the rest later (i think). but once you pick apart the themes of the different albums themselves, i think you kind of naturally fall into the lore of the band by default. so when in doubt, start with the music
i started off with meliora, which i think is their most popular album?? (but i'm not sure it could have changed since tbh). it's a good mix of heavy metal and more pop rock, and most people at least know the song square hammer from it. the story of the album is about religious apathy when there is no presence of a god, and the band introduce themselves as a guiding hand of hope in those kind of bleak times. which is why i think it's good as an introduction to the band- you have a band with lore where the members are supposed to be a satanic church, so here's an album introducing them as exactly that, an anti-church.
from there you can do what I did and backtrack through their first two albums, which are heavier and deal with themes of the antichrist. or you can go on to their fourth album, and my absolute favorite, prequelle. it's a concept about the apocalypse, equating it to the times of the black death, and it's quite honestly a no-skips album for me. it has two of thee best instrumental numbers i've ever heard in my entire life, and it'll also have you shaking your ass to the words "while you sleep in earthly delight someone's flesh is rotting tonight" so that's fun.
then there's their most recent album, impera, which includes the song from the halloween kills soundtrack (hunter's moon), and i would describe its theme as being like a post-apocalyptic steampunk future after the fall of an empire?? i have to be honest i haven't deep dived into it yet, that's just what i gathered from listening to it lol
i'll also admit that for as much as a fan as I am, I have no IDEA what we are calling the nameless ghouls anymore or how to differentiate them. like i know they're identified based on their instruments and occasionally their uniforms (meliora era had only four of them if i remember correctly and they each had a different symbol highlighted on their costume but idk what we're going with anymore there's so much). i tend to focus mostly on papa emeritus (number whichever) in any era for the most crucial bits of lore info. there used to be a post floating around with a crash course on the different papas, but idk where it is now rip
and, if you're interested in that one song everyone knows from tiktok, mary on a cross, that is from their ep seven inches of satanic panic. it was basically them going "lmao what if papas 1, 2, and 3's dad was papa 0 and started the band ghost in the 1960s and this was their first single, how sick would that be." that's why both songs off of it sound very heavily influenced by bands like the doors and donovan, it's basically meant to be from the late 60s.
that's it that's what i got. thanks for coming to my ted talk 💕 happy rabbit-holing
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