Someone asked me why Buffy is my favorite show and I had to stop myself from writing more than this but this is what I said…

1. Despite its complicated history (the creator turned out to be an abusive asshole) it’s one of the first mainstream successful examples of smart feminist genre tv and it laid the groundwork for everything that has happened since.

2. The show is brilliantly written and uses metaphor so successfully they teach college classes on it. Every episode / monster / dilemma Buffy and her friends face are a parallel for the real life struggles of teenagers.

3. Sarah Michelle Gellars performance across the 7 seasons of the show is a masterclass in acting.

4. It featured one of the first truly fleshed out lesbian relationships on network tv in the US and THE first wlw kiss between committed partners on prime time network TV. I remember the news covering it right after it aired.

5. Season 6 is to date the best depiction of depression I’ve ever seen in any media ever. It’s unflinching, raw, uncomfortable and hard to watch. And having that to watch when I was 13 was really crucial.

6. The way the show built pop culture references into its DNA had such a cultural impact that it’s responsible for turning “google” into a verb.

7. The makeup, fashion, and hair was simultaneously trend setting and a deliberate part of the story telling. You know what’s happening with certain characters based on the colors they are wearing for example.

8. The musical episode was one of the most successful musical episodes of a tv show at the time and it started a trend that tv shows still follow today.

Could you maybe explain to me what exactly Jason's problem with Bruce was/is when he came back?

Maybe I'm being stupid but I don't know. Like, I know there's this space between Jason's resurrection and Talia finding him... and Jason returing for a sec to kill Bruce, then changing his mind, and went back to Talia to plan The Ultimatum and travel the world a bit.

I went off the assumption that Jason thought Bruce didn't care enough for him to kill the Joker and then the whole stupid thing with the batarang to the neck after everyone thought Dick died.

But, like, Jason kind of destroyed his relationship with the batfam himself with the whole coming out of nowhere and trying to hurt/traumatize/kill them. I don't mean to hate on Jason specifically, I just don't get him on a fundamental level.

Would really appreciate if somebody could clear that up, I'm kind of desperate. Like I have most of the facts but it seems like a jigzaw puzzle with too many pieces and I can't make sense of it.

To be honest, I don't understand your confusion fully? You pretty much explained it yourself, why Jason was angry at Bruce after he came back. Even Judd Winick, the writer of Under the Red Hood, says it very concisely (in this interview):

When it comes to Jason's relationships with the Batfam, I'll once again let Winick explain his vision (transcription of a podcast episode to be found here):

You say that Jason harmed his relationship with the Batfam himself as if Jason's intention had been to have good relationships with them. At the times he went after Tim or Dick or Damian, I don't think he cared much about that, hah. Most of his choices at the time could be boiled down to "What would piss off Bruce the most, either directly or by proxy?"... and also, "What would get Bruce's attention the most?". Because that's what made it complicated, right. Jason wouldn't have gone to these extremes if he didn't care about Bruce.

As to things not making sense... you're not being stupid, I'm sorry to say that at least to me, it's impossible to reconcile all of Jason's actions within a coherent character. Just because he was written by different people in different continuities with very different goals (though maybe more accurately, by some writers lacking a goal, as in not really knowing what to do with him). This is true for most comic book characters, not just Jason; true consistency is a pipe dream when the history of a character spans decades. Keeping that in mind, my personal approach is forming an idea of the original core traits of a character (which is why I gave examples of what Winick himself said), and then filtering their subsequent portrayals through that. Some comics will be horribly OOC despite them technically being canon and you simply have to go the "I recognize that the Council has made a decision, but given that it's a stupid-ass decision I've elected to ignore it" route. Then there's, of course, your personal preferences; you can choose what is canon to you because you like it, and form your idea of a character around those instances-- though here I'd always warn to never stop being aware that it's your idea of the character. There is no absolute truth, and we're all playing in a sandbox. Other people will choose other instances of canon, or try to reconcile all of them somehow, and your ideas might not jive. That's perfectly fine.

That being said, while I do like Jason a lot, he isn't my full-time blorbo, so I'm sure other Jason scholars could respond to this much better than I did! If anyone wants to add more in-depth answers, please do.

BiAsBuck’s ficrec Fridays

Happy WTF Friday everyone?! YIKES ON BIKES. That sure was an episode.

Back again with another round of the fic I've been reading this week. You can find previous rec lists here. As previously I'm here for henren and all buddie/bucktommy/buddietommy configurations...and apparently this week, all of heroic_pants' Buck and/or Eddie with Josh fic?!

Bring on the drama. *eyes next week's potential list like...welp*

10 May 2024

a mouth full of teeth and nothing to sing by @cal-daisies-and-briars A HEN CENTRIC FIC!!!!! I'm living. Post 07x03, Hen struggles to process the cruise ship rescue and drunk driver call in the midst of ongoing tension with her friends. In which Hen gets the apologies she deserves and gets to vent her frustrations, whilst also self examining her own actions. Fantastic crunchy characterisation.

time will tell by @bekkachaos '5 times Hen and Karen suspect Buck might not be one hundred percent straight, and 1 time they realise they were so damn right. aka., Henren knows and they occasionally speculate about Buck, and Eddie, and now, Tommy.' For everyone absolutely thriving over that reaction in 7x06.

Better Late Than Never by @pop-me soft semi-somnophilic sapphic henren married vibes which I ADORED. Pillow princess Karen, as she deserves. A gorgeous little slice of life domestic scene that was truly so loving and sexy, loved it.

and my heart and my hat by Anonymous (who are you mysterious author, I love your Tommy voice SO MUCH!) This was such a great Tommy POV from 7x03-7x04, charting his feelings from the moment Chim calls him to ask for his help with the cruise ship search, through to the kiss. I really enjoyed the whole ensemble camaraderie of this fic, Tommy's perspective on Hen, as well as the lovely moments where we see all the ways Buck just being Buck is charming to Tommy. So enjoyable.

raspberry. by @buckttommy good lord...hot!!!!! Buck, Tommy, a gay club, a handsome stranger, exhibitionism and some exploratory D/S vibes. This was just *fans self* super sensuous and unabashedly queer, I loved it.

And if you threw a party, and invited everyone you knew by @pantsaretherealheroes In which 'Eddie wakes up the morning after Maddie and Chimney’s wedding with a hangover, and unexpected bed-mate, has a panic attack and a hell of a realisation. Josh makes coffee. They talk.' This is ultimately a buddie fic, but with some glorious supportive Josh along the way, with just the right amount of cattiness too. I just really loved this dynamic and odd couple vibe.

are we still friends? can we be friends? by @pantsaretherealheroes ok how about that, but instead Buck and Josh genuinely have a casual dating set up and all sorts of fun together, mutually agreeing to keep each other in the loop if it stops being what they want. Meanwhile Eddie is PINING, and Maddie is feeling some kind of way about it all. I just really enjoyed the maturity of the dating within these parameters, and the complicated feelings along the way.

treat your mouth as if it's heaven's gate by @bucktheally this is the fourth part in an bucktommy alternative meeting bright as the morning, soft as the rain series in which Tommy was never part of the 118, but can also be read standalone. Look this instalment of the fic got me totally enchanted the moment that Buck set himself up with his laptop 'intent on Wikipedia’ing himself into the queer community in-between naps.' Perfect characterisation. No notes. The fic is sexy, sweet, and I love the development of their relationship set up from this initial premise. Buck just loves to learn!

Won't Be Long Before I Belong by @justaswampdemon a post madney wedding coda fic in which Buck accidentally comes out via soot and Tommy meets everyone. Sweet, tender, gentle and caring.

PS - once again sending out the signal to ask if you have any henren authors/fic recs I should check out PLEASE let me know! I love them!

More thoughts on XM97 - because of course I have more thoughts...

Doing some more reflection, because this is what I do during hyperfixation, apparently.

It helps to write things down and get them out of my head, I suppose. Honestly, it'll be nice to get past the last episode, because then I can compartmentalize and just push the thing away until season 2 (if the finale gives me any reason to want to come back).

DeMayo went on another tweeting spree (I just keep an eye on these things because I get curious) and during this particular bout, I feel like I've got somethings clarified. And I think my own personal frustrations come down to - the ideas of writing and creating vs fan expectations.

Overall, I do think that XM97 is a solidly good (or at least entertaining) show. The animation is good. The voice cast is good. And the ideas they are using, in theory, are more adult and mature and nuanced than the original kids' show ever was (which, I'll give TAS some credit - dug deeper a lot of times when most kids' cartoons of the time didn't).

One of the biggest issues for me has been execution. First of all, the show is way too short for the amount they're trying to pack in here. It almost feels like they wanted to do everything on their wishlist because if they didn't, they wouldn't get the chance to do it. And it feels, muddied... They really needed a full season to unpack a lot of this.

The thing about Rogue and Gambit's story.... I get the 'kill your darlings' strategy of writing. In fact, I agree that good stories are messy and have conflict and you should always put your heroes through the worst. I feel like there was a better way to do the story (I believe) they're telling.

I don't think Magneto needed to be a part of it at all, and the triangle just feels... forced in a lot of ways. I understand that they went there to give Remy some heartbreak along the way, but I truly believe the two of them, with their own issues, and the two of them being in an undefined relationship with complicated issues over touch -- still could have resulted in compelling TV, and still would kept the devastation of Gambit's death.

Episode 5 is still my favorite, and despite my distaste for the whole Magneto side of it, I think the writing there was top notch, and still the best this show has been. I get, though, that they wanted to have Rogue and Gambit "break up" for the impact to hit harder, for Rogue to feel much more guilt once he died, for that last line to be even more heartbreaking.

So, the easiest route was to add the Magneto of it all. Episode 5 is brilliant in a vacuum. But in greater context there are other ways you can get there. And, no, Magneto wasn't ultimately needed. Rogue still could have had regrets, there still could have been heartbreak, there are always things you just don't say before a tragedy.

The thing about it, had they set this up correctly, and in a way that was more satisfying and didn't involve third parties? You may have gotten way more of the Rogue and Gambit fans on board. (And I'll get to the fan side of this in a second.)

See, TAS flirted with Rogue and Gambit's romance but never pushed it too far. Not only was it a kids' show, but Rogue probably would have never had her powers under control and it just was never going to go that far. Meanwhile, the comics have moved way beyond where TAS was. Rogue and Gambit's relationship has evolved a lot in thirty years - way past the tragedy, past the will-they/won't-they, past the break ups and reunions, and in the comics, Rogue and Gambit are a relatively healthy (for a comic book couple) couple of best friends and old marrieds. They're story is so far beyond what they once were that going back to TAS feels... odd.

So, the show starting in this place where TAS left off feels awkward in a lot of ways. There's a lot of expectations layered onto this show, but the show -- being limited by external factors, can't really handle all of it.

I don't think the first few episodes of the show did enough to show the sheer strength of Rogue and Gambit's connection and relationship. And part of that was time and part of that is because it's a sequel to a show set thirty years ago and part of it is time compression and part of it is the writing wanting to leave some vague open-endedness to the relationship so that Episode 5 could work.

And thus Episode 5 feels a bit jarring. It's way more a mature script. There's much more going on in those relationships that we haven't seen set up. Not really. And it's almost relying too much on - things that were mildly set up in the original and the heavy history of the comics.

Which leads me to what has happened afterwards. I think that in a world sans the Magneto of it all, you still get a Rogue who is absolutely heartbroken over the loss of her love. She would still go dark. She would still seek vengeance. She would still wrap herself up in that trench coat and wreck havoc on everyone until she ultimately succumbed to her own grief and eventually dealt with it in one way or the other.

(The part that I just don't agree with -- besides giving up the trench coat, which I know is symbolic in gesture -- is her running off to play Colossus in Fatal Attractions. Which, again, is why they did add the Magneto of it all, but I'm digressing.)

Anyway, this leads me to the fan expectations, and why it does feel so raw for a lot of us. Rogue and Gambit have never really had their time to shine. The films are full of mischaracterizations and limited (very limited) appearances. The other TV shows never let the relationship shine. And even in the comics it felt like forever for the X-Office to take them seriously.

This TV show felt like an opportunity to start fresh. To be excited about something. To get behind the characters we love and celebrate them. We can still break their hearts. We can still even kill them off. But give us a reason to care!

But instead of building that relationship with us fans, it went a different route. And now we feel heartbroken and angry, instead of just heartbroken. Gambit fans - who get shit on so often - get one bright of moment of glory before a death that feels somewhat hollow when you start to realize it was in purpose of someone else's story. Rogue fans - have the internet hating her with a passion. It feels like once again - being set up only to fail.

It feels hurtful, even when, I truly believe, that was not the writers' intentions. Make your characters go through hell - yes, but you have to have your audience on your side to make it impactful.

I don't really know where the show goes from here. There's either going to be closure or a cliffhanger. What I'd really like, though, is some sort of hope.

Because I get real life sucks. And I get that we often reflect in our fiction that it does. But we're talking about a cartoon about superheroes. We're talking about escapism at its finest. I love complicated and messy and nuanced and sometimes even heartbreaking stories -- but I also want something that makes it all worth while.

There is still one episode left, and I'm curious as to where it's going to go. Because at the end of the day, X-Men has always been about hope, too.

The most recent interview with Assad and Eric with Rotten Tomato has me thinking that maybe Armand and Daniel did not have a relationship back in the 70's. That it was just that one night. Assad's comments about Daniel not being able to love Louis like Armand could implies that he is jealous of Louis and Daniel and does not think Daniel is good enough for Louis. Also what Eric said about Armand underestimating Daniel, not realizing how smart is. Very different from the source material. It seems like we are seeing the beginning of their relationship. I was so positive Devil's Minion happened in the past but now I think it might be coming in the future. Was all of the Luke and Assad sightings just ship baiting us? I am excited for Eric and Assad but I wanted Luke and Assad too. Now I am sad.

.... I didn't read it like that at all.

Like, they cannot really talk about all that, that is something that needs to be remembered. Ep5 apparently is the past DM episode, and as said before, that will probably show the more horrific beginnings of the DM arc.

And I'm sure episode 8 will be cataclysmic for them, too.

I... am not sure that Eric's comments necessarily imply that nothing happened back then - I mean, even WITH DM happening 4 decades are a long time to change, character-wise. The Daniel in Dubai would of course be a very different one from the one back then - whether that would indeed be "just" the Daniel in the apartment, or if there was indeed a 12 year relationship (developing) there.

Also, I did not read the jealousy angle either. I mean, there is a lot going on. But it's way more complicated than that. Assad says: "Armand is terrified that Daniel knows Louis a bit more than himself - what he is very sure of is that Daniel can't love Louis in the same way Armand can."

Like... that's not jealousy? That's curiosity and insecurity, because Daniel is able to reach something in Louis Armand could not. Which... has to do with the interview/tale.

I don't actually see it much different from the source material, and in any case, we might want to wait to judge that until the season has run^^

I know the doctor was grieving rose in s3 but come on my guy you did not need to treat martha like that like she walked the earth for a year for you + the entirety of the family of blood, she should've run him over with the tardis after that honestly

I just rewatched 02 x 07 for the first time since finishing all the books and I can't stop thinking about it. I feel like everyone is either on the side of (1) it was all a big ploy, or (2) that's it for Moiraine and Siuan they can never come back from this--but I really don't think either of those are true.

I think the most in character thing Moiraine could possibly do is forgive Siuan, for the following reasons:

Moiraine knows that she would do the exact same thing that Siuan did here--namely, sacrifice anything (even their relationship and their trust in one another)--for the sake of the world and their mission. And this shared goal, these compatible values, and this mutual understanding is literally what has kept them together despite 20 years of distance and secrecy from the world.

[MINOR BOOK SPOILERS] We see in one of the books that Moiraine believes she and Siuan have made their beds and will lie in them one day by becoming involved in the quest to find the Dragon -- I believe the way she phrases it is about payment coming due for all the rules they've broken and the secrecy etc. that they needed for their quest. If this is her attitude, she is not only willing to give up everything, but expects to give up everything. And she expects it of Siuan as well.

Siuan has already proven how much she would give up for their quest. She became Amyrlin despite, as we learn this same episode, how much she did not want to be trapped in the tower and could not see her future there. She gave up any semblance of a happy life (how she would picture it both with and without Moiraine!) for this quest.

In some ways, if Siuan had just let Moiraine take Rand through a waygate to Falme, it would have actually been a betrayal of their mission. Their mission wasn’t “get Rand to Falme.” It was “protect and train the dragon reborn.” Siuan feels the need to do that as acutely as Moiraine does--and critically, Moiraine knows this about Siuan.

This goes quadruple if Siuan actually did think Moiraine could be a dark friend. Siuan thinks Moiraine lied to her!! And Moiraine knows this too, since Siuan does at least have the chance to say "You lied to me!" Moiraine would understand that if there was any chance Moiraine had been turned or was compelled, Siuan had to try and stop her from taking Rand off to god knows where.

Literally just a few days earlier Moiraine had threatened to have Alanna take Lan’s bond by force if he stood in her way--aka, the way of her mission. At this very moment, Moiraine herself has spent days (weeks?) contemplating what it would mean to betray the autonomy and trust of those she loves most if it means saving the world. And she knows what side she's on.

When Moiraine says, “if you have ever loved me don’t do this” my heart shatters into a million pieces. But that line is not just ,“it will be a betrayal of our love and trust if you compel me." It is that, but it's also a call for Siuan to see Moiraine for MOIRAINE. She’s saying “you know me.” She’s trying to get her (Siuan) to see that what she (Moiraine) is doing is not about her shame and pride but about the mission. Because it is ALWAYS about the mission, Moiraine IS the mission, and Siuan loves her because of that, and Moiraine knows Siuan loves her because of that 

Moiraine clearly hesitates before going through the waygate. Her character isn't one to linger out of shock and betrayal. She lashes out and she puts up distance--we've seen this all season. Moiraine moves forward. So I read her looking at Siuan here as far more "I love you and I'm sorry [I can't help you? it's come to this? we can't reconcile?]" than "How could you?" or "You're a different person to me now." I’m not trying to minimize the violation Moiraine is also feeling in this moment, I just think that if the violation was her primary emotion she would likely behave differently. And if she can have this messy a set of emotions even in the heart of the moment, I have faith she can similarly hold multiple emotions later when reconciling.

The flashback scenes are so heartbreaking but they don’t have to mean that Moiraine and Siuan feel so betrayed and far from those versions of themselves that they will never be together again. Those flashbacks can also be saying “remember when we were those people?” Holding onto those versions of themselves is how they hold onto their love despite this scene.

Those flashbacks also remind us that their relationship in the show is like 50 years old. It is deep. People don't throw away 50 years of relationship without a conversation, even if there is a deep betrayal involved. And that's normal people--not even people who have given up absolutely everything for a cause that the relationship has now gotten wrapped up in. In the books, they are together for a few years and then seemingly go their separate ways when the Dragon is reborn. I don't think the show would have gone out of its way to deepen and lengthen this relationship just to end it so quickly and unceremoniously.

I know I’m dreaming here but I really want Jim and Frenchie to have a weird little friendship this season. Like they were both kidnapped and as far as they know everyone else is dead so I’m just imagining them trusting each other out of necessity and then eventually getting just attached enough that they go a little out of their way to watch each other’s backs. I mean they still both have their own interests to protect and if Jim got a chance to escape and it meant leaving Frenchie behind or vice versa I think they’d still go for it but like checking after they raid a wedding to make sure they both made it out alright. Trying not to let each other out of their sight because they let the others out of their sight and now they don’t know what happened to them. That kind of thing.

God, the most recent ep with like. Eclipse's communication limitations on full display. My man lacks the vocabulary and self-reflection needed to be able to express himself, all he knows is how to pick fights with others.

And I'm glad! Lunar got to see that! That he's grown a lot while Eclipse is stuck going in circles, and its kind of pathetic really-- but Lunar didn't take advantage of that by rubbing Eclipse's face in it. He even offered the advice of "hey maybe don't be so hard on yourself".

RIGHT THE MAN WAS JUST out there trying to insult and deflect and BE a jerk, either to avoid or jsut didnt know how to communicate otherwise AND LUNAR GOT IT. FINALLY. Realizing exacttly what was wrong with his 'brother'. And yeah just didnt rub it in his face just handled it with 'alright man. you do you. ur still a person' Loving this episode and clarity of situations

the analysis of their whole Thing. full essay there if i could write an essay

Stargate SG-1 is so good. I love it so much 🥺

i definitely want and hope to see more of simon on fionna and cake season 2 (like. obviously lol) but i don't really see a way for him to be a major player again. i thought his story arc had a rushed conclusion on the first season, but it was still, you know. a conclusion. and not even a bad one, just one i thought needed more time to be worked through. but now that it's done, i think we've pretty much exhausted all there was left to explore about his character, so i expect we will just keep up with him + how he's moving on with his life

Odd and Recent Planets

Hazbin Hotel thoughts (with a splash of vague theories) (Alastor edition)

Something that is super fascinating about how Alastor's character has been left highly up to interpretation is that, before these next episodes at least, it's not entirely clear what his motives are.

We know he is a skilled manipulator, a master of wording things in his favour to get the deals he wants. We know he's a serial killer that puts the laughter in slaughter, yet still has a variation of a moral code. We know he has ties, likely to lilith (though personally I really hope it ends up that he made a deal before he died for power, which now haunts him in hell).

We know that he partly protects the hotel because it's where he has a new radio broadcaster, but his protection of it could be protection for him, for what demon would mess with a friend (father figure?) of the princess of hell? Even Lucifer can't actually hurt him without hurting Charlie, regardless of how authentic Alastor is towards her.

Is his song purely to manipulate Charlie into feeling safer around him? Is he slowly wearing down her defenses so she may accidentally (or even purposefully) make a deal with him? It's clear from the dialogue and interactions that he's not incorporating himself much into the group, and we still don't know what's up with his radio broadcasting system being up once more.

There's so many ways it can be interpreted, but it's fun to have a character that is both mysterious but also bound to a set of morals he doesn't care to explain. He is the master of his own life, and (likely) sees others as lesser because they're weaker/manipulatable/"stupid". Yet his morals are just present enough that he could find it dishonorable to destroy demons that have, perhaps in his eyes, given up power for a chance at redemption.

There's also other questions around his character too, my biggest one being whether he has 1 power source or two? Many times we see his power/magic manifest as red hues (symbols specifically), similar to how he wears all red. Other times it is green, which may or may not be tied to his "neon" colours. Is it because red and green are complimentary but conflicting? Is it to show that one power is fully his and the other is not? Does the neon represent a lack of truthfulness or him acting outside of his true wishes? Because the only time we've really seen it is when he is saying (somewhat) nice things in very specific situations.

Does Alastor know Vaggie is/was an angel? He didn't like her in the pilot, and its unclear whether their strained dynamic is because Vaggie wants to protect Charlie and it is one sided, or if Alastor knows and is waiting for the perfect moment to use that against her, perhaps for a deal?

Also his only songs so far have been him just taking over someone else's song. How petty and silly of him. Can't wait to see what he has planned next!

Who knows! Either way Hazbin Hotel is a very fun show and I'm so excited for the next episodes!!

BLESS seaweed brain podcast for actually having a full and correct interpretation of that scene of annabeth looking through the gate

finished Mary and George and the way that Julianne Moore is a fucking God-tier actress and the exquisite torture of the mother/son corruption arc where in the end the mother can't control the monster she's created.......... It was giving me the high I haven't felt since Atia and Octavian I must say

Tony Curran was also FABULOUS

You have to ask Daphne out again.