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#i feel like i've posted bits of this one before but i don't feel like checking
olderthannetfic · 3 days
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hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused
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A big factor in LJ's greatness is timing and nostalgia.
It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.
LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.
I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.
People often remember this phase but not the early days of suckitude.
This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.
There are people who talk about Tumblr the way my cohort talks about LJ...
And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.
Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.
What life phase you hit a site at matters.
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With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.
The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)
Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.
Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.
But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.
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The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.
On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.
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But could we use Tumblr pretty much how we used LJ?
We could.
I do.
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The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:
Heavily text-based
It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.
You could follow the discussion
Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.
The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"
All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.
On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.
(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)
It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.
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These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.
For me... yeah, Tumblr functions almost exactly like LJ.
Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.
People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.
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So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.
Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.
We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.
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Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.
The missing piece is people.
When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.
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Threaded comments are different and better.
LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.
A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.
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So by all means, people, weigh in about what made LJ great or how the culture felt at the time...
But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.
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jo-com · 2 days
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Charles jealous and possessive please 🔥 Smut. Thank you so much ❤️
₊˚⊹♡ ➛ le mien
Charles Leclerc x Fem!reader
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Summary: Part 2 of Mine
Genre: DARK fic.
Word: 2.03k words
TW: baby trapping, p and c penetration, possessiveness, jealousy, branding, manipulation, obsessive behavior, bit angsty, corruption, brainwashing, wrap it before you tap it folks and overall messed up shit. This is not proofread and there are some grammatical error also google translated french. if uncomfortable minors do not interact!!
─────── ─ ♡₊˚ 🦢・₊✧ ─ ───────
Y/username just posted!
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Liked by Charles_Lecler, Francisca.cgomes, Carlossainz55 and 1,290,456 others
Y/username Happy 4th Anniversary Mon amour!
Charles_Leclerc i love you so much darling!
Y/username i love you more💋💋💋
Carlossainz55 Stay strong guys!
User1 Cutest Couple ever🙈
User2 JUST GET MARRIED ALREADY
User3 Agreed😍
Y/bff The cutest fr
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Arthur_Leclerc Congrats bro!
❤️ liked by charles_leclerc and author
Despite all the love you share on social media, nothing can compare to the real truth that exists beyond the internet.
People don't see the things he does behind closed doors—all those emotional abuse, obsessive behavior, and possessiveness. Never, even once, do people know that it's happening between the two of you.
All they know is the sweet words you guys share in each other's posts and the way you act whenever there are people around you two—all sweet and loving like one of those fairy tale romances you read. But behind all that, they don't see how hurt you are mentally. It was happening constantly, and you were so used to it that you became numb and just succumbed to the growing pain you feel inside. 
To the point where you act like his puppet—doing everything that pleases him, and acting the way he wants you to.
You never once complained, thinking that it was just how love goes.
You were a fool. A fool blinded by "love".
...
"Hey y/n/n, are you alright? Me and mom have been worried about you; you haven't been going to our usual family gathering." your sister asked over the phone.
It was true; you haven't been going to those gatherings for a while now, only because Charles said, "It's not safe to go outside," and of course, like the sweet girlfriend doll you were, you followed his words.
You stared blankly, your mind wandering off. You tend to get lost in thoughts nowadays, and you're not sure why. Maybe it's from the stress you've been feeling, but you just brushed it off like it was nothing.
"Yeah, I am good. I've just been busy lately, you know? Keeping the house safe and everything," you chuckled dryly. 
"You know I can tell when there's something wrong, right? So just tell me."
Before you could answer, Charles walked into the room. With one hand holding Leo, he was snuggled up nice and cozy in his embrace. His eyes roamed around the room searching for you; his gaze then fell prey on your meek figure—you sat there holding the phone in one hand while the other rested on the softly fabricated couch. You looked angelic, as if untouched by any form of evil. 
Then again, Charles wasn't just any form of evil; he was the reincarnation of the devil himself, and he wanted nothing more than to corrupt your innocence.
With a soft smile, Charles walked to where you sat, sitting beside you and settling leo down on his lap. 
"Who are you talking to poupée (doll)?" he asked nonchalantly.
"Oh, just my sister; we were just catching up on things." You muttered, your voice quivering slightly; you don't know whether you were scared or just have some sore throat that made your voice crack.
Charles looked at you in disbelief, his eyes narrowing with skepticism, and simply turned his attention back at Leo. "Hang up the phone," he said bluntly, not even sparing you a glance.
"But baby, we were just talking." You tried to argue with him, telling him that you just wanted to chat with your sister, but as usual, he blocked your words of plea and glared at you—he always does that, looking at you as if he were judging your whole soul.
His eyes have always been your weakness; they both scare and pleasure you at the same time. Charles knows that, and he uses it to his advantage every time.
The atmosphere in the room was heavy; you could feel it weighing down and crushing your spirit.
Sighing defeatedly, you had no choice but to end the call with your sister and not further complicate things.
"Hey, uhm, sis, I'll just call you back, okay? Something just came up."
You didn't even let your sister respond before hanging up the call. Charles hummed contentedly and patted the seat next to him. At that very moment, you felt angry with him, but you knew that you couldn't do anything about it, so you sucked it up and sat beside him. Leaning close to his embrace.
"Bonne fille, ma chérie (good girl, my darling)," he mumbbled softly, kissing the roof of your head.
...
Charles gripped your waist tightly, his jaws clenched, and hands balled up to a fist. He half-ass smiled at the man, trying to compose himself—fighting back the urges to beat the shit out of the guy in front of them.
He saw the way he looked at you; his eyes scanned each and every part of your body like you were some kind of art on display. fucking disgusting. 
You, on the other hand, held on to him, almost ripping the fabric of his clothes with your tight grip. You paid no mind to the guy he was talking to and just stared at the bustling room; in there, people were having fun, dancing, and drinking with others. 
At that moment, you didn't care about Charles or who he was conversing with; all you wanted was to spring free from his embrace and just party wild with others. Was that too much to ask for?
For him, it was. If it was legal, he wanted nothing more than to lock you up and live the rest of your lives together. So, having that idea was just wishful thinking—it never hurts to dream, though. 
"I'll see you around, yeah?" The man asked, earning a subtle nod from Charles as an acknowledgment.
"Quel putain de cinglé (what a fucking weirdo)," he mumbled under his breath, his accent making the words sound more spiteful and venomous.
You didn't hear him say that. You were too busy to admire people's enjoyment and bask in the laughter and smiles that surround you. How could people be as care free like that? The ache on your heart only grows fonder. Oh, how you wish you could do the same. 
With your head up in the clouds, you didn't seem to notice the angry monegasque that stood beside you, cursing you in any language he knew. The next thing you felt was a harsh sting that rested on your jaw.
"What the fuck is wrong with you? I've been trying to talk to you! What are you even looking at? Are you cheating on me, Chienne (Bitch)?" he yelled, not even caring anymore if people heard him.
Your breath hitches, eyes widening, and heart racing fast.
His hands were now on your jaws, gripping them with sheer strength. You didn't know what was going on or why this was  happening to you. You were always so nice and never did anything to cause harm, so why?
All those questions in your mind made your vision go blurry and your head spin, causing you to black out on the spot.
...
You woke up the next day with a pounding headache and only bits of memories of what happened that night. "Ouch," you winced, massaging your head to try and ease the pain. 
As if on cue, Charles walked in with medicine on his left hand and a glass of water on the right. 
His face lit up, seeing that you were now awake. He softly smiled and walked towards your shared bed. The matress dipped down as he sat next to your sitting body.
"Are you feeling better, mon amour?" he asked. His hand was about to stroke your cheeks, but out of reflex, your body flinched at his sudden movement. 
That made Charles frown. You know how bipolar his mood has been; that's why you've been extra careful not to ruin it. You were expecting him to be mad, but what happened was the opposite. He only sighed deeply and lowered his head. 
"I am sorry, Mon cœur." Your being shocked was an understatement; in fact, you were flabergasted at his words. You never knew that hearing him say that would make you want to tear up.
"Hey, baby, it's okay. I know you didn't mean for it to happen," you assured him, and rubbed circles around his arm. 
And just like that, Charles once again got you wrapped around his finger. You were way too easy to convince and so naive that you'd fall for anything he said.
He slowly lift up his head and gave you a light smile.
You then melted at his expression, it was silly of you to think that a face like that could ever harm you. he would never do that.
...
"Fuck, Charlie, put it in already, please," you begged, your eyes watering from the overstimulation. His hands gripped your waist tighter—muscles flexing in the process. 
"You're so needy for my cock, mon amour," he breathes out. 
The two of you have been at it for half an hour now, both out of breath and with marks made by one another. Your bodies were sticky with each other's bodily fluids, but you guys paid no mind to that. Only focusing on reaching the pleasure you both wanted so badly.
Without wasting a second, Charles huridly inserted his dick into your aching core. Your eyes widened from the sudden sensation between your thighs; you could feel how he was stretching you, and the need for him to satisfy you only increased. 
"Move, please" you said, your voice quivering and hands scratching his back to let out some of the pain.
Your legs instantly rested on his lower hip, wanting to keep him as close to you as possible. You don't know why you're acting like that, but you suddenly got the urge to mount him and fuck him till dawn. 
"Shit baby, you're always so tight," he chuckled, his left hand settled in the headboard while his right hand played with the nub of your tits.
His hips clashed with yours, making the two of you a moaning mess. Charles then dove down to your breast and licked it, biting and teasing them. He made sure to leave plenty of marks. 
"Oh god, i..i am about to come," you gasped, your toes curling from the rush of adrenaline coursing through you. 
"Just come for me, baby," he said, continuously pounding into you, your flesh crashing at each other and making a loud, smacking sound.
His hand then snaked up to hold onto your ankles, lifting it up. Shifting his dick into a deeper position.
With the new found position, your vision started to go blur; now only seeing nothing but stars. Your mind then turns hazy, and hands gripping tightly on the duvet sheet that scattered on the bed.
"Fuck, fuck, fuck" was the only thing you said before collapsing on the matress, your body convulsing with pleasure as your juices slowly fall down your flush tighs.
"Damn, all that for me, ma chérie?" Charles laughed, licking his lower lip at how ravishing you look; fucked out and cockdumb for him.
He continued to rut his hips to your overstimulated cunt. "Fuck, Je veux mettre un bébé en toi (i want to put a baby inside you)" he mumbled, not minding your state and carried on fucking you into an oblivion.
"I'ma fill you with my cum, make you a mama and the fill you up again....fuck" he rambled, his hips never stoping, not until he reach his high.
And after a few more thrust, he finally came inside of you— his eyes rolling in the back of his head with satisfaction. He continued to rut into you; not wanting to spill his cum and then coating your walls with his white seed.
You were sure to get pregnant by that and after that, you two are going to be tied forever, just like he planned.
...
yeah that was pure filth, hope you guys like it though! My requests are always open.
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myfairstarlight · 3 days
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An Ode To Friends to Lovers - Colin and Penelope's story
Fine, I give in.
As someone who considers themself more of a casual viewer (as in, I've never engaged in the fandom before), I went into this new season with mild interest. And then I fell down the rabbit hole. I should have suspected it though, Friends to Lovers is a trope I affectionate particularly when it comes to romance, unfortunately one I very rarely think is done well. So I was still skeptical going in.
But by God, did they deliver on that front and I need to break it down and talk about it. So I guess this is my review of Bridgerton s3, part 1.
Under the cut though, because this is gonna be a long one (seriously, this is a warning).
I don't particularly think Bridgerton is a complex show, and one can argue all day about whether it is even good (in my eyes, as long as it's entertaining, I don't care if a show is "good"), however, the number of takes I've seen online not understanding basic story-telling worries me a bit.
Don't get me wrong, I agree this first half has pacing issues but I do not think Penelope's and Colin's love story suffered that much, it did not feel rushed to me since we already knew these characters for two whole seasons (and I maintain Colin has always had more depths than what people pretend he does, it seems like, just like the ton, viewers like to overlook him and just characterise him as naive).
And I guess this long ass post was born in the process. So:
Part One: Penelope's glow up
Yes I'm starting by looking at them individually first. I think this post on reddit sums it up so perfectly. I get we're all joking about how unrealistic it is that no man was ever interested in Penelope despite how she looks like an absolute goddess (and I maintain she was the cutest in both previous seasons as well!) - unfortunately it is realistic. That's the reality of bullying, it doesn't get solved by a glow up. Even her association with the Bridgertons through Eloise and Colin did not lessen the bullying, so without them? Even the prettiest dresses would not have changed the ton's perception of her, and she's still the awkward, anxious girl she's always been, and unfortunately, most of these men are not attracted to that. It's not satisfying, she doesn't get her triumphant revenge on a society that always ostracised her - and I think it's important that she does not. That she accepts it. She should not have to change for a ton that will not change for the better either. And it's a lesson she learns quickly - someone will love her for who she is, pretending will only lead to misery. And, it is when she's being herself that she successfully gets the interest of some gentlemen (shout out to Lord Remington! I was so hoping we would be seeing more of him on top of Debling. He's such a Whistledown fan I thought that even after the whole lesson reveal scandal he would have stuck to call on Penelope the next day to gossip together, it would have been cute but I guess he too wanted to avoid being written about) (also I'm just saying in fics he should be the one considered as a proper other suitor for Pen since they seemed to have a genuine connection, meanwhile Debling was really searching for practicality).
The thing I wanna add to that post is this: despite all that, she decided to change her looks for herself. When I first learned of the plot of this season, Colin helping her find a husband, I was scared it would mean Colin would be the one to tell her to have a makeover. It doesn't happen. Sure, Penelope subconsciously requests for a more Parisian style for her new dresses because it is the last place Colin went to, but by that point she has already given up on him. She wants something new, and to feel good in herself. That's how she blooms, by finding a style that she feels comfortable in, finally free from her mother's horrendous tastes. That's what allows her to be more confident as well, the new looks and her motivation to move on from her "unrequited fantasy". As for Colin? He never comments on her change, he compliments her dress (and mind you, that is when he's trying to play up the charm because he knows she's upset with him and he gets humbled, hard) but he never says it looks better on her than what she wore before, he never has a "I never realised how beautiful you were" moment we see a bit too often in friends to lovers stories, because to him she's still his Pen, new dresses, new hairstyles, but the same Pen he's always loved, even if he didn't realise to what extent yet.
But Penelope's confidence... is not quite there yet. Difficult to be, when she's grown up in a loveless home, with horrible sisters, a father who barely cared and a mother who constantly puts her down. Whenever she gets a compliment, her first reaction is "ah, it must be a joke" - that isn't even exclusive to Colin, in the brief interaction between Edwina and Penelope, when Edwina compliments her dress, Penelope also dismisses it. And then, there's Colin, who is always oh so honest with her and does not shy away from praising her. But I'll touch more on that later.
Part Two: Colin's new self.
And then we have the opposite: Colin showing up with a new attitude, and succeeding at it (well, on the surface). Something I haven't seen people bring up a lot though is that he's already tried a new look in s2, and he got mocked for it. The only one who didn't? Penelope. Why didn't he try to emulate being a rake back then? Because Penelope's letters grounded him, he admits it himself. It's seeing himself through Penelope's letters that gave him confidence. But that kind of confidence was not enough in the ton's eyes, and on top of that, between s2 and s3, this time Penelope doesn't write back, and neither do his family. He grows insecure, he's lost the one person who kept him grounded, he thinks his family is annoyed with him, and he still is in search of a purpose, so what does he do? He clings to Anthony's words in s1 after the disaster that was his engagement with Marina: he's too green, time to "fix" that and be more like his big brothers. They got it together, they know their purpose (well, Benedict lost his again but that's a story for another day), so surely, if he acts more like them, and not like the sensitive and naive boy he was, then surely everything will be alright! Right? Note that as opposed to s2, where he kept talking about his travels and it annoyed everyone, in s3 he doesn't go into details about them anymore, even when he's asked. They're only interested in the company he kept during the travels rather than the sights he saw. And honestly, it was heartbreaking to see right away how much of himself he was holding back, even with his own family. Penelope, however, gets the details without even asking because he already knows she likes hearing him talk about them and she makes him comfortable, and he's fully aware of that when he apologises in s3e1.
(I also want to note that, even if this new persona is fake, his new style genuinely fits him better. Just like Penelope, this season Colin found the style that makes him feel good and confident.)
And here's where I need to praise Luke's acting for a bit, because he absolutely nailed the subtle way Colin behaves differently with Penelope vs everyone else. His voice is softer, he is effortlessly charming (I was kicking my feet when he recalled how they met), his smile is bigger, even his whole face looks more relaxed whenever Penelope is around, meanwhile he always appears stiff and like he's calculating his every move when around his "friends". In fact, it is in the carriage scene we finally truly see s1&2's Colin back. When he has that look on his face, as he decides right there and then he's gonna marry her, and then a second later when he asks the question, his face. By God, his eyes are sparkling, he's so happy, and he looks as youthful and carefree as he did in previous seasons, far are the thoughts of trying to fit in a society that he hates.
Because above all, these two know and understand each other in a way no one else in their lives does. And that is a fact that remains despite the outward changes. So yes, I liked that their dynamic did not shift to romance because of their "glow ups", but because they are spending even more time together now. Speaking of which:
Part Three: Authenticity and Vulnerability
One big theme this season is being true to oneself. It's no coincidence mirrors are such a big part of it (even outside of the yet to be seen spicy scene), because looking at a mirror means looking at oneself, and be vulnerable. If s2 was about duty vs heart, eldest siblings trying to do right by their family to the point of self-sabotage, s3 is a battle between the head and the heart. It is not even exclusive to Polin - Eloise is learning and growing by trying to take genuine part in society but struggling to fit in. Cressida wants to become a better person, torn between the pressure put on her shoulders by her parents and this new friendship with Eloise. Benedict is looking for his purpose after learning Anthony paid his way to art school, and feeling like a fraud as an artist. Anthony and Kate are unashamedly in love, as they deserve to be after the struggles they went through last season. Francesca has no care for the suitors the Queen and her mother parade in front of her as the "sparkler" of the season (sidenote but I hated that, stupid name, should have stuck to diamond or select another gem) as her heart seeks out the handsome and quiet John Sterling instead. And this will continue in part 2, as Penelope will have to be honest about Lady Whistledown (because she's always her most authentic self around Colin, there is still this big secret she is so determined to keep to herself, when she should not).
The beauty about friends to lovers stories to me is the small declarations of love sprinkled throughout the relationship. It's about the trust already built in with no expectations and the vulnerability we'd never allow anyone but our closest friends to see, something even our family can be ignorant to. I mentioned earlier that Colin never shies away from praising Penelope, way before their dynamic shifts to lovers. He tells her she's good, constant, loyal, special, warm. All of these are declarations of love, even if not with romantic intent, it's about showing his appreciation for her, for the role she holds in his life. And Penelope responds in kind as well. That is why I believe people who think the romance was rushed in s3 either did not watch the past two seasons or see friendship and romantic love as two distinct things rather than a cohesive continuation of each other. In s1, people focus so much on the Marina stuff, as if that cancels out Colin's friendship with Penelope. We still do see Colin actively seek out Penelope at balls, and defending her against Cressida, he compliments her and tells her she's the one who inspired him to travel. Then s2 rolls in, and they're exchanging letters, which will become the cataclysm for their dynamic changing later on. And then there's one of my favourite scenes with them: them talking about their purpose. They both open up here, Colin about his insecurity, Penelope about her dream, it is so intimate. And then, there's of course Colin protecting the Featheringtons from ruins. I'm mostly emphasising Colin's actions, because Penelope's crush on him was always in your face, and while Colin may not have realised it yet, he's always cared about Penelope in a special way, as manifested by his actions and how vulnerable he allows himself to be around her, when even his own family has no idea about what's going on inside his head.
There's a misconception that Colin calling her his friend was him rejecting her, and yet we see in s3 he had no idea whatsoever that she has a crush on him, so he could not lead her on (unlike his book counterpart, who was aware of Penelope's infatuation and was careful never to toe the line until he realised his feelings. Show Colin though? Completely oblivious. And it makes sense, he's still young.) He asks Violet "how do you know it was reciprocated" and not "how do you know you're in love with your best friend". As of right now at the end of part 1, he genuinely thinks he's the one who fell in love first, or at least realised it first. His "You're Pen, you do not count, you're my friend" in s2, was not a rejection in his eyes, but a declaration of love; he's forsaken love and women but not his Penelope, never her, she's his exception And it's not like Penelope resented him for that friendship he so readily gave her, yes she had a crush, but she was proud to call him her friend! He was, with Eloise, her solace away from her family. At the end of the day, this is a friends to lovers story, it is silly to get upset that they considered themselves friends first before there is a click as they realise they are now on the same page to shift their relationship.
Side note but I've never liked the term "friendzoned" because it makes it sound like being friends is a bad thing. I've had unrequited feelings before but I've always felt grateful that being friends with them allowed me to stay close to them even if I knew nothing else could happen. I was still very much happy and content. But maybe I'm projecting on Penelope and that's another debate.
See, what I ended up loving about the lesson plot, which I was so wary of at first, is that Colin barely teaches Penelope anything. At first, he goes for the "do what society expects women to do" (since it worked for him) but then she acts awkwardly, she can't fake it, and it surprises him for a moment. That's when it clicks for him, she just needs to be comfortable because with him, she's always smart, witty and charming, she's herself. He's always seen her that way, and he did not quite realise he had that privilege in the first place. And I love how we see him slowly realise it is no longer a privilege thanks to his help. We see it in e2. When she talks to the guy with the dead horse (forgot his name, oops), Penelope forces the flirt and Colin is amused by it. Fast forward Penelope approaching Lord Remington by herself, without Colin's initiative, and she's being more authentic, and suddenly Jealous by Nick Jonas plays in the background and Colin doesn't look proud, but apprehensive, or dare I say jealous. The shift in Colin's head happens long before Debling is in the picture. I'd argue it already shifted earlier in that episode, in his study, which he flashbacks to in e4.
His journals detail how unfulfilled he feels when he lays with random women in his travels. He longs for emotional intimacy. And guess with who he finally finds that, when a certain red-head asks the one question that allows them to break the physical barrier they had to keep between them for the sake of propriety?
Ah yes, that first kiss. To Colin, everything has been building up to this, this is his true Oh moment. A favour turned into a revelation. For Penelope, this is quite literally the end of her fantasies. This is Penelope's most vulnerable moment. She bares her heart, she's sad, she's desperate. And some people have been calling that moment pathetic, interpreting it as her being weak and giving in to her crush again, saying that she should not have to beg for that man's affection. I concur that she is brave, and bold. I also concur that some of you all are a bit too attached to the girlboss archetype forgetting that allowing oneself to be vulnerable is also a strength. She's never had to beg for Colin's attention anyway because he readily gives it to her, but in this one instance, for once in her life, she is truly being honest. In her head, she has nothing else to lose, and she wants to experience the one thing she thinks she can never have so of course she's gonna turn to the one person she's always trusted and feels the most comfortable with, because before her crush, Colin is her friend. She's asking a favour from a friend. And then she can move on, whatever "moving on" will turn out to be. In this instance, she has the power in her hands.
And it is her bravery that is the true cataclysm for things to change properly. Of course, things have already started to change the moment she stopped replying to the letters, but that moment really expedited their relationship.
Part Four: Lovers, but in a best friends way
The thing with Bridgerton, in the books or in the show, is that each couple has their trope. This is not news to anyone, I think. We've had fake dating, and enemies to lovers, and one characteristic that these two tropes share is a growing tension between the characters before it snaps. There is a reason the early marketing for s3 focused on Penelope being cold towards Colin, tension and conflict are more appealing on the surface. And then the first half of the season comes out and that conflict between our main couple? Solved after one episode because they did one thing that is severely missing in most romance dramas: communicated healthily. Penelope laid out why she was upset (although she does not stay to let Colin explain and then vents out her feelings in Whistledown... she still has some learning to do), Colin immediately went to apologise and make up for it. All of this by talking. And yet I'd argue friends to lovers still has its own tension, just not to the same intensity as the other two, and more difficult to market. The tension comes from the brewing feelings, the way you start seeing every touch, every interaction, in a whole new light, and wondering if it's only in your head or if it's reciprocated. But now combine that with Colin who's always been so earnest about his feelings with Penelope? And Penelope who's always quietly wanted their relationship to evolve that way? Of course they figured it out quickly and got together in half a season. And I'm delighted that we will see them handle the whole Whistledown mess as a couple, as two people aware they love each other deeply, which gives a whole new meaning to the conflict compared to the book where I felt like it was brushed over a bit too quickly (because they got distracted in that carriage). It is the last secret between them, their last obstacle.
I also do not like the "Colin should have grovelled and pined more" argument, when he is the one who insisted on the lessons to help her find a husband in the first place, and then has to face the fact that actually, he doesn't like the idea of another man taking Penelope away, and oh, isn't that the consequences of his own actions? He is grovelling, you just don't see Penelope holding it over his head, because that's not the person she is, this is not a revenge fantasy story, in fact she does not realise the power she has on him because she is used to Colin seeking her out. I like that he didn't stew on his feelings and decided to act on them right away. I also don't like how this whole grovelling thing makes it sound like love is a competition, that just because Penelope has known she's been in love for longer and "suffered" longer, that means Colin needs to do the same to even the planes. Because in my eyes love isn't exactly something to be earned — it is given. Now, are you worthy to keep it? To nurture it and make it bloom and last? That is the real question.
Admittedly, since this is only the first half of the season, we do not see them in a romantic setting a lot. That first half is focused on them rekindling their friendship lost during the summer when Penelope stopped responding to the letters, and Colin having the realisation he cannot live without his best friend, not just because she is his best friend, but also because he loves her. But we do have two important, and obvious instances.
So let's talk about that first kiss again. It is, in my opinion, one of the most gentle and romantic moments in the show so far and also showcased their friendship really well. Colin trying to joke to lighten the mood as Penelope spirals down (peak best friend behaviour actually), the gentle, swelling music, the light of the moon, Colin's deep exhale of realisation as he holds her face when he goes back in for the second kiss, with the furrowed brows of a man on a mission. This is Penelope's most vulnerable moment and Colin's big realisation. And I felt like I was intruding.
And same goes for that carriage scene, but even before they go at it; now this is Colin's most vulnerable moment, and Penelope's realisation that they can be more. He chases the carriage by foot, then goes on his knees to confess his feelings to his best friend in the softest and most determined voice we've ever heard him use this whole season, eyes wide, tears threatening to fall as it is his turn to bare his heart and ask for a chance. Meanwhile Penelope takes it all in, running her hand through his hair because she can finally touch him, melting under him. Things get steamy. And then... and then... The carriage stops, they get startled, Colin jokes that the driver should have kept on driving and then... they laugh. They just made out, and went to second base together, and yet here they are now, laughing. It is such a genuine and lovely moment. And it's then that Colin has that look in his eyes, that "I'm gonna marry her" look. That is when he realises he cannot live his life without her. That his purpose is now right in front of him: making Penelope Featherington, soon to be Bridgerton, laugh until the end of their lives.
Conclusion
There's no conclusion, I just love them so dearly. Yes, there still is the whole Whistledown mess to deal with and sure, the argument with Eloise may make you think great angst is ahead but if there is one big difference between Colin and Eloise, it is this: Colin has always listened to Penelope, and this is not a diss on Eloise. Eloise, bless her heart, can be pretty self-centred, she's loud and a bit immature, something she is growing from in s3, and you cannot ignore that she did not really listen to Penelope (she has no idea Penelope wishes to marry when Penelope tells her she does in s1, we can blame the writing, but I do think it fits with Eloise's journey to realising how privileged and dismissive she is. Penelope was too polite to call her out until their falling out. Meanwhile Cressida is exactly the type of honesty she needs for a wake up call). Colin, on the other hand, is very sensitive and a good listener. Furthermore, this season, Penelope is learning to be more confident, to voice what she wants, and I like to think it is leading to her finding her own voice and not needing Whistledown to hide behind anymore. If there's someone with whom she has no filters, it is Colin, so I have faith that when the reveal happens and an argument breaks out, this new Penelope will not back down and will lay out all her reasons and all her regrets, and Colin may be stubborn, but he loves that woman and he always listens.
A part of me also wishes they keep the jealousy he felt about her writing in the book, and that they don't focus just on the whole "you lied to me" aspect (we've already had that with Eloise). How he, himself, is insecure about his writing, and here Penelope is, less fortunate than he is, and yet who did have the courage to get her writing out there, even if publishing under another name. Because that is also a reality in relationships, when your partner is at a different stage in their career, and how they can communicate to support one another.
Anyway, I'm just rambling now (as if that isn't what I've been doing this whole time). I like them. A little. Just a bit. I'm very normal about them <3
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Happy Sunday!
Thank you so much @kiwiana-writes @suseagull04 @tailsbeth-writes @myheartalivewrites @thesleepyskipper
@henryspearl (hiiiii!!) & @taste-thewaste for the tags! Some of you have recently started tagging me in these and it makes me so happy when there's new people adding me to their lists!! (equally devastates me when people stop tagging me but that's a problem for my therapist lol)
I'm very excited to share this bit with y'all because I've been wanting to write the pride chapter for so long and I sort of finally got to it! I was so excited that I texted Morgan at 1am to see if she could take a look at it at some point today and she did because she is the best! Anyway, hope you like this! There's a moodboard that goes with this chapter, you can find it here!
“You look, um— you have. Is that—? Are you wearing an earring?” Alex stammers through his words until he can finally ask a full question.  Henry is beyond confused. He looks at June and Nora before he answers Alex, touching his earring briefly. “Yes. It’s a bit ridiculous, I know. A silly attempt at rebellion in college. Pez made me wear it today.”  “It’s not ridiculous, it's— it’s cool. Looks cool.”  In the corner of his eye, Henry can see June and Nora watching them with their heads going from one to the other like it’s a tennis match, but he tries to ignore that and adds, looking Alex up and down. “You look cool as well. Very— interesting outfit.” Henry hates that he knows he is blushing. He hopes to God it passes as just the summer heat and not the real heat he feels burning from the inside out because of the way Alex is dressed. Toned, with tan muscles exposed and shining in a mix of sweat and glitter that the three of them are wearing all over their bodies, he's a vision. Again, it’s obscene.  “Are y’all done ogling each other?” Nora asks, June giggling next to her. “I’ll say it for both of you. Henry, you look amazing. Colours look great on you and you should consider wearing that earring permanently. Alex, you look like a slut, affectionately.”
tags under the cut!
I’m tagging both people I want to see what they’re up to and people I’m hoping will see this snip: @read-and-write- @theprinceandagcd @hgejfmw-hgejhsf @cricketnationrise @pridepages
@clottedcreamfudge @anincompletelist @three-drink-amy @lizzie-bennetdarcy @zwiazdziarka
@priincebutt @firenati0n @bigassbowlingballhead @onward--upward @blueeyedgrlwrites
@getmehighonmagic @ninzied @nocoastposts @wordsofhoneydew @14carrotghoul
@eusuntgratie @onthewaytosomewhere @brokenpartsmightfit @cha-melodius @itsmaybitheway
@i-am-freyja as usual, sorry if you posted and I missed it and if you don't want to be tagged, let me know! And of course, open tag! If you choose to take it, tag me so I can see!
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distort-opia · 2 days
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Tort can I bother with something? Like, I don't know how you feel about people asking your opinion about batman stuff a lot but I since you have read much more comics and for a longer time I always think "well, she must know more about it" 😂 I hope it's not annoying.
So the ask in question is: what's the difference between Joker and Riddler? And not the thing they two had about the difference between a joke and a riddle but in batman's perspective, kinda? What Joker have that Riddler don't? Because this pattern of Batman being "nicer" (as nice batman can be with a criminal lol) with Joker and hating (I don't if he hates him but anyways) Riddler keeps repeating in a lot of media now. It was in the comics with Tom King, in the movie with Batman 2022 and we have the games and books with Batman: Arkham knight and Batman: Arkham knight: The Riddler's Gambit. What's the difference they have to batman? It's especially ironic since also in a lot of media they kinda of two side of a coin (don't know if this sentence apply to these two. What I meant now it's the joke vs riddle thing now jajaja. People sometimes mistake a joke for a riddle and vise versa. So it's like people thinking they're the "same", when actually, there is a difference between a joke and a riddle.) (and when I say "people" I'm talking actually about the people in the DC universe not people actually people)
Hey! I don't mind the question, no worries. I'll say this though, it is a bit of a funny ask because I've had this sort of discussion with people before, and I hope I'm able to find the posts, because it's still funny to me. Here's one of them, with a lot of comic recs and everything. Essentially, how are Joker and Riddler different to Batman in the comics? Bruce is obsessed with Joker, but Riddler... pisses him off.
As you mention yourself, Riddler pisses Bruce off so badly Tom King wrote two comics in which he attempts to kill Edward (The War of Jokes and Riddles, Batman: One Bad Day -- The Riddler). He's similarly peeved with Riddler in the Arkhamverse, especially after Edward tries to fill the vacuum left behind by Joker's death and replace him. And well, I'm not gonna delve into The Batman (2022) because the Riddler of that movie is much different to the comics version... as is Barry Keoghan's Joker. I'm not a fan of the way Matt Reeves took these characters and then mixed their backstories around because he wanted to "put his own spin" on them or come up with a "novel approach". Riddler in The Batman (2022) is quite different to the comics version, so I feel any discussion of dynamics within that movieverse has to be its own thing, and acknowledged as such. I'll put the rest of the answer under the cut though, because things have gotten long enough as it is.
In comics, Joker and Riddler are obviously different individuals, although they've got similarities too. Sometimes writers don't know how to write Riddler well and kind of have him as this bad copy of Joker (because how different are riddles and jokes, right). But the two characters have different goals, different backstories, different dynamics with Batman. Bruce is obsessed with Joker for many reasons: he sees himself in him, he projects onto him, he feels guilty for his existence and also relies on it. Joker is a villain Batman had a direct hand in creating. Joker is Batman's equal and the one to actually want all his anger and his violence. Joker is about making the world realize that it's all a big joke, that nothing matters, which is his ultimate point. He likes fighting Batman and getting beat up... while that's not really Edward's case, who isn't really portrayed as a masochist:
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Batman (2016) #32
Meanwhile, Joker:
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Batman: Legends of the Dark Knight #61
Edward's much more focused on intellect-- that's the facet of Batman's psyche that he, as a Rogue, is meant to address. He's meant to challenge Batman's detective brain, his high IQ. One could say Edward is just as obsessed with Batman as Joker is, but it's a different flavor: while attention-seeking is a big component for both of them, it's much more pervasive for Edward. And that's one of the reasons Bruce is so annoyed with him; the fact that he chooses to get people killed over his selfish need to prove he's the smartest guy in the room. That's what probably activates Bruce's mean streak with Edward more than with the others too-- the need for attention and validation, mixed with fear of him. Because the thing is, Bruce requires things to make sense almost pathologically. So many times, the question he poses to individuals wreaking destruction is "What is the point of this?". And he can understand them, when there's a grander purpose he can even remotely relate to, no matter how dark and twisted. He's related to Poison Ivy, to Joker, to Ra's al Ghul... he even gets Scarecrow, because he knows what it's like to be obsessed with fear and the goal of conquering it. Or maybe it's not accurate to say he doesn't get Edward, because he can relate to having a compulsion, but it's that Edward's compulsion is uncontrolled and about himself. I literally just said that Bruce needs things to make sense, and Edward needs answers, so clearly they're similar in that. But Bruce puts his own in the service of something bigger than himself (in his mind), while what Edward is doing is simply indulging his compulsive need to assert intellectual dominance and get attention, making Batman the target of it and getting people killed along the way.
As to the difference between a joke and a riddle... sigh. I fully think Tom King brought that up in The War of Jokes and Riddles as something that sounds cool, but not something that actually means anything:
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Batman (2016) #32
If it does mean something, to me this is more Joker saying "Do you know what the difference between me and Edward is?"... which is connected to the abstract difference between jokes and riddles too, in a sense. What does a joke want? A joke wants to make people laugh. But what does a riddle want? A riddle wants to be solved. A joke is about the laugh it gets; a joke, ultimately, is an attempt to connect with other people. But a riddle is an intellectual pursuit centred around the answer hidden within; a riddle needs someone to make the effort and chase it and solve it, unlike a joke which is the one to make the effort. A riddle is about itself. In my opinion, Joker is saying that he saved Batman from killing someone and destroying himself, because Joker needs someone to make laugh... he needs an audience for the jokes he's trying to tell, and that audience is Batman. Riddler isn't the same; Riddler needs someone to solve him.
Anyway, can't say I'm an expert on the dynamics between Batman and Riddler, this is just my personal opinion. But I hope this helped with understanding the differences a bit more! Or maybe don't take it from me, take it from Joker's own pep-talk to Edward in Death of the Family:
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factual-fantasy · 1 day
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17 asks!! Thank you!! :}} 🦙
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@dunkudunk
XD Their names are Midori and Anastasia! :DD I originally had Midori holding Anastasia in this post because everyone else was significantly taller than her but I still wanted her to be included in the comic XDD
That interaction though turned into them having a close bond in my stories. Anastasia is always around Midori, usually being carried by him. There could be a lot of reasons why..
Anastasia IS a shiny. So I can imagine people have tried to capture her on sight in the past. I mean.. that's exactly what I did! XDD
Since Meowscarada has the highest speed stat out of the whole team.. I can imagine that he carries Anastasia around to protect her. If someone or something shows up and tries to harm or capture her? Midori will be able to flee from the attacker faster than anyone.
With that in mind, there's a lot more reasons why Midori carrying her would be beneficial. Ana has a hard time keeping up with the group cuz she's so little! Trying to walk with them would also tire her out too-
As for their separate personalities.. I pictured Midori being rather introverted and quiet. Polite, a bit shy.. but a very good friend. He's a skilled fighter though he would rather not resort to violence if he can help it-
I thought of Ana having a playful personality. Theatric, loves to joke, loves to sing. She can be sarcastic and grumpy at times but its rare. She's usually happy and chatting away with one of het teammates :}}
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(Link in ask) (In response to this post)
Aww.. what a beautiful song.. 🥺🥺 I added it to my favorites and I gotta check out other songs by her 😭
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@dubb0-g0ldfe11 (In relation to this post)
XDD That's not nearly as embarrassing as BINGUS XDDD
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@fandomcenteral
Thank you! And don't you worry, I've been trying to try my best to take care of myself <:} 👍
And oof, I'm sorry to hear about your carpel tunnel :(( I hope you feel better soon! <:(((
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(Image from this post)
YEEEEAAAHHH LOW RES CREATURES LES GOOOOO!!!
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@candyglumboy
I drew pixelated Grimace and Sylvester in this post at least! XDD
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@tallchest13-blog (Referencing this post)
That makes 3 of us! XDD
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XDDD Thank you so much!! I'm glad you like them!! :}}}
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THATS THE ONE!! 👆👆👆
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@couchwow
Welcome back and happy late birthday! :DD
AND AYYO?? THOSE ARE AWESOME!! :DDD
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Dang, what a lucky guy XDD
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@genshiicomms
Hey, in my defense he looks 10x more friendly with white eyes! XDD
And dannggg, G money got the drip frfr-
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@stupidspacepowl
THANK YOU SO MUCH!! :DDD And aww!! What a cute Umbreon!! :}}}
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@kirozil
That's a good question.. I believe I've answered this question before but I cant remember what the answer was.. <:0
I at least have this height chart of everyone as glamrocks..? <:DD
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@kermit-ydafrog
Hello! :DDD
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@scally-wiggles716
I don't wanna <:(((( He's scary looking-
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Its his own fault for coming to my door at 3AM lookin like that!! >:0
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coralpolyp · 3 days
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I'm not dead!
Hey look here's a redraw of the really terrible bit of digital art I did for last year's Mar13 day as proof! Apparently I didn't even finish the first one on time! Yikes!
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I'm well aware that it's been a minute or two since I last posted anything on here or on AO3 - to be more precise, it's been since Splatoon 1 died and I wrote that 8000 word depressing thing - I don't know why 8000 words always seems to be my sweet spot, but it's good to know that I have one. That being said, and with Side Order: Dark Side Mix currently MIA, I thought it'd be a good idea to to have what it is that I'm doing right now on-record in some capacity, for the one or two people who were wondering.
The next few weeks are exam season, so I don't think it's going to be smooth sailing per se, but Dark Side Mix will be completed. After running into a snag with the opening act - namely with the fact that it sucks - I started reworking the entire fic from top to bottom under a new name...and then I lost motivation to do that because perfectionism set in, and I haven't really touched it in a little while.
In the time that I've been away from it, I feel like I've become increasingly aware of how that perfectionism negatively effects me and my work - namely the fact that very little of it actually exists. I mean, sure, people seem to like the stuff that does exist, but there isn't much, and a lot of things are unfinished - usually because I placed too much value on the potential of "the idea", and spent so long labouring over the start of it that by the 10,000 word mark I had realised the flaws of the idea and lost interest in it.
I can't help thinking that's a bit lame. Every other writer has 100s and thousands of words of terrible amateur works they can go back to and laugh at, before they created the masterpieces they're known for now, and my story is that I just kinda show up every once in a while.
I think there's a real beauty to that - creating for the sake of creation, with no fucks given. Maybe this isn't the finest example, but I finally started listening to My Dad Wrote a Porno recently and...I mean... the sheer lack of fucks given is well and truly a gift that keeps on giving. Same goes for Philosophy of the World. Or SMG4 back in like 2014. Or old Eddsworld stuff. There's just a certain carefree joy (or existential dread in the case of the Shaggs) to it all that you never get anywhere else. It's like the difference between a 30 second gesture drawing and 6 hours of carefully-deliberated-over anatomy.
All that is to say - Dark Side Mix is a fundamentally flawed story. It is not high art, it never will be. I should probably just get it out there in it's entirety for the world to see in the time I have available to write, and then move on to the next "brilliant-idea"-that's-actually-just-ok. Nobody likes an "idea guy" - what good is it to spend one's entire life going around saying "I never finished this story, but it was great in my head, and the bit that you can actually read was alright too,"? Creativity should be about getting in there, making a mess, and having fun - let fanfiction be fanfiction, with that being addressed to nobody but myself, because nobody else needed to hear it.
Oh, also, another reason for my absence besides creative block and exams - I'm getting into comics! That, and practising my art fundamentals a whole bunch - I don't think my drawabox is particularly interesting to look at, so I haven't exactly been posting it. I've decided that I want to try giving an idea I had for what would've been another depressing Squid Sister 8000-worder the comic treatment, although you shouldn't expect to see that anytime soon, considering how long it's gonna take, and the fact that I would want to release something like that in no more than two parts.
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simplepotatofarmer · 18 hours
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If i think about crivals using fancy clothes for a party, i think ctechno would be the one who would wear the more elegant outfits. He might wear dresses, Suits and those experimental outfits he some people use at galas.
While cdream is the one who would apear to the party in sports clothes. He would look for sports clothes that looks good yeah but unless You fight him for it he's not wearing a suit or anything that doesn't allow movement. He's gonna bring a powerpoint.
So in events if they stand next to each other it's like, a pig man in a fancy dress and a Bunny guy in sweatpants and a hoodie. Tho neither of them use shows bc hybrid feet
oh absolutely!
i've actually talked about this a couple times! in fact, i made a post about the powerpoint thing awhile ago! it's one of my favorites: here.
i like to think about c!dream in dresses because dresses are pretty but i don't think it'd be something he gravitate towards naturally! he probably feels it's not exactly practical for what he does though part of me like the thought of him getting competitive with c!techno because dream is like 'you can't do THAT in a dress' and techno does it flawlessly and dream is like >:| and starts practicing.
like, my canon belief with c!dream and dresses is that it's purely a spite thing because techno can ride a horse and spar in a dress and there is no way that dream is letting him win. and maybe a begrudging respect because it is a bit easier to hide an axe under a skirt.
but overall, yeah, i think dream is always going to prioritize practicality (and not even necessarily comfort) when it comes to what he wears and there's also the issue of what dream believe he needs to be 'prepared' for at all times is a little.... off. paranoia driven.
where techno is running around five minutes before a fight and shoving potions into his pockets and going 'EHHHH WELL! we go, chat, we go.'
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slowlymyavenue · 21 hours
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An experiment in subtlety
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We've all got our favorite sorts of control.
Some enjoy the overt, the powerful, that feeling of your mind collapsing beneath the weight of another's will.
Others like the dance; verbal interplay, moving back and forth and escalating until the inevitable submissive climax.
There are merits to all of them, but my favorite is often the more subtle methods. Simple, subtle shifts in the mind, you might say. So, shall we begin?
In my experiments, I've always found the moment a subject slips into trance to be of particular interest.
How much of the setup is required, how much can be dismissed, how much is purely a matter of preference?
(This post requires a bit of participation, if you'll humor me. Try and pinpoint the moment your mind stops operating freely, the phrase that finally causes you to fixate fully on my words. If you're feeling generous, let me know in the comments below.)
What I've found is the latter, in almost all cases. That is to say, the bulk of the induction process is purely an issue of preference. The detailed setup, the verbal patterns? These are enjoyable components of the process, but that search for the moment of submission inevitably leads to the conclusion that they are largely for pleasure, and not strictly necessary. You slip in and out of trance as a natural process, day-to-day, and those moments need no suggestions to occur.
The moment that drops you, then, is a simple, subtle shift. One moment, you are actively in control of your thoughts...the next, you have surrendered that control to my words, chosen to let me guide you from that point forward. It's a fascinating thing - one particularly effective turn of phrase, a well-timed pause or lilt, and you're infinitely more receptive.
But I don't intend to sound arcane. You've likely seen Gestalt images - those pictures that can be two different things depending on how you look at them. A vase that is also two faces, the duck that morphs into a rabbit. The shift from wakeful to entranced is quite similar. I wonder if it feels the same for you.
You're staring at an image of a vase, and your eyes travel just a tiny bit to one side...suddenly there are two faces where the vase once sat. You're reading my words, lucid and by choice, when something I've said catches you in a stronger way than the rest... and then you are being carried along by them, no longer able to look away.
The change may be profound, but the path there is subtle. All the words and images evoked are simply means to an end, to recreate that small and simple moment.
It may have already occurred by now. Perhaps you are no longer fully conscious. Perhaps you were no longer fully conscious even when you began to read. It depends on how attuned you've become to my words - if at all.
Consider listening to a song that you know, in those few moments before you recognize it. The change between familiarity and clear, concise memory is another, very similar, phenomenon. You know the song when you first hear it, but the second you recall every line of lyric or melody is a separate moment.
Which situation is more analogous to slipping into trance, for you - or is it something else entirely? Do you like to feel your will being slowly seduced and subverted by mine, or is it more pleasant to be surprised by the sudden loss of control?
These questions are mostly rhetorical. After all, your mind is getting more and more hazy as we continue this somewhat single-sided discussion.
It isn't necessary to think in order to read my words, and reading my words without thought makes you feel very good. Relaxed. Comfortable. Even aroused.
The trick of a subtle shift is that at a cursory glance, it seems I've sabotaged it by asking you to pay closer attention. When you are watching closely, it makes sense that you'd be able to catch it - stop yourself, or choose to succumb. The reality, as you are beginning to realize, is quite the opposite.
Watching closely does not detract from that subtle moment, rather it makes the shift more effective. You can enjoy all the facets of the induction, and they become more compelling as your perspective changes and you feel it happen, all the while doing nothing to prevent it. You can practically feel my words acquiring a real, physical pull, drawing you deeper into fixation. It's always so nice to follow along, anyway.
This particular descent will leave you more dazed than the usual ones. You've been paying closer attention, leaving more of your awareness to be dissolved, melted away. That's alright, it will pass. You'll find yourself more easily able to fixate on my words as a result, and that's the point, isn't it?
Allow the blank, dazed feeling to arouse you more - or for the first time, if it hasn't already.
Let yourself drift in a comfortable sort of mindless fog, and begin to touch yourself for me. Let yourself linger more than usual on the sensation of pleasure you feel when you read my words, and especially when you follow and obey. Savor the haze that covers your mind, feel how it amplifies the arousal, makes it so much easier to touch yourself than to think.
Bring yourself to orgasm, and discover how long the subtle shift lasts this time. Like and reblog this post. Follow my account.
Tell me about your experience, if you like. Otherwise, drift slowly up towards lucid consciousness, and allow yourself to shift back to wakefulness. Take your time, there's no hurry.
As always, enjoy.
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rosedforbes · 3 days
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I've been working on this for an embarrassing amount of time, but i finally mustered the courage to post it! this a gift for @galvanizedfriend , my favorite autor, moot, and dare I say friend, on tumblr! Yokan, I'll never stop saying that your fictions are the only thing keeping me sane at the moment, and they've always been a tiny lantern during some tough periods of my life. I really hope you'll like this little Drabble about Kleve 🙏
DISCLAIMERS: Eve is NOT my character, she's from Yokan's series The Wolf ! also, this is my first time ever writing a fan fiction, and English is not my native language, so please, have mercy.
maybe there's a god, after all.
That's the thought that has been crossing Klaus' mind for sixteen years ,every single time he looked at his little girl.
After his experience with Marcel, Klaus has realized that raising a child into his own reflection is not a smart move. In fact, if Eve had turned out like her father, it would've been the very end of the whole human - and inhuman - species. Luckily for everyone, his beautiful princess is essentially the mini version of the only woman who shares the custody of his immortal heart with her: Caroline.
They couldn't be more similar if they tried. Like mother, like daughter.
If it wasn't for some specific.details that Eve couldn't have taken from anyone but him, Klaus thinks that people would start questioning if Caroline made Eve by herself, without the contribution that is usually required to create another living creature.
Even if he's quite proud – and grateful — about how Eve's turned out just like her magnificent mother, Klaus can't help but smile when he witness the appearance of one those details he mentioned before: the fondness for art, the passion for swords duels — a voice in the back of his mind reminds him of something Caroline said about this specific factor, "it's called fencing, Klaus. You don't need to kill your opponent anymore to prove your victory." or something along those lines —  the constant presence of dark humor and sarcasm in any of her conversations, and her gigantic, stormy blue eyes that are accompanied by a pair of dimples and a wicked little smile whenever she got something on her mind.
That, is all him.
Something that Eve clearly hasn't taken from him though, is her way of showing emotions. Just like his wife, Eve wears her emotions like a second skin, which leads to her being a terrible liar. If she's happy, then the room will light up as soon as she enters it, and everyone can't help but be drawn to her joyful behavior. On the other end, if she's feeling sad, angry, or any other kind of negative emotion, then... Well, she would keep her mouth shut and open it just to make salty remarks, keeping an annoyed — yet adorable, if you ask him — little pout on her face.
That's how Klaus knows that something is wrong.
As soon as he sets foot in the compound, he's greeted by a very common view: Freya and Eve, sitting around the table of the living room, reading and chanting spells.
Normally, Klaus would walk towards them just to make them aware of his presence and to steal a kiss on his daughter's cheek as a brief salute, but he soon realizes that Freya is the only one writing down something in witch gibberish, while Eve is just quietly looking at her aunt, with a frowned expression all over her face.
His little wolf is so caught up on Freya's doing that she doesn't notice him until he's behind her, trying to understand what kind of spell his sister is casting, with a hand gently touching her shoulder. Eve tenses up at the touch, turning her head to look at him almost as fast as a regular vampire. As soon as she sees him though, she relaxes a little bit, offering him a tight lipped smile.
"Hey, Daddy," she says, voice so quiet and hoarse that he probably wouldn't have heard her if it wasn't for his vampirism. " 'm sorry, didn't hear you coming in."
Hearing Eve talking with such a tired and low tone makes his heart explode with concern. She's pure sunshine, hisdaughter, this cloud of negativity does not belong to her. Nonetheless, he tries to mask his thoughts with a tight lipped smile, looking down at Eve, "Don't worry, sweetheart," He says, moving his eyes to his sister, who hasn't left hers from the grimoires spread around the table even as he introduced himself, "Freya, care to explain what's happening or do I have to guess?" He asks with a tone that indicates nothing but irritation.
Freya finally looks up, if only to send him a not-so-friendly glare, but before she can snap right back at him, Eve takes word, looking at him like she's about to have a nervous breakdown "Apparently, I'm on house arrest until the Jury," she indicates Freya with her eyes, before turning her attention back to him, "tells me otherwise."  She concludes, and the exasperation of her tone is almost touchable.
Klaus arches his brows in confusion, his gaze switching between Eve and Freya, as to ask for one of them to elaborate what he just heard.
It's Freya the one that, with a sigh, steps in. "Some witches have been messing around with a kind of magic way too difficult for them to understand, leading to an imbalance that covers all New Orleans." She explains, rubbing her hands on her temples. "Long story short: right now, every witch in New Orleans is having trouble controlling their magic, especially the younger ones like Eve. In addition, being the tribid gives her an enormous amount of power which is hard to control on a good day, so it's better if we keep her under control, in a limited and safe space."
Eve rolls her eyes as soon as Freya concludes, shifting her position to show him the magic-restraining bracelet on her wrist. "I haven't seen this freaking bracelet in years. I thought I was finally free, but no, some dumbass witch thought it was a good idea to mess with something way too big for them to understand, turning me into a fu-"
"Language." Both Klaus and Freya interrupts her, giving Eve a warning look.
she glares at both of them, visibly annoyed.
Christ, Klaus thinks, he's losing points as the cool parent.
"turning me into a freaking bomb." she grumbles, looking down at the pages of the grimoires.
Klaus takes a long sigh, pulling out his phone from his pocket to send a message to Caroline and the rest of the family. It takes all of his willpower to not storm out and look for this gang of inconsiderate witches, accompanied by nothing but his fury, showing them the treatment that is reserved specifically to the ones that put his daughter in a bad mood, but he recognized the fact that this situation is already unsteady, and there is no space for his impulsiveness, yet.
"Dad?" Eve says, looking at him with an arched eyebrow, like she's expecting something from him. "Are you still here? You haven't threatened anyone since you heard of this, and it's more concerning than a bunch of low-level witches messing around." She concludes.
Well, the sarcastic remarks are only funny when they're not directed at him.
"Trust me, Eve, I have lots to say, but none of it is appropriate in the presence of a child." he retorts, switching his attention back to Freya. "I've sent a message to Caroline and to our siblings, they should all be here in about 40 minutes."
Freya simply nods, gathering all the magic stuff from the table. "I'll call Vincent." she stands up, giving a kiss on Eve's head. "I'm pretty sure he's more informed than us at the moment. Besides, another witch would be helpful."
"what am I? a ghost?!" Eve snaps when Freya disappears in her own bedroom. "I can't use magic, I'm on house arrest, this handcuff is back around my wrist and I haven't even had my daily bignets!" she explains desperately, curling on herself, resting her chin and arms over her knees.
Klaus can't help the low chuckles coming out of his mouth, something that earns him a dirty look from his little wolf.
"I'm glad you find my misery amusing. Father of the year, really." Eve says, enunciating her pout even more.
"Not at all, sweetheart. To be completely honest, I would love nothing more than to go fetch those witches myself and show them what happens when someone dares to upset my daughter," Eve promptly rolls his eyes at that, but he sees how she's trying to bite back a smile.
"However, Your mother would eviscerate me if my impulsiveness took place in a delicate situation such as this one."
"Then what do we do while waiting for mom to come home?" Eve says, and truth to be told, patience has never been a strong suits of her.
"Well, I did get that new painting set you've mentioned lately." He says with a grin, observing how Eve's pout changes to a wide smile between record time.
"The pink one?"
"Do you even have to ask?"
"You're the best!" she chirps, jumping from her chair to wrap her arms around his waist, the bad mood evaporating completely from her body. Klaus can't help but smile when he looks down at his daughter, holding her close to him. Oh, how he wishes time would stop, just to remain like this for at least a decade, with his little girl safe, sound and happy in his arms, where no bad intentions can reach her.
"Come on, sweetheart," He says, grabbing her hands "let's see if those colors actually blend on their own." he concludes with a wink, leading her towards the art studio. He knows this happiness is going to be short-lived, but the least he can do is to keep Eve's mind occupied, distracting her from the stress of this situation. As he enters the room, Klaus notices that he's running out of dark red acrylic.
Well, it appears those witches are going to be useful, after all.
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lunarharp · 10 months
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if i just told you i love you would this world change
#witch hat tag#orufrey#these kinda suck lol i feel like i cant draw right now *irritated sigh* BUT I FEEL EMOTIONS !!!!!!!!!!!!!!!!!!#if you are gay go watch good omens season 2 right now. NO YOU DONT KNOW THO!!!!!!!!!#i know being this affected by good omens is probably cringe. I dont care any more. the last 1 minute of good omens season 2 was#some of the most affecting acting i've ever seen in my life. sometimes someone acts with the force as if their entire career led to that#like during the credits part the very end im not even talking about before that. holy god#aziraphale i know everything about you. i know what you are feeling right now. i can see everything on your face. we're going to make it#ER.... NOT THAT THIS HAS ANYTHING TO DO WITH THIS POST. IT'S NOT SPOILERS !!!!!!!!!!!!!#I JUST FEEL THOROUGHLY CHANGED !!!!!!!!!!! SHIT GETS REAL FROM NOW ON.. LIKE IN GENERAL! IN MY LIFE!#tormented gay love tormented gay love TORMENTED GAY LOVE TORMENTED GAY LOVE !!!!!!!!!!!!!!!!!!!!!!!!!!!!#btw the first 3 images were drawn earlier with an entirely different feeling and an entirely different mood.#Why do you keep pulling away from me?#It is because i love you that i do this#the lyrics from one of my japanese orufrey songs (A SONG THAT THE CREATOR LISTENS TO!!!!) led to feelings#“あなたが知らない私を残さず見ててほしいの” but i'm not translating it cause it just sounds weird. if with his eyes oru's asking “WHY don't you want#to let me in? to see all of you?“ those lyrics are like ”I actually want you to see every last bit of the parts of me you don't know“#oru you have no idea how much i want to lay bare my whole soul for you#maybe it's an alternate version of chapter 40. to me#i need to draw something really fucking good or i'm not going to forgive myself. i will not rest in this life#until i have made the orufrey that fully satisfies me nor until i have seen what the manga is leading to#NO STORY MEANS ANYTHING WITHOUT TORMENTED GAY LOVE AT THE HEART OF IT. THATS THE HEART OF THIS WORLD!!!!!#........... so Hi im normal :) haha *goes and finally makes breakfast*
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cerise-on-top · 3 months
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ik that you just did something about what dates Valeria and Laswell who take you on butttt can you still do how’d they like to celebrate valentine’s day! Hope you have an awesome valentines 🩷
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Hey! Sorry for not posting on Valentine's Day or yesterday, I was extremely busy with work and had some very long days ^^; But I'll post twice to make up for it today! Sorry this was a bit late as well ^^;
Valentine’s Day with Valeria and Laswell
Valeria: We’re just going to assume that she has time to spend with you this Valentine’s day and took a day off or something. Valeria doesn’t think too much about it, it’s just another day where people are taking the money straight from your wallet, either because there’s someone you love or because you’re single and need to eat your frustrations away. She doesn’t care at all about that day, and whether she does something for it or not entirely depends on whether or not you complain about wanting to go on a date with her that day. If you don’t then there will be no date. Because it’s only a cash grab sort of day, Valeria wouldn’t particularly buy you chocolates either. She really doesn’t like Valentine’s day. Complain enough and she’ll get you some chocolate straight from the chocoria, no matter how expensive. A few flowers maybe as well, but that would be it out of her own initiative. She’d much prefer to stay at home and watch some movie with you. One that isn’t about romance, just a normal action movie or comedy or something. Complain enough and she’ll sigh, grabbing her coat and ushering you outside. It’s not often that she does something like this, but you’ll be walking around Las Almas together, chatting a bit, getting some of the yummy street food out there. You’ll do something akin to sightseeing where she shows you all the places there are in the city and around it, except they’re all the places she found when she was still young and reckless. From the berry bush in the park no one knows about, to the abandoned mill by the countryside she used to hide from her parents in. Valeria is normally a classy woman who could buy the world if she wanted to, but her real signs of love would be when she isn’t spending money on you for once. It shows that you’re more to her than just another cost, another person who’s just out for her money. Or, at the very least, she trusts you to not be. While there still won’t be too much sentiment from her side, you’ll also go stargazing together if the sky is clear. She can’t tell you too much about the constellations, but you’ll just stand there and look at the stars. Valeria hasn’t had the time to do that in forever, so she’ll likely take a while.
Laswell: Again, we’re going to assume that she has the time to spend with you and isn’t out and about abroad, risking her life. Laswell has a much greater tolerance of Valentine’s day than Valeria does. She used to love that day much more when she was a teenager and was with her first girlfriend, but stopped caring as much about it as the years went by. While she doesn’t like how romance is being forced down everyone’s throat that day, she’ll tolerate it since she can’t change it anyway. However, Laswell is much more likely to do something with and for you on that day, she doesn’t complain either. Starts the day off with a kiss to your temple in order to wake you up, makes you breakfast, heart shaped pancakes with vanilla ice cream, before she gives you the chocolates and flowers she got for you. The flowers are fairly fancy, roses, dahlias, lisianthus. Anything that looks nice and could show you just how much she loves you is a-okay. After breakfast you’ll lounge around your home for a bit, doing chores together and stuff, until it’s time to leave that is. You’ll be going to a fancy restaurant together, eating at an all you can eat buffet until your hearts and stomachs are content. Of course, all of it goes on Laswell’s bill. Afterwards it’ll be something relaxing for the time being, digesting the food as you take a stroll through the park, for example. Whatever suggestions you may have, you may voice them now before the two of you will go to a jewelry store where you can pick out something gorgeous that fits you, your outfit, your eyes and whatever else there may be. After your stroll is over, you’ll likely go home together, cuddle on the couch and watch TV. It’s not the most exciting day there is, but Laswell is just glad she has a sweetheart she can spend the day with. You’ll end up watching some awful rom-coms together, complain about them and how bad they are, only to be watching the next one right afterwards. You will be eating popcorn together, salted, with caramel and maybe steal a few kisses from each other here and there while there’s nothing interesting going on at the moment. Again, it’s not much but Laswell is usually out and about just about anytime and wants to relax for a bit for once. Even better if she gets to do it with you.
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gxlden-angels · 5 months
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do you have any thoughts on the story of abraham and isaac? my parents talk about it and praise abraham for being willing to kill his son which..... scares me to say the least, and i'd love to hear your perspective as someone who seems more well-adjusted
Where I am now, it disgusts me more than anything. The interpretation of "I'm willing to sacrifice your life if I was told to" feels like the step before "I put you into this world and I can take you out of it." It's entitlement to a child, who is an independent individual, just because they are dependent on you for survival. I prefer the interpretation of understanding the actions you're taking and the reasons why (like how there's multiple religions that don't eat pork because it was so unsafe to eat at the time), especially if it's at someone else's expense.
Where I was in the thick of it all, it gave me morbid comfort that scares me now. I had fantasies of being a martyr for the church and the idea of being the next Isaac was just so appealing. Being a hand-selected sacrifice chosen by the Good Lord Himself? Sign me the fuck up, babey!
I think if I admitted that to my family, they'd be horrified.
It's another one of those stories or beliefs where I think the majority of christians just regurgitate what they've heard. It's a point of pride and devotion, but there's no personal reflection or cross-cultural awareness of it. Lean not unto your own understanding and whatnot. It's the potential that scares me the most, like the Quiverfull movement with the Duggars or Turpins. I'm sure there's stories now, but I can't remember them off the top of my head
(Also I will be telling my therapist someone on Tumblr called me "more well-adjusted" thank you anon)
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seventh-district · 13 days
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not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go
(aaa quick edit: CW for mention/discussion of Boothill leaks)
#today's gone Badly and i'm upset but instead of venting abt it i'm gonna channel that energy into doing a bit of tag rambling abt Boothill#well. less abt Him and more abt uh. self-analyzing my anxiety surrounding contributing to fandoms. he's just today's catalyst#like. i know it's mostly a me thing. i'm hypersensitive to criticism and very conflict avoidant + socially anxious + perfectionistic etc.#so I'm the one that keeps myself from posting more stuff out of fear of being criticized or called-out for what i've made#bc inevitably Someone's gonna see it and think its OOC or a problematic take or they'll misread my intent. etc etc what have you#but like. that's inevitable. there's no way to communicate every single thing with all of the nuance required to avoid misunderstandings#and other times it's not a misunderstanding it's just a difference of opinions and that's Fine!! there's no accounting for personal taste#there's no accounting for several things actually. taste‚ bias‚ lore-knowledge‚ differing levels of chronic-online-ness‚ etc#so this isn't me complaining abt the state of fandom culture (although i do think. sometimes. ppl take shit a bit too seriously)#but anyways all of this is mostly just anxiety-fueled. it's not like i very often actually even receive negative feedback or anything#if anything ppl tend to tell me that i'm overthinking it and killing my own fun and worried that my stuff is more OOC than it is#which like. yeah. Yeah u right :) but that's just the way that i am! always losing the idgaf war i suppose#anyways what's Boothill got to do w this ur wondering. well. i've been thinking abt the quickly emerging concept that he's illiterate.#and it just. has me feeling a lot of ways. and watching ppl disagree over it has me feeling some Bad ways. bc it's def a loaded topic!#if you'll pardon the pun there. and i don't rlly have anything new to add other than that i'm conflicted abt it.#like yeah i saw the leaks days ago. of him mentioning 'not hitting the books' much as a child when we ask him why he sends voice messages#or voice Transcriptions ig. ykwim. and like. *braces for impact* ...i liked it? like. it doesn't feel right to call it endearing#i'm not trying to infantilize him. ok that's not the right word either but ugh. you know? what i mean?? who am i kidding even i don't know#it's not quite right to say that it feels like Representation either. but it's something close i guess#as a southern person myself who didn't receive a 'complete' education due to factors that weren't to do with my intelligence#the concept of seeing him as a capable force to be reckoned with and respected who also happens to have not received much formal education#i like that. i do. but there's so many issues w it at the same time. like. as i said‚ being southern myself has me Wary of the way Hoyo is-#writing him. as well as of the way that the fandom is taking the bits of his lore and running away w them. and i'm Very aware of how ppl-#will see a southern character and be All Too Eager to agree that they're lacking intelligence based on our Redneck™ stereotype#sigh. and before we even go too far with this. it's not even confirmed that hes completely illiterate. which is a valid criticism i've seen#there's Multiple reasons that could make him prefer voice to text. but regardless. i'm just worried that ppl will misconstrue my intentions#like. example: that edit i made the other day of him saying 'no thanks i can't read'. wasn't me playing into the stereotype of-#'haha dumb country boy can't read!' it was. in my eyes. something he'd say as a joke to make light of a potential insecurity#like. i think there's far more depth to Boothill's character if ppl could look past the surface. and i dont wanna contribute to the problem#but sometimes ppl Will have stereotypical traits and i wish the same could apply to characters as long as it's done Thoughtfully.
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batsplat · 7 days
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Sepang 2006: After an exhausting race, Valentino Rossi brings a chair to the podium and sits down. Loris Capirossi joins him to sit on his lap.
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thenon-fictiondays · 10 months
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See, that's where he's wrong. I think it's actually.... just as difficult to be the one who's being pulled as it is to be the one trying to pull. It's actually really, really tough to be the object of your friend's affection. It's hard enough being pursued by someone you don't care about, but to be wanted by someone you do care about? To be put in a position where you either have to force yourself to have feelings you don't or hurt someone you care about? To feel like you have no choice but to either betray your own feelings or your friend's? It sucks. It sucks and it can ruin friendships. I would actually prefer to be the person trying to convince someone to fall for me than the person who someone else is trying to convince to fall for them tbh
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