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#i dont and thats my choice
nextinline-if · 1 year
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I'm tired of watching creators get stepped on (with a clarified statement regarding the forum poster)
I don't frequent this forum - I went here to investigate pirating. Several people have insisted that the person going by the COG founder's name is not actually him, so here's my updated post. I retract that it's Dan but not what else I said. I still stand by what I said.
Hi, it's me, your friendly Vi with something on my mind. Unfollow if you will but I gotta speak my mind on behalf of the authors who spend countless hours creating the games that bring you joy. Sure, I've been away from Tumblr so I'm probably late to this but oh well. Still decided to post this.
I moved my game to Twine in August because I don't want to be associated with Choice of Games (COG). Here's a great example of why...
People in a forum asking for and sharing pirated content from indie creators' Patreons.
The author saw it and responded:
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[ID: A snippet of what the text reads. Please take this down. This is just...really not cool guys. My hands are trembling as I right this, because I'm both hurt and stunned that someone would take *everything* from my Patreon and post it. If you ever want - redacted game name - to get finished, then try not to do things that will cause me to have a breakdown. Please. /ID]
Here's the response from someone going by COG's founder's name (per screenshots below - apparently it's not him but I do wonder why he lets someone use his name or isn't aware?):
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I know this image is small, so here's what it reads:
"Let me tell you something, those who haven't subscribed to your patreon isn't magically gonna subscribe if they don't get stories elsewhere, and those who have already did that means they care about you and I'm pretty damn sure they aren't gonna unsubscribe anytime soon. If something anything changes due to the leaks then it's your popularity, readers are gonna be more interested in your titles and perhaps once they have enough money then they can even subscribe and donate that money to you, right now many members of this forum don't have enough resources to purchase things online such as patreon subscription, hence they had to rely on leaks to sate their excitement of reading the stories. Do think about it, from their perspective and if you can then try to make old stories and demo available for public this way they may not needs to rely on leaks and will read from official source.
Sincerely, Dan Fabulich"
What I said originally when I thought it was Dan: The guy is probably a millionaire (or, at the very least, well off compared to most indie creators) and he has the nerve to create an entitled response like this to an INDIE AUTHOR who uses choicescript.... wow. To an author who yes, has a pretty good following but is spending 1000s of hours creating for the enjoyment of others.
New statement: It's still fucking the way this person is speaking to an indie author. Still seems odd to allow a forum to use your name (and also basically insinuate it is supported by your company)...I would certainly be angry. But then again, I'm not rich and living off indie authors' work.
He (still) has more money than most of us indie authors ever have in his pocket from creating a company that pays pennies to the writers who make it money. People who just rely on passion to create these stories. Even if you make money on Patreon, most people cannot be sustained full-time. Most of the pirated content is not from bigger authors (but some is).
And before anyone says anything, yes, I am aware that many people can't afford Patreon and "don't want to wait." I get it. I promise you, I know the struggle. But like, it's fucking entitled to think you deserve to read someone's work without their permission.
And it's fucking entitled to throw the authors that pay for your lifestyle under the bus. (I still believe the company does this).
I am SO grateful to the majority of you out there who are kind, supportive, and overall amazing. But this is not okay!
Vi, out.
P.S. as an anon suggested, I will try to contact Dan to see if he's aware of this person using his name to make statements like this
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treasureplcnet · 4 months
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bunch of bg3 sketches :)
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cozylittleartblog · 1 year
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diversity win your spam emails are queer
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rox-of-iu · 10 months
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my old blorbos are back in my brain
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heart pirates my absolute beloved. shame theyre chillin somewhere in the ocean lol (do not mention the pre-time skip hats of penguin and shachi I'm still attached even tho its already been a million years since then)
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anyway every time i remember that Law and Kid are assigned german and Scottish by Oda i gain one hundred years
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ashfdhfgdsfk · 1 year
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graham
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ftcatv · 8 months
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2 | NEON from @falloutober prompts i swear im not gonna make all these prompts about nick
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dailyloopdeloop · 1 month
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DAY 16: guess which game i've been replaying
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shroomlightruins · 2 months
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Eefers
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noxious-fennec · 2 years
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For someone who vibrates if he thinks about the guy for too long, I don't draw ctommy nearly as much as I should
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egelskop · 4 months
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i am so interested in ur hlvrai au can we get a rundown
oh boy, this is going under a readmore.
fair warning, this is a LONG read because (1.) i am not a competent writer and (2.) i can't for the life of me keep things brief. sorry and or good luck.
ACT I
The Black Mesa incident: Gordon Freeman is provided an opportunity to do an informal beta test for a combat training simulation program that's in development in the Research & Development department of the Black Mesa Research Facility. (Read: He knows a guy in R&D and said guy knows Gordon likes video games and VR stuff, so he was like "hey you should come check this out when you're on break.")
The combat sim would be a revolutionary training simulation using artificial intelligence to enhance and realize the experience for the ‘player character’.
The test goes wrong, and Gordon can’t seem to disengage from the simulation and odd, unscripted things start happening; he has to ‘play the game’ to its full completion before he is able to exit the simulation safely. He has suffered a brain injury throughout the process, eye damage due to prolonged exposure to the headset and is generally traumatized by the simulation experience he at some point could no longer physically and emotionally distinguish from the real world. The project as a whole is shut down and Gordon is put into a rehabilitation program. Black Mesa covers up the incident as best it can, but whispers of it still echo around the facility.
Below is a page for a two-page comic i never finished detailing said events.
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ACT II
The rumors reach the ears of a particularly tech-savvy researcher named Clark, who steals the project documentation and anything else he can get his hands on from a storage. At home, he looks into the project, reads about it, and gets curious about the simulation’s files themselves. They’re on a drive he plugs into his computer, and suddenly his system’s performance lags, windows open and close until a txt. file opens up. He comes into contact with one of the simulation’s AI that has somehow entered his operating system. He tries to keep it busy by having it poke around as he reads up on the simulation and its ultimate shutdown. When the AI reveals it can see him through the webcam, he panics and rips the drive out of the port. The invasive AI and the other project files seems like they’re gone from his system, he does a checkup but sees nothing odd running or otherwise. The next day after work he does another checkup. Finding nothing, he surmises he’s in the clear and starts up an online game. The slumbering, corrupted data of the AI sees its out, and disappears into the game.
ACT III
The transition/journey to the game is a rocky one, and the already corrupted data of the AI known as Benrey splits and gets even more fragmented. The largest fragment embeds itself into the game’s files to keep itself running. Without the foundation of the game to support it, it’d be lost to a dead void and slowly die out. Somewhat stable, it learns about the world around it; the game seems to be an exploration sandbox game. For now (and clarity), I’ve chosen to call this bigger, embedded fragment ‘Data’. (so this is the big benny with the right eye/one big eye in my art)
Data splits off a smaller fragment of itself, intending it to be an avatar or ‘player character’ but this grows into its own awareness and becomes who we’ll call ‘Beastrey’ (the smaller benny with the left eye and tail in my art).
The fragment ‘Beastrey’ wakes to a dead void, so Data uses its knowledge to create a private server for Beastrey, an empty world. Beastrey’s existence is an extension of the bigger part, with more freedom of movement to parse through the game and move freely within it, with the caveat that it can’t go ‘too far’ away from the host. Beastrey can visit other servers and relay information. Data learns and slowly starts building up the world/private server, at some point settling for an aquatic world because it reminds it of itself (something something sea of data). It's important to note that Beastrey retains little to no memories of the events of canon VRAI.
Data makes it easier for Beastrey to move around, and they grow to have more reach with time. At some point Data can alter the basic structural elements of the game, so it plays around with making things that are reminiscent of the memories it has of Black Mesa and Xen. At one point, it gains access to parse through the player base of the game, and takes note of an email address: ‘[email protected]’, attached to a player account. The name is somewhat familiar to it.
It sends an invite to join the server to the player account.
ACT IV
Gordon tries going back to work at Black Mesa after rehabilitating, but he has trouble separating his experiences with the simulation from reality, to a breaking point where an altercation with a security guard drives him to quit. He seeks professional help for his PTSD and anxiety, but still experiences dissociative episodes, migraines and somatic flashbacks localised mostly in his right forearm. Despite this, he is determined to continue living his life as normally as possible. He applies for a part-time job teaching physics at a local high school, the one where his son Joshua goes to, and remains relatively stable from there.
Joshua is 15 years old. Regular teen. After an impressive amount of pleading he got a VR-headset for his 14th birthday from Gordon (much to the disapproval of Gordon’s ex), and he’s been captivated by an exploration sandbox game since it came out a few months ago.
He gets an invite to an unnamed private server, and he accepts.
He is struck with awe as the world he enters seems completely different from the ones he’s seen so far in the game. Different flora, different fauna. Most of it uninteractible, though, or otherwise just retextured from its base game variant. Even the new enemy types, after a scare, can’t actually hurt him, it seems. He stumbles upon Beastrey, who is just as surprised to see him and wants him out until Joshua says he was invited.
Joshua commends Beastrey (who introduces himself as 'Ben-') on ‘modding’ everything in, but admits that he was disappointed to find that everything was just surface-level stuff. Beastrey inquires about what he’d like to see. Data is always watching, unseen, and decides to alter the world in the way Joshua described when Joshua leaves.
Joshua starts appearing more often, if only for a few hours at a time. He marvels at the ways the world shifts and grows with each time he plays, and takes to exploring it with Beastrey at his side, for whom strangely enough a lot of things are also new. Joshua teaches both Beastrey and Data about the outside world, thinking Beastrey is just a somewhat reclusive but likeable weirdo.
Joshua tells Gordon about the new friend he made, ‘Ben’, and the adventures he’s been having with the other. Gordon is happy to hear Joshua is having a good time, but is otherwise none the wiser. Joshua starts losing track of time in the game, but chalks it up to being invested.
During one play session, Beastrey confesses he isn’t the one who did all the ‘modding’, and invites Joshua to meet Data. Data, or at least its ‘physical’ in-game manifestation is deep within the world, past the aquatic twilight zone and strange, drowned ruins of an unknown facility. Data, for the first time, really sees Joshua, and the resemblance sparks something within it. Joshua is drawn closer to it, and just before he reaches it-
Joshua wakes up lying on the floor with Gordon hunched over him in his room, pleading with him to wake up. Joshua unknowingly got drawn into the game much like Gordon had been, and Gordon urges Joshua to never touch the headset again, taking it away. Gordon opens up about his experiences with the simulation a bit more. They both agree to not touch the game or the headset again.
ACT V
Gordon comes into contact with an old coworker from Black Mesa, and he inquires about the combat simulation project, if anything happened to it after it was canned. This is where he learns that an employee had taken the project files from storage and was consequently fired. He comes into contact with Clark, and Clark explains he had no idea he accidentally unleashed the AI unto the game. Gordon asks if anything can be done to prevent what happened to Joshua and himself from happening to other people. Clark confesses he doesn’t know, and that it’s up to the developers of the game to find anything out of place and make sure it gets fixed. Gordon decides to leave the matter where it lies, not wanting anything to do with AI and simulations anymore and to safeguard his son.
Some time passes.
Joshua starts getting repeated invites and messages, at one point he gets into a conversation with ‘Ben’ via a platform’s messaging system. Ben says he can explain everything, that he’s sorry. Joshua decides he would like one final goodbye. He finds the headset stashed away somewhere in the house, and, while Gordon’s gone, he turns on the game and enters the server.
Beastrey (Ben) is surprised to see him, urging him to log out and turn off the game, but it’s already too late and Joshua can no longer leave. Beastrey helps Joshua attempting to ‘exit’ the game by going as far away from Data’s reach, but Data stops Beastrey and traps Joshua, determined to wait to the point that he assimilates into the game completely.
Gordon eventually finds Joshua comatose with the headset on, and he panics. He considers calling the emergency services, but he’s afraid they’ll take the headset off or that removing Joshua too far from the game will hurt his son like what happened to him. He calls Clark, urging him to help in any way he can. This results in Gordon and Clark going back to Black Mesa to retrieve the project files and the other gear they can get their hands on to get Gordon into the game to free his son.
Gordon enters the private server with Clark’s player character, and thwarts any attempt from Data to impede his progress and trap him as well. Beastrey’s awareness is overridden by Data as a last ditch effort to deter Gordon and Gordon is forced to destroy Beastrey before he can reach Data. As Beastrey is taken over, Data gains Beastrey’s awareness, and finds his other, littler half never wanted to trap Joshua in the first place, and the way it hurt him to hurt both Joshua and Gordon to this extent.
At this point, Data wavers in its intention to keep Joshua trapped, even more so with Beastrey now gone, and recognises whatever it is that is driving Gordon forward in the game is outside of his control to manipulate, so he lets Gordon destroy it as well. In a way, it also feels as a fulfillment of its intended role as the ‘villain’. The server crashes, the world breaks apart. The ‘game’ is completed.
The final boss is defeated and both Gordon and Joshua wake up. Joshua luckily wasn’t exposed long enough to have suffered any lasting damage, except for what seems to be a minor headache and some light sensitivity (and a vow from Gordon to get him checked out by a doctor as soon as the clinics open).
--
The whole ordeal results in Clark, Gordon and Joshua sitting in a Denny’s at four in the morning, eating pancakes somewhat solemnly, completely exhausted but also still reeling from the virtual battle. Joshua learns that ‘Ben’ essentially died, and he can’t help but cry for his friend.
“Honestly, I don’t think he’s gone,” Gordon admits, picking at the last bites of his pancakes. "I think he- or whatever that was, has a hard time staying dead. Like a cockroach, you know? At this point I’m just wondering when he’ll turn up again.”
Clark hums in agreement. Joshua seems somewhat reassured by his words, wiping at his eyes with the scratchy napkin as he settles into the squeaking diner seat.
“But,” he starts with a sigh, pointing his syrup-covered fork upwards to the ceiling in a decree, “One thing’s for certain…”
He thinks back to a time rife with virtual gunfire, caging walls and hysterical laughter echoing through the halls of the Black Mesa research facility. Five sets of footsteps and a whisper of his name.
“…No more VR. No more headsets. Ever.”
--
TL;DR: Gordon got trapped in VR and then Joshua also got trapped in VR. Benrey is there but also not.
thank you for reading. here. ( x ‿ o ) 🫴
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mazeyphaedra · 2 months
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HELIO CHOSE HER, BUT SHE CHOSE CASSANDRA.
Traci Brimall, Vive, Vive // Mitski, Goodbye My Danish Sweetheart // Unknown // Katie Maria, God is made of hunger and I am made of dreams // Ally Beardsley, Fantasy High: Sophomore Year // Caravaggio, Judith Beheading Holofernes // @inkskinned, When I’m sad, I write goodbye letters to the people I care about. Once I’ve said goodbye to everyone, I can go. // Ally Beardsley, Fantasy High: Junior Year // Florence & The Machine, Girls Against God // Hozier & Allison Russell, Wildflower and Barley
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lover-of-mine · 3 months
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Fought 'til you tethered me, swept under surfaces, never enough of it...
#911#buddie#911edit#buddieedit#911 on fox#911 fox#911 abc#evanbuckleyedit#eddiediazedit#my edit#otp: you don't need to pretend with me#usercam#at this point i should have a cemetery tag lol#flashing tw#i need a gracie tag dont I?#die on their watch.#so i was thinking earlier and if youve been around here any length of time you know i think about that cemetery scene a lot#because narratively its very interesting scene because i changes the tone of their relationship in comparison to the rest of the show reall#and its a fascinating choice. even the whole point that of the conversation happening at a cemetery where theyre visiting someone who didn'#but i have a tendency to look at that scene from eddies eyes#because when you look at it along with all of eddies reactions surrounding bucks death and the reactions eddie was having to bucks words#that feels like a breakup. if feels like were watching eddies heart break in real time yk?#BUT buck is very purposeful in this scene too. he's basically daring eddie to say something but eddie just thinks that he needs to agree#and if you look at it that way and think about it as buck asking for a reaction you can argue buck feels rejected here too#even tho eddie thinks hes being supportive#they are saying things and they are being misinterpreted. both of them leave that talk with different views of what happened#and thats VERY interesting with how strongly the show pushed buck eddie and chris as a family unity in the episodes before#and well i dont really know how the show plans to recover from that. if they plan on doing it at all. but like#that was a breakup. but if its a breakup where both of them think they got broken up with. how do you come back?#eddie diaz
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marcmorrigan · 2 months
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finally delivering on the princess tutu headshots i promised... love these dysfunctional teens 🩰💖💕
LOTS of notes about headcanons/design choices under the cut! like. a lot. dont say i didnt warn you
starting with my specialest guy fakir:
i had a suuuper clear vision for fakir, and i couldnt be happier with how he turned out, he looks exactly how i imagine him! trying to translate his Bird-Shaped Hair into my style gave me SERIOUS homestuck flashbacks. my affinity for knights with Problems knows no bounds...
adding the hyperpigmentation around his eyes and his acne scars is what really solidified this for me-- i put those in and was like oh!!! there you are!!! my boy!!! and you can tell because i gave him acne scars + thick eyebrows that he IS my boy... there are very clear trends among my headcanons for my faves lol. big noses, thick eyebrows, skin imperfections, heavy eyebags, long dark hair... and fakir truly has it all 😤 he is so Ideal Character Design to me
i think fakir is actually pretty self-conscious about his appearance tho! we see characters like pike and lilie say hes handsome to ahiru, but i dont know how often he actually hears that? and im sure its hard not to compare himself to mytho, who is straight out of a fairy tale; being a regular teenager dealing with regular teen body stuff is hard enough without your roommate being a magically beautiful eternally youthful storybook hero. i think he probably internalises more that people see him as scary and angry, and that the girls who do have crushes on him always frame it in contrast to mytho, who is Good and Kind and Handsome, implying (or sometimes outright stating!) that fakir is Bad and Mean and... Well...
fakir is very sensitive but quiet about it, so i think its a very private point of self-consciousness. i think he puts a lot of semi-secret effort into his appearance; canonically he has a lot of very funny and clearly customised clothing, and he chooses to keep his hair long and in a very particular style (i have a whole breakdown in my mind of how he achieves that style and it involves a surprising amount of pins and an unsurprising fuckton of teasing. i think his hair is a little fried from heat damage!), and i think that probably extends to other things, too, like manicuring his eyebrows and doing a lot of very Teenage Skincare that doesnt actually help his acne much lol. i think he probably has a lot of self-injurious habits and BFRBs like skin picking and chewing, mostly at his acne and around his nails (both of which he hates, because he knows he shouldnt but does it anyway). i think if he does it enough that theres noticeable evidence it feels, like, world-ending for him, ESPECIALLY if anyone asks what happened lol. do not perceive him except in the very specific ways and contexts he approves of THANKS
on to the narratives favorite princess, mytho:
again, i had a pretty clear idea of the vibe i wanted mytho to have going into this-- i want him to have, like, extreme prince charming vibes, very Classically Handsome without necessarily being 'conventional.' i thought a lot about 'the happy prince' story while i was working on this, and really wanted him to look like a cross between how the prince statue looks in my head and a porcelain doll. and also a cross between jonny brown and brigitte bardot? lots of very direct influences for him lol. so! lots of gold tones, gemmy eye color, cute little tooth gap, quivering wide-eyed thousand-yard-stare doe eyes and big ol dolly anime lashes, which were the very last thing i added because i was NERVOUS about pulling those off lol. they turned out cute tho! ive only done a handful of pieces for this series and i can already tell princess tutu is gonna make me up my lash drawing game considerably, these kids all look like they blink and cause a hurricane from the gale force wind of their falsies
also wait i lied the very last thing i did was add his freckles/beauty marks because he needed that little extra oomph and those were It. i think he probably has some on his hands/wrists too 💕
i was a little unsure if my idea for his hair would translate with this flat-color approach but im pretty happy with it! its supposed to be afrotextured hair (somewhere between 3b and 4c i think? wide range of potential i knowww but im still kind of hammering out my headcanons okay, this is exploratory lol) thats been rolled and finger-styled into his little feather shapes. i think loose, chunky twists would be another fun way to interpret his hair and twists are one of my fave styles to draw do i might draw him like that at some point too...
i guess fakir is the one who styles his hair for him before mytho gets his heart back? i imagine fakir is pretty meticulous about maintaining mythos health and appearance, even at the worst stages of their relationship. i think itd be hard for fakir to frame the way he treats mytho as For Mythos Sake if he wasnt doing some level of actually beneficial care for him, so being really fastidious about things like mythos diet and sleep hygiene and hair care and such gives fakir an outlet for his 'you just have to do what i tell you' thing that helps him convince himself it really is helping, no really, hes doing this for mythos benefit and he just has to be strict with him because mytho doesnt UNDERSTAND he needs PROTECTING and fakir is the ONLY ONE who can do it so mytho HAS to let him because if he doesnt then why does fakir even EXIST, if he cant manage this then what is he good for, and--
yknow. the usual complexes. and their relationship is so complex!!! but also so simple, but like. in a good way. fakirs behavior is complicated but his motivation regarding mytho is SO straightforward which makes that downward spiral into harm really easy to map out... i wont go much into that in this post since this is about visual/appearance-related headcanons but just. augh. i love this show and i love these characters!!! and i hope its apparent in my work that i do love them so <3
im hoping to do a set of these for the girls next!!! i have some other stuff to finish first but hopefully... Soon... Some Birds...
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squeakadeeks · 6 months
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SLAY SQUAD
more formal photos coming soon but I just finished the full trio and I love them!!
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stayatsam · 2 months
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tbh nothing's probably a bigger honor to me as an artist than someone using my stuff as a style reference or even doing studies of my art. every now and then someone shows me something they did of mine and im like WOW!!! look at that!
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eyefocusing · 2 years
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dinobots and aerialbots together seems like a disaster waiting to happen but i feel like these two could be pals....
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