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#i desire this machine carnally.
flowersnax · 5 months
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pinching hazards be damned i am GOING to [DATA EXPUNGED] that machine
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Vincent Price as Dr. Goldfoot
Dr. Goldfoot and The Bikini Machine (1965)
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zerocybersickness · 2 months
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was joking (goofing even) around with oomf and said I'll make aperture ver of the 'android girls' picture so there we are. feel free to use lol.
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ahamkara-apologist · 4 months
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Admiring Lord Felwinter isn't enough I need him to raw me
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darabeatha · 1 year
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/  LIT S.AMPO
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glittter-skeleton · 2 months
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I haven’t seen anyone talk about Alastor’s cannibalism in relation to his relationship with Vox
So with most cannibalistic serial killers the reason they are people wasn’t because they liked the taste. It’s about full control and psycho-sexual desire as consumption.
The want of control is obvious all though Alastor’s character over himself and others. From the way he clearly gets joy out of ordering Husk around and literally owning his soul to his own ever-present smile (if we assume he’s not forsed into it as has not yet been confirmed) as a means of controlling his own character at all times. But with cannibalism it’s more than that, it’s control over your victim ever after they died, the power to not only control their souls but their body
And that’s where the psycho-sexual part of it comes in. In resent years movies like “raw” and “bones and all” we see what has always been a part of cannibalism: desire. Because it’s not only the power, it’s also the feeling of consumption, of becoming one with your victim. I’m a way, that’s not too different from sex in it’s most pure and carnal. In real killers most of the cases of cannibalism are sexual, with sex crimes accompanying. We can assume Alastor wasn’t like that, but the element or the carnal desire that plays such a big part in cannibalism still follows his character.
All of that to say that the desire that Alastor can feel in his own twisted way towards other demons is… impossible with Vox. He’s not made of flesh and bone (most probably) and we don’t know if he ever was. There is nothing for Alastor to feel attracted towards, not even his body (in the most literal way). We can also play with the idea that Vox is a sort of Ship of Theseus-type cyborg replacing parts of himself with machine one by one until there is none left as we do not know of any other demons in hell who are anywhere like him. So even if Alastor could feel that sort of way towards Vox, it is no more. And on the other side, if Vox was literally re-born as machine (maybe as ironic punishment for trying to be like one on earth like cutting off his emotions, etc) than that Alastor finds most desirable in a person was never there in Vox to begin with.
This parts a bit of stretch but even without the cannibalism Alastor thrives in watching people who are hopeful, souls who try and fail over and over again. Which maybe, as a machine, Vox originally wasn’t. Maybe at the start of their relationship he was calculating and unemotional which pairs well with Alastor’s own mask of detachment and indifference but also makes him completely uninteresting to Alastor as a subject of desire. But on the other hand Vox isn’t just machine, he’s a TV and his character reflects the media’s reactionary and emotional judgment. I just don’t know how Alastor ever worked with Vox if he’s always had the mindset we see in the show. But if that’s the case Alastor does feed on Vox’s desperation but never fully, never truly desiring him the consuming, power-play way that he feels most strongly (aka the want to eat him). I present you with both readings of Vox’s past emotional state as we do not as of now know what their relationship has been before
TLDR: Vox is the pinnacle of un-fuckable to Alastor, as even though he does not feel sexual desire the cannibalistic part of him can feel the psycho-sexual want to consume a body. Which he can’t with Vox who is machine.
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I’d love to hear what other have to say about a machine loving a cannibal so please feel free to share your readings in the tags
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understandingbimbos · 2 months
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Bimbo Types, or Neapolitan Bimbo
(This is something I've previously gone over in my My Little Pony post but wanted to reiterate here.)
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Bimbo can most easily be divided into three distinct archetypes. The Clown, The Innocent, and The Debutante. These archetypes are not absolute, they come in many variations and their traits can and will overlap.
The Clown, also known as The Free Spirit or The Wildcard, usually shows up as the comedic relief. They can be loud, showy, excessive, and obnoxious. Their sexuality is very self-assured, self-aware, and playful. The Clown's main concern (if any) is having or spreading fun, "fun" in this context being completely up to their individual style and personality. To give a very stereotypical example, a goth clown may have the most fun watching very violent horror movies or playing with spiders. Another clown could have the most fun (Incidentally) causing a ruckus or being mischievous, it's all about perspective, the possibilities are pretty much endless.
Examples of this archetype include but are not limited to: Jeannie (IDOJ), Pinkie Pie (MLP:FIM), Harley Quinn (BTAS), Synclaire James (Living Single), Jayne Mansfield (films and public persona), Elvira, Mistress of the Dark
The Innocent, also known as The Ingenue, is just as the name suggests. Not only helpless but often unaware and wholly out of her depth. Her inexperience and or meekness makes her prone to being taken advantage of. Despite this, she (usually) remains positive, kind, and happy to help. Unlike The Clown, The Innocent's sexuality is typically portrayed as natural, uncomplicated, and unintended.
Examples of this archetype include but are not limited to: Marilyn Monroe (films and public persona), Weena (The Time Machine), Lorelei Lee (in the novel), Elissa Megan Powers (Empowered)
The Debutante, who could also be called The Alpha Bitch, is probably the most popular in the modern era and who you're most likely to come across in real life or on social media. Her sexuality is mainly a means of control. She puts a lot of time, work, and effort into her appearance because beauty is both her business and capital. While she may, at times, enjoy and indulge in carnal pleasure it's far from her main concern. Being the most or unattainably desirable is how she knows she's better than others, how she's able to acquire and maintain control. The Debutante values social standing above all else, to her it's a matter of life or death, she would die without overwhelmingly positive attention.
Examples of this archetype include but are not limited to: Regina George (Mean Girls), Heather Chandler (Heathers), Courtney Shayne (Jawbreaker), Heather (Total Drama Island), Cleopatra Smith (Clone High), Jeannie II (IDOJ), Emma Frost (X-Men), Panty Anarchy (PSG), Ginger (Gilligan's Island), Holly Golightly (Breakfast at Tiffany's), Kim Kardashian, Rarity (MLP:FIM)
These archetypes are combined, remixed, and subverted so often it's hard to find pure examples (I tried my best, and even then this is just reducing them to their base archetypes and do not accurately describe every single one of these characters), but this is a good thing. It leads to nuance and diversity, and many of the most popular bimbo characters are mixed or subversions. Chrissy Snow (Three's Company) is a Clown and an Innocent. Elle Woods (Legally Blonde) arguably includes elements of all three. Romy and Michele's High School Reunion follows two clownish Innocents who realize they were bullied by debutantes. As far as I know, all bimbos exist somewhere along these lines (or perhaps on an axis) but we shouldn't view this as limiting, when you think about it the combinations are really seemingly endless, and I didn't even cover sub-archetypes! Many Debutantes are mean but they don't have to be. Innocents don't have to be completely pliable, you can do (or be) whatever you like, even moving from one archetype to another.
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sinnerdolly · 26 days
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Good loser—Nagi Seishiro
Minors do not interact. Nsfw/Smut.
word counter—1160.
Plot—Nagi's just lost a game, so now he wants to claim his consolation prize... you.
warning— stable relationship, soft!dom Nagi, kinda public sex. Y/n has a bit of a pedantic personality with everybody except Nagi.
English isn't my mother language, if you see any error you're welcome to correct me.
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People are complex, attraction even more so, added to attraction we have monogamy, which we want to make independent as well. Because holding someone else is a symbol of little commitment, but the separation of assets is logical.
Toxicity is quite abundant these days, or so I see walking the university hallways. Fights between boys over some bimbo with a nice ass, a primate situation; hippie allies philosophizing to fuck her "friend", plot twist she's going to fuck the biggest idiot of all. Because, I repeat, instinct chooses.
And, unfortunately, I found myself in the same situation. My eyes went to one boy in particular, Nagi Seishiro, my recent boyfriend. Five months of relationship, thanks to my desire to sleep at a party and him playing video games in the same room when I woke up.
For a prejudiced critic like me, not deciphering him made me interested in knowing him. Nagi was such an odd chap. At first glance he was lazy and listless, but losing somehow highlighted a passionate fire in his eyes that made me wet.
Like this moment, he had just lost to Ryusei Shidou on penalties, and he was heading towards my place in the stands, his gray eyes focused on me, sweaty and frustrated, desperate to claim me as a consolation prize, knowing how much I love to be it.
He stood out in the crowd, the imposing manner of his walking causing people to step out of the way. Pretty funny since he's the gentlest person I know.
“I want you right now”
I nodded like a fool, hypnotized by that aura of a caged beast that his pores gave off. The heat in my belly spread to the inside of my legs, the desire awakening in anticipation. The words he had just said meant one thing... he was going to fuck me in the first lonely corner he saw. So I went down the steps, taking him by his narrow wrist and we disappeared through the doors of the main bedrooms.
When the door closed, I couldn't continue on my way, Nagi grabbed me by the left thigh, and carried me only with the strength of one hand. Our noses touched, and his eyelids were no longer half-closed from laziness, but from desire. My mouth was watering from kissing him.
With each step the kisses became more intense, the touch had a purely carnal objective. My hand went under his shirt, feeling the smooth sculpted skin on his abs, while he dryly rubbed his erection against me. Sighs and ragged breaths, interspersed between lips and tongues.
The laundry room didn't have a key, so Nagi soon slammed the door to lock us inside. My feet met the ground again, while his hands caressed my buttocks in search of the condom that I always bring to his games.
I threw my blouse somewhere in the room, unbuttoning the fly of my pants afterwards. With impatience consuming him, Seishiro lifted me by the waist and sat me on one of the washing machines, finishing the job on my jeans.
Now with complete freedom of my joints, he placed me like a rag doll around his hips, pressing me against his chest. The warmth that his skin gave off took away the cold of that humid room.
He opened the condom with a slight tug between his teeth. And he scattered desperate kisses along my neck and collarbones, while he spread the latex along his cock. My fingers tugged at his white hair a little, drawing a few gasps from him.
It was enough to move my panties aside a little for him to slide between my rubbery walls, so lubricated that they didn't even need prior stretching. Of course, with or without games, it's always hard to take Nagi, if it weren't for his softdom nature, I probably wouldn't be able to handle him.
His thrusts were deep, as were his lips devouring mine. My body was pressed against his immense figure, while my legs were held in place by those large hands.
It didn't take long for the moans to spill out into the darkness, our gazes connected, expressing the sated lust for the other. I could feel his racing heart pounding against my chest.
The moment was so intimate that it was difficult not to come from the pleasure, Nagi blinded my senses, the chemistry between us makes the most ridiculous situations passionate, like now, fucking on a washing machine; but at this moment, with his member stimulating every erogenous zone inside me, it seemed like a scene worthy of a Shakespearean novel.
Nagi twitched between my walls, signaling that he was close. I let out a little cry of surprise when I was in the air again, holding on tightly to Sei's shoulders, who, with just the strength of his arms, began to fuck me with fervor again.
My moans turned into a kind of hiccup between jumps that made him put his hands on my butt. Stunned by my boyfriend's actions, I looked into his eyes, to find that obsessed look that only appears on the court focused on me... tss and I thought I couldn't get any hornier.
My lungs were suffocating, and my eyes were watering from the pleasure. I think my lower lip was bleeding from how hard I bit it, trying to reduce the screams. Almost impossible when his sturdy tip hit so deep, and his thickness stretched me so well.
"Sei..." I gasped desperately, tightly wrinkling the collar of his t-shirt. “I'm going... I'm coming”
He kissed my lips one last time, before convulsions shattered my stability and pleasure exploded throughout my body. My eyelids closed, and the waves of heat seemed eternal along with his attacks against my center.
I was so sensitive that I could feel the condom being filled inside me. Now still, Nagi held me while we caught our breath, still hit by the intensity of the orgasm. A minute or two later, he placed me on the washing machine again.
And, with a somewhat cooler head, we managed to talk.
“I'm sorry you lost, are you okay?”
I caressed his cheeks gently, while he replicated the action on my thighs. He gave me one of his taciturn smiles, Nagi is one of those people who smiles with his eyes and barely moves the corner of his mouth, an adorable detail from my perspective.
“Good? I couldn’t be better”
Sei pushed his weight forward, ready to kiss me. Apparently during our intimate time we pressed several buttons by accident, because the machine below me started to move, scaring the shit out of me.
Nagi laughed when he saw me clinging to his chest like a terrified kitten. I hit his shoulder, feigning offense, but he continued laughing... so I had no choice but to kiss him while laughing.
What can I tell? The other couples are shit next to us.
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chaotic-archaeologist · 7 months
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Absolutely banger quotes from Rubbish! The Archaeology of Garbage
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Have you ever seen a sexier description of a machine? I desire this auger carnally now.
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Incredible. A perfect example of a sentence which has maximized its efficiency. Sounds like a terrible way to go.
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Never did I ever think piggeries would be a word I encountered in a class reading.
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Vincent Price as Dr. Goldfoot - Dr. Goldfoot and the Bikini Machine (1965)
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kit-williams · 17 days
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Sickeningly Sweet
The culmination of mine and @sculptorofcrimson's mega post about Valdor... you should probably read that to get an understanding of what is going on.
@bispecsual @egrets-not-regrets @moodymisty @bleedingichorhearts @liar-anubiass-blog
@thevoidscreams @barn-anon
As always thank you @squishyowl for the divder
tw: smut. yandere valdor. mindbreak or at least mind broken
This was written in like an hour
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She hardly recognized herself in the mirror anymore... the slightly golden tinge to her eyes stared back at her with such sadness that was uncommon for her given her background... she made the most of everything... she really tried with this... as she could feel the way the comb just glided through her long brown hair... something happened when she got scared.
He had stumbled back when she let out that final desperate scream before she devolved into sobs... her eyes and her hair changed not long after that... but now no one came to visit... no one came to check up on her... she felt so sad and empty for the first time in her life... she covered her face and let her tears fall for herself for a moment before she knew he was there licking them away like a dog. And she once more felt the weight of the laurel upon her head.
The days felt so numb... and at times she felt like a doll being preened over and kept clean and loved... but she felt so achingly lonely. Ever since Valdor had come into her life... everything went insane... suddenly the Inquisition was doing its best to interrogate politely ask her what was going on. Suddenly there were machinations that she wanted to be ignorant about thrust into her face... then the Enemy was moving around, as Valdor had told her about some of the things that attacked the ship. They knew he was guarding something... he swore he wouldn't let them get her Him.
Her last attempt to pull away to get away from the golden nightmare ended in so much death and it was all her fault. She wept again... and once again his tongue lapped up the tears. Time was a blur for her as she tried to stop eating but while it kept him at bay for some time... she should have remembered he wasn't fully against hurting her and the subtle threats he wove got her to eat once again....
She hardly noticed the change in room as Valdor shuffled her around again... but all she could do was look up at him pleadingly to not kill them... silently praying to the Throne that she wouldn't have to watch him butcher people who were simply trying to treat her as human because that is what she was! But time still blurred for her and she couldn't take it any more... the crushing silence he held only to hold her so devotingly and whisper such praises... perhaps that is why she turned so inwardly with her own fingers as company. And still he watches even as she finishes even as she licks her own fingers clean... she can't even feel something alone.
How long has it been? She wonders as she hardly leaves her room anymore and feels herself wilting as the thought of that... "Valdor." Her voice cracks from disuse and there he is.
"Yes my Emperor?" He says with that calm voice.
"I feel lonely." She admits letting the tears flow. When he kneels and leans in to lick up her tears once more she presses her mouth to his and pushes her tongue against his. "Please... Valdor... Please... I need." She begs as she wraps her arms around his neck not knowing exactly what she was begging for. Perhaps for something carnal... as she remembers when he first appeared she felt that lust as who wouldn't?
"What do you need of me my liege." She feels his breath against her cheek and ear as her mouth moves desperately against his chin and throat... eyes closed tight to not break the illusion of her not thrusting desire onto him.
"Please touch me." She mewls at him and once more feels his mouth against her own as she moans eagerly into his mouth. The tunic she had been given now coming into play as his warm finger just brushes against her sex. She jolts at the contact moaning as she feels the digit sinking into her.
Pulling open her top she plays with her own breasts just to feel something just to feel the high in this as she keeps her eyes closed or stealing timid glances... but his gaze at her is terrifying in a way... so overwhelming.
However the slow pumping of his digit wasn't doing enough for her right now. "Valdor please I need you." She whimpers rubbing a foot against his inner thigh trying to encourage a reaction from him as she looks up at him with those eyes.
The ghost of a smile on his lips as his eyes hold some predatory look in them... as if she was a rabbit caught in a trap, "My liege is in need and removing my armor will take time... let me please you now." He pulled his finger out and tasted it... she watched him close his eyes for a moment savoring it before leaning in and licking the lips...
His name was a ghost on her lips before she suddenly screamed it out as he dove in with a hunger that sent a jolt of life into her. Her thighs squeezing his head and her fingers gripping the dark hair of his mohawk. She didn't see or chose to ignore the way he watched her writhe against his mouth... the way his eyes focused on her own as they flashed a bright gold... each lick pouring life back into this shard of the Emperor that was becoming like tarnished gold... dull and lifeless.
His tongue cupped and pressed against her bud as he wrapped his dearest liege shard in the finest golden chains of his devotion... she craved such companionship... it was something he had to discourage at first as who else but a loyal servant could bring their liege such pleasure. His tongue moves deeper and she screams with such desperate pleasure, "Valdor! Valdor please! I'm so close!" She sobbed as her faithful servant held her thighs gently just watching her come undone with a final shriek.
He made sure not a drop of her was wasted... she flushed as she could hear the wetness of his licks and laps as he cleaned her with such devotion. He knew her routine having seen her with a paramour before he knew for certain she was his Beloved... it was all a bonding ritual that would bring him into their good graces again. The concern that entered her gold eyes... "Do you need to be taken care of?"
"Do not worry about me." He said watching her nod as she got as comfortable as she could to snuggle in the afterglow of that sensation. And as Valdor played his role in her post coitus bonding ritual he knew... he knew his Beloved shard would be less... and less... and less... and oh so very less likely to pull away from him again like they tried to.
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blurglesmurfklaine · 5 months
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“Woah, you win the lottery or something?”
Jack doesn’t know why he asks the guy in front of him at the checkout line that, but he does. Half the time, he couldn’t give an explanation to why he says the things he does. He took one look at the huge pile of merchandise on the conveyor belt, overheard the cashier calculate the total, and couldn’t help himself.
“Nope,” the customer says casually, swiping his card through the machine. “Just having a mental breakdown.” He turns towards Jack, lips pursed in an awkward smile, and throws up a peace sign.
Jack blinks. “Oh,” he says stupidly. He scrubs a hand behind his neck. “Uh, sorry.”
“Don’t be,” the stranger replies as he bags his various items—ranging from a throw pillow with the word I’m Pretty Sure I Seized The Wrong Day embroidered on it, to a coffee mug that says Live, Laugh, Lubricant. “You’re not the dumbass roommate who got us evicted with an illegal gambling ring.”
Jack opens his mouth to reply, but isn’t sure he’d know what to say anything.
The young man lifts up the pillow, frowning at the vomit green fringes sewn onto the obnoxiously turquoise fabric. “This is the ugliest fucking thing I’ve ever seen. Why on earth did I buy it?”
“I have a theory,” Jack says.
The guy starts laughing, loud and obnoxious and it should be the most off putting thing in the world, but Jack is utterly enthralled.
This might be the most peculiar person Jack’s ever met, which is an incredibly high bar. Jack desires him carnally.
“You’re funny,” the guy says, cracking a real, genuine smile this time, and Jack feels his insides become putty in this stranger’s hands. “I’m Davey.”
“Jack.” He grins, extending a hand that Davey takes in a shake. “We should hang out sometime.”
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barebevil · 4 months
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I'll start with my pitch. This is a full soliloquy that i break out into whenever i talk to someone who shows just the barest modicum of interest in reading the book. I'm a great conversationalist don't worry about it. THE TRAITOR BARU CORMORANT IS A BOOK ABOUT BARU CORMORANT. When baru is a child her home is subject to foreign imperial expansion, by means of economics and education, she is discovered by an agent of this empire to be a math genius and is enrolled in an imperial school where she makes it her mission to prove herself an impress the powers that be in order to earn a favorable position and climb the hierarchy of power within the empire, for you see she means to behold the very machinations of the imperial machine. and she means to burn it all down from the inside. but in order to do so, to climb, to impress, she has to compromise everything about herself. she cant have personal values, personal relationships, morals, and no goals but this one: more power and more influence. She cannot be herself or she will doom herself and everything she's already sacrificed will have been for naught. (At this point is when I'll usually pivot and say the following--) I've cried over a book before, I've been moved to tears by books before, sometimes because something is sad, or it is joyous, whatever. i've cried over books before is the point, and i thought, as i was nearing the end of THE TRAITOR BARU CORMORANT that perhaps this would be such an instance. I thought, and no spoilies but, well, i was in the final stretch and thought that probably the end might make me cry. Reader it did not. Have you ever read something that was so viscerally upsetting that you skipping right past crying and went straight to nausea? because that's what happened to me. Not one tear, but a single sentence made me feel like i was genuinely going to throw up. Fuck this book is so fucking good. I really thought i might throw up thats how sad and upset i was. and it was PERFECT. What happened was exactly what needed to happen. Again, no spoilies but oh my god. Nauseous. AND THAT'S JUST THE FIRST BOOK. We then follow Baru as she achieves every single one of her goals, and goes more insane in the process. With every victory she destroys herself more, with every sacrifice she curries more favor. And she only becomes more insane and more horny. And now you may ask yourself, what does horny have to do with it? EVERYTHING. The higher she climbs, the more she injures and destroys and compromises herself, the more separation she creates between her mind and her body, the more removed she becomes from herself, the harder it becomes to unify the two, to satisfy any carnal need, harder to do as much as identify her own desires much less realize them. She loses herself, she wins, she loses more, she wins more.
The most common criticism i've seen online of the first book in the serious is that it's boring. First of all get better soon. second of all, YES Baru is an accountant she deals a lot in economic policy and money and numbers but oh my god its THRILLINGGGGG. I happen to find math quite romantic and poetic and I know that's not everyone's bag, but when in book 2 a whole page is dedicated to the description of one mathematical axiom as a metaphor for a situation Baru is trying to deal with, here i WAS almost moved to tears. It's such a good book.
Oh and did I mention? (I did not) The characters are all fantastic. Absolutely fantastic. It's wall to wall fucking hits, Seth Dickinson my close personal friend Seth Dickinson oh my god your mind your mind!!!!!!!!!!!
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hellish-hyperfixation · 10 months
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deja brew | bang chan x male reader
genre: fluff
Chan's day was going poorly, no other way to put it. Luckily for him, fate was about to pull him back to the past in the best way possible.
requested
word count: 1.9k
a/n: there was hardly any mention of reader's gender (except for one explicit line), so this could mostly be read as gender neutral reader as well! I wasn't entirely sure what you (requester) meant by a soft reader, but I tried my best! hope you enjoy:)
reblogs and comments are always appreciated:)
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It was turning out to be a pretty terrible day for Chan. 
One of his newest projects got rejected by the company, he was scolded by Minho during dance practice, and he couldn’t seem to get any of his lines right during recording. The gym was full, so he couldn’t even let out his stress properly, and the dryer was broken, so his favorite hoodies were unavailable to wear. All in all, a day where nothing worked out, and a lot of small inconveniences built up. 
He went to his favorite coffee shop not too far from the dorm, Deja Brew, just to clear his mind and cheer himself up. As he entered, the scent of sweet lattes and pastries filled his senses, only slightly, and the familiar whirr of the coffee machines and subtle chatter of patrons wafted through the air. There weren’t many people, which was his favorite part. The atmosphere of a coffee shop, accompanied by the sweet solace of privacy. 
He received a piece of his favorite cake and a drink from the familiar barista that always seemed to be on the clock whenever he visited, and made his way over to a seat by a window tucked away near the back of the shop. Excitement began growing at even the thought of enjoying his treat when—
Splash.
Chan watched in horror as his drink spilled all over the stranger. His horror only intensified as he watched the lady’s expression morph from smug to irritated to angry in the span of a few seconds. He felt the yells before they left her lips, and when they actually landed on his ears, he felt a carnal desire to crawl up into a ball and sleep the entire day away in hopes that he would wake up and find it to be a nightmare. 
“I’m so sorry, maam, it was an accident. I can provide you with compensation for your clothes, or—”
“I don’t want your filthy money! This is a luxury brand! I bet a commoner like you couldn’t even begin to imagine affording something like this!”
“Then how can I—”
“Maam, please, you’re causing a scene.”
A new voice joined the conversation. Chan turned to face the new person, internally screaming at the thought of having to deal with another stranger, but the agony faded when he was met with a familiar face. 
Well, kind of familiar. You were older than the last time he saw you — just as he was — and you were… well, cute. You wore an evidently soft, somewhat bright sweater, and somehow managed to have a pleasant smile on your face as you dealt with the lady. 
He wasn’t sure how you did it, but the lady eventually left, leaving the two of you alone in the middle of the coffee shop, standing in a puddle of fruity liquid. 
Chan stared at you, starstruck, and you did the same. The silence was only broken by an employee coming by with a mop, asking the two of you to move so she could clean up the mess. You made your move then.
“Do you wanna come sit with me?  Maybe catch up a little?”
And before he knew it, he was sitting across from you at a booth near the back of the coffee shop, sipping on a new drink and nibbling on a new slice of cake (that the barista insisted he get as compensation for the trouble). 
“Are you alright?” You asked, startling Chan from his daze. He looked up at you, shocked at the concern in your expression.
“Oh— yeah, I’m fine. Just another Karen, right?” He laughed awkwardly, brushing off the interaction. You didn’t seem convinced, but let the topic go.
“It’s been a while, hasn’t it? Nearly ten years now, I think.” You comment, drifting the conversation away from the incident. Chan internally thanked you for it. 
“Man, ten years, huh? Been a crazy few, that’s for sure.” You smiled at him.
“Yeah, feels like it’s been forever if you ask me. How’s everything? How are you?”
“Pretty good! I mean, it’s been a tough few years but it was worth it, y’know? Becoming a producer and the leader of a K-pop group. It’s all I ever dreamed of.” 
“No kidding! You’re the topic back in Sydney. Nobody believed it when they saw you on the telly, and I was telling everybody, ‘that’s my best friend!” You chuckled, thinking back at the memories, and Chan did too, imagining the scenario unfolding. 
He considered it for a moment. Life back in Australia. He thought back to his old friends and living with his family, fiddling away on the guitar whenever he got the chance. Being a kid, carefree and oblivious to the difficulties to come. Spending time with you at school during lunch times or recess, making memories he didn’t realize would fade over time. He missed it. 
“I miss it too, sometimes.” You say, pulling Chan out of his thoughts. Had he said that out loud?
Before he could reply, you continued.
“But I wouldn’t change it for a second. I’m proud of you, Chris. Really. I know we haven’t kept in touch since you left, but I’ve been rooting for you all this time, and seeing you be so successful is more gratifying than you could imagine.”
When Chan looked at you, he felt his heart clench at the endearment and adoration he found. The warm overhead light cast down on you, creating the illusion of a glow around your sweater and your hair. The hustle and bustle of the cafe seemed to die down as he focused his attention onto you, and it made him feel like it was just the two of you in the world. A little pocket of memories and warmth. He nearly missed your next words, having gotten caught in the moment. 
“You could say I’m your biggest fan.” 
The sounds of the world seemed to seep back into his perception at that, and he managed a small laugh. 
“Maybe you could be more?” He questioned. At your confusion, he leaned over the table and reached for your phone, stopping at the lock screen. 
He raised an eyebrow, silently asking for the password, and you smirked in response. 
“I’m pretty sure you could guess it.” 
No way… 
He input the numbers 31097 and, lo and behold, it opened. 
“Really? You remembered?” He asked, incredulous. 
Before he left for Korea, you and he had made a promise that, when you got your cell phones, you’d set the password as the other’s birthday. It was ages ago, and although Chan kept his promise, he wasn’t sure if you would. 
“Of course I did. Besides, it’s a pretty solid password, isn’t it? If I ever forget it, it’s just a google search away!” Chan huffed in amusement, a part of himself relieved that you held up your half of the agreement even after all these years. 
“What are you doing with my phone, anyways? You better not be poking around in there.” You joked, and Chan rolled his eyes. The banter came as naturally as the day he left. Without a word, he opened up contacts to put his number in. He took a quick selfie for the profile picture and slid your phone back to you. 
“You should be honored! It’s not every day my biggest fan gets my number.” He then opened his phone and slid it over to you, a silent invitation to do the same. 
“Just Chris? A bit boring, isn’t it?” You teased, picking up his phone to put your number in. 
“Oi, don’t judge! I don’t share my number often these days, I’m outta practice!” He exclaimed in mock offense, taking his phone back. 
“It’s not like you did much–” He trailed off as he looked down at your contact name. 
Your Number One Fan<3
The heart did inexplicable things to his own. He filed it into the back of his mind to inspect later. 
“Much better. Now we’re matching!” You turn your own phone to show him the screen, and the change made him nearly concerned at how much his heart was moving around that day. 
Chris<3
“Yeah, matching…” 
From there, the conversation flowed naturally between topics. The two of you talked for hours about anything. What it was like for Chan to produce music, respective memories that were created during the time you lost contact, reminiscing about the past. Before long, the window at your seat grew cold as the sky faded to black, and the barista came by to inform the two of you that the cafe would be closing soon. 
The two of you stepped out into the evening air, hesitant to say your goodbyes, but knowing it was inevitable. You walked in silence in no particular direction, just enjoying each others’ company for as long as you could. It was as though the moment existed in a bubble outside of time, and to address its existence was to pop it. 
Somehow, a few minutes in, Chan ended up leading you a few blocks away from the dorm, and he knew it was time. 
“I’m going this way… ‘bout you?” He looked at you hesitantly, as though afraid of the answer. You pointed your thumb towards the way you just came. A direct opposite to the dorm. Chan sighed. 
“Keep in touch, yeah? Can’t promise that I’ll answer right away, but…” He felt his eyes sting just slightly. He blamed it on the nonexistent wind. 
“I don’t want to lose you again.” 
Even as he said it, he kept a pained smile plastered on his face, and it tore your heart apart just a little bit. 
“You won’t. You gave me your number, remember? You’re stuck with me now.” You hit his shoulder playfully, and soft laughter filled the air. 
“Good, good. I’m counting on it.”
Silence filled the air once more, this time somber. This was it.
Chan knew he had more to say. He knew there was something unspoken, and he wanted to make it heard, and he knew this was likely the only chance in a while to do so. 
“I—”
Before he could speak, he was cut off by a sudden weight on his torso. You surged forward and captured him in a hug, wrapping your arms around him and holding him just tight enough for him to know. It wasn’t over. You were there, and you would continue to be there, even if not physically. 
Chan responded by holding you back. 
A sense of deja vu washed over him. He was sent back to the airport, young and teary eyed and holding you like you were the only thing keeping him on the surface of the Earth. The announcement that he had to board booming through the airport and resonating through his skull. You pulled away, also crying, but smiling like the angel he always saw you as. 
“See you later, alligator” you nearly sobbed out, failing to keep in the tears and the snot. It made Chan cry more. 
“See you soon, raccoon” and he was taken away to the plane, from his home, and from you.
If only your younger selves knew how untrue the farewell was. The moment felt so far away now. 
You pulled away before he could get too immersed in the past, and it was as though the brightness of your smile transcended time. 
“See you later, alligator.”
He remembers. 
“See you soon, raccoon.” 
Chan watched as you turned and walked away without so much as a glance back. It looked like goodbye, but he knew. He would be seeing you again soon. 
once again, reblogs and comments are appreciated:)
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intogenshin · 1 month
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Metropolis influence on Fontaine
Metropolis is a 1927 German silent film about a city divided into upper class surface and working class underground that focuses on the impact of industrialization, at the same time serving as a dystopian allegory for the Bible. If you know any other fictional work with a similar setting, chances are it was inspired by Metropolis either directly or indirectly. 
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The original footage suffered cuts during the Nazi regime, and although it was restored in the following decades, there’s still missing scenes that are filled with black screens and text. The most complete version is available on YouTube
Visuals
Director Fritz Lang said he was inspired to create the architecture of the city on his trip to New York. Both Metropolis and Fontaine feature ridiculously tall buildings with suspended highways (in Fontaine these are for the Aquabus) that intend to express a futuristic look yet follow the trends of its time.
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It is notoriously influenced by the Art Deco movement, which Fontaine also relies on for its overall design (geometry, symmetry, bright colors)
From Wikipedia:
During its heyday, Art Deco represented luxury, glamour, exuberance, and faith in social and technological progress. The movement featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship.
The underground workplace of the city also looks like a giant factory, similar to the Fortress of Meropide. 
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Ideology
Due to the depiction of an exploited class that the elites profit off and the harsh conditions of industrial labor, it is largely considered to be an anti-capitalist movie.
A random review in The New York Times from 1927 acknowledges the antagonist as a capitalist:
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We see a similar dynamic between Fontaine City and the Fortress of Meropide, whose convicts produce the mecha that the nation relies on. The convicts stay in the prison after finishing their sentences because they suffer discrimination in the surface, and at Fontaine Research Institute seems to prioritize scientific advancement instead of the lives and health of their workers.
However, to put it simply, a Marxist story it is not. Neither of them.
The Fontaine chapter briefly addresses the inequality between the surface and underground, but doesn’t engage with it any further. And although the plot of the AQ quickly deviates from the themes of class struggle to focus on the bigger picture, it doesn’t betray the narrative of the source material either.
The politics in Metropolis are centrist at best, the workers are lured into committing acts of violence without a purpose other than chaos by an idol of false belief (depicted in the movie as a robot, but it’s meant to be a parallel of pagan gods in the Bible). This same false idol temps the upper class men in the surface into self indulgent pleasure and violence, so the movie equates the motivations of the working class to revolt against a unjust system to that of the ruling class who maintain and abuse that system. Both are naive, unthinking, acting on carnal desire and senseless chaos.
The thesis that the movie presents is one in favor of keeping the hierarchical status quo between the dominating class and the class that is dominated. As if inherently assigning an intellectual role to the upper classes and a manual labor role to the lower, the surface is called the “head” and the underground is called the “hands”, which should be mediated with a “heart”.
Fritz Lang admitted this fault decades later:
“I was not so politically minded in those days as I am now. You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale—definitely. But I was very interested in machines. Anyway, I didn't like the picture—thought it was silly and stupid”
As a side note —and why it matters that the interpretation of the film doesn’t confuse anti-capitalist themes with Marxist ideology— Goebbels, the chief propagandist of the Nazi Party, personally approached the director to ask him to join because Hitler watched and liked Metropolis. Lang refused and escaped Germany due to fear of being targeted for his Jewish ancestry, but the book that the movie is based on was written by his wife, who would join the Nazi Party herself later.
The story aims to maintain the status quo of class while promoting Christianity, a double indoctrination of sorts. It wasn’t odd that Goebbels would value it as a tool for propaganda.
Christianity & Plot
Both stories are based on the Bible, specifically the apocalyptic texts in the Old Testament. 
The protagonist plays the role of the messiah (ya boi Jesús) that must mediate between “head” and “hands”, an allegory for the messiah’s role in the Bible that reconciles God with humanity (after the whole dying for their sins business). He switches place with a worker and experiences the underground by himself, the same way god sends his son slash third part of himself to live as a human.
Neuvillette plays this role in the AQ, acting as the “mediator” between the power of the Sovereigns and humans. Beyond that there’s not much similarity with the movie (unless you’re a neuvifuri shipper), but they do make the same points in regards to Christian myth. Neuvillette also has his own arc of living among humans and learning to “be” one.
On the other hand, the character Maria represents Christian values and belief, and acts as a sort of prophetess for the underground people. She preaches about a mediator who will come to save them, and it is her who awakens the protagonist’s curiosity to venture down the underground city. So it is her who basically brings the Jesus figure into the world like a Virgin Mary expy. The two fall in love later.
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This would be our Focalors, the real god of Fontaine who plans for Neuvillette to help the nation from the start.
The antagonists of the movie are the major of the city (who fulfills the role of the kings in the Bible) and a mad scientist (who fulfills the role of the devil), both conspire to create a robot version of Maria in order to suppress the workers uprising. Robot Maria represents an idol of false belief, in the Bible these are the pagan gods that people follow into their own ruin.
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The mad scientist betrays the major and also sends robot Maria to the surface, where she spreads chaos in the form of the Whore of Babylon, an apocalyptic omen of the Bible.
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This is our Furina, except Genshin subverts the character by making her the human part of Focalors instead. Furina’s official title (“Regina of all waters, kindreds, peoples and laws”) is a reference to the Whore of Babylon, and in the context of the AQ it’s meant to signify that Furina has caused the end of the archon rule in the nation.
In the movie robot Maria is burned at the stake by the workers in the middle of their violent frenzy, and they discover she is a machine while the real Maria is alive —Christianity wins. In Fontaine, Christianity kills herself (😭) and the apocalyptic idol of false belief stays alive. Perhaps the true values the people should follow are humane ones and not religious, who knows.
A flood also takes place during the climax of the movie, caused by the workers’ revolt, which the protagonist and the real Maria contain to save the children of the workers. Although not Christianity per se (the original book had a lot more of occultism than the movie) the role of the Grim Reaper, a rather symbolic character, seems to be paralleled by Arlecchino. It’s a character that represents the influence of robot Maria on the city as she spreads chaos, they work in unison while being two characters independent from each other.
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Follow-up to the stupid meme I banged out in like 3 minutes and now has 250 notes.
While the general response has been positive, I have seen a sentiment that I didn't intend to communicate. Make no mistake, Sinclair is a woobie softboy (affectionate). He enters his Canto literally crying, screaming, throwing up. He is still the youngest sinner who looks up to his peers as role models. He is still the one most likely to scream or feel unease in the face of terror. He is still the guy who gets snacks from the team mom and gets excited. None of that means he's undeserving of respect as an adult person, but he is the sensitive one as far as team dynamic goes. He has grown as a person since his Canto (absolutely in love with the scene where the sinners are trying to be sensitive to his Christmas-oriented traumas and he's now at a point where he can say he's okay), but that is who he is.
However
Sinclair is also a machine that turns people into corpses. Deep within him are violent and destructive tendencies that manifest in shed blood and broken bodies. And that's kinda his whole thing, struggling between a World of Light and a World of Darkness, duality as represented in his character art. He will unconsciously aim for the throat and then fall over himself apologizing about it. He contains multitudes, and that's what makes him interesting.
Of course that leaves the question of Demian and what he actually wants for Sinclair. I think the book Demian wants stability for him, the balance of and midpoint between dark and light, a self actualization that leaves Sinclair equipped to navigate the world in all its forms. I don't know if the same is true of Limbus Demian, I cannot say for sure if what he wants is actually good for Sinclair or good only from a certain point of view (think of how Carmen views good and evil at this point). I got an ask theorizing that he might want Sinclair to distort but I feel like the motives of the various groups interested in the boughs are far more complicated and sinister, dealing with the infinite multiverse in some way and having apocalyptic consequences. Limbus has shown its willing to reexamine aspects of its source texts, who know where they might go with it.
While Demian might want Sinclair to become a zaddy giving him backshots to display dominance, I just don't think Sinclair is that kind of lover, its too deep into the World of Darkness. He contains multitudes, and would temper his furious carnal desires with tenderness and care as a giving top. I can't imagine this satisfying Demian as he's been presented, and the metamorphosis he'd want for SInclair is ultimately untrue to his nature. However, if Sinclair was fucking Yi Sang, that allows both to explore switching and *muffled screams*
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