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screentones-webcomicresources · 2 years

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Preparing for Conventions

What events are best to go to?

Whether it’s a huge celebrity-studded multi-day weekend or a small gathering at a local library, in-person events are an exciting way to reach all kinds of comic fans that may not be in any of your circles online. There’s opportunities to be had at almost every type of event, but a few things that might narrow your focus:

Events that don’t cost more than you think you can make. Convention costs can add up extremely quickly. You can expect to pay at least $100/day for an artist table at mid-sized or large conventions. If you’re just starting out, prioritize conventions that are close enough to your home (or friends/family who will host you) that you won’t have to pay for a hotel or spend a lot in transportation costs. Splitting the table with another artist is another option!

Events that other artists in your area/genre recommend. A great way to learn about events in your area is to attend one and ask others what conventions they like in the area. Some regular artists even maintain online groups to discuss application deadlines and share experiences. Depending on the genre of your art or comic, you might also find adjacent things like horror shows, anime shows, or zine fests worth exploring too!

Events that you can actually get into. Conventions can be very competitive to get into, and have very small application windows months in advance. Once you’ve identified which conventions are in your area, follow their Twitter, mailing lists or websites to catch their sign up deadlines. Juried shows may also ask for a link to your portfolio, author bio or store to get an idea of who you are and what you’d be selling, so be sure to put something together and be ready!

What kinds of products should I prepare?

Our Masterlist of Printers is a great place to start for recommendations about places to make your products and inspiration! But to cut down on costs and keep yourself flexible while you figure things out, it’s a good idea to focus on:

Products that suit a specific style and taste. Do you make big intricate illustrations that would look good as 11x17 printed art? Are you good with quippy one-liners that would make fun stickers? Is there a popular fandom that you like that has a similar genre to your other work? Popular products are prints, stickers, charms, pins, and comics. But don’t be afraid to handcraft figures or something else.

Products that work together. Be deliberate about the vibe you’re setting, whether that’s a genre (horror, humor, superheroes, etc.), an age range (all ages, adult), a specific type of product (mostly t-shirts, mostly prints, accessories), a theme (eg, all things coffee!). There’s a lot of approaches to making a cohesive product line and organizing your table to keep like things together, but having cute plushies AND saucy pinups AND anime figurines AND coffee mugs can be confusing to customers who are trying to figure out what your table is all about.

Products with low price points that won’t be too expensive to make. Products priced $15 or lower are generally an easy buy for new customers, and offering a range of small inexpensive things is great for folks who are on a budget but still want to support you. When you’re just starting, look for things that don’t require a high amount of money to produce for you or can print in low quantities with a printer. Printed-at-home or handcrafted things are also possibilities for a more zine-style table presence and can save you a little money.

Products with a low minimum order quantity. Try not to order more than 10 or so copies of any one thing (especially anything that a stranger wouldn’t recognize like OC) until you’re confident it will sell. You can always order more after the show if you run out. If you DO have leftover stock (and 99% of the time you will), you definitely can sell it at a future convention, a crowdfunding campaign, include it as Patreon rewards, or list it in an online store. But being stuck with a closet full of 500 postcard prints that you can’t sell is not a fun time, even if you DID get a bulk discount.

Products that have a general appeal. Even if you have a massive social media following, 99% of your customers will have never heard of your comic or your original characters. Comic enthusiasts will often be open to giving a new story from a local artist a chance if you chat them up a little and tell them about it. But also having general interest products (animals, fanart, nerd humor, mythology) on the table that don’t require as much explanation to enjoy is a very good idea.

What do I need other than merch?

A good convention setup looks clean, organized, and easy to engage with. Once you’re accepted, look carefully at the details of the convention and what’s included with your space. Many conventions will give you a table and chair, but you’ll probably also need:

Backdrop - Backdrops display your best art and help people see it from across a crowded room, and partition your space if you’re very close to other tables. A photo backdrop stand with a bunch of 11x17/A3 prints taped together that you’re selling, a wire cube grid construction you can set on your table and stick smaller merch pieces to, or a professionally-printed banner with your name, URL/social handle, and your best art and are all solid options for this.

Where to get them: Google “photo backdrop” or look for photography supply stores. Google “wire cube grids” or look around hardware stores or Walmart/Target. For banners, you can find printers that can make retractable banners or vinyl banners to hang from a photo backdrop.

8-foot Tablecloth - Many conventions assign you a very weathered 6-foot table, so always plan on having something to cover it (optionally for multi-day shows, a second to cover your setup for security purposes when you leave your table.)

Where to get them: Fabric stores, bedsheets, party stores.

Displays - Flat items on a table are invisible to anyone who isn’t directly in front of you, so look for a way to make your stuff stand up and be seen! Easel stands to highlight featured books or art, cork boards and pins you can prop up, boxes or porfolio books to flip through, wire/wooden racks to hold lots of books are all great ideas to consider, depending on your products.

Where to get them: For heavy-duty stuff, you’ll probably want to Google around order displays online. Art supply stores will often have easels and portfolios. If you don’t want to spend a lot of money yet, dollar stores can be a gold mine of quick solutions too!

Price Signage - Having clear pricing on your table helps people decide what to buy without having to ask you about every product. Print your own signs at home, bring colorful post-its, or some stiff paper, markers, and tape. You can also use a white board or chalk board to make a “menu” style price list.

Where to get them: Office supply stores, Target/Walmart.

The ability to take money from people - A secure place that’s accessible to you to keep money for making change. Cashbox theft can unfortunately be an issue sometimes, so wearable pouches or discreet envelopes that don’t immediately look like money are better in this context. If you have a cellphone or tablet, you can also get an app where you can list your products and connect an attachment to swipe or tap credit cards for a small fee. (Note wi-fi and power are not dependable in many venues, so be sure to have a charger and a good data plan for your phone)

Where to get them: For cash, go to your bank in person and ask for $50-$100 in 1s and 5s. For credit card payments, Square, Paypal, and SumUp all have apps that you can put on a phone or tablet and have attachments to swipe or tap credit cards.

Business cards - Customers will often want to follow you on social media, read your comic, or shop online after the show, so be sure to have lots of business cards! Use your most memorable art so they’ll be able to remember where they got it from! If you’re looking to offer commissions or talk to agents/comic professionals, you might also include your email address, but otherwise leave it off.

Where to get them: Many printers offer business cards for cheap. In a pinch, you can also print your own at home or have one sign with your info and ask people to take a picture.

What to Expect

Lots of talking! You don’t have to have a carnival sideshow “step right up” persona, but be ready to give a friendly hello to folks who look interested in your work, and confidently answer questions about all of your products when asked. If you have a comic, practice a quick elevator pitch to explain it.

Not many breaks! While you can technically step away from your table whenever you want (if you’re alone, you can usually ask a neighboring table to watch your stuff for you), every hour you spend away from your table getting food or going to see cool panels are sales opportunities missed. Keep snacks and water at your table to minimize your time away, look for slow traffic times to step away and explore a bit, or bring a friend who can watch your table and sell things for you if you need longer breaks to recharge.

People who have never read a comic on the internet! For those of us who live and breathe our webcomics, this can come as a shock, but many people are still only readers of printed comics and will want to buy your physical book rather than read it free on the internet or buy a digital copy. Even if it’s just a small chapter book, having a print version is a great idea to get readers!

Fun and profit! This can also be surprising if you only have experience with online stores, but people come to convention floors with very open wallets. Things that don’t sell at all online can do gangbusters at conventions when presented right! Experiment with your setup to highlight your favorite things, take careful records of what attracts peoples’ attention and what sells, and keep notes for the next day and next convention, and have fun learning about this new market!

#conventions #comic conventions #marketing

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mi6-cafe · 1 year

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End of the Year Survey Summary

Thank you all for all of you who left feedback this year! We’ve had the chance to look through your comments and, with the help of our new volunteer team, have distilled them into some actionable items. Now a community survey is nothing without the community, so here we’ll provide a summary of some responses, hint at some plans for the future, and share your best moments!

Full details under the cut, but in short: One new rec list focused event, many returning events, and look out for a quarterly theme coming near the end of the year.

007 Fest and WIP Wednesday are always at the top of the favorite events list, but it was nice to see some newer events were in the top five as well, like Remix and our Halloween commenting challenge. Both of which we plan on doing again this year.

There wasn’t really a huge consensus on whether you all prefer themes or prompts, so that won’t be changing much. We will keep sprinkling in specific prompt lists throughout the year, but some months will just have a broader theme for you to draw inspiration from.

A few people suggested doing more to encourage rec lists, and we are trialing a new event: Weekend Wonders. Once a month we will give a theme/trope/character and ask that you suggest one fanwork in which it features. We will then do a round-up post of all the recommendations at the end of the weekend. You can see the January one here.

It’s been some time since we had writing workshops and there’s been some requests for these again. We are working on trying to develop something with a simpler format so that it’s easier to host. If you want to help with this, please reach out and let us know!

There’s also some interest in creating a zine, but your mods know nothing of this. If any of you do and would be willing to create a community document of what it involves, please do and share it with us!

Saturday Cafes have been much quieter lately, but we now have a set of prompt questions pinned to the writer’s corner slack channel for anyone to answer and hopefully spark some more discussion with whoever else is around and writing.

We tried doing a year-long theme of Characters of Bond last year and it... well, middling success. You seemed to like the idea even though we sometimes forgot to promote it and many of you were busy. Someone suggested quarterly themes and we really like this idea. We likely won’t start until the end year, but we loved the idea!

You all said you do enjoy our creatively named months even if there’s not a specific prompt to go with it. Which is good, cause we enjoy coming up with silly alliterations. Those won’t be going anywhere.

And finally,

Do you have a fun fandom moment/highlight from this year to share?

Definitely Mac making her entry in the 00Q fandom! I’m not an avid fic reader but her work is always so on point I have a hard time not seeing 00Q through her lens anymore.

i'm obsessed with WIP Wednesdays. I adore seeing snippets of new works

Getting kidnapped during Fest was pretty cool!Honestly the slack in general has been fun. It's hard to have a place to feel safe in fandom these days.

I absolutely loved Remix! It was such a fun challenge and I loved seeing how my own work was remixed.

During Fest, Team 00 had a spreadsheet for contributions (like lyrics to be inspired by, photos, etc). The absolute chaos as we discovered only two of us knew how to use a spreadsheet was AMAZING (and hilarious).

I loved interacting with the authors and getting to know them through their writing and ongoing works and prompts.

Fest was awesome.

This year was a blast. I worked on 4 longish 00q fics (two of which were based on MI6 Cafe themes). My collaboration with Anya for Harry Potter and the Fucking Audacity was possibly the most fun (and also stressful because it was unplanned and I had other things to work on), but I also enjoyed writing my crossover AU and my NTTD fix it. Basically, toward the end of last year I was worried that I was running out of stories in this fandom, and the themes MI6 Cafe supplied definitely spurred new ideas that kept me excited and creative... even if I only used one or two of them in the year, they kept me busy much of the year. And Fest is always fun, but I particularly enjoyed this year. Seriously love you guys! I feel so fortunate that you maintain this wonderful fandom community and space that feels safe and I can contribute to, but that will survive without me when I get too busy with RL (or FTH) to participate much. Thank you!

I’ve enjoyed the fandom since joining, thanks for the work you do and spaces you keep!

Fest is usually a delight

I very much enjoyed the 007 fun Fest and being able to participate in the smaller, less time consuming challenges. It was the first time I had done something like this and my personal highlight was being able to come up with my very own 4 line poem in a bid to rescue the fic author from the villains team :D

For me it was just joining the fandom. I joined around the start of summer this year and it has been a blast so far. I don't engage in fandom spaces often and to join one that is so supportive and chill in its own way is definitely a highlight.

appreciate everything mods have done! This was a fun year.

Oh goodness: Fest. It was amazing! LOVE all the creativity! And it seems like it created a momentum throughout the year.

There have been so many moments for me, as a new member of the fandom, to be bowled over by the sheer talent and incredible camaraderie. Thank you, thank you, for the welcome and the amazing creative community!

#end of year survey #MI6 Cafe Admin

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olderthannetfic · 3 years

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Ah, I do see your points, anon. I'm not going to post all your asks publicly because if you really feel that unsafe, it's probably best not to have a bigass chunk of your text for people to analyze and try to guess your identity from. I think one of the best points you made is about how close to home it hits when the non-fave is not only your fave but is similar to you in some way like demographic. You're not wrong for having those emotions. I do wonder if they make it hard to see how some other people feel similarly embattled on other axes.

TBH, I think one of the big problems here is that the large aggregate patterns you're talking about are racist, but most individual fics and fans are not really the problem. It's hard to know how to talk about this or who to tell to "fix" it when we're looking at free, hobbyist art.

A lot of people's tastes are certainly formed by shitty society, but once they're formed, they don't change fast if at all. Asking someone to rewrite their libido is a big ask, yet tumblr does it all the time as though it's as simple as snapping your fingers.

This leaves me with the sense that a lot of tumblr is... like... the political lesbians of porn fic or something: desire is not real, only choosing based on logic and politics. Or maybe people are so asexual that they just don't understand the lizard brain's "YES!" at some porn things and complete indifference to others?

I don't think it's great if great swaths of people feel like bottom!Nicky is super hot and top!Nicky fundamentally isn't, but I also don't think they can necessarily just turn it off like flipping a switch.

(If someone reading this doesn't like their current tastes and wants to attempt to alter them, I do think it's possible. What you should do is line up a large slate of media that prominently features characters of the ethnicity or whatever that you don't find hot/interesting. These should be leads whose emotional development drives the plot and is supposed to be central to the audience's enjoyment of the media. Watch/read/etc. this media all the time. All. The. Time. Try out many pieces because you won't like every character or every show, and we're looking for genuine enjoyment, not the fandom equivalent of a pity fuck. Spend enough time on this, and your unconscious sense of who's hot and interesting will eventually shift somewhat. This is a project you should expect to take a few years.)

But I digress.

The one tweet thing is a very toxic pattern. If TOG fandom is doing that, guys, please try to be more conscious of holding the actors of color to a higher standard (or the women or whomever). I know this often comes from a place of paying more attention to our own and wanting to set a good standard, but the effect is that minorities can't fuck up ever while white dudes get infinite passes.

Okay, on to the fic thing... Gotta say, my instant reaction to that description is "Ooh!"--as it would be for the same scenario with the characters reversed. (Ships who start out trying to kill each other are my favorite! x1000 if they're resurrecting style immortals and they literally do.) I can see how it would feel like slamming into a brick wall if you aren't kinky in just the right way and you didn't know it was coming though.

Part of why I react so strongly to a lot of discourse that runs along these lines is that I am a naturally extremely kinky person. It's not so much about what I do (which as a deeply lazy person in a long distance relationship is essentially nothing), but it's absolutely how I'm wired.

And I can tell you that my quotidian experience in fandom is sharing something I don't even realize is a big deal only to have someone I like, respect, and trust react in horror and tell me that it's triggering and awful and should not be allowed in fandom spaces because it makes "people" unsafe. It's such an instant, kneejerk reaction they don't even realize I was sharing it because it spoke to the very core of me. Lesson learned, friend. Lesson learned.

That sounds a bit off topic, I know, but bear with me: The point of that anecdote is that it's pretty common for me to get people trying to raise my awareness of things I have already thought deeply about while denying my essential humanity and not even realizing. As a kinky person who likes to make my fave the top (and generally a conflicted sadist), this constant request to explain and justify is exhausting.

I doubt most of the top!Joe fans have this precise problem simply because people who make their fave the top are much less common in fandom than people who make their fave the bottom, but I see a similar pattern with fans who are just fundamentally wired for rape fantasies (one of the most common fantasies that exists) vs. fans who just don't get rape fantasies at all. Or substitute your BDSM/kinky/messed up fantasy trope of choice. Covertly radical feminist attitudes towards kink and power are on the rise in fandom, and as a naturally kinky person, boy do I notice it!

I know that it feels like crucial activism to share these insights about why the ratio of top!Joe is hurtful, and the pain you feel is real. But it's also the case that it's a big ask to want people to listen. (Not me. Obviously, I routinely choose to engage with discourse. I mean overall.) The reason for that is that you're only seeing a fraction of what they do or who they are, and you don't know how many previous people they've listened to how many previous times. It's a very different situation from someone whose job is making some major TV series or movie or something. That person does, in my opinion, owe you some amount of listening.

Now, I'm not saying no top Joe fan was ever a jerk. I'll bet they were. There's a tendency to be rude and to publicly air your schadenfreude when you feel like everyone has been yelling at you. What I am saying is that a lot of the problem here boils down to conflicting needs, and that means there isn't a good solution. It's a situation where people are genuinely hurt, but I don't necessarily agree that other people have harmed them.

I like that you did an actual count of the explicit fics, btw. It's good to look at the real numbers. I see too little of that in these situations. My off the cuff reaction is that 2/3 to 1/3 is not a bad ratio at all compared to many fandoms, but yeah, it definitely shows a strong trend, and that can be painful. (I have a fandom where I think there's maybe like 1 bottom so-and-so fic in the entire zine era fandom. One. It's pretty extreme.)

I guess my thinking here overall is: What is the practical solution? What are we hoping to gain? What is reasonable to ask of people?

And it can't be "Well, if they would just listen..." That's just a sneaky way of saying "If you haven't done it my way, it's because you haven't listened to me yet."

So the question I would ask of people is this:

What does a non-racist fic where Joe tops look like?

What does a non-racist sex pollen, dubcon, or even noncon fic where Joe tops look like?

And if you say the latter is impossible... well... sadists exist everywhere in the world. So do doms. So do people who prefer to top in a purely physical sense. People with rape fantasies where they're the rapist exist (people who are not actually rapists, I mean). None of this is restricted to any one group. We can't categorically say fic like that about Joe is coming from a place of racism without denying the fundamental humanity of kinky MENA people who'd want to make Joe like themselves or like their ideal partner. (Yes, I agree this won't be the majority of fic writers writing top!Joe, but this is a place to start for figuring out what the better version would look like.)

IDK, maybe you're that kinkster yourself, but your asks gave me the vibe that you don't really get the drive towards those darker kinds of fics and what might be motivating it besides stereotypes and shittiness.

If we can answer these kinds of questions, we can better critique the way people write what they write without telling them all of their taste is bad and they should just stop writing. Even if we think the latter is true, it isn't going to get us anywhere. Figuring out how to make Joe more multidimensional in the fic they already want to write or finding very specific wording that should be avoided might actually work.

Beyond that, the actions I think are productive would be running prompt fests, exchanges, or other events for bottom!Joe or for top!Joe where he's the main character and the fics are required to be from his POV. Themed collections and recs lists are great. (I've seen a bit of this going around in TOG fandom in the past, and that's an excellent approach! Keep it up!) Positive actions tend to work better here. Make more of what you want. Promote what you want to see.

I don't mean this in some fluffy magical thinking way: you aren't going to change that ratio radically just by the power of positivity. But I've seen this kind of thing play out in many, many fandoms, and going after the people who write what you don't like, even in a well-intentioned effort to educate and even in a polite, kind way doesn't do much. A few people feel guilty. A few feel defensive. A lot ignore you. The overall fic doesn't change. It's not a good use of your limited time and energy.

I'm off to look up that fic to see what I think of it in practice, but I'm going to post this before tumblr manages to eat it.

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gayenerd · 3 years

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This interview was the cover story for the 17th issue of Jaded In Chicago. It was conducted in September of 2004, several weeks prior to the release of American Idiot. It was a fitting end to the fanzine that was named after the band, as “Jaded In Chicago” references Green Day’s 1994 MTV concert special. To come full circle by interviewing the band that inspired the zine’s moniker was somewhat surreal.

With the release of American Idiot, Green Day has transcended punk rock. By crafting the first punk rock opera and fashioning what is likely the first tasteful concept album of the new millennium, they’ve provided pop punk bands everywhere with a blueprint for how to mature gracefully. Additionally, as much as American Idiot is about innovation, it’s also a return to the fundamentals of punk rock. The album sears with dissent, takes aim between the eyes of the Bush administration and contains a dangerous sense of unpredictability. It’s been ten years since Green Day was the most popular band in the world and with any luck American Idiot will allow them to recapture that title in no time. (Interview with drummer Tré Cool).

Bill – Before we talk about American Idiot, I wanted to discuss the infamous “lost” album first. About a year and a half ago, you guys recorded what was to be the follow-up to Warning, but reportedly the master tapes were stolen. What can you tell me about what happened?

Tré – We just knew that if it ever came out, we couldn’t do any of those same songs on the actual record. If somebody puts it out, like crappier versions of the songs, it’s going to totally ruin it. Plus, it happened right around the same time that Billie wrote the song “American Idiot” and most of “Holiday.” We were in the middle of working on those songs, so we just decided not to look back and we kept going forward.

Bill – I’ve read that you feel American Idiot is “maximum Green Day.” Why exactly do you feel this way?

Tré – Well, because we’re firing on all cylinders, ya know? Everything about even just being in the band now feels so right. Everything from the recording process to the live shows to our ambitions. This might sound kind of dumb, but even the clothes we’re wearing during photo shoots. It’s more together like a band.

Bill – People are certainly expecting this record to be political, but I think they’re going to be surprised when they hear how you really go for the throat with some of the lyrics. Examples of this would of course be the title track and also the breakdown section of “Holiday.” What are some of the main reasons why you’re so pissed off with this country?

Tré – It’s more like confused and jaded, if you will, (laughs). The bombardment of bullshit, fake news, like Fox News and CNN. All the reality-based shit that’s on television, stuff like Fear Factor that the government is using to keep everybody like good little sheep and not asking too many questions. It’s like how if a cop hears you use the word “terror” it basically means he can take any normal American citizen’s rights away from them. A cop can do that at his or her discretion if they think you might be a terrorist or whatnot. The whole Patriot Act. It’s like do we actually have any rights after all? We don’t have the right to a proper election, we already found that out. The fabric of our government right now is basically just made out of one hundred dollar bills that are drenched in oil. As far as this upcoming election goes, I know that John Kerry is extremely conservative and he’s nowhere near the liberal we need in the White House to clean up the mess. However, he’s not George Bush. Kerry’s money is in ketchup. Bush’s money is in oil and blood. I’d choose ketchup over that, (laughs).

Bill – How do you hope people react to these songs?

Tré – I hope they can look past the strong language and go into the meaning of it. I hope they realize there’s a bit of sarcasm. I hope they don’t feel that we’re telling them what to do. We’re just sort of pointing the fingers at ourselves, saying like “I don’t want to be an American idiot or I don’t want to be a part of this bullshit.”

Bill – Talk about the character called “Jesus of Suburbia.” What sort of journey does he embark on throughout these songs and what made you choose this type of format for your songwriting?

Tré – The album is sort of like a timeline of his life. Depending on where you’re at with your life, you probably fit somewhere on that timeline yourself. Whether it’s the “Holiday” party stage, or the “Give Me Novacaine” drug stage or the “Extraordinary Girl” being in love stage; all these different stages in life show that what paths you choose will inevitably lead you somewhere. It’s not necessarily the happiest ending in the world, but it’s pretty realistic.

Bill – Are you at all worried about some of your fans possibly being alienated by the two nine-minute rock operas found on the album?

Tré – I don’t think they’ll even notice they’re nine-minute songs. They’ll think they’re a bunch of short songs put together. It’s definitely short attention span theater. It’s not like Wilco, where they have a ten-minute song with the same drumbeat and the same chord progression. Not saying anything bad about Wilco, they’re a fine band. They’re great to relax to and drink iced tea to, (laughs). I think we’d get bored doing that. We just sort of get to the point, say what we want to say and move on to the next part of the song. The way the energy flows in the songs is sort of like the way America is now too, just so scattered. There’s a big misrepresentation of how we feel in this bullshit climate right now.

Bill – One of the most important topics you address on this record is the American media. Specifically, how it perpetuates fear amongst the public and does little to question the President’s follow-through on his promises. Do you think the average American is aware of how the wool is being pulled over their eyes?

Tré – No, not at all. Say you see some guy driving down the street with a Bush/Cheney sticker on his Chevy S-10, beat-up truck with a pair of flip-flops hanging off the back. I want to ask him, “Why the fuck are you a Republican? What’s in it for you, dude?” Bush isn’t doing a thing for those people. He’s not helping them get a better truck or put food on the table. He’s not going to give them a tax break. Republicans don’t care about you. They’re not going to try and help you in any way. They just want to use you and get your dead peasants insurance once you’re gone.

Bill – Tell me about the upcoming club dates that you have scheduled where you plan to perform American Idiot in its entirety. Who came up with the idea and what are you looking forward to most about it?

Tré – I’d credit Pete Townshend with the idea. We’ve always admired The Who and their lack of inhibition as far as going for whatever crazy idea they had. As crazy as something like Tommy was when it was just a small idea, compared to what it’s become now, it’s pretty insane. They did A Quick One, where they played that live. That was a quick one, but ours is an hour. Basically, we just want to kick The Who’s ass. I listened to Who’s Next yesterday, which a lot of people are comparing American Idiot to. We totally got them beat. I’ve always aspired to be as good of a drummer as Keith Moon and I think I’ve fuckin’ passed by him on this record.

Bill – Roughly ten years ago, Dookie was released and went on to sell over ten million copies and become one of the most notable albums of the ‘90s. A decade later, I think you’ve constructed in American Idiot what is arguably your strongest record yet. Is there anything specific that you hope American Idiot accomplishes?

Tré – Yeah, I think it’s about time that people think of Green Day in a different light. We’re not snot-nosed kids anymore, we’re men now. I want people to think of us more as one of the mainstay supergroups of today. I’m not asking for too much, (laughs). We’re superheroes in our own minds. We think we’re really cool, why doesn’t everybody else?

Bill – What was the weirdest thing about being the biggest band in America in 1994?

Tré – I don’t think we really had time to enjoy it when it was happening. We were just trying to pay our rent and be able to make records for the rest of our lives. We didn’t know anything like that was ever going to happen. It sort of freaked us out a bit, but at the same time I was kind of busy just moving and doing it. We didn’t have time to look back since we were doing so much. By the time we had taken a break to make Insomniac it was like, “Do you guys know what you just did?” We were like, “Oh…shit.”

Bill – Earlier this year, Thick Records released the Out of Focus DVD, which featured live Green Day footage circa 1992. What are some of your favorite memories from playing at McGregor’s in Elmhurst, Illinois?

Tré – Demetri. Demetri was this male stripper that came onstage for some girl’s birthday at McGregor’s one night. They had her sit in this chair and the stripper did his thing for her. It was fuckin’ hilarious. In the middle of our show too. We took a timeout and let her get her strip on. I think that was the last time we played McGregor’s actually. I remember seeing State Street and I remember taking acid in Chicago. I remember going to the lake and wondering why all the fish were dead. I was inside Buckingham Fountain too. It was real hot out and I got in there during the Blues Fest. There were like a million people down there, but just one in the fountain. Of course this cop was like, “Get the fuck out of there! What are you thinking?” I was like, “I don’t know. I’m fried, dude.”

Bill – Do you have any comments regarding the rumors connecting members of Green Day to the mysterious band known as The Network?

Tré – The only connection is that their record was on Adeline, which is a label run by Billie Joe’s wife. That’s a few degrees of separation if you ask me. I think they’re getting a lot of mileage out of telling people they’re Green Day or pretending to be Green Day. The Network is not Green Day. Bastards.

Bill – Growing up I know that bands like the Ramones and The Who were very influential for you. What’s it like to now be one of the biggest influences on an entire generation of punk bands?

Tré – It’s kind of wild. Especially when younger bands meet you and they’re all nervous and stuff. You sort of get a little paternal with it, like “Ah…my children.” I feel like Michael Landon from Little House on the Prairie.

Bill – What has been the hardest part about achieving all the success you’ve attained?

Tré – I think you can pretty much choose what you want to deal with. You can choose for it to be difficult or you can enjoy it. It’s kind of up to the person.

Bill – After seven albums, what aspects of punk rock are still fresh and exciting to you?

Tré – I like seeing new bands. Bands that aren’t carbon-copied pop punk bands. Bands like Dillinger Four fuckin’ excite me. I think the Rock Against Bush compilation is a pretty damn good CD. There are some older bands on there that are still going strong and some younger bands that are real fresh and exciting too.

Bill – What does the future hold for Green Day?

Tré – I think whatever we put out next has got to be really fuckin’ good. After American Idiot we set the bar so high. It’s kind of like, “Now what are we going to do?”

#i've never heard of this zine before but i guess it ended in 2004 #article #articles #interview #tre cool

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antiquatedfuture · 4 years

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Zine Care Packages (Antiquated Future Spring Newsletter)

What a challenging time. Things have felt pretty bleak and I debated about whether to send this spring newsletter a lot, but friends convinced me we're all in need of good news. If nothing else, I want to say two things: 1) We'll still be shipping orders (with plenty of hand-washing and sanitizing) several times a week. 2) While we always appreciate and need your financial support, we'd also like to offer the resources we have to any of you who are having a hard time.

In short: We're offering free zines (and tapes and books) to anyone who's currently struggling financially, mentally, or physically right now. No need to tell us details, just email and say "I'd like a package," and we'll send one your way. Let it be a surprise or make a list of what you'd like and we'll send you what we can. Feel free to spread the word to your friends and community through our Facebook or Twitter posts. It's not much, admittedly, but hopefully it's something.

In more general distro news: we have a few more calendars & planners in stock (and very very on sale), we’ve been restocking things as much as we can, and we accidentally left up our temporary store-wide cassette sale (that also includes a decent handful of LPs and CDs) as well as our zine sale on select titles. We also just posted a newsletter from the record label side of Antiquated Future. We're currently lending some small financial assistance to Portland writer Martha Grover as she recovers from a brain surgery by selling a fundraiser pack of her Somnambulist zine. And if you're in the Portland area, we're helping do porch deliveries of food, baby supplies, and various resources. Please reach out if you'd like one or you know someone in need.

NEW ZINES Antonia- A rare, almost-sublime zine about place, memory, and lost history. About the ways things change and stay the same. About how the place you're from shapes who you become. About growing up in a small Midwestern town without a zip code, a place not on most maps. ($5) Behind the Zines #9: A Zine About Zines- The latest issue of newest best zine about zines around. Within: the evolution of DIY comics culture, zine-fest history, imagined zines, One Punk's Guide to collaborative zines, a history of that one Crimethinc poster, The Most Unwanted Zine, confessions of a sex-zine zinester. Contributions from our own Gina Sarti, as well as John Porcellino and so many others. ($3) Brainscan #34: A Dabbler's Week of DIY Witchery- In the wake of the controversy surrounding a recent viral article about spending a week "becoming a witch," Alex considers what her guide to a witchcraft practice would look like. The results are a day-by-day guide to trying out her particular variety of secular witchcraft (that she lovingly refers to as "DIY witchery"). ($4)

Caboose #12: Jury Duty- A personal story of serving as a juror on a medical malpractice suit. As usual, Liz Mason's playful, endlessly curious take on the world makes this a ride worth taking. A peek into the court system through the eyes of this long-running zine-star. ($4) Clock Tower Nine #15- One of our favorite Seattle zines is back with tales from the record store counter, long walks in various locales, dangerous doppelgängers, and 8-track tapes. As Clock Tower Nine ringleader Danny Noonan describes it in the introduction: "This fanzine is like a bunch of people sitting around a fire in late fall, all taking turns telling a story." ($3) Cometbus #59: Post-Mortem- How does Cometbus, after 38 years as a zine, just get better and better? It's a mystery, but it does. Issue 59 is a deep dive into both death and longevity in the underground. In short: what does sustainability look like in counterculture? This question takes Aaron on a journey from the Epitaph Records and Thrasher magazine offices to hanging out at a punk-owned vegan donut shop and a tamale stand at the farmer's market with Allison Wolfe (of Bratmobile). ($5)

Doris #23- A back-issue fave from one of the best zines ever. Long personal stories that look both outward and inward in surprising ways. ($2) Doris #26- Shy-punk-girl comics, social ecology, the cynical hour, a grandpa who built malls, hammer and nail history, and more. ($2) Eulalia #3- Two issues of the art zine Eulalia in one. Grief and romance, hand-in-hand. Gorgeously designed! Letterpress-printed covers. Each issue is bound with a special do-si-do binding, so each half can be read separately. ($10) Fluke Fanzine #17- Since 1991, Fluke has been creating great variety zines covering all realms of punk and underground culture. Graphic novelist Nate Powell, skateboard magazine historians, Maximum Rocknroll, R.E.M., '90s women-led punk, the Soophie Nun Squad family tree, more. ($3)

Forever & Everything #5- Comics on parenting, depression, coffee, therapy, alcohol, Willie Nelson, Charlie Brown, and living in New Orleans. ($5) Good Days Gone Cold Days- A photography zine/art zine made while living and working in "a house without heat, without doorknobs, and without much insulation or electricity to speak of" for a late fall in western Pennsylvania. Comes with homemade bookmark, building permit, and banjo tab. ($12) Keep Loving, Keep Fighting #8- A reprint of this 2008 issue of Keep Loving, Keep Fighting. Forty pages of feeling at home in New Orleans, communication between friends, death, visiting Montreal, and moving away. ($5)

Learning Good Consent- An essential compilation zine about consent. From personal stories to worksheets, approaches, definitions, resources, and beyond, Learning Good Consent is here to help us all feel more comfortable and be more respectful. ($4)

Little Leagues #1- The companion comics scrapbook to Simon Moreton's epic Minor Leagues series. Prose, comics and photos about being in Japan, making chutney, experiencing autumn. ($3) Little Leagues #2- Comics about being in the snow. Drawings and photos of spring. A fold-out cover with facts about lesser-spotted dogfish. ($3) Our Lady of Near Death Experiences- Jodi Darby writes about becoming a cross-country truck driver as a 23-year-old woman in the mid 1990s. A mini-memoir told in vignettes, Our Lady is a twisted love song to the road in all its complexities. A gorgeous reprint of this zine classic from 1998. (And we have the last few copies before it goes out of print!) ($10)

The Paruretic #1: The Story of a Guy Who's Pee Shy- The first issue of one of our favorite new zine series. The Paruretic tells what the intricacies and complexities of life with parusesis, the social phobia of being pee shy. Illuminating, accessible, and worth reading every issue. ($2)

The Paruretic #2: The Story of a Guy Who's Pee Shy (College)- In this issue, Mark recalls figuring out the debilitating effects of his bladder issues when he goes to college and, for the first time, navigates living in dorms, drinking at college-town bars, and hooking-up. ($3)

The Paruretic #3: The Story of a Guy Who's Pee Shy (Vacation)- In this issue: searching out acceptable bathrooms while on the road, not urinating for ten hours while in the air, and a bathroom-by-bathroom diary of experiences. ($3) The Paruretic #4: The Story of a Guy Who's Pee Shy (The Search for Help)- In this issue, Mark reaches out, looking for help, and is met with a less-than-sympathetic medical system. Within: clueless medical professionals, almost losing a job over a urinalysis, and finally finding someone who understands. ($3) The Paruretic #5: The Story of a Guy Who's Pee Shy (Dating)- The dating issue covers how Mark handled (or avoided handling) dating in high school and college. It's a chronicle of, as Mark says, "how my shy bladder has driven every part of my love life." ($3)

Somnambulist Zine Pack Fundraiser- For the past 17 years, Portland memoirist and illustrator Martha Grover has been publishing Somnambulist zine, an expansive and playful look at the world at large (and easily one of the best zines running today). This pack includes all nine in-print issues of Somnambulist (a $40 value for $25!). All proceeds go straight to Martha's brain surgery recovery fund. Help a great writer, get nine amazing zines. ($25) Somnambulist #33: How to Survive the Portland Winter- A fun how-to guide from Portland-born writer Martha Grover. Within: dealing with all the rain, taking care of your mental health, venturing out, staying in, eating soup (with recipes!), and the truth about umbrellas. Illustrated by Liz Yerby. ($5)

Somnambulist #34: The Starfish- A single, long-form essay about Martha's journey through Cushing's disease and Addison's disease, and the lingering tumor she's chosen to not demonize or see as something separate. The Starfish is a surprising and exciting meditation on what it means to be in a body. ($3) Surely, They'll Tear it Down- A short zine letter about gender, race, identity, and not-knowing from the author of Fixer Eraser and We, the Drowned. ($2) Tattoo Punk Fanzine, Issue 3- A jam-packed new issue of Tattoo Punk, the fanzine about tattoos, punks, and tattooed punks. Edited by Ben Trogdon of everyone's favorite artsy punk paper, Nuts! ($15) Valentines Every Day- Weirdo anytime-valentines from zine-seller extraordinaire, Julie Wade. Funny, bizarre, off-kilter, occasionally unsettling. The perfect gift for that especially-odd someone. ($6) What Happened- A dreamy comic from UK artist Simon Moreton. Set in a '90s boyhood of meadows, sci-fi VHS tapes, MTV, crushes, first kisses. ($5)

NEW BOOKS & MISCELLANY The Collected Plays by Portland Preschoolers- In short: One of our favorite little books around! A modern classic, even. Five years of collected plays written by Portland, Oregon preschoolers. Hilarious, invariably bizarre, oddly brilliant, sometimes surprisingly profound. Perfect for putting out on the coffee table, reading aloud to friends, impromptu group performances. ($10) Four-Year Depression- A book about figuring out how to love your family in the Trump era. From Billy McCall of Proof I Exist and Behind the Zines. ($10) Zine Game- A long-time favorite in the zine community, now in a fancy, professionally-made version accessible to all game lovers. Playing like a cross between canasta and Magic: The Gathering, Zine Game is all about building your own zines. A really fun time with tons of possibilities. ($16)

NEW MUSIC & SPOKEN WORD Alice Notley "Live in Seattle"- An LP of one of the most adored living poets. Alice Notley pushes boundaries, and it's an absolute joy to hear her reading her work. (LP + digital download) ($16.95) Annelyse Gelman & Jason Grier "About Repulsion"- A collaboration between poet Annelyse Gelman and sound artist Jason Grier. About Repulsion mixes songs, sampled poems, textural walls, beats, noise, to create this EP of one-of-a-kind soundscapes. (LP + digital download) ($16.95) Eileen Myles "Aloha / Irish Trees"- The legendary poet Eileen Myles, on vinyl for the first time. Aloha/Irish Trees features nearly an hour of Myles live in the studio, reading past and present poems. Intimate, playful, raw. (LP + digital download) ($16.95)

Harmony Holiday "The Black Saint and the Sinnerman"- Harmony Holiday's record of poems and sound collage. Adventurous and accessible, twisting cultural images into something surprising, political, socially aware. In conversation with Charles Mingus’ classic 1963 album The Black Saint and the Sinner Lady. (LP + digital download) ($16.95) Rae Armantrout "Conflation"- Fifty-four surprising and gloriously unique poems from Rae Armantrout, a Pulitzer-winning poet of great gifts. (LP + digital download) ($16.95) Susan Howe & Nathaniel Mackey "Stray: A Graphic Tone"- Made in collaboration with Shannon Ebner, Stray: A Graphic Tone juxtaposes historic and recent material from poets Susan Howe and Nathaniel Mackey. An adventurous LP of spoken word delights. (LP + digital download) ($16.95)

Stay well, take care of each other as much as possible. Xo, Antiquated Future

#zine distro #new zines #zines #chapbooks #spoken word #vinyl #new lps #new books #care packages #zine care packages #free zines #portland

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ashiiblack · 4 years

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Year in Review 2019

Total word count:

Total fics written: 24 (a LOT of these are less than 1k)

Fandoms written in: BNHA, Yuri!!! on Ice, Harry Potter, Free!, and MCU

Chronological list of fics (in the order posted on AO3, not written)

Romance at the Roasted Bean (Harry/Draco, T, 1k) - Draco has a secret admirer.

Start With a Cold Brew (Victor/Yuri P, E, 5k) - Coffee Shop AU (this was technically written in 2018 but was in its exclusivity period for Victurio Anthology)

the music plays bitter, plays sweet (Harry/Draco, M, 1k) - Angsty with a hopeful ending of Harry’s marriage to Ginny ending.

The Taste of Something Different (Harry/Draco, T, 1k) - Harry is getting increasingly frustrated with his Auror partner’s inability to get him the right food.

Shining Bright (JJ/Yuri, T, 5k) - Five times JJ fails at asking out Yuri and the one time he succeeds (another 2018 fic in exclusivity for YOI Litmag).

The 80th Floor (Kirishima/Bakugou, M, 1k) - A deleted scene from the BNHA movie answering the question of how krbk ended up on the 80th floor.

Scars You Can’t See (Kirishima/Bakugou, G, 300 words) - Kirishima trying to comfort Bakugou after Kamino.

Strawberries (on your lips) (Kirishima/Bakugou, T, 900 words) - Studying with Kirishima turns into something unexpected.

The Bakugou Problem (Kirishima/Bakugou, T, 2k) - The Bakusquad decide to get Kirishima and Bakugou to date. Chaos ensues.

Fate Can Suck It (Kirishima/Bakugou, T, 3k) - Soulmate AU

I’ll unfold before you (Kirishima/Bakugou, E, 2k) - Post BNHA movie (and a sort of sequel to The 80th Floor)

Morning Light (Kirishima/Bakugou, T, 400 words) - After their first night together, Kirishima wakes up with Bakugou in his arms.

the fear of seeing death without ever loving you (Steve/Tony, E, 3k) - Steve returns the stones to their proper place but can’t help but see Tony one last time.

Truths in Letters (Harry/Draco, T, 5k) - Harry and Draco participate in a Guess the Penfriend inter-house unity game with interesting results. Epistolary fic written with just_another_loser.

Win-Win (Kirishima/Bakugou, E, 1500 words) - Bakugou likes that Kirishima can take his blasts. Kirishima just likes Bakugou.

Dare Me (Kirishima/Bakugou, T, 1500 words) - Uraraka gives Bakugou a dare. Eijirou isn’t sure what to think of it.

First Date (Kirishima/Bakugou, T, 1k) - Going from best friends to boyfriends isn’t the smoothest transition, but Bakugou and Kirishima make it work. (fun fact - this fic is based on @icicle33‘s Sims characters).

so good to be yours (Makoto/Haru, E, 2k) - Makoto visits Sydney while Haru is at a training camp for the Olympics. While things are awkward at first, they find their rhythm together again.

The Note (Kirishima/Bakugou, T, 1500 words) - Kirishima leaves a note to Bakugou on his desk confessing his crush to him. Humor and misunderstandings ensue.

everyday i want more of you (Kirishima/Bakugou, T, 2k) - Seven somewhat connected 300 word drabbles written for Chill November. Basically all krbk fluff.

Out of the Slipstream (Kirishima/Bakugou, E, 15k) - The professional road cycling AU no one asked for but I wrote it anyway.

Beauty, Like the Night (Iida/Aoyama, M, 10k) - A classic example of having to write the fic you want to read. Iida has a crush on Aoyama but it isn’t proper for a future hero to lust after his classmates.

Spark (Endeavor/Hawks, E, 2k) - When what Keigo thinks is a casual hookup suddenly becomes something more.

There’s also a week’s worth of BNHA Fluff Week Drabbles I wrote in June.

From my past year of writing…

My best story of this year: Honestly, probably my Stony fic. I was so raw after Endgame and this fic was screaming to be written. My most popular story of this year (by kudos, comments or notes): Stony again. One of those rare times I agree with stats.

Story of mine most under-appreciated by the universe, in my opinion: Take a chance on The Note? It’s only 1500 words. Most fun story to write: Beauty, Like the Night. Iidayama is my favorite rare ship and I fucking love Iida so much. Hardest story to write: Probably my cycling au. After thinking about this fic for so long, I really got in my head about it and didn’t feel like anything was good enough. Biggest disappointment: My drarry fics have been pretty off as of late. It doesn’t help when I have krbk basically always on my mind. Biggest surprise: Fun fact - I’m not a big fan of soulmate au tropes so I was pretty surprised Fate Can Suck It was so well received lmao. Honestly though I’ve warmed up to the genre since I wrote this one.

Most unintentionally telling story: Probably Stony again. I usually self insert into Tony but this time I went way into Steve.

Favorite Opening Lines: “We have a problem.” The Bakugou Problem

Favorite Closing Lines: “For now, they can sleep.” the fear of seeing death without ever loving you

Reflection time Looking back, did you write more fic than you thought you would this year, less, or about what you’d predicted? I wrote a lot less. My goal was 100k and I ended up just shy of 65k. What pairing/genre/fandom did you write that you would never have predicted in January? BNHA/Kiribaku/Endhawks. I fell pretty hard for krbk at the end of the first season then came the sports festival and their beautiful ship moments just kept coming. Endhawks I have no excuse other than they’re hot af together and so much opportunity for angst with feelings. What’s your own favorite story of the year? Dude idk. A lot of what I wrote was fun ficlets. I’m gonna have to go with either my cycling AU or iidayama. I know I said I struggled with the cycling au but I’m fairly happy with how it turned out. Did you take any writing risks this year? Not exactly. The Stony was definitely different from my usual style. Do you have any fanfic goals for the new year? Gonna shoot for 100k for 2020 again. I’m doing the Tododeku Big Bang and then I have two Kiribaku ideas I’m going to write. One will be a oneshot and the other will likely be a longer fic. I’d also like to do some sort of drabble event because I really enjoy the challenge with a limited word count.

Decade wrapped

If you’re still with me, I want to briefly reflect on my decade of fanfiction. I’ve been writing fic since 2002 but I fell in and out of it through high school. I didn’t really get back into writing until 2010 toward the very end of college. I met @icicle33 thru ffnet at the end of 2011 and she introduced me to LJ events and fests and exchanges and my writing style developed a ton. I fell out of it a bit in the middle of the decade but came back in full force in 2017 (thanks again in large part to Icicle), especially once I joined YOI fandom. In this decade, I’ve written/posted roughly 600k words (I feel like the distinction is important because I also have about 100k of unposted WIP/outline/nonsense). I’ve made friends, enemies, laughed, cried, met multiple fandom friends irl including my darling @phaytesworld and Icicle, modded and written for zines, and so much more. Writing has always been a way for me to explore a different side of myself, to play in a sandbox with no stakes. I can’t imagine where I would be without it. Here’s to another 10 years and you can bet in 2029 my old ass will still be writing. Should the world have ended by then, you can find me in hell writing porn.

#ashii speaks #ashii writes #year in review #2019 wrapped

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luninosity · 4 years

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2019 writing round-up post!

It's been an interesting year!

Once again, I suspect I wrote more overall than last year - but much more heavily original, and even less fanfic (but still some!) again. But a couple of those have been stories people really love, or seem to, from the AO3 comments etc. I didn't finish one thing I'd really meant to finish, but I did write a 254k novel, which, what even.

So...let's see what all those things are!

Academic (just to get this out of the way first) ~A book chapter on Disney's Robin Hood for an edited collection on Disney & pop culture (my chapter's around 5,000 words) ~The intro/my chapter/overall editorial work/bibliography for the Terry Pratchett book, coming 2020 (collectively, probably around 15k words of my own writing, plus comments on contributor essays) ~The book proposal for the Star Trek book (~3,000 words) ~The in-progress Neil Gaiman and Batman book chapter - currently around 2k, needs to be around 6k including references ~Plus one more successful grant application! Not listing all the conference/unpublished papers, but those too. Fanfic Stucky straight from your heart, E, 10,516 words - ah, yes, my contribution to the Bottom Bucky Fest! It was such a marvelous prompt, about Steve guiltily having a kinky fantasy about essentially rescuing and caring for the Winter Soldier (which also includes teaching him all about pleasure), and Bucky finding out about this, and them then negotiating ways to make this fantasy come true. I hadn't been writing as much Stucky, but this one flowed really well and felt really good, and people seem to like it! Evanstan (hmm - way less Evanstan this year! still some, at least...) Evanstan Round Robin 2019, T, 12,497 words overall, but my chapters total 2,528 words. The annual holiday collaborative masterpiece! So soft and fluffy this year - such a delight sharing this love and creation and fandom with everyone! Extra Sugar - My Evanstan epic fic-baby! I added chapters 30 & 31 in 2019, which brings the total to 107,533 words - which means, doing some math, that's + 4,000 words exactly, apparently! There'll be one more chapter. I know what it is, I just haven't had the time to write it. 2020 goal: finish off this series, completely, entirely, at the end. I'm still so amazed by this whole universe that I somehow made, and by the fandom response to it. *hugs you all* Cherik When It's Time, T, 2852 words - this one's not up on AO3 yet, though I think I can do that now, if it's okay with the @cherikzine people! This was my story for the Bookends Cherik 'zine, and it's an AU with magicians in a sort of present-day fantasy setting version of the ending of Dark Phoenix, and it was fun to get back to one of my first real fandom loves, and I'm glad I wrote it. we are electric hearts, T, 2,732 words - fluffy little fun universe-crossover in which Erik and Charles meet Kris and Justin, my original Demon for Midwinter characters, written for @kernezelda <3 Original Fic (written and published in 2019) Gingerbread Dreams, M, 23,662 words - holiday m/m gingerbread competition baking fluff! A cranky judge! A cheerful ugly-sweater-wearing baker! The Grumpy One Is Soft For The Adorable One! The story I looked up medieval gingerbread recipes for, for a contestant challenge! Also contains a couple of familiar characters from "October Spice" in supporting roles... This story is also available as part of the Most Wonderful Time of the Year Trio Collection from JMS Books - three novellas bundled together, at a discount! October Spice, E, 3,130 words - the story that briefly made it to #1 Best Seller on Amazon in the LGBTQ Short Reads category! My super-short flash fiction romance for JMS Books, priced at only 99 cents! (Or even less, when on sale!) A first meeting, instant attraction (and some orgasms!), a Halloween-loving baker, and an adorable firefighter. (Evan and Matt (well, Matt in baked-goods artistic tribute) get a supporting role in Gingerbread Dreams, as mentioned above, if you want to know what they're up to...) (Also, Evan's last name is 100% an Ace of Cakes reference.) Bisclavret, T, 11,756 words - technically I had about 5k of this written YEARS ago, back when I first read Marie de France's 12th-century lai in grad school and immediately had to write an adaptation of it. But this version has extensive revisions, and ended up over twice as long. If you like stories about a medieval bisexual werewolf and the demisexual king he falls in love with, and a love of books and cuddling...well, that's basically what this one is! A Leather and Tea Morning, E,6,993 words - the first of the Leather and Tea sequels! (There'll be at least one more, about which more below.) Ben and Simon, a lazy morning, and some emotional comfort sex in the wake of Simon having been in a car accident. He's all recovered and everything - but there're some emotions that need to be dealt with, about Ben and protectiveness and tenderness and care and getting back to a very cautious-but-satisfying kinky scene. Sound the Fairy-Call, E, 5,545 words - the heavily rewritten (like, nearly twice as long, new original characters, world-building, all of that) original-fic version of my old Evanstan fic Glow, and it's basically the medieval fantasy healing-sex-in-a-forest story, with a fairy and a tired mercenary and Eastern European folklore references! Plus I've managed to quote Robert Graves in the epigraph! (To be precise, I wrote the first draft of this at the very very end of 2018 - I had literally just signed the contract before last year's writing round-up post. But then there was editing, revisions, etc, in 2019. So it counts!) This story is also available as part of the JMS Books 2019 Top Ten Gay Romance collection! Come pick up a copy and discover all the bestselling gay romance authors! The Ninepenny Element, M, 12,274 words - my first published lesbian romance! With a lawyer, a witch, some hexed earrings, a psychic younger brother, and a ghost puppy! This is essentially the sequel to Elemental (m/m, E, 12,776 words), since Verity's the older sister of Sterling from that story, but you don't necessarily have to've read that one first. There'll likely be one more - I have a vague idea about weather magic, and there's more to explore in this universe. The Pooka's Share, E, 20,205 words - a weary magical cop, an unruly faerie horse shapeshifter, and some creative punishments for apple-theft! More fun with folklore and sex and two people finding each other and turning out to be exactly what they both need, full of magic and compassion. This story is also available as part of the Legendary Loves Trio collection from JMS Books - three novellas bundled together, at a discount! Original Fic (written in 2019, publication contracts signed but stories not yet published) A Demon for Forever, E, 13,752 words - surprise! I thought I was done with the Demon for Midwinter universe - but JMS did a submissions call for stories celebrating LGBTQ marriage, and, well - I'd written the proposal story for Kris and Justin, so...we should get to see the wedding, right? This one'll be out in February. Justin may or may not wear a wedding dress. A sparkly one. :D Leather and Tea in London, E, 20,909 words - the third of the Leather and Tea stories! Written for the JMS Books BDSM collection call. Simon's brother needs a favor. So Ben and Simon head to London, bringing Ben's retired-spy skill set and also some fun toys for enjoying themselves... Original Fic (written in 2019, not yet under contract or published other than on AO3) Character Bleed, E, 254,099 words. Which means...since last year I had 40,371 words done...that's +213,728 words. In a year. Not even counting the Bonus Scenes (see below) or the sequel-in-progress. THIS STORY, YOU GUYS. I love it and these characters so much. It's the most ambitious thing I've ever tried to write, that whole story-within-a-story, being about actors filming a Regency-era gay love story, and falling in love themselves. I'm just looking at it all...and I'm in awe...and the response to this, oh wow. I've been so amazed and so grateful and so thrilled - the art, the trailer, the comments, the people thinking about these characters and loving them along with me - I'm so lucky to have all of you. *hugs everyone* And now I have to figure out what to do with it, and how and where one even publishes this behemoth, and how to cut it into manageable book-length divisions...! Character Bleed Bonus Scenes, E, 25,697 words currently - there'll be one more chapter, of which I have about a sentence written. I know exactly what that is, too - Colby getting to top, albeit still with Jason giving some directions. :D The untitled Character Bleed sequel, which is Leo's story - not up on AO3 yet, though I might start that with at least the prologue, later today or tomorrow. But it's already up to 15,511 words, plus my outline... Ember and Serenity, E, 20,752 words currently - I added chapter 4 in 2019, so about +5k words in 2019, I think? I do have plans for this one. Oh yes. My librarian-magician and his book-thief...yes. And if you're wondering who hired Serenity, well, there already has been a clue... :D

A few little scenes, odds and ends, plot bunnies like that necromancer/prince opening...not sure what the word count is there, probably a couple thousand. ~~ Okay, I THINK that's everything! Which is...a lot of words. Character Bleed alone...wow. Just...wow. It's definitely tilted even more toward original fic this year, and I didn't finish 'rain on tin,' which means it's been over a year since I've touched that one, so I'll have to get back to it!

But I did get to go back and write a couple things for my old Cherik loves, plus at least some Stucky & Evanstan, so that felt good, and I'm super-excited about lots of those original fic accomplishments - Amazon sales rank, sheer length, fun with medievalism, Top Ten achievements, my first lesbian romance, and of course everything about Character Bleed, which is, I think, my favorite thing I've written - it's so real in my head, and it was so weirdly easy to write, despite the length! Thanks for reading! I hope your year is starting off splendidly. <3

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felonyfest · 5 years

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SPN Bingo Bingo

It’s come to our attention that our previous plans (see Felony Fest and Felony Zine, which are both totally still going to happen just not right at this exact moment in time or any precise foreseeable future moments in time, but definitely a vague undefined someday) all kind of require a lot of work and organization to pull off. I mean actually, not necessarily, because as long as we throw in enough enthusiasm and excuses people will basically forgive any amount of drinking on the job and failing to provide promised updates for a week with no explanation. That way you don’t get to have any expectations of them in return, see, and we all know how much people don’t like to be held to any sort of basic standard of human decency.

Here at Felony Fest we cannot abide gatekeeping. No gates, no bars, no consequences for actions or acknowledgement that people have a fundamental right to not be forced to interact with every asshole who demands attention all the time. We are well verse in the Ancient Fandom Code that states that as soon as we decided to talk about running one of five thousand and a half fandom challenges, we gave up all pretense of being real people and only exist for the ever-changing and ever-conflicting whims of the masses, both collectively and individually.

(And we would certainly never want to be the kind of dickheads who cause all sorts of fuss about that sort of thing and talk shit on how we’re going to do so much better, inviting the meek and wounded and afraid newcomers to our fandom to reach out to us for support only to drop our promises as soon as we’re done getting the attention our pearl-clutching deserves. That would be some bullshit if someone did that. We <3 fest follow through here at Felony Fest.)

SO WITH ALL THAT SAID, on to my point.

We’re not actually sure we have our shit together enough for the other projects, but we’re not going to back down from them or ghost without explanation, that would be ridiculous. No, we’re going to do a trial run of a lower stress challenge! Which is why I have the pleasure of announcing

SPN Bingo Bingo!

(AKA Not Another Supernatural Bingo)

We thought we’d get in on this trend plus take advantage of everyone else doing the work for us, so here’s how it works: We make you a card with each square being the name of another SPN bingo challenge. In order to fill the square, you have to sign up for that bingo and complete a bingo for it. It’s like a meta bingo, because we all love meta shit, right? You won’t have to do any more writing than you would’ve otherwise, since you’ve almost certainly signed up for all of them already anyway, you just get double credit! Or triple or octuple, depending on how many different bingo challenges you manage to combine in a single fill.

Stay tuned for the sign-up post for SPNBB to get rolling and bingo your bingos!

Also keep an eye out for the announcement of our next upcoming fest, which we will announce before doing any work on any of the aforementioned things, the Coda Project! One coda written for every single episode of Supernatural, posted one day at a time in chronological order. We’ll post more info about that soon. Claims day after tomorrow.

*Bottom Dean only! One of your mods finds homosexuality triggering and can only participate in this ship of two men if one of them follows extremely reductive and misogynist ideals for femininity.

#spn #supernatural #bingo challenge #evidencebased #spnbb

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tessmontyart · 5 years

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2018 Year In Review

Another year, another review 💕(I actually typed most of this up before 2019 and then got distracted, whoops)

To put things short, 2018 has been AWESOME :D Exhausting and fast, but awesome.

I started it off pretty uncertain how things were going to go, dreading it would be a repeat of 2017′s boring TAFE courses and endless job rejections. But the miracle happened - a 2D animation studio opened up near me, I applied, did an animation test and got the job!

The job was a contract from 1st of April - 21st of December, so I spent the majority of my year going to work to animate characters for a really crazy but hilarious new kids show called Spongo Fuzz and Jalapena, due to air mid 2019 :)

It was honestly the most fun job I have ever had and I can’t wait for the next project! 🎉 I have never been this exhausted in my life, though. 😅I had already booked a whole bunch of conventions before I got the job, and didn’t want to cancel them so I was working nonstop - Animation during the day and intensive convention prep every night.

I also had the bright idea of creating a full colour 26 page comic -with a tight deadline - so I was madly working to the point I didn’t even have time for dinner half the time :’) I am sort of happy with the comic, but also kind of wish I never had the idea in the first place. 😅

I tabled at a ton of conventions; Melbourne Supanova, Central Coast ComiCon, Other Worlds Zine Fair, Sydney Supanova, SMASH and Canberra Gamma Con. If next year doesn’t go so well on the job side of things I’m hoping to add a few more conventions to that list - Brisbane Supanova, Oz Comic Con and Animaga to name a few. I’ve already booked Sydney Madman Anime Festival!

2018 was the year my partner and I celebrated our 4th year together, and he never fails to amaze me with his continuous love and support. I was too sick to attend the first day of SMASH, so he set up and ran the whole stall for me while I stayed at home. Same with Sydney Supanova, I was too bogged down in animation work and couldn’t afford to take the Friday off, so he set up and ran the stall for me on Friday, then we ran the stall together on the weekend. He also tended to my every need when I broke my toe, cooked all my meals when I was busy with work and even packaged + posted all my Etsy orders every day because I was always working during post office hours. He listened to all the problems I was having with my stall setup and helped make shelves and decorations to make it look and function better. I was getting stressed because my desk space was too small, BAM he bought me a brand new desk with plenty of storage. I was getting stressed that I had so much on my convention to-do-list and couldn’t keep track of all my project ideas, BAM, he sets up a whiteboard and helps me brainstorm everything so I can keep track of all my thoughts and ideas and what to prioritise for future conventions. I didn’t even ask him to do any of this, he just loves to help me and make me happy and I am forever blissed and happy to be able to spend my life with such a wonderful human!

(Home made High Tea I made for him on Valentines Day)

Arsty Highlilghts / accomplishments:

🌸I designed 9 cute Houseki no Kuni acrylic charms which have been doing really well at conventions!

🌸I also drew a cute series of ‘Sleepy Gem’ Houseki no Kuni / Steven Universe holographic prints, which I’m quite proud of 😊

🌸I created my 2nd enamel pin design, which already needed 2 reorders because they were so popular! ;w; I never knew I could make something that so many people love *sob* I’ve already planned to make these into a series! (already designed some deer ones, and thinking of doing foxes next ^_^ )

🌸I also tried getting gold foil prints done for the first time, which was pretty cool! I got the american sizes mixed up though so I might try for the bigger size next time :) (grainy photo cause its a screenshot from a video)

🌸I’ve been taking steps to make my stall look more ‘professional’, and got a really neat wooden sign made for me by my friend as_sweet_as_jasmine!

🌸I’ve started revamping my favourite series of posters - the Eevee Gijinka girls :) I plan to have them all done and ready for 2019s conventions!

🌸This was the year I got an iPad, so I could do digital art on-the-go. Honestly its helped me so much, and I can’t wait to be able to use it more (sorta didn’t get a chance to touch it while i was working!)

🌸I got Copic Markers for my birthday so I had a whole new medium to play with! These mixed with using a brush pen for inking really make my inktobers pop and I’m eager to draw more with them :)

🌸Speaking of Inktober, it was a huge accomplishment for me to put effort into a decent artwork every day this year! Usually theres a few dud ones when I lacked inspiration, but I somehow managed to make it work ;w; So when it came time to printing the books, theres 31 illustrations rather than 25 like the others :) Also the whole rainbow theme idea came from how cool I think it would look flipping through a rainbow book - so I managed to make that happen and couldn’t be happier!

🌸I passed 1000 sales on Etsy!! 😱As well as 1000 followers on instagram! Crazy right??

General 2018 highlights

🌸2018 was the year one of my best friends got married! I made cute little clay wedding cake toppers for her :)

🌸The year Owl City’s 7th album Cinematic came out!! All the tracks are so GOOD and exactly the sound all us hootowls were longing for. Also Be Brave is a tearjerker, in a good way. What an amazing human Abbey is to Adam <3

🌸The year Spyro Reignited Trilogy came out!! It’s absolutely amazing, and I love every second of it. Every time I play it I just can’t help but stand there looking around at every detail because everything is just so gorgeous *_* And the nostalgia is so real.

🌸Not exactly a highlight but the year Tumblr went NSFW free, and lost hundreds of thousands of users 😂I’m still here though. Got a dumb tradition to keep up ya know.

🌸The year my work had a hilarious Christmas party where we had to dress up as a character from Spongo Fuzz and Jalapena. It was the first time I actually put effort into a cosplay by myself 😂(possibly the last) (wont put a photo up for embarrassing reasons)

🌸the year I broke my toe for the first time xD;; definitely not a highlight but a first! I couldn’t walk for weeks! it sucked!!! T__T

🌸The year my friend successfully funded his kickstarter for his own cartoon ‘Nurry Brothers Adventure World’ :D So proud of him. I’m gonna help him animate!

🌸The year Lano and Woodley reunited with their amazing show ‘Fly’!! I loved it so much I saw it twice :D

🌸The year I tried doing Halloween for the first time - I bought a bunch of lollies and chocolates and decorations on my letterbox/door to let people know I was participating. I got 2 different groups of people at the door, 5 people all up 😂More than I expected tbh!

🌸I tried Ruby chocolate for the first time! It was ok .. just kinda tasted like berry yoghurt flavoured white chocolate though ;w;

SO! What’s coming for 2019?

I’m not really sure at the moment, but I have high hopes for Cheeky Little Studios (the animation company I worked for) - so I guess I’ll just have to wait and see if any of their next projects get concrete start dates :) I’m not as terrified of the year as I usually am when its just one big question mark. I know I can make decent money through conventions and commissions in the meant time so I’ll just continue doing what I love!

LAST YEAR I SAID:

“I am crossing my fingers for an animation job I applied for a while ago” - I GOT IT! :D

“I plan to do even more conventions. Hopefully I can get into Oz Comic Con!" - didn’t end up applying because I was busy with the job, but keen to try for 2019 :)

"I’m keen to apply for like Animaga in Melbourne, as well as Madman Anime Fest in Brisbane and Melbourne.” - didn’t end up doing so for the same reason above, but that might change this year :)

“I also want to make a lot more non-fandom things for market stalls, as well as a comic and zines!” - I made the comic, as well as 3 inktober zines and a cute ‘if I fits I sits’ cat zine! As well as a bunch of cute original enamel pin ideas and my whole inktober was original art :D

“Hopefully I’ll hit 1k followers on fb/ig? :D that will make me feel important lol” - I hit 1k on instagram!! I felt very important xD

“I’m also hoping to go on a holiday this year." - I didn’t, for job reasons ... buuut I’m booked in for a cruise in Italy / Greece this September that I’m extremely excited for!

“PLEASE BE KIND 2018, I’M BEGGING YOU 😱” - You were very very kind to me, 2018. 2019, please follow suit!

(man this is the 7th year of review I’ve done. Can’t believe I’ve been on tumblr this long 😅)

[2017] [2016] [2015] [2014] [2013] [2012]

#2018 #2018 year review #year review #year in review #personal crap #i honestly dont expect anyone to read these #i just do them for myself lol

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lyrsui · 6 years

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Excitement!

I'd been getting SO sad about the show and the fact that no one was answering my Google form... It turns out that four people have actually responded and I had no idea!! The good news is that I've already gotten one volunteer per position (and there's a lot of overlap - everyone wants to help with Logistics, which is surprising! I thought it'd be the least interesting)

I think I can make it work - I can definitely use extra assistance with the zine fest + grants so extra logistics support is welcome - and having folks to lend help with graphics & social media would be great. I'm really excited. I'm gonna make it a goal to send out emails soon. My deadline for recruiting was next week, actually, so I'll give it a few more days to see who else responds, and then begin moving forward.

I feel SOOO much better. Honestly, reading responses had me feeling like... So honored & humbled that people really love what I do and want to join the team. These people are so qualified! It makes me feel so encouraged by what the possibilities are for this event and its future!

(I've also gotta start thinking really hard about like... Backup plans for funding around this event. I have about six other grants on my list to apply to, but I just really want to not have money come from my pocket because I... Really can't afford it.)

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floating-in-the-blue · 6 years

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MGS Fic Rec List

Name: Yeoyou // Team: Philanthropy // Challenge: C1 (or maybe rather C3? I’m not sure...)

A couple things before I begin listing some of my favourite MGS fanfics:

I’m not really reading a lot of fanfic, generally, so once I’ve found a few authors whose work I love, I stick with them which is the reason why there’s a lot of stories here by not really as many people. Which is why I’ll just go and do this by author...

Most of these recced stories are Otasune-centered because that’s my jam ;D

This is fucking long so have a cut

1. @higharollakockamamie

Sadly moved on to other fandoms now but their stories are a gift to this fandom and you should read all of them if you love good writing, good characterisations, fun and feels and excellent smut as well because Higharollakockamamie deals out all of that effortlessly!

Plasticity

This is a slow burn character study gangbang AU fanfic in which Hal is slowly being seduced by Kaz, Ocelot and Big Boss at Shadow Moses - although he’s rather oblivious to the fact at first. This was one of the very first fics I’ve read in the fandom and I clicked on it mostly because of curiosity because how can such a pairing work (let me tell you, it does!)? But then I fell in love with the writing, HIgharollakockamamie’s language, style, the slow unfolding of the story and how well the characters work in this setting and how recognisable they are. EVEN IN THE PORN! Which, yes, eventually does happen and it’s glorious. If my utter devotion to this story wasn’t evident yet, I’ve done a (poor) podfic reading of the first chapter here and had entirely too many feelings about my continuation headcanons here ;D [Chapters: 9 // Words: 29,634]

The Show?

VKaz, so not something I usually read a lot of, but this is so fucking good that it has to make this list! It’s just the boys listening to some music and chilling and talking and I don’t even know what‘ll happen to you if you actually hardcore ship them because I don’t and this left me stunned with how good it is!!! [Chapters: 1 // Words: 2,073]

2. Mightyscrub

Now, Ren, aka the mightiest of scrubs, is one of my other absolute favourite fanfic authors and persons in general because of their unabashed love for the weird and the bizarre (if you know one fic by Ren it’s probably the tentacle porn one) and the cheesy but also because their stories always resonate as real and grounded. They’re equally good at action, the fun and hilarious, the deeply moving and emotional and you can get all of it in a single scene! Evident through it all: the utter love for the characters! (Sidenote: Ren writes so good I even read their DreamDaddy fics and I know nothing about any of that but they’re glorious and kinda Jupiter family if you squint really really hard)

Fics I particularly enjoy (and sometimes that’s “enjoy” as in “ripped my heart out” but you know...):

Don’t Say A Word

Teenager Sunny worrying about her Dad who seems to turn into a shadow because of his grief over Snake’s death so she returns home. What follows will warm your heart, rip it out and stomp on it, drown it in feels and just generally puts you through a rollercoaster of emotion. And it’s good. So fucking good! [Chapters: 1 // Words: 4,331]

Developments

This one’s porn and it’s the best. Hal and Dave have been having sex for a while now but it doesn’t have a name, this thing they do, and they don’t talk about it or go any further than hands and mouths and Hal kinda wants to be up to lube activities so he gets some. bottom!Snake. Just glorious, hilarious, deeply human porn with dialogues to die for! [Chapters: 1 // Words: 3,515]

Rest

Post MGS4 Otasune feels fest where Snake sort of “proposes” to Hal. This is pure sad fluff because Snake is still dying and everything but they’re so in love and with Sunny they‘re a sort of happy family and this will give you massive feels but you should definitely read this!! (and prepare a bucket for your tears) [Chapters: 1 // Words: 1,961]

Building Blocks

Very like “Rest” in the feels department, with old Snake and all, but with less dying Snake and a happy ending instead. Like “Rest” there’s so much that’s kind of mundane but also really meaningful and metaphorical if you want to go that deep and just feels so fucking real. [Chapters: 1 // Words: 3,351]

Recovery

Otacon gets kidnapped, there’s so much angst and feels and Jupiter family glory and God, Ren just writes these characters so good it’s a crime! If you like to suffer via great writing, definitely read this story!! [Chapters: 3 // Words: 10,250]

Teeth

I know, I know, Ren is mostly known for her monster AUs or the occasional dinosaur or alien but I only wanted to include finished stories here so while you should go and read all those others and encourage them to finish them hopefully one day, Teeth is the one that makes this list. Also because it’s one of my absolute favourite werewolf AUs ever read with an amazing new take on the trope and wonderful nods to canon and again, characters and character interaction are where Ren really shines. [Chapters: 4 // Words: 16,994]

Secret Handshakes Required

Philanthropy era, pre-slash but barely and quickly slipping into proper slash and holy wow on a waffle this story is everything you could ever want from an Otasune story. It’s even got a mission going on in the background, awkward, endearing first time sex and more feels than my heart at least can handle!! [Chapters: 1 // Words: 4,947]

3. @kawaiibooker

Let’s have a break with some VKaz for a change with Kawaiibooker’s incredible V series and V One-shot series which I recently read (and commented) for the MGS Winter Games and boy do I not regret having done that because it’s such a wonderful series for a pairing that I only lowkey ship because I’m more at home in the Philanthropy era of MGS. That didn’t help much with not drowning in feels though because Jess is such a good writer with a masterful grip on her characters! Since I can’t list all of them (all of which, however, you should read), I’ll list those that stick out the most to me.

The Footprints That We Leave (Crush Us Till We're Free)

This is the ending to the main series (with a Dave cameo!!!) and fucks you right in the feels because Miller thinks Dave killed Venom and is barely coping with that so lots of angst and hurt but also a happy ending!!!! [Chapters: 3 // Words: 14,184]

I Need Somebody (To Lean On)

Okay, I said I’d only list completed fics but I cannot not include Pequod Darling Felix, the best Pequod and so supportive to the boys and I just have way too many feelings about this darling man and the way Jess writes him and so even if there’s no other chapters coming, you should absolutely read the first one!! [Chapters: 1 // Words: 3,538]

In My Mind (I Call You Home)

Jess doesn’t just write excellent character pieces but also wonderful porn so have one with some lovely phone sex XD [Chapters: 1 // Words: 2,011]

Listen Closely (I'm Lost Without You)

It seems I like the hostage stories because of glorious angst so have one where Kaz and the Diamond Dogs are held hostage and they‘re all waiting for the demon to safe them. Kaz seeing Venom in action is something quite different to knowing what his lover does while away on a mission. SO GOOD. SO MUCH HURT! [Chapters: 2 // Words: 4,247]

Our Love (Is Written In Sand)

Back to the porn, this time with glorious beach sex that’s just the perfect ratio of smut/fluff because these boys love each other so much! [Chapters: 1 // Words: 3,181]

Bury My Heart (Next To Yours)

The ending to the one shot series and picking up right where “The Footprints...” leaves off with Kaz and V reunited in old age and living the quiet life they deserve. Also features sunflowers and a very good cat! [Chapters: 3 // Words: 4,835]

4. @fractalspaces/LotusRox

Lynx’ stories are full of poetry and emotion and I always approach them with caution because I know how effectively they play with my feelings. They never fail to affect me and that’s a dangerous gift for a fic writer because Lynx isn’t here for your casual fic reading.

Lah’Shoov

Hal running through the (former) Microwave Corridor to get to Snake with all the painful angst and fear and guilt you’d expect but of course we also know that he’ll find Snake alive so with a hopeful ending. [Chapters 1 // Words: 1,997]

Chemistry of Combustion

A trip down memory lane of how Hal always loved people who smoked, two who didn’t deserve it and the one who does. [Chapters: 1 // Words: 1,367]

Adrift, Unsung

This is just SO GOOD and SO PAINFUL! Okay, admittedly the end is not but everything up to then is glorious pain. Post-Discovery and two men trying to rebuild the trust between them (and they seriously just need all the hugs!!) [Chapters: 1 // Words: 3,608]

5. @141-point-12/thelonebamf

Cat, the true hero of the MGS Winter Games, the champion fangirl and inspiration to us all, the Queen of Otasune, cheerleader and enthusiast extraordinaire. I have nothing but the maddest respect for her because of her generosity and commitment, her openness, her creativity and her fearlessness in just doing what she wants to do (which is, weirdly, a lot harder than it should be). Whether it’s pins, drawings, zines, her amazing podcast together with Zeke or her latest idea that has brought everyone together, the Winter Games, she just does it. But this is a fic rec post (or something) and she also writes amazing fanfic with a knack for atmosphere and characters so have some of my favourites of her.

No One Has to Know

I don’t even know why I love this AU so much. Maybe it’s because Dave accidentally picking up runaway Hal because he thinks he’s a prostitute turns the usual concept of Hal not being able to imagine David could ever want him on the head. Maybe it’s because it’s so fluffy and cute but with an ending that hurts before it heals. I don’t know. Maybe you can tell me once you’re read it? [Chapters: 7 // Words: 13,999]

Pictures of You

I still owe Cat a proper comment for this one but I loved it when I first read it in the zine (with awesome illustrations by Harshai) because it has all my favourite Cat fic ingredients of tender and insightful character moments for my favourite ship and favourite egg family. [Chapters: 1 // Words: 3,023]

Rat in a Foxhole

This is just SO GOOD!! AU where Hal is a recruit at Foxhound, which will break your heart in a very toasty way. It’s such a good exploration of a different dynamic between these two characters because they’re at different points in their life but so true to the original characters! [Chapters: 6 // Words: 13,779]

Call on Line Two

If you’re looking for some short fun, fluff AU, this one’s for you. Sort of the opposite of “No One Has to Know”; it’s Hal who thinks Dave wants sex when he calls instead of tech support because he messed up the numbers. David doesn’t mind. Tech support still happens eventually. [Chapters: 1 // Words: 3,610]

Occasions for Hope

A wonderful character study of Hal and his relationship with his father of Hal and the parallels between himself and his father and also, significantly, where those parallels fail. [Chapters: 1 // Words: 2,704]

Let it Be

More wonderful little glimpses of Hal and Dave and their relationship during the Philanthropy years. Little mundane and significant moments that are absolutely perfect! [Chapters: 1 // Words: 1,498]

And of His Nature

Short but wonderful piece of writing full of poetry and character analysis that is one of my absolute favourite Otasune fanfics! [Chapters: 1 // Words: 1,015]

Fifty Dogs

This list wouldn’t be complete without the, to me at least, legendary “worth 50 dogs” story!! ALL THE FEELS! [Chapters: 1 // Words: 2,265]

Ladies, Gentlemen and other Folk, thank you for your attention, now go read some A++ fanfiction! Yeo out!

#very fitting that this should be my last submission for the winter games #mgswintergames #mgs winter games #metalfloat #I'm sorry Cat

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justsomeantifas · 7 years

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I'm an artist who wants to spread my Super Left (tm) values in a zine, but idk where to start. Do you have any suggestions as to how to get a small production team together? I can do online stuff too.

The great thing about zines is that you have a lot of options so let me try to break down how you can do this.

What’s the Zine About?

Figure out what you’re going to focus on. You seem to know what you want to do on this front but think about what medium you’d like to see in your zine. Is it going to be a general leftist zine with whatever topics you/volunteers send in or are you going to do themes. Are you strictly asking for writing or can people send in poetry, art, comics, photography, etc.?

Maybe you want to do a whole zine dedicated to community work? Then you make a “call for submissions” and let everyone know the theme of your zine and what they can contribute by a certain deadline. Let them know what mediums you’re looking for and whatever other details you think people need to know. In my experience, the really specific zines can either work or not - some people really want to express themselves on certain topics while others might require you to do most of the work.

Oh and don’t forget to name your zine! Maybe make a logo or have someone make one that you can put on your zine, the call for submissions posts, and maybe stickers, magnets, shirts, patches, buttons, etc.

Finding Artists and Writers

As far as getting the word out, I’d suggest posting on your social media. Maybe even create a page for your zine alone and tag it so it gets seen. The main zine I work on has a twitter, tumblr, facebook, instagram, and it’s own website. The last or first page in your zine can have this information or other ways of contacting you (like email) if people want to send stuff in for future issues (if you plan on doing multiple).

You’ll probably have to do a lot of work for the first zine or two unless you have friends that want to work on this with you or you have a big social media following. It’s okay if you don’t any submissions for a while, make this a personal project for now or you can even push deadlines dates back until you get enough submissions.

You can even ask writers and artists online if you can use some of their work that fits the theme of your zine but MAKE! SURE! TO! CREDIT! THEM!

Zine Layout

Figure out what size your zine is going to be and how you’re going to lay it out. I see a lot of different ways people do this so you’re going to have to figure out what you’re best at here. Try looking up some templates, here’s a page that has Microsoft templates for zines from 4 pages to 40 and you can find more online just like it. It’s already laid out and numbered you just have to fill it in. This link shows how to make mini-zines with one sheet of paper, which is very easy.

The zine community is very accessible to those who aren’t that great with this kind stuff (like me lol). But if you have an easier or more preferable way of doing it then go ahead because there’s no one way to make zines.

Printing & Binding

Okay so printing is the hardest part, in my opinion. I personally don’t have a great printer and I’m totally jealous of people that don’t have issues with this part but let’s be real most people don’t have high end printers. So if you have a normal printer you totally can print your zines on it, I’d suggest black and white so you don’t waste a ton of money but that’s up to you and your budget. (And trust me, no zinester cares if it’s B&W.) If you have access to a high end printer that’s even better and it’ll be easy for you.

If you don’t have either of these options you can easily just go to an Office Max-type place and print your pages out there. Find places that can do this in your area and compare prices because you might find some that are 10 cents a copy or 50 cents a copy and obviously you don’t want to spend a ton of money on this part. Also, look for deals on printing costs. And if you don’t have access to one of these places then you can upload the pages online and have it mailed to you.

Binding is also something you need to consider. Some people just do mini-zines which don’t require binding at all, some staple the pages, some sew them, some just hold the zine together with a thin ribbon. Again, do whatever is easiest for you. Most of these are pretty easy but sewing requires a bit of work, if you’d like to see how that’s done then here’s a guide.

Selling Your Zine

Okay hard part is done, now you want to sell your zine? First, figure out the cost. I’m just telling you now, you’re probably not going to make an enormous amount of money doing this but you’ll probably be able to make enough to keep the zine going if those are your plans. Or you can hand them out for free and just ask for donations. Whatever you want.

Look for zine events in your area, or events that you think would benefit from you tabling there (not necessarily zine related). Most big cities will have a zine fest every year and I’d definitely suggest signing up. If you’re far from one then I’d still suggest talking to the organizers because they might be able to get you there. (For example, the zine fest in my town puts funds aside when their fundraising to fly people out or house them.) You can put them in your local coffee shop for free, if you’d like. I’d also suggest looking for a zine distro in your area to try to sell them there. Some libraries will also hold zines from around the country and you can send them there (the San Diego Central Library is one and they accept them from all over).

(If you do end up making your zine please contact me again and I can give you the address to my local zine distro that I help out with. They will sell your zines or you can donate one or two to the distro’s zine library. If you talk to the owner you can also let them know if you’d like all the money made to go to you or if you’d like to split it to support the shop. Anyone else interested can also message me.)

E-Zines

Okay so if you’re able to there is also the option to make your zine readable online. You can do this along with your printed zine or just do it completely online. You can make this as a website or in PDF form and again, you can decide how you want this to go. The PDF can be free or you can charge x-amount and then send it through email. I’m not very good at this but if you know how to do all the stuff that this type of zine needs then go for it.

Okay I think that’s it. Hope this helped.

#zines #DIY #long post #resources #Mod H #aka the Zine Mod #asks

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long-arm-stapler · 3 years

Text

S2 EP1: Miquela Davis

Maira (00:00):

Hello! Uh, welcome to Long Arm Stapler, a podcast about zines, back with season two, after a long hiatus. Today, I am joined by Miquela Davis and I will let you introduce yourself.

Miquela (00:33):

Hi, I'm Miquela Davis and I'm super excited to be on this podcast with you today.

Maira (00:40):

Awesome. I'm really looking forward to starting to record again. Um, like I mentioned, I took a 16 month break from recording just because the world was a lot and uh, yeah, February 2021 back in action. Yeah. So I have with me, um, two of, one of your, your book, pup provisions, a copy of Miq's mix volume two a music themed zine. Do you want to talk about either of those or anything you've been working on lately.

Miquela (01:21):

Um, I actually liked those choices that you already have, um, because those are actually my favorite things that I've done. Um, the, the favorite things that I've published at least, um, which is funny, cause I also make a comic called cool dog that some people may have picked up, at like zine fests, but I really loved the Miq's mix. Uh, I made two of them, but the second one is my favorite because it features a bunch of like music themed comics and illustrations, and just has the loose theme of music. And then put provisions is the most recent thing that I made and that's like an actual book. Um, and it has illustrations of different dog breeds, um, in alphabetical order, along with snacks that start with the same letter as the dog breed, if that makes sense. Yeah. So that one took me. How long did it take me to draw? I think I did like a drawing every day for that. And it started as a drawing, um, exercise for me. And then I decided to compile it into a book because people wanted it. And then, um, I wanted to kind of get back into zine making, but it ended up being more of a like actual published. It's more nice looking.

Maira (02:34):

You have like a hard cover.

Miquela (02:37):

Yeah. I just, I just went on like Shutterfly and got it published that way. Oh, so it's still DIY, but it's it's way nicer quality than my like Xerox stuff.

Maira (02:47):

Yeah. I have not ventured into the world of anything but Xerox, but it's exciting. Yeah. What do you, I remember seeing your daily drawing challenges and I was like, Oh, this is really cool. I love dogs. I love snacks. Um, and then you were like, I'm going to make a book. I was like, all right, I'm going to get a copy. Um, I think my favorite is D for docs and I'm a little biased because I have a dachshund.

Miquela (03:17):

Yes. And your dachshund is adorable.

Maira (03:20):

and she's very much like your dog. Yeah.

Miquela (03:23):

Yeah. I feel like our dogs are such kindred spirits and like they've never met, but I feel like they have a connection it's like weird.

Maira (03:32):

Yeah. They would probably hang out in the dog park. Yeah. So, so far I've only ever interviewed people in the Bay, in my living room. Um, so this is exciting because obviously we're not in the same place right now. Um, you are based in Southern California yes. And pre COVID. Or can you talk about like the zine scene pre COVID?

Miquela (04:00):

Yeah, definitely. I could talk about the zine scene pre zine scene here. Really? How far back do you want me to go? I'm sure. I remember growing up and like I heard about zines through a book from my uncle when I was like 16 and he went to school with Mark Todd, um, who wrote, co-wrote a book called what you mean? What's a zine? Um, so they were like college buds and Mark Todd is I think still based in LA and he's an artist there with his partner, Esther Pearl Watson. And so they're both zine makers. They decided to make this book about how to make scenes. And so, because I heard about it that way, there was like nothing in orange County that was Xen based. As far as I saw at the time I had to go to like LA I saw some zines in like some record stores every so often, but it wasn't really a thing here.

Miquela (04:58):

And I gravitated towards Portland, Oregon because of that, I was like, Oh, I'm going to get out of orange County. I'm going to get out of Southern California and head towards where I saw zines being made at the time. And this was like early two thousands. Um, so then when I came back from living in Portland, that was around 2014, 2015, and I don't know how the orange County zine Fest came to be, but it popped up, I believe in 2014, I wasn't at the very first one and the very first zine Fest. I don't even remember where that was held, but then I found them and I applied to the second one, I believe in 2015. And I've been involved with the OC zine fest ever since. Um, I participated in it that one, uh, and the long beach one. And I sort of just found that there were a bunch of zine Fests popping up and I was able to find them through social media. Uh, social media was like a huge player in me getting involved in it. I don't think I would have been able to find it otherwise.

Maira (06:04):

Yeah. I have a similar experience with social media. I got into zines through tumblr and I really wasn't able to find zine fests nearby until, I mean, obviously I started looking for them and we have a few in the Bay area, but like Instagram and back when I used Facebook were very helpful in like finding zines.

Miquela (06:31):

Yeah. And the Bay area too was like one of those places when I was like a teenager or a young adult, like now I'm 30. So like I'm talking like, you know, 10 years ago, I feel like 10 years ago the Bay area had more, but you probably would know that more than me, but I, I feel like, you know, 10 years ago there was at least that community there.

Maira (06:53):

Yeah. I mean EBABZ, um, the East Bay alternative Book and zine Fest that I helped organize. This was our 11th year. And so, and I didn't even start getting involved in that until 2014, I believe. Um, that was the first time I ever tabled. Was at EBABZ 201- It doesn't sound, it doesn't sound right. But I think it's true. Yeah. Yeah. I, I'm learning more about the Bay areas and seeing more and more like every, not every day, but every time I go looking for stuff and it's really cool that there are so many zine fests everywhere. Um, and a lot of them have been able to pivot to online, which I think is really cool over the last year.

Miquela (07:42):

Yeah. That's been really cool to see and you're right about like these zine scenes that have been around, but then you just find out more about them. Like I found that too. It's like, Oh, you really stayed underground. Like, I'm only hearing about like these scenes that have been in existence for a long period of time, but it's like, we're only really hearing about them through like the internet and then word of mouth. Once you get involved, you're like, Oh, there's been like a zine Fest in the inland empire for years. I had no idea. It's cool. I like it.

Maira (08:15):

Yeah. zines, I think has always been very word of mouth for me. Um, and I liked that about them. Just, they're not super commercial. I mean, I, I feel like nobody's really in zines to make money.

Miquela (08:31):

No, it's for the love of them for sure.

Maira (08:33):

Yeah. And so I like the they're still predominantly, I don't know if they're still predominantly underground events because you know, they do get publicity, but I like, I love actually just how DIY things have stayed.

Maira (08:54):

Yeah. Even in the internet age with social media and then also like even programs where you can make, zines more digital. I love seeing artists make zines, still this kind of like old school Xerox machine, um, the risograph, like that's become super popular. I've seen with zines and that's kind of like an older art form, but it's become new again.

Maira (09:20):

Yeah. There's a lot of, um, riso like presses in the Bay area and it all looks so cool. I don't make art zines, so I guess, or at least make zines aren't predominantly like featuring art. And so I haven't kind of dipped my toes into that yet, but it seems like a really cool process. Just you have to like separate the images by color, I guess.

Miquela (09:50):

I'm not that familiar with it either. So I think you're right. Yeah. You have to separate it and you have to have them like, it's, it's kind of like, screen printing from my understanding and I, I don't even understand screen printing. I'm like very basic.

Maira (10:04):

Yeah, same. I don't, I feel like I don't put enough thought, like, I don't think ahead enough when I'm drawing to separate things by color. It's just like

Miquela (10:15):

Same.

Maira (10:17):

Let me take a Sharpie to a piece of paper. Yeah.

Miquela (10:20):

Yeah. I'm like, I just got a pen and a paper and that's usually how I make all of my zines. I just like sit down and I, I just draw and then I will compile it together later on. Um, you know, maybe I'll cut out like a page or two, if I'm like, nah, this doesn't really work, but it's just like pen paper. Don't really put much thought into it. And then bam just release it.

Maira (10:41):

Yeah. Sometimes it's best to like, not put that much thought into it in my own experience.

Miquela (10:47):

It's raw!

Maira (10:47):

Yeah. It's, I mean, I've definitely made zines where it's very, like, I don't know. I made a zine once that was writing. I did for a creative writing class. And so that was more polished, I guess, than anything else I've done. But it's usually just me kind of sitting at my computer, treating it like a live journal entry and just printing it out, stapling it together and letting people read it.

Miquela (11:17):

That's so cool too. Like just letting it be this like free flowing thought process. And like, I've always admired like the way that you make your zines because like, they're just so personal too.

Maira (11:31):

Yeah. I, I got started with perzines and I didn't really venture into like fanzines or anything with like drawings of my own until the last few years. But perzines are really like where I got my start, I guess.

Miquela (11:49):

Yeah. And I think that's how we met too, was like, I was drawn to your more personal zines and I was like, that's really cool. That's cool of you to like put yourself out there, like that.

Maira (12:00):

Yeah, I love to overshare on the internet, so why not do it with paper and some staples?

Miquela (12:06):

Exactly.

Maira (12:07):

Yeah. Because we met at a zine Fest. I think. I don't remember which one

Miquela (12:12):

I don't remember either. I was like sitting here and trying to think I'm like, I know it was at a zine fest. Like that's how we know each other. That's how we ended up here. But it's been, it's been a while and it's like one of those things where like, I've seen you now at so many, I feel where I can't remember like the first one either.

Maira (12:29):

And I remember the last long beach zine Fest that was held in person. We, it was like a power block of my table, my friend Andi and then you. And that was fun.

Miquela (12:42):

That was so much fun.

Maira (12:45):

And then my car broke down. So it was like fun up until heading home. Um, it was a disaster and I was like, wow, I wish I could just stay in Long Beach Zine Fest for a little while longer and not be living a nightmare. But

Miquela (13:00):

Yeah, I remember that too. I remember like seeing your Instagram posts and I was like, no, we were having so much fun.

Maira (13:10):

Yeah. Um, but you know, shit happens. Um, my car works again, so it's all good. Yeah. What else you've got, you've got an art show coming up that you're curating.

Miquela (13:24):

I Do. Yeah. Speaking of like zine fests and stuff. Like I miss them so much, but yeah. I curate an art show every year now since 2018. Um, I used to have a space that I could do it out of that my friend ran called riff mountain. And, um, I would curate art shows there every so often, but this crushes one is the one that I've done every Valentine's day for the past, like four years now. And the one coming up is the first virtual one, just because I was like, you know what? I've been wanting to get an art show together somehow during this whole COVID time period. But this one is special just because I was like, I can't not have crushes happen just because like, it means so much to me personally, the first year I did it, I co curated with a fellow artist. Uh, Meg Gonzalez, who is a local, you know, Southern California artists. And I think they've reached, you know, further than just Southern California. Like they're, I don't know. Like they just seem like a really, uh, poppin' artist, like more and more people are finding them. And I, I love that for them.

Maira (14:34):

Bug Club Supreme. Yes.

Miquela (14:37):

Yeah. They're, they're super cool. And so we co curated the first crushes show together. And then the second one I did myself last year I did with another artist, uh, Chantal Elise, who's just under like Chantal Elise art on, uh, Instagram. And then this year I'm just doing it myself and I'm doing it virtually. So like, it's going to be interesting. I'm super excited to see what happens, but we're basically going to do kind of like a live stream. I asked other artists to make like short videos of themselves and talk about themselves in their work. I only got one so far, so I might not be like super prevalent throughout the show, but my whole idea is that because we're going virtual, I would like to showcase artists more than you can do at a traditional art show. Like usually you're there and you're looking at their work, but you don't really get to know the artists behind it and like the story behind the work or the deeper meaning of it, like, you're just getting your own interpretation. So I was like, what can we do differently? Because it's going digital this time. And that's why I tried to include that in the like submission form.

Maira (15:50):

Yeah. It seems like it's going to be really cool. Um, what are you like hosting it on a specific platform or

Miquela (15:59):

I think we're going with youtube. I say we, because my roommate is helping me out with it. Um, we've been testing out different forms of software and I think YouTube might be where we end up. I initially was thinking like just a zoom call and I would like put together some sort of like, um, a slideshow or something, but that's, I don't know if that's really gonna work out. Um, so I actually don't know yet. We're still working out like, which one's going to be the best one for the whole show and for people to participate in, but also kind of be like an audience because the whole idea is like, we want it to be participatory, but also like where you're kind of watching a show happen, but have it partially recorded and partially in real time.

Maira (16:49):

Okay, that kind of Makes sense To me.

Miquela (16:51):

Yeah. I'm like, it's, it's a lot, like, it makes sense in my mind, like the recorded part would be, we have images of people's artwork and we would be, you know, showing that for like a few minutes at a time. And then maybe between each piece, like visual piece, we would have a recording of an artist talking about themselves and their work, kind of like an introduction to their work before we show it. Um, I know we have a couple live readers of poetry. We don't have a confirmed DJ set yet, but we have some recorded music that we can play. And if anybody during the show would like to, you know, maybe do any sort of live reading or live music or something, we're open to that as well. So that's the mix between like the recorded and then the live stuff.

Maira (17:38):

Oh, cool. Um, and so that's gonna be on Valentine's day, correct?

Miquela (17:42):

Yes. On Valentine's day still don't have a time sorted either. Like a lot of this happened now looking back and like, Oh, I kind of did this last minute. I wasn't really thinking of like a lot of the work that's going to go into making it digital because I'm so used to like doing it in person and kind of like winging it, you know, like day of it's like, all right, well, I know that I have all these artists signed up and I've done it for a few years now and everything's kind of just worked out, but now with the digital aspect to it, like I'm not super technologically, like I'm proficient, but I feel like a lot of these programs that I'm looking at, I'm like, I don't understand like this whole like live feed and putting in microphones and all this stuff like having, um, you know, the screen switch between one from another, like, it's, it's a lot, it's pretty daunting. So we also have a lot of artists tuning in, or like submitting stuff from other parts of the world.

Maira (18:39):

Oh wow.

Miquela (18:39):

Like that part has been really interesting to me this year. I think, because it's been opened up to being like, Oh, this is online. I don't have to like ship anything. I just have to send an email with some photos of my work. If I want to, I've gotten people from like the Netherlands. I've gotten people from the UK submitting work. So that's been really, really cool. And I want to make sure that they're included too, as part of like the little live stream that we do. So I'm trying to figure out like a good time for that and see if we can like record something for people to view later on if they can't make it

Maira (19:14):

Cool. And people still have time to submit, um, To that, correct?

Miquela (19:21):

Yeah. As of recording this right now? Um, yes. So the deadline is February 10th.

Maira (19:28):

Okay. Yeah, I can include, um, cause it was like a Google submission form. Yeah?

Miquela (19:35):

Pretty much. So the way that the submission process is working right now, like that's basically how I get people's names and then information. And I make like a spreadsheet of what they tell me that they're going to submit. So then that way I can keep track of it. But then to actually submit after that, they still have to send me like photo either photos of their visual work, or if they want to take a video, maybe you made a sculpture or something and you want to show it off. Like you can just take your phone out and like walk around the sculpture and get all these cool angles on it. And just like send me a video clip. Um, I'm really open to like any medium. Cause it seems like any one is possible. So yeah, people can just still submit that then to my email. And then my email, I don't mind giving it out. It's just MIQ U I D e [email protected].

Maira (20:24):

Cool. And yeah, I will post that in the show notes as well. Um, so if people are interested in submitting, they can, I am excited about it because I have, I've made a sculpture sort of thing, which I haven't really done before. Um, but I submitted it and it's really cute and I'm excited for other people to see it.

Miquela (20:48):

Yeah. I'm very excited for it too.

Maira (20:52):

Yeah. I just haven't like made, I haven't really done any art stuff in the last year, so I've, that's, I mean, that's not true, but it feels true. Like, I haven't, I don't feel like I have much art to show for the last year, but it was really cool, like working with my hands again and just gluing all of those tiny hearts. I was going to sew them, but I was like, that's so much work.

Miquela (21:20):

That's so much more work. Wow. Yeah.

Maira (21:23):

And I have a crush on hot glue. So I was like, okay,

Miquela (21:27):

There you go. It's perfect.

Maira (21:29):

Yeah. It's a good tie in, um, for those of you wondering, I made a Crunchwrap Supreme filled with hearts.

Miquela (21:35):

It's incredible.

Maira (21:37):

Yeah. I'm really excited. I submitted something to the show last year too. And it was one of the first times I've ever like submitted my art anywhere.

Miquela (21:48):

Really? I didn't even know that. Yeah. You've submitted last year and I was like super excited about it. Cause you like mailed me your work.

Maira (21:54):

Yeah, that was, I think aside from the long arm stapler show that we did in September of 2019, that was like maybe the second or third time I'd ever shown my work in like a show setting. And so that was really exciting. And I remember you posted like videos of the show in person and photos. And I was just like, I think it was, it was on Valentine's day again. And I was just on my phone, like kind of ignoring my boyfriend. And I was like, look at my work, look at my work. I was really excited about it.

Miquela (22:31):

I love that! Oh my God. That is so cool. Yeah. I was super happy to have you participate, but I had no idea. And I had also seen that show that you did up there. Um, the long-arm stapler one that looked super cool too.

Maira (22:45):

Yeah, that was my first, uh, time running a show and also being in a show, I guess, we recorded, the last time we recorded this podcast actually was like at the close of that show. So it's been an interesting time to like think back on it and really reflect on how cool it was. And like we had, it was mostly people from the Bay. Um, we had someone from, I can't remember where they live, but they're on the East coast. They submitted work two people from Southern California submitted work. And one of them was actually came up with their kids to see the show opening night. So that was really exciting too.

Miquela (23:30):

That's so cool.

Maira (23:31):

Yeah. And like I had just recently started at my current job and some of my coworkers came out and my like family came and it was, it was really cool.

Miquela (23:42):

That's awesome.

Maira (23:44):

I can't wait to be able do that again.

Miquela (23:47):

Yeah. That's been a major thing and like, yeah, once you do that, like, cause you said that it was your first time, like being in a show and then making a show, like putting on a show. That's why we started even doing crushes like that. I think that was my first time to like showing my work in a sort of like not gallery setting. Cause like I wouldn't call it necessarily gallery. It's like a DIY space, but having like an art show sort of feel where it's like, all right, I'm putting a bunch of things on the wall and showing off people's work and it's hard to get into like galleries or I don't know, just like art shows in general. I feel like don't really happen much. How is it up there? Like, are there more art shows that happen kind of similar to the one that you put on?

Maira (24:32):

Honestly, I don't know. Just cause I'm not like super tuned into the art world, I guess. Um, just cause I mostly like my, my medium is predominantly zines. Um, so that was another cool thing about the show was it was all zine themed. Um, but my friends are opening a gallery in Oakland actually, um, called crisis club and they're going to do shows there once it's safe. And I'm really excited about that because I feel like in the last few years, the amount of DIY spaces in the Bay has kind of dwindled. Um, it's exciting to like see that revival happening, even if it's slow going. And even if we can't have access to these spaces for awhile.

Miquela (25:30):

Yeah. Like I'm hoping after this is all over, we see kind of like a Renaissance in a way of like artistic expression, you know, having these sort of DIY spaces and um, cause yeah, there's at least down here they're really non-existent. Um, but I know like in the Bay area, like I would hear about them either growing up or like even recently, like I saw your friend's space, um, just through your Instagram and I was like, Oh, that looks cool. So yeah. I'm just hoping that we see more once this is all over.

Maira (26:06):

Yeah. And I think especially because people would just been sitting at home making art or at least I hope they've been sitting at home making art.

Miquela (26:14):

Yeah. The sitting at home, especially.

Maira (26:16):

Yeah. If you're making art good for you, but like please sit at home. Um, but yeah, I'm really excited to kind of see what art, like physical art spaces are like in a post COVID society.

Miquela (26:33):

And I think too, we're going to be starved for socialization. So it would be interesting to see like art shows become more of an inclusive thing.

Maira (26:42):

I agree. What else? Uh, are you working on anything else right now?

Miquela (26:47):

I have a lot of ideas floating right now. I know that's like, that could mean anything. Um, I do want to make more cool dog, but I'm just kind of like, he's an interesting character for me. I sometimes will get ideas for cool dog and then sometimes there'll be like, I want nothing to do with cool dog. I want to like work on other stuff, but I know that he's what the people want. Um, but I find it hard, harder and harder now just because I'm like, what is cool? Like, he's kind of like a weird problematic character because like a lot of times like his coolness is, is like something that I don't necessarily agree with. Um, like he, I dunno like the fact that he like smokes cigarettes and like seemingly doesn't like care about other people. Like he just cares about the sake of being cool. Like that's not actually cool. So there's like lots of questions like surrounding it. Like it's very like philosophical for me now. Whereas like it just started as like, this is a stupid comic thing that I'm just going to do for the hell of it. And then it like turned into like this character that I have to actually think about. And that's what makes me be like, I don't even want to think about it. I don't even want to make it, but I can't let him go either. So that's a long way of me just saying like, yeah, there may be more cool dog in the future. I definitely want to work more on zines but yeah, quarantine, you know, I'm just kind of taking a break, especially after making pup provisions that took a lot of energy, but I also would really like to make a memoir like graphic novel about the early two thousands and like my first year of high school. So that's been something that I've been working on slowly.

Maira (28:31):

Oh cool. We're the same age. So that was probably what like 20, 2004.

Miquela (28:35):

Yes, exactly. It was. So I'm thinking like, yeah, like 2000. Yeah, actually it would take place in 2004 because I was going to say the end of eighth grade, beginning of high school. So yeah, 2004.

Maira (28:49):

What a time to be alive.

Miquela (28:49):

Yes. And especially now, like I think like I've revisited that time period a lot and I'm like, man, what a great time. And I'm thinking of actually ending it when I discover zines, which was when I was like 16, like 15, 16. So I think it would be cool to make like a zine about my life, like discovering zines.

Maira (29:10):

Oh yeah. That sounds really cool.

Miquela (29:13):

Yeah. Like I would want it to eventually be compiled in a graphic novel, but I'm thinking, yeah. I might just start out doing like short snippets of stories in zine form, but then they could be, uh, combined together into like, I don't know what it's called. Just like a graphic- Yeah. Yeah. Like an anthology of like all these collected stories that take place during that period of time.

Maira (29:36):

Awesome. Uh, you have a Patreon.

Miquela (29:39):

Yes.

Maira (29:40):

You do like monthly stuff with.

Miquela (29:43):

I do. Yeah. So that's another thing that I've been consistently working on. I started it, I want to say in the beginning of 2020, I can't even remember now. Um, but then it's kind of evolved into now. I've gotten into a groove of like I send out monthly, um, things through the mail depending on like what tier people are on. Um, so I send out like pictures of my dog. Um, all the tiers are like named after her. Uh, so she's got like pegs pen pals. I send out clay pins that I make, I have yet to send out any zines, but that's just because I'm like, uh, what kind of zine should I make and send out? I don't know. I find that I like hold myself back from like making zines a lot because I'm a little bit of a, like a perfectionist when it comes to them, but I just need to do it. I just need to like make a little like one page zine or one piece of paper. So it'd be like six pages and like mail it out. But yeah, people get stuff in the mail if they want or they get access to like exclusive sketches and drawings and like random things that I'm doing. Kind of like, uh, a little bit of a journal. And then now I have a podcast where I talk about music and that's like exclusive to my Patreon for now.

Maira (30:54):

That's exciting.

Miquela (30:56):

Yeah. Thanks.

Maira (30:57):

I started a Patreon. Apparently I tried to make one in June of last year, but did nothing with it. Um, so in preparation for, cause I, I really want to just dive back into this podcast and kind of do more with it than I was before. Cause I think it was like one, every couple of months when I felt like it, I would just have people come over to my apartment and shoot the shit Essentially. I started listening to old episodes and transcribing them cause I wanted to make them more accessible and.

Miquela (31:34):

Oh that's cool.

Maira (31:34):

That was a very time-consuming process. Um, but I am still working on, uh, months later. Yeah. I remembered just really enjoying like the, the word that's coming up for me is prescribed hanging out time.

Miquela (31:51):

Oh yeah.

Maira (31:53):

Like it's a good way to like ease back into socializing because the only person I've really seen in the last however many months is my boyfriend. Um, because we live together and so it's like talking to people is hard?

Miquela (32:09):

Yeah. Talking, talking to people is hard. And I think too, like podcasting it's like, you kind of have a theme, like you have something to already talk about, so you're not sitting there like, well, how's it going with you? It's like, I don't know. I've been stuck in my house for 10 months. How's it going?

Maira (32:25):

To be fair I've done that also this episode.

Miquela (32:27):

Yeah.

Maira (32:30):

But it's fun. And I forgot how fun it was. And so I made a Patreon. I don't know what I'm going to do with it yet. Cause I've already, you know, I've got an Etsy where I sell my zines and stuff and I've got like a Ko-Fi, um, that I.

Miquela (32:44):

I haven't heard of that one. What is that one?

Maira (32:47):

It's just like a, it's a cute little site where you can buy someone a coffee, um, and just send them like three bucks and.

Miquela (32:56):

That's cool.

Maira (32:56):

Yeah, it's, it's cute. I was using it a lot at the beginning of last year because I was, I kind of realized that like I was putting in a lot of time to like zine stuff and it was kind of becoming a full time job, just, you know, organizing fests and organizing the art show and doing the podcast. I was already working a full-time job. And so it was just kind of draining and I was like, you know, it'd be really cool if people wanted to buy me a coffee for this. And so I found this website and it was cool. It's a nice way to like, I think it's kind of like Patreon and you can connect with other creators and uh, do like tiered stuff. It's I think it's basically the same. Yeah. You can do like one-off payments instead of like monthly.

Miquela (33:52):

That's cool. Yeah. That's like the one thing about Patreon where I'm Like I don't, I don't know, like I don't expect people to like want a monthly subscription unless it's for like, you know, the monthly mail outs. Like that's really the only one where I'm like, yeah, if you want something mailed to you every month, that's cool. But it would be cool if Patreon could also have like a one-time payment, which I guess you can do it just feels weird, you know?

Maira (34:19):

Yeah. I, at this time don't feel like I do anything monthly enough to warrant a Patreon, but that's also me kind of trying to kick my own ass into doing something monthly, I guess. I don't even know.

Miquela (34:38):

It's a lot.

Maira (34:38):

Yeah. I, I mean, cause you make all these things out of clay and take photos of peg and send them out.

Miquela (34:46):

Yeah. And I make, uh, usually I've been making, um, what is it called? Oh my God. I'm totally blanking on it. Block printing.

Maira (34:54):

Oh cool.

Miquela (34:55):

So I usually do like a, uh, at least original piece of art included too. And then if I include zines in the future, like yeah. Like I try to have like a few pieces of art within each package and it takes like days for me to do, like, it does become like a job. So I get totally get what you're saying. Whereas like, if you're doing these things, just for the love of it at the same time, you're like, Oh, I'm using my time to devote to this thing where like, it's hard because we live under capitalism and we're like, how can I pursue this? And still feel like I'm not, I don't know, like accomplishing something is the wrong word, but like it's hard. It's hard when like it becomes like it when it feels like a job.

Maira (35:36):

Yeah. And unfortunately It's also, like I feel as artists, we feel under capitalism, we feel inclined to like monetize our hobbies in order to get by.

Miquela (35:51):

Oh totally.

Maira (35:52):

It sucks. We want to just make art for fun, but it feels like all my time has to go into like hustling.

Miquela (36:02):

Oh totally. Like that was my whole thing with like even getting into zine making and getting into all of this is I was like, Oh, I already make comics. And this is just a fun way for me to distribute them, to like my friends and like get my work out there and just make people laugh. But then it turned into something as I got older where I was like, but this is all that I love to do and all that I know how to do. And like, guess, I've got to make money off of that somehow. So yeah. It definitely sucks.

Maira (36:32):

Yeah. At this point I'm just trying to pay for paper and ink.

Miquela (36:37):

that's the whole thing is like materials too. It's like, yeah, it would be cool to have like one of those fancy like risographed zines, but it costs money for materials.

Maira (36:46):

Yeah.

Miquela (36:47):

I could totally see you doing like a, I mean you could do like stickers monthly or something like included with like a mini zine that could even be just like a monthly thing for Patreon.

Maira (36:58):

Oh yeah. I love making those one sheet zines. Um, I was looking at- so something I've been doing lately for the past month or so is I've been looking at photos from that specific day in my phone. So from like years prior.

Miquela (37:16):

Oh, that's cool.

Maira (37:16):

And the other day, a few years ago, um, there was a zine library opening at the Oakland LGBTQ community center. And apparently I made a zine of just drawings of animals in cowboy hats, which.

Miquela (37:33):

That's amazing,

Maira (37:35):

Yeah it was super cute. I took pictures of some of them. And I think that zine, I didn't make any copies. So it only lives in that library. Um, if it's even still there, but I love making one-offs and I actually made one during EBABZ. Um, I was feeling really discouraged about selling my art and making art. And so I made one that was like, even if no one buys your art, you're still an artist. Um, and it was, it was nice. It felt good to just get things out onto a little sheet of paper. And I just bought a scanner and color printer for cheap, but now I have my own next to my desk. So.

Miquela (38:19):

that's a life changer.

Maira (38:21):

Yeah. There was a time period where I was like, okay, I can't make anything because I cannot copy it. Um, but now I can.

Maira (38:31):

That's so cool. Yeah. Like, and that alone, I mean, I know we were talking about how like it's hard right now to like create stuff, but like you're at least building up to like having a bunch of things where you're like, all right, well, I'm prepared to create now. Just got to feel like creating and not be crushed by like having to monetize it. And I think like returning to just like creating for the sake of creating is like so hard.

Maira (39:00):

Yeah. I bought a bunch of colored paper. Um, that I'm determined to do something with, but I also don't want to force it because like, like we've been saying it sucks to feel forced into creating art for money.

Maira (39:15):

Yeah, artist problems.

Maira (39:19):

Artist problems, truly, I am taking a block printing class on zoom tomorrow though. Um, which I'm pretty excited about because it's not really something, well, that's not true. My friend Kristen taught me how to carve stamps, um, with like easy cut rubber a few years ago. And I made like a taco bell stamp, which is pretty on brand for me, but I'm taking a class tomorrow and I'm excited to like, have someone show me how to do it. And I got a bunch of speedball ink and yeah, I'm excited to have that space to like make stuff that doesn't feel, it's kind of forced because I signed up for it. But,

Miquela (40:06):

But sometimes like, Oh, sorry,

Maira (40:10):

No go ahead.

Miquela (40:10):

I was going to say like, sometimes like, you know, that sort of force where like it, but it's more community built. It's like, okay, I'm kind of forced to do that just because I signed up for it. But like for some reason, taking a class like feels different than just like, alright, I feel forced to do this because like I have to do it for monetary gain or like, I need to feel like I'm being productive. And it's more of like a societal pressure versus like in a class there's like that community sense of it where you're like, Oh, that's so cool. I get to be like taught this by somebody who knows a lot about it. And that's been one of the like greatest things about this period of time, like during COVID and all the lockdowns and stuff is like being able to take classes online still is, has been like a godsend.

Maira (40:58):

Yeah. Are you still teaching the zine making class?

Miquela (41:02):

Um, I'm teaching, Well, I had a couple of workshops, um, where it was zine making. And then right now it kind of transferred into I'm teaching. I am still teaching, but it's like an afterschool program where we're making these like little animal field guides. So they already had like a pre-made book. Um, and then they fill it out with like animal drawings that we do each week and it's been so much fun. And then I'm taking a class through my work, um, with a different artist who's doing just kind of drawing essentials and just having that like set aside time each week to devote to art is like major

Maira (41:40):

The animal guide sounds cute as hell.

Miquela (41:43):

It's so cute. Yeah. But my students are like a huge thing that's been like keeping me creative. Um, cause we also do, I do a weekly thing called doodle hour and that's actually, uh, open to anyone and it's free. Um, it's all ages, but for the most part I have like kids in the class and I think that like deters adults, like I've had some adults pop in, but like I try to really make it for everyone. And it's just a fun time to be like goofy and imaginative. And I try to come up with like silly prompts and stuff. Like, you can just draw on your sketchbook, um, and be around like a bunch of fun kids that come up with like really silly things. And so like, that's been major too, for me. It was just like, I feed off of their like innate creativity sometimes. Cause I'm like, you haven't been ruined by capitalism yet.

Maira (42:34):

Stay that way, please.

Miquela (42:35):

Yeah. Yeah. That's like one of the hardest things being an art teacher is like seeing these kids and just kind of like realizing like as an adult so much is beaten out of us. Like not to get like super depressing, like as an artist, like looking at them as artists and like remembering back to like when I was their age and I felt like there were so many more possibilities and like I would just make for the sake of making, um, which is something that we've already like kind of talked about, like we're struggling with, but then like these kids, it's like, you give them like one tiny crumb of something and then they just like run with it. And I'm like, how do you do that? Like please, how do I tap into that resource again?

Maira (43:21):

It feels like something that needs to be like relearned.

Miquela (43:25):

Yeah. So like taking a class, that's all going back to like you taking a class. Like I was kind of saying like, that's so cool that you're doing that because like giving yourself that time, like hopefully that will get you into more of that mindset, a little, or like kind of retrain your brain to be in that creative mode

Maira (43:42):

In the same vein. I took like an art 101 class at my local community college last semester. And that was, it was the same thing where it like put me in a mindset of like, yes, it was for a grade, but it felt very like, because it's not, I'm not working towards a degree right now. I'm just kind of taking it for fun. And so it was really cool to just kind of get loose and like make stuff. And so I'm taking another art class through the same community college this semester and it's a site-specific installation,

Miquela (44:17):

Woah

Maira (44:19):

But we don't really have any sites. Uh, cause.

Miquela (44:22):

that's fascinating.

Maira (44:24):

Yeah. I'm really excited to see how it's gonna play out. And like I'm really excited to make Stuff.

Miquela (44:30):

Sounds like that's cool. Like that's totally something you can use too for putting on shows.

Maira (44:35):

Yeah. That's I think what I'm most using it for gain down the road, but definitely just like farming ideas at this point, which I'm really excited about.

Miquela (44:46):

That sounds awesome. And that's just through the local community college there.

Maira (44:50):

Yeah. Uh, shout out to Ohlone College, uh, their art department.

Miquela (44:56):

That's rad.

Maira (44:56):

Yeah. I'm excited. Uh, do you have anything else that you want to plug or talk about?

Miquela (45:05):

Um, no, that's pretty much it. I feel like, yeah. Talked about the art show. I mentioned like the class I'm teaching, but I didn't even mention like where it is, but I guess you can put that in like the description.

Maira (45:17):

Yeah. Thanks so much for doing this. I know it was like really short notice. Um, and technology is weird and kind of hard, but it's been fun.

Miquela (45:29):

No, this was awesome. I loved, uh, you know, catching up with you a little bit and like yeah. Hearing about the things that you're working on too. Like it's nice to just sit and talk like with a fellow artist who just gets it. Like, I I've been very isolated away from like any sense of like an art community. So like this was really cool and I, yeah, I really loved talking with you.

Maira (45:52):

Yeah. And it's, it's also just a very different vibe from like seeing something on Instagram and being like, all right, I like this, but it's cool to like interact on a different plane, I guess.

Miquela (46:05):

Totally.

Maira (46:06):

Yeah. Well again, thank you. Um, this was great and yeah, stay tuned for more long-arm stapler, uh, more often this year and that's all for me.

#podcast #podcast transcript #miquela davis #long arm stapler #zines #zine

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