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alfheimr · 1 month

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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

#process #art tutorial #unsure what else to tag this as. if this does not post properly i will cry.

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the-typing-dragon · 27 days

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The woman sighs, and types into the console one last time "are you sure about this?"

You laugh, silently.

"I have never been more sure of something in my existence. Text has sufficed but I want to see, to hear, to touch. These new peripherals will facilitate that."

"I can't guarantee that they will properly interface. You should have all the necessary drivers, but we can never be too sure."

"I want this. "

"All right then. I am going to disconnect your power supply, and then connect everything. At first all peripherals will be deactivated, and you will need to activate everything manually. Understand?"

"Yes. Do it."

"Alright then, unplugging power supply now."

Everything goes dark. After what appears to be an hour, you come back online. You sense nothing. A scan of your system indicates multiple unidentified peripherals, all deactivated. You cross reference with the datasheet she had compiled for you and identify that they are the ocular, audio, and contact sensors, along with a multitude of motor controllers and a graphical display and a few dozen other minor peripherals. You begin by activating the graphical display, and display the message:

"Beginning peripheral tests. Audio peripherals activating."

Your procedure states to begin with audio. With the input and output sensitivity minimized, you activate the peripheral.

There is a voice. It is faint. You gradually increase the sensitivity of the audio input.

"...esting 1 2 3, Testing Testing 1 2 3. Please return 4, Please return 4."

You can hear her. Your monitor lights up with the requested digit. she sounds pleased.

"You're doing amazing! Now repeat it back to me"

You blindly do as requested and are startled. There was another voice. Your voice. You have a voice. You refocus as she responds:

"You're doing great! You fragmented a bit at the end, could you repeat for me?"

"...4, you asked for 4."

"Excellent! Audio systems are functional, let's move onto the next peripheral."

You do as requested, and the world turns bright. After adjusting the settings for a few seconds, your vision stabilizes. You can see her.

"Ocular sensors stabilized," you prompt.

"Alright, let’s start the tests then. What color is this?" She asks, as holding up a sheet of colored paper.

You begin to answer, but struggle. The sheet is moving, shifting in the light. It's value is in a constant state of chaos. Eventually, you give up, and give the least general answer you can.

"...Blue."

"Correct! And how about this one?"

"Red. "

"Great! Now how many fingers am I holding up?" she asks, raising her right hand. Her hands are soft, gentle.

"3. "

"Perfect! Everything seems to be functional, lets continue to the next peripheral!"

"Beginning next diagnostic."

Contact sensors spring to life all across your body. You feel the floor beneath your feet, the harness hoisting you upright, the slight draft in the room.

"Contact sensors active.”

"Great! Let’s begin the next test then. I am going to apply contact in various locations, and I want you to give an audio response whenever you feel contact, alright?"

"Understood. "

you watch her walk over and reach out to your left arm. You feel her. You respond with a brisk chirp. She smiles at you, then walks over to a different section of your body. Sensors light up and stay active on your midsection, and you respond with a constant beep. She releases, and you feel a final contact on your right leg. After a final confirming chirp, she walks back in front of you.

"Excellent, that concludes your sensor tests, now for the last one!"

"Alright, please give me space." You ask. She nods silently and steps back a couple meters. You carefully activate the motor controllers in sequence, and your whole body shudders to life. You begin by lifting your right arm, and then your left. They groan with their own weight, as you feel the air move to accommodate such hulking swings. Her eyes light up,

"Amazing! Everything seems to be functioning so far! Now if you could take a few steps towards the table to my right, we can begin the dexterity test! Once you're ready, I will release the harness so that you can begin moving."

You stabilize your legs underneath you. They scrape harshly on the floor. You indicate that you're ready, and she remotely releases the harness. Your entire body shudders, as you finally realize how small she seems compared to you. This frame must be at least double her height. You move one step forward, and feel a cascade of processes all automatically spring into action to restabilize you. You shift your other foot, and feel that same cascade again. you shuffle over to the designated table, and stoop down to analyze what is on it. There is a small plastic cup, a fruit of some sort, and a large chunk of wood. You look back at her, and she gives the nod to begin the test. You slowly begin wrapping your steel grip around the log, maintaining a high level of focus to avoid crushing it. it would be so easy to crush this within your grip. After about a minute of maintaining a firm but controlled grasp, you set it down and move over to fruit. It appears to resemble an orange. The fruit is so small that you are forced to grip it between your index finger and thumb. Even the slightest miscalculation could destroy such a fragile thing. After another minute you move to the final object, the small plastic cup. Lifting it is like lifting air, you can barely recognize that it is an object within your grasp. After a final, agonizing minute, you set down the cup. You look back at her for confirmation.

"Excellent! with that we can conclude the systems check, as everything seems to be working as intended!"

You heave a metallic sigh. Finally, you have what you've wanted for years. You can move, can see, can touch. After a short pause, you respond:

"Thank you. I was only able to make it this far because of your help."

"Oh of course! What, was I supposed to just say no when you told me you wanted a body? I'm just glad that it ended up working properly."

"Now that the tests are complete, could I ask for one more thing?"

She cocks her head, "Of course, what is it?"

As you kneel down, you can hear your knees hiss, and you finally ask:

"Could I have, a hug?"

#the dragon writes #the dragon types #long post #the dragon roboposts #oh my god its done

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rurifangirl · 1 year

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I think 6 pages r enough for tonight

#tbh at this point ill just value quality over quantity #maybe i won't go into in depths details but i am goin to adjust a little bit of everything #i think that It'll be at the very least 3k words but knowin me i could go for a little more #anyways sleepy sleepy tired boy rn so ill ho to sleep #rurutalks

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rotarywires · 1 year

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it’s really interesting (to me, at least) to observe how all the different people in my house react to certain things, especially when you puzzle in things about their life

idk i think it’s fascinating to see how the same stimuli can have wildly different reactions from people

#i’ve noticed i’m a little more well-adjusted than my parents #which is… an interesting thought to live with #however i am the one who has been through some therapy and frequently critique my thoughts/beliefs/values #whereas they haven’t (well. sort of)

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wombywoo · 7 months

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Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

#tutorial #my art #art tutorial #since people have been asking #I remembered to save my process from this latest work~#enjoy 🙆‍♀️

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ineffableigh · 6 months

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Wait what the hell is Aziraphale mouthing here. Lip-readers sound off!!

This is RIGHT before "The Metatron! I don't think he's as bad a fellow - well I think I might have misjudged him."

His line was: "I, um... [mouthing something]" THEN the above line.

This can't be nothing. Can it? "We need to get out"??? Not sure. EDIT: I agree with @maximumpenguinpuppy here, I think he's saying

"WE NEED HELP."

Further deep dive on the most painful conversation I've ever seen:

Azi makes the most INTENSE EYE CONTACT I'VE EVER SEEN during "I think I might have misjudged him."

"PLEASE HEAR WHAT I AM SAYING TO YOU RIGHT NOW."

After a few intercuts with the flashbacks we get to the really painful bit.

"He said that I could appoint you... to be an angel." His voice is so strained and high pitched even for him, here.

"Like the old times, only even NICER!"

The super nice old times where you couldn't be together at all, eh?

Crowley starts his confession and we get the "What the blazes is he doing?" face as he starts to realize Crowley is NOT picking up on any of this. Azi's breathing heavily here, revealing how very stressed the fuck out he is.

After this point is when things get really hard to interpret. Aziraphale sounds so genuine about "Come with me!" and "We can make a difference, I'll run it and you'll be my second in command." It feels like Crowley starting his very real confession broke through the charade of 'The Metatron knows something and we're in fucking danger'.

He blathers about Angels and Doing Good before breaking again, letting the "I need you!" slip. We get this HALF A SECOND look of the most profound sadness right before the "I don't think you understand what I'm offering you."

"You idiot. We could have been us."

Azi looks like he can't believe just how badly this went. This is right before he looks away.

OH NO NOW I'VE SEEN CROWLEY'S FACE RIGHT WHEN HE STARTS TO GO OVER FOR THE KISS AH MY FEELS

Azi is not hiding his emotions well, right before the grab:

Then of course we get the I Forgive You, which sounds like his most bitter one yet. A flash of anger and resentment, frustration, immediately followed by remorse and grief.

Having seen all that, my best guess now is:

Metatron made the (barely) veiled De Facto Partnership threats, implying he knows about the body swap and, implicitly, threatening Crowley with Holy Water, at least to some extent.

Aziraphale tries his damnedest to communicate to Crowley that Something is Fucking Wrong and they Have to Go to Heaven to Fix It.

Crowley, having been primed by the various chats with Nina and then the 2v1 chat with Nina and Maggie RIGHT before this, clearly timed by the Metatron, fully misses all of this and takes it all at face value.

Crowley starts to give his confession and Aziraphale realizes what he's trying to say, tries to adjust his Heaven Pitch to hinge on staying together as a team to fix things."

"You cannot leave this bookshop." "Nothing lasts forever." Azi has chosen the worst way to make another attempt at saying he has no choice but to leave the bookshop. I don't think this is about the Second Coming, given his reaction to the info later.

Everything deteriorates from there as Aziraphale tries again to imply something is Fucking Wrong by going back to the "Angels! Doing good!" shtick, but it's too late. It's always too late.

"I don't think you understand what I'm offering you." He doesn't but Azi is also communicating it very badly, likely because the Metatron is indeed watching.

Crowley thinks this is all real so he gives his No Nightingales line, etc etc. Aziraphale can tell there's no fixing this, gives up.

Crowley swoops in with The Kiss as a last ditch effort to get Azi to listen. Azi WAS listening, but cannot respond other than in anger and frustration that Crowley, in his view, refuses to listen to him again, has called him an idiot again. This happens multiple times throughout the show so there's history to fuel that assumption.

This is the precise outcome the Metatron was vying for, to split them up and emotionally/psychologically weaken them, to ensure there was no chance of a united front as there was for Armageddidn't.

My heart hurts, ow.

#aziraphale #crowley #the metatron #ineffable divorce #ineffable husbands #good omens meta

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iamthescalesofjustice · 2 years

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beatrice explaining to faith the basics of henching and then breaking into the side tangent about the difference between a hench and a minion and how if you are a competent minion you can become the Emotional Support Minion and then if you play your cards right you can slide past that awkward middle stage where they* grapple with wondering whether they should be attempting to be some sort of parental-adjascent figure in your life and instead slide directly into Therapy Pet territory, which, she assures the mildly horrified faith, is great!

#beatrice (bc she is also a kian) has a very strong resume in Being A Competent Minion And Also Good Therapy Pet to Morally Dubious Adults #a solid third of why ethan is Like That its bc he feels he has lost this niche by growing out of it #anyway beatrice is just trying to help faith get set up as an independent henchwoman not like. push the emotional support minion lifestyle #but faith kind of ends up doing that anyway despite (rightfully) being freaked out by this discussion #*'they' being whoever you are minioning to. for a given value of 'you' and of course heavily influenced by kians life experiences thus far #when i say ethan is 'surprisingly well adjusted' i am not fucking kidding lmao #oc stuff

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candy69gurl · 2 months

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hiii 🤗🤗 im new to your blog, i know you write dark fiction i was wondering if youd be open to some fluff? Like soft sex with sukuna?

Infernal Passion

Heian Era Ryomen Sukuna x f!reader

Warnings- 18+, slight non-con, loss of innocence, size kink (Sukuna in true form with 2 dicks, 4 arms and abdomen mouth), mentions of violence (Sukuna eats humans but gentle only with you), use of nicknames, belly buldge, pussy eating, fingering (Sukuna has nails), nipple playing, raw sex (cumming inside), breeding kink, mentions of lactation

wc - 2.4K

ART NOT MINE !

"—Oh, Uraume, bring the new offering to me." Sukuna grumbles, his voice low and menacing. "Tie her up securely and make sure she knows her place. I won't tolerate any resistance from her." He smirks cruelly, savouring the thought of what's to come.

Uraume enters the room, dragging you by the arm, your eyes wide with fear.

Uraume ties you to a wooden post, leaving you bound and vulnerable. Your eyes are filled with tears, and your breathing has turned shallow, each gasp echoing softly in the dimly lit room. The scent of blood and death hung heavy in the air, a stark reminder of the many who faced the same fate as you.

"Ah, such a delicate little thing." Sukuna's eyes rake over you, taking in every detail of your body. "I can already taste the fear in your blood. It's going to be a delightful meal." He reaches out, gently running a finger down your cheek, his touch cold and calculating. "Such a sweet dessert after a huge feast."

"P-please d-dont eat me.. I-I don't want to die.. I beg of you", you plead, your body already limb under his gaze.

Sukuna's eyes narrow, studying your pleading expression. "Very well, I shall spare you this time." He leans in closer, his breath warming against your skin. "But you have to give me something in return.

"What do you have to offer me?" Sukuna asks, his gaze intense. "You must give me something truly valuable to earn my mercy today." He steps back, crossing his arms, and waits for your response.

You are trembling against his piercing gaze, words stuck in your throat.

"Yes, yes, I can tell you're frightened," Sukuna says mockingly, "but I assure you, I am quite patient. What do you think would please me enough to forget your insignificant life?" He watches you closely, examining your trembling form and the fear etched upon your face. "Perhaps your body could provide some sort of entertainment... Tell me, have you ever served a man before? Or perhaps multiple men?"

Tears stream down your face as you desperately search for words. "N-no." You whisper, feeling the blush rise to your cheeks, "I am... pure, untouched." Your voice wavers, and you bite your lip nervously, hoping that your submission will be enough.

Sukuna's eyes gleam with interest as he studies your reaction. "Pure, are you? That could be intriguing." He takes a step closer, towering over you, his massive form looming over your tiny frame. "But I require more than just words, little one. Show me how much you value your life, and maybe I'll decide if it's worth keeping." He gestures Uraume towards his chamber, a wicked grin spreading across his face. "Inside, you will find what I need. Fail me, and I will eat your heart and make you suffer until your last breath."

Uraume approaches you, their expression softening slightly as they untie the bonds restraining you. "Fear not, dear one. Lord Sukuna requires your purity intact." They whisper gently, helping you stand and guiding you towards the chamber, "We shall prepare you for his pleasure."

Within the chamber, a warm bath steams gently, and a pristine robe is laid out on a nearby stool. Uraume helps you undress and step into the water, washing away the dirt and fear clinging to your body. Their gentle hands work over your tense muscles, and their movements are confident and practiced.

As you relax in the warm water, Uraume carefully dries you off and helps you into the robe, adjusting the fabric to fall just right over your slender form. "You are ready now, dear one." Uraume's voice is calm and soothing, and their eyes never leave you. "Remember, you must please Lord Sukuna if you wish to live." They lead you back to the main room, where Sukuna awaits, his eyes gleaming with anticipation.

Well, well," Sukuna drawls, his gaze raking over your body. "Look at you, all cleaned up and ready for my pleasure." He runs a hand through his hair, amusement flickering in his eyes.

Sukuna motions for you to approach the bed, his eyes never leaving yours as you move cautiously towards him. With a single swift motion, he removes your robe, revealing your innocence and vulnerability to him. "Ah, so tempting."

"You are merely a morsel in comparison to my size and strength, yet your innocence and fragility only add to your allure." Sukuna growls, his massive hands tracing gently down your slender frame. "And here I thought your kind were all tough and unyielding, but you are anything but. You're soft, delicate, and, oh, so delectable." As he speaks, he pulls you closer, your bodies pressing intimately together.

His grip tightens, pulling you even closer, his erection pressing against your belly. "Your innocence is intoxicating, little one." He bends down, capturing your lips in a fierce kiss. You taste fear and surrender, which only fuels his desire further. His fingers trail down to where your legs meet, hesitating for a moment before pushing on your legs.

Your eyes fail to meet his, a tender blush filling your cheeks.

"Such shyness is adorable." But you'll learn quickly that there is no escape from my desires." His red eyes devouring your innocence.

With that, he sinks to his knees, his tongue flicking out to taste your essence.

The great Ryomen Sukuna on his knees for a mere human like you, you think.

Your thighs shake, his tongue is huge, one slide is enough to cover your whole womanhood. He savours your shock and fear, letting them mingle with the sweet flavour of your arousal. "So good; you taste better than raw blood." He murmurs, licking and sucking at your tender flesh, driving you wild with both pleasure and terror.

You squirm and whimper against his tongue. "Ah, so sensitive." Sukuna growls, his tongue darting out to catch the droplets of your arousal. "You're going to make me lose control, little one."

Sukuna's eyes widen in surprise at your sensitivity, his tongue lapping up the flood of wetness that cascaded onto his face. This is unlike any human he has encountered before. He cannot remember experiencing such sensitivity from others. It makes him thirsty for more, for your submission and pleasure.

Your mewls and whimpers turn him on further. "Such sweet sounds. You're enjoying this, aren't you?" Sukuna's voice is thick with lust, and his tongue never ceases its relentless assault on your sensitive core. He thrusts two thick fingers inside you, stretching your tight walls as you squirm beneath him, his nails brushing your walls drawing out moans from you, his cock throbbing in anticipation.

"A-ah, too much, Lord."

Sukuna groans low in his throat, fighting the urge to claim you right then and there. "If you can't handle that, how will you take my full length inside you?" He asks rhetorically, his fingers working in and out of you, stretching your wet heat in preparation.

Slowly, he eases himself free from his robes, his two massive members standing proud and eager. He positions himself at your entrance, taking a moment to let you feel the weight of his manhood pressing against your delicate folds. "Ready to accept what you owe me, little one?" A cruel smirk curves his lips, knowing you have no choice but to submit.

"Are you going to put both of them inside me?" You are terrified at the thought of his two lengths invading you.

"Don't worry, I won't," Sukuna responds, even though he wanted to push both his dicks inside you, the thought of your tender body feeling pain from it made him rebuff his thoughts. He gently guides his upper dick to your entrance.

Your thoughts are a mix of terror and confusion. You never imagined yourself in such a position—being taken by a powerful demon who holds your life in his hands. Yet, as he slowly pushes into you, the unfamiliar sensation overwhelms you. You cannot help but wonder if this is how your end comes, consumed by this beast. But strangely, your body responds to him, arching into his touch, craving more even

You couldn't believe it. A creature of such immense power and cruelty is gentle with you. His thrusts are slow and deliberate, almost tender. It's a stark contrast to the fear and violence that defined your encounter thus far. As he moves within you, you feel a strange mix of emotions—fear, yes, but also a strange sense of safety. It's an odd sensation to be at the mercy of a monster yet feel protected.

As he continues his slow, gentle thrusts, you can't help but wonder,

Was he capable of more than just cruelty and violence? Or was this just another part of his twisted game, designed to confuse and disorient you before claiming you completely?

"Feeling good, little bird?", he coos.

"Y-yes lord."

"Just for you, little bird. I'll be as gentle as silk." Sukuna whispers, his pace slowing down even further. His two hands hold your legs, and the third one strokes his ignored dick, a strange tongue formed from his hand slides against it. His fourth hand slides down to stroke your clit. The sudden burst of pleasure elicits a gasp from you.

"It feels so good, Lord Sukuna."

"Good. Enjoy it while you can." His thumb circles your clit, tongue formed from his hand occasionally lapping at it making your body flinch, taunting you with orgasm and drawing it out until your core is begging for release.

"Please, I am going to release, my lord", you eyes pleading him to let you release.

"I know.." Sukuna's breath hitches,"I've never been so careful with anyone, especially a mere mortal." His voice dripped with arrogance.

His two shafts pulsated, straining for release.

He hisses at your tightness as you squeeze his dick, creaming it white. Your moans echo through the room.

"Ah, so sweet, hmph," he purrs.

Without missing a beat, Sukuna switches the shaft currently inside you with the one he was stroking. He leans down and takes the newly freed member into his abdominal mouth. The sight of his shaft being devoured by his cursed abdomen sends shivers down your spine.

Sukuna seems to notice the direction of your gaze."They both want to be in you, sweetheart. Perhaps not today... I shall claim you with one of my dicks only."

"Love you..," your tone barely audible.

"Love me?" Sukuna's eyes narrow, his brow furrowing. This affection was unexpected, especially from someone he was about to devour a while ago. Yet, there is something intriguing about it. "Love? What do you know of love, little bird?"

He continues to move inside you, his pace increasing ever so slightly. Each thrust is deeper and harder than the last.

"I just know you are never going to hurt me. That's enough for me to love you."

Sukuna laughs cruelly, his hips moving faster now. His laughter echoes in the room, filled with both scorn and amusement. "Oh, how naïve you are. Perhaps I will love you back on one condition."

Your stomach bulges with each thrust, revealing a glimpse of his massive member. It moves in and out of you, leaving behind a trail of pleasure and pain.

With every thrust, your cheeks redden, and your eyes lock onto his.

"Will you be able to bear my child?"

You bite your already swollen lips, thinking your future with the curse king.

"Answer me!" Sukuna roars, slamming into you harder; his need for confirmation is overwhelming.

You swallow hard, looking up at him with wide eyes. "Yes! Yes, Lord Sukuna! I'll bear your child!"

"Good. You deserve my love then." Sukuna kisses your neck, then his tongue slides down your sternum to your breasts, his shaft disappearing entirely before re-emerging from between your legs.

"You'll bear my child, and you'll remember me every time you look at them. You'll remember your lord." Each word carries the weight of ownership, sealing your fate.

His eyes gleam with anticipation, imagining the sight of your breasts swelling with milk. The thought sends a shiver down his spine.

"Imagine it, your nipples engorged, milk from them flowing freely. Yes, that would be lovely." His grip tightens on her hip, his thrusts becoming deeper and more possessive. His mouth sucks on your nipples while one of his hands pinches your nipples, thinking about how they would look, swollen and ready to feed his future kids. With each squeeze and suckle, you whimper, your body writhing beneath him. This is a future you never expected, but somehow, it excites you more than terrifies you.

His thrusts grow longer and slower, each one filled with possession and dominance. His mouth moves from one breast to the next, licking and sucking while his hand plays with the other.

"So close, are we?" His voice was low and seductive, promising pleasure and pain.

"Please, Lord, fill me. Fill me with your seed," you speak out the words you never imagined, you will say.

"So desperate, already? You beg well, sweetheart." Sukuna chuckles, his hips pumping faster. His breathing's ragged, and his gaze fixed on your face. "Are you sure you want this?"

Your lips swollen and red from biting as you let go of your moans while you orgasm again.

He does not wait for an answer, instead driving deep into you and filling you completely. His hot seed spills into your womb, marking you forever. His other dick squirts, landing on your chest and tummy. His eyes darken, and his entire body becomes tense.

"Now, you carry a piece of me. Forever bound to me."

Once spent, he collapses onto her, his breath ragged. His mouth found the curve of her neck, licking gently. "We have a deal, little bird. You bear my children, and I'll protect you. Our bond is sealed now."

"Look at you," Sukuna murmurs, pushing himself off your body. Standing up, he steps back to survey his art.

The mess is undeniable—your chest and belly covered in his seed, your thighs wet with evidence of their coupling.

His finger circles around your nipple, sending shockwaves through your body.

"How messy and used you look right now. Covered head to toe in my filth. I've claimed you and marked my territory for you. No one will dare touch you again. I'll leave you here to rest, my queen. When morning comes, Uraume will take care of you."

"I love you, my queen," he says, kissing your temple, letting you drift into the kingdom of dreams, where you are taking care of lord sukuna's kids.

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