[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
[ Transcript continued ↓ ]*
–
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
I need to get this out of my system or i will blow up. LIKE DAMN.. DAMN. LIKE OKAY. Like damn. Like. Tears in my eyes . fistful of hair . rocking back and forth . damn. He is ruining my life. Guys on the count if 3 throw the biggest rock at me. I need to be stoned there is no cure to this. goodnight cruel world.
this was made especially for those of us who cut ties with our shitty families, huh
i cried so much this whole episode. i know that i can't be in that house and be who i am at the same time, but the guilt and shame never really go away. i love that this episode said, wholeheartedly: fuck what society says, you should be wherever allows you to be happiest
anyway! you always hear that family estrangement is rare in asian communities, but i did it! and you can do it, too! dump your shitty family! i believe in you~
Halsin's character in Act 3 post breaking of the Shadowcurse is actually, either intentionally or not, another more quiet and subtle angle of trauma exploration; specifically, the alteration of identity development and its previously existing commitments post traumatic events.
admitting ur a larrie and saying it brought you to your current ship is such a brave personal choice. this comment should be an official diagnosis in the dsm-5.
is it me or is everyone on this website so fucking miserable about everything these days. about every show every movie every book every musician/band every post regarding social issues every art piece. actually not even just on this website on all social media type platforms. the sheer amount of posts/youtube videos i see titled “x is bad and here’s why”. y’all talk about people/problems that have never even remotely crossed my mind as a possibility of existing like it’s plaguing the earth as we speak. things that people act like are major problems in [x fandom] or whatever that i’ve straight up just never seen before. in circles i’m active in. not even in a “let people enjoy things!!!” type of way. just why are you so hung up on something minor clearly making you so upset. i’m a guy who loves to fight but like why are we fighting when it’s not even fun for either of us. and you know what i’m probably guilty of this too at this point but jesus christ. whatever. can we all just sit outside in the park and smoke a blunt and chill out like we used to.
thinking about how nameless bard mostly frowns in the boy and the whirlwind cutscene. thinking about how most arts and scenes of venti depict him with a smile. thinking about venti looking in glass windows or the reflection in ponds and lakes, poking at his smile with both index fingers. thinking about venti staring at his own happiness and feeling a sense of wrong about it—this is his friend’s face, yes, but not how his friend smiled. this is wholly venti’s; something he has practiced for years, centuries, to be as perfectly human as possible.
(thinking about how if you break down enough walls, if you get him to laugh just enough, if you squint a little—his smile then would look exactly like his friend’s had. a wide, crooked, lovely thing.)
I made a Vocaloid channel but I'm having trouble getting views. I like making covers for fun but I wish I could get more than a handful of views, especially since I haven't even gotten 5 on my latest ones. I use Vocaloid 6, which may be the problem since not many people talk much about it as much as the older versions
Would you have any advice as to what I can do?
m m m m m , , , , , , i feel like it's hard to say—back in the day when i was doing UTAU work, most of the interaction i got with my work was from my friends from UTAForum. we all sort of just shared our work with each other and supported one another doing our fun little hobby. though the sort of forum culture that spawned that sort of friend circle has kind of disappeared by this point , , , , ,
but honestly, even still—find folks whose work you like and get involved!! share your work on other sites and shout out people you like!! support the folks around you and establish yourself as part of a community
(of course like. don't treat it as a transactional thing. if there's one way to ensure No One interacts with your work it's to. comment on people's things or shout people out and then get passive aggressive expecting a response back. doesn't work like that. you support people because you love them and their work—not because you want something in return.)
but even more than that, honestly just keep doing what you do and the love in your work will come across in heaps and bounds, and someone will be bound to listen. people also tend to get interested the more you put your own spin on something, whether it's creating your own PVs, adding your own harmonies, sharing some of your files, or linking multiple covers together as part of a kind of overarching story. if you make it yours, it'll be yours for good.
like, at the end of the day we can all agree that views are just a number on a screen and are kind of meaningless and no one should base their worth on them, but also yeah it kind of wears you down after a while to keep sharing things you've put a lot of love and effort into with no response.
i'd just like to encourage you not to lose your passion for it—views or not, there's a lot to be gain by pursuing something you love. your VOCALOID endeavors are only just beginning, and who knows where you'll end up ! ! ! ! take the journey as far as it'll take you, and have fun all the while ! ! ! ! ! ! !
sometimes it drives me literally insane to see romance requests that are like
--I want a romance wherein it's basically the happy epilogue throughout the book
--I want a romance that has great communication and they never withhold anything from each other ever
--no "miscommunication trope"
The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?
Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).
If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.